#henri-pierre danloux

[literaryvein-reblogs]

Writing Notes: Fight Scene

How to Write a Convincing Fight Scene

In practice, writing a realistic fight scene for your novel is one of the hardest things you’ll ever do.

That’s because fight scenes can be boring to read.

A movie allows the audience to take a passive stance and have the action wash over them.

In contrast, reading a fight scene requires the audience to activate their imagination.

The audience must participate in constructing the fight scene from your clues and seeing it play out in their mind’s eye.

That’s a lot more difficult than getting it fed to you visually.

Below are strategies for writing fight scenes.

Fight Scenes Should Move the Story Forward

The very first rule for fight writing (and writing any scene in general) is to ensure that it moves the story forward.

Say “no” to gratuitous fight scenes that only show off fancy moves or writing skills.

Here’s the easiest way to find out if your fight scene moves the story:

Delete it.

Now, read the scene before and the scene after.

Can you still make sense of what happened?

If the fight caused some type of transition in your story, keep it in.

And remember: Not all transitions are physical. Some are mental.

You don’t always have to discuss the physical aftermath.

You can also explore the mental fallout after a fight.

This can be how the fight moves the story forward.

Fight Scenes Should Improve Characterization

Because reading a fight scene can get boring quickly, it’s important that you focus on more than the bare-knuckle action.

Use fights as a way to explore your character(s) and provide more insight on the following:

Why does the character make the choices that they make in the fight?

How does each choice reinforce their characterization?

How does each choice impact their internal and/ or external goals?

Is this conflict getting the character closer or further away from their goals? How?

What are the stakes for each character? What do they stand to win/lose?

What type of fighter is the character? What are their physical or mental abilities? (Remember that not every protagonist will be a trained assassin, so they’re prone to make sloppy mistakes during a fight.)

Use the fight scene to reveal necessary information about the characters.

Be sure to give the reader a glimpse into the character’s soul and not just into their fighting skills.

Fight Scenes Shouldn't Slow the Pace

In movies and especially in real life, fights go by quickly.

But in literature, fight scenes can slow the pace.

That’s because you have to write all of the details and the reader has to reconstruct the scene in their minds.

However, if you employ certain literary devices into your narrative, you can actually create a taut fight scene.

Here are some tips:

Write in shorter sentences. Shorter sentences are easier to digest. It also speeds up the pace of a story.

Mix action with dialogue. Don’t just write long descriptions of what’s happening. Also, share the verbal exchange between your characters.

Don’t focus too much on what’s going on inside the character’s mind. Introspection happens before and after a fight, not during.

Keep the fight short. Fights should never go on for pages (unless you’re discussing an epic battle between armies, and not individuals).

Hit ’Em With All the Senses

One of the best ways to get visceral when describing a fight is to activate every sense possible.

This includes sight, hearing, taste, touch, and smell.

Think of how you can use these five descriptors in your writing to immediately transport the reader to the scene.

Sight 

Perhaps the most obvious.

You’ll describe exactly what the characters are seeing and what the reader should pay attention to in the scene.

Hearing 

Is a little more delicate.

A fight scene is a perfect time to introduce onomatopoeia into your narrative.

Onomatopoeia - a word that sounds like what it is describing.

Try using more subtle examples, such as:

Boom, Clang, Clap, Clatter, Click, Crack, Creak, Crunk, Fizzle, Gargle, Groan, Grunt, Gurgle, Hiss, Howl, Hum, Knock, Plod, Rattle, Roar, Rustle, Sizzle, Smack, Splash, Splatter, Squeal, Tap, Thud, Thumb, Whine, Whisper

Taste 

Be careful with going abstract here.

Instead of using phrases like, “he could taste fear in the air,”

go for something more concrete like, “blood mixed with strawberry lip gloss was a strange taste.”

Touch 

Perhaps one of the easiest senses to convey.

Describe how the characters feel and interact with each other physically.

Smell 

You often see or hear a fight, but can you smell it?

In person, what would the fight smell like? Probably sweat.

Consider other scents, such as the ambient aroma in the scene.

Example: If the fight takes place in a car garage, there may be the lingering scent of motor oil and tire rubber.

Don’t be afraid to add that into the scene to introduce a different dimension.

When Writing a Fight Scene, Edit, Edit, Edit

A good story is an edited one.

The same rule applies to fight scenes.

A sloppy fight scene can slow the pace of your story and/or confuse the reader.

When editing your fight scene, keep the following in mind:

Don’t include a blow by blow of what happens in the fight. After your initial draft, remove non-essential details that can slow down reading.

Delete flowery language. Extra words drag the pace. Remove every single word that you can.

Consolidate characters to reduce reader confusion and frustration.

Source ⚜ Fight Scenes (Part 2) ⚜ Words for your Fight Scenes Word Lists: Fight ⚜ Poking/Hitting ⚜ Panting ⚜ Running ⚜ Pain

Writing Resources PDFs

[empirearchives]

Episode du Déluge / Episode of the Flood

Henri-Pierre Danloux

C. 1802, Napoleonic era

[my-big-fat-aesthetic-blog]

Portrait of a young lady in a white dress by Henri-Pierre Danloux

[digitalfashionmuseum]

Oil Painting, 1791, French.

By Henri-Pierre Danloux.

Portraying the Baron de Besenval in a great cutaway coat, black breeches and a red waistcoat.

The National Gallery.

[bottegapowerpoint]

Henri-Pierre Danloux, The doll

[bishopsbox]

“Portrait of a Young Man”, by Henri-Pierre Danloux (1753-1809). French painter. oil on canvas.

Thanks to: @art-club-bouncer

French officer

[oldsardens]

Henri Pierre Danloux - 'La Coquette' (The flirtatious woman)

[antonio-m]

"Portrait of a Young Man”, by Henri-Pierre Danloux (1753-1809). French painter. oil on canvas

[1507ovation]

 Henri-Pierre Danloux

[greetingsdr]

Last year I was scrolling through Pinterest and found a regency painting by Henri-Pierre Danloux. It was so pretty, and inspired me to paint this classicism (ish) portrait of my husband, Stryder, and I. It took me so long to determine how I wanted the end product to look, so in the end it took me 7 months to complete.

[click for higher resolution]

[panmikola]

Анри-Пьер Данлу — Дети, дерущиеся из-за куска хлеба / Deux enfants se disputant un morceau de pain. 1803-1809. Холст, масло. 112.5 x 94 см. Частная коллекция.

Анри-Пьер Данлу (фр. Henri-Pierre Danloux; 24 февраля 1753, Париж - 3 января 1809, там же) — французский живописец и график.

[history-of-fashion]

1800 Henri-Pierre Danloux - Portrait of Henry John Lambert

(Private collection via Sotheby’s)

[books0977]

Portrait of Madame de l'Horme and her Son (1801). Henri-Pierre Danloux (French, 1753-1809). Oil on canvas.

The sitters in this tender portrayal of a mother and her child are Madame Barthélémy Fleury de l’Horme and her fourth son, Jean-Louis-Ernest. Danloux depicts Madame de l’Horme as she nestles her young son on her lap, momentarily distracted by something she views out the window at left. As she holds back the curtain, light floods in dramatically illuminating her white gown and the pale yellow satin fabric draped over the side of the cradle. The intimacy and spontaneity of the scene are reminiscent of a portrait Danloux painted of his own wife and son a decade earlier, in which he also made use of striking chiaroscuro effects.

[digitalfashionmuseum]

Drawing, 1783, French.

By Henri Pierre Danloux.

Portraying a woman in a redingote and broad brimmed hat.

The Morgan Library.

[lafcadiosadventures]

https://www.nationalgalleries.org/art-and-artists/2320/adam-duncan-1st-viscount-duncan-camperdown-1731-1804-admiral

This must be the only military portrait painting I’ve seen where the subject is having fun?? In the middle of a battle ??

I mean no disrespect but this face isn’t exactly “calm”

[womblegrinch]

Henri-Pierre Danloux (1753-1809) - Portrait of Lum A’Kao

Oil on canvas. Painted in 1793.

35.25 x 28 inches, 92 x 71 cm. Estimate: US$400,000-600,000.

Sold Sotheby’s, New York, 29 Jan 2020 for US$572,000 incl B.P.