#hermanos gutiérrez

[musicwithoutborders]

Hermanos Gutiérrez, El Mar I 8 Años, 2017

[bttrflyblu]

Hermanos Gutiérrez - "Until We Meet Again" [Official Music Video]

[fidjiefidjie]

Bon Matin 💙🎸💙🎸

Hermanos Gutiérrez 🎶 Esperanza

Animation de Maria Medem

[krispyweiss]

Hardly Strictly Bluegrass Day No. 2, Golden Gate Park, San Francisco, Sept. 30, 2023

Leyla McCalla controls the weather.

An overcast day in San Francisco’s Golden Gate Park suddenly turned sun-soaked when the former Carolina Chocolate Drop sang: My face to the sun as she performed Our Native Daughters’ “I Knew I Could Fly” during her Sept. 30 Hardly Strictly Bluegrass set on the Towers of Gold Stage.

“That’s awesome,” she said mid-verse as the Earth’s star emerged from the afternoon clouds.

Following the electric and steel guitar instrumentals of Hermanos Gutiérrez on the adjacent Swan stage and playing cello, banjo and electric guitar, backed with rhythm section and electric guitar, McCalla covered Kendrick Lamar’s “Crown” and offered a gumbo of New Orleanian, Haitian and American music delivered in English and Haitian Creole while showcasing her the Capitalist Blues and Breaking the Thermometer LPs.

The Sound Biteses’ day had begun in the pre-noon fog with the down-in-the-holler, old-time string music of Dry Branch Fire Squad playing the songs of Gillian Welch, Doc Watson and Bill Monroe on the Banjo stage. Later, it was gospel from the McCrary Sisters, who sung Stevie Wonder’s “Higher Ground,” “Amazing Grace” and other numbers backed by a full band during short, five- to 15-minute sets on the Rooster stage, where Brennan Leigh offered a lunchtime menu of traditional country music.

It was also on the Rooster that Emmylou Harris previewed her Sunday appearance by guesting with Shawn Camp and Verlon Thompson and closing their Doc Watson tribute set with Guy Clark’s “Old Friends.”

Shortly afterward, Bettye LaVette sauntered onstage to deliver her grinding version of Bob Dylan’s “Things Have Changed.” From here, it was an impassioned reading of songs from the Randall Bramblett-written LaVette! album as the singer prowled the stage and proved her 77 years have cost her nothing in vocal prowess and stage presence.

“If I could write, this is what I would have said,” LaVette said in introducing the new songs, which worked better on stage than on wax.

Rickie Lee Jones attracted a ginormous crowd to Banjo - “I haven’t seen so many people in front of me for so long,” she said, soaking it in - and their enthusiasm rubbed off. Jones, whose band included Vilray on guitar and vocals, plus accordion and bass, was animated as she danced around the stage and crooned like a lounge singer when she wasn’t playing guitar, banjo or piano.

Opening with a radically rearranged “Danny’s All-Star Joint” more suited for the streets of New Orleans than the fields of Golden Gate, Jones went on to perform “I Won’t Grow Up” - for the first time, she said - “Last Chance Texaco,” “We Belong Together” and a sinewy rendition of Steely Dan’s “Show Biz Kids” that found Jones lifting her orange sweater to sing of the Rickie Lee T-shirt beneath.

Give RLJ the MVP for turning in HSB No. 2’s No. 1 gig.

Faced with the quintessential festivalgoers’ dilemma, Mr. and Mrs. Sound Bites split the last hour between Steve Earle’s uncharacteristically sleepy solo-acoustic set on the Banjo and Irma Thomas’ barnburner R&B/soul revival at the Rooster.

At 82, Thomas played the day’s most rambunctious set, ripping into “Time is on My Side” and getting the audience bouncing and waving their handkerchiefs on her mashup of “I Done Got Over It” -> “Iko Iko” -> “Hey Pocky Way” -> “I Done Got Over It.” That one might be ringing through Golden Gate’s trees along with the birdsong for some time to come.

Read Sound Bites’ coverage of HSB Day One here.

10/1/23

[thebean-17]

These two are absolutely magical and got magical music.

[foldback]

Hermanos Gutiérrez - "Sonido Cósmico"

This is the kind of thing I could play on a loop all night and never get tired of it.

[burlveneer-music]

Hermanos Gutiérrez - El Bueno Y El Malo - reverb-drenched guitars evoke the wide open spaces of the American West

Hermanos Gutiérrez is a two-piece band formed of the brothers Alejandro and Estevan Gutiérrez. Taking influence from 1950's Latin America Sound they transfer the listeners to journeys through beautiful landscapes. #instrumentalwesternsound 

[moonlightdriive]

On repeat

[maquina-semiotica]

“ Mesa Redonda”, Hermanos Gutiérrez

[sonicziggy]

"You (feat. Hermanos Gutiérrez)" by RY X, Hermanos Gutiérrez https://ift.tt/Os95RgP

[spiralprimate]

Hermanos Gutiérrez - Esperanza (Official Video)

[musicwithoutborders]

Hermanos Gutiérrez, Sonido Cósmico, 2024

[bttrflyblu]

Hermanos Gutiérrez - "Barrio Hustle" [Official Music Video]

[spotlight-report]

Khruangbin Adds New Shows

Due to overwhelming demand which saw fans eagerly snap up presale tickets yesterday, Texas psych-funk trio Khruangbin have added two additional shows in Melbourne and Sydney to their highly anticipated A LA SALA tour in February/March 2025 – presented by Frontier Touring, Chugg Entertainment, and Penny Drop. Fans of the captivating instrumental trio should not delay, with all Australian shows –…

[thebowerypresents]

Hermanos Gutiérrez – Brooklyn Steel – May 18, 2024

With their sixth studio album, Sonido Cósmico, arriving next month, Ecuadorian-Swiss Latin-instrumental duo Hermanos Gutiérrez headlined a sold-out Brooklyn Steel on Saturday, their first of two nights at the venue.

Photos courtesy of Katie Dadarria | @dadarria