#he'd be so perfect at it

[playertwotails]

I've said it once and I'll say it a million more times but I would love to see Tails be more of a little shit to Sonic and a menace of a little sibling.

Let him know which buttons to push to annoy Sonic the most in any given situation and be relentless in pushing them.

Let them be in a dire and/or important situation but Sonic says or does something that perfectly lines up the pitch for Tails to maximize annoying Sonic.

Sonic having to do the thing where he can't go off and get revenge at the moment. So he's just glaring at Tails who just has them most satisfied look on his face cause he's getting away with it for now.

Let Tails just say the most unhinged thing to Sonic with a straight face or with a little smirk cause he knows it will tick Sonic off and it does. Meanwhile everyone else looks on with exasperated looks on their faces cause they're used to it or others with surprise pikachu cause they've never seen Tails act like that.

I just need more sibling on sibling violence with the two of them.

[megaawkwardhuman]

[lupins-hehim-pussy]

[ ID in ALT ]

he giggles

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[voidstilesplease]

the way he translated half-royalty half-movie star, depressed gay, and hrh prince dickhead from pages to screen so effortlessly 🥲

[akiiame-blog]

Super Mario is supposed to be this powerful figure to the Mushroom Kingdom, this beacon of hope with little to no weaknesses. With everything on his shoulders, he has to keep going.

Or else he'd let them all down.

[canisalbus]

So i remember an ask mentioning your mortal enemy, Felis Atra and their cats, and i thought it'd be fun to draw what Felis Atra's version of your italian dogs would be.

I think they would be called Butter Knife and Flamengo! Butter Knife is not his real name, it's an nickname given by his peers because of how harmless he is. I choose Flamengo because that's the name of Vasco's rival football team here in Brazil, so i thought that was the perfect name :)

Cat Machete was slightly inspired by the Oriental Shorthair cat because of their long noses and thin head shape.

Cat Vasco was inspired by the Scottish Fold cat, because FLOPPY EARS. I gave Flamengo longer ears and orange fur to make him more like his look-alike.

The last doodle is a reference to this ask (https://canisalbus.tumblr.com/post/728923918314946560/me-i-am-machete-ear-fan-number-1-those-ears) and contains the tumblr ask stand-in dog, whose cat version was inspired by the American Curl cat! They have round ears that are slightly floppy outwards.

Final notes: I know cardinal clothes don't come in vibrant blue, but i was ADAMANT on switching Machete's and Vasco's clothing color patterns. I would draw the rest of Butter Knife's and Flamengo's clothes, but i suck at designing cool outfits.

Speaking of outfits, for Machete's iconic void outfit, i figured it would be fun to make it more baggy for Butter Knife, in contrast to Machete's, that looks very tight-fitted. I think it's cute, it kinda looks like a sweater. Also i can't imagine a Machete doppelganger without high heels boots, so those HAD to stay.

Oh, and just to be clear, i'm not like, claiming ownership of these guys or anything. I just thought it would be a fun exercise. Hope you like them!! I love your art and your characters.

.

[pa-pa-plasma]

I know the concept of more supernatural/paranormal elements is cool but it will never stop being funny to me that in every series ever, when a ghost shows up the main characters have to do rituals & research the history of the haunted item or house or even whole town & use specific items like salt & incense & talisman to banish the ghost all dramatically & supernaturally, but in Danny Phantom this kid just shows up with nothing but his fists, a thermos, & pent up aggression. put em the fuck UP, you ectoplasmic son of a—

[teddybeartoji]

touching teeth with gojo. sounds weird i know but my beloved biters and chewers just stay with me here okay. you're both sitting on your bed in the dim-lit room, the only light being the computer screen on the floor. there's some music playing quietly in the background but it's all muffled in – your focus being on the man sitting before you.

his pupils are blown wide and his lips are parted, deep breaths slipping from between them. his chest is rising and falling fast, the excitement bubbling in it, ready to burst. you're facing him, sitting on the bed with your knees tucked underneath you. you're not doing any better than he is – you're heaving like he is, eyes so big and wide, fingers itching to feel him already.

you don't really remember how you ended up here but that doesn't matter. his lips strech into a hungry smile, the rows of perfect teeth flashing you teasingly. he knows you're ready to lunge because he's ready to lunge. you lean forward an inch and he does the same. everything is so slow, the clock in your room has stopped in its track, the music has gone quiet. your own lips mirror the smile the boy in front of you is sporting and you see something flicker in his eyes. curiosity? want? need? a mixture of all of them? they drop down to your mouth and he gulps. you look delicious. he looks delicious. it's a feast.

you part your lips and he automatically opens his wider too, completely mirroring you. you lean closer, he leans closer. the distance between you isn't there anymore, you can smell his cologne, fuck – you can almost taste him. your own eyes flick to his mouth and as if your hand has a mind of its own, it raises to touch his soft flesh.

satoru's breath hitches, feeling your fingers against him. you slowly drag them all over his mouth, pushing and pulling his lips until they're properly pink and a little bit swollen. he's really panting now, sounding a bit like a dog. a puppy, eager to play. a cub, eager to bite.

he can't tear his eyes from your lips either, he's intoxicated. he's addicted, and you only make it worse when you sink your teeth into them. he lets out a quiet little groan, from the depths of his throat, making your grin stretch even wider.

your hand cradles his face, tracing over his cheekbone before resting on his jaw. your thumb pokes at his bottom lip, the quiet open up, baby coming from you is making him feel dizzy but he obeys nonetheless. his mouth opens wider than before, displaying the sharp canines you've been thinking about for the longest time. oh, he's perfect.

you press your thumb inside his warm mouth, dragging it over his teeth, feeling the edges of them against your soft skin. satoru's eyes close as he fists the bedsheet underneath your bodies. he's so warm, and you feel yourself sigh when your thumb meets with his tongue. his lips lock you inside, his tongue swirling around your finger before he hollows his cheeks and sucks on it. you can't breathe anymore.

you've never been this enamoured with anyone before. he's sucking on you thumb, teeth gently grazing against it and you're in love with him. you tell him to open up again and he listens in a second, he's good like that. you tell him to look at you and he does – big beautiful doe eyes staring back at you, ready to do whatever you ask him to do. whatever you tell him to do. you award him with another smile and he just can't help but match your expression. there's spit all over his mouth and the desire to clean him up is eating you alive, but you have to wait. you need to take this slowly.

he's looking at you like you hung the stars in the sky and you love him. deciding to push him even further, you wrap your fingers around his wrist and pull it closer to yourself. he doesn't say anything, only observing and learning. you raise his hand to your mouth and you part your lips, inviting him in.

his leans forward with his whole body, hypnotized by the sight before him. you hold his hand with both of yours, molding his fingers into a fist, only leaving his pointer finger out. you guide him in, watching his adam's apple bob at the warm feeling. you guide him over your own canines, just as you'd done with his, letting him explore the inside of your mouth. his own hangs open and he looks so cute like this.

you take your hands off of him and watch him fall into the deep pit of hunger all on his own. his heavy finger presses down on the row of sharp edges, secretly wishing it'd drew blood. he runs his finger over the sides of your teeth, smoothly gliding over them causing the skin of your cheek bulge out. he tries to swallow the thing stuck in his throat but he can't. he feels like he's suffocating; gasping for air, gasping for more of you.

while he's focused on the finger disappearing into you, you take the time to trace of his lips again, promptly pushing through them and connecting you both. teeth and skin. wet and warm. his eyes glance up only to find you already staring at him and he feels himself harden in his pants.

gently, you bite down on his finger, he does the same. he gnaws on you and you do the same. it's romantic. it's erotic. you need more.

so, suddenly you move from your sitting position, pushing the boy in front of you down onto the soft bed. situating yourself over his abdomen, you press another finger into his mouth, reveling in the way his eyes roll back into his head for a moment. his finger is still locked between your sharp teeth, leaving deep dents in it. god, he wishes you'd draw blood. his free hand goes to your hip, squeezing the flesh so hard it'll bruise. you need more.

the room feels too hot, your bodies feel too hot. satoru feels like he's about to melt into the bed, your heavy gaze burning him alive. fingers press flat on his tongue and his eyes widen once more, and when you press them deeper into his mouth, down his throat – his hips buck under you. his eyes close as he tries his best to keep from gagging. you bite down on him harder and his eyes do another round around his skull. fuck.

cracking open his eyes, he's greeted with a big toothy grin. it's reaching your ears, and with the way your eyes shine in the dark room, it's a bit scary. is this the beast one might meet in a forest somewhere? the one that will eat and devour him? the one that'll open him up and consume him?

his heart thrashes in his ribcage, calling for you, reaching out to you. he's not the predator he thought he was; he's the oblivious prey, who walked into your love all on his own and who is now stuck in it.

it's not like he wants to leave anyway.

[psychologicalwarclaire]

Wu trained Morro at the same time that Garmadon was training with Chen which MEANS that Misako was around to see what the pressure of wanting and training to be the Green Ninja could lead to.

So later when she had Lloyd and KNEW that he would be the legendary Green Ninja, do you think she thought of the child Wu had once trained? The kid who became so obsessed with proving himself that he put himself in danger time and time again? The little boy who ran off into the night and never came back?

After seeing that, is it any wonder why she didn't want to leave her son-- the actual Green Ninja-- to be trained by Wu at such a young age?

Maybe a boarding school for bad boys would never make him want to be a hero. Maybe it would keep him safe from the destructive power of destiny. Maybe Darkley's was the only way to save her beloved son, Lloyd Garmadon, from himself.

Maybe Misako remembered Morro. And maybe, just maybe, she knew it would be best if her son never turned into someone like that.

[taurusii]

"And they would've gotten away with it too, if it weren't for those meddling kids!"

[icewindandboringhorror]

HAPPY 16TH BIRTHDAY!!! To this elderly bapy boye!!! he...!!!

[lunarin64art]

Sorry, I had to...😔

Drew this based on one of Bryan's recent Instagram posts where he's wearing a shirt with Kieran Culkin(Wallace's actor) on it. (x)

Since he based Scott on himself, I immediately thought of Old Scott when i saw this lol

[ponury-grajek]

selfportrait

[sidewalk-cracks]

literally please give Battison a Dick Grayson in the Batman Part II.

The first movie was about Bruce's journey from not wanting to be Bruce Wayne, to realizing that he does in fact need to be Bruce Wayne, and that Bruce Wayne can be a force used for good just like Batman. Logically then, the second movie should explore the next immediate question on the table: okay, he needs to be Bruce Wayne. So who is Bruce Wayne? What kind of man is Bruce Wayne going to be? Bruce still feels defined by his trauma of his parent's death. Bruce Wayne still feels defined by his parents' shadows, by his father's legacy. He still feels defined by his grief. How does he make Bruce Wayne be something different?

Dick Grayson would serve as the PERFECT device for Bruce to discover who he can be. Because Dick Grayson is literally just a young Bruce, and Bruce sees that instantly (it's why he takes him in in the first place). So throughout the movie, as Bruce tries to help Dick process his grief, he's inadvertently processing his OWN grief. Dick Grayson unknowingly helps Bruce process his own trauma, and through their developing relationship shows him that Bruce Wayne can be more than a recluse, a failure, a man drowning in his own head- he can be a protector, a friend, a parent.

When Dick points a gun at Tony Zucco's head, Bruce talks him down, and all the words that he gives him are words he had wanted when he was a kid and his grief was fresh. Even though they're gone, you're not alone. I understand.

BATTISON NEEDS DICK GRAYSON TO BE ABLE TO TAKE THE NEXT STEP OF HIS CHARACTER GROWTH.

[theaceace]

imagining a world in which Simon agreed to go with Edwin and try to escape hell, imagining Simon developing an immediate and very inadvisable crush on the cute guy that just threw a grenade at a demon and Edwin's reaction to that, imagining the reaction of Charles Overprotective Rowland when he finds out that the guy Edwin insists on dragging along with them is one of the guys that sacrificed him to a demon in the first place, imagining the Night Nurse's face when three dead boys pop back through the door instead of two