#his charisma and creativity was incredible to watch evolve over the years

[judasbeast]

thank you.

[icedanceupstarts]

JGPF 2019 Preview

We’re officially at the midpoint of the season and junior ice dance has finally returned to us! In case the JGP feels as distant to you as it does us, here’s a quick refresher!

Avonley Nguyen/ Vadym Kolesnik USA

Age: 17/18

Started Skating Together: 2017

Coach: Igor Shpilband and Pasquale Camerlengo

Season's Best: 174.68

Rhythm Dance: Aladdin

Free Dance: Rach 2

Fifth at this event last season, Nguyen/Kolesnik are the top qualifiers at their second JGPF. These two have charisma for days, and it just might carry them to the JGPF title. In just three JGP seasons these two have gone from being the newcomers in the middle of the pack but with loads of potential, to putting up the highest scores of the season so far. Aladdin is a great fit for them in the rhythm dance and Avonley’s dress is absolutely stunning. Would we have personally chosen to construct this program in this manner, including a slowed down cover of A Whole New World jammed in the middle? No, but they make it work anyway with strong skating and so much personality. And the Friend Like Me sections are a real delight. We're interested to see how their performance and interpretation of their free dance has evolved. While beautiful during the JGP season, the program didn't feel all the way there and lacked a sense of building throughout. They have some of the best lifts in the world, at any level, using their size difference to make difficult lifts look effortless. The speed, changes in position, and flow in and out are all just impeccable. If they keep doing what they've been doing, it's going to be hard for anyone to beat them for the gold, either here or for the rest of the season.

Elizaveta Shanaeva/David Naryzhnyy RUS

Age: 16/20

Started Skating Together: 2016

Coach: Alexander Svinin and Irina Zhuk

Season's Best: 171.07

Rhythm Dance: Bonnie and Clyde

Free Dance: River

The first to actually qualify to JGPF, Shanaeva/Naryzhnyy have really stepped up this year. There was certainly room to do so nationally with last season's top Russian junior dance teams moving to seniors, splitting up, or missing time due to injury, but their big improvements in skating together and in consistency would be commendable in any case. 

Our personal favorite Bonnie and Clyde program, although we still can't believe there are enough contenders for that title that we can actually choose from. It's just really well constructed and a lot of fun, suiting both their individual personalities and chemistry as a team. Their entrance into the twizzles is mildly ridiculous and feels like a seamless part of the choreography. Their free dance is coming along and we're interested in seeing how it's evolved. It was a bit of a mess at the test skates but they've improved at every outing. Last we saw, there was a lot of music happening towards the end, but it's a pretty cool contemporary program with a really badass combination lift. There's a lot of variety in the free dances this year, but they would stand out regardless, and with two other Russian teams joining them in group one for the rhythm dance that can only work to their advantage.

Elizaveta Khudaiberdieva/ Andrei Filatov RUS

Age: 17/19

Started Skating Together: 2019

Coach: Denis Samokhin, Maria Borovikova

Season's Best: 165.59

Rhythm Dance: La La Land

Free Dance: Sign of the Times

We've got to tip our hats to Elizaveta here, the reigning junior world silver medalist with her former partner who has not missed a beat in this new partnership. Of course, equal credit goes to Andrei, who has also completed his first JGP season like he's got years of international experience. They're not the first junior team to find major success in their first season together, but it's still worth noting how quickly and seamlessly they've fit together. La La Land will never be a true fave for us and their styling is a bit sleeker than we typically see with this music choice, but they're just already such a strong team that their talent makes it work. The angst of their Sign of the Times free dance is right up Elizaveta’s alley as a performer and is a great vehicle for this new team. It allows them to go all out on emoting and connecting with each other while not being too complicated a story or theme for them to portray at this point in their partnership. They don't have quite the complexity of some of the lengthier partnerships in this event, but not to the point where it should hold them back if they skate their best. New teams with strong basic skating skills can often show more drastic improvement early on competition to competition compared to some more established teams, so it will be exciting to see how much farther they’ve been able to take their partnership. And it could definitely be to a medal.

Maria Kazakova/ Georgy Reviya GEO

Age: 18/20

Started Skating Together: 2017

Coach: Denis Samokhin, Maria Borovikova

Season's Best: 169.22

Rhythm Dance: Take Good Care of My Baby/Dream a Little Dream of Me

Free Dance: In the End

We should probably note that, for the purposes of this preview, we're using their Junior season's best, because these funky little overachievers have also been competing at smaller senior competitions and intend to compete at Euros and Worlds now that they have their TES minimums. Having to split their attention puts them at a bit of a disadvantage compared to their fellow juniors, but does give them a leg up on seniors so it works out. Since they have no domestic competition, it's a risk they can afford to take without fearing getting lost and buried at Nationals. But internationally at the junior level they are more than capable of contending for podium finishes, and the teams they’ll be facing aren’t training two patterns. You win some, you lose some, and they've clearly decided the pros are worth the cons. Their rhythm dance is the program that suffers the most from their multitasking, but it's still a nice program. Their foxtrot section is especially lovely, but historically they've always had some struggles hitting their keypoints. At their first JGP, their level issues in the RD is what kept them from winning the gold over Khudaiberdieva/Filatov, as they won the FD handily. The free dance is their big strength and already a fan favorite. On paper this program is objectively ridiculous. Absolutely nothing about it should work, and if you just describe it you sound like a crazy person, but it all comes together. From the opening where Georgy tosses Maria over his head just for style, to their performance, to the cartwheels in the choreo steps, it's just incredible. We're not sure there's a way to make skating to a rap cover of Linkin Park sound like anything but the most tragic misfire, but if you haven't seen it yet, you really need to. It's not just acrobatic and interesting and cool, it's impressively emotive as well. They're in their last year of junior eligibility and their maturity level is evident in their skating. If the can get all their levels, particularly in the rhythm dance, while skating their amazing free the way we know they can, some of the higher qualified teams might be in for a nasty surprise.

Loicia Demougeot/ Theo Le Mercier FRA

Age: 17/20

Started Skating Together: 2015

Coach: Karrine Arribert-Narce

Season's Best: 162.70

Rhythm Dance: Your Feet's Too Big/How's Ya Baby

Free Dance: Carmen

A French team back in the JGPF! And they are bringing the traditional French ice dance weirdness. Their first two JGP medals and first trip to the JGPF in their fourth JGP season have made this a very successful year for Demougeot/Le Mercier following their first top ten finish at Junior Worlds last season. They won the rhythm dance at their first event and put up one of the highest RD tech scores so far at their second event helping them snag two silvers. It's almost ballroomy but has that dose of classic French wackiness to keep things fresh. Their free dance, inspired by French theatre on ice or not, we do appreciate a good Weird Carmen and this one’s got it all from the music to the costumes to the choreography. They're in character from the first note of the music and carry it all the way through to the end. What keeps it from just being Weird Carmen is their strong sense of musicality and also vision. We can't say we truly get what they're doing but we're certain they do. Their world standing means that they will be skating in the second group for the rhythm dance which could play to their advantage. With their theatricality and commitment, they're sure to hold their own at this event. It's been some time since a French team has made JGPF, and longer since they medaled, but this could be a weekend for surprises.

Diana Davis/ Gleb Smolkin RUS

Age: 16/20

Started Skating Together: 2018

Coach: Igor Shpilband and Pasquale Camerlengo

Season's Best: 160.17

Rhythm Dance: Everybody Wants to Be a Cat

Free Dance: Always Watching You/Love is Gone

Young, new teams tend to grow rapidly, and Davis/Smolkin are no exception. Last season they were entirely respectable, but still learning each other on the ice and focusing on the technicalities of ice dance. A year and a coaching change later and they've settled into each other and developed some real flair and personality, bringing their performance to a whole new level. While we wish they showed the level of commitment of having cat toe bean gloves or just cat themed choreography in general, their rhythm dance ends up being pretty delightful anyway. They've got some really impressive lifts showing off their strength and creativity in a bluesy free dance. It's a nice change of pace from their rhythm dance while still allowing them to show off their improved performance quality and range of emotion. At their second JGP event, they made a silly mistake on the spin that dropped it to base level, and while they did enough in the rhythm dance to hold onto silver and their JGPF spot, it made things dicier than necessary and is why they're the final qualifier. They absolutely have the opportunity to improve on their qualifying position, or even take a swipe at a podium position. Given the cutthroat nature of Russian ice dance at any and all levels, every little bit counts before Nationals. They're a talented team, and we hope to see them skate to their potential and continue to blossom.

[roidespd-blog]

Chapter Eleven : RuPaul

“Hello ! Hello ! Hello !” RuPaul Charles (born November 17, 1960) has been a Pop culture Icon for the past 30 years as a punk rock singer turned dancer turned drag queen turned singer-songwriter turned model turned talk-show host turned occasional actor turned producer turned cosmetic guru turned all-around business powerhouse. Though there doesn’t seem to be any secrets surrounding the most famous drag performer in the world (and I’m not running a investigation blog), I do wish to retrace his steps, pay homage to a singular career as he just launched his new talk show last night (June 10th, 2019), and talk about the mistakes he made along the way as a way of learning from them all together.

THE DRAG REVOLUTION

Unless you were alive and moving around Atlanta in the 80s, you probably first put your eyes on RuPaul as an extra dancing on B-52’s “Love Shack”. Yes, he was a drag performer back then too. A starring role on a low-budget film called “Star Booty” here, appearances on a couple of documentaries there. Mostly nightclub work for a true working guuuurl.

In 1993, He recorded his debut album, Supermodel of the World, clearly stating his ambitions. His first single, “Supermodel (You Better Work)” is actually a masterpiece of dance/house music. The track and album were modest successes but attracted extreme media attention through heavy rotation on MTV. Soon, he became the first drag queen to sign a modeling contract (for cosmetics) and released his (first) autobiography, “Lettin’ It All Hang Out”. Side bar, I do believe that the first time I was made aware of RuPaul was in the 1995 movie ‘To Wong Foo, Thanks for Everything! Julie Newmar”, a suck-my-bone-marrow American imitation of “The Adventures of Priscilla, Queen of the Desert”. It’s about three drag queens going on a road trip from New York to Hollywood to participate in the biggest Drag Pageant of America. It’s quite vulgar, not subtle for one second and put three straight male actors into drag in performances that don’t shy away from clichés. In the end, they (SPOILER ALERT) made it to the competition and who’s crowning the winner ? Miss RuPaul, anty. I used to love that movie as a kid. Didn’t get it was about drag queens though. But please, watch Priscilla, instead. End of side bar.

By 1996, VH1 gave him his own talk show “The RuPaul Show”. For 2 seasons and 100 episodes, RuPaul interviewed celebrity guests (from Diana Ross to Cher) and made history as one of the first openly gay person to host a show on national television. For the rest of the decade, he released two more albums (one being a Christmas record entitled Ho Ho Ho — priceless name) that lead to commercial failure and overall media fatigue. Because it’s fun to see you, but “different” is better in small portions.

SECOND CUMING

From 1998 to 2004, only one forgettable song from RuPaul was released. This fourth record Red Hot (2004) received little to no coverage — Although the singles kept topping the dance charts. RuPaul admitted to feeling frustrated over the lack of interest in his work during the period, noting the media wasn’t reviewing his records and putting him on magazine covers anymore. Quote “I don’t know what happened. It seemed I couldn’t get press on my album un less I was willing to play in the role that the mainstream press has assigned to gay people, which is as servants of straight ideas”.

In 2008 however, Logo came to RuPaul with an idea that changed so much lives in the process. The offered him the possibility to host and produced a reality competition program based on his brand name called RuPaul’s Drag Race. For those who still don’t know what Drag Race is (HOW DARE YOU?), the premise of the program has drag queens competing to be selected as “America’s Next Drag Superstar” in a series of mini and maxi challenges, culminating in the end of each episode to the bottom two queens lip-syncing for their motherfucking lives and the elimination of one of them. The (new) drag revolution began on February 2, 2009 with a first season that was a bit disavowed by the host himself but it was successful enough to be renewed for a second season. A then a third. And a fourth and so on. The show just ended its eleventh cycle.

The show itself had a very interesting journey. It debuted on the fringe of entertainment, a fun little anomaly for the “in” people. It developed in its first three seasons into a somewhat very solid shows, powering through better storylines, challenges and candidates. In its fourth season, it started to be critically lauded as an incredible piece of pop culture with a cast of queens out of this world. Creatively, the show peaked from season 4 to 6 (4 having the best queens, 5 the best storylines, 6 the best narrative structure). By season 7, it was a phenomenon that keeps on growing as of today.

Last September, Drag Race received the Primetime Emmy Award for Outstanding Reality-Competition Program for the first time. RuPaul himself won Outstanding Host for a Reality or Reality-Competition Program three years in a row and each year, the audience gets bigger and bigger. The show (who has already been renewed for a 12th year) has introduced us to almost 150 queens over 145 episodes and spawned a couple of spin-off shows, some successful (Drag Race All Stars — four seasons and counting) some not so much (RuPaul’s Drag U, canceled in 2012 after three pretty uneventful seasons). A few international incarnations were made around the world, most notably the UK edition that’s about to be released in 2019 with RuPaul (and bestie Michelle Visage) returning as judges.

EVERYBODY SAY… LOVE ?

From that storyline of a Phoenix rising from its ashes, RuPaul developed into you can pretty much describe as an “Empire Incarnate”. He released 10 new albums, 8 of them serving as official and non-official soundtracks for the show (which is made of RuPaul songs from beginning to end — ROYALTIIIIIES, PEOPLE!). He created a podcast called What’s the Tee ? with Michelle Visage in 2014 as a way to revive The RuPaul Show into another form. He developed everything RuPaul from glass wear to cosmetic lines, promoting them all on the show, released 3 more books (the latest being called “GuRu”) and establishing an annual event a few years ago called ‘RuPaul’s Drag-Con’ happening in New York City and Los Angeles with most of the show’s drag queens making appearances. Basically, he’s making so, so, so much money. An impressive feat from someone who came from nothing and did something with what he had.

Unfortunately, success and worldwide exposure don’t come without their fair share of controversies. First, the fact that everything is about RuPaul, RuPaul, RuPaul (the puns, the challenges, the fact that HE gets to choose who becomes America’s Next Drag Superstar, blablablah) comes to a breaking point in 2019. After eleven years of almost non-stop self promotion, I do feel like I need to take a little break from his sphere. I mean, we had four seasons of Drag Race and Allstars in the spam of 18 months. That’s 44 episodes of intense Queen Dramas and Glitter Balls. I do feel like too much of a good thing harms the quality and appreciation of a program. Drag Race’s latest seasons weren’t as thrilling as the previous ones, mostly due to lack of imagination in challenges, weaker casts and a formula that refuses to evolve with time. As the show went on to become an actual phenomenon, it became a bit too pleasing for all crowds, including straight people. Not that it’s a bad thing that straight people can watch and appreciate the show, but adapting it for their comprehension is kind of fucked up. They should adapt to the show’s (and ours) culture. We open the window and let the song be heard, we don’t blast the door open and give the partition for free. Anyway, just an opinion.

My biggest concern with RuPaul comes from his relationship with the trans community. Drag Race has featured a number of contestants who now identity as trans women (Sonique, Carment Carrera, Jiggly Caliente, Monica Beverly Hillz, Kenya Michaels, Gia Gunn, Peppermint), some of them making their identity public while competing on the show and that’s a good thing for the trans representation around the world.

In 2014, Carmen Carrera (Season 3) and Monica Beverly Hillz (Season 5) criticized the show’s use of words “tranny” and “shemale”. Well, yes it’s bad but the show is about drag queens and they can call themselves whatever they want, right ? (That’s me trying to come up with excuses for RuPaul back in the day). They also described the announcement phrase ‘You’ve got she-mail’ as transphobic, the same year a mini challenge called “Female or She-male” was used on the show’s sixth season. Hmm, well, the producers removed that phrase and have been careful about their challenges ever since, plus RuPaul released an apology so it’s good, right ? (Me, still finding ways to find peace within myself). In 2018, RuPaul gave an interview to the Guardian in which he states that a post-transition trans woman would ‘probably not’ be accepted on the show, noting that at the time of competition Peppermint (season 9) had not yet had breast implants. Fuck. Ru. RuPaul also compared trans drag queens who had transitioned to athletes who had taken performance-enhancing drugs. Fuck. Ru. Two. He has since expressed regrets for the comments he made but I got to say, regrets won’t totally cut it. For a man who ends every season of Drag Race with a “EVERYBODY SAY LOOOOVE!” and preaches acceptance and self-love and seems to be so involved in his community, his views on the trans community are problematic. The only criteria for contestants are “Charisma, Uniqueness, Nerve and Talent”, which are qualities you can also find with Trans women. Damn, don’t you know that drag queen is a vocation, NOT an identity ?

I believe that over exposure and the lack of course correction on some of this opinions could cause RuPaul’s downfall in the near future. He’s a phoenix, he’ll come back I’m sure but if he plays his cards right, he won’t have to DO come back. Last night, his new talk show, RuPaul, aired for the first time for a three-week try basis. I watched it this morning on YouTube and… Why do you have a talk show, man ? What’s in it for me to keep watching it, aside from the fact that you are a pleasant person to see for 40 minutes ? The talk show is a vanity project that probably won’t help with the overexposure I keep talking about. I do hope that in the next three weeks though, you will receive a trans person on the show and face the criticism you’ve been shamelessly ignoring on Drag Race.

From the icon who expressed so eloquently how it’s like to have an inner saboteur, to his “you can call he. You can call she. You call me regis and Kathie Lee, I don’t care ! Just as long as you call me” or his incredible “Unless they’re paying your bills, pay for bitches no mind”, I do hope you’ll reconsider some of your actions. Do a little less Drag Race, a little less self promotion. Go enjoy your ranch with your husband for a year or so, reacquaint yourself with your community and come back.

This was an homage to you, RuPaul. I do hope I won’t come to regret my words.

NOW SISSY THAT WALK (ALL THE WAY TO WYOMING)

[theconnoisseurreviews]

Day 11: Your Favorite Movie From Your Childhood

My favorite movie, even when I was younger, has always been “The Little Mermaid,” but I don’t want to write another blog post about it, even though there is so much I can still say. I feel that these challenges are a way to discuss other movies that might not get the spotlight or even ones that I might not talk too much about in the future. So, I’m gonna talk about not necessarily my favorite movie now, but one that I was completely obsessed with, when I was younger.

You guys already know that I love Disney movies and one of my favorite movies growing up was the incredibly entertaining “Hercules.” My first experience into the world was not through the film, but actually through the DIsney storybook of the movie. I loved the art in the books and it was one of the earlier books I remember reading. Hercules looked like an ideal hero, he was big, muscular, and he saves the day. He almost immediately became my favorite character without even having seen the movie. 

Not too long after reading the little graphic book, my parents took me to the video store and we rented “Hercules.” Little did I know that after plugging in that VHS into our player, the movie and characters were gonna take over my life. 

Let’s talk a little bit about the characters. First there’s the title character and everyone’s hero, Hercules. Like I said before the dude looks like a hero from his physique to his looks to his act of heroism, he has it all. He has a backstory of being an outcast, who’s trying to find where he belongs. I admired that he was hardworking, a bit of a boy scout, but also charming in a awkward way. Who wouldn’t want to be like Hercules? Then there’s Meg. At the time, I liked the way she looked and how funny she is. But now as an adult, I can admire her tenacity see why she doesn’t trust anyone and how much more of a layered character she actually is. Then there’s the star, Hades. I loved his level of charisma, how sly and fast talking he was, and how his hair would change color depending on his mood. He’s still one of my favorite Disney villains to this day. The character’s are what made me love this movie. They’re all charismatic, fun, and creatively designed. Oh and I forgot about Phil. What can I say, Phil is great. 

The story isn’t that complex or filled with as much depth as other Disney movies, but it’s fun. It’s a Hero’s Journey filled with monster fights, amazing montages, humor, and catchy tunes. While being simple, I was emotionally invested in Hercules’ tale of wanting to be a hero so he can find his place in the world. And the music by the legendary Alan Menken is great. They’re catchy, the gospel muses is a nice touch that adds to the fun of the movie, and they help fill in the gaps of the story. My favorite song was “One Last Hope” and “Zero to Hero” because of the fun montage and seeing Herc become a “hero: right in front of your eyes. My favorite song now is “Go the Distance.” It’s his “I want” song, but it’s beautifully composed and Hercules’ voice actor hits the high notes perfectly. 

I was so in love with “Hercules” that I had a lot of his merchandise. I had plates, bowls, cups, bed sheets, puzzles, and other random toys and memorabilia. I watched the movie numerous times growing up and even some of the animated series. I considered it among my favorite movies of all time. 

However, I watched the movie years later, right around “Tangled’s” release, where I was watching every Disney animated movie, I came to the realization that “Hercules” doesn’t hold up. My taste in movies had evolved and I started viewing movies with a more critical eye. All the flaws started to become more evident to me that I had never noticed before. The story was kind basic, while I still love and admire the music and characters, they’re not as strong as I remembered it and the ending is lackluster. I found other Disney movies much stronger than it narratively and musically. 

Even though I don’t hold it up as high as I used too, “Hercules” has a special place in my heart. It’s still a very good movie and Hercules is still one of my favorite characters as well as Meg and Hades. I admire the animation and while the music isn’t that strong, they’re still fun. “Go the Distance” is still fantastic though. 

What are your thoughts on this Disney Classic?