#he's about to be a regular

[f1-disaster-bi]

Things that make me happy rn: Spike showing his pathetic little face Buffy

[swiggity-swexual-i-am-asexual]

We all know the semi-canonical ‘all the Robins know to hide/duck inside of Batman’s cape, even as adults’ thing.

We also know that Danny ‘is LITERALLY a ghost’ Fenton sucks at remembering his own intangibility while ALSO forgetting to look ahead of him.

All I’m saying is, Danny Fenton (or Phantom, if you’d really like) would absolutely SLAM into Batman on accident while running on roof tops and Bruce ‘Brooding Instinct’ Wayne doesn’t even think twice about letting the kid hide and scanning around for danger before there’s a record scratch of ‘wait who tf is this?’ kicks in.

[anna-scribbles]

adrinette exes & marichat! part 3!

(part 1 / part 2 / part 4 / part 5)

[egophiliac]

Malleus' bday is coming up, thoughts on what his sleepwear might be?

anticipating that reveal any time now, so gotta get my predictions in real quick (aka extremely fast drawings) (I'm sorry)

[vriskarlmarx]

the thing about latinoamérica is that it's the most beautiful wonderful place on earth. there's a spinal cord of mountains running through, and at their feet you have everything from deserts to forests to jungles to glaciers. the lungs of the world are here, and so are the eyes into the sky. there are animals like axolotls and vicuñas and llamas and condors and jaguars. and the people are the most clever, the most resilient people in the world. you have cultures that are thousands of years old that have been resisting colonization for hundreds of years and in several cases successfully fighting back and even gaining territory. you have people who have lost their loved ones decades and decades ago who are still fighting for justice. you have a rich history of solidarity and struggle and you can sit with people in a circle passing a mate around and they will tell you of all the times they put everything on the line for a better world. there is an entire island that inspired revolutions around the world and that has been resisting a blockade for 60 years. there are communities building autonomous, revolutionary structures right now. and really it's not a surprise that there's so much grit and strength here because it would be inconceivable to be born and to live in this beautiful place without fighting for it.

[hollis-art]

au idea... tng but it's set in the 80s and the enterprise is an apartment building rather than a ship

other tenants of the building include: -Picard (the head of the college that Data attends) and Q (no one really knows what he does, he just pops in and out whenever he pleases) -Troi (high school guidance counselor) and Riker (personal trainer) and Worf used to live here too but he moved out -Beverly (still a doctor) and Wesley (burnt out college freshman) -Barclay (works at Blockbusters w/ Data and Geordi) -Guinan (bartender of a secretly gay bar)

the ds9 apartment is a whole other story

[forgettable-au]

FORGETTABLE AU: CHAPTER TWO

[MASTERPOST][PREVIOUS CHAPTER][NEXT CHAPTER] PAGES:

73-77 , 78-81 82-85 ,

[guardianspirits13]

Doodles while I binge the FMA live action movies. Will never get over them btw

[hairmetal666]

Eddie thought inviting Steve to the Grammys would be fine, cool, no big deal. And it should be, but Steve is walking out of the suite's bedroom wearing a burgundy tuxedo that fits him like a fucking glove. His shirt is unbuttoned just enough to let chest hair peak out, and Eddie thinks he might faint.

He's always been attracted to Steve, of course, but never let it go further than that. Like, sure, Steve was hot as fuck, and sure he was the best guy Eddie had ever met, and sometimes, yeah, he did have to force away thoughts of Steve when he jerked off, and in other circumstances he'd totally be head over heels. Just, Steve is straight, the straightest, a fucking arrow.

Eddie tears his eyes from Steve's body. "You look great, man." He slaps Steve's back. Keeping it cool; keeping it so cool.

"Psh," Steve says. "Have you looked in a mirror? Oh my god." His eyes are saucer wide as they travel down Eddie's body.

"Is it too much?" Eddie crosses his arms over his bare chest.

"Are you kidding? You're--fuck, man. You look good as hell."

He's wearing a silky burgundy shirt, open to show off the necklaces around his throat, his tattoos, the silver in his nipples. His pants are leather, tight, sitting low on his hips and putting the cut of his pelvic bone on full display. They have a lace-up closure that comes dangerously close to showing pube.

Heat rushes to his face at the compliment. "It's--you know. Hazard of the job."

"Yeah, hazard, sure. Guess it's a hard life having hot dudes literally throwing themselves at you."

Eddie barks out a laugh. "That's a vast exaggeration."

"Is it?"

He blushes harder. "You're my date tonight, Steve."

"My point exactly."

His manager and publicist usher them out the door before he can ask what the hell that meant.

---

The ride is giddy and playful, Steve popping champagne to celebrate Eddie's nomination for Song of the Year, even though there's no chance in hell he wins.

Steve is happy. His face is bright with joy, eyes shining, laugh loud and infectious. He's gorgeous, knows it, will be an absolute menace on the red carpet. He's been with Eddie to parties and stuff before, doesn't have any anxiety in front of the camera and isn't obsessed with musicians like Eddie is, unafraid to meet them.

Or so Eddie thought.

Because now they're standing at the edge of the red carpet, Steve very nearly trembling next to him.

"Harrington?"

"That's--That's Madonna." Steve points to her. "We're not even ten feet away from Madonna." He gulps. "Eddie. Madonna."

Steve has met famous people before with Eddie. Ozzy, briefly, Janet Jackson, Dave Grohl, James Hetfield, and he'd always been fine. Barely batted an eye. But get him within reaching distance of Madonna and he falls apart.

Eddie doesn't think about it, grabs Steve's hand, twines their fingers together. "Okay?"

The smile Steve throws him, grateful and a little embarrassed, stabs straight through his heart. He calms as they make it up the carpet, but he doesn't drop Eddie's hand, even when they pause for pictures. In fact, he leans into it, drapes his arm around Eddie's shoulders, or around his waist, seeming to thrive the closer they are. Eddie feels this dangerous pull to indulge in it, to let himself believe it means something, and he doesn't quite have it in him to turn it off.

By the time they reach their seats, Steve is relaxed back to his normal charming and handsome self, doesn't bat an eye as Eddie introduces him around.

The show passes quickly with all the performances and Steve whispering jokes in his ear. It's the best time he's ever had at an award show, like he should have been bringing Steve along this whole time. He's so distracted that he's not really ready when Paula Abdul comes out to announce Song of the Year.

His name is read off as a nominee and Steve grabs his hand, squeezes tight. Eddie's heart flips in his chest. He's not paying attention when Paula opens the envelope, too focused on Steve's strong hand holding his. He hears her say, "And the Grammy goes to--" and everything goes fuzzy.

Steve is saying, "oh my god, oh my god, Eddie. Get up, get up."

And his fucking song is playing and everyone is cheering, a couple people slap his back, and oh shit, oh shit, he fucking won. He stands, Steve with him. He thinks they're going to hug, that's what you do in these situations, but Steve is kissing him. Not on the cheek and not a quick peck, but lip-to-lip, soft and sweet.

Steve just kissed him and he has to get on stage and give a speech. He has no idea what he says because Steve just kissed him. On the lips. On purpose. His ears are ringing and words tumble out of his mouth, thinks he says, "couldn't have done it without you, Stevie," before tripping over his feet to get backstage.

Interviews, photographs, congratulations all help him settle. He's still buzzing with the win, but aware enough now to think the kiss had to be an accident. They've been friends for nearly a decade and Steve never seemed interested in men generally or Eddie specifically.

It takes a while to finish up the backstage business, but when he makes it to his seat, Steve just beams at him. He doesn't mention the kiss, which makes Eddie think he's overreacting. It wasn't a big deal. Sure, he could still feel Steve's lips, warm and soft, against his own, but it didn't mean anything. He's just too in his big gay feelings to be objective.

They don't get a chance to really talk until they're back in the limo and on their way to the after-party.

"You won," Steve says.

"I won." Eddie smiles. "Crazy."

"You deserved it."

He shrugs. "I don't know about that."

"Doesn't matter. You did." Steve fidgets with the cuff of his jacket. "About earlier, um. The kiss. I--"

Eddie feels his face heating, heart kicking up. It was nothing, he knows, and Steve shouldn't have to-- "It was an accident. It's okay. I know you don't--it was the heat of the moment and--I know you're not--you don't--"

Steve blinks a lot, emotions flashing across his face faster than Eddie can categorize.

"What if I do?" Steve asks. His voice is too soft, eyes locked on the cuff link he's fiddling with.

"You--what?"

"What if I did mean it?"

"You're straight."

Steve goes pink. "I'm really not."

"Steve?" He shrieks. "Since when?"

"Um. Since you invited me to this?"

"What the fuck?" Eddie shoves him. "What the fuck, man?"

"I know, I know!" Steve pulls his hand through his hair. "You invited me and I freaked out and I didn't know why, and Robin made the saddest little face at me. Said, 'oh, dingus, you didn't know?' How the fuck was I supposed to know!"

"I think you wanting to fuck me should've been a pretty good indication!"

"I thought that happened to everyone!"

"It doesn't!"

"That's what Robin said!"

They're both yelling.

"Jesus christ. Jesus christ," Eddie keeps repeating.

"Look, I get it if you don't want me too, dude. I know that's not how it works, but I've been pretty crazy about you without realizing it for a while now, so--"

He doesn't mean to, he really doesn't, but he laughs. Like, super loud. Like a donkey bray.

"Okay, can the driver let me out? Like, can I go? I can't--"

"Wait, wait, sweetheart." Steve's gotten up, like he's about to knock on the partition, but Eddie grabs his wrist. "Of course I want you back, you idiot, oh my god."

"Oh." Steve's ears are pink. "Oh. Well. That's good."

Eddie huffs. "Just good? I won a Grammy and the guy I've been pining over for years wants me back. I'm having the night of my life."

"Shut-up." Steve's smile is so big, his eyes so bright.

He raises an eyebrow. "Make me," he says in his lowest register, but he's truly not prepared for it when Steve clambers over to him and lowers himself to straddle Eddie's hips.

"Holy shit," Eddie whispers. "Holy shit, Steve."

He give a wry little smile, eyes locked on Eddie's mouth. "Baby, can I kiss you?"

"Yes." Eddie clears his throat. "Yes, please, do that. Yeah."

Only, he doesn't. He's straddling Eddie, they're so close their breath mingles, and Steve's eyes flicker between Eddie's mouth and his eyes, lips so close to touching but not.

"C'mon, asshole," Eddie says.

"I knew you'd be a brat." He whispers. He wraps his hands into Eddie's hair. "Been dying to do this."

And then they're kissing. They're kissing and it steals all of Eddie's breath and his thoughts, and it's new but it's also like they've been kissing forever, like their lips and tongue know each other, like coming home.

He whines, high-pitched and breathy, and Steve laughs, kisses him deeper, moves closer, and Eddie feels how hard Steve is, the persistent pulse of him. And shit Eddie's close, on the brink just from this, from nothing, oh my god.

Steve's hands drift down Eddie's torso, mapping his chest and his stomach, coming to rest at the laces of his pants. "These have been driving me insane," Steve breaks the kiss to say. "Been thinking about undoing them all night."

"Fuck, sweetheart, you can't say shit like that," Eddie groans.

"Why not?"

"Because--because," Eddie sputters but then Steve's lips are on his neck and he's rolling his hips for friction.

Steve's fingers find the laces again, trace against them. Eddie's legs fall open, arching into the touch. "We're going to be so late," he murmurs as Steve's fingers get to work.

[chloesimaginationthings]

Why is he kinda...

These two asks were right next to each other, and I think that’s beautiful

[chaos-bringer-13]

I've seen a lot of people writing Danny as a space ancient and Dan and Dani as ghosts with moon and sun cores, being sort of parts, versions of Danny and therefore weaker. Now, consider: Dan and Dani are both powerful ghosts with really cool cores and stuff but Danny is just some guy™

Dan, who came from an alternate timeline and is kind of from the future but also not, is Clockwork's apprentice and will eventually become an ancient of time. He probably only agreed to have some lessons with Clockwork to understand better what happened to him, but he enjoys his apprenticeship now.

Dani, with her love of travelling, loves seeing all the different places the world offers to her, and that includes space and different planets and maybe even parallel universes, and she accidentally ends up being an apprentice of the space ancient. For now she's probably a baby ancient of freedom or something like that, but she might become an ancient of space in the future.

We can also have something like Dan having a core of destruction or Dani being the Speed Force if you want it to be dcxdp, or any headcanon of yours about their cool powers.

And then there's Danny. And yeah, everyone knows that he's super powerful, but also he's just some guy.

It can go different routes. Does everyone know that Danny is just Danny? Or do they think that with siblings (well, technically a clone and an alternate version, but whatever) so powerful, he must be even stronger? Is Danny actually something terrifyingly eldritch and ancient and strong, almost a god, but he just doesn't know himself? Or is he just really some guy?

Now, because it's obvious that I have a dcxdp brainrot, have a regular "JL summons/meets a powerful ghost" but its Dan and Dani, and they keep mentioning their original/brother who won a fight against them at some point. The JL is very concerned about Dan and Dani's godlike powers, and they can't imagine what Danny is like. And then they meet him (in his human form), and it's just a young adult in casual clothes, very friendly and helpful, with no evident powers. Imagine the confusion. Imagine Dan and Dani, radiating power, in their eldritch ghost forms, admitting that fighting Danny for real is the dumbest thing to do and not even they would succeed... And then there's Danny is jeans and silly t-shirt, waving shyly.

[pretend-theres-a-name-here]

Little thing I wrote while procrastinating writing part 5 of Hide Your Heart.

~~~~~~~~~~~

Steve Harrington who knows his kid brother is obsessed with some niche, up and coming metal band. Steve Harrington who groans and grumbles and carries on about having to drive him around to shows and listen to him nerding out but does it anyway. Steve Harrington who doesn’t really pay attention because the lights on the stage are too bright and drown out whoever’s playing. Steve Harrington who is currently wading through a crowd making their way to the door, going against the current and stumbling as he searches for the mop of hair he promised to get home.

“Henderson!” He cups his hands around his mouth, “Where is that kid?” 

He finds himself pushed to the outskirts of the mass of bodies, plastered to a wall but he still pitches forward when a particularly rowdy young woman rams into him. He thinks he’s going to go all the way to the floor when a hand snags his elbow, holding him up. He turns to rush out an apology, a few thanks for the save, but stops before he can get the words out because holy shit the guy is gorgeous.

And Steve—well Steve has been doing some thinking about himself. About how most guys don’t have to mentally prepare themselves to go into the locker room after pe class. About how most guys don’t let their friends paint their nails pretty colors. Robin told him that there was this thing called being bisexual and he thought some things were clicking into place. So he’s gotten used to going out and noticing more than just girls, it’s not uncommon, but this guy is hot, like really hot. 

He’s dressed in leather pants and a cut off tank top that hangs around his sides. Tattoos, more doodles than actual designs, on full display for the world to see, running up his arms and peeking out from his ribs. His hair is in curly tangles, sweat sticking it to his forehead but he’s grinning. He has a jacket, leather, in his other hand. 

He’s also still holding on to Steve’s arm. Warm rings press into the inside of his elbow as he rights himself.

“First time?” The man asks.

“Y-yeah.” Steve gets out, “I’m supposed to be here with my brother, he’s a huge fan of some band playing here. Molded Coffin or something.”

The guy’s face breaks out into a full on smile, humor sparking in his eyes but Steve doesn’t know if what he said was that funny.

“Yeah? Where’s he at?” The guy still hasn’t let go, leading Steve away from the crowd and further into the room where there were less people.

“I’m actually looking for him now. Left him alone for five minutes to get a drink and he disappears.”

“You need help? These things can get a little crazy.” The man offers.

“You do this a lot?” Steve asks, immediately mentally face palming. He practically asked the guy if he came here often, he was going to think he was flirting. Was he?

The man just smiled, “You could say that. Eddie.” He finally released Steve’s arm in favor of holding out his hand. They shook hands and Steve told the man—Eddie—his name.

They talked for a while, Eddie got them drinks and Steve told himself that Dustin was old enough to behave himself for 15 minutes. Eddie kept an arm around his shoulders the whole time, shielding him from the chaos of the dwindling crowd was his excuse. Steve would have told him he didn’t need an excuse if that didn’t seem too forward.

 Eddie was just asking for his number when someone behind them called, “Ed! Quite flirting and get your ass over here! You’re helping us tear down this time!”

Eddie sighed, “Duty calls.” He scribbled something on to a napkin, patting it against Steve’s chest and backing away, “I’ll be waiting for yours, sweetheart.”

And Steve was either drunk or insane because he actually laughed at that. Laughed again when he looked at the napkin and saw numbers almost unreadable, a winking face below them.

“Steve! There you are! I’ve been looking all over for you—What’s that?” Dustin’s tone went from annoyed to prying as soon as he saw the napkin.

“None of your business.” He stuffed the napkin in his pocket, “Are you ready to go or what, kid, I’ve been waiting forever.” He poked Dustin’s shoulder until he got moving and then he poked it again when Dustin scowled at him.

In the car he was once again subjected to Dustin’s after show rant about how cool it was. The guitarist apparently broke two strings and flipped the crowd off with his bloody fingers—which they went wild for, which Dustin screeched along with them for. They played a new song, but it all sounded the same to Steve. That was as much as he heard, though, his mind kept wandering back to the man after the show. To the number in his pocket. He debated putting it to use, was the next day too soon? How long was too long until Eddie forgot about him? A guy like that probably had a mountain of napkins with numbers thrown at him every day. He decided to get over himself and call late the next day. 

“Hi, this is Steve.” He suddenly felt very silly for calling but it was too late now.

“Steve, pretty boy from the show last night Steve?” And just like that he forgot why he hesitated to call.

“That would be me.” He cringed, “No, wait, that sounds so self centered.”

“Not self centered if it’s a compliment.” Eddie argued.

“If you say so.”

They talked, got 10 whole minutes of random conversations Steve never wanted to end before Eddie cursed.

“I’m sorry, I promised my uncle I’d help at the shop.” He muttered, “I’m gonna be late.”

“That’s fine, you should go help him.”

“I’ll call you later?” Eddie asked, and if Steve didn’t know any better he’d say it sounded hopeful.

“I’ll be here later.” He responded. 

They called all the time after that, whenever they were both free. They even met up in person, it was just to the park because Eddie found out Steve had never fed ducks before, but it ended with another day scheduled to spend together and then another and then a month had passed and he could say they were officially dating. It was the best time Steve had had in a long time and he really didn’t want it to end. The realization came to him one night, after another day with Eddie, and it wasn’t as shocking as he thought it would be. It was a Friday night, Eddie was busy most Saturdays—something about going to shows with the guys—so a lot of their slow nights were Fridays. They were watching TV on the couch in Eddie’s trailer, which was quickly becoming Steve’s favorite place, when he found himself watching the way Eddie laughed and even jumped at whatever horror movie was on more than he was watching the movie itself. 

“I love you.” He whispered. 

Eddie’s head whipped around, eyes wide, movie forgotten, “I love you too!” And then Steve couldn’t be blamed for not watching the movie anymore when he was practically tackled to the couch, laughing the whole way down.

It was a month after that night that he was steeling himself outside of his front door.

“It’ll be fine.” He said to himself, “They’re going to love you.” He said to Eddie who was gripping his hand.

“It’ll be fine.” Eddie agreed and he almost sounded convinced.

Today was the one day that everyone could gather at Steve’s. The whole party had shown up, everyone he had folded into his makeshift family was in his living room waiting for him to get back with the new partner he told them he was introducing. Today was the day they decided to tell people about them.

Steve pushed the door open, taking a deep breath before leading Eddie to the living room. All of his friends sat scattered around the room. On the couch and floor and coffee table. He could do this.

“Uh. Hey.” He cleared his throat, “I’m back.” All eyes snapped to him, eager to know who this mystery person was.

Eddie tried for an awkward wave but their hands were still connected so they just shook between them.

The silence was getting unbearable until finally Robin shot up from the floor and tackled him in a hug, subsequently dragging Eddie along into it.

“I’m so happy for you, dingus.” She laughed as she pulled away, “Robin.” She stuck her hand out to Eddie who visibly relaxed, “Best friend, platonic soulmate, hurt him and I swear to god you’ll wake up with no kneecaps.”

“Eddie.” Eddie squeaked, shaking her hand hastily.

“Bobbin.” Steve only called her that when she was being particularly over the top because it annoyed her to no end and she knew this, “Tone it down, would you?”

The rest of the group chorused their hellos and introductions and a weight lifted off of Steve’s shoulders at the sight of all of his friends accepting the news without comment. Until he realized there was only one person who hadn’t spoken a word, standing in the middle of the room with a strange look on his face.

“Dustin?” Steve prompted, voice strained.

“Oh my God.” Dustin mumbles in disbelief.

“Dustin…” Steve shot him a warning glance, “If you’ve got a problem with it—”

But Dustin ignores him, he’s staring at Eddie in shock, “Oh my God!” He practically shouts, coming to life to jump and screech, “That’s—! You’re—! You’re Eddie Munson!” 

Eddie grins, seemingly unfazed by this bizarre reaction to meeting your brother’s boyfriend, “I take it you’re a fan?”

“A fan of what?” Steve asks, pulling his hand out of Eddie’s to turn to him face to face.

At the same time, Dustin starts babbling hysterically, “A fan? Only the biggest CC fan in all of Hawkins! I have every song on vinyl, like three posters and—oh my god this is so embarrassing. Eddie Munson is in my house and I’m telling him I have his face on my wall.” 

He keeps talking but it’s more to himself than anyone else in the room so Steve raises an eyebrow at Eddie, “What’s he talking about? Why are you on posters and why does he have them?”

Eddie, for the first time since Steve has known him, looks almost sheepish, “Oh…I guess I’m kind of, maybe the frontman of Corroded Coffin.” He might be blushing.

“You’re that nerd Dustin’s always going on about?!” Steve exclaims.

[tartppola]

very specific au thought, silver if he was the shield instead ( read the tags to see explanations )

[antianakin]

Headcanon that Cody actually thinks Obi-Wan is ten times more attractive in his Jedi clothing than he ever was in armor. He doesn't think Obi-Wan is UNATTRACTIVE as such when he's wearing more armor earlier in the war, but one day he sees Obi-Wan with either no armor or just the bracers and something just CLICKS and his jaw drops to the floor because YES, that's exactly how Obi-Wan should always look.

And bonus headcanon that he sees Obi-Wan in Mandalorian armor for whatever Reasons and immediately hates it and thinks it's probably the most unattractive Obi-Wan has ever looked. Obi-Wan finds this absolutely hilarious.

[egophiliac]

What do you think of Rook's savanaclaw card? <333

I didn't get him (and I need to save my keys for Silver's birthday, sob) so I looked up his groovy, and I'm not over how incredibly dramatic and epic and cool it looks in direct contrast to the absolutely ridiculous context. just look at that dynamic action and his majestic sparkling tears and keep in mind that this is pretty much right after a bunch of characters have been dance battling for his soul.

and then even the actual moment of the groovy is just like

this is NOT a negative in the slightest, I love it all, this truly was an incredible update in so many ways

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.