#hi glass an/imals is my favroite band i have listened to them since 2013 and i love them thank u amen

[strandedcrow]

thoughts on the glass animals album dreamland? (info dump welcome)

YES hi hello thank you

I talked like,, a lot so I’m sparing y'all with a cut

The album itself is just so well organized and executed it’s insane. The entire album just captures the feeling of taking a nostalgic trip through your own life and the way that it ends up forgotten in a way, sickly sweet and vague, subdued, and so easy to get completely lost in. And part of what makes it so well done is the pure authenticity it’s completely drenched in. The album itself didn’t exist until quarantine hit, they had been taking a break after a band member was injured and had to recover, and that isolation had that same impact on them as it did on most of us, and the result was this extremely genuine album embodying nostalgia itself.

As a band they’ve always done such an incredible job of maintaining a theme throughout their album that is consistent without becoming repetitive. The song Dreamland does such a perfect job of pulling you into the album, easing you into a subdued album, fuzzy around the edges but clear once you can hone in on the details, on what’s being said, perfectly reflective of the theme it’s introducing you to. While it’s doing that it’s also providing a smooth shift from the last song on the album before it, HTBAHB. Agnes leaves that album off on such an extremely a somber, desperate, and lost note, which Dreamland picks up, just as lost in itself, taking off so beautifully from Agnes’ “You’re gone but you’re on my mind, I’m lost but I don’t know why,” and getting into the why. But it does so by warning you first, “You see in kodachrome, you see in pink and gold.” This album is distorted, it’s not right, the colors are wrong and everything is sweeter than it should be. At the same time, it sets up for the songs to follow, like “That worst thing you said” for It’s All So Incredibly Loud and “You were ten years old, holding hands in the classroom, he had a gun on the first day of high school” for Space Ghost Coast to Coast.It’s those vague, unconnected memories that you haven't quite grasped onto yet in full, but you know you’re going to get lost in them once you do. You’re stepping back from the overload of information and action today to visit who you used to be and what made you who you are now.

Right after it, Tangerine does something that Life Itself did for HTBAHB, it smoothened the general sound’s transition between albums. Just as Life Itself, with its beat similar to the album before its own could have fit into ZABA with no issue, Tangerine could have been on HTBAHB without disrupting the album. The “retro” vibe, the themes revolving around both the nostalgia of Dreamland and those of past relationships deteriorating because of missed opportunities and growing apart fits so well into both albums, it’s such a great transition from the past album to the current. The “I’m begging, hands knees please, tangerine” is also a common expression used (often as a double entendre) by them, again like in Life Itself, with its chorus being “Come back down to my knees, gotta get back, gotta get free, come back down to my knees, lean back now, lean back and breathe,” which just sets up for a really smooth callback to previous songs and album. Something else that Tangerine establishes is something that’s been a running theme with Glass Animals since ZABA: fruit. There is a lot of fruit here. It used to be a running joke that Glass Animals wasn’t actually a band, but a cryptic pineapple worshipping cult (no amount of music made will fool me, this is definitely a pineapple cult). This album uses fruit to remind you of the sugary sweetness of nostalgia, but there’s more history and, well, fan specific nostalgia that goes with that metaphor, too.

Hot Sugar is similar to a later song, Waterfalls Coming Out Your mouth, in that it’s about someone who is so cool that they aren’t actually cool. The person isn’t genuine, the idea of them isn’t actually them, but this was someone that you still want to be anyways, because who wouldn’t want to be that cool? The song doesn’t have much deeper meaning underlying it compared to some other’s because that depth doesn’t exist here, with this person. You know they’re “faking it,” but it doesn’t really matter beyond deciding if you actually like them or if you just want to be them, and the answer is the latter. This song is also similar to another, later song, Tokyo Drifting, introducing the listener to this person that he wants to be like, referencing “Hot rubber on the tar,” and setting the stage for the later song to tell you more about what he wanted to be like. Also, once again, through a mention of watermelon, fruit continues to be a recurring theme in the earlier tracks on this album, when the trip through nostalgic memories is still more sweet than bitter.

Right after we get introduced to this idea of who he wanted to be, we move onto what became of someone he knew closely, shared a lot with, and very suddenly lost touch with through Space Ghost Coast to Coast. The music itself is reminiscent of the music he listened to at the time. This song, being a telling of something that actually happened, is so authentic and raw in how it ends up, all still told through the layer of confusion, hurt, and again, that sweetness of nostalgia, with “You look bizarre in the apricot” establishing a deceptively sweet but confused tone over something heavy through yet another fruit metaphor. This song also manages to hit on other songs from the album when he tries to delve into why his friend did what he did, “Were you bored of gender norms,” matching with Dreamland’s “Go ask your questions like “What makes a man?”,” “… of being alone,” matching Heat Waves’ “I don’t wanna be alone, you know it hurts me too,” and “… no mama home, a bad divorce” matching pretty much the entirety of Domestic Bliss. Like Hot Sugar, this song sets up for Tokyo Drifting, with his idea of who he wants to be but isn’t, with “Remember when you stole mom’s old Geo Metro, you wore her old bathrobe, too small to see the road.” There’s also more blatant references being made to both past shooters (Black cap back with a trench coat, ay) and the arguments afterwards of what motivated them (Playing too much of that GTA, playing too much of that Dr. Dre). While he still wants to understand his old friend, and what happened for him to change so abruptly and dangerously, he does not want anything to do with him anymore. It’s a song about a loss of innocence and the understanding that sometimes you just won’t understand why someone does something. It’s just a complete banger in general.

Which then takes us to Tokyo Drifting, which absolutely slaps. The song itself revolves around what he wanted to be like, singing from a new persona rather than his own (Cane Suga from HTBAHB was done through the same persona). It breaks the pattern of referencing to fruit, instead focusing on drugs and alcohol, dropping the sickly sweet lens of nostalgia for something more fitting of the song’s specific theme. Don’t worry, though, dragonfruit was used extremely heavily in this songs promotion as a single, so the fruit is still there, just not directly, and that lack of directly referring to a fruit in the song itself fits with the way that the song breaks from nostalgia of things that have happened and people he knew into something that was never real. There is no rose colored glasses needed for something that never even happened. I don’t have much else to say on it, it just goes hard, this was my most listened to song two years in a row lmao.

Melon and the Coconut is just sheer Glass Animals. It’s weird, it’s fun, and it sounds great. It cleanly splits the album in half, splitting the POV’s straight down the middle while making a reference to its own position in the album, “Sometimes B-sides are the best songs.” Needless to say, there are some super subtle references to fruit in Melon and the Coconut, the song about two fruit.

Then, the second half of the album kicks off with Your Love (Deja Vu), a song extremely similar in theme to previous songs about missed timing, like ZABA’s Pools and HTBAHB’s Pork Soda. Instead of fruit, “juice” is mentioned in this song. It takes the turn from thinking about people you were friends with, what you wanted to be like, to people that you were with, and things that just didn’t work out.

And then there’s Waterfalls Coming Out Your Mouth. It’s such a clean parallel to looking back on things with nostalgia and seeing them through the fake sweetness that time brings, with this song being about the rose colored glasses that were present in the moment, the time when you start getting to know someone but you aren’t actually getting to know them, you’re getting to know this other, more impressive version of them instead, and they get the exact same experience of you on their own end. He’s letting this other person have their own version of him while he has his own version of them in his head, and he knows their version of him is wrong, so he also knows whatever he thinks of them is going to be wrong, too. He knows them, but at the same time he doesn’t. He’s realizing here, that this person, like the Hot Sugar person, is too cool, and they aren’t real, it’s all just talk, and it’s all fake like the “chemical warfare, red lips and television eyewear, raspberry soda hair, in the pool with a blow up gummy bear.” It’s sweet, sure, but it’s also fake. “Chat shit but where’s the real you? Never seen The Price Is Right, I’m a liar been on that shit since ’99. You make me look like a clown, clap clap, you’re a clever clever cookie now” has no right go that hard, and yet it Does.

Then, abruptly, we get to It’s All So Incredibly Loud. The song itself is subdued, it’s that point in your trip through your own memories where you remember why things went wrong. You get shaken from your train of thought and lose your place in it, because you aren’t there anymore, you’re here and you can’t go back, you can’t fix anything, all that’s left for you to do now is mourn the wrongs and accept them, even though its painful. This is remembering what Dreamland meant by “That worst thing you said,” the realization that you have to break someone else’s heart, and how much that hurts.

((home movie: rockets)) is the longest home movie audio in the album, and creates a smooth transition back into childhood, journeying back through a sound similar to that of their first album, ZABA, on the way there for the album to transition into Domestic Bliss. This time, with someone else entirely’s perspective falling back onto knees, but this time under an entirely different tone, “Fight for me. We can leave I’m begging, please, on my on my knees.” These two songs back to back continue the downward spiral that too much nostalgia can leave you falling into, the wrongs, the regrets, this trip down memory lane has lasted too long, now.

Which drops us off at Heat Waves, which returns back to his own perspective after Domestic Bliss focused on a friend of his. It fits the bittersweet feeling in nostalgia, the understanding and acceptance that you can’t go back, you just have to keep going forward and separate instead for everyone’s sake, a followup less to the tangent in thought that is Domestic Bliss, and more to It’s All So Incredibly Loud. It also wraps up those previous album’s songs, Pools and Pork Soda in a way, bringing a sense of closure to the nostalgic feelings, as well as to the entire album.

And finally Helium, the bookend opposite to Dreamland. This song flawlessly embodies that feeling of when you realize you’ve just been sitting and staring at a photo album for an hour now, and you finally take a look around you, feeling the air conditioning on your skin, hearing the sounds of the world around you, snapping back out of your train of thought and into real life again. Things didn’t work the way that you used to think they would, but that’s a good thing. It is such a perfect ending to the nostalgic journey that is this entire album. Fading back into the melody that started this journey of sickly sweet memories of people you looked up to, when you learned for the first time that people can change and you might not ever understand why, ideas of who you once wanted to be, finding something light that you can laugh about, realizing how similar so many things in your life have been to each other, the realization that the people you used to look up to might not have actually been that impressive the whole time, your regrets, times you wish you could have done more, and the understanding that sometimes you shouldn’t have done so much.

I love this album so much man