#hes really square and round shapes really fun to draw

[all-eyes-no-dragon]

Learning shape theory was so great for my art

I was able to make body types for my characters, I found out why I hated Alan's glasses so damn much, I made a cool gargoyle today who is truly the gargoyle of all time someone said he looked like the minion from clash royale, which I suppose is better than old man?

Edit: the moment I doodled over the oval glasses and decided he needed a change of shape

[tibbycaps]

Do you know have any tips on how to draw a comic? As in simple style and easy to draw and consistent in redraw? I love your style and I can't help but wonder how you got here and if you could help. Thank you

okay sorry i left this in the inbox for a bit because. where to start lol! there's a lot of thought that can go into making comics i think. but i believe you're specifically asking about having a consistent art style and being able to draw the same character a lot over and over again, so i'll try to focus on that

i think a lot of consistency is just playing around with character designs and getting something you feel comfortable with. ill use grian as a good example because it took me a while to come up with a grian design that i liked. once i liked it, i was able to draw my grian a lot & very consistently. every time you draw a character, even if it's a little doodle, you gain that muscle memory for ur lines a little better, so you should doodle always as much as you can and never be afraid to try something new and experiment with your style

the pipeline

i think a good way to establish a character design that you really like to draw & can familiarize yourself with is by defining some key features about them. like in this image for example, my older grian designs don't really have anything about them that stands out to me. he wasn't rlly that fun to draw. but nowadays i think i have a distinct hairstyle & expression & glasses shape i give him, which are fun to draw. even if it's a tiny doodle with like, 15 strokes, you can still identify it as my grian design i think

something that i noticed (i didn't consciously do this but it just sort of happened as i was trying to make them all look different from one another) is that i assign different shapes to grian, cub and scar. these guys are good examples because 1. they're the three characters in my hotguy comics part and 2. they're the three guys i draw the most often

grian i tend to go for more rounded shapes, cub more squares/rectangles, and scar is more pointy and triangular. little things like this can help them stand out from one another and makes them fun to draw in my opinion. when i draw grian's hair i always have the hair come to a rounded point and is more neat/tidy. when i draw scar the hair is more spiky and wild. cub is sort of in the middle where his hair is more pointy, but is kept neat, which gives it those straight lines and right angles

TL;DR how i draw characters easily and consistently is make key features & shapes that make them fun to both draw & look at. and then draw them a lot

i hope that makes any sense, i like yapping about character design so hope you don't mind the long response lol ^_^

[velvet-games]

in the middle of working on a lucifer redesign :)

thoughts/explanations + minor character analysis under the cut (this was supposed to be short but it ended up being very thorough lmao):

honestly love his canon design so I'm kind of working from that more than I'm trying to rethink stuff from scratch

I'm gonna admit right now that a lot of the design choices were very self indulgent lol; I just want him to be pretty :<

circus stuff~

I've seen a lot of people raise their eyebrows at the circus motif, so I was going to try something different, but I actually think it makes a lot of sense!

I think freakshows/circus acts have been tied to this idea that certain identities/abilities are strange and shameful, only valuable as dehumanizing entertainment -- they're mistakes, freaks of nature

but at the same time many circus performances require a lot of skill and work and love that can go unappreciated, each and every performer at the very least a person worth respecting

I think lucifer sees hell as a freakshow/circus he's been forced to lead and try to control

a bunch of wayward toys meant to be bright and beautiful that have been twisted into something terrifying

and he needs to discover a more empathetic, appreciative, and loving way to think about sinners

and also to realize that it's not about him or his mistakes; it's about a group of people with their own emotions and autonomy that he needs to respect

anyway

all that to say: we're keeping the circus ringleader thing!

I think a whip would make more sense for a ringleader, esp since alastor has a staff already (but they're enemies/foils so maybe their designs should reflect each other?)

there's room to turn the whip into a snake maybe

in the pic I made it look like his tail bc I considered making his actual tail a goat tail (cute! but the longer one suits him better I think)

maybe an apple on the top/handle still

the tux honestly looks a little too formal/cool for him most of the time lmao

so I think he should take off the jacket/have the toymaker apron on instead unless he's fighting

vaudeville doll~

lucifer has a lot going on tbh: circus ringleader, angel, devil/demon, snake, goat, vaudeville porcelain doll, toymaker, etc.

I think I'm gonna take out snake just to simplify a little, but I'll talk about that more later

I was also going to take out porcelain doll but

1) the rosy cheeks are super cute

2) fits with the circus theme

3) fits with the idea that he's both a toy and toymaker (an angel that tried to play god)

uhhh there's a couple self indulgent doodles of him in a vaudeville doll dress lol. not relevant to the design at all; I just like drawing stripes and ruffles

I ended up making him sort of androgynous in a lot of ways? (not that he wasn't already lol) which works for him I think

part of it was the vaudeville doll thing; I wanted to give him (keep?) the eyeshadow and add those little vertical marks you see on them sometimes

also because I really liked the puff sleeves in one of the references I used; it kind of emphasizes an extended hourglass shape with the puffy pants

plus I love drawing the more classic tuxedo shape <3 very yummy lines and details

hair/shape~

I fucking LOVE when people draw him with messy hair, so I made that permanent

I also think (esp since he's blond) having the hair stick out in tufts kind of makes it look like a star (morningstar, lightbringer, etc. etc.)

even more so with the pointy horns (those are also fun to draw cause they're right in the corners of his widow's peak)

I drew a random triangle on one of these as a reminder to keep the pointy/triangular shape language throughout lol

squares would def be wrong with the implications of sturdiness and stability

I think circles would be wrong too? he's vulnerable and ultimately very soft inside so I kept a lot of round lines, but I don't think he's the traditionally bubbly/friendly/peaceful archetype circles are usually used for

triangles are apparently dynamic, dangerous, and unpredictable, which is a little closer to what I'm going for

(shape language is a very flexible rule btw; I'm not saying they determine everything about a character or that one shape has to mean exactly one thing)

he's also a depressed, tortured soul, so I feel like he should look just a little unhinged and exhausted <3 (hence the eyebags on top of the messy hair)

angel stuff~

(sidenote: cherub and seraph are singular, cherubim and seraphim are plural. even the show gets this wrong tho, so feel free to say whatever ig)

I'm pretty sure most people agree lucifer was probably a cherub? cherubim only have 4 wings so I might go with that

I do think it makes more sense if he's higher ranking like a seraph tho ... it's hard to decide whether to go with the show's ideas about angels or actual religious texts cause both are interesting in their own ways

snake~

ARHHGHJF idk how I feel about his nose

again I thought about taking out the snake motif, but he honestly looks good w/o a nose (I mean it's there obviously but you can't see it if it's just snake slits lol), and I definitely like the idea of him having a forked tongue or his eyes turning into slits when he's angry

also also

mini rant on animal motifs in hazbin:

I get the impression that a lot of people think it's a bad thing that you can't tell what animal a character should be? and/or that a motif has to be clearly present in the entire design to be good

and I kind of just accepted that until I started thinking about ozzie's design from helluva boss

like the original demon he's based on is really just that fucked up and mixed with animals you can't always identify

and chinese dragons are like a billion different animals even though they sort of just look like lizards at the end of the day

like obviously if you want the audience to associate a character with a specific animal (like if you want people to think a character's spooky because they're a spider or something), then you do want the animal motifs to be clear/consistent

but sometimes you just want certain elements there and it doesn't matter if the audience picks up on it (at least consciously)

and I think with someone like lucifer, having a lot of animals/concepts mixed together in an ungodly combination makes sense lol

so idk

maybe we'll just give him the nose/tongue

I did try just giving him a button nose in some of these for the doll thing tho

goat/charlie~

urgh I hate realizing I should've designed certain characters together lol

I took out the rosy cheeks in my original charlie design since I wasn't thinking about lucifer, so I put them back in this time lol (and generally thought about how they should be visually related)

I like that it enforces the idea that charlie's lucifer's creation (toymaker makes a doll in his own image yk)

also they both have puff sleeves now :) (charlie's design is basically princess dress silhouette but make it a suit)

I also gave her goat ears, so I figured lucifer should have them too? idk because I like the way his hair looks a lot better without them, and I kind of like the idea of giving them diff combinations of goat features (maybe she should have a goat tail?)

also drawing this made me realize I have no idea why charlie has a puppy nose??? I thought it was the goat thing for some reason but that doesn't make any sense

maybe I'll just give her no nose

anyway! fucking incredible if you read all of that; idk what possessed me to write so much about a half-finished design lol. feel free to leave suggestions/answers to the questions I had!

[where-does-the-heart-lie]

Can we have a deeper analysis in Sabo's shape language study please? It's amazing how you make him give different vibes with just his hair and I like to understand how does that work.

Oh. I'm SO glad you asked.

(The Post In Question)

Okay so this isnt the first post ive made about shape language,

Here are the others:

ASL Shapes Strawhats Shapes

i'm just gonna copy and paste the definition i have for shape language from those posts here so i dont have to write it all again.

Shape language is defined as “a concept used in art and animation to communicate meaning based on shapes we are familiar with” (source). This concept uses circles, triangles, and squares to convey an idea of the “personality” of the design without using any words.

In designs, using circles and rounded edges in your silhouette and detailing gives the design a soft and squishy look. They tend to be harmless, approachable, or changeable.

Designs using squares gives the design a solid, sturdy, and strong look. They are supportive, reliable, and inflexible

Lastly, triangle designs are sharp and directional. They are dynamic, dangerous, and unpredictable.

That's base level but here's more in depth description of each design for ya:

this one is up first!

You may notice how in this design, his hair isnt in large clumps like the others are. His hair falls delicately and waves gently with little to no hard angles.

In this design, i was trying to convey the idea of "he wasnt born to fight, but he's molded himself into someone who will." I tried to depict that by making his hair all light and feathery, his facial features soft and rounded, but also showing how he's modified his body in a pointy and aggressive way.

I didn't want to only go hard edges with the piercings though because much like he's strayed from his mold of being delicate, he's also strayed from his mold of being a cruel noble. so some of his piercings are rings, AKA: Circles.

You may also notice the different in how I've drawn the collars of these guys. the collar of this Babo's black coat falls softly, and its' arc is rounded. The shoulders don't have any padding and it rounds at the corner.

This Man Is Round.

Next up is this Freak

This is supposed to be Triangle Him.

His hair is in larger, hard angled clumps. Indicating that he probably cut his hair himself. He did... greattt. I already headcannon him as someone who cuts his own hair, but i dont think this one ever gets any better at it.

The hard angles on his teeth, his scar, his jaw, his collar, that line i forgot to erase on the left, and his coat all give indication that this guy is Dangerous and you probably shouldnt mess with him.

I didn't have any real deeper meaning to this version, I just wanted to make him look as opposing as I could. this guy is "what you see is pretty much what you get."

Even though he doesn't have a lot of deeper meaning, I think this one is my favorite of the designs. I really love these colors on him and his hair was really fun to draw. I think I wanna draw him again at some point. I think this version of him would be very funny paired with Koala. I'm chuckling thinking about it:

Koala and her Armed and On Fire kindergartener

And lastly this guy

Sabo's base design is very rectangle coded. From his Hat, to his face shape, to his coat. So this version was very easy to make as I didn't actually need to change that much!

I think maybe I could've made his design a little more complex? But also I think there is a beauty in simplicity for this one. He looks straightforward, reliable, and kind. He seems like the kind of guy who gets his hands dirty, not because he likes doing it, but because he does what he must for the greater good.

I really love his hazel eyes, too. I think it brings a nice warmth to his design that is really nice.

Additional comments:

I love talking about this stuff. I love designing. I love art. I love drawing so much it's so fun

Everytime I get to sit down and make some funky doodles my brain feels like 🧠🤸🧘🧜🧚🙋‍♀️🙋‍♀️🧚💃💃💃💃💃💃

If you got this far thanks for reading :)

I usually have a description for my designs and my choices and stuff and I forgot to do one for this post, it makes me happy to see that it was missed :)

[sorbeau]

what are your like essentials/you have to put in accessories or traits for drawing the bad kids?

BOY OH BOY DO I HAVE A LIST FOR YOU PAL

i have so many designs for these guys but there are certain cornerstones that MUST be upheld.

for Adaine, i love giving her huge round glasses, more often than not with some cute glasses chains or dangly accessories with them. im my heart she's also very tall and lanky, perfect awkward teen girl build. i like to keep her facian features very oval shaped, a sharp chin with a rounded jawline and a straight and thin nose.

for Kristen, I like to make her hair curly and cover her in freckles. she was the chosen of helio!!! she's kissed by the sun!!!! she's always looking sunburnt and tan in my heart. I also love making her rather stocky, just a stout girl with a big smile. i like to give her very rounded and robust facial features, chubby cheeks, a big button nose, and very expressive eyes.

for Fabian, his design is the one that changes the most imo. i could put him in one million different hairstyles and one million different outfits. i think his cornerstone design aspect that cements him as Fabian is his eternal smirk and general prettyboy aura. also the eyepatch is a pretty big tell. i like to give him sharp rectangular features, a strong jawline, defined cheekbones, and a straight nose, occasionally dropping in some cheeky dimples.

for Gorgug, i really like to give him a longer haircut, as well as part his bangs to sort of cover one eye. he's very rectangular to me and has a very long but toned build. i like to keep his face very rectanguler but rounded and soft, a square jaw and defined cheekbones, but soft brows and eyes with a large downturned nose.

for Fig, her design is also one that changes a lot, but that in and of itself is a huge part of her character!!! she's spontaneous and rebellious, and I always make sure her design reflects that. her hairstyle hats lots of subtle changes, but i like to stick to alternative microbangs a lot and making her horns curve inwards slightly. a little demon tail is optional for her, but always fun. i like to give her very heart shaped features, with a pointed chin and round defines cheeks, as well as a pointed button nose and expressive but sharp eyes.

for Riz, i really like to lean into the feral/animalistic side of goblins that we see in fh. sharp teeth, big sharp catlike eyes, and large expressive ears. im also a huge fab of giving him digitigrade legs and paws and a fuzzy tail. in my heart he's sharp and scratchy and covered in fuzz. i like to keep his face sharp but round and cute, he's got round cheeks but a sharp jawline, a small downturned nose, and wild expressive eyebrows.

[mismess]

Hello! I hope you’re doing well!

I’ve been watching Monk for the first time and have LOVED seeing your Monk fanart! The way you draw him is so fun and cool, I haven’t seen anyone draw him in a way that captures his likeness and still retains a creative style! I’ve been trying to draw him for weeks now and have had a lot of trouble nailing his features, any tips?

Hope you have a great one, and thank you for blessing my fyp with your blog! 💜

WAAH thank you !! I'm very glad you enjoy my Monk art! <3

I am shit at explaining myself and half the time I myself don't know what I did to get where I am. So I doodled him a bunch to try and feel out how i draw him.

Right of the bat I think I draw Monk a little rounder than he actually is? When figuring out how to draw someone I usually quickly trace over a photo to get a feel for the person and try to break them down into basic shapes first and build from there, and Tony Shalhoub can be a Very Square man in my eyes.

But I look at Monk and I see a softness that I must get across in my art, so I add some softness. Round his squares out a bit. Sometimes the vibes must be accounted for as well.

To me some of his most important features are his eyebrows, hairline, and most importantly and kinda ironically seeing as how sad his character is, his smile lines.

And you know, sometimes I DO draw him a little squarer, and sometimes I draw him a little rounder, consistency is also... Sometimes... Not as vital as it may seem... As long as the shapes FEEL right. Wish I could tell you my process more but I feel like I draw like that "draw the rest of the fucking owl" meme!

Your style is really cool btw! I love that columbo collection(one day I'll watch Columbo...). sorry if this isn't helpful at all lmao you have a wonderful day and/or night as well ! ^-^

[rjalker]

Public domain designs for the narrator and the Sphere from Flatland: A Romance of Many Dimensions, which is public domain and can be read and watched and listened to in many formats for free.

All of the art and designs on this post are public domain. This means they have no copyright, and can be used by anyone for anything. Including making art you then sell. You can repost any you like to shorter posts, just please include the image description that goes along with it.

Image descriptions are in summary, the equivalent of subtitles for blind people.

Here is a link to a masterpost for Flatland: A Romance of Many Dimensions.

And now for the public domain designs. I made all of these last week and kept forgetting to post.

The narrator first. There's two sets of lineart I was using and I only remembered to make one of them glow.

Batesian mimicry:

Where Flatlanders appear to be completely different creatures when seen above, with eyes that seem to stare directly at you...but it's really just incredibly detailed coloration on their internal organs, evolved to ward off predation from 3D predators that Flatlanders aren't even aware of.

[ID: A digital drawing of a square against a dark grey background, with a thick black border. Inside the square is a squiggly pink shape like an alien fish, with a single purple eye staring upward. Around it are green and orange squiggles, with white triangles around the edges, one of which is the Flatlander's real eye and mouth. End ID.]

Valentines card:

[ID: A digital drawing of a square against a light grey background. He has a black outline that glows white, with a single eye at the upper right corner. His insides are dark purple-red, with brighter red inside a zig-zagging bordern, with five pinks hearts inside the red section, with the largest in the middle. End ID.]

Basic organs:

[ID: A square with a glowing border, with a simple cartoony oval eye on one corner with a narrow pupil like a cat. His inside is light blue, with two large rounded blobs stretching back from his eye to represent a lung and stomach, in pink and purple. Around these are smaller blobby organs in orange, red, and darker red-purple. End ID.]

Same lineart as above, but with patterns for fun:

[ID: The same lineart as directly above, but rather than solid colors, his insides are striped blue and ice blue, and the organs are pale pink with darker pink polka dots. End ID.]

based on very fuzzy memories of a quilt from my Nana Jana's house...

[ID: A glowing square against the grey background, still with the simple oval eye in one corner. This time his inside is colored teal, with many almost symmetrical shapes inside forming a random pattern,each with gaps between them. These shapes are in pale red, orange, yellow, pink, and purple, with a large section in blue filled in with some of them. End ID.]

pretty pattern 1:

[ID: The glowing square, now colored monochrome blue, with a pattern of overlapping lines forming many curved diamonds filled in with blue-black, dark blue, ice blue, and almost white. End ID.]

Needs More Glow:

[ID: The glowing square, now colored in dark brown, with a large pane orange eye and large round pupil,creating a gap at the corner that is filled in with glowing white. His insides are in tan directly behind the eye, with other blogs for organs leading off to the sides in different shades of yellow, brown, and red, including a small heart shape. End ID.]

Geode dude:

[ID: The glowing square, now with his insides dark red on two corners, and the rest filled in with squiggles of ever-lightening blue. On top of this are thin white lines showing the forms of a brain, heart, and organs. The brain is connected by many small tendrils to the line that comes in from the upper corner that is both his eye and mouth. End ID.]

the same but now with squiggles:

[ID: The same white lineart as above for the organs, but filled in solid black, with the backgroud of the square in different shades of blue wavy lines like water. End ID.]

This one should have been brighter but my phone lies to me about colors and I'm too lazy to fix it now.

[ID: The glowing square, now with a simple cartoon eye at the top right corner, with a large white zig-zag crossing the body behind it. One side is pink with purple spots, the other is purple with pink spots. The spots are connected to eachother with simple wavy lines like springs. End ID.]

Fiery rose:

[ID: A square with thick black outlines on a grey backround. The inside is colored in different shades of overlapping pink and red swirls, forming a pattern like flower petals, or fire. End ID.]

sunshine swirl:

[ID: The square with thick outlines, now colored in orange, with a paler yellow orange symmetrical spiral on the inside forming a swirly sun shape in the center. End ID.]

simpler...

[ID: The square with the thick outline, now colored in orange, with a large oval eye, a large purple heart shape, and two small purple circle shapes on either side. End ID.]

simplerer...

[ID: The square with thick outlines, now colored in sea-foam green, with a simple black spiral at the upper right corner for the mouth and eye. End ID.]

Now for The Sphere:

Starlight eyes, with pattern.

[ID: Three digital drawings. The first shows an original design for the Sphere from Flatland, drawn against a light grey background. The Sphere is light pink, with a swirling floral design in purple. He has two large eyes, whose pupils are black and covered in specks of white, like stars. The second image is just the circle with the pattern, and the last image is the pattern itself filling out the whole image. It is symmetrical four ways, with four swirls and points in a cross between a flower and a star. End ID.]

Cyclops with noodly arm-legs

[ID: Two drawings of a sphere against a grey background. He is medium blue, with darker blue, thick swirling stripes, like a mackerel tabby cat. He has a single large oval eye on his face, and from his top rear extend two long limbs, which he holds at his sides in the first drawing showing him from the side, then folds under him like a cat in the second, when he is shown from the front. End ID.]

Stained glass at night:

[ID: An original design for the Sphere, seen from the front. He is covered in an intricate pattern of dark purple, magenta, orange, gold, teal, and royal blue. His eyes are shaped like narrow, upside down teardrops, with dark grey sclera, black iris, and a white, four-pointed star pupil. End ID.]

Froggisphere + lineart for recoloring

[ID: Two images. The first is the sphere drawn as a frog-like creature with a dark orange and yellow spherical body, with dark red eyes with horizontal bar pupils, with dark red thick front legs with yellow webbing, and blue back legs.The second image is the black and white lineart by itself. End ID.]

and last for now:

[ID: MS Paint art from four angles showing an original design for the Sphere. He is monochrome green, with a pale yellow-green face with a greener triangle shaped marking, then a deep green belly and hood. Above and between his eyes are yellow-green swirls, and his mouth is a simple line. His eyes are the same yellow-green as the markings around them, and inside his mouth is lime green. A purple hand filled with white sparkles is scribbled next to him, labeled, "telekinesis". End ID.]

these characters are public domain. You can make any design for them you want instead of doing free advertising for the infamously racist conservative Ladd Ehlinger, who created the 2007 film.

[ridiasfangirlings]

Hi Ridia-San~

So Gakuen K AU, The students have to raise an egg for a week and since Yata/Fushimi did it in MS, they decide to partner up again (Hello Tamagohiko the Third). Basically they go through the same thing, but with a few differences.

Yata notes how Fushimi says he doesn’t care, but is found redrawing the glasses to a rectangular shape instead of circular (‘I think Saru wants Tamagohiko to look like him’), Yata keeps seeing one of the other pairings almost destroying their eggs and uses the log to be a CPS, Fushimi ends up eggnapping a Green pairings egg bc of reasons, Yata takes this as a sign and eggnaps another pairings’ egg that he has reported the most (Fushimi happened to buy three purple outfits that suspiciously fit the ���triplets’), Yata notes that Fushimi uses the eggs to read off/find errors in code (YK like how real coders use rubber ducks) (‘Saruhiko is the Best Mom, he wants them to be smart :D)

I’m more curious on how all the Clubs/Teachers react to them, what happens to the Triplets afterwards, and just for fun how everyone reacts when a few of the logs have to be read. THANK YOU.

Maybe this is like Yata trying to teach Fushimi that he can have permanent things, by promising him their egg child won’t break again XD Imagine this at a point in Gakuen K where they’ve basically made up and are friends again, and their teacher announces everyone is going to be adopting an egg for a class exercise. They have to pair up and Fushimi is all gloomy clicking his tongue because he hates group work, but Yata pokes him and is like hey, you wanna team up again. They did this in middle school and probably had to sneakily switch out eggs after Niki broke their first one and there were bad memories there but Yata thinks this could be a good way of re-establishing their bond and showing Fushimi that he can trust in their friendship again. Fushimi hesitates but finally he shrugs like well if you want to, Yata grins and is like cool I’ll go up for our group and get Tamagohiko, Fushimi is like you’re not calling it that again.

Despite Fushimi’s protests Tamagohiko the Third is adopted, Yata even draws a pair of glasses on him (and is secretly pleased when he spots Fushimi changing the glasses to be more square instead of rounded). Yata decides now will be the time he shows Fushimi that Fushimi can really be a good dad, and part of this is making sure that Fushimi doesn’t get bad vibes seeing other people almost destroying their ‘children.’ Fushimi rolls his eyes and tells Yata not to be annoying but then one day Yata walks into class and there are three eggs in the carrying basket, Yata’s like wait did you give birth to triplets suddenly and Fushimi scowls all I didn’t give birth to them idiot. He won’t say where he got them but later Yata hears another student complaining that he was trying to see if you could throw an egg at the wall without breaking it and someone stole their egg. Yata smiles, figuring Saruhiko’s getting the hang of it after all.

For the rest of the week Yata encourages Fushimi to take good care of ‘the triplets,’ Fushimi keeps calling Yata an idiot but then Fushimi is also spotted like wrapping them up in scarves when it’s cold and at one point he falls asleep with the basket containing the egg trio in his arms and Yata starts taking pictures to tease him with later. The teachers are probably very impressed, everyone assumed Yata and Fushimi’s egg would end up broken pretty quickly during one of their usual squabbles but Fushimi especially is being surprisingly careful with them. Munakata praises him for being such a splendid ‘dad’ and Fushimi rolls his eyes all not you too, meanwhile Munakata is introducing himself to the eggs as ���uncle’ (and then Fushimi complains about this to Yata and Yata’s immediately like what the hell, Fushimi says exactly and Yata’s like if anyone’s gonna be uncle to our kids it’s Mikoto-san, come on we’re going to the bar).

When they turn in their logs for the week the teacher is very impressed, imagine Yata even included some of the pictures he took of Fushimi being a good egg mom. The teacher reads even a few out loud including the ones Yata and Fushimi wrote, Fushimi looks all irritated and embarrassed while Yata beams because he made a good wife out of Fushimi. Later he joins Fushimi for lunch like see, we did a great job, you’ll be a great parent. Fushimi shrugs and says maybe, slowly eating his omelette. Yata suddenly realizes that the ‘kids’ are missing and starts to panic like wait you ate our sons, Fushimi gives him a flat look and then picks up the egg basket from under the table and shoves it at Yata. Yata’s relieved to see their children are okay, Fushimi rolls his eyes and says these are not our children, get rid of them. Yata is scandalized that Fushimi would throw their children away so easily, Fushimi says they’re going to go rotten eventually. Yata probably tries to hold onto them for a couple weeks until they start to smell and Fushimi makes him throw them away, Yata wonders if they should have a funeral and then go to the store to ‘adopt’ a new set and Fushimi throws a pen at him.

[sixty-silver-wishes]

When I was a kid, the Appalachian/Southern US folk tale “Tailypo” used to scare the shit out of me. I’ve been wanting to illustrate a short horror story for a while, so today, I’ve been sketching out concepts for my own take on “Tailypo.” These definitely still need work (especially when it comes to the animal anatomy!) but I thought I’d share what I have so far:

So, first is the "Tailypo" itself. I devoted an entire page to this thing because I know it's probably going to go through a lot of changes, so I decided to start experimenting with what worked for me and what didn't. While many adaptations describe it as looking like a cat with a large tail, I wanted to make my Tailypo a mixture of animals- a wolverine, a cat, a mountain lion, a raccoon, and a weasel. Obviously, the tail had to be the most prominent part of the design, so I made it longer than the creature's body, with a jagged pattern. I think the Tailypo would be a very flexible animal, able to twist its body and slip into small spaces, so I modeled the body shape after a weasel, while giving it the back legs of a cat since its torso was higher above the ground. I'm still working out the details with its teeth; I want them to give it a frightening appearance, but I'm not sure whether I should base them off of a real animal or further stylize them.

I'm having a lot of fun designing the old man's cabin, although I can't yet settle on how I want it to look:

I've been looking at pictures of run-down Appalachian cabins, particularly from the 19th century (the story could be set any time, but I'm choosing to base my designs somewhere between the late 1800s and early 1900s), and they're giving me a lot to work with in terms of stylization. In terms of inspiration, I wanted to draw the crooked tree trunks supporting the porch in the first picture below, as well as the door and the uneven roof shingles in the second one.

Lastly, here are the old man and his three dogs. I was admittedly sort of running out of steam when I was drawing these, so the dog anatomy sorta sucks, but I just wanted to get my ideas down.

The old man is a hunter who lives alone in the woods, so I gave him a rifle and long facial hair because I don’t think he’d be super concerned with shaving his beard. He's heavily based on this picture:

To add more to his character, because he's starving and desperate enough to eat the tail of a strange creature he doesn't recognize, I made him very thin, with his clothes falling apart, like his hat and shoe. His eyebrows and beard will help to exaggerate his facial expressions throughout the story.

The three dogs were drawn with shape language in mind. I wanted to make them all distinct shapes and sizes. Their names vary across versions of the story, but in most of the ones I could find, their names are typically some variant of "Uno," "Ino," and "Calico." This adds for the bit that scared me most as a kid, where, after the Tailypo kills the dogs and the old man insists he doesn’t have its tail, it tells him “you know, I know, you’ve got my tailypo” before killing him. I wanted to incorporate the dogs’ names into their designs- “Uno” is made of round shapes to reflect the round letters in his name, “Ino” is a bloodhound based in triangular shapes since his name is a play on “I know” and triangles are associated with intelligence in shape language, and “Calico” is a Dalmatian based in square shapes. I also wanted to give each dog a collar that not only reflects their shape language, but also will allow the audience to know they’ve been killed by the Tailypo when their collars are all that’s left of them.

There’s still quite a bit for me to design and workshop before I get into illustrating this story, but I’m really excited! I really want to give it the same creepy feeling I had when I was a kid reading it for the first time.

[whattimeisitfic]

Hey, Hey! I wanted to draw some stuff for your fic, but I had a question. Do you have more details on how Michael, Gabriel, and Raphael look? I know Gabriel has some fem-characteristics and Michael seems to be the largest of the angels. No pressure tho!

Okok, I’ve actually had someone ask me about their appearances before so I’ll just post my response to them to give you a guideline, and if you had anymore questions just let me know duckling. The format of this is: there will be a number w/ a question they asked, and below that I answer it. (The questions came from @the-stress-express if you wanna check out their WIP)

Anyway, here u are:

1. Are Micheal, Gabriel, and Raphael kind of like copy-paste versions of Lucifer? Like, do they have Lucifer’s red cheek spots? Do they all have white ass skin like Lucifer?

- I imagine they all have white skin, and that Rals has the cheek spots, but Micheal and Gabriel do not. They’re kinds copy and pasted, but with a bit of variation in body structure (Rals being more rounded, Micheal a tad bit more square). And also while I’m here, I’ll say that Raphael is a little bit taller than Luci (probably just under Charlie’s height) and that Gabriel and Micheal are the same height, and quite a bit taller than their two brothers.

2. What kind of hairstyles, textures, and hair colours do they have? I’ll probably take some creative liberty, so don’t feel too pressured for detailed explanations, but I want to hear your designs so I can make it accurate to your vision. Also, I’ve heard theories that Micheal’s hair is a lot like Lucifer’s but idk if you are having that there.

Okay, we’ll go through this character by character.

Micheal - Same blondness as Lucifer, but perhaps a little shorter. Maybe a little fluffier at the top? Idk. No real big picture ideas.

Gabriel - Long, silky, straight dark brown hair. It comes down to about his mid-back/chest area, and it’s all like flowy and elegant and pretty well maintained. Shiny probably too

Raphael - Pretty much a mix between the others. Kinda like Lucifer’s style, but curlier, and with a similar brown hue to Gabriel’s (tho a little bit lighter). Again, no real preference other than that, go wild!

3. Eye colour. I remember you stated that Micheal has gold eyes, but what about Gabriel and Raphael? I feel like you mentioned it at some point but I forgot.

I honestly can’t remember what I said either, but I’ve been picturing Raphael with green eyes, and Gabriel with something more greyish-blue hued? I think. Idk if that reflects in what I’ve written but that’s what my brain had decided they look like now.

4. Did you have specific designs for the 3 angels’ robes? Or does it matter what they look like? If it doesn’t matter to you I’ll just let creativity take over there.

Not really. Just that Micheal’s are white/gold, Gabriel’s are a pretty pale blue, and Raphy’s are a pale, rich green (with the green being more on the blue side than the yellow). I struggle w/ outfits so I usually just don’t put much thought into them.

5. I will obviously include Raphael’s beautiful hummingbird wings. So do Micheal and Gabriel have specific wing styles? And furthermore, we know Lucifer had 6 wings bc he’s a former seraphim. I forget but, in this fic, are his brothers seraphims too? I feel dumb for asking but whatever lmao.

Yeah, they def all have six wings. I imagine Micheal’s looking more eagle-like, and… idk about Gabriel. It might be cool if he had more of a “pigeon-y” shape to them as a fun little correlation to his messenger status, but idrc. Do what you think looks best

[spotsupstuff]

What is Sparrows daily routine?

i wanted to draw stuff for this but ough that's so much, so-

[a day is divided into 30 units of time (aka their "hours") instead of 24 like with us for the sake of a rounded number like that]

[05:40] - wake up through the mist of "ugh five more minutes", throw a middle finger to the alarm clock and start the process of becoming a conscious member of the society by running into the closet doors face first and dressing up, getting that "hair" contained...

[06:00] - make either breakfast or lunch. if breakfast is done, get some stretching exercises in before eating. if lunch is done, just get the exercises done. pack some cash, documents like an ID since ID drones aren't a thing yet, tools for today's planned workload, don't forget the annoying golden mask

[~06:45 - 07:00] - enter the restaurant/fast food place ya visit every day and get either breakfast or lunch for later, ignore the barista who somehow managed to develop a crush on ya, eat up if it's breakfast order, maybe take a walk around the town square

[08:00] - clock in for work at the Mechanic's main entrance into the Caper of Euros structure. make the way to the puppet chamber to check Euros' statistics, see if smth fucked up during the night that would need the help with getting fixed up and of course, tell him good morning. if he's on his puppet and scoops ya up, kiss him a good morning too

[08:15] - leave the chamber and the backpack with lunch behind (he'll look after it, probably strap it to the umbilical arm, maybe go through it - he's allowed to. one of these days she really needs to pack a little notebook, pencil and an eraser so he can have some fun with that) and start the shift. Mechanic's job mainly revolves around catching the mistakes that slipped by before an Iterator was turned on besides the maintance. so basically bringing them as close to perfection as possible. so she looks for lil fuck ups in the design + works on the ones already noted on the pearl she has from Euros' first Mechanic

[14:00 - 14:20] - lunch break!!! come back to the puppet chamber and sit with Euros while snacking. get to talk with him a little, catch up on what he's up to in his research and iterations, answer him in kind when he asks you about your day outside of him. "so how'd you sleep? any dreams? how was breakfast? is the barista still eyeing you? i still think you should go on a date with them and be absolutely obnoxiously out of character so they'd stop. oh! what about the town square? what did the kids play today?" "oh slow down, will you! i still have noodles left."

[14:20 - 20:45] - rest of the shift! the last hour or so is dedicated to mostly going around the sector she dedicated the day to and checking over her work and the Hivemind members. with the nature of her and Euros' relationship this often times results with the Inspectors yoinking her to play or cuddle with

[20:45 - 27:00] - free time! she Can be hailed by the Houses for updates on Euros' condition and to get her opinion on some changes they'd want to implement that would affect Euros during this time. she Hates these kind of meetings because she sucks at social interaction n everything, but if she has to defend her charge(/lover) against stupid ass ideas, she Will do her best. but generally this time is filled with hanging out with Euros properly as a friend or as a romantic partner, go out for beer or smth if she feels like it, calling her family to ask how they are doing once she gets home- ask if they need any money and such since the job pays INCREDIBLY well- strength and such exercises to keep in shape, read up on some additional info on Iterators that wasn't necessarily addressed back in school or some fictional stuff, play games (with Euros if he will be down or calls first), make dinner, watch a movie...

[~27:00 - 05:40] - sleeby time <3

[hulloitsdani]

Gather round children it’s time for a Ted Talk about FEH and how I go about drawing these characters.

When making art for this game, I have found immense satisfaction in attempting to meet FEH on its level and remain fairly loyal to the Intelligence System’s approved content we have. This is remarkably challenging. For me, at least. I find this game’s design sensibilities run very counter to my own. That’s not a critique of any in game art of the characters (although I do think they improve greatly over time) as they fulfill their purpose really well. They are meant to be drawn 4 times max which means they can go pretty crazy on the details. But hahahaha I’m not doing that. Clearly. I’m drawing these guys by hand at different angles and posses fairly consistently, which is just not what they were built for. Don’t think when someone designed Kiran they thought of the person who’d be drawing them chilling ontop of a fridge with a bottle of mustard in their hand, you know?

So naturally I got to do some translating! And that’s the really fun part >:]

There are many things I had to find creative answers for, like Kiran’s face and Alfonse’s stupid haircut. But the one rotating rapidly in my brain atm is the Askr quartet in combat. I wanted lean hard into the fact that these four are, well, very human in comparison to every other combatant that enters Askr. They aren’t exactly helpless nor unskilled. If any of the trio raised their blade at Kiran, they’d start digging their own grave themselves. But the group are regular soldiers fighting against straight up warriors of legend. As individuals, Anna, Sharena, Alfonse, and Kiran are not that strong in comparison. No merges for these bitches they gotta work with what they got. However, they all know that. So they make up for their weaknesses through terrifyingly effective teamwork. Through the power of trauma bonding- I MEAN FRIENDSHIP they become a fucking terrifying force of nature. It’s like pissing off an ant hill or a wasps nest. A lancer goes for Alfonse and suddenly theres a swarm of five level 1 heroes making such a distraction that they don’t see Anna’s axe sweep through their Achilles heels or Sharena’s follow up shield bash.

So this means I get to convey their team composition through their body shapes and give them clear strengths and weakness for the others to cover. Which is just so god damn FUN. Like we all know Kiran is the squishiest of the squishy, so it’s really fun to show just HOW squishy they are through the immediate comparison Alfonse and Sharena. I gave those two sturdier square shapes, and thus making them shorter yet stocky. This makes it look like they could fucking launch Kiran’s bony ass to the moon and back. However, that’s on the condition that either of them could catch Kiran, as their tall slim build implies the lightweight speed they move with. Which is so!!!! Fun!!!! Aughhh big love. Kiran could literal use Sharena as cover to snipe enemies from. Meanwhile Anna and Alfonse are a bit ahead using reposition to let Anna provide swift dps without getting too beat up herself. And by reposition, I mean Alfonse using his shield as a jump pad to launch Anna at the enemy with. You know. Just bro things. Anna’s triangle shapes make her both just hearty and lean enough to pull it off, might as well go for it. Just make sure she’s properly supported and safe by the time the enemy phase rolls around you know?

And I swear, the combos just write themselves too. Like between Sharena and Alfonse, a poor soul gets caught in the worst version of ping pong as Alfonse captain America’s his shield between the two of them. Kiran could then use that same shield like Link does and surf out of enemy range, shooting at the enemy the whole way. It’s fun! These guys have the potential to really sync up during combat and be emblematic of their bonds with one another.

Example, Alfonse. Alfonse could TECHNICALLY be a stronger solo fighter if he ditched the shield. He has the constitution and skill to not actually need the extra protection, and if he decided to two hand his weapon (haha there’s a joke there) the damage he could do would be devastating. However, the shield isn’t for his protection, but to be better help to his closest friends. The shield isn’t taking as many hits for him as it is for Kiran and Anna, who can’t afford to carry shields without compromising their own effectiveness. Plus through creative (and probably not intentional) uses it helps better position them on the battlefield. It’s for THEM. The only time he’s going to stop using the shield is when they aren’t there fighting along side him.

Enter Líf.

He hasn’t had a shield for a long time now.

[gracebethartacc]

I’ve been seeing ppl when making their HMS designs usually point out design details and I didn’t initially do that w mine when I posted them so uh better late than never ig!

Gonna repost the designs here just for reference: 

Ok on to the notes!:

Heart: 

-circles/round shapes 

-fluffy/poofy hair 

-more casual/comfy clothes (almost like a pajama look?) 

-black as a accent color to act as a call back to that originally being his color 

-lots of heart shapes (the sides of his shoes, shoe laces being loopy rather than the X shape I usually do to make a heart style shape, the tie on his sweatpants etc etc)

-stitches/rag doll aesthetic (nod to the “tore me at the seams” line, also just because I personally associate stitches with hearts?? No reason idk just an unconscious thing ? Maybe it can be seen as a foil to mind being robotic and heart being “soft”? Idk there’s definitely symbolism to it I’m just too stupid to articulate it sorry lol 

-blindfold is expressive/works as an emoter/has sonic eyes logic, just bc I think it’s really fun to draw, he can be cartoony, as a treat.

-eyes start like the others (white w black/dark iris) but after going blind the colors inverse (black with white iris) (OMG LIKE IN FNAF!???!?🤯)

-purple heart shaped pupils 

-wings optional I’m still debating on them BUT I’m definitely making it be so him and mind get a angel and devil on the shoulder theme (plus the added thing about heart playing the victim “perfect little angel who can do no wrong” and how he vilifies and (quite literally in this case) demonizes Mind) 

-bleed from chest

Mind:

-square shapes

-hair slicked back rather than in his face like the others

-collared shirt under sweater to give a more presentable vibe

-platform boots to make him taller/give him the superiority complex (plus they look cool that too lol) 

-necklace is a brain because …you know…. mind (made my designs before the Q&A revealed what the necklace actually was, so jus’ took creative liberty, plus so him being the representation of the mind was more visually shown considering how heavily I plastered hearts and eyes on Heart and Soul lol (I’m just gonna say the irl/drum stick necklace can be part of my CJ/Whole design instead)) 

-YOU UNDERSTAND MECHANICAL HANDS ARE THE RULER OF EVERYTHING ok but seriously: robotic design just in general, I really like his split on the top head I’m proud of that idea lol (actually if it’s not obvious but I tried to give all of them some form of… something going on with their faces!! So hearts stitches minds bolts and souls half and half you get it) 

-blue square pupils, it’s hard to make out unless you zoom in but I give him android style eyes (those lines going from the corners of his pupil to his iris, kinda like how portal does it?? I don’t remember oof but that almost like— camera zooming in kind of look? That, I was going for that)) 

-like heart, his old color (white) acts as an accent color 

-would have bat wings as previously mentioned to insinuate demon motif 

-bleed from head

Soul:

-triangles/sharp/pointed shapes 

-combo of both half and half and gray colors 

-almost like?? Punk style clothing? 

-patches on jacket (a crown, upside down cross, eye, eclipse, trident, and heart respectively) (the cross was semi a nod to hokum all ye faithful just bc I like that cover a lot personally lol) 

-messier hair

-halo intended to resemble rope/noose but idk how obvious I made it idk ??

-shadow half of face to reference the CCCC cover art and their appearance in light/night 

-the extra eyes are optional/at will 

-more a lore thing but I HC the “shadowy form” was originally an at will thing when he became mad, but after some particularly bad day it ends up getting stuck like that

-gets a more biblically accurate angle style appearance (eye motif/body horror/halo etc) Soul is the god to Heart and Minds shoulder angel and devil if you get what I mean (both to nod to the general concept of the soul being rooted heavily in religion as well as two wuv and the soul electric) 

-red ring shaped pupil to insinuate a halo shape

-half and half wings 

-bleed from eye (eyes are the windows to the soul/angle motif/soul always watching and having to keep an eye on H&M) 

Whole: 

Wasn’t going to mention him considering I literally just… drew Chonny from TMR and that’s it lmao?? But eh might as well mention him while I’m here

-regular shaped pupils (static colored)

-tally hall color nail polish (nod to the CCCC cover art)

-hair is more naturally drawn rather than stylized/shaped 

-white sweater to act as an inverse to HMS all having black/dark colored sweaters

-similar shoes to Heart, half and half jacket to match Soul, necklace to match Mind (not in ref but will be added later probably)

Extra/general stuff/small details:

-Their hair frizz bits are all matching their previously mentioned shape language (and lack there of in Whole’s case)

-eyes:

-the before (haha get it) they fully formed/gained consciousness designs keep to same general shape language idea, and gray specifically has a mouth as a nod to how Soul was the first one properly shown/we were shown their lips while the other two still were kept as the white and black heads for a bit before they inevitably got shown properly in TME

-the pre night/light designs I also don’t really feel the need to mention just bc they are pretty straight forward n snagged from TME/just their regular designs but missing the added layers n jackets n stuff ? Plus ig the added detail they are much more humanoid at the start I think is neat :3

uhhhh ig that’s it ?? Yeah sorry idk how to end this post just wanted an excuse to talk about my designs lol 

[shirajellyfish]

So I'm taking this logic class and we're going over true, false, and nonsense statements. So now I have some "scary" questions for your Sundrop:)

1, What's his response to "this sentence is false"? Would it put him in a loop?

2, How does he respond to nonsense statements? (i.e. the round square sweetly kicked the blue yesterday.)

3, Does he respond differently depending on if an adult is telling him a nonsense statement vs. a child? because a child may say something nonsensical while fully believing it makes sense, while an adult is probably just messing with him.

Ok, that's all. I hope you're having a nice day!<3

Oooh those are super fun!

Sundrop's programming purposely takes the simplest approach to questions like that, to avoid any loops or snags. To him, those are very easy questions! He thinks humans only make them complicated by overthinking what is a very simple answer.

It is indeed false. You told him it was false, and he believes you! No need to think about that one any harder.

He would perceive that as [person] kicked [person/object] yesterday. Very rude! Kicking is not allowed in the daycare, he hopes Round Square went to time out for that. The fact that an shape cannot be both round and square and a color cannot be kicked wouldn't matter or even occur to him. He could even draw a round square if you asked him to, though the result wouldn't necessarily be something that made sense. Nonsense in, nonsense out.

He might respond a little differently since he might want to use simpler language when talking to a child, but that's about it. Children try to mess with him all the time as well, and he has gotten very good at telling "The game I'm playing is testing your reactions to nonsense" apart from "From my perspective, this genuinely makes sense." Either way, he does his best to respond! All is well as long as everyone is having fun!

Two makes me think of a really interesting glitch that happened in one of my favorite games, Sky COTL. In early beta, there was a certain situation where your view would get sort of flipped upside down and bugged out. Later I found out that the bug was caused by a coding error that accidentally instructed the game's camera to display a view wider than 360 degrees.

A human knows that 360 degrees is all there is, you can't show more than that. A human would get caught up on that. But a computer? The instructions said display more, so the game said "On it, boss!" And that resulted in a really buggy, weird view. Computer are like that. They do exactly as instructed, even when those instructions are nonsensical or even impossible.

I used that general idea for inspiration when it came to how Sundrop thinks of nonsense statements. It doesn't matter if it makes sense or not, he treats it all the same when it comes to thinking through the problem.

Bonus: The more than 360 degrees (according to a computer) view:

[builtlikeastickofcelery]

quick read

using shape language (?) to establish character dynamics (and sorta prove that donnie is the older twin) just for fun!!

rise has very shape-focused designs for the brothers, so it’s very easy to apply shape language to each of them. For example, mikey: He is a very round and circular character, from his markings to his weapon (in season one especially) to the literal shape of his head compared to his brother’s. When it comes to shape language, a circle is a symbol of community, friendship and unity, very similar to what mikey appears to value (at least with his family and separate from dr. delicate touch). Circles can also symbolize power, infinity, and balance, which I think hints at mikey’s future potential in the mystic arts (and also that he’s like freakishly strong for his size). and as a nice extra touch, the hamato clan crest is also very circular! (yes I know it’s supposed to look like a pizza leave me alone I’m having a Time) OH AND circles also serve as symbols of perfection :] This is in contrast to leo, who is very triangular, with his markings, weapon and head shape. Triangles symbolize adrenaline, speed, conflict, and sometimes danger, which is on par with leo’s more reckless tendencies, internal issues and spontaneity (it’s also the strongest shape!) However, all his markings are not perfect triangles and are instead curved, which symbolizes (if you unnecessarily over-read into character design choices) him still valuing community and family. (And yes I know there has to be curved elements in pretty much all art so gentle reminder that you’re the one reading this and I can over-analyze this if I want to). Another note is that all of leo’s markings point slightly down, which in relation to triangles is a sign of imbalance or instability.

And then you have a character like raph, who is very square-like, again with his head shape and (specifically season one) weapons. Raph is also meant to be the oldest and most responsible brother, which lines up perfectly with the shape language in his character design. Squares tend to be used to convey solidity, reliability, familiarity, and strength, which is very accurate to how raph’s character as the eldest child is presented. It’s important to know, however, that the square is not (structurally) the strongest shape, despite the way it looks, which often contrasts with the way raph presents himself as the rock or leader.

Similarly, donnie’s design is almost entirely rectangular, from his weapon, to his head shape, to his markings, to his armor. And because rectangles and squares are very similar shapes, they convey similar themes. Similar, not the same. The more abnormal shape of the rectangle adds a less solid feeling to it, as well as the fact that most of the rectangles in donnie’s design are upright and long, which can often be a sign of instability or (structural) insecurity.  This also applies to 2012 to an extent, since they’re also reasonably stylized, however it’s wayyyy less present, especially in Leo and donnie’s designs since all of them are more round (it’s STILL THERE THOUGH)

ANYWAY donnie is the older twin because he is made of older brother shapes and also we’d know if leo was older because he’d probably say something about it in the show. ANOTHER THING THOUGH because a lot of raph’s design isn’t really square-oriented; you have his head and sort of his silhouette, but if you look at the details, for example his plastron, you’ll find that he’s surprisingly triangular! I think this shows that a) he took on the mantle of responsibility at a young age which permanently shaped him as a person despite that not really being his whole identity, and b) that he is very structurally sound because triangles are the most structurally sound shape.

Sorry if this was incoherent I’m having a hard time drawing rn so take my awful analysis!

[deeply-unserious-fellow]

I DID IT I DESIGNED CHARACTERS!!!!!! SPECIFICALLY JEKYLL AND HYDE CHARACRERS!!!!!!!! EVERYBODY LOOK I DID IT!!!!!!!!

And now, for my thought process~

Dr Henry Jekyll: Man's is built like a fuckin TANK bro. Idk why everybody draws him as a twink he's CLEARLY meant to be MASSIVE(/pos). Anyways, as you've probably noticed, I leaned HEAVILY into the color coding for this one. I chose red for Jekyll mostly- uh, mostly just because I already associated Hyde with green and I wanted them to be complimentary colors? But also he has red character vibes in the musical to me. Probably because the poster is very red. I gave him tiny glasses cuz I thought it looked cool lol. I uh, I don't really know why he's the only character with visible pockets? I guess I just thought it looked best on his design or something. He was originally gonna have a ponytail but I thought it made him look to much like he was from the American Revolution so I changed it to the shorter, poofier style shown in the picture. Also his vest was originally brown but I decided I wanted more red in his design so I changed it.

Gabriel John Utterson: SQUARE. SQUARE SHAPED MAN. He's repeatedly described as like the most boring man alive so I decided to reflect that in his design by making him really rigid and almost statue-like. Hence all the grays. I wanted to add a dash of color though, so I gave him a blue tie(also the strappy thingy around his hat is blue but that isn't visible here). He's also super pale to go with the cold/stoney vibe of the rest of his color scheme.

Dr Hastie Lanyon: God this one took me FOREVER to figure out omfg. I didn't have a very good idea of what he looked like while reading the novel and until I started actually searching for them I didn't see very many fan designs for him. All I knew is I wanted him to wear yellow bcuz primary color trios RULE. But theeeeeen I started looking up other peoples designs, and picked out a couple of contants I liked (ex; short, dark skin, gray streaks), then boom! I knew what I wanted to do! Anyways yeah, once I had an idea I just went for it and uh, I dont have much else to say :)

Edit: WAIT SHIT I FORGOT LANYON HAS LIKE A MASSIVE WHITE STREAK IN HIS HAIR OMFG-

Edit 2 Electric Boogaloo: Okay so my Lanyon design was driving me SO crazy I felt the need to update the ref, so now he's a little taller and has the afformentioned white streak aornfoemdk

Edward Hyde: Fun fact, Hyde was originally going to be 4'6, but I just kept making him shorter and shorter until he lost the 6 inches entirely lol. The only description we got of Hyde in the book was that he was small, hairy and had an "unexpressed deformity", so I guess I just took that to mean he is a Creature and ran with it lmao. I made him SUPER pointy, just the sharpest man. Mostly to contrast with the round shapes of Jekyll, but also he's kinda just that kinda dude, y'know? I also made sure his silhouette was super uneven, in contrast to all of the classy characters have(mostly) symmetrical silhouettes. OBVIOUSLY he needed to have a cloak and top hat, because really, what Hyde design is complete without a cloak and top hat? There are 3 reasons I decided to make his color green: 1; the potion Jekyll uses to become Hyde is green. 2; Green, at least in my mind, means sick, and Hyde is supposed to look sickly and unpleasant. And 3; The Ghost of Mr Hyde from Scooby Doo is green and he was the first version of the character I ever saw, so I've kinda just associated him with it ever since. Speaking of the Ghost of Mr Hyde, the mud on his shoes is actually an homage to that episode! I tried to get the color as close to the weird, off redish the mud on Dr Jekyll's shoes was in that episode. Why? Because Scooby Doo my beloved <3. Also since this section is already so fucking long, the reason he has that silver tooth is because the original got knocked out in a fight. In this version, Hyde's injuries do NOT carry over to Jekyll, and vice versa, so he needs to take out the tooth before he transforms back and put it back in when he's Hyde again. Idk why I put the most thought into Hyde's design but whatever-

So yeah! Those are my designs and the thoughts behind them! Hope yall like em :)