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#helen richardson edit
miriel-therindes · 2 years
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“Don’t mistake complication for falsehood, dear Archivist. And remember, that knowledge is not the same thing as understanding!”
TMA character moodboards: Helen Richardson Distortion
[ID in the alt text]
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rosalie-starfall · 7 months
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Miranda Richardson, Sharon Horgan & Bryony Hannah
Dead Boss - 2012
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blurrycow · 2 years
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Ȟ̷̡̙̙̮̞̒̈́̈́̇̔͠͠è̷̫̘̠͓̞̙̪͔̘l̴̺͍͍̮̞͕̠̇̓́͋̅͝l̴̢̢̫̩̰͔͈̭̎̍̀͆̕̚o̷̡̲̩̠͓͙̟̓͋͒̃̂̏,̵͔͔̈̀̇̀͒͒͂ ̸̞̈́̽̕͝a̶̡̱̤̰͚͕̟̬͚͋͒̉̈́̚ŗ̶̧̖̫̭͇̩̮̔̄́̌̔͘̚̕͝c̸̨͙̘̮̼͓͔̏̾̈̇͘h̷̨̞͓̘̤͍̳̝͌̌ͅī̴̧̗̣͇͙͈̱̏̈̈́̅̂v̷̢̳̗̜͕̰̘͍̔̊͐̇͐͗̽ỉ̶͕̩͍̱̩̤̒̚s̶̪̝͎͈͚̐̈́̈́͂̀̚t̵͎̝̊̽̇̋̎̆͒̐.̶̨͕͉͔͎̋̑͐͒̒ ̶̡̒̈́̿̈́͒͋͐̀🚪
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quoolio · 1 year
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she found you
hi y’all! i havent posted in a bit. school beat my ass. i also kinda lost most of my interest in the magnus archives? like, i still enjoy it, but i dont consume the content as much anymore. yeah uhh so i still really love making weird edits and the magnus archives gives me so much inspiration so i might keep making stuff for it, or maybe not. idk, we’ll see. anyway have a helen in the hallways edit.
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mourning-night · 2 years
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Helen Richardson / The Distortion
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stephaniebrownslover · 5 months
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My Creepypasta but The Magnus Archives style AU
Okay so this is an old AU that I would like to explain and write, but my street cat is currently sick and he's requeiring all my time and energy and that's okay!
There'll be only character roles and AU explainations in this post.
Character roles and which TMA character they match;
Judge Angels//Alice "Daisy" Tonner, Police officer called upon to deal with paranormal cases
Nurse Ann//Annabelle Cane, Avatar of The Web
Zero//Basira Hussain, Police officer called upon to deal with paranormal cases
Vladimir and Zachary//Breekon and Hope, Mysterious deliverymen and servants of The Stranger
Slenderman//Elias Bouchard , Head of The Magnus Institute
Mary Vaughn//Georgie Barker, "Host of the What The Ghost?" podcast
Ben Drowned//Gerard Keay, Mary Keay’s son and acquaintance of Gertrude Robinson
Rouge//Gertrude Robinson , Former head archivist of The Magnus Institute
Nina The Killer//Helen Richardson, Real estate agent merged with the Distortion
Lulu//Jane Prentiss, Avatar of The Corruption
Masky//Jonathan Sims, Head archivist of The Magnus Institute
Clockwork//Julia Montauk, Hunter and daughter of Robert Montauk
Homicidal Liu//Jurgen Leitner, Collector of paranormal books
Hoodie//Martin Blackwood, Archival assistant at The Magnus Institute
Jane The Killer//Melanie King, Proprietor of the "Ghost Hunt UK" Youtube Channel
Laughing Jack//Michael Shelley, Gertrude Robinson's assistant who was merged with The Distortion
Laughing Jill//Nikola Orsinov, Plastic mannequin created from Joseph Grimaldi
Zalgo//Peter Lukas, Avatar of The Lonely and captain of the Tundra
Kate The Chaser//Sasha James, Archival assistant at The Magnus Institute
Trendderman//Simon Fairchild , Avatar of The Vast(edit:he's changed from Offenderman to Trenderman)
Ticci Toby//Timothy Stoker, Archival assistant at The Magnus Institute
Eyeless Jack//Trevor Herbert, Self-proclaimed vampire hunter
Notes;
-Creepypasta characters, which are the equivalent of The Magnus Archives characters, were selected without caring about gender and the character whose personality is the most similar with TMA role was replaced with creepypasta character.
-The terms like The Stranger, The Vast, The Spiral, The Buried and blah blah and being an avatar etc. will be explained in future as in the podcast.
-Although I'm trying not to go out of personality to a large extent, there will be many things that do not fit because this is a completely different universe.
-Most of the Creepypasta characters are not killers, and some external appearance features have been arranged accordingly. If you don't like it, you don't need to read it because it's an AU. It's that simple.
-This AU is set in London, just like the podcast.
-If there is a thing that you are uncomfortable with, just don't read it. TMA is a podcast series full of really interesting horror stories, and if you're feeling uncomfortable, it's quite normal but please don't push yourself too much.
- All statements in the 200 episodes will not be mentioned in this AU. Only as much of it as will help you understand the AU will be edited into the AU.
-The dialogue is not exactly the same as in the podcast, because it will vary depending on the characters, but the critical scenes may be the same.
-I think that's it, have fun.
-And for you to have a better idea, The Magnus Archives description;
"The Magnus Archives is a weekly horror fiction anthology podcast examining what lurks in the archives of the Magnus Institute, an organisation dedicated to researching the esoteric and the weird. Join new head archivist Jonathan Sims as he attempts to bring a seemingly neglected collection of supernatural statements up to date, converting them to audio and supplementing them with follow-up work from his small but dedicated team.
Individually, they are unsettling. Together they begin to form a picture that is truly horrifying because as they look into the depths of the archives, something starts to look back…"
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fangirlinglikeabus · 5 months
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samuel richardson, clarissa; or, the history of a young lady // anne brontë, the tenant of wildfell hall
some notes on this:
i've already posted one of the penguin edition's notes where stevie davies describes this scene in tenant as helen defending herself with the tools of her profession. well, i'd argue a similar thing is happening in clarissa: it's an epistolary novel, she's one of its most prolific writers. a penknife is as emblematic of her ability to assert herself as helen's palette-knife, albeit on an interpersonal level that allows her to battle against the forces trying to silence her narrative voice, rather than on a professional one which will actually empower her to escape abusive men.
i don't think it's unreasonable to read a rape-y undertone to hargrave in this scene ("say i overcame you and you could not choose but yield"). the penknife scene in clarissa takes place after lovelace (who narrates this section) has raped her; he's now trying to trick her into granting him access to her again. imo what's partly happening here is her reasserting her personal integrity in the face of his idea that she should already be sexually 'fallen' and indifferent to further violations after what's happened to her. and yet the scene also plays into that old old idea that death is the only option a woman has to avoid being raped and she should thus naturally be willing to choose it when she's threatened with rape. helen says fuck that and threatens to cut a man instead (as she tells hargrave, she has no interest in dying, of a broken heart or otherwise). to be fair i think she has a bit more of an out than clarissa at this point - the fact that the only power clarissa has to exert is against herself is deeply sad to me - but man there's something i find incredibly moving in anne brontë's assertion that women aren't doomed to resort to self-destruction when they're threatened with an assault
they both describe the woman in the scene as resolute! this is possibly just a coincidence but it's a neat connection
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scotianostra · 1 year
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The Scottish actor Nicol Williamson was born on October 14th 1938 in Hamilton.
Williamson was an enormously talented actor who was considered by some critics to be the finest actor of his generation in the late 1960s and the 1970s, rivalled only by Albert Finney in his generation.
Born the son of a factory owner. When he was 18 months old, his family moved to Birmingham, England. Williamson was sent back to Hamilton to live with his grandparents during World War II due to Birmingham's susceptibility to bombing, but returned when the war ended, and was educated at the Central Grammar School for Boys, Birmingham
He left school at 16 to begin work in his father’s factory and later attended the Birmingham School of Speech & Drama. He recalled his time there as “a disaster” and claimed “it was nothing more than a finishing school for the daughters of local businessmen”. After his national service as a gunner in the Airborne Division, Williamson made his professional debut with the Dundee Repertory Theatre in 1960.
In 1962 he made his London debut as Flute in Tony Richardson’s production of A Midsummer Night’s Dream at the Royal Court Theatre. His first major success came in 1964 with John Osborne’s Inadmissible Evidence for which he was nominated for a Tony Award when it transferred to Broadway in 1965. 1964 also saw him appearing as Vladimir in Samuel Beckett’s Waiting for Godot at the Royal Court Theatre. In 1968, he starred in the film version. Williamson’s Hamlet for Tony Richardson at the Roundhouse caused a sensation and was later transferred to New York and made into a film, with a cast including Anthony Hopkins and Marianne Faithfull. Faithfull later stated in her autobiography Faithfull that she and Williamson had had an affair while filming Hamlet.
His most celebrated film role was as Merlin the magician in the King Arthur epic Excalibur in 1981. Director John Boorman cast him as Merlin opposite Helen Mirren as Morgana over the protests of both actors; the two had previously appeared together on stage in Macbeth, with disastrous results, and disliked each other intensely. It was Boorman’s hope that the very real animosity that they had towards each other would generate more tension between them on screen, as is evident from their scenes together. Williamson gained recognition from a much wider fanbase for his performance as Merlin. A review of Excalibur in the London Times in 1981 said, “The actors are led by Williamson’s witty, perceptive Merlin, missed every time he’s off the screen.”
Some of his other notable cinematic performances are as a deeply troubled Irish soldier in the 1968 Jack Gold film The Bofors Gun; Sherlock Holmes in the 1976 Herbert Ross film The Seven-Per-Cent Solution; and Little John in the 1976 Richard Lester film Robin and Marian.
Williamson had a reputation as a bit of a hellraiser and a troublesome man who was known for several tantrums and on-stage antics. During the Philadelphia tryout of Inadmissible Evidence, a play in which he delivered a performance that would win him a Tony Award nomination in 1965, he hit the equally mercurial producer David Merrick. In 1968 he apologised to the audience for his performance one night while playing Hamlet and then walked off the stage, announcing he was retiring. In the early 1970s, Williamson left the Dick Cavett Show prior to a scheduled appearance, leaving the host and guest Nora Ephron to fill the remaining time. In 1976, he slapped an actor during the curtain call for the Broadway musical, Rex. In 1991, he hit co-star Evan Handler on the backside with a sword during a Broadway performance of I Hate Hamlet.
In 1974, Williamson recorded an abridged reading of The Hobbit for Argo Records, with authorisation for abridgement provided by Tolkien’s publisher. The recording was produced by Harley Usill. According to his official website, Nicol himself re-edited the original script, removing many occurrences of “he said”, “she said”, and so on, as he felt that an over-reliance on descriptive narrative would not give the desired effect. In 1971, Williamson married actress Jill Townsend, who played his daughter in the Broadway production of Inadmissible Evidence. They had a son, Luke, but divorced in 1977.
Despite concerns over his health in the 1970s, Williamson admitted drinking heavily and claimed to smoke 80 cigarettes a day. In an episode of The David Frost Show in the 1960s, during a discussion about death, which also involved poet John Betjeman, Williamson revealed that he was very much afraid of dying, saying that “I think of death constantly, throughout the day” and that “I don’t think there is anything after this, except complete oblivion.” On 25 January 2012, Luke Williamson announced on his father’s official web site that Nicol Williamson had died on 16th December 2011, aged 75, after a two-year struggle with oesophageal cancer. The news was released late as the actor did not want any fuss to be made over his death.
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ao3feed-jonmartin · 4 months
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one last twist
read it on AO3 at https://ift.tt/yBAz6v1 by frey_the_notorious_gay somewhere amidst the incoherent babbling of a monster desperate to save its own life, the archivist tasted truth. the blood-like iron traces of honesty touched his tongue for just a second, and made him want to sink his teeth in deeper. to taste every secret that did not belong to him. Words: 833, Chapters: 1/1, Language: English Series: Part 1 of keep on twisting Fandoms: The Magnus Archives (Podcast) Rating: General Audiences Warnings: No Archive Warnings Apply Categories: Multi Characters: Helen | The Distortion (The Magnus Archives), Helen Richardson (The Magnus Archives), Jonathan "Jon" Sims | The Archivist Relationships: Helen | The Distortion/Jonathan "Jon" Sims | The Archivist, Martin Blackwood/Jonathan "Jon" Sims | The Archivist Additional Tags: Alternate Universe - Canon Divergence, Spoilers for The Magnus Archives Season 5, Canon Divergence - Episode: e187 Checking Out (The Magnus Archives), Episode: e187 Checking Out (The Magnus Archives), Shame, Unrequited Love, imposter syndrome, One-Sided Helen Richardson/Jonathan "Jon" Sims | The Archivist, Canon-Typical The Spiral Content (The Magnus Archives), Angst and Tragedy, Helen | The Distortion Needs a Hug, helen richardson had a very specific issue but i don't remember what the clinical name of it is, edit i looked it up it's depersonalization-derealization disorder read it on AO3 at https://ift.tt/yBAz6v1
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sporadiceagleheart · 5 months
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Happy birthday darling I have no presents and fantasy cake but I hope I make you happy with everything I made like this edit right here with all of your pictures in it Shirley Jane Temple Black 1928-2014 April 23rd 1928-February 10th 2014 and special rest in peace to those who passed away Bishop Rance Allen, Conway Twitty, Loretta Lynn, Lisa Loring, Bob Saget, Betty White, Heather O'Rourke, Judith Barsi, baby Leroy, baby Peggy Montgomery, Peggy cartwright, Darla Jean Hood, Jean Darling, Peaches Jackson, Mary Ann Jackson, Dorothy DeBorba, Mary Kornman and Mildred Kornman, Kenny Rogers, Patsy Cline, Modest Petrovich Mussorgsky, Eazy-E, rest in peace Ana Ofelia Murguía December 31st 2023, Jim James Edward Jordan, Lucille Ricksen, Judy Garland, Margaret Hamilton and Terry and Pal, Eva Gabor, Geraldine Sue Page, Pat Buttram, Joe Flynn, Michael Gambon, Alan Rickman, Gene Wilder, Jack Albertson, Richard Belzer, Richard Harris, Bernard Fox, Raymond Burr, Perrette Pradier, Jeanette Nolan, Larry Clemmons, Bing Crosby, John Candy, John Heard, John Fiedler, Beate Hasenau, Billie Burke, Roberts Blossom, Billie Bird, Bill Erwin, Ralph Foody, Jack Haley, Ray Bolger, Bert Lahr, Frank Morgan, Jim Nabors and Frank Sutton, John Wayne, Clara Blandick,Charley Grapewin, Buddy Ebsen, Angelo Rossitto, Clarence Chesterfield Howerton, Bridgette Andersen, Dominique Dunne, Dana Plato, Robbie Coltrane, Lance Reddick, Betty Ann Bruno, Betty Tanner, Elizabeth Taylor, Helen McCrory, Ray Liotta and Tom Sizemore and Burt Reynolds, Zari Elmassian, Frank Cucksey, Vyacheslav Baranov, Vladimir Ferapontov, Carol Tevis, George Shephard Houghton, Irving S. Brecher, Richard Griffiths, Andy Griffith and Don Knotts, Joe Conley, Alan Arkin, Jerry Heller, Fred Willard, Mary Ellen Trainor, Morgan Woodward, Anna Lee and John Ingle, David Lewis, Ken Curtis, Ed Asner, James Caan, James Arness, Amanda Blake, Avicii, Jane Withers and Virginia Weidler, Milburn Stone, Natasha Richardson, Joanna Barnes, Cameron Boyce and Tyree Boyce, Cammack"Cammie"King, Denny Miller, Jane Adams, June Marlowe rest in heavenly peace to all of them actors and actresses this is Shirley Temple birthday edit of the year
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shipping-nexus · 8 months
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Information
Appendix
Camp Here And There
• Elijah Volkov x Sydney Sargent
• Elijah Volkov x Up and Adam
Critical Role
• Percival Fredrickstein Von Musel Klossowski de Rolo III x Vex'ahlia
Dracula
• Jonathan Harker x Mina Murray
• John Seward x Arthur Holmwood x Quincey P Morris
• Main Dracula Cast
Frankenstein
• Victor Frankenstein x Henry Clerval
• Victor Frankenstein x Robert Walton
Malevolent
• Arthur Lestor x John Doe
Nevermore Webtoon
• Duke x Pluto
• Lenore x Annabel Lee
The Magnus archives
• Agnes Montague x Gertrude Robinson
• Archive Employees
• Elias Bouchard x Peter Lucas
• Gertrude Robinson x Jurgen Leitner
• Helen Richardson x Melanie King
• Helen Richardson x Simon Fairchild
• Jane Prentiss x Mike Crew
• Jonah Magnus x Barabas
• Jonathan Sims x Elias Bouchard
• Jonathan Sims x Gerard Keay
• Jonathan Sims x Martin Blackwood
• Jonathan Sims x Michael Shelley
• Jonathan Sims x Oliver Banks
• Jonathan Sims x Timothy Stoker
• Martin Blackwood x Michael Crew
• Michael Shelley x Gerard Keay
• Michael Shelley x Mike Crew
• Michael Shelley x Mike Crew x Mikaele Salesa
• Oliver Banks x Mike Crew
• Simon Fairchild x Peter Lucas
The Magnus Protocol
• Alice Dyer x Colin Becher
• Alice Dyer x Colin Becher x Fr3-d1
• Alice Dyer x FR3-d1
• Alice Dyer x Gwendolyn Bouchard
• Chester x Norris
• Colin Becher x FR3-d1
• Needles x Mr. Bonzo
• OIAR Employees
• Samama Khalid x FR3-d1
• Samama Khalid x Colin Becher
The Mechanisms
• Galahad x Drumbot Brian
• Jonny d’Ville x Gunpowder Tim
• Lyfrassir Edda x Marius Von Raum
• Prisoners of the Midguardian Transport Police
Cross-ships (miscellaneous)
• Adelard Dekker x Lena Kelley
• Peter Lukas x Gordon Alan Johnson
Rules for submitting posts
try to provide as much accuracy as possible with the information you put on your post
Make sure to use the same format used in all the other posts.
Tagging should go as follows: #all ship names listed #name of media and/or common abbreviations #character x other character #character #other character
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byneddiedingo · 2 years
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Vivien Leigh and Ralph Richardson in Anna Karenina (Julien Duvivier, 1948) Cast: Vivien Leigh, Ralph Richardson, Kieron Moore, Sally Ann Howes, Niall MacGinnis, Martita Hunt, Helen Haye, Patrick Skipwith. Screenplay: Jean Anouilh, Guy Morgan, Julien Duvivier, based on a novel by Leo Tolstoy. Cinematography: Henri Alekan. Art direction: Andrej Andrejew. Costume design: Cecil Beaton. Film editing: Russell Lloyd. Music: Constant Lambert.  Greta Garbo was the best reason for seeing Clarence Brown's 1935 version of Anna Karenina, but Ralph Richardson is the best argument for watching Julien Duvivier's. As Karenin, Richardson demonstrates an understanding of the character that Basil Rathbone failed to display in the earlier version. Rathbone played Karenin as a cuckold with a cold heart. Richardson wants us to see what Tolstoy found in Karenin: the wounded pride, the inability to stoop to tenderness that has been bred in him by long contact with Russian society and political status-seeking. Unfortunately, Richardson's performance exists in a rather dull adaptation of the novel. Although Vivien Leigh was certainly a tantalizing choice for the title role, she makes a fragile Anna -- no surprise, as she was recovering from tuberculosis, a miscarriage, and a bout with depression that seems to have begun her descent into bipolar disorder. At times, especially in the 19th-century gowns designed by Cecil Beaton, she evokes a little of the wit and backbone of Scarlett O'Hara, but she has no chemistry with her Vronsky, the otherwise unremembered Irish actor Kieron Moore. It's not surprising that producer Alexander Korda gave Moore third billing, promoting Richardson above him. The production, too, is rather drab, especially when compared to the opulence that MGM could provide in its 1935 heyday. There's a toy train early in the film that the special effects people try to pass off as full-size by hiding it behind an obviously artificial snowstorm. As usual, this Anna Karenina is all about building up to Anna's famous demise, this time by taking us into her foreboding nightmare about a railroad worker she saw at the beginning of her affair with Vronsky. And also as usual, the half of the novel dealing with Levin, Tolstoy's stand-in character, is scuttled. In this version, Levin is a balding middle-aged man whose only function is to be rejected by Kitty, who is then thrown over for Anna by Vronsky. There's a perfunctory scene that gives a happy ending to the Levin-Kitty story, but it adds nothing but length to the film. Some of the scenes featuring the supporting cast, especially those with Martita Hunt as Princess Betsy, bring the film to flickering life, but there aren't enough of them to overcome the general dullness.
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ulkaralakbarova · 2 months
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Seen-it-all New York detective Frank Keller is unsettled – he has done twenty years on the force and could retire, and he hasn’t come to terms with his wife leaving him for a colleague. Joining up with an officer from another part of town to investigate a series of murders linked by the lonely hearts columns he finds he is getting seriously and possibly dangerously involved with Helen, one of the main suspects. Credits: TheMovieDb. Film Cast: Frank Keller: Al Pacino Helen Cruger: Ellen Barkin Sherman: John Goodman Terry: Michael Rooker Frank Keller Sr.: William Hickey Gruber: Richard Jenkins Serafino: Paul Calderon Struk: Gene Canfield Dargan: Larry Joshua Lieutenant: John Spencer Gina Gallagher / Lonelyheart: Christine Estabrook Miss Allen: Barbara Baxley Older Woman: Patricia Barry Murdered Man: Mark Phelan Raymond Brown: Michael O’Neill Doorman: Michael Fischetti Omar Maldonado: Luis Antonio Ramos Efram Maldonado: Rafael Báez Black Guy: Samuel L. Jackson Ernest Lee: Damien Leake Tommy: John Thaddeus Willie: Joshua Nelson Supermarket Manager: Christofer de Oni Supermarket Cashier: Dwayne McClary Helen’s Mother: Jacqueline Brookes Toastmaster: Thom Curley Cable Supervisor: Fred Sanders Clipboard Guy #2: Larry Mullane Clipboard Guy #3: Anthony Catanese Bartender: Thomas Wagner Doorman: Manny Alfaro James Mackey: Brian Paul Tense Woman: Deborah Taylor Sasha: Ferne Downey Raymond Brown’s Wife: Nancy Beatty Clipboard Guy #1: Tony De Santis Yuppie Detective #1: Jackie Laidlaw Yuppie Detective #2: Paul Hubbard Surveillance Team Member: James Kidnie Sherman’s Wife: Bridget O’Sullivan Criminal Type: Franz Fridal Hallway Cop: James O’Regan Hallway Cop: Wayne Best Young Cop: John Bourgeois Young Cop: Hugh Thompson Bride: Miranda de Pencier Groom: Ty Templeton Denice Gruber (scenes deleted): Lorraine Bracco Film Crew: Editor: David Bretherton Director: Harold Becker Director of Photography: Ronnie Taylor Unit Production Manager: Louis A. Stroller Producer: Martin Bregman Costume Design: Betsy Cox Script Supervisor: Blanche McDermaid First Assistant Camera: Yves Drapeau Second Assistant Director: Rocco Gismondi First Assistant Director: Michael E. Steele Second Assistant Director: David Sardi First Assistant Director: Thomas J. Mack Camera Operator: Andy Chmura Casting: Mary Colquhoun Production Design: John Jay Moore Second Assistant Director: Madeleine Henrié Additional Photography: Adam Holender Associate Producer: Michael Bregman Makeup Artist: Irving Buchman Hairstylist: Bryan Charbonneau Hairstylist: Bob Grimaldi Makeup Artist: Irene Kent Key Makeup Artist: Leslie A. Sebert Stunts: Dick Ziker Writer: Richard Price Stunts: Glenn R. Wilder Stunts: Buddy Joe Hooker Production Assistant: Liam Kiernan Stunts: Kenny Bates Stunts: Steve Boyum Stunts: Rick Parker Stunts: Shane Cardwell Production Manager: Barbara Kelly First Assistant Camera: Michael Hall First Assistant Camera: Horace Jordan Location Manager: Debra Beers Production Accountant: Dorothy Precious Production Coordinator: Toni Blay Sound Mixer: Keith A. Wester Boom Operator: Steve Switzer Gaffer: Rae Thurston Best Boy Grip: Howie Balbraith Grip: Randy Tambling Dolly Grip: Robert DaPrato First Assistant Art Direction: Lucinda Zak Set Decoration: Gordon Sim Set Dresser: Raman Majlath Property Master: Vic Rigler Wardrobe Master: Gail Filman Second Assistant Camera: Rick Perotto Assistant Location Manager: Anne Richardson Assistant Accountant: Karen Demontbrun Assistant Set Decoration: Richard Ferbrache Assistant Property Master: Jeff Poulis Wardrobe Assistant: Debi Weldon Production Secretary: Regina Robb Carpenter: Boyd Allen Scenic Artist: Reet Puhm Transportation Coordinator: Neil Montgomerie Unit Publicist: Joan Eisenberg Still Photographer: Rob McEwan Casting: Stuart Aikins Extras Casting: Scott Mansfield Additional Editing: John Wright Assistant Editor: Francine Fleishman Assistant Editor: Irvin Paik Assistant Editor: Charlene Olson Assistant Editor: Haydn Streeter Supervising Sound Editor: Norval D. Crutcher Supervising Sound Editor: Randle ...
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chaos-and-kromer · 7 months
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my tma notes from ep 41-75 :]
Season 2 
41 too deep- the buried, the spiral, the dark, & the eye 
42 grifters bone- the slaughter 
43 section 31- the eye (lightless flame) 
44 tightrope- the stranger (Gurtrude speaking) (circus of the other?) (Gregor O) 
45 blood bag- the corruption (mr salesa) 
46 literary heights- the vast (Jurgen Leitner) [mike crew] 
47 a new door- the spiral (Helen Richardson) *1 
48 lost in the crowd- the lonely & the stranger  supplemental- [Jon needs to chill; bro is absolutely manic] 
49 the butcher’s window- the flesh (jarred Hepworth) see 17   supplemental- Elias Bouchard pothead??? The eye 
50 fortified- the buried   supplemental- police lady keeps coming back. Tim is suspicious 
51 high pressure- the end, the vast, the dark, & the buried (Simon Fairchild)  supplemental- Not Sasha, weird table, the web? See “across the street” 
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52 exceptional risk- the slaughter & the dark (Robert Montauk) ep 9 (Maxwell Rainer)  Supplemental- cut in from Basira. Not Sasha, wax museum, boyfriend? 
53 crusader- the dark & the eye  supplemental- magnus is not the first archive, Alexandria 
-Jon has scars from the worms & 5 stiches from Micheal 
54 still life- the stranger  supplemental- “I broke into Gurtrude's flat!” eyes cut out of book covers and removed 
55 pest control- the corruption (Jhon Amherst)  supplemental- good night sleep!!! 
56 children of the night- the hunt & the corruption (see vampire killer)   supplemental- martin said Trevor died but he didn’t, Jon confronts him “you keep lying to me martin! About what? I don’t know!” martin lied on his resume not about anything serious 
57 personal space- the vast & the lonely (E109GHT8) (Fairchild)  supplemental- Jon's looking in Sasha's desk? (the stranger) 
58 trail rations- the hunt  supplemental- Tim and Martin heard faintly talking about Jon 
59 recluse- the web & the corruption (hilltop road) (agnus) (the table?) “I have no interest in thinking about spiders more than is professionally required”  supplemental- the others are avoiding Jon 
60 observer effect- the eye  supplemental- Jon Sims intervention. ccttv files, everyone has an alibi. [hopefully Jon calms down a bit] 
61 hard shoulder- the buried (daisy) (breaken and hope)  supplemental- vampires are real 
62 first edition- the eye & the end (Mary Keay) (Jurgen Leitner) (Mary's mother worked for the institute) (the end is directly mentioned) (the Keay’s don’t serve a specific fear)  supplemental- Getrude's secret compartment, laptop and key 
63 the end of the tunnel- the dark (Sir Robert Smirk) (peoples church of the divine host has relations to the dark)  supplemental- Jon can't unlock the computer, Melonie King needs help getting into the library 
64 burial rites- the buried  supplemental- Basira, Jon is not sneaky at all 
65 binary- the spiral & the end [he is jonbinary] “god it’s like talking to my grandpa”  supplemental- access to Gertude's computer, Tim: “I’ll catch you when you're not scheming”, Tim and Jon fight 
66 held in customs- the buried (Makale Salisa) (Peter Lucas)  supplemental- Gertude traveled a lot and had weird purchase history, including Leitner’s (key of Solomon) 
67 burning desire- the desolation (Agnus Montague/Feilding) (Alice? Short hair, hell tattoo, strong) [oh dear, this one's sad]  supplemental- Jon asks Elis for the key to the tunnels “I need to know” “good lord, don’t be so dramatic Jon” 
68 the tale of a field hospital- the end & the corruption (Amherst) (Jurgen Leitner) [Jon's figuring out the connection between insects and disease; the corruption]  supplemental- the spiral & the stranger, not Sasha and the tunnels 
69 thought for the day- {pre-statement: Martin and Jon speaking. Martin brings Jon tea, (Not)Sasha is with her bf Tom, Martin tries to get Jon to speak with Tim}  (Anabel Cane) The web & the corruption  supplemental- No visits to the tunnels “I can't not know” 
70 book of the dead- the end (Jurgen Leitner)  supplemental- looking for Leitner’s 
71 underground- the lonely & the buried  supplemental- nothing 
72 takeaway- {pre-statement: The dark. Basira calls, there arresting Rainer. Jon says to get flashlights (peoples church of the divine host) (Maxwell Rainer)}  (oopsie daisy cannibalism) the flesh (Tom Han-the flesh)  supplemental-  
73 police lights- the dark (statement by Basira) (divine host vs lightless flame?) (Basira quit the force)  supplemental- n/a 
74 fatigue- the spiral (Micheal) tooth coffee?  supplemental- Sasha and an unknown figure are in the tunnels 
75 a long way down- the vast (Mike Crew)  supplemental- Basira brought tapes 
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miriel-therindes · 2 years
Text
End of year review
i was tagged by Sari @aredhels, thank you so much and a very happy new year!
rules: post your favorite or most popular post from each month this year (it’s okay to skip months)
january: queens of numenor edit
february: TAD blossoms edit
march: fellowship of the ring picspams
april: idril celebrindal moodboard
may: goldberry picspam
june: gimli posters for tsaw
july: stranger things girls picspams
august: finrod felagund edit
september: celeborn posters
october: maedhros posters
november: helen richardson moodboard
december: faramir posters
tagging: @mrmalcolmslist, @riding-with-the-wild-hunt, @outofangband
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hogwarthoggle · 3 years
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the magnus archives fears: the spiral                        ↳ a.k.a the twisting deceit, es mentiras (it is lies), it is not what it is
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