#hillyer

[uspiria]

Dracula’s Daughter (1936) dir. Lambert Hillyer

[atomic-chronoscaph]

Dracula's Daughter (1936)

[weirdlookindog]

Dracula’s Daughter (1936)

Gloria Holden as Countess Marya Zaleska

[haveyouseenthismovie-poll]

[happyfoxphantom]

Actress Sharyn Hillyer (Della) and her memories of working on the Monkees episode Monkees on the Wheel

[detroitlib]

From our vertical files: "In My Library, Late Afternoon" by Robert Hillyer

[oldsardens]

Ted Hillyer - Breakwater and Mutton Bird Island

[cinemphatic]

Dracula's Daughter (1936) dir Lambert Hillyer

[dreaminginthedeepsouth]

"Travelling women will inevitably encounter many gateways, portals or tenuous partings in the shadowy fabric of worlds. To reach such a threshold is one thing; to work out a way through is another matter, requiring determination, daring, and some personal act of magic."

~Carolyn Hillyer, Weaver's Oracle

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There's a wonderful short story, by Stephen King, called Mrs. Todd's Shortcut about a middle aged woman who delights in finding alternate routes on her way into the city. She always returns with branches and bones in her hair and always arrives faster than anyone can explain. It perfectly captures this concept. I believe he wrote it for his wife when she was approaching her crone phase. Highly recommend.

[The Spirit That Moves Me]

[vladj]

[uspiria]

Lobby cards for Dracula's Daughter, 1936.

[atomic-chronoscaph]

Dracula's Daughter lobby cards (1936)

[weirdlookindog]

[letterboxd-loggd]

Dracula's Daughter (1936) Lambert Hillyer

March 9th 2024

[ancestorsalive]

by Nigel Shaw

[love-little-lotte]

Hamilton Manila 2023!

As a musical theatre girlie who lives far away from the capital city, it's a bit hard to catch artists and musicals when they tour in my country. It can also be quite expensive since I have to pay for my flight and book Airbnbs. But when Lin-Manuel Miranda announced that Hamilton would have its Asian premiere in the Philippines early this year, I promised myself I would not throw away my shot.

I first discovered this musical in the summer of 2016, probably a month before it garnered big awards — including Best Musical! — at the Tonys. Having only heard of Breathe from LMM's other show, In The Heights, back then, I was surprised to hear rap and hip-hop in a Broadway musical. Nevertheless, I was hooked! Every song was catchy, and the lyrics were smart and informative. Satisfied and Helpless became my favorite songs, with It's Quiet Uptown making me cry whenever I hear the four words: "Forgiveness, can you imagine?"

After watching The Phantom of the Opera back in March 2019, I was so excited to go back to Solaire and watch another musical. This time, I was able to enjoy my second theatre experience with my college friends. It seems very fitting that I get to share this moment with them. Back in college, we used to sing songs from Hamilton during breaks and enact the dance from The Schuyler Sisters. We even made a parody of the song Alexander Hamilton when making a presentation about Confucius for our Asian Civilization class!

While Solaire didn't have many different backdrops for photo ops for Hamilton like they did for POTO, my friends and I were still able to take cute pictures!

As a partnership with UnionBank, they also offer free holographic souvenir cards for the first 140 people (150 on the weekends, iirc), so coming to the theatre four hours earlier is definitely worth it! Here's my card with my friends:

My friends and I also enjoyed complimentary drinks from Solaire since it was our first time signing up for Solaire Rewards. Don't throw away your shot for free drinks!

Okay, now for the show itself! Although most of my friends were hoping to watch the show in the orchestra seats, we ended up on the balcony. After a while, I realized that Hamilton is certainly best viewed on the balcony since we're able to see the rotating stage more clearly, as well as the incredible choreography and lighting design.

Here's the main cast we saw on October 31:

Like most Filipinos, I was hoping to see Rachelle Ann Go as Eliza. "Pinoy Pride" is something of a cheesy inside joke in our country, but hell, I'm so happy to see Rachelle thriving in West End productions, from Les Misérables to Hamilton. Seeing her portray Eliza live was one for the books. She was playful and giddy in Helpless, but she completely broke everyone's heart during Burn. And not to mention, her voice! Her singing highlights include Burn and the last part of Who Lives, Who Dies, Who Tells Your Story. She also shared wonderful chemistry with Callan Purcell, who played Hamilton in this production.

I was so looking forward to seeing Jason Arrow as Hamilton, but I still liked Callan's performance, even if his interpretation was completely different from other Hamiltons I've seen in slime tutorials. I especially liked him the best in Act 1. His "mature" Hamilton may not be that convincing at times in Act 2, but his energy was so infectious as the "ambitious" young Hamilton in the first half.

Another surprise was Kirrah Amosa's Angelica. I've read some comments in the Pinoy Hamilton FB group about her "lacking" portrayal of Angelica, but you know what? I thought she was great! Yes, she's giving more of an "empathetic Eliza" energy instead of the "fierce Angelica" we usually see, but that's what made her performance of Satisfied even more impactful to me. As for the third Schuyler sister, Peggy/Maria Reynolds, Elandrah Eramiha has a honey-like voice, which she completely showed off during Say No To This.

As a Burr apologist, I'm torn with Winston Hillyer's portrayal of Burr. Eliza's my overall favorite character in the show, but for me, Burr is the most relatable and grounded. I wasn't completely disappointed with his performance, but I just didn't think his character was able to "grow" in the second half. He has a very wonderful, crystal-clear voice, though!

Darnell Abraham as George Washington was also a main highlight of the show! Maybe it's because of his rich baritone voice, but I loved his father-son relationship with Callan. His Washington was thoughtful and deeply caring. (And dare I say I like him more than Chris Jackson from the OBC?)

Brent Hill was hilarious as King George, but I can't help comparing his performance with Jonathan Groff's. They both have brilliant comedic timing, but Jonathan's a much more menacing King George, whereas Brent is sassier and maybe even crazier!

Meanwhile, Hamilton's comrades: Marcus John and Trey Curtis, who played Lafayette/Jefferson and Mulligan/Madison respectively, also had so much chemistry with each other and stole the show so many times! Marcus reminded me so much of Daveed Diggs' little quirks in the show, but he was still great in his own way. I've read somewhere that Trey is also a standby for Hamilton and that he's amazing. Sigh... What I'd do to watch the show again and catch him as Hamilton! Julian Kuo was also very sweet as Laurens/Philip Hamilton, which made his death scenes twice as heartbreaking as usual.

Overall, I'm very much satisfied with this Hamilton cast!

Of course, Hamilton will not be complete without merch! Just like last time, I bought a boat tote bag because, like other Gen-Z kids, I'm obsessed with tote bags. We just can't help it! I also bought a lapel pin, so I can pin it to my other tote bags. I initially wanted to buy the button pin set, but unfortunately, it was sold out. I'm still pretty happy with my purchases, though!

Four days later, I'm back at home, and I still have post-show blues. I just listen to the OBC recording and the mixtape to keep me company. Maybe I'll rewatch the Disney+ pro-shot again!

Watching Hamilton was a dream come true and an experience I'll never forget anytime soon. I can't wait to watch my next musical again!