#head archivist system

[c-is-for-coin]

Head Archivist Role System

Gender related to being a head archivist of ( x ) / a ( x ) head archivist. They are connected to ( x ), ( x ) aesthetics, archiving aesthetics, TMA aesthetics. It may also be related to TMA genders, but doesn't have to be

affix; Hearch-, Arc-, -vist

Tagging @radiomogai and @role-systems

[mantictiger]

I'm fascinated by Gwendolyn Bouchard for a multitude of reasons (love me a girlfailure) but what I'm the most curious about is why she's so hellbent on having Lena's position at the OIAR. It's been established that the Bouchards are a very well-off family (I can't remember if thats tmagp-specific lore or if that was mentioned in tma as well) so it's not like Gwen needs the job, especially a job that doesn't seem very glamorous. She seems incredibly dedicated to it though (her being so insistent with specific filing of cases in episode 1 I believe? is what piqued my interest) and is so insistent on climbing a corporate ladder that only seems to lead to Lena's position for no real reason. I get the OIAR is a part of the UK government and that could look good if she's trying to get higher-up positions, but the OIAR is certainly far from a respected or well-known organization (as far as I am aware) so I'm not really sure what her goal is here, and I really hope we find out

[neversetyoufree]

Lord I cannot believe it took me this long to realize this, but. Vnc's refrain of Noé trying to grab Vanitas's hand is a metaphor.

This whole time I've been reading the constant references to "Noé grabs Vanitas and saves him from falling, but one day he'll fail" as very literal foreshadowing for a day when Vanitas is going to fall and get hurt (or die?) and Noé will fail to catch him. And I still think there's a good chance that's true! However, it's also really obvious symbolism for the idea of salvation in general.

I've beaten this drum to death, but Vanitas is more or less the ultimate example of a character doomed by the narrative. He is going to die; the entire story is the buildup to his death. And one of the main conflicts is that Noé wants desperately to save him (and wants it more and more as they grow closer), but by nature of the story, we know he can't.

At least by Noé's definition of salvation, Vanitas is unsaveable. His death and suffering cannot be prevented, and despite Noé's best efforts, he is going to die by Noé's hand.

Enter the falling metaphor.

The absolute certainty of Vanitas's death works like the force of gravity. He is constantly being pulled down and down toward his doom like an endless free fall. But then Noé steps in and tries to save him, and in little ways he even succeeds! In all the little less important ways, he grabs Vanitas's hand time after time.

When Vanitas goes toppling off the ledge in Gévaudan, Noé catches him and shortens his fall. When Vanitas sinks into despair in Moreau's lab, Noé snaps him out of it. And when Vanitas gets lost in his own trauma and self-hypnosis at the amusement park, Noé brings him back to reality. For all of the little free falls, both literal and metaphorical, Noé is there for Vanitas before he hits the ground. The beating heart of their relationship is Noé's constant attempts to catch him.

However, Noé is haunted by the fear that he is going to fail someday. When Faustina reverts back to Naenia and dissipates in Gévaudan, he's shown a vision of Charlatan(?) telling him his hand cannot reach Vanitas. Naenia preys on people's worst fears and weaknesses, and this is one of Noé's. He fears that his hand will not reach the one he's grasping towards, and he will fail to save those that matter to him. The very broad line "you persist in reaching out for them" in the middle of Noé trying to literally catch someone more or less tells us outright that the falling and catching is a metaphor for salvation.

And when he speaks from the future, Noé confirms that this exact fear has come true. Noé in his narration is haunted by the regrets of "that day when I didn't grab your hand." His grand attempt at Vanitas's salvation has ultimately failed, and he didn't catch him when it mattered most.

The night that he first meets Vanitas, Noé throws himself out of an airship in the attempt to catch and save him. And from that point onward, he tries to catch him over and over again. Their relationship is one long straining outstretched hand as Noé attempts to pull Vanitas from his endless plummet downward. He is the one person deeply focused on Vanitas's salvation. However, Noé cannot ultimately stop the forces of tragedy and gravity and doom, and in the way that matters most, he can never quite reach Vanitas's hand.

There is going to be a day when Noé will be unable to catch him, and that day is the day that the entire rest of their relationship (and the entire rest of the metaphor) is building to. Noé is constantly reaching out, but he cannot save a man that is already dead, no matter how passionate the outstretched hand.

[nullandvoidart]

some jon doodles

feel free to send tma, good omens, or loz requests! they're my special interests that im most into rn

[compasspyxis]

Uniform redesign i was bored after losing motivation on the last drawing.

Also some other hc like the robes are made out of rayon or smth lightweight n cheap idk

[whimes]

Archvermis

[Pt/ arcvermis /end Pt]

A role system gender related to being a head archivist of vermis cranis / a vermis cranis head archivist. They are connected to vermis cranis, vermis cranis aesthetics, archiving aesthetics, TMA aesthetics. It may also be related to TMA genders, but doesn't have to be.

See also; Head Archivist [ link ], Vermis Cranis [ link ]

Tagging; @radiomogai @muttchive

[ashes-in-a-jar]

I haven't thought much about Jonathan Sims for long enough that I kinda feel like I've started thinking about him a little more divorced of the emotional attachment I might have had once. Because I just saw a post lamenting his slow descent into inhumanity and losing his identity, becoming the archivist rather than Jonathan Sims, losing his friends, his house, everything he loves.

But is that true? That put upon head archivist persona he had in the beginning, was that really him? The way I see it, real life has already leached him of any identity he might have had, he didn't really have friends, Tim and Sasha clearly weren't, as we saw in their season 5 recording. He chose to make them his subordinates over beib friends, pushed away Georgie, he became so desperate for approval that he agreed to take a job he clearly has no idea how to do, let his stress over it isolate him from everyone around him, had a desperate need to assert himself in the beginning of every recording as 'head archivist of the Magnus institute london'. Forget about even having a home, he often slept in his office for heaven's sake.

The way I see it, this story is about him finding himself, finding the perfect place for himself in this already doomed world that was already strangling him and everyone around him. He became the Archivist, no longer needing to connect himself to some godforsaken capitalistic institute to identify himself. found his role, he enjoyed its power, even admitted to it. He found love. He found purpose in trying to save the world. In the end he was surrounded with the friends he made along the way (as friendly as they could be under the circumstances). He was finally allowed to make real choices, have true responsibility over himself and not be some tired corporate worker, part of a tired pointless system. Sure his choices weren't that great, and getting there was through outside manipulation and his own ignorance and he had to suffer immensely and pay an awful price of what we like to call his "humanity" but he Became and found what we all look for - his calling.

"It's still me" he says in the last episode. Because he is. He lost nothing and gained everything. Even dying in his lover's arms.

Forget about being human. In the end Jon achieves apotheosis and truly becomes Jonathan Sims

[lets-try-some-writing]

I read the story about the tiny feral Orion Pax and I want a second part where Alpha Trion randomly showed up at the Autobot base and told stories about how feral Optimus was when he was just a sparkling to the Autobots and humans alike. I think Ratchet might remember the incidents as he might have had to repair the little monster a few times

Hmm well I doubt he'd actually turn up at base proper, but I CAN see Smokescreen being the one to speak of things Alpha Trion told him. Bonus funnies if he has no clue that "Orion Pax" Is Optimus Prime.

The other piece with Trion can be found here. Plus the series of Smokey things this is attached to can be found here.

━━━━━━ ⊙ ❖ ⊙ ━━━━━━━━━━━━

For once, the base was filled with laughter and cheer. After a particularly stressful battle, Wheeljack had seen fit to bring out high-grade for everyone's enjoyment. To 'let off steam' he said. Ratchet attempted to shut down the idea before it could fully root itself in the minds of those present, but surprisingly, Optimus permitted it. Perhaps the rumors weren't entirely true. Maybe Primes did party.

It hadn't taken long for the Wreckers to pull out cubes and start handing out Wheeljack's special brand of high-grade.Smokescreen had never been given the chance to indulge in the drink, but now that he was a warrior and Alpha Trion wasn't breathing down his neck, the overcharged liquid flowed freely. He felt a bit like a sparkling with his servo caught in the goodie jar, but he relaxed upon seeing Bumblebee whip out a straw and start going to town on his cube.

Admittedly, watching Bumblebee fuel was a bit unsettling since he lacked a good portion of his jaw, but Smokescreen simply refocused on his own treat.

The high-grade was sweet, almost like candy that had been melted down. And yet it was also bubbly, bordering on the texture and taste of a ration a few cycles from going bad. Despite both those things, Smokescreen found he enjoyed the drink, especially as a pleasant buzz started to run along his systems. The world seemed all the brighter as the high-grade quietly sent his auxiliary sensory protocols into hazy inactivity. Was this what the humans felt like all the time? Limited just to sight and hearing?

It was kind of novel.

As the high-grade flowed, Smokescreen noticed that the team seemed to share his feelings on the matter of overcharge. Before too long, bots laughed and sang; a few even began to open up. Smokescreen watched it all from the sidelines for the most part, listening as the Wreckers began exchanging stories and Arcee went into detail about a few of her more exciting missions. Even Bee chimed in with a retelling of some fun events that went on during training. But the story swapping didn't really get wild until Ratchet of all bots spoke up.

"There was this one time I had to patch up Orion. He apparently decided it would be a fantastic idea to attempt parkour like Jazz. Without any training, no less." The team laughed. Smokescreen snickered into his drink. The name Orion sounded familiar, but it was not something that immediately registered in his memory banks.

"Jazz dragged him into my clinic with a broken leg, one dislocated shoulder, half his plating shredded, and his right audial half torn off." Ratchet laughed, nudging Optimus with a shoulder. The Prime didn't comment and instead smiled softly as he sipped his drink. The team joined the medic in his mirth, commenting quietly and giggling like younglings.

"According to someone, 'it seemed like a great idea at the time'." The medic chuckled into his high-grade, more than a little buzzed due to it. As he did so, Smokescreen recognized the name at last.

"Oh, I think I know who you are talking about! Orion Pax! The head archivist! Alpha Trion told me all about him!" Smokescreen's words, thank Primus, didn't end up coming out too slurred as he spoke up. The team paused in their activities, their optics falling on him in interest. Even Optimus's optics widened in what he could only assume was interest. Smokescreen suffered momentary stage fright, but he continued on with his thought.

"Trion said that Orion was brought into the archives when he was still a sparkling, and that he was a little menace." Ratchet laughed outright at the statement, slapping Optimus's shoulder in amusement before going back to his drink all giggly. Wheeljack poured himself and the rest of the team another cube in response.

"Well, don't keep us waiting, kid. What'd the old cogger say?" Wheeljack grinned like a terrorcon, earning a baleful glare from Optimus. Smokescreen, however, in his high-grade fueled stupor, didn't recognize any potential danger and continued on with his story. Everyone seemed to be enjoying it after all.

"I never would have guessed the head archivist would be the way he was, but according to Trion, he liked to lick datapads." There was a momentary silence, one only emphasized by Optimus staring at Smokescreen in horror. He almost regretted opening his mouth, but that fear went flying out the window as Ratchet cackled and promptly slapped the nearest surface as he wheezed out his laughter. He was almost incoherent as he pointed at Optimus, his optics flashing with emotion only brought out by overcharged drinks. "I fragging knew my medical texts had fluid on them!" Smokescreen stared at Ratchet in momentary concern, but his focus was drawn back to the story he was telling as Arcee gave him a wolfish grin along with a question.

"He licked datapads?" The two-wheeler looked to be trying desperately to keep her composure. Smokescreen couldn't exactly blame her. There weren't many bots who had habits like the old head archivist. Licking datapads of all things, he could hardly picture the sanitary concerns. But then again, Smokescreen wasn't much better with a few of his well-hidden preferences.

"Yeah! Guess the head archivist thought they tasted good or something. Trion said Orion Pax never really got over the habit and occasionally gnawed on them when stressed." That was enough to have Bulkhead leaning against the nearest wall for support. Ratchet for his part dropped to his knees, clutching his abdomen as his vents flared in response to his howling laughter. He seemed to find it far more funny than anyone else, but the Doctor's reaction urged Smokescreen on, especially as Bumblebee snorted into his drink and splattered it on his face.

"That wasn't all he did, though! Alpha Trion told me all about how the head archivist used to climb the pillars in the archives! There were still claw marks in the metal when I was there." Another round of spark clenching laughter met his declaration. Arcee outright wheezed, trying desperately not to look in Optimus's direction. Bumblebee wasn't much better, or Wheeljack for that matter. Both looked a moment away from combusting as they tried to hold back laughter. Bulkhead just leaned harder against the wall, a servo brought up to his mouth as Ratchet cackled on the ground.

Smokescreen paused in his story, watching the team and their frantic attempts to not look at their Prime. He tilted his helm in confusion, watching as Optimus held his cube with a neutral expression. However, looking closer through his auxiliary heat sensing systems, Smokescreen could catch the faintest hints of what looked to be a blush of all things. Was this what the rumors meant when they said Primes didn't party?

"I was given the head archivist's old room while I was there, for that matter. It was just me with Trion most of the time, so I got the closest room to his, which just happened to be Pax's." Smokescreen rubbed his neck a little sheepishly, sensing that there was something he might have missed.

"He had some weird habits, sure. But I got to see a few of his old records, and he seemed really nice! Just a bit off is all." Somehow, his attempt at easing the strange tension coming from Optimus did the exactly opposite. He could almost see the way Optimus's shoulders slumped as Ratchet continued to lose his mind on the ground, drink forgotten.

"What sort of habits?" Bumblebee chimed in, his binary tones still a bit difficult to decipher, but not impossible. Smokescreen paused for a moment, unsure if he should continue seeing how stressed Optimus appeared. He wasn't sure why the Prime seemed so uncomfortable, but it was probably a good idea to not tempt fate.

"I uh… I don't want to damage the poor mech's reputation since he's probably not around anymore." Smokescreen fiddled with his drink, his enthusiasm dimmed. But before he could fully close himself off, Ratchet hobbled his way over, grinning and tapping Smokescreen's chassis.

"Go on, tell us about it. I can assure you, as one of Orion's oldest friends, he won't be upset." Smokescreen reset his optics. But seeing the entirety of the team, save for Optimus, looking enthused… well he couldn't exactly say no, now could he?

"Well, Orion Pax had a hero wall in his room. It was well hidden. I found it behind a wall panel that I kicked by accident." Every passing moment made Optimus look more and more willing to perish. All the while, the team leaned in closer, eager to hear to an almost rabid degree. Smokescreen was more than a little nervous, but he continued on.

"The whole thing was covered in posters and snippets of gladiators, various political figures, and a LOT of Soundwave pics. Guess Pax was into freaky mechs." Uproarious laughter met Smokescreen's words as Ratchet moved over to Optimus and slapped his arm, his optics bright and hazy from the high-grade and amusement. Finally, Optimus frowned in discontentment and Smokescreen took that as his cue to wrap up.

It seemed like the Prime was done with the whole partying business.

"To be fair, it was very beautifully put together!" More laughter met him, this time from Bumblebee and Wheeljack who had to lean on the nearest surface for support. Arcee just shook like a bomb about to go off, her grip on her cube shaky and uncertain as she fought back a smile. Bulkhead just wheezed in the corner.

Smokescreen fidgeted with his digits nervously.

"I… I saved something from his room, actually." The laughter eased for a moment as the team looked over at him curiously. Even Optimus's frown relaxed a degree as Smokescreen hastily dug through his sub-space. He didn't have to know why Optimus seemed so uncomfortable with the discussion. For all he knew, Orion might have been a good friend. It seemed like a good idea to pull out something less humorous.

It took him a moment, but soon enough, Smokescreen pulled out a small vial. It glowed blue, showing the innermost energon within it. Smokescreen almost felt bad holding the thing. Innermost energon was only meant for mecha important to an individual, and here he was, some random guardsmech who rooted around in the head archivist's room. The only reason he'd picked it up and shoved it in his subspace to begin with was because he originally intended to give it to Alpha Trion for safekeeping. Of course, that had to have been the very same night the attack on Iacon occurred.

"Is that-?" Bulkhead spoke up, but cut himself short as Optimus stepped forward, his optics wide.

"Innermost energon… a gift intended for an amica." Any laughter died in it's cradle as Optimus tenderly reached out. Smokescreen didn't hesitate to pass over the vial, watching as the mood shifted into something more solemn.

The Prime ran his digits over the small vial, his optics cycled wide as if he were a newbuild. His field pulsed in waves of old sorrow for a long moment, earning him a gentle touch from Ratchet once the Doctor composed himself enough to come closer. The rest of the team stayed silent, each of them seeming to know something important regarding Optimus and Orion Pax that Smokescreen was not privy to.

"Did you know archivist Pax? If that's the case… I'm sorry for throwing his secrets around. I just assumed that with the war and all, considering he was a civilian, he probably didn't…" Smokescreen trailed off, not wanting to meet the gazes of anyone present as the high-grade in his system eased enough to let him think clearly. What sort of aft mocked the dead? Slag, he'd messed up.

"I intended to gift this to Soundwave in the hopes that by being amica, we might be able to grow close enough to help Megatronus more efficiently." The words registered, but they did not fully compute as the Prime lifted the vial, watching it sadly.

"It was to be a bond to bind us for a lifetime, as Megatronus's right and left servos. His guides and aids in the battle for Cybertron's freedom." Ratchet held Optimus's arm, his field pulsing in age old grief that Smokescreen could hardly comprehend. The rest of the team simply observed.

"I planned to gift this token after our meeting with the High Council… but that event destroyed any brotherhood that might have lingered between us." A deep sigh escaped the Prime then, the air growing heavier with ancient regret.

"I lost more than just Megatronus that cycle. I lost so much more than him." With a weary flare of his field, Optimus held the vial a little longer before passing it back to Smokescreen. Only as he held it did everything click.

"You are Archivist Pax?" Optimus smiled ever so slightly at that.

"I was, long ago. But Orion no longer lingers here. He is but an echo of a happier time." With that, the Prime turned to leave, seemingly done with it all.

"Please, enjoy your evening. Do not allow my lamentations to ruin your celebrations." Without another word, Optimus hurried off toward his hab. The team watched in worry for a while, and Smokescreen fiddled with the vial while contemplating the implications of everything. But eventually, the team returned to their activities. Wheeljack put on a movie and poured more drinks. Bulkhead set up makeshift seating, Bumblebee sat down to watch the film with Arcee. Ratchet, for his part, passed out without meaning to five kliks into the movie.

Smokescreen took the opportunity to step away and follow after Optimus, soon finding himself knocking on the Prime's door.

When it opened, Smokescreen held out the vial, his door wings dipped in anxiety.

"I'm sorry for saying all that stuff about you! I didn't mean anything by it! And… I'm sorry I brought up bad memories." He didn't look up, he couldn't bring himself to. Without intending it, he'd hurt Optimus's reputation and brought up old losses. He'd messed up.

"Smokescreen."

Optimus's voice was gentle, almost sad as he reached out and pressed the vial back into Smokescreen's servos. His optics widened in shock, quickly forcing him to start up at the Prime in confusion.

"Do not feel guilty for what you have done. It was in good faith, and I know your spark." The Prime smiled tenderly as he clasped Smokescreen's shoulder, a fond gesture that seemed both so very right and wrong all at once.

"This is yours. It's your innermost energon. Don't you want it back?" His question rang out, unanswered for a long while. But after a klik, Optimus shook his helm.

"It is a remnant of a time long gone by. I would rather it come to new servos and represent something other than what it was originally intended to signify." With that, the Prime's servo moved down. The next thing Smokescreen knew, Optimus was holding his servos, a kind expression on his face.

Why? Why would Optimus trust him with such a thing?

"I don't understand." He murmured faintly as he heard the distant sounds of the movie playing in the background.

"You were also a student of Alpha Trion. You served him as I did, so long ago." Optimus, to Smokescreen's shock dropped to a knee to put them on equal level. He had no words. How could he? Optimus was on his knees just so they could speak at the same level.

"We are all that remains of our master, and in a sense, that ties us together." Smokescreen's field flared in disbelief, but also… relief. He'd been alone in his thoughts since his arrival. The team didn't know him, so they didn't really talk to him. The humans were nice enough, but they could never understand.

To know he had someone who cared? Who knew the loss?

"We're kind of like brothers then." Smokescreen laughed softly, nervously even. But Optimus didn't refute him. The Prime simply hummed and squeezed his servos. Somehow, that simple act conveyed more than words ever could.

"Keep this token of my youth, Smokescreen. Erase the sorrow it brings with a new promise, or perhaps remembrance for our departed teacher." Quietly, Optimus released his grip and stood back up, his expression strangely peaceful. He stood in his doorway for a while, seemingly thinking. Then, he nodded.

"If all else should fail, remember me, little brother." Then, just like that, the door slid closed.

Smokescreen stared for a while, unable to move. When he did, he meandered back to his room in silence, staring down at the small vial.

"Brothers…"

He murmured into the night, and as he did so, his view of the Prime shifted. Optimus was his leader, his idol, his Prime.

But beneath all that, hidden behind layers of rank and order, was someone he could trust. Someone who understood.

A mech he might one day dare to openly call a friend.

[matcha-binz]

Muse. (teaser)

The newly arrived painting captures your attention as the archivist of the local museum. But, as you investigate further, you discover a secret that no one was supposed to know. Panicking, you run from the scene in a daze, trying to hide what you have witnessed. Before you could even realize, you were stopped from your trance by a suspicious individual. To your horror, it was none other than the secret himself. the muse of the oil painting stood right before you, looking into your eyes with a gaze too human.

Genre . Suspense, fantasy, romance, fluff

pairing . Prince!beomgyu x museum worker!reader

wc . N/A

note . Erm… oops. I’ve been gone for a while now… tehe. Anyways I’m back with this wip. Idk when it will be released, probably at the start of September, hopefully !

As your hands trace the intricate, gold framing of the painting, your eyes cant help but wander back to his deep, honey hued ones. This one is different.

The brush strokes that combine together to make his eyelids, the thin lashes that look as if they were painted each individually, and the deep, oak colored hair that rest around the golden crown adorning the head. And his lips, so carefully painted the exact shade of the pink carnations that he held. His attire is something a tad too simple for a prince to wear — a plain ruffled tunic, fading to a light beige — a popular clothing choice from this time, you observe.

It’s hard to imagine someone to be this beautiful. But at the same time, this oil painting seems to be waiting for the moment to just come to life. The furrowing of your brows do not go unnoticed by Taehyun, as he observes your reaction from the doorway.

“It took some time for it to arrive here-“ a graceful smile paints his face. “… I’m glad you like it” he chuckles, his laugh echoing off the dim lighted walls at your speechless form.

It takes a good second for you to snap out of your awe struck trance, stuttering a flustered respond for your coworker, who only smiles as you do so. “L-like it…? Taehyun, I’m like- “ you sigh. “I… I can’t believe this.. “

with an airy laugh — that was more of a half gasp — you turn over your shoulder to look into his eyes. “This can’t be… is this… the original copy?”

your eyes widen as he slowly nods his head. Your teeth nip on your lower lip as you struggle to keep in your excitement, the hand that rested on the gold frame of the painting jitters and twitch as you tuck it back in your cardigan pocket, and the smile that etched onto your face, you knew that it wasn’t coming off anytime soon.

“Well, I’ll trust this relic to you then” he states, shooting you a farewell smile and shutting the wooden door behind him. As he leaves you in the room, the sun has completely set behind the horizon and leaves darkness scattered in the sky. the clock strikes 8.

With one last glance at the painting, taking in all of its beauty, you take a step back, letting out a small yelp nearly tripping over a pile of old books that was probably left by taehyun as well. Lovely. A sigh leaves your lips as you crouch to take pick them up, blowing away the dust as you walk towards your desk that sits facing the wall.

“All right, then. Let’s get you in the system…” you idly mutter to yourself as you turn on the computer, the soft sound of the whirring fills the room, reminding you of just how old this computer is. As you quickly punch in the pin, you take note of saving up for a new desktop, this old one takes too long to load, to your dismay.

You right click onto the program to record the the addition to the museum gallery. Most of the gallery consists of old relics from important time periods to relics and art from before technology existed. You have always found these works to be exceptionally beautiful, the timelessness of these objects made by the talented artists are not to be forgotten by those who truly appreciate art.

Same goes for this painting, you think as you enter the description and the room it shall be placed in. But as the cursor hovers over the ‘name’ section, you hum as you try to rack your brain for the name of this piece.

“Hm… What was your name again..?” You say, to no one in particular as you glance back at the painting that stood still in the middle of the room, the dim lighting shining off the gold frame. Your brow raises as you tilt your head. Did you move it to the center before? The memory doesn’t appear immediately, but you deduce that you probably did.

And with a shrug, you turn back to the glowing screen, letting out a theatrical sigh.

”You may address me as prince Choi, ”

-

[skyfullofpods]

Hello fans of Re: Dracula who were introduced to fiction podcasts through the updates from our good friend Jonathan Harker! Now that the story's over (sob!), would you like some recommendations for some other audio dramas that you might enjoy, made by some of the folks who worked on the podcast?

Jonathan Sims, who played our local phonograph enthusiast, is the writer of the hugely popular horror podcast, The Magnus Archives. The Head Archivist of the Magnus Institute records statements made by members of the public, detailing strange encounters with the supernatural. What soon becomes clear is that these statements do not describe separate and unrelated events, and a bigger and horrific picture begins to emerge. Also appearing as recurring characters in this series are both Sasha Sienna and Alasdair Stuart.

Karim Kronfli is a prolific voice actor, and while he might be best known for his roles in both Re: Dracula and The Magnus Archives, he has voiced a wide range of characters in many different fiction podcasts. Out of all the ones he's appeared in, I would personally recommend urban fantasy anthology series, Unseen. The unseen world exists alongside ours, but only a few humans can see it. It's a world where magic and magical creatures exists, and Karim's character tells his story in episode 7, titled We Ourselves.

Beth Eyre and Felix Trench played twins Antigone and Rudyard Funn in Wooden Overcoats, a British sitcom set on the tiny fictional island of Piffling, in the English Channel. The twins run a funeral parlor together, the only one on the island, until a newcomer arrives. Eric Chapman (played by Tom Crowley) sets up a much more successful funeral parlor, and the story is narrated by the Funns' house mouse, Madeline.

Alan Burgon plays the Interviewer in The Amelia Project. The Amelia Project is a secret organisation, and clients come to them looking for their help in faking their deaths. The Interviewer listens to each client's story, before concocting unique and often elaborate ways in which they will stage their deaths, before being reborn into a new identity.

David Ault is also a very recognisable voice to anyone who spends a considerate amount of time listening to fiction podcasts, and The Kingmaker Histories feels like an appropriate choice here. A weird steampunk series set in the Valorian Socialist Republic in 1911 , this story involves found family, its own intriguing magic system, and being gay and doing crime.

Our favourite cowboy, Giancarlo Herrera, plays one of the protagonists in sci-fi action/thriller, Primordial Deep. Spinner is part of a team which is sent deep beneath the sea to investigate the resurgence of creatures thought to be long-extinct. There's plenty of horror to be had here, as something ancient is stirring in the depths of the ocean.

As for the crew? Tal Minear works on so many podcasts, and if you like fantasy stories, I would recommend the delightfully lighthearted Sidequesting, which follows new adventurer Rion, as they help people on their travels. If you would like some more horror, there's their spoiler-driven anthology series, Someone Dies in This Elevator.

Hannah Wright's Inn Between is a fantasy series based on D&D. Each episode follows a party as they meet in the Goblin's Inn, in between adventures, as the tavern follows them around wherever they go.

Stephen Indrisano's upcoming docu-horror Shelterwood promises to be a series which explores the horror of suburbia, as it follows one man's quest to find his missing sister. Until this is released, I would recommend Do You Copy, in which Stephen plays one of the protagonists. This found footage horror series follows the events which unfold after the closure of Red Tail National Park, and the people who were left inside the park, after its mysterious closure.

Ella Watts is regarded as a walking encyclopedia of all things audio fiction, and has worked on several high-profile projects, including directing both Doctor Who: Redacted and Marvel Move. Her upcoming Camlann is a post-apocalyptic series due to be released next year, inspired by Arthurian legends and British folklore. She is also the executive producer of Tin Can Audio's (who are also producing Camlann) beautiful experimental series, The Tower. The protagonist of this story, Kiri, leaves her life behind to climb an impossibly high tower, making phonecalls along the way.

Newt Schottelkotte's Where The Stars Fell is a supernatural fantasy set in the town of Jerusalem, Oregon. Cryptozoologist Dr Edison Tucker arrives in the town to carry out some research, and meets her roommate, author Lucille Kensington. There's so much more to this strange town than first meets the eye, with a huge revelation at the end of season one.

If you're new to fiction podcasts, welcome! I hope this short (ish!) and very much non-comprehensive list gave you some ideas of what to listen to next!

[cardentist]

anybody who says that jon was stupid for being paranoid during season 2 would Not survive the horror movie

- the previous head archivist disappears under mysterious circumstances.

- he is then given the position of head archivist, something he’s well aware he isn’t qualified for.

- while working this position he’s constantly plagued by the feeling of being watched, to the point that he outwardly modifies his behavior in reaction to the statements to try to throw off whatever the source of this feeling Is.

- during all of this, his co-worker suddenly goes missing only to come back with news of having been held hostage by a living flesh hive trying to eat him with worms.

- this living flesh hive is now sending worms to your place of work.

- while trying to figure out how to deal with the worms he finds a statement from the flesh hive that is Directly Speaking To the previous archivist. cementing the fact that the magnus institute is being sieged by worms Because Of A Grudge Against The Head Archivist Position.

- while this is happening Mysterious Delivery Men show to Directly deliver a dangerous artifact To Him in the magnus institute, referring to him directly as “the archivist.”

- the flesh hive does, in fact, break into the institute and eat him with worms, specifically calling out To Him (to The Archivist) as she comes in.

- while running around trying not to be eaten by worms, one of his coworkers finds a secret tunnel system that’s been directly connected to their building that just so happens to be hundreds of years old. 

- and while he’s being Actively eaten by worms his Other coworker finds the murdered body of the woman who was the previous archivist, who the flesh hive had been addressing in her statement, propped up in those very tunnels.

if you look at all of that and say “there’s No Reason for jon to think that anybody was trying to kill him, he should’ve just tried not being paranoid” I’m sorry but the girl from the ring would win. you are not the final girl, you’re not even the fourth.

[c-is-for-coin]

Hearchextinct

Gender related to being a head archivist of the Extinction, a Extinction-themed head archivist, or a head archivist that is an avatar of the Extinction. They are connected to the Extinction from The Magnus Archives, Extinction aesthetics, archiving aesthetics, TMA aesthetics. It may also be related to TMA genders, but doesn't have to be

Tagging @radiomogai

[witchofthesouls]

The image if mostly asleep optimus biting scruff bar and puring ab squirmy Mi,o back to sleep is delightful

Feral sparkling of the Wastelands pre-Orion Pax strikes again!

Orion Pax/Optimus is very self-conscious about that. He really tries to minimize the overt behaviors, especially as someone who literally bypassed all the regulations to land in the Archives right under the prestigious posting of being under Alpha Trion. Because the Head Archivist had personally selected Orion Pax himself, the most people could do is hide their poisonous words under a thin veneer of barely held courtesy. Just waiting for Orion Pax to be stripped of his role and kicked out...

Orion became very self-aware of what is and isn't 'appropriate,' and models himself as a survival tactic. Unfortunately, it carried over to Megatronus and his crew. Orion once got severely chewed out by the mech for sneaking past the security systems to be around the far more dangerous beasts. Megatronus thought Orion was being stupid in the mid/high-caste 'let me poke at the very rare wild animal that constantly needs to be sedated when not in the ring.' Meanwhile, Orion had gone to pick the lock because he personally knows the creature. Far more intelligent than what the city-mechs believe. Orion knows exactly how to communicate to them to give one solid chance of escaping.

That's a long way of saying that Orion Pax was never allowed to be alone in the Pits again after that incident where a Maganese Mountain Umbra Puma ran rampant before bolting free.

But yes, Optimus does it to Miko and Jack.

[katakaluptastrophy]

Can we talk about Juno Zeta?

You're living the dream, Master Archivist of the Sixth House. The Archaeology department hates you. The secretaries love you. Your son has risen to the very top of the absolutely unproblematic meritocracy of the House to become Master Warden. Sure, you treated him as a colleague when he was 7 too, but this is much more intellectually satisfying and much better for your publication record (suck it, Archeo). You sit on the Oversight Body, making decisions for the 3 million strong House of the Sixth.

Then the Master Warden gets summoned by god to become a Lyctor. (No civilian has seen a Lyctor for thousands of years. But the information you do have speaks of astonishing power. Are you intrigued? Do you regard it as an even more stellar opportunity for the Master Warden? Do Lyctors have access to interesting material for the archives? Does the possibility of your son becoming an immortal finger and gesture of god ever feel strange?)

A few months later, some fragments come back in a box. There's nothing left of Camilla at all. No one will tell you anything. Every House but the Third and the Ninth has lost its head or heir (the poor girl your son loved is dead. You're never going to get another overly-formal letter from the Fifth begging for Lyctoral documents from your archive.)

Then the Master Warden makes contact from beyond the grave to tell you that the saintly founder of your House left a plan in place in case it ever became necessary to betray god. He tells you why god should be betrayed.

Suddenly, the Oversight Body has to make a decision. To take your home and 3 million people away from the Dominicus System (away from its thanergetic soil, no more necromancers will ever be born). To break the contract of tenderness made on the day of the Resurrection. Do you have time to call back your soldiers in the Cohort? Do you have to leave them behind? Has the Oversight Body ever felt unanimously about something before? And how frank can you be with the House? You have visiting scholars from almost every House, and who knows where the Bureau have eyes and ears.

There are calculations to make. How to transport a whole House? How do you work out that it takes five hundred and thirty-two obselisks? That there are deleterious effects past five hundred and sixty? How do you find a stele that would anchor such a big thanergy transition? (Only the Fifth make stele. Do you try to do it yourselves? Who do you trust on the Fifth to help with that? Is that why Kester Cinque left Koniortos?)

The Master Warden, who is dead, lives inside the body of Camilla, who is not. He picks you - in your capacity as Master Archivist - to be one of the negotiators. How do you integrate 3 million people into a completely alien society with whom your people have been at war for millennia? How does negotiating with terrorists feel compared to academic committees?

What happens then? One day you just...lose it? The sun rises too bright and too blue and you are in agony, unconnected from yourself, screaming and writhing. And when the thing in the sky is at its furthest orbit from you, in some exhausted moment of clarity, you nearly kill yourself using necromancy to restore your sanity. You blind yourself. Do you think beyond that moment? As someone who deals in documents and artefacts and forms in triplicate, do you mourn your sight alongside everything else you have lost? Your son, your home, your god, your sanity...

And now you are a hostage. Sixteen of you in the back of a sweltering truck, held at gunpoint, always moving. The only thing keeping you alive is the possibility of selling you back to the empire that you've betrayed. Your captors have signed a 'no torture' clause, and perhaps they do stick to that. You're needed for providing proof of life and are probably better off than most. But it's too hot, there's not enough water, you can't see, and the only way out is either that the Master Warden gives Blood of Eden a Lyctor or being released to the mercies of the Kindly Prince. You sit in the dark and do mental maths with each other to stay sane.

Somehow, the Master Warden has done it. Without a Lyctor, he's turned his own cell commander against her fellows and you have been released. Most of the Oversight Body can't even walk out of the truck without help. But you're free, and the Master Warden - now in the stolen body of a Lyctor's cavalier - has the sort of mad scheme only he could come up with. Those mental maths will come in handy. The cell commander isn't bad either...

You can't see your son die again (the last time he speaks to you, from that borrowed body, he calls you 'mum' instead of 'Master Archivist'). But you can smell Camilla’s flesh burn. Perhaps the Commander, holding your arm, describes it to you. You follow this new person, your child, now something else, back into the truck where you were held captive and watch as they drive it into the River.

The Tomb is open. Your child is part of a being of strange and unimaginable power. The House Formerly Known as Sixth is on the other side of the universe. You are on the Ninth with a dead cavalier in the body of her necromancer, the Emperor’s construct, legions of demons, and a very mysterious dog...

Anyway, I'm very excited to see what havoc Juno gets to cause in ATN. She's there to be snarky, do psychometry, and be a romanceable MILF. Let her yell at god. And for goodness sake, let her get some peace at the end.

[you-call-it-obsession]

In my little view of Elias, his house is pretty empty. It's got generic furniture, and sure it all looks pretty expensive, but it's so...boring. There isn't any decoration, barely anything in the drawers, cupboards just have non-perishables and the type.

His office, however, is a different story. It's an absolute junk shop in there. Walls lined with shelves, stuffed with so many objects, odds and ends, some new but most old. It's all meticulously cleaned -- god forbid his things get dusty! -- but god, some of those things look like they might crumble to dust if anyone touches them. It's...well, if I'm being honest, it's a mess. Sure, Elias has a system and knows where everything is, but anyone else? Not a chance.

Because I think he's awfully sentimental -- I mean, he kept the bones of the man he loved and let die in his office. This man does not throw away anything -- so after 200 years, a lot of junk has accumulated. And if you asked him, he would not call it junk. Everything has its own story and reason for being there but Elias, do you really need twelve packs of playing cards? Yes- yes I know they're all different, and they're from different people, but those two are identical. You don't need to keep both of them

And he cannot keep his stuff anywhere else. He's like a dragon with his little hoard, he needs it all with him. And I love the idea that he has a secret room behind his office with even more stuff, and a bed and little kitchenette and such. He feels safer in the Institute, you know? And he doesn't want to leave for too long or it might be attacked in his absence. So he sleeps and eats and lives there, most of the time. And let me tell you, he was delighted when Jon started doing the same, after accepting the role of Head Archivist.

[victusinveritas]

Jim Henson was determined to use the larger budget of a feature film (1979's "The Muppet Movie") to push the technological limits and capabilities of puppetry. One of the most difficult feats (and one that appears deceptively easy on-screen) was making Kermit ride a bicycle. To pull this off, a Kermit puppet with legs was posed onto the seat and his legs and arms were attached to the pedals and handlebars. An overhead crane with a marionette system held the bicycle through strong strings invisible to the camera, guiding the bicycle forward. The crane and system were out of the camera's frame of vision. Specially made, remote-controlled puppets were placed on the set and controlled by puppeteers out of the frame.

Henson spent an entire day in a 50-gallon steel drum submerged in a pond for the opening scene of Kermit the Frog in the swamp.

When Animal accidentally eats Dr. Bunsen Honeydew's Insta-Grow pills, he memorably balloons through the roof. Henson refused to use a normal puppet on a miniature set to accomplish this effect, so his crew had to construct a gigantic Animal head that measured sixty feet.

The closing reprise of "Rainbow Connection" featured a crowd of more than 250 Muppet characters, virtually every Muppet that had been created up to that point in time. According to Henson archivist Karen Falk: "One hundred thirty-seven puppeteers were enlisted from the Puppeteers of America (along with the regular Muppet performers) to perform every Muppet extant. Prior to the day-long filming of the shot, Henson gave the enthusiastic participants a lesson in the art of cinematic puppetry. Amazingly, it did take just one day." The Muppet Show Fan Club newsletter answered the question of "How did they do it?" They response was "There are 250 puppets in the last shot of the film, and they're all moving. How? One hundred fifty puppeteers in a six foot deep, 17-foot wide pit, that's how. They were recruited through the Los Angeles Guild of The Puppeteers of America and almost every puppeteer west of the Rockies reported for pit duty." (IMDb/Wikipedia)