#he's such a bad influence i'm so sorry

[ssolessurvivor]

That husky voice has always done things to the bodyguard, but this time it sends his blood to boiling. He can barely catch his breath from the warmth in his stomach, he can only smile softly before he's being kissed again so intensely he can't hold back the little moan which spills into Cen's mouth at that bite to his bottom lip. His heart races as the King's hand finds its way on his abdomen, the skin there heating up as if it were made of magma.

His own hands simply cannot remain idle. One slides back to cup Cen's cheek while the other dips beneath the neckline, searching for more of the warm skin on the King's back...and the rather unsavory thoughts he's had of marking him there. Either with his nails or his teeth. Logan almost can't breathe through the lust he's suddenly experiencing, kept in check for so long that it could've been considered vastly unhealthy.

Their lips part with an audible noise that sends a shiver up Logan's spine, to the base of his skull. Hearing Cenred speaking so freely of what he wants has his own elation giving him one hell of a high. He smiles softly, trying to hold himself back from all but jumping him, leaning in to take that bottom lip in his own teeth for a little nip. "We have now..." He murmurs, settling there in the lines of Cenred's lips. "Take these off." His fingers had since found the hem of the King's shirt, tugging gently, yearning for more of an intimacy to finally experience.

The fingertips stroking up and down the nape of his neck send a shiver down his spine, and goosebumps erupt on the skin at Logan's touch. "Don't hold back?" he repeats, and another husky chuckle escapes him. "Are you sure you want that?" there's a playful threat in his voice, but he doesn't give Logan a chance to respond before he's crashing their lips together again. His teeth graze across his bodyguard's bottom lip, biting softly, just as one of his hands moves to dip under Logan's shirt and brush against his lower stomach.

A faint groan escapes him against Logan's lips, as his hand trails upwards and he feels the expanse of muscle flexing under his fingertips. God, he'd been imagining this moment for far longer than he cared to admit...but, somehow, none of the daydreaming came close to the intensity of the heat now flooding through his veins.

Cenred isn't very good at controlling himself at the best of times, and as blissful as Logan's lips are on his, it is also maddening that they are both wearing far too many clothes; all he wants is to feel the delightful press of bare skin on skin. "Fuck, Logan," he mumbles against his lips. "We should have done this weeks ago."

[another-clive-blog]

clive

This started as a "character wearing their worst trauma on their shirt" meme redraw, but then I got too invested lol

So now it's an AU : what if Constance wasn't that rich and Clive had to earn money other ways

[turtlemagnum]

god, i suck at mario 2. i'm disparaging my legacy.... seriously, how the fuck have i beaten the lost levels without save states but can't get past 1-3 in american mario 2???? why am i not instantly good at a game i've never really played, god!!!! my mother would be disappointed in me

post writing the tags turtle here: i started rambling about my childhood made the tags longer than the actual post and don't feel like putting them onto the actual post because that'd be too much work and i'm feeling lazy. read em if you want personal bullshit! or don't. i'm not care

[musical-chick-13]

Thinking about that "If K*ylo R*n were a woman everything would be better and this character would have worked" post, but after some consideration...I genuinely would have still hated this character.

Like...Idk maybe there's something to be said for the still-subversive nature of characters like this being allowed to be horrible women, but I don't hate this character because he's horrible, or even because he exemplifies a bunch of things in fiction I'm tired of seeing, I hate him because he doesn't feel fully-formed as a character to me and I don't think the movies know what they're trying to accomplish with him from a narrative standpoint (which are, imo, the biggest Story Sins a writer can commit). All of which would still hold true if this character were a woman.

[ruvviks]

also interesting to think about what would've happened if vitali and mikhail hadn't lost contact with each other for six years. they would've hated each other by now i know that much

[acidphosphorusofficial]

Transphobes are the dumbest and most terrible people you'll ever find and this picture shows this.

Shame I have to live with two of them because the cost of living is incredibly high and I can't move out because there is no job that will hire my ass

Another banger from the "we can always tell" crowd 💀

(for those who don't get it: the picture is of MatPat, a cis man)

[lostrealities0]

I honestly have never understood why this line is so hated. I have seen people use it to villainize Ford. I would like to say that I agree with all of your points. It was completely wrong for him to project his relationship with his brother onto Dipper. He definitely has convinced himself that his and Stan's relationship has always been bad.

We don't know much about how it was in the past. However, it seems that they were always grouped together as a pair. It was always Stan and Ford. Additionally, Stan gives off codependency vibes during the incident, while at the same time, Ford seems very independent. He has zero issues with the prospect of going to a university across the country.

I believe that this dynamic probably caused some issues. While I doubt teenage Ford thought of their relationship as suffocating, I'm sure he got annoyed and/or frustrated at times. He was never seen as his own person; he was just part of a pair. Stan probably loved it, maybe even encouraged it. Remember, it is not wrong to want to be your own person!

Again, I'm not saying that it was right in any way for Ford to say this. At least not to Dipper. This is very much a conversation he needs to have with Stan. What I'm trying to say is that I believe that there is a valid basis and some truth behind that statement and shouldn't be judged point blank.

I think so much about Ford's line "And isn't it suffocating?" when Dipper says he's never been away from Mabel. Side barring how insane it is to project onto a twelve yr old boy, I think it really shows how Ford's perception of his and Stan's relationship has perverted over the forty years they were apart. We know they were close at Mabel and Dipper's age. But Ford's convinced himself that it was always bad, that his brother always had poor intent for him, always held him back, because if that's wrong, if his brother really did make a mistake, then it means he doubted the brother that loved him and he loved in turn.

[nightingale-prompts]

You are not Special- DC X DP Prompt

Interdimensional God-like beings are not known for their patience, however it looked like they had gotten lucky.

This being that had been summoned against its will to their universe was actually quite calm. They sat back on a makeshift throne made by the cultists that had brought them here. Its body was the form of a young man draped in silk. He paid little mind to the cult bowing and scraping at his feet as he absentmindedly examined his nails for anything under them. They were as pristine as his marble-like form.

"You know cults get a bad reputation in these modern times." He said not looking up at the heroes who had invaded his sanctuary intent on sealing him away. "Not without cause of course. But not every cult is evil. As oxymoronic as that sounds. But it used to mean a group of people devoted to their god of choice, no different than any other religion except they lived solely to dedicate their lives to it. No tricks or schemes, just beliefs. None of that sacrifice or blood here though. I like cleanliness and a good batch of dessert for my alters."

"We aren't here to give your offerings." Batman said simply.

The teen stretched lazily and shrugged.

"You are free to just pray, take a rest, eat, or do whatever you want."

"You don't belong here. You must return to your own realm." Superman said fimly but cordially.

The cultists panicked as they looked between their god and the heroes. Some had disdain etched on their faces others had sadness.

"Don't belong? I do what I want. Who are you people to tell ME what to do? Do you own this planet? This universe?" The god challenged.

"We are the protectors of this planet. Surely you understand that we can't let you stay here using humans like servants." Superman retorted.

Constantine had a bad feeling about what came next as he got between everyone to speak.

"Sorry, forgive him. We don't want to offend. It's just that our universe has had enough beings like you causing issues in the past. We are a bit exhausted because every major event seems to hit our planet. We are a bit defensive."

The teens's lip curled.

"Do you think you are the only planet with such woes? How conceited. What you believe that your little planet is so special that it is the only one subject to the powers of beings you can't control? As we speak there a thousands of beings influencing this world that have a bigger effect than what I'm currently doing. Are you tired of being the playthings of the universe? Bah! The universe doesn't care one bit what goes on on this little planet over the billions of planets in this universe. You are no more special than a bit of algae on a frozen world." The teen sneered.

"But that doesn't change the fact that we would like one less threat to deal with," Batman said as Constantine tried to shut him up. "Even if you do not care about humans, we care what you can do to us."

"A good point but I never said I didn't care. I'm actually fond of humans but no more fond of them than any other lifeforms. There are billions of aliens in this universe alone. But not one is special because all life is special. Not one is better. But any damage I could possibly do to you could easily be done by the many unseen gods of this realm. These beings have built this world from those that actively created it, ignore it, and those that don't even realize it exists. Could you believe that your own creator doesn't know you are there? It's actually very common."

"You're dodging the question and talking in circles. We just want you to leave." Batman sighed irritably.

"You keep telling me to leave. I have just arrived but I've also always been here. Is this how you greet me?" The teen crossed his arms.

"Are you a god of this world?" Wonder Woman stepped forward this time. "You dress like that of a Roman god."

"Do you like it? I got it from Rome a few thousand years ago."

Well, he never failed to turn something into a compliment, that's for sure.

"But that's a complicated question. If you're asking if I made your universe then, no. If your asking if it exists because of me then, yes. It exists because I do. It's my nature. So I'm not a god. I'm a law of nature." The boy leaned back and kicked his feet childishly.

"You look like a kid." Clark blurted.

"Well... you're right. But you didn't have to point it out." He pouted.

"I mean, you just look...like a person. Not a force of nature." Clark quickly corrected.

"I look like what you can perceive me as. Can't ask a two-dimensional creature to understand three dimensions. Think of me as an anthropomorphic personification of a concept." The teen stood up finally and walked around his bowing worshippers.

"And what are you?" Batman said stiffly as the boy reached him.

"I am the Void. The absence of force or untethered space and infinite possibilities. A place of raw unprocessed energy. So if I exist then a tethered space with one string of possibilities exists. Think string theory." The boy laughed.

"Wait, I know what you are. You're an Ancient, an Endless. I thought I'd get a break from your lot after Morpheus." Constantine said.

The group turned to Constantine in surprise, not surprised that he knew what the kid was but that he had done this before.

"Look, kid. Your lot don't show themselves often. Especially not in front of so many people. You'd usually lay low among mortals." Constantine said suspicious of the young Endless. "Do the others know you are playing around?"

The teen presses his lips together. He glares like someone has ruined his game.

"Should I try summoning them and ask." Constantine smirked, he knew he found his in.

"You wouldn't." He frowned.

"I would." Constantine said "Unless you want to go home on your own."

The boy tried to protest but a portal opened on its own and a hand reached out grabbing the boy by the ear.

"What are you doing in the mortal realm this time?! I told you to focus on fixing the timelines not playing god like a child!" The voice boomed.

"But Clockwork-" The teen whined as he was dragged through the portal "I was just pulling a prank. I swear!"

The boy's voice was muffled and distant as he got to the other side. Then the prtal closed and it was over.

The room went silent.

"He was right. There is nothing special about any life form over another. But that also means he is no different than a human child and held to the same standards." Constantine said lighting a cigarette before leaving the ruins. "You can handle the rest right?"

[eph3merall]

dealer!chris x innocent!bff!reader <3

—

"yeah, s'okay mum," your voice is soft in the quiet of chris' room, lounging on his bed with your legs tucked to the side of you. a blanket lays over your legs, nodding your head softly when your mom says something back.

chris is pretending to not care. he's pretending to not listen in to your quiet voice, thumb mindlessly scrolling through his instagram. posts from his best friends, from his brothers, some posts from the chick he hooked up with a week ago. with a double tap on the post, he left her a like and commented a few heart eye emojis.

"no, 'm at a friends house," a pleasant call from your mom had you smiling—eyes crinkling at the corners and lips curling up. she's asked about school and how you've been in general, if you're up to anything. the topic of your living space came up and she questioned if you've been socializing more lately.

"no not maya's— i'm not even friends with her any– no it isn't lilah either.. mom," you're sighing as the sound of your mother's exasperated voice fills your ear. she keeps on listing off names, multiple of which you've forgotten or haven't spoken to in years.

you sit up a little, shoulders slumping gently as you flick your eyes towards chris. the back of his chair is facing you so you can't see what he's doing—but you hear the subtle click of a lighter and soon smoke is drifting up into the air.

"his name is chris. y'know. the guy i told you about? his brother nick introduced us—yes.. nick has brothers," you keep talking. chris listens. he doesn't catch every word though, having ended up zoning out for a second or getting caught up in his texts or something on his phone.

his chair creaks as he gets up from it, blunt in hand as he eyes you on his bed. you two lock eye contact before you just sigh at the sound of your mother rambling. "no, no he's a good guy. we're friends, mum, stop. yeah, no—okay, i gotta go. i'll call you soon."

you're blinking rapidly and sighing once you hang up, relaxing back against chris' headboard. he couldn't help but snort at your words, 'a good guy.' yeah, alright. he brings the blunt back up to his lips as he stalks towards you, taking a seat on the edge of his bed and reaching for a pair of shoes.

smoke filters out of his lips as he glances back to you and gives you a knowing look. "what's up w'you? lookin' all.. upset or somethin'. were y'not happy to talk to your mom or..?" his brows furrow slightly and he just blinks at you as you shrug a shoulder.

"she just kept questioning me about you. like, she kept asking me if we were dating. and like, it's annoying you know?" chris just snorts and turns his head back, sliding his shoes on and lacing them up. he was gonna head out to meet up with matt and nate, go to a party to make some money or something.

"didn't tell your mum i was a drug dealer, huh? big bad chris isn't a good influence on sweet lil—" you're shoving his shoulder playfully and shaking your head as a grunt sounds from him. settling back onto his bed, the image of him finally catches up to you as you see him in a pair of blazers and a hat fixed on top of his head.

"where are you going? thought we were gonna watch a movie or something," your brows furrow in confusion, staring up at him through your lashes. chris glanced back at you for one second before looking away quickly, letting the blunt hang out of his mouth in between his lips. fuck you for being so cute.

"yeah, i know. sorry baby, matt n' nate invited me to go to some house party," your cheeks involuntarily heat up at the pet name, even if you know he just lets it slip sometimes and it isn't anything special. rings of smoke waft up into the air as chris speaks, your nose scrunching at the smell as you frown in disappointment.

"oh," was all you managed for a second. you were kind of looking forward to finally getting to hang out with your best friend. alone. only for him to blow you off and say he's going somewhere. chris is at house parties almost every day every single week, why can't he just spare one extra day for his best friend?

at least, you hope he sees you as his best friend.

"well, can i go w'you?" the words are out of your mouth before you register what you said. horrible idea, actually. you hate parties. the loud music and sweaty bodies were always too much, and your parents always told you to stay away from people who did drugs or got wasted every day. and people at parties did that, a lot.

chris just blinks at you slowly, hands shoved into the pockets of his sweatpants. until he just nods and shrugs a shoulder, hand reaching up to grasp the blunt to take another huff.

"if y'wanna.. sure. hurry up n' put your shoes on, don't got all day kid."

—

@ferdzom @st7rnioioss @sturniolosarethebest

©eph3merall 2024

[certaimromance]

𝜗𝜚 Cherry Picking.

Spencer Reid x BAU!reader

Summary: After your first night with Spencer, you wake up and see that he's left you two dollars and a thank-you note on your bedside table.

Words: 2,3k.

Warnings & Tags: fem!reader. lots of mentions and references to sex, but nothing completely explicit. the reader is quite dramatic and has little faith in men (literally me, sorry). SO MUCH chaos and lack of communication but happy ending. english isn't my first language (sorry for my mistakes, be kind please).

Note: This idea just came to me out of the blue, and I have to say that Sex and the City has had a bit of an influence. I love the chaos, the conversations between friends, and Spencer being the best man in the world (I'm picturing him kind of like in his season four version).

♡ Enjoy! ♡

Saturday afternoon

“Two dollars?!”

Penelope's and JJ's simultaneous exclamations and surprised faces when you finished speaking were pretty much to be expected. They noticed a change in your expression and took a moment to compose themselves, as did the rest of the people in the room, who glanced curiously at your table from time to time. It was certainly a fascinating sight, three women having an animated conversation about their lives over milkshakes as if they were drinks, especially considering that one of them was pregnant and her belly looked like it was about to explode.

You didn't blame anyone for reacting that way, especially not your friends. You were still pretty shocked by what happened, especially by how thoughtless the man you'd developed feelings for and worked closely with over the past few years was. It was a unsettling to find a tip on your nightstand after one of the most memorable nights you'd ever had. You still remembered the excitement you felt when you went to Spencer's apartment yesterday to watch a movie as part of your fourth or fifth date. He seemed nervous when you started kissing more intensely, and the couch wasn't the best setting. The sensation of your body on his bed and his lips on your skin was incredible.

It was a good memory, extremely good if you took away the embarrassment of waking up the next day in his empty bed with money waiting for you, as if you had performed a service.

“Maybe there was a misunderstanding and the money was left on the table by mistake.” Jennifer spoke again in a reassuring tone after turning the matter over. “Spencer can be a little clumsy sometimes.”

You pressed your lips together in a thin line as you listened to her attempt to provide an explanation for his actions. But given their friendship, this was to be expected.

“And he was in a hurry to catch his plane and go to his mother.” Garcia added with a forced smile, trying to lift your spirits. “It all makes sense.”

Yes, it was understandable that he was leaving in a hurry because he had to catch a flight to spend his weekend off with his mother. That didn't worry you, but there was something else that was curious.

“How do you explain the thank-you note?” You asked, taking out the paper and the two dollars you'd pulled out to show them as proof from your purse.

“It was a thank you for hanging out with him, a sweet gesture.” JJ said, taking a sip of her milkshake and patting her belly.

It seemed more like a sour gesture to you, that you had been left with your dignity on the floor. As you left his apartment, you didn't know whether to cry or laugh because it sounded like a bad joke that the only man you thought was decent and for whom you allowed yourself to have feelings would do such a thing.

“My love life is going downhill.” You said.

Just then, the restaurant door opens and Emily appears. After greeting her and apologizing for her late arrival, she asks about the cause of your apparent distress. As a profiler, she was astute enough to know something was wrong just by looking at you.

“What's wrong, honey?” She started talking as soon as she sat down next to you and took a quick look at the table. “Those milkshakes look good, I want one.”

“Spencer thinks I'm a prostitute.” You spoke up without thinking, which surprised Emily and caused her to briefly lose her grip on the menu.

There was a long, awkward silence.

Perhaps you were too direct in saying something that you had been trying to ignore for your own mental health.

“Just a heads-up, we've got a baby in the room. No need to say that word!” Penelope was the first to speak, gently covering JJ's belly with her hands. “He can hear you.”

At that moment, Reid and his comments about pregnancy data at every stage came to mind. You felt a little uncomfortable because you knew it was a little unrealistic to focus on the positives at a time like this.

“Oh, I'm so sorry, baby.” You looked regretfully at your friends and spoke to Jennifer's belly, giving it a gentle caress. “Don't listen.”

“I need context, please.” Emily said confusedly, trying to understand what was going on and why you had said what you had said.

You let out a deep breath, preparing yourself to recount the story once more.

“Okay, Spencer and I made...milkshakes. Very good milkshakes, really good if you know what I mean.” You tried to explain slowly, watching your words and your friends' expressions. “I woke up when he was leaving, he gave me a kiss on my forehead and said to keep sleeping, that he had to catch his flight.”

“That's sweet, but weird to know.” Emily commented quizzically, looking at the menu intently again. “What's the part...you know?”

“Oh, when he thought I was-” You stop yourself as you see how JJ looks at you. “A pie maker.”

You could tell from their expressions that they were about to laugh at your attempts to keep the conversation friendly.

“I woke up hours later to find two dollars on the nightstand with a thank-you note.” You finished the story. “To him, I'm worth two fu...sugary dollars.”

Prentiss stared at you for several seconds, waiting for me to tell her it was a joke. Only when that didn't happen did she speak. “That sounds weird and awful, but I don't think he would do something like that on purpose. Especially you, he really likes you.”

“He likes me enough to give me two dollars.”

When you finished speaking, you experienced a moment of discomfort in your stomach as your own words took effect. You were surprised to find that on a deeper level, what had happened was causing you more pain than you had anticipated.

“That doesn't sound like Reid at all. I've known him for years, and he's not that kind of man.” Penelope said with a frown, trying to reassure you. “I'm sure it's a mix-up.”

You were looking for the same thing and hoping it was just a misunderstanding, but your previous bad experiences made you think otherwise. You'd met enough men to know that they could always be worse. What was different now was that you really liked this particular man. You really longed for him to be different from everyone else.

However, things weren't always as you'd hoped. You'd invested a lot of hope in making your fairy tale come true, and it was starting to take its toll.

“Have you had a chance to speak with him?” JJ inquired.

“He's with his mother, I won't bother him.” You replied with a strange simplicity that made your friends suspicious. “I'm fine, I've calmed down.” You added as you saw their worried faces.

“I love you, but sometimes you scare me.” Emily said, watching you drink from your smoothie as if it contained a painkiller. “It's not okay to pretend that everything's fine.”

“It's understandable to feel a bit discouraged about this. Things may seem challenging at the moment, but I believe things will improve when you discuss this with him.” Jennifer's hand gently touched yours, offering a comforting gesture.

“I'm sure everything will be fine. You have our support if you need it.” Penelope joined in with the motivational words and gave you a reassuring smile.

You took the last sip of your milkshake and leaned back in your seat for a moment before replying. “I'm fine, girls. I don't plan to lose my head over a man, I promised myself.”

They looked at you with some skepticism, but you didn't flinch. You were confident that if you were mentally prepared not to be defeated, or at least not to look defeated, you would be well prepared for the day of the meeting.

You weren't going to lose your mind over this.

Monday morning

You were definitely losing your mind, and no cup of tea or internet video that promised to do so had been able to relax you one bit. You had been cooped up in the office you shared with Penelope for several minutes, pacing in your chair while everyone in the conference room waited for information about a new case and your presence. The mere thought of having to face Reid again was making you feel pretty uneasy.

All weekend, you had been trying to reassure yourself that you were doing well, that you were not hurt or affected by what happened, that it was just one more disappointment to add to the long list you had written since you were a teenager, and that it was normal for someone with your luck. You were not a princess, you were not going to meet a prince, and you were old enough to know that.

But being in the same building as your prince turned toad was not as easy as you had hoped. You prayed that your presence would not be necessary and that the jet would soon take off to take them all away, especially him.

A few sudden knocks on the door startled you. You automatically thought it was your boss coming to scold you for being late, and your blood froze.

“I apologize for the delay, Hotch. I assure...” You spoke promptly as soon as the door opened and a male figure appeared.

But obviously, it wasn't him.

“Oh, sorry, I'm not Hotch. But hey, how are you?” Spencer smiled at you and walked toward you, looking a little nervous.

“Fine.” You replied dryly, getting up from your seat to grab your tablet and some folders to carry into the conference room.

In your mind, you had planned to make a scene as soon as you saw him and make it clear that you didn't cost just two dollars. But after thinking about it a lot, the fear of losing your job over it was greater. And now it was a mixture of that reasoning with your feeling of paralysis at actually having him in front of you.

“I...I missed you over the weekend.” He stopped you before you could walk away, gently holding your hand. The feeling alone made you stop and look at him angrily. “I thought about you a lot, too much, and I bought you something.” He let go of your hand to pull a small box out of his pocket.

“How dare you?” You blurt out, taking a step back.

He looked a little uncomfortable and seemed to be in pain. “I'm sorry if I overstepped. I didn't mean to impose. Did I cross a line? I'm sorry, I just thought—”

“What? That you could embarrass me even more? Didn't I already go through enough?”

That's when you took out two dollars from your purse and gave it to him.

“Could I ask why this is?” Spencer was still frowning and looked just as hurt as you.

His apparent lack of understanding of the situation made you much angrier. You had thought he was probably the smartest man you had ever met in your entire life, but suddenly, in your eyes, he was an idiot.

“I'm refunding your payment, Reid.” You replied firmly, without hiding your frustration.

The confusion on his face seemed to multiply as he tried to understand. “What are you talking about? I gave you your money back.”

You tilted your head slightly to one side.

“Saturday morning, I left on the nightstand the two dollars you lent me a week ago when we bought coffee. You know I don't like being in debt.” Spencer began to explain calmly, taking a moment to gather his thoughts and present the facts in a clear and concise manner.

Oh, you do remember lending him money at some point, or rather, inviting him for coffee that he said he'd pay you back. That day when his hair was perfect in the wind, when he smiled at you and told you some interesting facts about coffee beans.

“I mentioned it when I said goodbye, but you looked so tired that I left you a thank you note in case you forgot.” He went on to explain. “A lot of studies say that you wake up to full strength at least 20 to 30 minutes after you actually open your eyes. And you still had them closed when I said goodbye.”

“Oh.”

“Oh?”

“I...I thought you—” You fell silent as you saw the stunned look on his face. You didn't want to look crazy, so you quickly added. “I just thought wrong.”

“I'm sorry, I don't understand.” He said, a little embarrassed. “Did I do something wrong?”

“Oh, no, I just...did you bring me a gift?” You changed the subject, taking the box he had previously offered you. Inside was a necklace with a cherry blossom charm.

“Your computer wallpaper is a picture of cherry blossoms. And I saw this necklace in a store when I was walking with my mom, and I thought you might like it. But it's okay if you don't want it—” He spoke fast until you interrupted him.

“I love it, thank you.” You smiled at him and took the necklace out of the box. “Could you help me with this?”

With some trepidation and uncertainty still present, Spencer positioned himself behind you with the jewel in his hands, carefully brushed your hair aside and fastened the necklace around your neck. The sensation of his fingers brushing against your skin made you feel a slight shiver.

“Thanks.” You said as you turned around to face him. You gave him a hug, though you were a little unsure.

He returned your embrace, feeling a sense of relief that things between you were okay. “You don't have to thank me.”

“It's not about the gift. It's just a way to say thanks for being you.”

Perhaps he was your prince after all.

[bhaalsdeepbat]

just to add:

Using Poe rather than any other Dark Romantic writer that was his contemporary to pull a quote from was such a good choice. Of his sotries, "The Tell-Tale Heart" was the perfect one for Astarion, but Poe very specifically believed stories should be written in a circular manner - like a snake biting its tail - which fits so perfectly with all the little ways Astarion's story and romance references itself.

Direct quote from my source:

Poe believed in “fashioning a tale like a kind of ouroboros, with its tail in its mouth, beginning with the final effect and working backwards to that the story’s beginning is a natural derivation of its conclusion.”

It's the setting up of the Romantic Astarion in act 1, finding out he's not as fine as he keeps insisting as the narrative swings into Dark Romantic territory, the paranoia starts to really come out (relating back to tell-tale heart), and then he is literally given a choice: continue the cycle or break free. The cycle of abuse is literally a circle here. He can take up Cazador's place in the ritual and step into his role entirely, reentering the ouroboros I mentioned earlier.

The "Thank you" when he first bites the player being referenced later when they see past his paranoia and how unreliable of a narrator he is about his own feelings and seeing that he doesn't want power. He wants safety in a world that he believes isn't capable of kindness or good.

I love how Astarion quotes The Tell-Tale Heart every once in a while. It's a rarer line, and initially I thought it was out of place (Neil is very well versed in theater, so I assumed it was a riff from him), but since reading an analysis of the work I think it was pretty purposeful.

The piece is all about fear and paranoia, things we know Astarion is plagued by despite how he might act. Similarly, the narrator of the story also tries to convince the reader that they are not as troubled as they seem. In the end, the narrator is consumed by the beating of the heart of the old man he killed and dismembered, the sound growing louder and louder until in a fit of rage he reveals the body to the police to absolve himself from the persistent beating.

Except the police never heard the heart beat, because it wasn't the old man's heart at all. The narrator was consumed by the sound of his own heart beating more and more rapidly in his chest from fear. He was the owner of the thing that forced him to reveal his true nature, he is the owner of the tell-tale heart.

And what happens with Astarion after you romance him? He realizes over time that, while he tried to deny his feelings and was initially only interested in manipulating you for his own means, he actually has grown to care for you. You have done something to his heart that hasn't happened in centuries, you have made it feel as if it has started beating again.

Therefore, his tell-tale heart leads him to admit his transgressions, which were committed out of fear and paranoia for his safety.

So the line is actually very, very apt. His confession during Act 2 is his own version of "Villains! Dissemble no more! I admit the deed! Tear up the planks! Here, here! It is the beating of his hideous heart!" Except, of course, it is his own heart that he is unearthing for us (and it's not so hideous, after all).

[supercutszns]

Hi!! Just had to drop in and say I LOVED your Luke fic and I can’t wait for more. I would love protective Luke with hurt/comfort, if that sounds interesting at all. Thanks for sharing your writing!!! 🌸

fighting chance; luke castellan

wc + pairing: 4.2k, luke castellan x daughter of ares! reader

synopsis: when an enemy takes advantage of your kindness during capture the flag, luke intervenes with a sword in hand.

warnings: a creepy boy👎, threats/harm to reader, she’s going through it, blood/injuries (nothing major), angry ANGRY luke, violence, lots of fluff/reassurance at the end<3

notes: thank you SO much for your kind words & your request!! hurt/comfort is my bread and butter my favourite fic genre of all time i think. & protective luke is just a bonus bc he’s already crazy so it can go as far as i want🤭 i’m not exactly sure what this turned into but if i fix it any more i'm going to go insane so hope you like it!

You’re not much of a fighter.

That alone is a normal thing to admit—plenty of people don’t like violence, the frisson of a challenge, the bruises that come with them. It’s nothing to be ashamed of.

Unless you’re a child of Ares.

People at camp often ridicule your gentle nature when they see you with your half-siblings. They’re all gritted teeth and sharp edges, born warriors that take up all the space they can get. You, on the other hand, are lousy with weapons and even lousier with your fists. You’re quiet, attentive. While your siblings charge into battle without second thought you stay back, flitting around to adjust armour, change out weapons, oversee the terrain. Planning isn’t Ares’ style so you’re pretty much useless but nobody wants to admit it. You’re usually mistaken as a child of Hephaestus or Athena.

Unfortunately, you are a child of Ares, through and through—just in none of the ways that matter.

There are rare times your father’s influence peeks through. Not with bursts of rage or fists flying, but with thoughts. And sometimes those thoughts turn into words. Well, not sometimes. One time. This one.

The evening before the camp’s Capture the Flag game, every cabin gathered around the bonfire past dinner. To burn offerings, to chat, or in Luke Castellan’s case, to admire.

He watches you laugh with Clarisse from a distance. The Ares cabin leader always had a certain fondness for you. When Luke first started dating you he had to ask Clarisse for her blessing beforehand just to be sure she wouldn’t kill him. He’d do it a million times over just for the moment you look back, your face warming when you catch his stare. He rolls his eyes at you to lessen his smile, but he’s not sure it works. You giggle and turn back to your friend.

He’s always loved your softness; your capacity to defend and not attack. Your body rejects any skill you could possibly develop for violence. Believe him, he’s tried to teach you sword fighting, but the last time he gave you a lesson you nearly impaled yourself thirty seconds in. He loves your wit and your tenderness, your proficiency at preventing conflict, your refusal to argue. But a selfish part of him loves the fact that he’s your protector even more.

The night wears on with the flickers of fire and friendly banter. One of the times Luke looks back at you, his brows wrinkle. There’s a guy talking to you. A group of them, actually, but there’s one clearly leading the pack. Some Aphrodite kid. Luke’s jaw twitches.

“Hey, princess,” the voice makes you pull away from your talk with Clarisse, but you’re confused. Luke is the only one that calls you that.

“Um, me?” You ask when you see the boy in front of you. He’s tall, chest puffed out. It’s not an endearing silhouette. “What’s up?”

“You wanna be on my team for Capture the Flag tomorrow?” He asks nonchalantly.

You laugh politely, “Sorry, but I don’t think we’re allied with Aphrodite tomorrow. That’s your cabin, isn’t it?” You feel bad that you can’t remember—his face is so … plain.

He chuckles back, but it’s a lot less nice. “No, doll, that’s not what I mean.” He steps a little too close, and even though you know Clarisse is behind you it feels like she’s a thousand miles away. “Well,” he drawls, a smirk drawn out, “you meet me in the forest after we start, and then we can … you know. Confer.”

“Confer?”

“Yeah. You get what I mean, pretty girl, don’t play dumb.”

A revulsion coats your gut. “I’d appreciate it if you didn’t call me that,” you say as firmly as you can.

“What, pretty or dumb? Why not both?”

It’s demeaning, the way he says it, and it stirs a temper in your stomach you know you inherited from your father. You’re not big on confrontation. Or embarrassment. But this weirdo is talking to you out in the open and people are starting to stare. He wouldn’t dish it out if he can’t take it, right?

“I’ll pass on your offer. I have a boyfriend and I’m actually on his team tomorrow, so I’d rather confer with him, sorry.” Your hands wring together but you do your best to quell them, imagining it’s the string of Luke’s camp necklace, threaded between your fingers. You try to look for him out of the corner of your eye.

He snickers, even though it’s common knowledge you and Luke have been together for months now. “So you are dumb, huh?” He tries to smirk and you assume is supposed to be sexy, but it’s just gross. His hand tries to slide around your waist.

“Don’t touch me, please,” you hit his hand away. Your skin is crawling and the knot inside you tightens.“Just leave me alone. People are looking, you know.”

“We could go somewhere where nobody looks,” he sneers, and the grin on his face is so sleazy that you just can’t stand it anymore.

You pray to your father for strength. And to yourself for forgiveness.

“I’m sorry, are you stupid or something? I told you, no.” You snap. “Maybe you’re the pretty dumb one, but for a child of Aphrodite it’s shocking how little the first one applies.”

His eyes are wide, and the posse he’d assembled behind him has attracted quite the view. You almost feel like crying, all these eyes on you, but you’re so sick of people thinking they can walk all over you just because you’re not like your siblings.

“What the fuck is wrong with you? I’m just trying to be nice—” He grabs your wrist as you leave but you yank it hard.

“Don’t. Touch me.” People are staring at you now, but the only one you care about is Luke, who looks equally ticked and equally proud, and all you want to do is kiss him. “Hope the only time we confer tomorrow is if somebody’s sword is at your throat.”

It’s the last thing you say to him. He starts to go after you but Luke is already at your heels. “Back off, man.” You can spot how all his muscles are already rearing themselves for a fight. You wrap a hand around his wrist, and he meets your eyes. Not now.

The altercation is lost the second the two of you leave the bonfire. Nothing matters when Luke has you in his arms, kissing you outside of your cabin, telling you how damn beautiful you looked.

You’re fixing a new Ares boy’s armour when Luke finds you. “Hey, angel,” he says, leaning down to press a kiss to your cheek. He relishes in the way your face heats up. “You ready for battle?”

You smile, “Always.” You pat the kid on the cheek and send him on his way. He gnashes his teeth and roars, joining his siblings at the front. Luke catches the longing in your expression.

“All good?” He asks gently.

It takes you a second for your eyes to meet his. “Mmhm,” you swallow. “Just hope his armour doesn’t fall off.”

Luke sighs for a moment, then wraps his arms around you. “He’ll be fine, sweetheart. Be safe, okay? Stay close.” He kisses your temple, rubbing circles on the nape of your neck.

“Yes sir,” you reply against his chest. His insides flutter.

He pulls your face up to his and kisses you, tender and wanting. “Let’s show these hooligans who’s boss,” he quips.

“You’ll show them. I’ll hide in the woods until some idiot comes along and tries to ambush you.”

Your dulcet tone has him wrapped around your finger, and you don’t even know it. “You’ve always got my back,” he croons, kissing your brow.

“And you’ve always got our flag.”

You kiss him again and he lets you slip out of his arms no matter how badly he wants to keep you there forever. He watches you vanish into the trees, and his heart goes with you.

He gears up with his team and the horn sounds. Game on.

There’s yelling, sweat, adrenaline, and Luke embraces it all like a man starved. This is his chance to be ruthless, to let all his untapped rage cycle through him. This is why he’s unstoppable. This is why he’s the best.

Clarisse is unusually cooperative today, but competent as always, and whenever someone’s weapon breaks or they lose their team she just barks at them to go find you. You, the smartest person in Ares, who can mend a weapon with nothing but blades of grass and determination. Luke is pretty sure your cabin would be lost without you. He wonders if you know.

The groove of the game has fully enthralled him. He’s alert, his wrist nimble, his sword a living, breathing part of him. There’s almost nothing that can take him out of his victory path until he hears one of the younger campers tell Clarisse he can’t find you anymore.

Whatever nincompoop he’s dealing with is left groaning on the floor. “What?” He barks, hand flexing around his sword. “Where is she?”

“Probably just moved,” Clarisse grunts as she kicks back an opposing camper. “She knows where everything is. Maybe she’s—oof—safer.”

“But how am I supposed to fix my spear?” The kid frowns.

Luke runs his tongue along the roof of his mouth, dry and laden with salt. He told you to stay close. Where would you go? “I’ll find her,” he decides, already sheathing his sword to walk towards the trees.

“Luke—”

“I’ll find her!”

He barely pays attention to the calamity going on around him. With a flick of his wrist he knows he can take out any person he wants. The second he gets to the trees, where the air is cooler, it’s startling how much quieter it is. No wonder this is your preferred hiding spot.

He thanks the quiet a thousand times over because if it had been any louder he wouldn’t have heard you scream.

It’s so short it’s almost indiscernible, but he knows it’s you based on how his body movies before his brain does. It snaps something in him, the adrenaline transformed into something acerbic, determined.

“Don’t fucking scream again.” A cluster of boys are stationed around you. You’re leaning back in the dirt. You barely feel the earth sticking to your skin. Just your heart jostling madly, your fingertips shaking in the ground beside you. “Okay, I won’t, just put the sword down—”

The snarling Aphrodite boy from last night takes a swing at you, and you scramble back just enough to avoid it. “No can do, doll.” His face is twisted with rage. The lackeys he had when you told him off are there too, cornering you against a cluster of trees like you’re some caged animal. There’s a dagger clenched in one of your dirt-ridden fists but you know it won’t do you any good. You can’t fight; you don’t have it in you. But these boys do. And they’re angry.

“Tell me where the flag is,” he orders. The tip of his blade comes under your chin, fogging up with the labours of your breath, your head pressed against the trunk of a tree.

You stutter, “You’re not—You’re not supposed to threaten like this—”

“You embarrassed me in front of all those people yesterday,” he cuts you off. “Thinking you’re so fucking smart. I didn’t even say anything that big a deal but you run your mouth to the entire camp and make me look like the idiot. I thought you were nice.”

The words are laced with poison. You know from the wild look in his eyes that this isn’t about the flag at all.

Tears sting your eyes and the sword grazes your throat. Of course this is happening to you. The one time you feel your father’s rage, when you exemplify the thing you’re told to be, you are punished.

You are never going to be the right kind of daughter.

“I didn’t mean to hurt you,” you try to say it evenly, but your breath is so ragged it’s barely audible. “I’m sorry, I shouldn’t have said all that.” You mean it, but they won’t care.

The boy’s face looks pleased at your tears. It makes you inexorably ashamed. “Some fucking Ares kid,” he snorts. “Can’t even fight, can you? Can’t even pretend to.” His sword leaves your throat and travels up to your quivering jaw. You’re wordless, white-knuckling the dagger at your side, praying that Luke is somewhere nearby.

“No wonder they stash you back here. You’re useless.” His eyes scan every part of you, and the idea of him knowing what you look like forever is so revolting it makes you want to vanish. “Too bad you’re alone, though. Nobody’s gonna know I was here because nobody’s gonna hear you.”

Your eyes get wide, and something in your mind rumbles through you like an engine. An urge buried in your blood.

Your dagger tears into his leg just as his sword dashes your arm. The pain is sharp, stinging, but the boy winces and you know you hurt him too. It gives you just enough time to roll out of the way as he lurches forward. “The fuck is wrong with you?” He swears.

Blood drips onto your shorts, splotched with tears. You know you can’t go anywhere because his friends are here and you’re almost certain you’ll be maimed, but you tried. At least you tried.

The Aphrodite boy picks his sword back up, stalks towards you, and then freezes.

Because Luke has just spotted you. And he’s spotted the boy that has you on the ground.

And he’s the best fucking swordsman Camp Half-Blood has seen in three hundred years.

“If you don’t get away from her right now I’m putting this through your skull.” He emerges from the foliage, his sword raised, sweat dripping down his face. You have never seen anyone look angrier. He has never felt angrier.

The boy blanches, and Luke sees how easily his lapdog friends shrink in his presence. Good.

“Woah, easy,” the boy holds his hands up in mock surrender and tries to flash a smile but it’s just fucking pathetic. His arms are shaking and his throat bobs about a million times. “We’re just playing the game.”

“Like hell you are,” Luke spits. “You gang up on my girlfriend and you expect me to believe this is fair play? Want me to tie you all together and push one of you off a cliff to keep the spirit going?”

“Didn’t know she was yours,” the boy tries to shrug but again, it’s a miserable attempt that only makes Luke feel stronger.

“Not that it matters but yes, you do,” Luke chuckles thickly. “I beat your ass in sword training last week. You know exactly who I am. And I’m sure you know who you are, so it’s obvious you’re playing out of your league here.”

Out of the corner of his eye he sees you still cowering, blood dribbling down your arm. He wants to tear the world apart. “Apologize and maybe I don’t send you to the infirmary.”

“We just want the flag, man,” the boy swallows.

“And I want your head on a stick. Want to see who gets what first?”

It’s too provocative an insult for a moron like this to ignore, so soon Luke has the pleasure of disarming five bitter boys that have clearly never been good at a single thing in their life. He tears through them like sheets of paper, knocking them to the dirt, ripping their clothes. He thinks of you, just you, your honest heart and patient hands, and it’s enough to fuel him for a millennia.

The last boy, the leader, is at Luke’s mercy, and he has none to give. The flat of Luke’s blade is pressed horizontally against the boy’s neck, an angering similarity to the position he had you in earlier. “If you ever do this again, I’m going to kill you.”

“You’re—fucking—crazy—” The boy wheezes, the length of the blade squeezing his throat against a tree trunk. “I’ll—I‘ll tell Chiron.”

Luke has to bite the inside of his cheek to keep him from doing something he regrets. “Oh yeah? You want me to tell Chiron how you harassed and terrorised a girl in the middle of the forest all in the name of play? Want me to tell him what you said to her last night at the campfire? Because I’m sure it won’t take much for him to get rid of your ugly face as it is, and I’m a camp counsellor.”

He knows it’s not the most morally correct use of his title. He knows he might be stepping over the line. But he also knows you’re always being ignored or trampled over and he’s tired of pretending like he doesn’t give a damn. He’s tired of people trying to force you into something you’re not. Of you crying in his bed at night because they’re trying to drag a violence out of you that isn’t there. Always in the name of fucking play.

Luke takes the sword off the boy’s neck and shoves him backwards. His calf is bleeding, not a deep wound, but a wound nonetheless, and Luke is full of pride when he realizes you did that. The boy’s bad leg makes him wobble and fall at the force of the push. Luke enjoys watching the scramble. “I—I was just trying to be nice, it’s not my fault she took it the wrong way!” The boy flails his hands in the air, rising to his feet again, and Luke shoves him down twice as hard. A piece of his shirt tears off in Luke’s hand.

“You’ve gotta stop talking or I really am going to kill you,” he seethes. “Don’t touch her ever again. Go.”

Luke is sure he looks homicidal right now because the guy finally tumbles his way down the hill. His body fades into the distance, swallowed up by shrubbery and sweat.

The second he’s gone Luke tosses his sword and armour and gets back to you. “Shit,” he mutters, kneeling down. You’re still shaking, your head in your arms, and all his hatred morphs into a love so desperate it terrifies him. “Angel, come here. Let me see.” He lifts your face with his hands and scans you rapidly. “Did he hurt you anywhere else? Anywhere?”

“Just my arm,” you whimper. “My arm.”

He knows it’s not the cut that’s hurting you; it’s long, but thin, and it’s not bleeding too thickly. He takes the cloth from the Aphrodite boy’s shirt and wraps it around your arm, knotting it at the end. “All right, that should be better.”

You look at him with watery eyes, and he knows all you need is for him to hold you. He folds you in his arms and leans against a stump. You can’t get close to him fast enough. The tip of your nose buries itself in his neck and he feels the dampness of your cheeks on his skin. “It’s okay, sweetheart, you’re safe,” he soothes, pressing a kiss to your hair. “I’m so sorry.”

Guilt swaths over him for a brief moment; he wonders if he shouldn’t have done all that, if he should’ve been more sensible. Then your lips form a ‘thank you’ against his skin and all is forgotten.

You feel so small. The shock is still running its course, so all you can do is cry it out. Your hands still shake when you thread your fingers through Luke’s necklace to steady them. He soothes you the best he can, running his hand along your spine, all the sharpness of his voice softened just for you. “You’re all right, angel. I’m not going anywhere.”

You stay like that for a while. The sounds of the forest return to you; leaves in the wind, birds chirping, Luke’s breath tickling your hair. You crane your head up to nuzzle your nose against the faint stubble of his jaw. “My hero,” you murmur, and feel his skin shift as he smiles.

“Couldn’t have done it without you. Saw the cut you gave him on his leg.” He kisses your temple. “I hope it gets infected.”

You giggle weakly no matter how you try smothering it in his chest. “Gods, you’re awful.”

“He deserves it! I probably should have killed him!”

“You came pretty close, didn’t you?” You mumble. Luke’s expression is wary, but you smile to yourself and it dispels everything. “I was hoping you’d come.”

“Good. Serves them right, messing with you like that. Fucking idiots.” He kisses your face again for good measure, “You sure they didn’t get you anywhere else, princess?”

You nod but you know you look wounded. You nudge into the crook of Luke’s neck again. “They … you know, it’s just … the usual stuff.” Every word weighs a pound as it comes out. Your heart feels sore.

Luke tenses again instantly. “What usual stuff?”

“Um, just—” The shame gets caught in your throat. “They all think I’m useless, Luke. Why can’t I do this right?”

You start to cry again, but he just holds you closer. Sometimes it surprises you how much patience he has. He prides himself as the harsher one between the two of you, but you don’t know who he’s fooling with the way he always knows how to comfort people.

“I don’t know what to do,” you continue, blinking back tears, “I’m not—I’m just not good at this, I don’t know why I’m in Ares, I don’t know why I can’t … be that. Why is he my father? I’m no good at being angry. I want to be angry.”

Luke’s quiet for a moment. Nothing changes except his hand rubbing circles on the nape of your neck again. Then he sighs deeply and says, “You don’t owe your father a damn thing. You don’t owe anyone anything.” He’s resolute, firm, a sharp contrast to his gentle kiss on your hairline. “You’re the smartest, most generous person I know. You need those people in battle. You’ll lose if you don’t.”

The warmth of his skin prompts you to look up at him. He looks different so often, the way he can shift between so tough and so gentle. Sometimes, like now, he’s caught in the middle, the remains of a furious sweat hardening his face, but his eyes are nothing but tender. You think it’s how you like him best.

“Besides, we’re not our parents, right? Who cares about Ares anyway?” Luke shrugs.

“Luke! Don’t say that!” your tears turn into a giggle. “The Gods might punish you!”

“I’ll handle it. There’s enough fight in me for the both of us.”

“Okay, tough guy,” you mutter with a weak smile.

You’re still sniffling. He runs his thumbs across your cheeks, and his gaze softens. “You’re an Ares kid because you are a fighter, angel. You just fight a hell of a lot smarter than the rest of us. Best one I know. Well, other than me.”

It makes you smile. “So second-best?”

“Tied for first.”

He kisses you with that stupid roguish smile. It’s salty with tears and sweat, but it mends your heart anyway. There is nowhere in the world you’d feel safer.

“I love you,” he says against your cheek. “Be as sweet as you want. If anyone has anything to say about it I’ll mess ‘em up good.” Your face warms as his voice drops to your ear, “And I know you’re an Ares kid because you’ll encourage it every time. You might not have a violent bone in your body, but you sure don’t have a problem with me using mine.”

“Diplomatically, Luke. Diplomatically.”

“Sure, sure. Whatever you want.”

You can’t help but kiss him again. You’re not entirely sure why he loves you so much, why you love him so much, but you never feel quite as secure as when you’re with him.

Cheers boom from the other side of camp. Luke’s head perks up like a dog, and you turn back to search for spots of red or blue. “Did we win?” You ask, craning your head to get a better view.

“Don’t care,” Luke says.

You look back at him. His anxious face says it all. “Yes, you do.”

“Okay yes, I do, and I need to see if those douches found our flag so I can choke them out with it.”

You laugh, standing so Luke can jog off to see the state of your team. But before he goes, he picks you up and smothers you in kisses, holding you like you’re his prize.

You are not a fighter, but your boyfriend sure is. And you’re perfectly okay with that.

[pixiesndberries]

𝐃𝐄𝐀𝐑 𝐅𝐔𝐓𝐔𝐑𝐄 𝐇𝐔𝐒𝐁𝐀𝐍𝐃, 𝐉𝐉𝐊 𝐌𝐄𝐍 —

a small series of Jujutsu Kaisen men as your husband !

☆ OUR STARS : Nanami Kento, Gojo Satoru, Geto Suguru, Choso Kamo, Aoi Todo, Toji Fushiguro, and more !

━ REQUESTED BY : none

━⁠ WARNINGS : none

ෆ PIXIE'S NOTE ! : heya pookies I know it's been a while 🙏🏻 but here I am creating another series to pay off the days I wasn't posting so much —⁠ forgive me my pookies 🏃🏻‍♀️💨 we have holiday break so I'm going to grind a lot 😝

NANAMI KENTO, as your husband !

• Nanami is the perfect standard for male wife, argue with the wall —⁠ this man knows how to cook, clean his home, does his own laundry, and mostly basic life skills that most men barely know which is pretty much a big turn on.

Nanami who always supports your decision as long as it doesn't have any bad effects in your life, he respects you a lot to whatever you do in your life —⁠ he thinks that just because you are married it doesn't mean he have full possession on you, though sometimes when you asked for his opinions about your decisions in such situations he isn't shy of what he thinks.

Nanami the type of husband who will always do small and big things for you even though you can do it yourself —⁠ carrying groceries for you, helping you in the kitchen, sending you to your work, helps you clean the house, and goes to the mall with you.

; he surprisingly took the shopping bags form your hands gently "your hands will get numb, this is pretty heavy." he says with his usual tone as he looks at you softly, you can't help but to smile in his small little gestures and gosh it's making her heart melt.

"thank you, kento." you say as you gave him a big smile and pressed a kiss on his cheeks making him grin.

Nanami who is being a worrywart when you don't reply quickly when you're out with your friends late night —⁠

; kento | sent a message.

10:24 pm

kento : just got home love ❤️

kento : what time are you going home?

11:04 pm

kento : love, tell me when you're going home I'll pick you up ❤️

kento : is everything going alright?

kento : kind of worried, hope you respond soon 😅

11:07 pm

kento : please reach out to me when you can so I can pick you up ☺️

kento : I'm worried 😢

you : love I'm fine sorry, we we're drinking just a tiny bit 😭

you : you can pick me up now 🏃🏻‍♀️💨

Nanami the type of husband to use cringe emojis but you appreciate it anyways, he barely use his phone or try to use emojis —⁠ headcanon : he learned using emojis from yuji or gojo 🙏🏻 you find it silly and cute anyways.

Nanami who's phone is always filled with your photos and some sceneries with you in it —⁠ he doesn't like taking photos of himself that much though, he loves taking photos of you and look through it when he's not busy or when he misses you and he's at work.

Nanami when he learned how to use Instagram and he can't stop posting you —⁠ Gojo probably tried influencing him to use social media once and he was like no??? not until one time you took a photo of him during one of your dates and you asked him, "hey can I post this?" and of course he said yes and after that you kept posting him at some times which led him to the idea of posting you as well since he thinks you deserve it too.

; nanami.kento1990

tagged : @y/n.igcom | ❤️

itaaa.yuji and 13 others liked this post.

gojosatoru | he knows how to use Instagram 😦 ???

gojosatoru | WHO TAUGHT YOU ⁉️

itaaa.yuji | first post !!

nobaraaaa | parents 🙏🏻

Nanami who is nervous to talk about the future he wants with you — not totally nervous it's more like when you talked about kids you wanted soon with him he will always be like, "sure I also thought about that." with his usual tone but deep inside talking about it was his hyper fixation and he can't stop thinking about it.

Nanami who never in his life forget about giving you flowers in small or big occasions —⁠

; "happy mother's day." he says softly with a grin in his face as he hands you a bouquet of your favourite flowers, "kento, I'm not a mother yet." you laugh as you take the bouquet from him, admiring the flowers for a second. He never fails to make you feel happy, "maybe soon?" he chuckles then makes his way to give you a hug. "sure." you laughed and happily hugged him back tightly, exchanging I love you.

Nanami who never left by your side especially when you are not okay, he will leave his work for a day or even weeks if you really need him by your side —⁠ he will never get tired of comforting you; if you need a shoulder to cry on? He's there. He can stay all day in bed with you to make you feel better —⁠ take you out in a vacation if that's what you really need or probably do every house chores just to make you rest.

─ REBLOGS, LIKES, AND COMMENTS ARE APPRECIATED FEEL FREE TO REQUEST!

[intheholler]

the appalachian murder ballad <3 one of the most interesting elements of americana and american folk, imo!

my wife recently gave me A Look when i had one playing in the car and she was like, "why do all of these old folk songs talk about killing people lmao" and i realized i wanted to Talk About It at length.

nerd shit under the cut, and it's long. y'all been warned

so, as y'all probably know, a lot of appalachian folk music grew its roots in scottish folk (and then was heavily influenced by Black folks once it arrived here, but that's a post for another time).

they existed, as most folk music does, to deliver a narrative--to pass on a story orally, especially in communities where literacy was not widespread. their whole purpose was to get the news out there about current events, and everyone loves a good murder mystery!

as an aside, i saw someone liken the murder ballad to a ye olde true crime podcast and tbh, yeah lol.

the "original" murder ballads started back across the pond as news stories printed on broadsheets and penned in such a way that it was easy to put to melody.

they were meant to be passed on and keep the people informed about the goings-on in town. i imagine that because these songs were left up to their original orators to get them going, this would be why we have sooo many variations of old folk songs.

naturally then, almost always, they were based on real events, either sung from an outside perspective, from the killer's perspective and in some cases, from the victim's. of course, like most things from days of yore, they reek of social dogshit. the particular flavor of dogshit of the OG murder ballad was misogyny.

so, the murder ballad came over when the english and scots-irish settlers did. in fact, a lot of the current murder ballads are still telling stories from centuries ago, and, as is the way of folk, getting rewritten and given new names and melodies and evolving into the modern recordings we hear today.

305 such scottish and english ballads were noted and collected into what is famously known as the Child Ballads collected by a professor named francis james child in the 19th century. they have been reshaped and covered and recorded a million and one times, as is the folk way.

while newer ones continued to largely fit the formula of retelling real events and murder trials (such as one of my favorite ones, little sadie, about a murderer getting chased through the carolinas to have justice handed down), they also evolved into sometimes fictional, (often unfortunately misogynistic) cautionary tales.

perhaps the most famous examples of these are omie wise and pretty polly where the woman's death almost feels justified as if it's her fault (big shocker).

but i digress. in this way, the evolution of the murder ballad came to serve a similar purpose as the spooky legends of appalachia did/do now.

(why do we have those urban legends and oral traditions warning yall out of the woods? to keep babies from gettin lost n dying in them. i know it's a fun tiktok trend rn to tell tale of spooky scary woods like there's really more haints out here than there are anywhere else, but that's a rant for another time too ain't it)

so, the aforementioned little sadie (also known as "bad lee brown" in some cases) was first recorded in the 1920s. i'm also plugging my favorite female-vocaist cover of it there because it's superior when a woman does it, sorry.

it is a pretty straightforward murder ballad in its content--in the original version, the guy kills a woman, a stranger or his girlfriend sometimes depending on who is covering it.

but instead of it being a cautionary 'be careful and don't get pregnant or it's your fault' tale like omie wise and pretty polly, the guy doesn't get away with it, and he's not portrayed as sympathetic like the murderer is in so many ballads.

a few decades after, women started saying fuck you and writing their own murder ballads.

in the 40s, the femme fatale trope was in full swing with women flipping the script and killing their male lovers for slights against them instead.

men began to enter the "find out" phase in these songs and paid up for being abusive partners. women regained their agency and humanity by actually giving themselves an active voice instead of just being essentially 'fridged in the ballads of old.

her majesty dolly parton even covered plenty of old ballads herself but then went on to write the bridge, telling the pregnant-woman-in-the-murder-ballad's side of things for once. love her.

as a listener, i realized that i personally prefer these modern covers of appalachian murder ballads sung by women-led acts like dolly and gillian welch and even the super-recent crooked still especially, because there is a sense of reclamation, subverting its roots by giving it a woman's voice instead.

meaning that, like a lot else from the problematic past, the appalachian murder ballad is something to be enjoyed with critical ears. violence against women is an evergreen issue, of course, and you're going to encounter a lot of that in this branch of historical music.

but with folk songs, and especially the murder ballad, being such a foundational element of appalachian history and culture and fitting squarely into the appalachian gothic, i still find them important and so, so interesting

i do feel it's worth mentioning that there are "tamer" ones. with traditional and modern murder ballads alike, some of them are just for "fun," like a murder mystery novel is enjoyable to read; not all have a message or retell a historical trial.

(for instance, i'd even argue ultra-modern, popular americana songs like hell's comin' with me is a contemporary americana murder ballad--being sung by a male vocalist and having evolved from being at the expense of a woman to instead being directed at a harmful and corrupt church. that kind of thing)

in short: it continues to evolve, and i continue to eat that shit up.

anyway, to leave off, lemme share with yall my personal favorite murder ballad which fits squarely into murder mystery/horror novel territory imo.

it's the 10th child ballad and was originally known as "the twa sisters." it's been covered to hell n back and named and renamed.

but! if you listen to any flavor of americana, chances are high you already know it; popular names are "the dreadful wind and rain" and sometimes just "wind and rain."

in it, a jealous older sister pushes her other sister into a river (or stream, or sea, depending on who's covering it) over a dumbass man. the little sister's body floats away and a fiddle maker come upon her and took parts of her body to make a fiddle of his own. the only song the new fiddle plays is the tale about how it came to be, and it is the same song you have been listening to until then.

how's that for genuinely spooky-scary appalachia, y'all?

[helenofsparta2]

Having the whole plot between Nico and Percy be resolved simply with “You’re not my type” in Blood of Olympus was such a huge disservice to both characters

They are pivotal parts to each others journey. No person in PJO influenced Nico as much as Percy did, aside from Bianca, and no person represents Percy’s guilt and the responsibility he had to shoulder more than Nico does. The writing for both characters really suffers through this lack of a real satisfying resolution.

First to talk about what Percy represents for Nico:

Percy, first of all, represents Nico’s introduction to the mythological world

He is the first demigod Nico ever came in contact with

He saved him and Bianca from the manticore (somewhat)

Nico stated in Blood of Olympus than Percy had reminded of the heroes of his mythomagic game come to life

Nico wholeheartedly believed that Bianca would be safe, if Percy was with her and created this image of the perfect hero in his mind, putting Percy on a pedestal

2.

In Nico’s mind Percy is irrevocably intertwined with Bianca and everything that happened to her

Despite Nico naively believing, that Bianca would be safe if Percy were around, he was instead the last person to ever talk to her, and present when she died

Percy informed Nico of her death (Dead silence. I stared at Chiron. I couldn’t believe nobody had told him yet. Then I realized why. They’d been waiting for us to appear, to tell Nico in person, Titan’s curse)

Nico turned him into the scapegoat for her death, so that he could let all his grief and anger and bitterness out on him

Bianca sent Iris-messages to Percy, so that he would find and help Nico (“Percy has been worried about you, Nico. He can help. I let him see what you were up to, hoping he would find you.”, Battle of the Labyrinth)

Her ghost only appeared to Nico when Percy was with him

Percy is the only person Nico knows of, who also grieved for Bianca (“Bianca,” I said. My voice was thick. I’d felt guilty about her death for a long time but seeing her in front of me was five times as bad, like her death was fresh and new. I remembered searching through the wreckage of the giant bronze warrior she’d sacrificed her life to defeat, and not finding any sign of her. “I’m so sorry,” I said. Battle of the Labyrinth)

3.

Percy is the person who protected and cared for Nico more than anyone else in pjo

Tried to convince Bianca to think more deeply about her decision of joining the hunters, especially thinking of him (“Biance, this is crazy,” I said. “What about your brother? Nico can’t be a hunter.” (Titan’s curse)

Searched the woods in the dark for hours after he had disappeared (Annabeth and Grover helped me search the woods for hours, but there was no sign of Nico di Angelo.)

Didn’t tell Chiron about Nico’s parentage to protect him from the Gods. (I don't think Nico understands who he is. But we can't go telling anyone. Not even Chiron. If the Olympians find out—") Titan’s curse)

Decided to completely commit to the prophecy, solely so Nico didn’t have to bear that burden and go trough any more suffering(It was the last thing I wanted, but I didn't say that. I knew I had to step up and claim it. "I can't let Nico be in any more danger," I said. "I owe that much to his sister. I… let them both down. I'm not going to let that poor kid suffer any more." ) Titan’s curse)

Searched for Nico in the months after Titan’s Curse (Now, six months later, I hadn’t even come close to finding him. It left a bitter taste in my mouth. Battle of the labyrinth, chapter 3))

Saved his life on Geryon’s farm. (“Either way, you get my friends,” I said. “But, if I succeed, you’ve got to let all of us go, including Nico.”)

Always offered Nico a place at camp half-blood to the best of his abilities (“We missed you at dinner,” I said. “You could’ve sat with me.”“No.”“Nico, you can’t miss every meal. If you don’t want to stay with Hermes, maybe they can make an exception and put you in the big house. They’ve got plenty of room.”, Battle of the Labyrinth)

Invited him to join him on his birthday (“Is that… is that blue birthday cake?”He sounded hungry, maybe a little wistful. I wondered if the poor kid had ever had a birthday party, or if he’d ever been invited to one. “Come inside for cake and ice cream,” I said. “It sounds like we’ve got a lot to talk about.”, Battle of the Labyrinth)

Reminded him that he was still a child (I smiled. “Maybe it’s okay to still be a kid once in a while.” I tossed him the statue, Battle of the Labyrinth)

Helped him to get the sword of hades back to impress his father (Then I looked at Nico. Unfortunately, I recognised the expression on his face. I knew what it was like wanting to make your dad proud, even if your dad was hard to love., Sword of hades)

Acknowledged everything Nico did in The last Olympian and is one of the main reasons why Hades has a cabin at camp. ( “But your children should not be left out. They should have a cabin at camp. Nico has proven that.”)

4.

Percy was Nico’s first, and after Will, his biggest love

Nico had feelings for Percy, which didn’t leave him for around 2 1/2 years, and accompanied him throughout the most challenging parts of his life. 

Feelings, which were so deep, the god of love personally acknowledged them.

Favonius even called Percy, the person Nico cares about most in House of Hades.

This was more than just a mere crush

Percy is so completely intertwined with most aspects of Nico’s character arc, in both PJO and Hoo, be it his feeling of ostracism, his relationship to Bianca or him coming to term with his own sexuality, that them not having a final interaction, makes his writing feel shallow and unfinished. Especially Nico coming to terms with his crush on Percy opens up the opportunity for a really heartwarming conversation and a moment of character growth and maturity for both of them, instead of it being wasted on one throw-away line.

And it’s the same the other way around. Nico is also a huge part of Percy’s journey.

He especially represents Percy’s biggest failure.

The first five Percy Jackson books are characterized by Percy having to take up responsibility and him being afraid of not being able to fulfill them. Be it responsibility for camp, the world, Bianca’s death, the prophecy, his friends, teh unclaimed demigods, or everything else. Most of the time, Percy was able to make sure everything turned out fine. He saved camp, he saved Olympus, he finished his quests, made the right decision for the prophecy, and he made the gods swear upon teh styx. But there’s one exception. And that is Nico.

Percy did everything in his power to make sure Nico would be spared any more hardships. He took up the burden of the prophecy, explicitly, so that Nico doesn’t have to go through any more hardships

He searched for him after Titan’s curse, kept his identity a secret and even risked himself, Annabeth, Grover and Tyson dying if it meant saving Nico

Still, Nico is one of the characters, if not the character, who has suffered the most in PJO and Hoo, even partly because of Percy (though, of course, Nico having a crush on him was not Percy’s fault at all)

He lived alone at 11 years old on the streets and in the labyrinth, while getting manipulated by an ancient evil spirit

He was isolated and ostracized at camp half-blood

He experienced the horrors of Tartarus completely on his own

He got captured by the giants and slowly suffocated to death in a small jar

He had to deal with internalized homophobia and his complicated feelings regarding Percy

He has been a vital part of two wars at only 15 years old

Had to admit his crush involuntarily in front of Jason, etc.  

One of the things Percy battles with in Heroes of Olympus is this overwhelming sense of guilt. He blames himself for almost everything that went wrong over the last few years. Be it for Iapetus, Calypso, or especially Nico. Having Percy acknowledge this complicated relationship he has with him during House of Hades, but not allowing the two of them to talk it out is genuinely baffling to me, and one of the (albeit many) reasons why I really don’t like most of Percy’s writing during Heroes of Olympus, despite the fact that he is my favourite character by far. This could have led to a moment of character growth, where Nico helps Percy to aknowledge that he feels guilty for things he had little to no control over, while Nico himself realizes how important he actually is to Percy.

They are also so similar in terms of who they are and what they’ve been through, that even if you ignore their history with each other, it seems insane, that they didn’t interact in any meaningful way:  

Both were ostracized at camp half-blood because of their parentage, and so far are the only two half-bloods we know of with that experience

They are (together with Hazel) the most powerful demigods in the Riordan verse, and have feats which far surpass anyone else’s

Both are in some way afraid of their powers

Both went through Tartarus

Both have relatively similar relationships to their godly parents

Both have gone through immense trauma and loss

And if you read heroes of Olympus, it actually very much seems to build towards a final resolution of their relationship

Percy and Nico were, aside from Frank, the two people closest to Hazel; both saw her as a little sister, and Hazel treated them both like her brothers

Nico was the first person Percy met from his old life

Percy was the one, who received the visions of Nico being captured

From everyone present, Percy trusted Nico to lead the others to Greece in his moment of greatest desperation

They both had introspections about the other in house of Hades, Nico having to deal with his crush and Percy with his guilt in Tartarus

But, in the end, after they met again, nothing happened. The only scene we really got was the “You’re not my type” line and Percy being surprised by it for a couple seconds. That’s it.

We saw no meaningful conversation between the two of them, no acknowledgement of what they’ve been through together, no lasting feelings. Nothing.

In regards to their relationship, Percy acknowledging everything that Nico has been through led to nothing. Nico acknowledging his feelings for Percy and finally letting go of this pedestal he had placed him on led to nothing. You could argue that their entire relationship, which has been built up since Titan’s curse led to nothing. And considering that they are so important characters for each of their character arcs, their characterization very much suffers from this writing decision.

The two of them, together with Hazel, are my three favourite Riordan verse characters by a long shot, but some very important aspects of both of their characters fall so flat to me through this lack of a satisfying resolution.

 Both of them deserved so much better.  

They are the friendship with the most missed potential in the entirety of the Riordan verse and probably the most fleshed out and nuanced relationship Rick ever wrote.

R.I.P.  Nico di Angelo, and Percy Jackson, you will always be brothers in my mind.

[delespresso]

RERUN ━━ Fiyero x fem!reader

author's note; this took longer than expected, i'm sorry! but here we are <3

prompt; "Admit it you missed me." "I certainly missed kicking your ass, if that's what you mean." for Fiyero x Reader? (maybe they knew eachother as kids?)

summary; fiyero's arrival in shiz university had everyone in a frenzy, but especially a certain lady from winkie country

side notes; i'm using a surname for the reader this time but its not an oc, feel free to imagine your own name! (i just didn't wanna use y/n). never read the books, so if i say anything about the vinkus/ winkie country is purely from google searches and maybe even made up by myself idk 😭

━━ ☄. *. ⋆

The newspaper pretty much hit her in the face.

She'd been walking in the courtyard, intending to head back to her dorm to get ready for her classes after an early morning jog. But the newspaper that somehow flew from a stack on one of the tables quite literally smacked her in the face.

She grabbed it with a huff, about to throw it aside. Of course, until the headline of the latest report from The Shiz Gazette caught her eye.

Prince Fiyero Spotted at Shiz!

She read it over and over again. Looked at the picture they'd printed repeatedly. Then she tossed it onto the floor, quite literally stomping over it as she ran back to her dorm.

When was the last time she saw that stupid, handsome prince? They were both younger then. Their separation was mainly because he could never for the life of him keep himself in one school — there was always something he did that had him transferred to a new one.

She'd thought that now she was in Shiz, maybe they wouldn't meet again. After all, it was quite a prestigious school. Maybe his nonchalant, slacking attitude would have him rejected the moment they saw his name.

She was so wrong.

He was here. Fiyero Tigelaar was here. The Winkie Prince. The boy she grew up with. The boy who stole her butterfly clips for no other reason than to make her run in the rain to catch him. The bane of her existence.

She was sure the universe was conspiring against her. The second she'd changed into her uniform, she left her dorm. Admittedly, it wasn't the typical blues that everyone wore. She was one of the few with a different shade; greys and lighter blues instead. She intended to head straight for her first class— only to find a small crowd gathered outside.

That horse. Oh, she knew the horse. She recognised the bloody horse before she even saw the person.

When someone finally moved their head out of the way, she caught sight of Fiyero Tigelaar himself. He was by the directory board, figuring out the layout of the place. Galinda was there too, no doubt trying to offer some touring services. He turned his head, about to respond to the blonde girl — when his gaze drifted over the girl's shoulder and found a familiar face.

A smile immediately broke on his ridiculously handsome face, his hand raised for a wave. It was as if everyone's attention immediately snapped to her.

She sighed inwardly, her eyes narrowed. The slightest nod was all the acknowledgement she gave him before she turned and trudged off elsewhere, avoiding him at all costs.

She'd heard of his little escapade to the Ozdust Ballroom, bringing quite the group of students with him for a night out in town. Already he was rubbing off on everyone, influencing them into his bad habits.

Fiyero had been in Shiz for a week now, and she'd successfully avoided him. But of course her peace and quiet couldn't last forever. In the back shelves of the library, as she skimmed through the book bindings to find a history book — she was loudly interrupted.

“Lady Yarrow.”

She nearly dropped a book with a gasp, startled by the sudden intrusion. Then she was quick to hush the person, spinning on her heels to see Fiyero's smug expression.

“This is a library,” she pointed out.

“Really? It was introduced to me as the ‘bookplace’,” he hummed, looking around as if it was a new discovery.

She rolled her eyes, inhaling deeply to prevent herself from yelling at him like she used to back when they were in Winkie Country.

“Library,” she repeated. “And you're meant to be quiet.”

Fiyero grinned, knowing she was getting ticked off already.

“And is this ever-present tension a new development? Or have I forgotten how easy you are to rile up?” he teased.

The young girl he knew was always sensitive, took everything to heart. They weren't necessarily best of friends but they weren't enemies either — or so he believed.

“Why are you here?” she deflected with ease as she turned back to searching for her book.

“I wanted to read.”

“Ha!”

“Shh, its a library,” he exclaimed in a mock whisper, repeating her earlier words as she shot him an exasperated glare.

“Why are you in Shiz?” she asked instead, moving on from the topic.

“Transferred from Royal Winkie.”

“Kicked out, I believe is the right term.”

“Oh so you have been keeping up with me?” he exclaimed, a bit of a giddy grin on his face as tailed her through the shelves.

When she didn't respond, he just skipped his way until he was in front of her. He walked backwards as she moved forward, still looking through the titles.

“I haven't. But you know our parents,” she grumbled.

“Admit it, princess, you missed me,” he teased, poking at her shoulder.

She swatted his hand away, looking up at him with narrowed eyes. He was still as insufferable as ever.

“I certainly missed kicking your ass, if that's what you mean.”

Fiyero chuckled at that, but he persisted anyway. He just kept shadowing her through the library, pestering her with random teases or jokes even until she was leaving. Even then he followed her.

She just couldn't seem to shake him even if she tried.

“Princess,” he drawled, knowing full well how much she hated when he called her that.

He couldn't help it though — getting on her nerves was his hobby. Not to mention, he hasn't seen her in years.

She ignored him though, continuing to walk through the halls and towards the garden instead. Fiyero knew she was stubborn, but so was he.

“Ignoring me won't make me go away,” he pointed out.

“Throwing a log at you might.”

His laugh was awfully gleeful for someone who just got threatened. When she settled at one of the tables in the garden, she noticed he wasn't directly with her anymore.

Just as she thought she was free of his torment, there was a daffodil suddenly in front of her face. She looked at the hand holding the yellow flower, following it up to see his cheeky and smug face. In a smooth motion, he slid the flower in her hair as an extra accessory.

"You know, I think I'll enjoy wearing you down," he said, before giving her his signature smile and walking away.

Fiyero Tigelaar made it his life mission to bother her at all times from that day onward — letting history repeat itself, as always.

liked this tale? leave a tip!