#heathere

[chasingrainbowsforever]

“Reminiscence of a Rainy Morning” ~ AI Art by Kaoru Yamada

[bisexualsoup]

yesterday i was insane about that fictional man. today i am insane about that fictional man. tomorrow? take a wild guess brother

[juno-infernal]

[covered in blood, with tears in my eyes] I AM VERY YOUNG AND I AM LEARNING HOW TO LIVE

[manquesit0]

WHAT’S YOUR DAMAGE? 💚❤️💛

[beautifulwomen047]

Heather Graham

[feminist-space]

Tweet by Heather Hogan:

Straight friend: Will you sensitivity read my book for my lesbian best friend character?

Me, two weeks later: The lesbian best friend is absolutely perfect. Here's 16 pages of notes detailing the incorrect things you said about Star Trek.

5:32 PM on 2/25/24

[saints-who-never-existed]

“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets. 

Violence makes the homo-eroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.”

–Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.

[coolmanjohnny]

[oneinchbarrier]

Homosexual artifacts.

[thepunkpanther]

HEATHERS (1989) written by Daniel Waters

[shandzii]

assorted ocean idiots doodles in the middle of the rot asdfghjk

[feminineambrosia]

Clearly the fairest of them all

[ayo-edebiri]

Heathers (1989) dir. Michael Lehmann

[trashpidgeon48]

Musicals are time loops. Every night, the same thing happens except for a few minor differences. It always ends the same. If you want the characters to do something different or to make better choices, too bad. The actors are bound by the script and the score. The only way for the time loop to end is for the show to close. But you (the audience) don't want the show to close, nor do the actors who would like to be employed. It's a lose/lose situation. For the actors, audience, technicians, and for the characters, who are forever stuck in the same stretch of time.

[nick-nellson]

Heathers (1988) dir. Michael Lehmann

[vamprisms]

dear diary my teen angst bullshit has a body count