#he would be okay if it wasn't for the fact that he doesn't know how to shut the fuck up
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Who Said Money Can't Buy You Happiness?
Yan! Batfam x Princess!Reader
Special
"Mother said be good, father said be nice. That was always their advice. So be nice, [name], good, [name]. Nice, good, good nice (tighter!). What's the good of being good if everyone is blind. Always leaving you behind." Prologue: Into the Woods.
(I needed the full thing in it)
Divider Creds: @selysie and @anitalenia
This plot was inspired by @niwaart and @mimiiiiiiiiisstuff
Life is not fair, and while the rich eat like pigs the poor people eat scraps and still are charged no matter if they can afford it or not.
As a princess, I understood that.
I am labeled as the defective princess, the Imperial Princess of Gotham, [name] Wayne.
While all my siblings were intelligent and had strength, talent, and power that upstaged most people, I had none of that, I wasn't smart, actually, I was a complete dunce. I had no strength to my name and was disgracefully unable to use my magic, but I knew I had some...
I had to. Right?
My talent, probably being an embarrassment to my family name.
My mother, she also glanced at me with disgust, she made sure if I wasn't able to do anything useful I'll at least have etiquette while being useless.
I admired my mother, she was beautiful, graceful, sharp, and always upheld her image.
She sneers at me when I mess up, which is all the time, but we don't talk about that.
Oh gosh, and my siblings they were all so amazing.
Barbara held the same personality as our mother, she rose the social class fast. Too bad she doesn't talk to me, I think she would be a great person to take an example from!
Stephanie and Cassandra tagged behind Barbara. They were like those cool trios in the books.
Yes, I read books, but they don't count since they are all novels.
Damian berates me on the fact that I'm nothing like them, but it just shows he cares, doesn't it?
Dick will he coaches Damian he's the #1 Knight of our kingdom and woman all over swoon over him, he talks to me... sometimes.
Duke, well he's a gentleman we don't talk but he's nice enough to greet me.
Jason, well like those novels he'd be titled the 'bad boy' and it does in fact charm lots and lots of ladies.
Tim, it impresses me every time at how smart he is. Maybe that's why we don't have many conversations because I'm not on his level.
And my father, well, it's okay. He's the emperor of course he's busy, I can't ask for attention that would be so childish!
It's of course upsetting when they all hang out without me, but they're just letting me have more time to myself to read! If you think about it they just care about me.
I remember we went to an event, and I was alone and no one talked to me, but it's fine, that's when I met the love of my life, he was like a prince charming, I bumped into him and he caught me before I hit the floor, I swear I fell right then.
Connor Kent.
Then I found out he was in fact a prince! And I got lucky and arranged a marriage with him, he didn't seem as static, but it's okay, arranged marriages usually don't last anyway...
I don't know what took over me, but when they found this orphaned girl one day, out of nowhere, they adopted her, and that's when my life changed.
Serena.
It wasn't fair how she was the apple of everyone's eyes.
She was also clumsy and dumb, she didn't know how to use magic, just like me, but there was a fine line between us. For one I know etiquette and for two, I'm of royal blood.
But instead of also disliking her they doted on her. I let it go until Connor also started being attracted to her. I was enraged.
But kept to myself. I started writing things I felt like doing those things to her. Then slowly I started doing said things. But they were harmless! Mostly...
I always ended up getting caught every single time though.
I still did them though, I don't know I just felt like it, and then I started having dreams of this weird world, about a girl.
Her name, was just like mine, [name] [last name], and she's so cool!
It started off showing what kind of woman she was, a CEO, doctor, lawyer, but mainly an entrepreneur, I didn't know a woman could be in those fields. Also, what are some of those things?
Then those dreams.
"What a bast-, I can't with this main character! Oh and don't even get me started on the family, who wrote this?! And a poly relationship for what? Just for her to focus on one guy? That's it I'm balding. The only character I like is [name] but sometimes I wish she would just stand up for herself!"
Yes, for I found out she was just like me she also liked reading novels.
Her reactions to them were also quite funny, then one day I don't know why but I prayed to the Gods that I wanted to be just like her.
"Go hang yourself! Shitty ahh characters. Go suck a titty."
Okay, not exactly like her.
Then it was the next morning and the maids took a while to finally get me ready, I couldn't stand their murmuring about how terrible I was compared to Serena.
I wanted to rip my hair out when I heard her name.
Then I made an idiotic choice again, I shoved her while on the staircase.
Then my world went black before I woke up startled with NEW MEMORIES.
I had become [name] [last name].
But for some reason, I was smart, I knew how to manage her jobs…
5 years later
It's been, what, 5 years?
[name] was right to be cocky she had every right to be, I feel bad now that I stole her life.
[name] wherever you are I wish you the best.
I wanted to write this to show that both girls will get happy endings, and I rushed this because idk.
Anyway, thanks cuties for the interaction with my last post!
And again with the last post please give me constructive criticism!
Taglist -
@kittzu @charlenexoxo1 @bat1212 @silverklaus @sillysealsies
#platonic batfam#platonic yandere batfam#yandere batfamily#yandere batfam#yandere batfam x reader#yandere batfamily x reader#batfam x neglected reader
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(Kind of want Lilith/Lucifer/Adam)
Au Idea that when Adam was made, he was just to be the prototype. To see if they could actually make something like him to begin with. Lucifer didn't even know about him. Adam wasn't made to be anything special. Almost like a default skin. Plain to look at. Accept for his eyes, a brilliant gold, nothing else stood out.
They cheered at their creation but decided Adam had played his part and stuffed him in a remote part of the Garden where they could forget all about him. Adam didn't know how to do anything. He didn't even know how to talk and then the strange beings grabbed him and left him alone in some small part of the Garden he couldn't leave. Maybe the beings would come back. Maybe they wouldn't. Adam was made to be Subservient to anyone, the Angels wanted something that could worship them, but being alone made him stagnate.
Then Steve and Lilith were made. Steve, a more dominant and controlling person made Lilith's life miserable and she wanted out. Why couldn't she be in charge? Why did she always have to spread her legs for this man who always seemed to push her down, ignore her ideas, and slap her around if she said no?
Lucifer tried to get Steve to see reason but he hated the fact that Lucifer so easily charmed Lilith when he couldn't. Why was that dumb angel so special? Steve was perfect. Lilith should listen to him and only him. If she won't do it willingly, then he'll make her.
One day, while Lucifer was busy with his jobs, Lilith ran away to hide from Steve who once again trying to procreate with her. Disgusted, she kicked him in the groin and ran as fast as possible away from him. While running, she came across and enclosed part of the Garden she had never been in before. Tall trees stood close together, almost like a wall with how they were tangled with each other, and, curious, climbed them to see what was on the other side.
Adam was watching a snail in fascination when he heard rustling from above him. He didn't pay any attention to it because he had no idea what the concept of danger was. Lilith grunted but finally climbed to the top to peer down. She nearly fell out of the tree in shock. Another human. Another human.
She and Steve were not the only ones here in the Garden.
OOOOU!!!
Lilith thought that it was only her and that...... Brute they call her husband. But this, guy? He looks like a man, he doesn't have the body type that she does so another man?
Hopefully better than Steve.
She got down and walked over, gently placing her hand on his shoulder once she was close enough.
Lilith: Excuse me?
Adam jumped at the contact and voice, he looked at this lady, she was beautiful with long blonde hair and violet eyes that shimmered like amuthst. Who was she? He wasn't alone?
Lilith gasped when she saw his eyes, they were so bright they put the sun to shame.
Lilith: My name is Lilith, who are you?
Adam titled his head to the side, he knew his name but he didn't know how to tell her. How was she making those sounds?
She saw the confused look on his face and sighed, he probably didn't know how to talk. This could be a problem.
Lilith: You can't talk..... That's okay, maybe Luci can help with that when he comes down.
Adam was confused, who was this Luci?
Hours passed and Lilith stayed with Adam, she talked to him just to fill the silence and they watched the snails together.
The familiar flap of wings got her attention and she went to get him.
Lilith: Luci! Over here! I have something incredible to show you!
Lucifer smiled, he wondered what it could be. New plant maybe? Though, he wasn't accustomed to this part of the garden.
Lucifer: What is it Lily?
He went over and that's when he saw Adam.
Lilith: I found him here all alone, why would he be here? Why wouldn't they have him in the rest of the garden? Why can't he talk?
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Okay, but hear me out.
Aziraphale and the Metatron leave the lift, the Metatron leads them to an office, wordlessly and with a tight expression. Only once they are inside, door closed, the Voice of god deflates onto a chair, somewhat relieved. Aziraphale is pointed to another chair, sits at the edge, like a naughty student sent to the headteacher's office. 'Right, now listen carefully,' the Metatron says in a conspiratory voice. 'This room is fully warded, absolutely no one can listen in on our conversations here. Well, apart from the Almighty, of course, but I prefer to believe she's on our side. So! You don't want the world to end,' (Aziraphale stiffens at that), 'I don't want it to end either,' (wait, what?) 'Satan himself doesn't want it to end, what with his own kid still out there.' 'Satan?!' Aziraphale gasps, but his mind is sharp enough to process the implications immediately. 'You're in cahoots with Satan?!' 'Of course I'm in cahoots with Satan!' the Metatron puffs. 'The Supreme Archangel elopes with the Grand Duke of Hell, the chief guardian angel of humanity does what ever it is you've been doing with hell's plenipotentiary since the dawn of creation, the Archangel Michael has Dagon and Ligur on bloody speed-dial… What sort of situation did you think this was?' Aziraphale doesn't know which part of that to address first. 'I, uh…' 'Right,' the Metatron doesn't bother giving him room to speak. 'So! As far as I can tell, it isn't humanity being tested, it's us. Just like you said during Armageddon, it's all about the ineffable plan. The armies and the administrations want this war to happen so badly, they would impeach both me and Satan if we were to simply stop them, convinced that we're rebelling against god's word. But now that you're back in heaven, that miracle aptitude of yours will be just what we need!' 'What miracle aptitude?!' Aziraphale gasps. He's been feeling dizzy for a while now. 'Don't play coy with me,' the Voice rolls his eyes. 'Twenty five lazarii? If I were to perform a miracle of this magnitude, it would put me out of commission for half a millennium at least! And you, there you were prancing about your little street the very same day like it was nothing!' 'But it wasn't my miracle!' Aziraphale protests and his subconscious is already working out just how terribly things have gone wrong. 'It was mine and Crowley's! It was joint!' The Metatron freezes. Blinks several times while facts slot themselves into place and conclusions formulate. Finally, he groans and slams his forehead into his desk.
And the rest of the story is the Metatron playing the most awkward Cupid for Aziraphale to win Crowley back while they both try their best to delay Heaven and Hell's endevours to launch the Second Coming.
#I mean obviously that's not what's gonna happen#but wouldn't it be hilarious? XD#good omens#aziraphale#the metatron#good omens crack
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thinking about how Arthur(pre-John) chooses to use words as his weapon VS John who uses words as his weapon because he doesn't have anything else
okay stay with me, this may become too convoluted
we don't know much about Arthur's detective days with Parker. We do know, that in his duo, Parker would use intimidation as his main tactic, while Arthur would rather talk and figure out the rest from the response he is given. We don't know why Arthur liked this variant better: was it because he wasn't as intimidating as Parker, was it because he didn't want to hurt anyone, was it his personal belief or something else entirely. He did say that he would fight someone before (amazing lift conversation in s4 as proof) BUT I would guess that it was a rare occurrence. They were private detectives, so it's expected for them to get into fights. In any case, Arthur uses words and communication to either get the information, outsmart his opponents or to get something else entirely. Whatever the reasoning, he CHOOSES to use words as his weapon.
It is something that we can see multiple times in malevolent: i would say that now in s5 he uses the intimidation tactic because he has the ability to do so (he needs to process the trauma SOMEHOW). But even than, in s4 he talks to Oscar, in s5 he communicates with Horig, in the castle he talks with the guests. His first instinct is to talk to people rather than to fight them and he chooses this variant every time.
John, on the other hand, doesn't have the luxury of this choice. The words are the only weapon he has.
Coming back from DarkWorld, he is stuck in someone else's body with nothing but his eyes and voice. It may seem, that Arthur is in a worse position than John, but I would argue it's the other way around and the only reason why it doesn't seem this way is BECAUSE John is good with using the words as his weapon. He manipulates Arthur, he lies and deflects and purposefully hides information because that is the only thing he can do. He doesn't have a say in where they go, but he can guide Arthur into what he deems a better choice. He is a prisoner in Arthur's body and the only thing he has to defend himself with are the words.
But then, he uses words as a way to help Arthur. It is now not only about manipulation and lying, it's about calming Arthur down when he is scared, encouraging him to do something, and cheering for him. At first, it's another tactic, another clever lie, a little bit more leverage from Arthur, but later it becomes something more genuine. He is sincerely happy for Arthur when he succeeds, and he tries to find the right words to help Arthur. "I can save you the details of this horrible place" - John says to Arthur when they are in the Dreamlands.
The words are his weapon but later he starts using them as a shield not only for himself but for Arthur.
Anyway. The fact that Arthur and John are pretty similar in this regard, they are both clever with words, they know what to say and how to say it to make their opponent do what they want. Something about how they use the words against each other and to help each other. Because this is something they have in common and something that stays with them despite everything
#i am so ill about them#LOOK AT THEM#it probably doesn't even make sense but it does make sense in my head SO#I have many thoughts about them#malevolent#malevolent podcast#arthur lester#john doe malevolent#arthur lester malevolent#jarthur#private eyes#snakey rambles about malevolent
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Wondering, vaguely, if Steph's age had any influence on how Bruce viewed/interacted with her.
She was 15 when he met her, and would have been 16-extremely-close-to-17 (I am personally a "Steph was 17" truther because the timeline doesn't actually work otherwise; I would call the 16 an error, but it's what's stated in canon, so...) when she became Robin and died. That's significantly different than Dick and Damian, who came to Bruce quite young, and even Tim and Jason, who were a little older but still not as old as Steph when they first came under Bruce's wing. (I think it's important to remember that, until adulthood, even just a couple of years can make an enormous difference in development and how a child views/interacts with adults. 16 can potentially be very different than 13.)
I imagine there must be a difference between working with a Robin who is literally a child, and one who's very nearly an adult. Particularly Steph, who had been parentified from a fairly young age and very likely felt much older than her actual years at times.
Honestly, we'll probably never know for sure because their time together as Batman and Robin was so short... and because of the other, bigger factors that influenced their relationship: namely the fact that she was disposable to him as Robin (not as in "he was okay with her dying", but as in "he was only using her as Robin to achieve a goal and wasn't at all concerned with her feelings or well-being in that respect"). And of course, her gender, because that would also have influenced how they interacted, regardless of whether either of them wanted it to or not.
More interestingly, though, is the method by which Steph became Robin. She and Tim were the only "proactive" Robins -- the ones who came to Bruce with knowledge/intent, rather than being children he chose to take in and eventually mentor (and Damian, who was raised for the mantle, but from Bruce's perspective just sort of got dropped on his doorstep). And Steph is the only Robin who had any experience operating as a vigilante prior to her time as Robin. Even before she became Spoiler, she already had knowledge and understanding of the world of masks and capes thanks to her father's shenanigans.
We know that Bruce is very stubborn and often single-minded, himself. Love him or hate him, I don't think many people would deny that he very much always expects to be the smartest and most capable person in the room. (After all, he often is.) He frequently clashes with his peers, and often refuses outside help, particularly when it comes to his own "territory".
The Robins have historically been different, because they're his. He inherently has a position of power over them due to their ages and his position as guardian/mentor/teacher. (Please note that I don't intend "position of power" to be negative in this case -- I intend it the same way that I'd say any parent or teacher is in a position of power over a child under their care.) He's the one in charge. He's the one doing the training. He's the one supplying the gear. And they're young. Psychologically, this is a very different dynamic than Batman interacting with, say, Green Arrow (using them as parallels because they are both normal human "just trained our bodies and minds to do amazing shit" heroes).
But Steph comes into this mantle as very-nearly a grown woman -- someone who has cared for her mother like a parent at times, someone who has taken responsibility for her father's crimes onto herself, someone who has had an actual literal baby and had to make the extremely adult choice about what would be best for that baby and for herself. She has never depended on Bruce Wayne for food or shelter or affection. She has never depended on him for training (he did train her for a while, and she was happy about it, but remember -- he approached her -- and when he ghosted her, she actively sought out training elsewhere, so she knows he's clearly not the only game in town). She started as Spoiler with nothing but her own homemade costume and gear she cobbled together, and she continued as Spoiler on her own in defiance of him. He definitely had power over her in a way -- that is, influencing how other Gotham vigilantes thought of her and treated her, to the point of trying to directly forbid Cass from interacting with her -- but not in the way of a father over a daughter, or an adult over a child, or even a hero over a sidekick (until she became Robin). Steph made Spoiler all by herself. And she stayed Spoiler mostly by herself, without much support (what support she did get was shaky and/or didn't last). And she came to Bruce and put herself forward as Robin, as a nearly-17-year-old who was already psychologically an adult in at least some ways.
That has to have a real impact on how they would interact. Steph is frequently described as stubborn and defiant as Robin, but she's operating as sort-of an adult with her own independence and agency in a way that the other Robins were not when they first became Robin. Meanwhile, Bruce is used to dealing with new Robins as children/fledglings. The initial Batman-and-Robin-as-partners growing pains for each of the other three Robins up until that point would have had a very, very different tone than that same growing pains period for Bruce and Steph.
Which is sort of a shame, because I think they would have eventually realized that they have a lot in common. And that even some of their differences could have actually been good for their partnership. (For instance, when Steph realized she had been chattering in his ear all night back during her first mentorship and was mortified, and Bruce basically told her it's fine, keep talking, he sort of liked it? I think he actually meant that.)
#too bad Bruce was only using her and never intended for her to stay Robin regardless#Oops did I say that out loud?#That was supposed to be inside voice#Honestly though I would kill to see an AU where Steph stayed Robin#I wouldn't want it to be reality but I'd want to read about it for a while#Stephanie Brown#Bruce Wayne
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This is a rant about the 2023 Doctor Who specials. I was typing up another post about why I do like a bunch of other Who stories then got distracted so decided to make this.
I normally really try to be positive about Doctor Who. Everyone's tastes are valid, and if you like the 2023 specials I am genuinely glad that you do! I don't think these specials are objectively bad or the Death of The Show or anything like that, I just personally Do Not Like Them and have decided I want to rant about why. If you want some insight into how I think about these stories (or also don't like them and want to see someone else talk about why they didn't work for her) I hope you enjoy! But if you don't wanna read something like that, skip this and I promise I'll be nicer next post.
So I should probably start by saying that I am a Known Thirteen Defender and consider The Power of the Doctor to be my favorite episode the show has done, so it's fair to say that these three specials were probably never gonna be my favorites following that.
I also wasn't a huge fan of the Tenth Doctor on tv. He's been redeemed in my eyes by Big Finish and Titan Comics, but his tv run didn't do it for me. This means, much as I think David Tennant is a cool person (from what I know about him anyway), his return wasn't something I was exited about. I was exited to see Ncuti Gatwa as the new Doctor, so my reaction to the reveal that nope! David Tennant again! was basically anger that Gatwa was getting benched (and, yes, I know that the whole reason they did this was that Gatwa was busy and couldn't have done these specials. Still doesn't change my emotional reaction to that twist).
And finally, I cannot express in words how much I was not interested in Donna Noble returning. Don't get me wrong, I think Donna is a fantastically written character. But the reason she is so fascinating is because she is deeply relatable. She is a character who the audience is expertly designed to relate to and someone they would like. Meanwhile I, and I cannot stress this enough, am nothing like Donna Noble. I think I would like the character a lot more if I felt like she contrasted with the other Tenth Doctor companions, but she's the third modern-day earth human in a row, and I'm not interested in that archetype. So the result is I just kind of think of Donna as "that time they did Tegan again" and that's that.
All of this is to say that I doubt I would have totally loved the specials even if they'd been great. I wasn't interested in the core concepts. But even beyond that, they dropped the ball in my eyes.
So, the Star Beast.
I actually really like this episode for most of its runtime. Its an adaptation of a comic story from the 70s, and it does a great job balancing being faithful to its source material and actually being a good 2020s tv episode. I'm maybe not the hugest fan of the trial scene - the comic has a much more action-oriented way it handles the reveal - but overall, I really think this episode does a good job. I also love Shirley, and she was basically replacing Osgood. I love Osgood. Selling me on a character who was Osgood's replacement was gonna be hard, and they actually did it. Shirley is great. Rose is also great, too - like, she's not that deep or interesting, but like. I cannot emphasize enough how seeing a trans woman of color matters. And she's written well enough for the most part.
Of course then it falls apart at the end. The Doctor has to return Donna's memories and then it turns out she isn't going to die after all! Because she gave some of this energy to her daughter! And she can just give up the rest!
Okay, I am against any sort of "Donna's memories return" plotline, because Donna losing her memories is the emotional core that underruns all of her time with the Tenth Doctor and his time after her. Like, in my opinion, that one fact - that Donna loses everything she grew into while traveling with the Doctor - is the emotional underpinning of the back half of the Tenth Doctor era, so removing that makes that whole arc seem a lot cheaper and shallower in retrospect. I was expecting the midwipe thing to be undone, but I was expecting it to be an arc over all three episodes.
And all of that would apply if they had pulled this off well, but as you can probably tell, I do not think they did that. The "Rose got some of the Metacrisis" twist is decently pulled off, but the "we can let the regeneration energy go" thing... after how much grief the Tenth Doctor went through over this stuff, the concept that this would just not occur to him because he was a man (??) makes no sense to me. If there was a viable solution, he would have found it. And saying that women just intuitively get this better is super confusing and off-putting. And, for the record, I am in fact a woman.
I don't really have much to say about Wild Blue Yonder. It's basically a great example of a Meh episode for me. I don't care for it, but that's mostly because a lot of it feels like "the Doctor and Donna, back as normal for a new adventure!" and like I said above this isn't gonna be all that interesting if I don't like Donna. The actual barebones plot - the episode's structures and twists - is pretty good, but I haven't gotten a chance to like the new Doctor yet and I'm not into the companion.
And then the Giggle comes around and it has the Doctor commit mitosis out of nowhere and robs Ncuti Gatwa of having a proper post-regeneration story and doesn't even utilize the guest characters and makes Donna and Mel seem Special To The Doctor instead of the companions who I actually like who were just on the show and like I'm sorry but why did we have to leave Yaz and Ace and Tegan in the dust like that and (takes a deep breath).
Okay, let's go through all of that, but more slowly.
Much like The Star Beast, my problems with The Giggle are mostly about how it finishes. I have less good things to say about the build-up, but there's nothing all that bad. My only gripe is that for having Kate and Shirley and Mel, none of those characters feel like they had to be there - none of them do much except explain the plot to the Doctor. They don't really help resolve it. Compare The Power of the Doctor, which utilized all of its guest stars incredibly well - each of them was crucial to the narrative and the story as presented would not work without any of those characters doing the things they had done. (I guess you could argue Graham as an exception, but I feel like his setting up of the support group at the very end was more than enough to justify his presence in the narrative). This leaves Kate, Shirley, and Mel feeling underused.
And then we get to the bigeneration scene. Okay, first of all, the concept came out of nowhere. I've seen people defend it by pointing out all of the other things in the show that came out of nowhere, but, like. They had the basic lore of how regeneration worked locked down back in the 70s. Messing with that now doesn't feel like adding something new to the mythos, it feels like messing with a preexisting thing for... reasons?
And like that's the thing about the bigeneration. I just don't understand why, narratively, this makes a better story. Like I don't like the Timeless Child stuff either, but I can see how Chris Chibnall was going for new narrative opportunities. I don't see how we can return to Fourteen after this story and make an interesting narrative out of it without trampling on the point this story is trying to make: that the Doctor deserves to retire for a bit.
(Which is deeply funny if you stop to remember the amount of times the Doctor has been stuck in one time and place for some reason, but I don't need to get into that one).
I'm bothered by bigeneration mostly because of the fact that they robbed Ncuti Gatwa of a post-regeneration story. Having the Doctor recover from a regeneration and work out who they are is something I really really value and skipping over that with Gatwa is a disservice to him and his Doctor, in my mind.
The catch game also feels weird because Doctor Who is all about winning by being smart and brave and kind. Being good at catch isn't really smart or good or kind, so it being the solution feels like a cop out.
And finally, the show having the Doctor go and live with Donna stung for me, because, how many times can I say it, I don't care about Donna. However, we just left Yaz (my favorite NuWho companion), Ace (my one of my favorite classic series companions), and Tegan (who I don't love quite as much as Ace but also love very much), so the show going out of the way to claim the Doctor changed his face because he needed to find Donna to "come home" specifically feels like a slap in the face for all three of them.
I think that last bit is the reason I stay salty about the Giggle even over a year later. I acknowledge that Donna is a great companion, and I don't think I have to like her for her to be great. But to put her above three of my favorite companions like that stings.
And what really kills it for me is that I can see such a great story in this trillogy.
Like, imagine the Star Beast going as seen, except Donna actually dies when we expect her to. She saved London. She saved her daughter. But she died to do it. The Doctor, dealing badly with his grief, tries to flee in his Tardis, but Rose manages to follow him on board, demanding answers as to why her mom is now dead.
This leads straight into Wild Blue Yonder. The Doctor wants to get Rose home but they're both grieving Donna and she doesn't trust him one jot and blames him for her mother's death. The Not-Things try to play into this - driving a wedge between Rose and the Doctor, but the two manage to work together to work out what's going on and escape with their lives. In the process, they both heal a little. The Doctor accepts that Donna made her choice, and Rose accepts that the Doctor didn't kill her mother.
And then when they return to Earth in the Giggle, they are able to work together to stop the Toymaker. At the end, the Doctor is shot and actually regenerates as normal, but he's able to use his regeneration as a distraction, giving Rose the room to defeat the Toymaker. She is then able to help him get through his post-regenerative process and they leave on good terms. Rose is still grieving her mother, but she can understand why Donna chose to travel with the Doctor and she makes sure he knows he is still welcome in their house.
Like, come on. It's the same plots, basically, but it actually has an emotional arc that lasts longer than one episode, is in line with prior emotional arcs, and uses the heavily advertised trans woman of color that we all got exited for instead of benching her after the first story and gives her a good deal of depth.
(Yes I know if RTD had killed Donna off and replaced her with a trans woman of color there would have been so much bigoted backlash but I still think it would have been a better story).
Okay, I'm done now. If you have any counterarguments to this or want to add on to any of this, I do want to hear it! One thing I love about Doctor Who is that different people love it for different reasons and love different things. If you're a fan of The Giggle and read this anyway, then massive respect for making your way through all of this and I'd love to see you talk about why you loved it so much!
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Next time we should just skip over ep 3 and do a chapters 84-87 reread
#Mmmmmmhhhh.#Well. If anything you can always tell when there's a ss/kk episode by the fact that it takes me two hours to watch it lol#What can I say. I'm a compulsive screencap taker#Mmmmmmhhh... I was right it wasn't as bad as I remembered it. Still moderately bad but not all bad.#It's just. I can feel the animators did their best.#I suppose it's just a difficult episode to animate within a short time frame since it's a specifically action packed one.#And the lack of time really shows. Like there *are* some detailed animated passages here and there. But then there's also these long static#shots that stretch on forever that are just... Idk. A little saddening to see I guess? Like the animators really ran out of time for them#There's also a big component of... I just can't vibe with the newfound artstyle. Like it looks soooo much worse than s1 in my opinion#Which you know��� is only subjective! But eh... The distance between s2ep11 and this feels abyssal.#Everyone looks so ugly oftentimes. Like even in curated shots‚ they're just very rough and ungraceful.#Which like?? How could you look at Harukawa's art and come up with //that//??????? But it's whatever#And the pacing is so so off 😭😭😭 God please to death with 11 episodes long seasons give us filler episodes back. Please!!!!#The pacing is atrocious and it has not even to do with the animation. Even greatly animated episodes suffer from it.#Mmmmhh... I don't particularly like Fukuchi's vacting... He doesn't sound tired enough. Nor as pitiful as much as he should tbh#Among the three I feel like only Uemura really nails the job. I'm so sorry Onoken but I feel like even Akutagawa needs to sound vulnerable–#once in a while‚ you know? Although‚ if he's only going with how Bones depicts him‚ then I get why he would act him out like that 😭😭😭#There were so many reused shots too... The ones from the end of s2ep11... The s3ep12 kokko zessou one... Ss/kk running in the corridors...#Overall. Not as bad as I remembered it. But at the same time I get why I was so distraught because they really wasted the best four–#chapters of the manga just like that.#The “is his life that precious to you” moment was terrible 😭😭😭 Head in hands fr#Oh well. I babble a lot but it was okay. Like at least it wasn't season 3 kind of bad. And definitely wasn't t/pn s2 kind of bad LOL#I just hope ss/kk will be made justice in the future (╥﹏╥)#Especially since their new scenes (current manga events) are possibly going to be adapted in the first episodes of the new season.#If Bones pulls another s5ep3 on them you're going to see me on the news#Then again I have hope the arc finale will be adapted in a movie... Who knows...#Most of all I hope they change art style direction again D:#random rambles#Whaaaa it's so late already!!!#Edit: Oh also to not forget I've made like. One hundred posts. Maybe it's time to unfollow me now if you haven't already D:
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//ah, yes. another day, another route completed. slowly getting closer and closer to that goal of completing every route!!
so. rex. oh boy. i think i have a lot to say about rex. spoilers spoilers spoilers!!!
okay. so. hoooooo boy. where do i begin. this is going to be long.
so, as many people know already, rex's route actually begins in the middle of nox's route - the main difference between them at the beginning, of course, is when nox reveals his identity as nightmare to liz. in this version, liz stays with rex.
rex is unrepentantly horny. years of no pussy will do this to a man, i guess. but christ, dude. chill.
he is CONSTANTLY (or, at the very least, it feels like he is) asking liz if he likes him yet, especially before he and liz actually get together. the fact that rex is canonically a rebound guy is fucking hilarious and i will never let him live that down.
i also find it really funny that he has a gun. like, that's insanely funny. i need to know more about the gun lore. they say they are "magical revolvers", but liiiiiiike. i mean, they are. but come on.
so. rex himself. i'll be honest with you, i'm not a fan. it's the self-righteous douchewads that really don't do it for me, and because they really tried making him a diet akechi without the homosexual tension, i personally didn't vibe with him.
for example:
this is a small part of the larger, dramatic conversation rex has with liz after nox escapes for, like, the 6th time. he then goes on to say that all liz knows is that "he has been manipulating her the whole time. that maybe he just used her to get closer to Nightmare, that maybe it was all an act, and he needed liz to be vulnerable to get the proof he needed." he then proceeds to say that liz is also awful, because she "practically did the exact same thing". preceeding this conversation in the previous chapter is that rex asks liz if she thinks nightmare is evil. this is, of course, a trick question for anyone who played nox's route immediately beforehand. you can say yes or no, and obviously, the "correct" answer is yes. i didn't bother looking at the "yes" option, because i could tell immediately where the convo was going. rex, of course, will disagree if you say no.
he also says a very interesting line, iirc, after the choice dialogue: "people who stray from the path of humanity are evil."
this is, i think, a very telling line about how rex REALLY feels. like, christ dude, do you REALLY need to dehumanize nox like that? does it help you sleep at night, buddy? does it make you feel better? like you're above the rest of us?
like, the way he talks about nox is like he murdered someone. and yes, i am specifically saying "nox" and not "nightmare" here because rex has already figured out that nox is nightmare - he just didn't have proof at the time. but seriously, he just steals things? like yeah, stealing bad, we know, but you don't need to make it sound like he killed your entire family.
seriously, dude. what does he think about the orphan that steals a loaf of bread because they can't afford to eat? the person who kills her abusive partner in self-defense, because they were going to be killed otherwise? the family who has to ""illegally"" immigrate to a new country because they have been displaced or fear for their lives in their home country? what do you think of YOURSELF, rex? you have an illegal magical tool, but because the ministry says it's okay, you're allowed to pull it on unarmed citizens*? fucking hell, man. i want to put him in his place. they really could have done something interesting with his character there, but they didn't.
*side note, i am not talking about nox here. nox is very much armed with his rod. he DOES, however, pull his revolver on an unarmed criminal (who is not stated to have any magical abilities, mind you) in a flashback and it's heavily implied that the item he showed to the noble in queensblade to "prove" he's from the ministry is his revolver as well.
i don't think i really like his backstory, either? the reason why he's like this is because he had a mentor die while on the job. in the flashback, the person he is pursuing for a murder case, rex pulls his gun on. the person starts crying and says they are a victim of abuse and killed their abuser on accident, so rex lowers his gun. the person then pushed rex down, and his partner eventually gets shot with his own gun as a result (can i say that this is weird?? if this dude was so ready to kill them, they probably would have killed rex, too. rex's kindness is the reason he is alive, yet he doesn't realize that). so, rex, who clearly didn't go to therapy, decided that it was all his fault and that he needs to stop being kind. he also says that he "realized" that the person was lying to him, and that THEY were the one doing the abusing. i think that if they really wanted me to believe that, they should have been more careful with their word choice. their choice of saying rex "realized it" begs the question: did rex actually discover that during the investigation, or was this a "deduction" he made because this person also killed his partner? this person was never caught, after all.
i also found it really funny because in the same flashback, he says that he joing the intelligence department because it was his way to "rebel". his mom is a pianist and his father is a police officer in maiya, and they both wanted him to follow in their footsteps. like, your idea of rebelling is to get a job that your parents would be proud of, regardless? lol. lmao even. like i get it, but lol.
speaking of his "super secret detective" job, raise ur hand if you were surprised. because i sure wasn't. it was really obvious that he wasn't just a "reference department worker". like wtf even is that. just call him an archivist.
ok, enough side tracking. you know what comes out this big dramatic conversation? res just explains himself and his backstory. he doesn't even APOLOGIZE to liz for being so cold to her and implying that he might have been manipulating her. like, dude?! sure, yes, you could make the argument that liz was "manipulating" rex because she knew nox was nightmare, but tbh considering how nox was kind of forcing her to keep quiet about it all really makes a difference here.
you know what was an EXCELLENT surprise though? PAPA RANDOLPH!!!!!!!!!!
i was smiling the entire time he was here. i'm very glad that we finally got to see what he was up to after THREE!!!!!! seasons. thank god they didn't forget about him. i have my doubts that we'll see him again after this, but it was nice to see him all the same. I MISSED YOU SO MUCH, DAD!!!!!!!!!!!!!!!!
schuyler being sad, too.... .. ..... man. that got to me a bit.
if you haven't noticed, i haven't actually talked about the plot much. this is because almost the entire plot revolves around rex's character and him trying to catch nox. that's about it. there are some cool story beats, and it barely touched on gray's pranks. it didn't really do much else.
some things i liked were the running gag of some of the other prefects barging into the office and yelling "EMERGENCY!!!" and interrupting liz and rex. i also liked that in the happy end, they did a call back to rex and nox swordfighting (👀) like they did in the night class/towards the beginning of the route. legit, the sword fight had me mentally fist pumping the air. i love it when wizards just settle things with nonmagical objects. fucking incredible.
i think what maybe just bugs me the most is the lack of my other boys. like, sure, they were THERE, but not nearly as much as i would have liked. 90% of them being there was for comedic relief, and that is a very sad use of them.
nox is obviously quite present, and i actually liked him a little more in rex's route. he got just the right amount of mean sometimes, and it was great. liz has some really interesting conversations with him, and the fact that nox actively tells liz that she doesn't have to "choose" him? yeah, that's golden. it's a really refreshing thing to have someone in a love triangle to essentially say "i won't force you to choose me". you're a winner in my book, nox.
something that i do find interesting is how they keep mentioning that nox and rex "know each other best because they are rivals". which! is a cool concept! i just fucking wish they would have actually shown that instead of just saying it's true! :))))))
i'll never get tired of the boys being kind to liz. really and truly.
shit like this just gets to me, man.
also:
MISCHA, I'M SO SORRY THAT THIS UGLY BITCH WOULD EVEN BREATHE THE SAME AIR AS YOU. GET HER OUT OF THERE!!!!!!!!!!
i really, really wish i had better things to say about rex's route, but it's rembrandt all over again. for me, rex was the worst part of his own route. he's just not for me. if you like these kinds of guys, i'm sure you'll love him.
gray's route seems to pick up immediately after rex's happy ending. let's see how that plays out.
#wizardess heart#not mcl#mia plays wizardess heart#rex pisses me off in such a specific way. like of course the child of a cop would be saying these things#sigh. siiiiiggghhhhhhhhhhhhhhhhh.#he would be okay if it wasn't for the fact that he doesn't know how to shut the fuck up#i think it's also incredibly funny how he is both a clearly talented wizard but the ministry was like 'here's a gun have fun'#like.... . ... . .. was that really necessary jsnfjenrownfowgnkw
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god i just. the sheer fucking hurt in his voice. feeling so used. so untrusted. had a bounty on his head that wasn't even his fault and he still won't be told him the truth and estelle, too, still hides things from him after he helped her and they'd been traveling together. not only that, but the empire is too busy having its own internal issues to pay attention to its own suffering people.
i hate seeing him so upset, that's my baby boy.
more feelings in the tags
#GTF Vesperia Clips#and like. I don't blame him. regardless of if they became friends along the way she DID kinda use him#and yet still after even realizing it was her fault he had a bounty on his head didn't tell him the truth#and even now won't tell him the truth. like. even after he saved the PRINCE#nobody will tell him the truth/what's going on. he always pretends not to care abt that stuff#like in Heliord when he says smth similar but here you can rly tell it DOES bother him that#he does all this for them and and knows as much as he does but nobody will tell him a thing#and rly I think Ioder realized that and I think this scene with his voice clearly expressing hurt rly helped that#bc when they DO get to Heliord Ioder understands he already knows enough anyway to tell him things#but this scene I think rly does express that Yuri absolutely cares how he's treated/how ppl see him#bc I think in this scene he feels like after everything he's just /some guy/ and ofc that would hurt#technically Flynn can't say anything without their go ahead but I think the fact that he also#doesn't try to convince them to trust Yuri in this case also added to the hurt#bc at this point how ''public'' is he? how much of a ''regular civilian'' is he to them?#it's like. just. not being trusted by anyone despite proving himself to be trustworthy#I do feel like Ioder in Heliord was kind of the reason this wasn't brought up again#bc he did seem to come to the conclusion after seeing this that yeah Yuri's not just some guy to them#if he'd ONLY saved Ioder that'd be one thing but he'd been keeping Estelle safe and he's Flynn's best friend#and Yuri is completely right to be hurt here bc there's no reason not to just /tell/ him#they know he's not gonna do anything with the information or get involved and try to manipulate anything#LISTEN IT JUST. makes me so sad to see him feeling so betrayed by literally all three of them in this moment#I mean I kinda get Ioder not saying anything right away bc he prob needed to be more briefed on everything#hence why by the time they all were in Heliord it's like okay well yeah why are we bothering keeping things from him#but at that time he'd saved the guy's life and he didn't even speak up for Yuri#and I think that hurt too. listen this makes me FEEL things ;_;#ALSO? honestly that must have felt like such whiplash with Flynn going from#being HAPPY things calmed down for Flynn and that he was more relaxed to just#Flynn not speaking up for him when neither candidate will trust him. buddy. my boy is hurtin'...
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the fine and subtle art of arguing with old men
it was a good week for testing which meant it was a slow week for me. most of my job is fixing the machine when it goes down. if it doesn't go down, i don't have much to do.
fortunately neither did marc. in a site full of ornery old bastards, he's the oldest and the orneriest, so it goes without saying that i enjoy spending time with him. he reminds me of my grandpa. hell, he reminds me of a lot of people. i've befriended enough grumpy old men that i've got a sort of momentum to it now - you know how it is, when you meet someone that reminds you of someone else you really like. you get to start that friendship off half built, because you already have an idea of how to like that guy, and some of that old warmth can be brought to the new friendship. a little ember to start the stove up with.
(i think that's one of the really undersold beauties of getting older. you stop viewing people as strangers and more like remixes of friends.)
anyway, i was sitting next to marc and we were talking about the future. i've got my eye on having kids sometime soon (year or two? hopefully?), and he's very happy for me. i've tried asking him for advice, but all he says is that he didn't do a great job with his own kids and they still turned out okay, so i should stress less and trust myself more. i hope he's right. he believes it, at least, and it's a hell of a thing to have the faith of an old man. his faith is hard won.
as for his plans, he's retiring at some point in the next six months, and is hoping to sell his home and buy something in florida. he's republican, so he views the state as paradise, and i'm not inclined to even try talking him out of it. it's his dream, you know? i know for a fact my paradise would be a lot of people's hell. life's funny like that.
still, we kept going on, and it was a good time, and then he reminisced about the last time he got close to quitting - back around 2020. our job required getting vaxxed, and he refused, and there was a big kerfuffle about it before the job actually backed down. i know there's not a lot of sympathy for the unvaxxed out here, but the man's 62. you get the shot when you're under 30 to protect the people around you, but when you're over 60, you're just getting it to protect yourself and it's hard to be mad at someone for kicking their own ass.
still gave me pause though. i knew he wasn't going to take it well, but half the job of collecting curmudgeons is keeping them around, so i said
hey. i'm sorry they bent your arm over it, but.
but.
you should really get that shot.
and he looked over at me, and i looked at him, and he actually spat. not on me, just the concrete, but it was enough to show that he was mad. then he walked away, as abrupt as anything.
i felt bad about it. i wasn't sure what i'd expected, when he was willing to lose his job over it before, but i'd been so invested in his dream of retirement - the idea of him sipping margaritias on a beach next to his wife, the wife he calls every day during lunch, the wife he says is the one thing in life he ever got right on the first try. the wife that almost divorced him back when he was in the airforce because he just wasn't home enough.
(but he can be home now.)
and then he mentioned the vax thing, and it was like seeing a pin hit a balloon. he works out every day and takes all sorts of crazy vitamins and is generally committed to getting the most out of his pension and his life. i didn't want this dumb weak point to be his achilles heel.
---
i wasn't actually sure how long marc would be mad at me. i've seen him stay mad at some people for weeks. i wasn't sure if being friends would make that time go up or down.
it went down. i'm glad it went down.
he stopped being mad about two days later. we were doing front end maintenance one morning, and it was just that simple mechanical rhythm - hex key, replace the anode sheets, punch some off-gassing holes, oil it up, put it back in - that put things at ease. it always does. people working there are too busy to remember grudges, and it has this sort of mandatory practical communication that helps smooth things over. it was going great, and then out of the blue he said babs, you gotta be careful giving advice. those shots come with complications. what would you do if i got that shot, had a stroke, and died?
and i don't know what answer he was expecting, but i just told him the truth, which is that i would be devastated. i'd feel like i killed him. i thought that was a pretty normal response, but he looked taken aback. he asked why i said it then, and i said i'd have felt the same if he died of covid. that's just life. sometimes, there's no way forward that doesn't risk some kind of regret.
we finished the tube after that, in a silence that felt heavier than peace but lighter than anger. it felt like the ball was back in marc's court. like it would be rude to take that turn from him.
we parted ways with a nod and didn't speak until the next day.
---
i was doing spreadsheet work when he found me again. standard paper engineering - thinking of things we might need and ordering them in batches, months ahead of time. it always feels a little like plugging holes in a dam with my fingers.
but he popped up, and we didn't even exchange pleasantries. he just said i'm gonna die one day, and you can't blame yourself for that.
which is a hell of a thing to just tell someone right off the bat.
so i said what
and he said babs, i am in my 60s. something is gonna get me eventually, and whether it's covid or heart disease, or a stroke, there will be something you could have said or done before. and that's okay. it's not your job to make me live forever.
and you know, he actually made a lot of sense. so i said
okay.
i'll keep your business yours. i just
you were talking about your retirement before this. and i want that for you very much. you've worked hard for 45 years, and you deserve a break. we're getting to sick season, and it would be the saddest fucking thing in the world if you got this close to winning the race then tripped in the last ten feet.
and we sat there a few moments longer. i wasn't sure what to say, and i wasn't sure what he'd say, but eventually he just shrugged and said
yeah
then he left. i figured that would be the end of it.
---
i did front end maintenance yesterday, after being gone a week. it's one of my favorite things to do. i like working with my hands. i really like working with my hands. i'm glad i went to college, but in a different life, i think i could've made a better electrician than an electrical engineer.
and at one step, when we were both hoisting the plate back onto the machine, his sleeve rode up, and i saw two bandaids on his arm.
we finished the install, and i was ready to go back when marc actually stopped me.
i got the shot, he said, almost embarrassed. like he'd been caught. and i knew he was gonna say something dumb about it, so i just cut him off by giving him a hug.
i was relieved. hugging old men is kind of like picking up cats. if they like you a lot, they'll tolerate it, but that's about it. we sat there maybe three beats before his hands went up, and then he gave me one overly-hard thump on the back. in my experience, this is how old men tell you that they're done, so i let him go.
carla talked me into it, he said, almost defensive. his wife. his one good decision.
tell her i said thanks, i said back.
trump got the shot too, he said, less defensive, but oddly pleading. like he was consoling himself.
like he was nervous.
then it's gotta be safe, i said, and he looked up at me, strangely searching, strangely vulnerable. i don't know exactly what he was looking for, but i guess he found it because after a few moments his shoulders relaxed.
yeah, he said, one hand on the back of his head.
it's gotta be.
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That Wasn't Fake (Spencer Reid x Fem!BAU!Reader)
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Author Masterlist
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Pairing: Spencer Reid x Fem!BAU!Reader.
Request: Can you write a Spencer fic where the reader is kind of quiet and shy when she begins working at the BAU, and Spencer has a crush on her, and then they have a case, and she has to like to seduce the unsub lowkey and everyone kind of like...how is she going to do this shes not very outgoing but when she does shes really good at it, and everyone is surprised and impressed.
Summary: You're shy and reserved. Spencer has a crush on you, and unbeknown to him, you have a crush on him. Maybe the cat can get out of the bag when you have to step aside of your comfort zone to catch an elusive unsub.
Word Count: 4.2k (no self control here)
Warnings: Words like 'fuck' and 'bitch'. A rant about self-doubt. Typical CM stuff: unsubs, killings, etc.
A/N: Another request I loved! It should have been a little shorter, but I'm having a hard time getting to the point these days. Please keep sending requests!
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Spencer knows it is inappropriate, but he can't help it. You're coworkers, and that itself sets a boundary, so he shouldn't be thinking of trespassing.
But the crush he has on you seems to grow every day.
He doesn't know if it is your beautiful smile, the kindness you show in everything you do, or the enthusiasm you put into every task you are committed to. Since the moment he saw you pass the bullpen glass doors, Spencer knew he was damned.
From that moment, Spencer knew he wanted to know you and learn everything about you. About what you liked, what you hated, and what your fears and dreams were. Everything.
But not much after that revelation in his mind, he understood it wasn't going to be easy to get to you.
You were extremely shy and reserved.
In fact, your first interaction - when Emily introduced you both - consisted of a wave of your hand and a timid 'nice to meet you.'
He thought as time went by, you would loosen and become less bashful and quiet. And in part, he was right. As the months passed, you began to feel more comfortable within the team. You laughed at Luke's jokes, you commented on Rossi's stories, and you could even - when the stars aligned - crack a joke yourself to Tara or Matt.
But beyond that, no one knew much about your life outside of the BAU, unlike JJ, who always talks about her kids and her husband, or Matt, who talks about his kids, too. Or Tara, who recounts her failed dates. Or the same Luke who always shows photos of Roxy.
You, on the other hand, seemed to be an enigma. But Spencer Reid loved decoding enigmas.
At first, he turned his interest in you out of mere scientific curiosity. However, internally, he knew it wasn't just that.
It started with small random questions about the times you worked together: Is this coffee okay? What was the last book you read? Do you think we should buy some donuts for the team?
If you were honest, it picked your interest why, from all people, Dr. Spencer Reid was so adamant in making conversation with you.
From what you knew and from what the team said, Spencer was not a person very interested in things other than work or books. But suddenly, out of nowhere, he asked you what the last movie you saw was or something like that.
You always answered his questions; however, you would have liked to be much more talkative and engage in longer conversations, but your nature stopped you.
'What if I don't have anything more interesting for him to say?'
'Does he just talk to me because he feels sorry for me?'
And that was the big issue: you have never had problems with the way you live your life. You're pretty satisfied with what you do in your job and out of it, too. But you have always thought you are too 'simple' to entertain people's interest.
And to be honest, being surrounded by people with so much experience and big things happening in their lives still intimidates you a bit. So, you usually refrain from talking too much about yourself or anything for that matter.
But with Spencer, things are a bit different. He's always checking on you but respects your boundaries. He has learned that sometimes you just don't want to talk, and he doesn't push.
Despite his interest beyond the professional, Spencer would never do anything to make you uncomfortable. Being able to share time with you will have to be enough for him.
In a way, he has become your protector. He is your backup during interrogations or in situations where you can feel awkward, like the times when some police officers tried to flirt with you and got too close. Sure, you know how to turn them down, but sometimes guys don't get the memo and keep pushing. You're too shy to yell or be aggressive about it.
The team also understands the way you are, and they know it does not make you any less professional. However, they have always been careful not to take you too much out of your comfort zone.
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A whole two weeks and five murders later, the team is stuck trying to catch an unsub who has preferences for killing women after club nights. The profile says he is not interested in just any woman but in those between 25-30 years old who like to flirt with several men in the clubs. But it is not just any type of flirting; it is the type that is initiated and dominated by them. In short, he likes to kill women who are the opposite of submissive. He sees them as predators on a hunting ground.
Another finding in victimology is that the women he kills, in addition to having a specific age range, have very similar physical characteristics. And similar to you.
All his victims have your build, eye color, hair color, and height. It gets to be creepy to a certain point. And it's something difficult to ignore.
Bouncing information and possible strategies, the team agrees they need to be proactive to get him to show up before another killing happens.
"Okay, what options do we have?" Emily asks.
"The witnesses haven't gotten us anywhere," Luke complains.
"Although we've narrowed down his hunting grounds," Rossi shrugs.
"Yeah, we know the clubs where he likes to hunt," JJ backs Rossi.
"But although the profile, we have yet to learn about what to look for there. I mean, we know what the unsub wants, but not how he looks like." This time, it's Tara who speaks.
You've rarely seen Emily bite her tongue when she wants to say something, but it's clear that she has something on her mind, and she doesn't know how to put it, or maybe the problem is something else. You look at her out of the corner of your eye, and she looks back at you; what do those eyes say? They look like they're even apologetic.
It's a fraction of the time before she comes back to behave like herself.
"We need to lurk him. It's the only way," she says. And everyone's eyes - yours included - are on her immediately.
"Lurk him?" Matt repeats.
"Yes. And all we know who should be the one going undercover to do that," Emily adds, looking at you this time.
That's it—the elephant in the room.
Of course, you're the ideal candidate. Well, you're perfect in the physical aspect because if we talk about the victim's personality and yours...
There's silence in the room, and you can feel like the team's eyes are all on you.
Do they expect you to say no? To refuse? From your perspective, it's not a question; it's more like the option you all have to catch the guy.
"It's true (Y/N) would be the closest to the unsub type, but there are a lot of things to take into account," Matt says. And you know perfectly well what's behind his words, even if he doesn't say it directly.
And that's okay; it's perfectly plausible they have their doubts. It is not enough to look like the victims for the operation to work.
But if there is one thing you are sure of, it's that you will always give your all to your job, even if that means becoming a completely different person.
"I can do it," you mumbled so quietly that if the AC weren't in the lower setting, people wouldn't have heard you.
"But (Y/N), you know about this guy. It's dangerous," Matt points, a frown on his face.
"Not to mention he likes rough interactions," Luke adds.
"You don't have to do it if you feel uncomfortable." This time, it is JJ who voices her opinion. And you know, that's the closest reason to the team's main concern.
And the fact you can blow up the entire plan.
Spencer stays in silence. Internally he's freaking out thinking of you having to lurk on the unsub, but he knows you are a professional. And he feels a kind of deja vu.
When he was younger, the team would have said the same about him doing something like that. Spencer knows what it's like when people baby you, making you feel insecure. Sure, he hasn't had to worry about that anymore. Spencer is almost forty, and no one would dare to tell him he can't do something. Not after all the things he has been through.
"JJ is right, Bella. You don't have to do it. We can think of another way," Rossi backs JJ.
That's when Spencer notices the slight frown on your face. It's invisible to everyone but him. He knows it's there.
You stay collected, even when everyone on the team has something to say about how bad the idea of you going undercover to lurk the unsub is.
Emily is who stops everyone's rant.
"Guys, hey. If (Y/N) is telling us she can do it, we're going to do it. Of course, we'll be there to back up her and catch this unsub."
And this is how the discussion is settled.
Emily sends everyone out with a task to prepare for the night. Today is Friday, and the unsub will surely be stalking some new victim. The chances are high.
When it's just you and Spencer in the room, he still looks at you in silence.
"Do you also think I'll not be able to pull off this mission and I'm going to ruin everything?"
You downcast your gaze, exhaling deeply.
"No. I don't think that," Spencer clarifies, and you raise your gaze to meet his eyes. "You are more than capable, (Y/N). The team is worried because you'll be out of your comfort zone in a dangerous situation."
"The team? Not you?" You narrow your eyes to him.
You try not to sound accusatory, but if you're as scared as everyone, you also are fed up with the other's doubts.
Spencer closes the distance between you both but doesn't invade your personal space.
"Of course, I'm worried too! I don't want anything bad to happen to you. But I trust you and your judgment."
Your heart does flip-flops, and you're not sure if it's because Spencer is worried or because, despite that, he trusts you—or both.
"You do?" You ask, not so convinced.
Spencer nods and smiles at you.
"And we'll be there when you catch the guy."
If that is the reassurance you need, you don't mention it. Instead, you grin at Spencer as a promise you'll do your job just how you are supposed to.
---------------
You insist on getting ready in your hotel room. The only assistant you ask for is Emily. She was the one who trusted you first in this, so you'll take every piece of advice she can give you before this night starts.
Everyone has a role in the plan.
Rossi will be the chauffeur who will drive you to the club.
Luke and Spencer would be in the club, mingling with the patrons. JJ, Matt, and Emily would be in the van monitoring the whole situation with cameras and earpieces. Rossi would keep his facade as a driver so he could be at one of the entrances. Tara would be at the club, too, eyeing nothing suspicious going on in the bar because there is a chance the unsub is getting help from the bartender.
When you are in front of the mirror applying the last touch of makeup, Emily is looking at you with a stare you can't decipher.
"What?" you ask, and Emily chuckles.
"Please, don't take this in a bad way, but I never thought I would live the day of seeing you using clothing like this. And Jesus, you look so hot!"
Your cheeks redens.
"It's a little bit odd coming from my boss, don't you think?" you muse, smoothing the fabric of your dress.
"Point taken," Emily raises her hands in defense. "Although I know someone who is going to run out of breath after seeing you."
You let out a scoff. It's not a surprise for you. The BAU girls - boss included - have been trying to set you up with Spencer since forever. You don't entertain the idea only because you don't think it's possible and not because you don't like the concept.
"Come on, don't say that. You are not helping to my nerves."
"Sorry, I'll shut up. We should go, though," Emily says, checking her watch.
One of the SUVs drives you to the van parking point. You needed to review the operation details.
At the back of the van - or commander point - JJ, Luke, Tara, Rossi, Matt, and Spencer see you come up with Emily.
For the best US profilers, they're not doing a good job hiding that they are gawking at you. Surely, no one imagined seeing you in such a revealing outfit. Outfit that, without a doubt, suits you extremely well, highlighting all your body attributes.
Spencer feels like he died and was resurrected after seeing you.
"Okay, guys, we need to check the details again," Emily announces.
The plan is in motion, and everyone is in position.
As expected, you arrive with Rossi at the club, who opens the door for you and helps you descend from the car. Rossi gives you a reassuring smile before letting you go.
Like a switch, you are no longer the shy SSA (Y/L/N). Now you are the woman who is going to take what she wants and attract the unsub attention doing that.
Your walk is determined, and your eyes send out flames of confidence to those who look at you. The music is very loud, something that would usually bother you, but not now. This needs to feel like your environment. That's how you like it, you tell yourself.
Almost instantly, you start to attract the looks of men who are eager for a woman like you.
You exude determination, and you don't go unnoticed.
Walking into the club, you make brief eye contact with Luke, who is on the dance floor. You see Spencer perched in a booth, nursing a beer.
At the same time, Tara is stationed at the bar.
"Remember (Y/N); the unsub expects the woman to approach men. The flirt needs to come from you," Emily reminds you by the earpiece hidden in one of the earrings you're wearing.
"Show time," you mumble to yourself.
You walk seductively to the dance floor, where a young man is dancing with a blonde. You approach and whisper something in his ear. That makes the boy completely lose interest in the blonde and start dancing with you. You smile and cling to the man's body, who wastes no time and takes your hips as if they were his possessions.
That dance certainly has nothing innocent about it. You continue whispering things in the boy's ear, and he looks more and more excited. Once you consider it a reasonable amount of time to have attracted attention, you leave the boy alone and head to the bar. Just a few meters away from Tara, a suspicious man is staring at you. You see him out of the corner of your eye as you order a drink. When the bartender passes it to you, you make subtle eye contact with Tara, who nods, indicating that the drink is clean.
You look next to you and see another man not so subtly looking at you. You know the unsub's profile, and you can't be intimidated or dominated by another man. You are the one who calls the shots. Otherwise, this will not work.
Before the man makes his attempt to seduce you, you turn to him, and with a penetrating look and disdainful voice, you stop him.
"Sorry, honey. Don't waste your time. You're not my type," and with that, you leave to move to the opposite side of the club. The guy huffs, and you're almost sure hearing him call you 'bitch' under his breath.
JJ, who's following the cameras inside the club, sees someone who looks suspect.
"Hey, this guy has been peeking at (Y/N) the entire time, and look, he clenched his fists when (Y/N) turned down that guy at the bar."
Emily confirms JJ's observation before giving you the next instructions.
"(Y/N), you're doing great. We have a possible target. So we need to raise the bet."
You know exactly what Emily means. You both had talked about the strategy to follow, having more details about what you should do than the rest of the team.
Matt and JJ look confused at each other but say nothing.
Your next step is to find another dude to seduce before delivering the coup de grace.
Luke and Spencer keep an eye on you. And while Luke is pleasantly surprised by your audacity, Spencer can't help but feel his stomach tighten. He tells himself it's because he is afraid something bad could happen to you, but inside of him, it's that and the fact of seeing you flirt with other men.
Just like you did with the guy on the dance floor, you attract the attention of another man; this time, you take his hand and pull him to the dance floor.
JJ and Matt's jaws drop to the floor. If Tara, Luke, and Spencer could do the same without giving themselves away, they would have done it, too.
As if it were your second nature, you laugh and move to the music. The man seems to enjoy the moment so much that he takes a bold step by leaning in to kiss you. You let him get closer until his lips are almost on yours. But before touching each other, you pull back with a malicious smile.
"Naughty boy. I'm who says if you can kiss or no," you pout, faking disappointment. Dizzed, the guy cocks his head and sees you walk away.
Matt chirps now. "It's him. Look boss," he tells Prentiss, pointing to the same guy JJ saw before.
There is no longer any doubt that it is him. Now you just have to catch him red-handed.
"(Y/N), we got him. It's time for the last play," Emily tells you.
With Emily's instruction, you go to the bar for another drink before heading over to where Spencer is sitting.
He tries to play it off, but he has no idea why you're approaching him.
"Is this seat taken, handsome?" You ask, with your drink in hand.
"N- no. Please," Spencer gestures to the booth on his front, but you opt to perch to his side. Spencer thinks he never has been this close to you. He looks at your eyes, and it's like you are a totally different person. It's a little bit contradictory for him, to be honest. He already likes you just as you are, but this version of you? It's driving him insane.
Some resemblance of your true self looks with a kind of curiosity the nervousness on Spencer. You don't think much about it; you assume he's playing the nervous guy who is baffled by you.
The thing is, Spencer isn't playing. He's definitely baffled by you.
"Are you okay?" You ask him, masking your question with a seductive smile.
"Yeah. Are - are you?" Spencer stutters a bit—something that is perfect for the plan but embarrassing for him.
You get closer to him to speak in his ear.
"This was Emily's idea," you tell him before kissing his ear and gently biting his lobe.
Spencer's breath hitches in his throat, and he thinks he's going to pass out any second. You're not doing it better: your heart is also pumping hard from the adrenaline. Of course, you had imagined something like that with Spencer, but only in your erotic dreams. You wouldn't dare do this on any given day.
You keep teasing Spencer, who, despite the nervousness, tries to play along. If this is the closest he will ever have you, he wants to engrave this in his memory.
"Just a little push, (Y/N). We almost have him," Emily instructs by the earpiece.
You swallow as subtly as possible as you wrap your arm around Spencer's neck, pulling him closer to you.
It's only a second between that action and the fact that you're kissing Spencer like it's your last meal.
Spencer doesn't know how to respond, and you were counting on that; it was enough time for the unsub to notice that you were the one who chose her last prey.
When Spencer is about to reciprocate the kiss, you murmur a 'sorry' into his lips and quickly pull away, giving him a disdainful look—which you hope he understands is fake—before getting up and walking toward the back exit door.
As expected, the unsub follows you towards the back door, and while your back is turned, he believes he has the advantage to attack you. What he doesn't know is that Matt and Luke are ready to lunge at him the moment he tries to touch you.
Everything that happens after is too fast.
The unsub is detained and taken to a patrol car while the team gathers around you, congratulating you on the successful operation. They all apologize to you for their previous apprehensions. You tell them that you understand and that there is no need to apologize. And it's like the switch has been flipped again since you came out of the femme fatale role.
But something is wrong. Spencer is not in the group. You see him a little further away, near the exit door of the club. Emily notices the looks between you both, and she sends the team on different tasks to close the case, leaving you and Spencer there.
There's something in his eyes that you can't decipher. You think it's resentment for using him without warning him what you were going to do.
You shyly approach him.
"It's me again," you tell him, pulling a face. You don't know what to say to make the situation better. Spencer nods.
"Yeah. You did it great, by the way," he compliments you. But it doesn't feel good like Spencer's compliments usually do.
"Look, about the kiss back there-" you start. He needs an explanation as a bare minimum.
"I know. It was fake," Spencer cuts you off.
Those words shouldn't hurt you as they do now. But isn't that the most reasonable thing to believe? The you in the club weren't you, so all you did inside was pretend.
Everything except that kiss.
If it's true you couldn't enjoy it the way you would have liked, you will never forget his lips on yours.
A tense silence takes over the moment. This is not okay.
You can't afford to lie to one of the most important people in your life, even if telling the truth takes you out of your comfort zone.
What the hell! Tonight has already been a total of 180 from a usual day for you.
"It wasn't," you mumble, and you see his eyes flicking to yours in a second.
"What?" Spencer asks, narrowing his eyes at you.
"Everything was fake, but not the kiss," you say with a stadied voice this time.
Spencer's heart races again. If you say you didn't fake it, then what he felt on your part at that moment was real?
"It wasn't fake?" He asks for clarification. You nod.
A smirk forms on Spencer's lips, seeing your cheeks redden.
There you are. The girl he had fallen for in the past two years.
"Well, you know that I am a man of science, right?" he tells you, and you frown because you have no idea where this is going.
"I know," you say with some hesitation.
"And as a man of science, I need evidence of things, you know?"
Now, you are the one who smirks at him.
"Evidence, huh?"
"Yep," he says, emphasizing the 'p' and swaying his body on his feet. You hum.
"I believe I can provide the necessary evidence if you need them," you concede, and Spencer's eyes sparkle with excitement.
Now, he is the one who reaches out and cups your cheeks. Your breathing quickens, but that doesn't stop you from standing on your tiptoes and connecting your lips with his.
This time, there is no unsub, no curious eyes are looking at you, there is no rush, there is no femme fatale role, and above all, this is not fake; it's as real as the fact that your heart beats for him, and his for you.
------------------
Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @levi-of-starz @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers
#spencer reid#criminal minds#spencer reid fanfiction#spencer reid x reader#spencer reid x fem!reader#spencer reid fluff#spencer reid fanfic#spencer reid x you#aperrywilliams#amanda perry williams
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Part Four
Can't stop thinking about reader losing her cool.
"So we're closed, John." You said, trying to be cordial.
"Is that all you have to fucking say?" He practically growled before huffing. A humorless chuckle rumbling out of his chest. "I suppose not since you won't respond to any of us."
"Don't do that." You said taking a step back. Trying to create some distance between you and him. John would never physically hurt you. That much you knew.
"What?" He asked. His voice rising as he stepped closer to you. "Be angry that you pulled that shit and then left? Stopped talking to us. Changed your fucking locks. Last thing we even knew about you was that you got on a fucking plane and left. Even your friends wouldn't tell us anything besides that you were okay." "Which considering this came out of bloody nowhere, I find it highly unlikely that you are in any way 'okay'."
You took a deep breath. You wouldn't be intimidated. You wouldn't clam up. You wouldn't cry. You won't go back on your decision. You will be cordial and polite and not unleash everything you want to.
"I understand you might be upset, but it's for the best. It wasn't working out and I wanted to end on somewhat good terms. I would appreciate it if you lowered your voice and stopped speaking to me in that way." You could barely recognize your voice. It sounded so scripted. So robotic. But it was something you had been telling yourself. Excuses you had been telling yourself.
Because if you told yourself the truth. The picture you would paint would tell a different story. It wouldn't highlight the fact that John spoke to you like he was one of your men or that Johnny had the emotional capacity of a teaspoon. It wouldn't show what a flake Kyle was or that Simon was well and truly a mean-spirited person.
It would show how you weren't worth it. Four possible men. Four possibilities of happily ever after and none of them chose you. That no one ever did and no one ever would. You weren't worth it. You weren't loveable.
It wasn't right, but it was what the voices had been telling you late in the night. When you would crawl into your cold bed. The silence of the room not filled with John's steady breathing or the sound of Kyle's heartbeat as you laid you head on his chest. The absence of Johnny's occasional snoring or whatever Simon was watching playing in the background of your dreams.
In the void, all your dark thoughts came back at you.
"Upset?" He asked, his voice still louder than you would have liked. "An understatement considering the stunt you pulled."
"You think it was a stunt?"
"So Johnny thought with his dick and didn't plan things out. You should have told him instead of crying to Simon and then pulling this shit." "Christ, I knew you were still young, but I didn't take you for that immature."
"You know what?" "I'm done." "I am so fucking sick of making excuses for you all." "You want to act like I'm the immature one, John?" "You are 35-year-old man who cannot separate his work from his work like. You have continuously talked to and down to me like I am one of your men, only to turn around and always blame your shitty fucking attitude on work. I get that your job is stressful, but I did not sign up to be your verbal fucking punching bag."
"And this come and fucking go incident with Johnny. It has been a consistent issue with him coming over just to fuck. I've asked him for that last six months that 'hey, we've been seeing each other for a year and a half, I would love to meet your family' and suddenly the dates stop. He doesn't ask to see me until after 7 PM. He brings food occasionally, fucks me and leaves. Sometimes before I even wake up."
"And the only reason Kyle is the person I am the least pissed off with is because I haven't even seen him." You took a step closer, not noticing how the anger in John's eyes had softened. "I have not seen Kyle in weeks, to no fault of my own. I stopped reaching out to make dinner plans after the third time he canceled on a date night when I was either on my way or already at the restaurant."
"And Simon?" You scoffed. "Well, it doesn't really matter. After all, as he said I get mine. You all make me cum which is supposed to magically erase how shitty you've all been as partners. It's supposed to erase the nights I've cried myself to sleep debating on whether or not there was something wrong with me. How I'm not good enough to meet anyone else in your lives like some dirty fucking secret. How none of you can even bother to pencil me for a group dinner so I can tell you a publishing house picked up my book. How at some point you all stopped caring or maybe never did."
You took a breath. Blinking quickly to keep the tears at bay.
You wouldn't cry. You wouldn't cry.
"As Simon said it best, I should have known that spreading my legs wouldn’t end with one of you putting a ring on your finger.”
For once, John was silent. Unsure of what to say. An apology starting to form at the tip of his tongue before realizing 'sorry' wouldn't cut it. Not this time.
Had he really been that sharp with you? He knew that there were times he had gotten short, but he almost always apologized immediately after. If not at the very moment he took in your crest-fallen face, then definitely later. But he almost always told you he was sorry. Didn't he?
"So as I said," you swallowed down the lump in your throat. "I'm closed. We're done. Now get out." Your face held no sadness. Even though your eyes were nearly full to the brim with unshed tears, you weren't sad.
You were finally angry.
#captain john price#kyle gaz garrick#simon ghost riley#call of duty#john soap mactavish#angst#angst with a happy ending
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*deep breath* Okay. Here we go.
I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.
But the way it handles its female cast is troublesome.
Katara
So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.
They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.
And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.
Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.
This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."
"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.
Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.
In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.
But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?
No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.
And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.
In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.
Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.
Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.
The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.
Suki
Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.
They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.
Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.
Yue
Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.
"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."
Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.
They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.
Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?
June
June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.
Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.
She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.
Kyoshi
And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"
She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.
Azula
Awkwardly, they do not seem to want you to despise Azula.
There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.
This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.
They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.
This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.
Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.
Conclusion
The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.
Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.
But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.
The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.
"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."
The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.
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Be So Stupid - S.R
a/n: this has been sitting in my WIPs for so long and i finally finished it! now going to reward myself with online shopping xoxo
kind of inspired by when jj and reid split up in season 2 i think? when morgan was kinda being rude to her but i picture like season 12-13 spence
masterlist
pairings: spencer reid x gn!reader
summary: you make a mistake while on a case nearly getting spencer killed, morgan has some choice words and spencer is ready to beat his ass over it
warnings: morgan being a little shit simply for the plot, mention of spencer almost dying, spencer being a protective king pussy boss
wc: 1.4k
How could you be so stupid?
Those were the words that had been on replay, a constant loop, for the past two days. It's because, somewhere inside, you knew Morgan was justified in what he said. How could you have been so stupid to split up with Spencer at the unsubs house?
He was taken by the unsub, a trigger pull away from death. But the team got there, and he was okay. He was alive and breathing and healthy, and you tried to focus on these facts when your chest tightened with that familiar agonizing twinge.
It was a relief not to face anyone afterward. As soon as you got home from the case, you holed yourself up in your apartment, obsessively dissecting the events until the recollections twisted your insides with a nauseating sense of dread. You had run through every potential scenario in your head, agonizing over the grim outcomes if you hadn't arrived when you did.
You would've never forgiven yourself.
So here you were, hiding out in Penelope's lair, doing your paperwork. You convinced yourself it wasn't hiding; rationalizing it as a need for more peace and quiet than the bullpen could offer. You knew it was bullshit, and so did Garcia.
"Just so you know, I'm fully prepared to kick his ass on your behalf," she announced, swiveling to face her monitors, the ribbons in her hair trailing her movement like colorful comets. "It was totally uncalled for. Everyone agrees."
"Everyone?"
"Well, okay, not Spencer, but that's only because he doesn't know," Garcia continued, her pen tapping a silent code against her cheek, followed by the clack of keys. "If he did, he'd definitely kick his ass."
"I don't know about that," you said, repeatedly stretching and releasing the hair tie around your wrist, each snap a self-inflicted reprimand.
"He called you stupid." She was shaking her head so vigorously her blonde locks tumbled into her eyes as she paused her typing to look at you. "And you, my gorgeous friend, are anything but."
"Generally speaking, sure, but this time, Pen, I really screwed up."
"Who called you stupid?"
Spencer's voice was incredibly hard to ignore, distinct—you would recognize it anywhere.
Garcia and you stopped dead, your eyes growing impossibly large as she gave you a look as if to say, Morgan is screwed.
"No one."
"Morgan."
You and Garcia blurt your words out at the same time, your voices clashing in the air. You whipped your head to Garcia, the betrayal written on your face as she only shrugged her shoulders.
"Why would he say that to you?"
Spencer's steps towards you were measured, but each one amplified your unease, you hands wringing together as you looked away. He could read you like a book, and most times that was a good thing, but today it was definitely not.
"It's really not a big deal, Spencer," you insisted, pursing you lips as you dragged your gaze up and over him. "But how about you? How are you holding up?"
You were on your feet in an instant, a little too quickly, wobbling on your heel just a tab before Spencer grabbed your elbow. You ignore his touch, or at least you try, and press the back of your hand to his forehead.
He wasn't warm, but you sure were.
"You know, I don't think you should be back at work so soon."
You weren't lying when you said that. It seemed to soon. Was he looking a little pale? You couldn't tell. He should be home.
His hand was suddenly around your wrist, soft but firm, easing you away from his forehead, his eyes narrowing at you.
"Hey, I'm alright." He was trying to be assuring, offering a faint smile that only served to make your stomach do backflips. "Really, I am."
His fingers frapped around your wrist, not quite letting go, as he directed his attention to Garcia. "Why did he say that to her?"
"I'm right here," you grumbled under your breath, but Spencer was paying you no mind.
"I'm aware," Spencer answered without looking at you as his hands found their way to your shoulders, thumbs tracing absent patterns on your skin. "But you are not providing any answers."
Garcia cut in, folding her arms over her chest as her eyes pinned you with an unspoken accusation. "He said it because you two split up on the case."
Her words seemed to thicken the air itself, snatching away the previous ease as Spencer's expression darkened. It was a new and unsettling sight--the tightness in his jaw, the faint crease in his brows, and the steely sharpness in his eyes.
Without uttering a single syllable, he spun on his heel and strode out the door. You didn't hesitate to chase after him, an inkling of his destination propelling you forward. The look on his face had planted a seed of fear about what he was going to do.
Sure enough, there he was, just as you anticipated, in the middle of the bull pit. His gaze locked on Morgan with a laser-like precision, like a hawk eyeing its prey.
"How could you say that to her?" His voice was jagged, hands thumping against Morgan's shoulders in a way that you frantically looked around for Hotch. "What? Were you trying to make her feel bad? What's the matter with you?"
"Easy, Spencer, what are you getting at?" Morgan's hands went up defensively. But when Spencer's eyes flickered to you, the puzzle pieces clicked into place. "Oh..."
Morgan's eyes found yours. "Come here, sugar."
Morgan was your friend, a good one at that, and you really didn't blame him for what he said. He had good intentions. But here in the bullpen being open and exposed you found yourself stalling, glancing towards Spencer.
Only after he gave you a nod did you take that tentative step forward, clammy palms running down your pants as you stood in front of Morgan.
"Look, I was out of line. Calling you stupid was stupid of me," he started, hand grabbing on your upper arm as he spoke. "We've all been in tough spots and I was an asshole for adding to the pressure instead of helping you through it."
And you knew he meant it, even if it took Spencer nearly coming to blows to bring it about.
"It's okay, I know you didn't mean it, Morgan. And it was my fault really, for not staying with Spencer."
"First off, we made that call together, so if anyone's at fault, it's both of us," Spencer reminded, his hand settling on your lower back as he moved closer to you. His gaze then drilled into Morgan. "And second, Morgan, she's too nice. I say you owe her a month's work of paperwork at least."
You opened your mouth to object, but Morgan cut you off, his hand on your shoulder stopping me mid-breath. "After what I said? I'll do you one better--I'll handle your paperwork for two months."
He was gone before you could even thank him, making his way towards the break room, leaving you and Spencer.
"Hey, look at me." You did, raising your eyes to meet his. "What happened on that last case—it's not on you. We made a call, and we did it with the best intentions. It's not your fault."
He regarded you so... softly. It stirred a flutter of goosebumps across your skin, your hands rubbing up and down your arms as if to smooth away the sensation.
"Seeing you in that situation, so close to..." You paused, drawing in a ragged breath as the sickening memories came flooding back. "I can't help but feel responsible. It's a tough guilt to shake."
He rearranged a lock of hair behind your ear.
"It's a cognitive distortion to assume sole responsibility, but that's just your brain tricking you." Taking your hand he pressed it over his heart. "A human heart beats over two billion times in a lifetime. And every beat right now is telling you, I'm all good."
You could feel his heartbeat—thump, thump—against your palm. You caught yourself wanting to know what it would be like to fall asleep to the sound.
You were so close to each other now, the distance, or lack thereof, slightly overwhelming. "You're all good?"
He gave your hand a squeeze. "I'm all good."
You remained motionless, hand pressed to his chest, wondering if your heart could ever beat in sync with his.
taglist: @hotchhner @khxna @readergf @sarcasm-and-stiles @edencherries @aurorsworld @princess76179 @malindacath
#spencer reid x fem!reader#spencer reid x fem reader#spencer reid fluff#spencer reid angst#spencer reid hurt/comfort#spencer reid#dr reid#criminal minds x reader#spencer reid x reader#spencer reid fic
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CASUAL pt.2— lando norris (angst)
pairing; fem!reader x lando norris summary: it took lando too long to realise it wasn't just 'casual'. warnings: a LOT of angst, toxic relationship, sexual implication, not proofread a/n: casual part 2 was not really a part of the plan but the audience had demands 🦧also i think this was too long lmao. AND IM SO SORRY FOR THE LONG DELAY OMG
part 1 - casual
miami grand prix: the biggest pr nightmare for every driver—especially lando norris.
the media had been all over him that weekend, going to the lengths of literally calling him 'the hottest catch on the single market'. hollywood stars and instagram models were so desperate to marry him and have his kids that they didn't catch on the fact that he was a 23-year-old racing driver who couldn't give a fuck about them.
because he was stuck on you.
for weeks, he'd waited—hoping you’d reach out, or at the very least, watch his instagram stories. he posted shirtless photos, sun-kissed photos—hell, he even threw out a thirst trap just for you. But you didn’t take the bait. you didn't take the fucking bait.
you hadn't texted him or spoken to him since the moment you walked out of that hotel room weeks ago, so he didn't try to reach out either. "would've been a blow to my ego," he'd told sainz.
but now, he didn't give a shit about his ego. he was tired of waiting.
his eyes darted across the packed club, friends and guests scattered all around. he couldn't wait to get out of there.
he hadn't been drinking. didn't really feel like it. truth be told, he hadn’t been feeling much of anything at all.
pool parties, clubs, yachts, champagne and girls.
he was tired of the glitz and glam of his life, and you were the only escape from it.
but you were gone.
his mind wandered to that morning, when you had kissed him and the two of you had ordered room service. when he had held you for the last time.
he hated how the only thing on his mind was you. how it was the only thing on his mind all through the celebrations, as hookers danced around him and people tried to pour drinks into his mouth.
for fuck's sake, he had won a grand prix for the first time in his life, and yet he was unhappy.
how did he get here?
he looked up, eyes falling on a group of men in the VIP section, the lights illuminating their faces.
everyone could tell something was off with lando. he didn't want to do any of this.
all he wanted was you. you, you, you.
the girl who had left without an explanation.
why had you left, anyway? no calls, no texts. your friends avoided him, and you avoided his friends. it was like the two of you were nothing.
lando norris was many things, but he was not a fool. he could recognise when something was wrong, or when a situation had escalated beyond his control.
he knew that there was a reason why you left, but the reason never clicked in that thick brain of his. what had he done wrong? where had he gone wrong?
"i'm not feeling too well, mate." he muttered, handing the beer bottle back to the guy standing next to him.
okay, maybe not admitting his feelings for you had fucked things up. but, what could you expect? he didn't have the time to give you what you deserved.
not right now, at least.
"what are you waiting for, then?" the other man asked, shoving his hands into his pockets.
"what?"
"just call her, bro. i know it's about a girl because there's no way any sane man would say no to expensive beers and a million hot hookers."
did lando even know this man? probably not.
"i can't call her. she doesn't want to talk to me. trust me, i've tried."
"have you?"
he didn't know how to deal with rejection. not like this, not with you. you weren't supposed to leave.
"judging by your sulkiness, i doubt you're going to find a girl like her again. and you'll never have her if you're here."
lando didn't have a heart of stone, as much as his social media persona might suggest. he didn't care for any of this. the women, the money, the fame.
he wanted to hold you again. kiss you, tell you he loves you. he wanted to hold your hand. he wanted to be near you, and only you.
so, when his feet hit the floor and he found himself walking towards the exit, he wasn't surprised.
yeah, it was foolish of him to leave a party full of women who were celebrating him (literally) for a girl who had ghosted him, but the need was stronger than his pride.
out of the yacht, he was dialling the only number he'd ever memorised. the phone rang, and then it rang again.
would she be wearing his clothes, or would she have gotten rid of everything related to him?
maybe she'd found another man, finally realising that lando was a bad investment.
as the phone rang, you were hidden in your apartment with blankets wrapped around you and a youtube video playing in the background.
it had been months since you'd heard the word 'casual' leave his mouth. months since you had fled london and monaco to move to miami.
at first, his words had echoed in your mind constantly, and you'd cried yourself to sleep a few times more than you'd like to admit.
but just like every heartbroken poet in history, the hurt faded and the pain slowly morphed into hatred. and anger.
you wanted to slam your head against a wall. scratch that, you wanted to slam his head against a wall.
it was so stupid, and you hated yourself for believing he'd been genuine.
it was just sex. that's all it ever was. it truly was just casual.
the phone was still ringing. your finger hesitated over the answer button. you weren't going to answer it.
it wasn't worth it. you didn't want to hear his voice. didn't want him to have the satisfaction of knowing that his words had hurt you. you didn't want to know if he was sleeping around, if his girlfriends were prettier than you.
so the line went dead.
lando stood by the harbour, watching as yachts and ships sailed past him. the air was humid and his t-shirt clung to his body, the heat almost unbearable. the sound of waves, the distant laughter and music, and the sound of his ragged breaths.
he ran his fingers through his hair, looking around. where was his car?
he had to find his way back to his hotel. he was a mess, and his clothes were sticking to his skin. he needed to fix his appearance, buy a bouquet a flowers.
he checked the time on his watch, and cursed as he saw the numbers. it was almost 3 am. he wouldn't find flowers anywhere at 3 am.
"fuck it." he said, running over to his car. the drive was quiet, save for the low hum of music and his occasional swearing when someone drove a little bit slower than he'd like.
lando norris had the world on his fingertips. he could have any girl he wanted. anyone, really. but he only wanted you. he was a hopeless romantic, and you were his muse.
when he pulled up outside the apartment, his nerves were going haywire. he ran a hand through his hair and took a deep breath before getting out of the car.
he knocked twice on the door and when it opened, his eyes lit up.
you stared back at him, sleepiness in your eyes and confusion etched on your face.
and god, did you look gorgeous.
he loved you, he realised. he had to cross his hands behind his back to stop them from reaching out and holding you close.
"lando?" you breathed out.
he had grown a slight stubble since you last saw him. his hair were still the same, except a little bit longer. his blue eyes were wide as he looked at you.
"hey," his voice was shaky.
"what the fuck are you doing here?"
he wanted to say so many things. ask you why you left, where it went wrong, why you moved to miami. he wanted to declare his love for you, press his lips to yours, hold you by the waist. he wanted to hear you say that you loved him too.
he was so in love with you, and you had no idea.
"lando? why are you here?" you asked again.
he was at a loss of words. what could he say? he couldn't exactly just stand there and say nothing.
"because," his voice cracked, "i miss you."
your throat went dry. he could not just say that.
it had been weeks. weeks of him not contacting you, weeks of you not speaking to him. the phone calls had stopped, the text messages had stopped, the late night chats had stopped. everything was just gone.
and now, he missed you?
tears welled up in your eyes, a lump forming in your throat. you shook your head, pushing back the tears, "go away."
"what? no, wait. wait. don't do this." he pleaded, his voice fragile and desperate, like a child trying to avoid bedtime.
"lando-"
he interrupted you, voice louder than before. "can we please talk about this?"
"what is there to talk about?" you were raising your voice. you hated him. how could he act like this after all that happened?
"everything. just—please, can i come in?" he sounded so pathetic. he felt so pathetic. his hands were slightly hovering over the door, ready to push it open and walk in.
the request took you by surprise. "i-no."
you missed him. there was no denying that.
you wanted him to tell you it was okay. wanted to go back to that night in his mclaren, the night he told you he liked you. wanted the weekends spent in london with his family. you wanted him, all of him.
his curly hair wrapped around your fingers, blue eyes staring at you, soft lips kissing you. his cold hands grabbing yours, and his voice saying your name. you wanted it to not be casual.
"i just want to talk to you."
he was drunk. there was no other way he would've showed up here, let alone begged to talk to you. the fact that he needed to be drunk to have this conversation made your blood boil.
"do you still have my jacket?"
of course, you still had his stupid jacket. the one that had his smell embedded into the fabric. it was an exclusive print mclaren had given him, and he had swung it around your shoulders after the night you had first made love to each other.
but he didn't care about the jacket, and neither did you. it was just a reminder.
you were silent for a while, taking in the sight of each other. it was his breath mingling with yours.
"i love you." he whispered.
your breath hitched in your throat, the tears finally falling out of your eyes as you sighed.
"i love you," he repeated to himself. "yes, i do. and i've known that since the day i met you."
you choked back sobs as you shook your head, "you're drunk, lando."
"i'm not," he chuckled, "maybe a little, but not enough."
then, he added, "i mean it. i love you." his voice was steady. he truly meant every word. but he didn't know what would happen now.
"what do you want me to say, lando?"
he sighed, "anything."
you laughed bitterly. anything, he said.
anything would've been better than what had happened.
"i don't think i can do this, lando."
"we can take it slow."
"you've never done slow."
he fell silent again because you were right. he'd never done slow. he didn't know how to take things slow. he was a fucking formula 1 driver, after all. slow wasn't something he did. he'd always lived life like it was the last day. and that's how he had lost you.
"i'm sorry," he began, his voice breaking. "i should've been a better person. i'm sorry for everything i did. i should've given you more, i-i should've loved you more, because you deserve so much more. i'm so, so, sorry."
"lando," you whispered, "it's not—"
"don't make excuses for me, please. i love you, i really do. and if i have to spend the rest of my life proving that, i will." and he meant every word. "i just want you back."
your mind was racing, a million thoughts running through it. it was like a movie. his blue eyes, his voice, the desperation in his tone, the way he stood before you.
"okay," you muttered.
"wait, okay? does that mean—"
"you're gonna have to work for this," you said.
"i know, and i will. i promise."
you sighed, rubbing your temple. this wasn't a good idea. "get in."
lando's face lit up, and before you could change your mind, he had walked into the apartment. he hadn't really been here before, considering you moved here after the two of you had stopped talking. but the apartment was lovely, homely. everything you.
you closed the door behind him, watching him look around the living room.
"how'd you know where i live?"
he chuckled, turning to face you. "i'm a famous driver. i have my sources."
"i'm sure." a tense silence followed, neither of you knowing what to say.
"i'm not letting this happen again," he blurted, "i'm not. i don't know how, but i won't."
"i don't believe you." you scoffed.
"fuck, baby, what do i have to do for you to believe me?" he stepped towards you, closing the distance.
"stop calling me that."
"you are my baby." he tried to joke.
"lando, i'm not joking."
"i'm serious too," his voice was sincere, "i love you, and i'll do whatever it takes for you to believe me."
you had been through a lot together. the highs, the lows. you had seen him at his best, and at his worst. the good and the bad.
he moved closer, reaching a hand out to hold yours. you didn't know why, but the moment his hand touched yours, it was like a switch had flipped inside of you.
you let his hand wander over yours like a ghost, his calloused fingertips tracing over your knuckles. he intertwined your fingers together, eyes casted down.
"i've never cared about anyone the way i care about you." he admitted in a soft voice.
and then he pressed his lips to yours. his other hand wrapped around your waist, pulling you closer to him.
and god, did he taste the same. lando had a way with his lips. it was a talent. he kissed you like he needed your lips to survive. he was desperate for your touch as if he had been starving without it.
you were so lost in the feeling that you hadn't realised how far you had pushed him until the back of his knees hit the couch, and he fell on top of it.
his eyes were wide, mouth hanging open. his shirt was halfway unbuttoned, exposing his chest and toned abs.
the two of you stared at each other, eyes searching the other's.
"i love you." he murmured for what seemed like the hundredth time that night.
maybe it was the way his blue eyes bore into yours, or the way his lips quivered, or maybe it was the fact that he had driven across the city to say this.
but for the first time that night, you believed him. and suddenly, the anger was gone. it was all gone.
"i love you, too." you whispered.
it was the only thing the two of you needed. the confirmation, the reassurance. the love.
you leaned down and connected your lips once more, hand reaching up to his curls and tugging lightly. he moaned into the kiss, pulling you on top of him.
your tongue entered his mouth, the taste of him making you lightheaded. his hands roamed over your body, the feeling of his skin against yours.
"baby," he whispered between kisses, "i want you so bad. i've waited so long."
his lips trailed along your jaw and down your neck, sucking marks into the sensitive skin.
"i want you," he murmured against the crook of your neck, "so fucking bad."
but he pulled away, flipping the two of you over so he was on top of you. he took off his shirt, and rested his head on your chest. he cleared his throat, "i should've asked this question earlier, but are you single?"
"yeah." you chuckled, running a hand through his curls.
"so, can i be your boyfriend?"
"lando norris," you hummed, "did you finally get the guts to ask me out?"
"yes," he smiled, lifting his head up to look at you, "yes, i did. will you be my girlfriend?"
"you're a dork."
"that's not an answer."
"yes," you laughed, "yes, i'll be your girlfriend."
lando grinned, and you grinned back.
yeah, it wasn't casual anymore.
(u guys im so sorry if i've tagged someone who doesnt want to be tagged i just had no idea how to let non-followers know part 2 is out bcs tumblr is not letting me reply to comments😭if anyone wants their tag removed, feel free to dm me!! i hope u liked this) @oscarpiassrri @meglouise00 @f1fantasys @technicallypleasanttree @ggaslyp1 @obxstiles @nataliambc @prudyhoo @idkwtdwml123 @ushygushybaby @emilyroxy @yootvi @fishingarden @pillowprincess4him @herexpertcollector
#f1 smut#f1 x reader#f1 imagine#lando norris smut#lando norris fic#f1 fic#lando norris x reader#lando norris one shot#lando norris imagine#lando norris angst#lando norris#f1 angst#f1 one shot#f1#lando norris blurb#lando norris x you#lando norris x y/n#lando norris fanfic#f1 fanfic#f1 x y/n#f1 x you#formula one x you#formula one x reader#casual
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IdeaDpxDc—There are better ways to meet someone.
Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.
Dead On Main. Soul mates.
---
"Exactly... what does this ring do?" The shining ring was still attached to his finger. This wouldn't worry him if it weren't for the fact that, with each passing minute, the ring emitted more light, and that can't be good.
The cult leader refused to speak. He wouldn't even look at him, seeming particularly attentive to the material the floor was made of. Very funny that now he was scared of him when, an hour ago, he was giving a very cliché speech about how humanity was doomed because it would summon the evil of evils.
It wasn't very smart of him to perform his summoning precisely in Gotham City, home of the Dark Knight.
Red Hood was getting impatient. He placed the hand without the ring on his weapon; if words didn't work, a real threat to his life would. And this didn't really break Bruce's 'no killing' rule because the gun was only loaded with rubber bullets. However, just as he was about to advance and shoot the guy, he saw Batman grab the leader's tunic collar and lift him up.
The man, of course, screamed in fear. "Speak, what does that ring do?" No jokes. Batman's voice was deeper than usual, showing that he was upset, no, rather angry.
Or worried, but Jason could never consider that possibility. For the moment, he was only surprised, although it didn't show through his helmet.
"I-I don't know," the leader replied. Poor guy, he seemed about to cry. Batman, not content, tightened his grip even more; he wasn't willing to tolerate a lie this time.
Red Robin raised an eyebrow. "You managed to gather a bunch of magical artifacts for your summoning and you don't know what they do?"
The man looked away. "No..." The rest of the cult members also looked away. Very brave and stupid of them to all agree to lie to the bats. Jason himself wanted to mock them, but the ring kept shining. He couldn't mock when the ring kept shining and he didn't know what it meant.
From the communications, Robin could be heard. "Tt, this wouldn't be happening if Hood hadn't put on the ring." Jason suppressed a growl.
"Kid, I didn't put on the ring. This thing stuck to me the moment I touched it." It was true. In the middle of the operation to stop the ritual, Jason had pulled the ring, which at that moment was a kind of necklace by the chain that ran through it, from a member who was wearing it. The ring in his hand began to glow and suddenly teleported to his ring finger, then stopped shining. It was when everything calmed down that the ring began to release a different, but constant light.
Approximately ten minutes have passed since then, he thought as he looked at the ring, ignoring all the magical stuff; it was actually a very simple ring. Suddenly, the ring began to blink.
Oh, no. That couldn't be good.
Batman, fed up with the leader's silence and his followers, threw the man meters ahead. "Oracle, call Zatanna now, we need more information about the ring," he ordered as he approached the man who was in pain from the fall. The guy, terrified by the violent aura of the Dark Knight, tried to retreat.
Finally, Nightwing stepped between the man and the brutal beating he would receive if he didn't speak.
"It's okay, B, calm down." With his hand on his father's shoulder, Dick tried to ease the atmosphere. "I understand your concern. We are all worried about what the ring might do to Hood. But we can't let fear and anger control us. Hood is important to all of us. He is our brother, your son. We can't lose our cool now. Let's call Wonder Woman. If no one wants to talk, she can help us with the lasso of truth."
Total silence. Jason didn't know what to say; he didn't think his family would react like this over a blinking ring. That is... he doesn't know. Suddenly, the ring's light began to blink faster.
Batman, after Nightwing's words and seeing the change in the ring, understood that he couldn't waste time with someone who wouldn't talk. "You're right, thank you Nightwing." Looking at the others, he said: "We need to act quickly, we don't know the effects the ring might have on Hood. We need to take him to the cave for a thorough analysis, no discussions." The last part he said looking at Jason. "Until then, don't try to take it off or use it."
Jason scoffed, as if he would.
"Oracle, you heard, call Diana. Red Robin and I will take care of the rest of the cult. Nightwing, take Red Hood to the cave." Batman began giving orders as he reached the leader and began dragging him towards the rest of his cult. The leader, in a failed attempt, tried to resist. "Agent A, please prepare a stretcher. Understood?"
Everyone nodded.
On the other hand, the touching speech and the strange family moment of the bats seemed to soften the heart of a girl from the cult, who in a whisper said: "The ring, nothing will happen to him." Although she spoke quietly, everyone present heard her.
The leader, panicking that the information would be revealed, exclaimed: "Catrina, shut up!" However, he was struck by Batman, who was already fed up with the guy.
"What do you have to say about the ring?" he asked.
The woman hesitated to speak. "We thought of using the ring to subdue the king of the dead and make him listen to our orders..." She paused, not knowing how to continue. "There is a real legend about the ring. A long time ago, a witch wanted to know who her soulmate was, so she created the ring. This allows one to be guided to their soulmate through the red thread. I think everyone already knows what the red thread is." Nervous, she looked around. Only Nightwing nodded, and that was enough for her to continue telling. "Well, the witch's red thread connected with a prince. Unfortunately for everyone, the prince was not happy that his soulmate was a witch. So he had her killed." The girl looked at her hands; that part of the story was sad. "The witch was angry, but still wanted her soulmate to accept her, so she rewrote the ring's original purpose. It was no longer something that united you with your soulmate, but now it was something that allowed you to subdue your soulmate... uh, this." She pointed to a book that was lying in a corner. "With another spell, in fact, it can be used to subdue anyone, even a king of the dead."
With the whole story already told, Red Robin asked: "So, what is the ring doing to Red Hood?"
"It's tracking his soulmate. I... didn't get to put the other spell on it. I could only activate the ring's primary function. Your brother will be fine."
That definitely changes things. Jason swore he could hear his heart beating. A soulmate, wow. He admits he's read many romance novels and maybe once dreamed of it, but for it to actually happen, wow.
Suddenly, the ring stopped blinking. Five seconds later, everyone saw a red thread shoot out from the ring's gem. It quickly moved in one direction, went through the wall, and kept going. The process was like a fishing rod when it catches a fish.
"Does this mean it already found its soulmate?" Red Robin asked. Astonished by the red thread, he tried to touch it but his hand went through it; apparently, the thread was intangible to anyone else.
"Yes," the cultist also seemed astonished.
Jason felt a look on him, turned, it was his brother. Oh no, not that look, he knew that smile; Dick would tease him so much in the coming days. For his part, Batman sighed in relief. Well, it wasn't such an extreme danger, but it was still dangerous. "Agent A, cancel the stretcher." He never imagined this would mean a soulmate case. "Oracle, don't cancel the call to Zatanna or Wonder Woman, we need to verify the information. We'll stay here until the police arrive."
How nice it would be if everything ended like that, right? With Dick joking with Jason, Tim analyzing the thread, Barbara laughing at the turn of events, Bruce relieved and Damian surprised. However, one must remember the story.
The witch changed the ring's original purpose. Unexpectedly, the thread began to retract, as if it had caught something. It did so so quickly that Jason grabbed his hand in pain. It was then that everyone had a bad feeling. The wall the thread had previously passed through suddenly exploded, the noise and dust alerting everyone, especially when once the chaos disappeared, something horrific could be seen.
An arm. A fucking arm. Apparently freshly torn from its owner. Oh, no. What did it do to his soulmate?
...
Somewhere else in the world, somewhere in the United States, Danny gasped in pain. What the hell? What was that? Ancients! Where is his arm?
---
Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.
Edited on 06/21/2024 - Note two: Thanks to redflagshipwriter, who continued this idea below. And to Sakuravalelp who made me laugh with the complement.
#dead on main#dp x dc#batpham#danny phantom#dc x dp#dp x dc crossover#dp x dc prompt#dcxdp#danny fenton x jason todd#dc x dp crossover#jason todd x danny fenton#jason todd#I don't know how to write#leave this in the hands of a real writer.#I don't know English either#I used a translator#sorry.#The bats are scared with their arm torn off#Danny is angry about his arm being torn off#Don't worry#no one found out#it happened at night#nobody except jazz#She is scared
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