#help me write a thesis

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[excessive-moisture]

Out with the "why is my body so stupid and weak" talk. The weight of my passions is simply too great for my mortal form to bear

[oikyskau]

seeing kenji muto, the director of trigun stampede, reading an article about the portrayal of women in media made me want to take a little bit of a closer look at the women in trigun and as i was rambling about this earlier to my partner, they told me to write it down LMAO

as most of us know, in a lot of fiction, women are mostly characterised through common tropes, leading to a lack of complexity and a one-dimensional portrayal: as the doting wife, the femme fatale, the mistress, or the virgin. Their role only amounts to an Other, an extension of the male hero. they’re either the whore or the madonna.

for female characters in anime that usually means they’re either the sexy femme fatale, big badonkers and all to be gazed at, the mother, the helpless damsel in distress, or the child (yet, still sexualised despite the fact that it is a literal child); they’re portrayed through the way they are being perceived by men and mostly sexualised beyond belief. 

tristamp doesn’t do any of that.

in fact, the female characters in stampede achieve something that you don’t often see in anime: they are people. and stampede makes that clear in its very first episode by decidedly not going the route that you would usually take with the female characters they introduce:

of course, the biggest example here would be meryl, who i’d argue is the biggest driver of the plot, despite the fact that the plot of stampede is technically determined by vash - vash is an entirely passive character, he doesn’t make things happen, things happen to him and they mostly happen to him because of meryl. she’s the one who unties him, she drags them to the city, she makes them stay with him after ep3, she drives over wolfwood (rip my man), she stops for them to find rollo, she makes them follow the steamer.. you get it. she does all of this, despite being introduced as the newbie, the innocent person who would usually be the damsel in distress, who is helpless and shy and easily manipulated and who will probs be sexualised in her role as the “virgin” (sexually naive young girl who just doesn’t get all this adult sexuality yet hehe) 

but she’s not – she wears a non-sexualised outfit, she only gets called out for being a newbie, or for being small height-wise by wolfwood, but not for being a “girl”, she determines the action despite the fact that she does have a mentor figure and is therefore still in a position of a student – she still isnt an extension of roberto, vash, or anyone

in fact, the other characters – Rosa, Elendira, Luida, Rem – all take up roles that would in other media be portrayed in very specific ways: Rosa could just be a pregnant mother, who is also a divorcee, Elendira could be an innocent child beholden to her caretaker, Luida could be the loving motherlike figure and rem the Madonna figure, symbolising all the virtues a woman should aspire to have. – Rosa is a leader, her pregnancy is mentioned one single time and never made a bigger part of her character, Elendira is young but powerful, making choices by herself that are not inherently based on any kind of innocence, Luida doesn’t coddle Vash or prioritise him over her own work and mission (which also serves to inspire another woman, meryl!!), and rem is also just a non-perfect person, with secrets and questionable morality

none of these women are judged on the basis of their gender, none of them experience gender-based violence, none of them are made into a joke, none of them are sexualised (or desexualised – if you compare them to the male characters, who also do not ever make jokes about sexual promiscuity or similar stuff), they have different body types (rem has a very pronounced chest, and yet stampede doesn’t ever focus on it or give her cleavage) – note also that when presented with the perfect opportunity to call a female character a “bitch”, they chose to go with a “witch” instead, in both original japanese and english dub

their femininity is not used as a weapon against them, nor are stereotypical hypermasculine elements used to define characters’ positive traits (vash not being our traditionally hypermasculine hero for example) - the only time we see a semblance of gender-based violence is, you guessed it, at the very end, when knives forcefully takes control and bodily autonomy away from vash and inseminates the plants against their will (also interesting to note that knives, as the character that does exhibit that kind of violence, is the only character to be shown incredibly buff and all muscle) 

the women in tristamp are written for women, with the goal to be women that we can recognise, that represent the women that we are and know

anyways, i love all women in tristamp and have not once felt uncomfortable or said “oh look, a panty shot” and honestly i just find that pretty neat

[danothan]

Just reading some comics and saw a panel I thought you might like. :)

ah fuck, characters reminiscing always get to me ;__;

but i will never ever get over that fond way these two talk to and abt each other. especially when they’re poking fun, you can just hear the love in their voice it’s SICK.

the halbarry love language is annoying each other, but even more than that, it’s being each other’s exceptions

[iridescentmirrorsgenshin]

The direct parallel between alhaitham and kaveh working together within cyno’s story quest 2 and them working together on their thesis in their school days is a bit um??

Their thesis was based around the ancient runes and ancient architecture of King Deshret’s era, which benefitted many people in modern Sumeru in terms of understanding of languages and architecture usages even before it was abandoned. Kaveh left the topic for alhaitham to pick, and he picked a topic which balanced their ‘mirror’ interests.

it's interesting that alhaitham and kaveh had once planned on aligning their seemingly opposing views through this thesis, but were ultimately prevented from doing so due to differing points of contention based around their philosophies and concern for the other (an analysis of their argument can be found here). however, in cyno's story quest, there is an inversion of this mirror, in that kaveh remembers the symbol of the temple of silence due to its beauty and alhaitham is able to identify the emblem as the temple of silence's due to architectural signatures. in this, the two appropriate the other's signature, being that kaveh uses alhaitham's language, and alhaitham uses kaveh's architecture, and this results in a cohesion of these previously considered 'mirroring' viewpoints

In cyno’s story quest, Alhaitham and Kaveh identify and research into The temple of silence, which is directly connected with king deshret, being founded by Hermanubis, a familiar of king deshret

When the two join together within this quest, it is also related to king deshret, and their research is imperative to the traveller’s progression throughout the quest, with their working together being commented on three times on separate occasions by tighnari and cyno – one of which, the two give seemingly disconnected advice at different times; alhaitham gives advice to tighnari on cultural practices in the desert, and kaveh has told tighnari of his experiences with desert folk. Alhaitham gives this advice based on personal research, whereas kaveh has ascertained his information based on personal experience – which aligns with their respective ideologies, alhaitham = individualism, researching on his own through the perspectives of others to find objectivity , kaveh = collectivism/altruism, directly interacting with others, but these both align to create a full picture, which allows tighnari and cyno compose a strategy which gives them the upper hand

This ultimately points to the harmonisation of their respective views which can manifest in good. Having Alhaitham and Kaveh rejoin in research an organisation directly connected to King Deshret, the subject of their joint thesis, is a direct parallel, and only serves to show the importance of the two attempting to align their visions, both for themselves, but also for the good it can do for others. again, this highlights the importance of their reconciliation presented within cyno's story quest

[officialkendallroy]

if i posted something on here in regards towards the research of my master's thesis would you guys help me out pls....... 🫶🏻

[xxplastic-cubexx]

what is your favorite thing about charles and your favorite thing about erik? separately, as in what you like most about their characters :]

a devious question this one is, my friend!!! it's hard enough for me to explain my thoughts cohesively, but having to pick ONE thing i particularly love is difficult. with characters like charles and erik, theres been so much done with their characters over the decades and so they have so many components to them that make them so interesting and fun to observe. BUT I TRY FOR YOU TODAY. under the cut i kinda ramble and the size of this text box makin me anxious

i think if i were to be simple and broad, what i enjoy most about charles is his determination to help others, even if he isn't really thanked and/or if people don't even like him. ofc, this isn't to say he hasn't done wrong- to be honest, the fact he does wrong/questionable things at times is another aspect of him i really enjoy, maybe because- broadly speaking- he's meant to be altruistic (intent vs outcome and all that). i don't know if that's super exciting to most people, but it is for me

as for erik, my reason for liking him is easier to explain tbh. To Be Simple And Broad, his progression from villain to antihero over the decades has been fun to observe (as much as i have so far anyhow) and analyze. i think to be a bit more specific, him using his rage and pain as justifications for his villainous actions is definitely what compels me the most: hurt people hurt and the sort, an idea i've always found interesting (something something vicious cycles and the like). yet now, he recognizes this wasn't really. A Just Thing To Do and is beginning to change that, which i enjoy

[kimtaegis]

🌧️

[hapless-and-hopeless]

Thinking about how we’re first introduced to Captain Flint through the eyes of the people who see him as a monster. Thinking about how our first interaction with The Walrus is chaos and death. Thinking about how we are shown the myth long before we get to know the man. Thinking about the first words out of his mouth being “it’s over”.

The opening scene of Black Sails made Choices and I am here for all of them.

[v-a-l]

My favourite detail in OOTP is when Harry finds Sirius at the dining hall Crookshanks is curled up in his lap. Like he’s surrounded by people screaming at him about “Dumbledore’s instructions”, not allowed to go outside cause the ministry and Death Eaters are gunning for him, he’s being called irresponsible and reckless and he’s brushing it all aside cause boy does he know how to deal with people screaming at him in this house, any regardless: he’s still got Crookshanks. He’s got Buckbeak and they remain Sirius’ first and last line of defence

Harry felt something brush against his knees and started, but it was only Crookshanks, Hermione’s bandy-legged ginger cat, who wound himself once around Harry’s legs, purring, then jumped onto Sirius’s lap and curled up. Sirius scratched him absentmindedly behind the ears as he turned, still grim-faced, to Harry.

Harry did not mention his vague suspicions to Sirius, whose cheerfulness was evaporating fast now that Christmas was over. As the date of their departure back to Hogwarts drew nearer, he became more and more prone to what Mrs. Weasley called “fits of the sullens,” in which he would become taciturn and grumpy, often withdrawing to Buckbeak’s room for hours at a time. His gloom seeped through the house, oozing under doorways like some noxious gas, so that all of them became infected by it.

[offonaherosjourney]

"I'm so normal about Realm of the Elderlings", I say, while actively scouring the internet for thesis about the queer relationship between Fitz and the Fool.

[oreegaanoo]

Character reference sheets and two frames from the animatic! :3

[reputatata]

i recently watched l.otr for the first time ever and i haven't been able to think about anything else tbh

[worflesbian]

im about to fall asleep but first of all are there any deanna scholars who can tell me what her qualifications are namely does she have a PhD or would it be in character for her to pursue one? cause I feel like what with her not wearing uniform til tng s7 she's not really counted among the science blues but psychology is a science right? so she's a scientist? part of me feels like she was relegated out of the scientist role due to sexism but then also part of me feels like focusing on being a practicing counselor rather than research scientist is like a career choice that rejects elitism and could be an important character point. also judging by how Ezri was written there's a precedent for trek writers having a tenuous grasp of what a counselor actually does sometimes so.

[deimosatellite]

something ive been thinking about a lot is like. it seems like kazuki doesnt exactly know the extent of rei's family history? of course its probably pretty obvious to kazuki that some really fucked up things happened in rei's past but i think its definitely deliberate that kazuki seems to have been kept in the dark about things-- of course he understands that rei doesnt have a good relationship with his father, and probably knows how trapped rei is in his line of work, but even then he never really pries or tries to be overbearing to rei in that degree.

adding a read more bc this post is like almost 1000 words bc im so normal about them

he knows that rei doesnt want to talk about it, and he wants to support him in that, since he knows that rei knows himself better than anyone. of course, this doesnt negate how kazuki did everything possible to help rei when he first found him as a shell of a person. imagining how kazuki must have felt when he first heard rei exhale in a slight laugh, the first time rei didnt lean away from his touch, the first time he saw a glint of life in those dead eyes. how it was when rei first said something snarky back to him. the little ways in seeing rei becoming less like a dead man walking every day. of course, rei definitely slips into his old mindset now and then, which probably scares the shit out of kazuki at first before he knows how to let him work through it.

-not to mention rei doesnt exactly seem like the type to open up about his past, even to kazuki, and im wondering if theres something even within rei where he hasnt exactly accepted how fucked up his past is--it was normal life for him for a long time, to the point that as an adult he seemed to have accepted that he was seen only as a weapon. until being around kazuki, and eventually miri, he had his own definition of normalcy, which was of course twisted as hell by his upbringing.

but living with kazuki at first, it might as well be the first time someone's treated him like a person and seemed to even perceive that he might be deserving of basic human decency, something even he might have not believed for himself. and while kazuki was very caring for him, it didnt seem to be overbearing, seeming to give him space when he needed it and it seems even during the events of canon that he never shows pity to rei--something probably very important to rei. kazuki didnt want to coddle him, because he probably knew how that type of pity felt.

even in the montage of kazuki moving in, kazuki seems to just kind of bring himself and care into rei's life, without making a big deal out of it--moving a couch in one day, cutting his hair another, etc.. and i think kazuki probably didnt pry about why rei was the way he was, not to mention rei might not have found it important enough to mention since it was so normalized for him. they probably talked a few times about rei's parents and kazuki's lack thereof, relating to each other in a few aspects of their upbringing.

enter miri then, and imagine how it so slowly dawns on rei that this is how its supposed to be. it dawning on him that his upbringing was really fucked up, and that he somehow is part of a real family now, in a way he could never have even comprehended before. then comes the pain of realizing that holy shit, all those things that happened to me were SO fucked up and coming to terms with it all. and after the years he spends with kazuki, the year he spends with miri--hed do anything for them, and do anything to remain in a normal life with his new found family. when his father tries to take him back, tries to get rid of the two people he loved the most to push him back into that state of being nothing more than a weapon, rei doesnt hesitate to permanently disable his own dominant arm to end the discussion and leave no chance for his father to force his hand in the matter. everything had led up to this point--rei had been horribly abused his entire life in order to be used for killing, and here he ended that life. it was his ultimate sacrifice for his new family.

kazuki is then there for him in the aftermath, slowly piecing together the depths of what rei did to save their family, their relationship strengthens to something that would last a lifetime.

and thinking about how years after canon, rei finally opens up to kazuki on some random winter night when theyre together. rei had never told anyone about what his childhood was like before, and even took years coming to terms with how messed up everything that happened to him was. that it wasnt normal in the slightest. kazuki listens.