#he was really trying to protect her and even then comes what is arguably the scariest dean scene

[autumnrory]

“the verbal thing comes and goes.” jess + not being monosyllabic

[helluvapoison]

heyy i was wondering if you could do like Lucifer x reader getting married if ,you want to ofc🫶

btw i love your work so muchh, thank you!!🫶(also english is not my first language so i hope i didn't write anything wrong)

Absolutely I Do

Lucifer Morningstar x Reader

a little insight to your wedding with the king

[part ii (18+ only)]

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

• What would be a tamer version of a bridezilla? Not quite lashing out at everyone and their mother over the tiniest details but blowing a fuse when white roses arrive and he specifically asked for white gardenias?

• That would be Lucifer

• Asmodeus is his best man and the other Sins are his groomsmen, they’ll handle the flower debacle and any other matter that needs saving

• Good natured Charlie was given, arguably, the easiest task of holding onto the rings! She’s more than capable of planning the entire event on her own (and she asked to… twice) but Lucifer wanted her to enjoy this wedding as he wouldn’t be having another

• It’s part of why he wants this to go perfectly!

• He never thought he’d find another love after Lilith. He didn’t even realize that while you were delicately filling in the crater she’d left, he was falling more and more in love with you

• The other part, his pride and perfectionism aside, is that while it may be his second wedding, it’s your first. In his eyes you deserve only the best and he’ll be damned all over again if he doesn’t deliver

• You told your fiancé (FUCK he loved that word coming out of your mouth, almost as much as he was going to like husband!) to at least try to not go overboard. To which you received a “Me? Overboard? Darling, I would never! Simple and elegant, that’s what the headlines will say!”

• The many, many, many vision boards said otherwise. However you already knew damn well “simple and elegant” translated to grandeur and extravagant– and that’s exactly what it was. To Lucifer’s credit, it wasn’t gaudy or blinding. It really was a gorgeous spectacle

• Per his request it’s an all white event, a stark contrast to the overall location. The guest list is massive. After all, Lucifer’s still a king and certain people would be offended if they missed an occasion like this. Everyone goes all out. Bodies pour into chairs, everyone dripping head to toe in white garments and glamorous jewels

• Lucifer preened and primped, checking the mirror a couple hundred times and asking whoever was in the room if he looked ok. Anything less than “outstanding” had him groaning as he turned back to the mirror

• The wedding suddenly seems like a terrible idea. Not because he has cold feet (he’s rather sweaty, actually) but because the moment he sees you he just wants to steal you away

• You are positively and wholly breathtaking. The stars are jealous over how you outshine them! He can’t do anything but stare in amazement as you walk down the aisle

• Does he, Lucifer Morningstar, vow to protect, love, cherish and serve you for all eternity? Undoubtedly. He adds a few his own too like spoil you rotten, compliment you hourly, never ever never let you feel like you’re alone— all things he’s already done but wanted to make it “official”

• “It’s been an honor to be your confidant and friend… but I’m dying to do that and more as your husband.”

• Then do you take him to have and to hold, for better or worse, richer or poorer?

• “I do.” You answer proudly, squeezing his hands ever so slightly

• Forgetting present company, forgetting he’s a king and supposed to act dignified, Lucifer doesn’t wait to get permission to kiss you. He jumps slightly, knowing you’ll catch him instantly. Hugging your neck he crashes his lips onto yours

• You giggle against him, returning the kiss briefly before setting him down. (Hell knows he’d get carried away and forget much more if you didn’t)

• “I do believe you’re my husband now, Luci.”

• The entire wedding may as well have been a surprise party the way his eyes widened, as if it only just set in what the ordeal was for

• “Oh my golly, I’m your husband. I’m your husband! Hey everybody, I'm their husband!”

~

╰(*´︶`*)╯♡ don’t apologize, you did great friend! thank you so mochi and i hope you enjoy

[folklaur21]

What would've should've been

Pairing: Theodore Nott x fem!ravenclaw!reader

Summary: Theodore Nott didn't truly know what love felt like until he found you. But now all he can do is sit and imagine what should've been.

Warnings: Mentions of death/killing, Battle of Hogwarts, use of Y/N

Word Count: 2.3k

Before You

Theodore Nott isn't the happiest person in the world. Scratch that, he might be the most subdued, emotionally complex guy to have ever existed. Hardly anything made him smile, next to nothing made him laugh. That's just how he was, is, and how he will always be.

It isn't completely his fault. People are never born 'sad' or 'emotionless'. Theo was brought up this way. It was ingrained into him as a child, silently impacting his life forever, and he didn't even realise it. Well, that was until his mother died. At the hands of his father.

Theodore's mother was a gentle soul. Sweet and caring, she always looked after her son. She gave him everything a child needed, wanted, and then some. The one thing she couldn't provide for Theo? A stable father, who wasn't an alcoholic, abusive pig. Though she did try, the fear she had of Theodore's father never ceased throughout their marriage. She just had to try to shelter Theodore from this cold, uncaring lifestyle.

She could only protect her son so much. When Theodore was just nine years old, she couldn't take the abuse from his father anymore. So she tried to escape. From her house, from her husband, from her life. Yet she failed. And he found out. Theodore Nott Sr. was not happy with this. So he did the only thing that he thought could ease his troubles. He killed his wife. The mother of his child. The child that had heard the Unforgiveable Curse uttered from his father's lips. The child who watched the flash of green light emitted from his father's wand. The child who had to watch his own mother, the only person who truly cared for him, die.

When he started Hogwarts, Theodore wanted a somewhat fresh start. Free from the burdens of his home life, he made friends.(Arguably, they were friends who his father would have approved of. If his father even cared.) At school, Theodore worked hard, and tried to mask the emotions he had always been told to oppress. Anger. Hatred. Vulnerability. So none of his friends truly knew what his life was like. Except for Lorenzo.

Theo told Enzo Berkshire everything. It was easier, having someone understand why you were like you were. Someone who you trusted with your deepest, darkest secrets. Someone who cared about you. That's how the two became best friends. Practically inseparable, 24/7.

During You

Having a connection with someone was something Theodore didn't truly seek throughout his lifetime. Especially now, in his fourth year at Hogwarts. Apart from Enzo, he was fine with keeping to himself, keeping a low profile and staying out of everyone's way. That was, until he saw you.

"Enzo, I don't want to go."

"Please, Theo, I want you to come. I'll be lonely without you." Enzo pleaded with his friend.

"I don't want to go to the Yule Ball. And besides, I didn't ask anyone to go with me." Theodore replied, still resisting the idea.

"So? No-one really cares if you're with someone or not. It's supposed to be fun." Enzo says with a sigh as he flops down next to Theo on his bed.

Theo scoffs. "Says you! How many girls asked you to go with them? 15?"

Lorenzo turns slightly pink at his friend's comment. "23..."

Theo lets out an exasperated sigh. "Exactly," Theo says, but after a moment he decides, "I will go to the ball with you Enz. Only because it's that, or sit around here or in the common room with all the first years."

So, that was how he ended up standing at the side of the Great Hall, sipping a glass of pumpkin juice, and watching all of his friends dancing with whoever they brought to the Ball. Theo didn't really mind. Once again, he was merely waiting in the wings, not really expecting anything grand to happen to him. At least, that's what he thought would happen. Until he saw you.

You were with some of your friends on the dancefloor. Laughing and smiling, you were carefree, living your life to it's full potential. Theo couldn't bear to take his eyes off of you. It's not like you would have seen him anyway, with him lurking in the shadows.

After he had spent what felt like forever watching you, Enzo came to his friend's side, offering a new glass of pumpkin juice, which Theo gladly accepted.

"Who's that?" Theo asked his friend, nodding his head in your direction.

"That's Y/N. Y/L/N I think. She's in Ravenclaw. She's actually quite clever, I sat next to her in arithmancy last year." Enzo pauses for a second. "Why do you want to know?"

"I don't know," Theo shrugs, nonchalant. "I just... don't remember seeing her before, that's all."

"Oh. Well, she's really kind. And sweet." Enzo smiles before rushing of again to resume dancing, leaving Theo to mull over his thoughts. Thoughts of you.

A week later, whilst sat in Potions, Theodore couldn't help but watch you, sitting across from him in the classroom. Strange. He had never noticed you before, but now it seemed you were the only thing plaguing his mind. He hardly took any notice of Professor Snape that lesson, watching you as you took notes with your brow furrowed, and how you twirled your quill around in your fingertips if you seemed distracted.

Over the next few weeks, Theodore Nott grew to know lots about you, even if you didn't yet realise it. He knew your favourite subject (Charms), your favourite sweets from Honeydukes (Chocolate Frogs, because you collected the cards). He even knew how you liked to spend your Sundays (sat in the courtyard with a book and a hot chocolate). Theo was drawn to you, for some unknown reason, and not even he could figure out why.

In the weeks leading up to your exams, you spent an increasing amount of time in the library, studying. Funnily enough, so did Theodore. He wanted to do well academically, even if his friends preferred skiving off and messing with first years. So, that was how he came to speak to you for the first time, five whole months after he was first captivated by you.

"Can I sit here? All the other tables are either occupied or slightly sticky and I don't want to mess up my books"

"Uhh, sure!" Theodore said, shocked that you had even come over to him. "No," he told himself. "She's only over here because nowhere else was free. Don't get your hopes up."

"I'm Y/N, by the way." You smile at him, and wave your wand to get your books laid out on the desk in front of you.

"Theodore. But you can call me Theo." Theodore said, as he found himself smiling in return.

The two of you started to talk about anything and everything; school, exams, your hobbies, interests, just your lives in general. And that's how Theo realised that, maybe he wasn't such a cold, uncaring teenager after all.

A week or so later, the two of you were sat under the shade of an oak tree overlooking the Black Lake, studying for, you guessed it, exams. That moment was when Theo finally plucked up enough courage to ask you something.

"Hey, Y/N?" he asked, taking a deep breath.

"What?" you replied, looking up from your book.

"I was wondering, would you maybe like to, and it's OK if you don't, I don't mind, you don't have to say yes or anything because it's completely your choice-"

"Spit it out, Theo!" you giggled, humoured by his rambling.

"Right. Sorry." Theo said, trying to calm himself down. "Umm, would you like to go to Hogsmeade with me next weekend? And could we possibly go to the Three Broomsticks? You know, just... us?"

Your eyes widened, before you smiled at the boy's worried expression. "Of course! Theo I'd love to."

You wrapped your arms around him and gave him a small kiss on the cheek before returning to your book, leaving Theodore grinning as if he'd just won the lottery. Which, with you, he basically had.

After You

It had been a while since Theodore Nott had been back at Hogwarts. Since he had gotten the Dark Mark, at his father's force, he had stayed working for The Dark Lord, being a Death Eater. He hated it. It was a life his father had forced him into, a life which wasn't truly his. And now he was back at the one place which had been a home to him, but now he was here to destroy it.

Theo tried to look for you. The one person who he trusted, and the one person who trusted him. Theo wasn't here to fight. He wasn't here to kill. He couldn't do that here. His safe place, where his father couldn't physically torture him. Where you were.

Before his sixth year at Hogwarts, Theo was held under the Imperius curse by his father, and the searing skull tattoo, the tattoo that would hurt him forever, was imprinted into his left arm. When school started again, he couldn't bear to tell you, his girlfriend, what had happened. But he did, because between you two, there were no secrets. When you found out, all you were was supportive. You helped Theo though his pain and anguish, but what he didn't know is that when you first found out, you cried for hours. Crying about his future, your future, angry at the world you live in for being so cruel. Crying was really the only thing you could do.

After Dumbledore's death, Theodore did what he thought would be best for your relationship, best for you.

"You can't be serious, Theodore?" you said, trying to keep your voice levelled and clear, holding back the tears.

That hurt Theo. You never called him Theodore, unless you were really frustrated. Which hadn't happened until now. "Y/N please, I have to, it's for your safety."

"My SAFETY? Theo, I couldn't care less about that right now. Please, don't do this." You couldn't hold back any longer. The tears were now streaming down your face.

"I don't want to, but-"

"But what, Theo? I love you!"

"I love you too, but-"

"Then surely that's all that matter?" you say, exasperated. "We love each other. We can run away together, and live in hiding until it's safe for us to come out, to be together."

"No, we can't, you know we can't, we'll be found and then... you'd... You'd be killed." Theo says in a small voice. "And I can't let that happen to you. Please, Y/N, just listen to me. As soon as this is over, we can get back together. We can live together, start over together. But it can't happen now. Not yet. Please, Y/N, wait for me."

You can't stop crying now, and you lean over to Theo and kiss him. "OK. When it's all over. I'll be waiting for you, Theo. You'll definitely come back to me?"

"Of course I will, Y/N. I promise I'll find you."

And of course, that's what he was currently doing. Looking for you. He had been waiting a year to see your face again, hoping you hadn't forgotten about him. However now he couldn't find you. Running through the corridors, shouting you name, dodging curses and rubble, Theo's only goal was to find you. And he did.

There you were at the top of the Astronomy tower, a split lip and wearing a torn blue jumper, you were aiming all sorts of hexes at a Death Eater. Theo was so relieved, and began firing spells at your opponent, until he was knocked unconscious. At that point, Theo kicked the limp body over the balcony, not caring what would happen.

"Y/N." Theo smiled. "I told you I'd come back."

You pulled Theo into a hug and kissed him. "Theo!" you breathed.

"I love you more than anything, Y/N." All Theo could do was look into your bright, tearful eyes, relieved that he could see you once again before-

"AVADA KEDAVRA!"

That fateful curse.

A flash of green light.

Your body fell limp in Theo's arms.

Your eyes lost their brightness.

"NO!"

Theo tried to pull you up, tried to hold you tight, but it was no use. You were gone. Theo looked up to see your murderer, looking him in the eyes. His father.

Your death at the hands of Nott Sr. ensured Nott Sr.'s death at the hands of his son. That was the first and last time that Theodore Nott would ever use the killing curse, and it only made sense for it to be on the person that used it on the two people who he had loved most in the world.

When the Battle of Hogwarts was over, most of Voldemort's supporters were dead, captured, or had fled the scene when it was evident that they were losing. But two Death Eaters stayed behind, simply because they couldn't bear to leave the castle like this. They felt it was partly their fault. Those two Death Eaters were Theodore Nott and Lorenzo Berkshire.

Whilst everyone gathered in the Great Hall, Enzo wandered the, now ruined, corridors of a place he loved so dearly. What he didn't expect to find his best friend, leaning on the crumbled wall of the Astronomy tower, cradling someone in his arms. Not to mention the fact that his father lay on the ground mere feet away.

"Please, Y/N, you can't be dead, you can't. I came back for you I-"

"Theo?" Enzo inquired, sitting on the floor next to his best friend, who was in fits of tears.

"He killed her, Enz. He killed her so- So I killed him. I had to."

"It's OK, Theo." Enzo replied, putting an arm around his friend's shoulder, and letting him cry.

The pair fell into a comfortable silence, with the sound of everyone in the castle talking and grieving the loss of friends and family. The two could have been down there with them, celebrating the demise of the people who made their lives hell.

But instead, all Theodore Nott could think about is what should've been.

[nobodyfamousposts]

Do you really think all of ML's problems would be fixed if Adrien never existed?

Good heavens, no.

Adrien isn't the problem. He's just a symptom of a much larger issue. That issue being laziness and poor writing that comes in the form of "tell, don't show", plot threads that go nowhere, and lack of character development or plot progression that leads to a setup of "Status Quo Is God". Removing Adrien wouldn't fix all of that. Heck, it wouldn't fix any of that.

I can't fault the writers for replacing Felix with Adrien. Even if I and others could write out a plot with Felix, that's not to say everyone could or that the writers could. It could very well be that Felix as he was in the PV simply didn't work for the setup they had in mind.

...the issue here is that the setup they had in mind seems to require stagnancy. Where Hawk Moth attacks without winning and the heroes fight off the akumas without really trying to track him as the source and the two leads chase each other around in circles without anyone making any headway in either of these battles. Marinette wants to date Adrien. Chat wants to date Ladybug. It's why all her plans to ask him out fail while his attempts to express his feelings aren't taken seriously. And there is no forward movement, whether in their arc or in the fight against Hawk Moth. There wasn't even build or lead up to the two falling in love. They just started out episode one with crushes on each other and remained having crushes on each other until arguably season 5.

But no good story is stagnant. In this setup, characters need to do things and there needs to be a feeling of forward momentum.

Break it down this way: What is Adrien's problem? What is his goal? What is the obstacle to his goal?

Yes, we could say Adrien's dad being a supervillain and a neglectful jerk is Adrien's main problem, but it's not the problem Adrien is actually focused on in the show. Instead, if we could say Adrien has a problem, it would be that he wants to date Ladybug. And his goal is to date Ladybug. And the source of the problem and obstacle to his goal is...Ladybug.

So his problem, his goal, and the obstacle are all the same thing. This ultimately seems to make his problems Ladybug’s fault then because the problem would be solved if she gives in to his wants rather than by any real effort on his part.

Adrien as he is in the show doesn't do anything. And he doesn't need to do anything because he is at his base a character that things are done for. He doesn't have a goal or direction or drive. He just comes out to deal with akumas as needed, flirt with Ladybug when he can, and then be sad because his life is so hard when he doesn't get what he wants. We don't see him doing anything else. We don't see him making friends. We don't see him engaging in school. We don't even really see how he interacts with the classmates he only recently met. Things happen around him, but he is not a driving force in anything in the show.

But Felix in the PV is a very driving character. He had a problem: he's cursed. What does he need to break the curse? A kiss from Ladybug. What are the obstacles to his goal: Ladybug refusing to kiss him and Hawk Moth trying to kill her. How does he get that kiss? By flirting with her and trying to earn her affections while protecting her and making sure she doesn't DIE against an akuma before he gets that special curse-breaking kiss.

It's the start of Felix's journey. His goal and the various obstacles to that goal that make his story interesting and his growth possible. As such, I see him as a character who would progress in his attempts to obtain his goal as well as one who would progress the storyline...which is also accurate of 3D Felix since that's kind of what he's done more in his relatively few appearances than the series has in 5 seasons.

Adrien didn't have to have Felix's personality. He didn't have to have the same goals or level of drive. But he could still have had things where he grows and helps to push the plot forward.

Adrien...

...just started school. He has no friends, knows no one, and is trying to learn the ins and outs of public education. How is he doing in the different setting with teachers instead of tutors? How is he trying to get along with his classmates? Does he experience bullying? Does anyone NOT like him? What is he going through as a new student who had been homeschooled all his life?

...is friends with Chloe. What's it like learning his "only friend" is a bully? How do people respond to this? Does anyone (besides Marinette) fear him or avoid him because if he's friends with Chloe, he must be just like her?

...is a superhero. He could have been spending time learning the history of the ring and trying to develop his powers. Trying to get stronger? Trying to get to know Plagg? What is he experiencing as a highly known model who is also a superhero and having to juggle those dual identities?

...has a dead mom who died of a "mysterious illness". Given that this loss supposedly occurred about a year prior, he could still be mourning her. Maybe trying to learn what happened to her.

...has a neglectful father. How is he trying to interact with his dad? How does he feel about his dad not being around? What is he doing to try to resolve this?

...has a supervillain father. Like, I cannot stress this enough! His dad is a SUPERVILLAIN! His dad is THE SUPERVILLAIN THEY ARE FIGHTING! People were predicting him finding out and joining Gabriel to try and revive his mom! People were living for the eventual heartbreak of when Adrien finds out the truth! Entire AUs, fan arts, and fanfics were born of this very idea! Going into the drama and struggle Adrien would be experiencing being caught between the "right thing" and the girl he loves and his duty vs his father and his mother and his family. HOW CAN THEY JUST IGNORE THIS?!

But we don't get any of that. Instead, we get Adrien...

...just acclimated with no issues in school and automatically friends with everyone. Good for him, I guess. Wish it was that easy for the rest of us.

...doing little besides occasional comments to Chloe as she is completely horrible for five seasons including Chloe stealing from classmates, getting the entire school punished for something she did, stealing a Miraculous, trying to crash a train, and betraying the city to Hawk Moth. But it takes him learning about something she did to Marinette a year ago for him to finally decide enough is enough and drop her as a friend.

...only goes out to deal with akumas as they come but does nothing to try and figure out his powers and history, get stronger, or try to track Hawk Moth.

...just moves on from dead mom. No relevance here aside from wanting to see a movie she was in or making a passing comment about how she got sick. No attempt to find out what happened to her. No questioning what she may have wanted for him.

...is just sad about his neglectful father neglecting him but seems to get over it rather quickly.

...never learns his father is a supervillain. Okay, I take it back. He learns twice and those timelines are erased with no real repercussions other than trauma for Marinette, so it really doesn't feel like they count. The pieces are all there, though! He knows his dad has the grimoire but never questions him about it! Never asks his dad what the deal was with Tibet! No question about how mom died or what is going on with Nathalie or what he's doing with a hidden mechanism in mom's portrait.

Adrien has potential. He has plot threads and aspects that could be used and goals he could have. But the writing does nothing with him, so while he has a number of things he COULD do to move forward and progress as a character or for the plot, nothing comes of it.

And that all boils down to a problem with the writing.

Adrien was chosen over Felix as an "easier" option to keep the story at a standstill so they could drag it out for as long as needed. That doesn't mean it should have been. There were so many paths that could have been taken, but Adrien was given the personality of a wet noodle, so he acts on none of them because that was what the writers wanted out of his character.

[peterman-spideyparker]

Something Good (Matt Murdock x fem!Reader)

Author’s Note: Heya! So, one big perk about being sick and working from home is that I'm really chugging through my idea notebook! This one is the first one on the page, actually, and it's inspired by "Something Good" from The Sound of Music. Enjoy :)

Summary: Matt's in love. He's not entirely sure he deserves it, but he found love with you. It's terrifying and special, and he knows he's beyond lucky.

Warnings: Sweet adorable fluff (Matt's in love, guys). No use of (Y/N), but it does refer to the reader being feminine/female-identifying

Other Characters: Foggy Nelson

Word Count: 746

Matt’s no stranger to sleepless nights. From the sounds of the city keeping him up, to staying out until sunrise on patrol, to being kept awake by his injuries, to his nightmares, his worst case scenarios violently ripping him from his slumber. Tonight, though, tonight is different. He’s still experiences sleepless nights, all the fear and guilt that comes from the idea of not being good enough or strong enough. But those sleepless nights and all those worries have become lesser and lesser the more that you’re in his life. 

The first time you slept over, he was so worried he’d wake up screaming with a nightmare, he almost didn’t sleep. He was even apprehensive of having you stay over because he was concerned that Hell’s Kitchen would need it’s Devil and he’d have to slip out; you’d wake up in the middle of the night alone, and he’d loose something he worked hard to try and achieve—a normal relationship. And until that night, it had been just that for Matt, normal. Boy likes girl. Girl likes boy. Boy asks girl out. Boy takes girl on date. They date some more. He finally kisses her after arguably too long. Boy cooks girl a romantic dinner. Boy and girl spend the night together. Boy knows he feels something he’s never felt before.

But in all that worry that he’d mess up that first night, with all the fear that kept him wide awake in his own bed, you snuggled into him; in your slumber, you wrapped your arm around his torso, held him close, and cuddled down into his chest. Matt noticed how your heartbeat changed, how your breathing slowed and evened out. You were the purest form of content and relaxed with him. Now, that made him nervous because it meant that you felt the same way, too. And while it made him nervous, he felt his own heart steady and the sleep that he so desperately tried to fight off lay like weighted blankets on his eyes. He was the first one to wake up the next morning, and he found your positions unchanged; you were still latched onto him, and his arms were around you, keeping you close to his heart.

Each night after that got easier. He was afraid, though, for the inevitable. Mentioning this in passing to Foggy, his best friend closed his office door, sat down across from Matt at his desk, and laid it all out: how to carefully bring it up, broaching the topic of senses, his passion for justice—a methodical plan for how to tell you about his night job in a way that wouldn’t scare you away. Unfortunately for Matt, he’d been thinking about it so much, he started at the wrong spot of the explanation when he saw you later that night and put his foot in his mouth. But you stayed, you listened. You asked questions that he was happy to answer. You spoke well into the night, and at the end of it all, you didn’t leave; you took his hand in yours and gave it a squeeze, thanking him, and assuring him that his secret was safe with you.

Now, almost a year later, you were still by his side, guarding his secret, waiting up for him, patching up his wounds, protecting his heart, and holding him close. So, this time when sleep evades him, it’s not because of his fears, not because of his traumas, not because of his nightmares. It’s because he is wracking his brain, asking God to help him figure out what he did to deserve you because Matt cannot figure it out for the life of him. He tilts his head to the side of the bed where you’re sound asleep, still holding onto him like that first night together. As he thinks and thinks, he can only settle on the fact that at some point in his life, he must have done something good that made him worthy of you. If he can never figure it out, so be it. As long as you’re in his life, he doesn’t really care. Leaning over to press a long, sweet kiss into your forehead, he snuggles down onto you and pulls you close, letting your scent flood his senses and remind him that he’s safe with you, his heart is safe, and that he’ll never be more loved than by you.

Yeah, he must have done something good.

Permanent Taglist: @majesticavenger​ @steampowerednightvaler​ @themusingsofmany @just-the-hiddles​ @toozmanykids​ @dangertoozmanykids101 @clints-worldavengers @theburningbookshop​ @itwasthereaminuteago​ @peter1ismybrother@hellskitchens-whore​​ @dpaccione​ @catnip987​

Matt Murdock Taglist: @two-unbeatable-beaters

[lotusunique]

The Engagement pt.3

Armando Aretas x Black Fem! Reader

Hey guys I know this took a little while to come out but like I said, nothing but the best for my readers!

With that being said, this has strong themes of toxic relationships and major smut! Enjoy 🌺💋

I also wanna give credit to @zari-0115 she helped me write the smut scene so W to her! She’s the best

You knew he’d be here. You were told he’d be here. You just didn’t realize how much it would actually hurt. You didn’t realize the air would start thinning around you when you saw his new girlfriend wrapped around him looking like they were the happiest couple on earth.

You feel a tight squeeze on your hand before realizing Armando was standing beside you.

“C’mon”,he says,taking your hand in his. You sift through the crowded party, hand in hand, before finally making it through the balconys sliding doors. You put your hands on your knees , and attempt to steady your breathing.

“Look up and count to ten”,Armando lifts your chin up before turning your head to look at the view in front of you. You stare out at the beautiful picture. The sunset and the ocean colliding in a way that’s so gorgeous with the pool infront of you glistening. It makes you wonder what you did to deserve to see this.

“One.Two.Three. Four. Five”, you start to count,feeling the tension and anxiety fade away. “There you go, inhala exhala”,he says rubbing your arms softly. “Thank you”,you smile up at him.

“What’s with the panic attack?”,Armando asks. “I don’t know. I saw my ex and my chest just started like caving in”, you explain trying not to let the tears hiding behind your eyes, out. You take a seat on the cool pavement

“That blonde tonto wit the bad hair cut?”, he asks with a disgusted look as he sits next to you.

“Unfortunately yes. I don’t even know why I dated him. But when someone manipulates your heart, it’s hard not to fall for the fake version of them”, you sigh.

“Oh look at me sounding like a Pinterest quote and shit”,you laugh. “What happened?”,he looks over to you. “Well he didn’t physically do anything to me. But i just realized it was like he was jealous of what I was doing with work and when I finally had my own place it was like he hated me for it.”,you start to explain.

Armando’s blood starts to boil the more you talk. “I don’t wanna talk your head off about old shit tho”,you shrug. “Im here to listen”,he says geniunely.

You give a slight nod,“It got to the point where he would ridicule me for everything and belittle me. And at some point I started believing he was right. And I got in this really low place..I wasn’t eating, couldn’t sleep, didn’t even show up to work for a week.”, you sigh getting war flashbacks from arguably the worst time of your life.

“Why did Kelly and Dorn invite him if he did all that to you?”,he asks. “They don’t know about anything that actually went down. They just know we didn’t work out. After everything I still wanted to protect his image.”,you say fidgeting with your finger tips .

Armando grabs your hand, “promise me something”. You raise an eyebrow. “Promise you’ll never let anyone give you anything less than what you deserve”. He looks into your eyes, waiting for you to promise.

“I promise”,you nod. “And don’t let that dickhead fuck this party up for you okay.”,he says rubbing the palm of your hand with his thumb.

“Thank you again Armando. Like for coming and helping me with all this.”,You look over at him. The world is calm for a moment and it seems like it’s only you and Armando.

“I don’t know if this is dumb to tell you or not. But Armando I think I -“

You’re cut off by Armando smashing his lips into yours. You lean into the kiss as he cups your face. You two get so deep into the kiss that at some point your back is on the pavement and he’s on top of you. Without coming up for air the two of you deepen the kiss. Within an instant Armando falls over into the pool, the splash getting you wet.

“Oh shit”,you let out a loud laugh. He resurfaces,wiping the water out of his eyes. “Oh this is funny to you?”,he smiles up at you. “Oh no of course not. It’s hillarious”, you cackle. “Yea yea now help me out”,he sticks his hand out for you. He grabs on hold of your hand before he smirks and pulls you in next to him.

You resurface in the water, “no the fuck you didnt”,you laugh. Everyone walks outside hearing the commotion. “What is going on here”,Kelly laughs.

“Um nothing”,you giggle. “Who cares just jump in”,Marcus says pushing past Mike to jump in the pool. “Man you better watch my suit,”, He says, dead serious by the look on his face.

The two of you climb out of the pool as everyone files back into the living room. You make your way to you guys’s room as your wet clothes cling to your bodies. “You wanna shower first?”, you ask turning to him. “Nah ladies first”, he smirks over at you . You head into the bathroom,starting up the shower, getting the temperature just right. You loved the build of the bathroom. There was a huge see through shower with beautiful deep brown brick walls and a huge granite sink.

You peek your head out the bathroom seeing Armando snatch off the wet t-shirt. It’s not like he didn’t look amazing with the shirt on but got damn if he didn’t look just as good with it off.

You get into the shower feeling the warm water and bubbles up your skin. A wide smirk spreads across your face as a bright idea pops into your head. “Hey Armando can you hand me my towel I left it on the bed”,You call out.

“Yea sure”,he says putting the towel over his shoulder and walking into the bathroom, towel wrapped around his waist. He walks in with his hand over his eyes. “Why don’t you move your hand and put them somewhere else”,you smile. He slowly removes his hand before looking upon your body and stepping into the shower with you.

He places soft kisses on your neck, tracing his hands up and down your skin. You let out soft moans as he scoops you up, causing you to wrap your legs around his waist.

In this moment you two were the only things that matter. He looks up at you, “Are you sure you wanna do this”,he looks into your deep brown eyes.

“Yes, I want you”,you say as a wide smile appears across your face. He smiles before kissing you so passionately.

He immediately starts fast, pounding into you with your back against the tile wall. He slides in you going deeper, until he hits your cervix causing you to yell out in pleasure.

Armando carries you to the bed, your legs still wrapped around his waist, before laying you down, towering over you he places soft kisses on your boobs, taking one of your nipples in his mouth and swirling his tongue around it. He enters two fingers into you causing you to arch yourself upwards with every touch. Your toes curl as he massages your clit. Just when you’re close to finishing Armando removes his fingers. You look down at him, your eyes meeting his, you all but beg for him to give you your release. He smiles up at you mischievously while taking his fingers and putting it up to his mouth to taste you.

He then lifts you up and turns you over like you weigh nothing. He slips himself inside of you and pounds in and out repeatedly. You grab hold of the pillows to keep yourself up right, squirming at each jolt you can hardly keep your ass up. “Hold on Mi Amor” he says instructing you not to finish just yet. Right when he feels you pulsing under him he slips himself out… yet again. “Why are you teasing me?” You whine. Armando doesn’t answer he just flips you over and begins to go down on you, alternating between his tongue and fingers devouring you while he pleasures your nipples with his other hand. He finally lets you release not soon after he enters you again for him to then be finished.

The two of you plop down onto the soft satin sheets, heavy breathing and giggling in between. “You don’t know how long I’ve been waiting to do that”,You smile over at him. “I’ve been waiting for that since the day I met you”,He says cupping the side of your face.

“You getting soft on me Aretas?”,you laugh. “You know ain’t shit bout me soft Mama”,He looks over at you with a sarcastic smirk. “Call me mama again and we gon have to may have to go run it back ”,You say before climbing on top of him, a mischievous smile across your face. “Let’s do it then mama”,he smirks up at you.

[bunniekittiee]

Hello ! Hope you're doing well! I really loved your headcanons of Bi-han's S/O relationship with his brothers it was so cute ❤ I'm curious what you think the relationship becomes if you take in account the story mode events ( Bihan's "betrayal ") because I'm sure s/o would stik by her husband and support him so how those three interact afterward? Thanks ~

Hi! I am doing okay, I hope you are doing well too! Y’all are so nice here woo hoo

I will answer this in headcanons. Bi-Han x Fem. Reader by the way! Also kind of a little sad :(

Finding out what Bi-Han had done was like a knife to the heart.

She was so close to his brothers that they were her own, as they too viewed her as a sister.

She was definitely distraught knowing that her family was ripping itself apart.

But, she could not just leave Bi-Han. She had married him, but she also married the Lin Kuei when she said her vows.

Leaving him would only result in more anguish.

She would have to support Bi-Han’s decision either way, even if she had her doubts or believed that he was actually losing his sanity.

Bi-Han never fully discussed all the details, but he would tell her the big important ones such as the development of the Cyber Initiative and how they were close to overpowering the Shirai Ryu.

It pained her greatly, but she would smile and congratulate Bi-Han on his success. That was all she could do unfortunately as arguing with Bi-Han about his betrayal was like speaking to a brick wall.

Bi-Han believes that his brothers have betrayed him rather than the other way around. He is delusional lol.

He is blinded by his own anger and thirst for power.

It is argued whether he truly wants to kill his brothers or just wants them to stand down and let the Lin Kuei thrive.

Sometimes, she is never so sure if he really wants to kill his brothers in cold blood. In his eyes, she can see the glimmer of murderous intent, but then it will form into something else.

Like he had lost something important to him.

It was definitely arguable. She had hoped that Bi-Han would never be that cruel.

She could not bear to see any harm come to Kuai Liang and Tomas.

If she somehow ever came across them, whether it was at an event or some different way, she would feel like crying.

She would hug her boys close.

They would hug her back, joyful to be reunited with her.

They know she is not to be enemies with as their fight is with Bi-Han, not his wife.

Even though Bi-Han has stated that family is not off limits in their war, Kuai Liang cannot bring himself to harm her, nor can Tomas.

They know how much she means to Bi-Han, and he would go to the depths of the Netherrealm to protect her.

When those three reunite, it is usually quick as they cannot stay long. If Sektor or Cyrax were to catch a glimpse of them, they would be in trouble.

The brothers understand that she has to support Bi-Han no matter what, yet sometimes they feel that she is not trying enough to reason with him.

But again, they understand that reasoning with Bi-Han is something that cannot be achievable.

Once he is passionate and confident in something, he will continue to pursue it.

Just like he is passionate about overthrowing the Shirai Ryu and teaching his brothers a lesson.

Bi-Han hardly lets her leave the premises. He does not trust soldiers to go with her, and he does not have his brothers.

So only Sektor or Cyrax are really supposed to go with her, sometimes both of them will go with.

They are nothing like Kuai and Tomas though, which saddens her.

They have different personalities, and they put on the soldier face to prevent others from attempting to mess with them.

It is mainly for intimidation. That was something Kuai and Tomas hardly ever did unless it was truly needed.

Trips with Sektor and Cyrax are quick and usually not that fun. They are disconnected from her as they do not want attachments to the Grandmaster’s wife.

Supporting Bi-Han may be difficult in this because her loyalty also stands with his brothers, but since Bi-Han exiled them from ever being mentioned, her loyalties were forced to change.

She had to fully be loyal to Bi-Han and support his decisions. Just as Sektor and Cyrax supported them.

They were almost like the “replacements” for Kuai Liang and Tomas. That’s what Bi-Han tried to show her by sending them with her when she needed a break from the Arctika.

Replacements that were never going to fulfill the places of the brothers.

She dearly misses them. She does not have much contact with them and she thinks about them often.

She thinks about her old life often, truthfully.

If Bi-Han had a change of heart, they could be reunited and happy like they once were.

Kuai Liang and Tomas give her the offer of staying with the Shirai Ryu, even though they both know Bi-Han would rip the realms apart for her.

If she is too scared of Bi-Han or he is doing worse things, they want to make sure that the door is open for her.

She can be part of their clan and live a happier life. One that is not full of darkness and evil.

But they do not pressure her or try convincing her because deep down, they know that her place is with the Lin Kuei.

She is shackled by them, she will never be able to leave unless in death.

[kismet-cat]

Something I’ve been thinking about a lot is how Jowd and Yomiel are parallel to each other. They’re both so stuck in worldviews that are blatantly wrong- Jowd thinking everything is his fault, and Yomiel thinking everything is the fault of everyone BUT him. To an outside observer, both these views are totally stupid, but the two of them feel like they HAVE to believe it or else everything they’re doing will be for nothing. If jowd is wrong, that means kamila did it, and he can’t let himself believe his kid could do that, it would destroy him. He’s so willing to take on the guilt because he feels responsible for not stopping the tragedy- even when it was literally impossible for him to foresee or stop. If Yomiel is wrong, then it means that literally everything he’s been doing since dying is useless and he’s the one responsible for the deaths of both Sissels, and he can’t believe that or he’ll sink even further down. So the two of them both push on, warping the truth until it suits their narratives, both of which are steeped in self-hatred. It’s a good thing they never met up before their respective character developments- like Yomiel said, Jowd would have loved to be executed by his own daughter. Sorry for talking so much I just think they’re fascinating!!! I love ghost trick!!!

No need to apologize, I love hearing other people's Ghost Trick takes/analysis! Especially along these lines!

This specific parallel is def one I've thought about too, and you put it very well! For me, it all comes back to the set of questions I posed in this post as being at the core of Ghost Trick's story:

1. When something terrible happens to you, what do you do with that trauma? 2. When you do something terrible, when you make a terrible mistake, what do you do with that guilt?

Like you said, Jowd is a person who, in response to both questions, internalizes all the blame; whereas Yomiel, in response to both (pre Chapter 17), externalizes all his hatred. And yes, from an outside perspective they're kind of ridiculous — just look at how many chatters in the secret sleepover society streams (and other lps I've watched) have been reacting to Jowd as a character.

But one of the things fiction arguably exists for is to present characters that take such ideas to such extremes for the sake of exploring those questions and making a greater point; it's the premise "What if there was guy who ___? Wouldn't that be fucked up or what?". And for me (and a lot of people, clearly) Ghost Trick succeeds in getting you to take those characters seriously, because they and the people around them take their own stakes seriously, while ultimately making it clear that their responses were irrational.

...And hey, while I'm here:

Cabanela's answer to the second question is to bury all evidence of it, to Not Think About It, to become (or at least project the image of) a person who would never make that kind of mistake. Meanwhile, his answer to the first question, if we say the terrible thing in question is his best friend confessing to killing his wife and asking to be executed, is to dedicate himself to trying to undo it, to set things right, everything else in his life be damned.

These answers are "better" than Jowd's and Yomiel's — they certainly cause less extreme collateral damage — but they still aren't ideal. After all, Ghost Trick is a game that highly values the forging/maintaining of bonds with others and being honest/open with them as the key to both parties' success. It's what saves the day in the end. Without Sissel, all Cabanela's efforts to save Jowd and protect Lynne would have amounted to nothing.

No, the person with the "correct" answer is Lynne. She doesn't really have to grapple with the second question (which is maybe my personal biggest disappointment with her character), but her answer to the first question is clear: Become the kind of person who prevents such things from happening to others, or who can be the one to help them when it does. Always believe in people, and in the ability of things to turn out right.

Now, it must be said: the reason she comes to this answer is not because she was born a perfect idealist. It's because, in that worst moment of her life, someone was there to save and then reassure her; to inspire her. Jowd.

It's her truth, but it's not, say, Yomiel's.

But. It's a truth that inspires the rest of the cast (Sissel and Jowd primarily). And, because of her insistence in it, they're able to go back, defy fate, and make it The Truth of the narrative.

(Sissel similarly only has to really deal with the first question because Reasons, and his answer evolves over the course of the game, from "focus on the wrong that was done to you and what you can do to make yourself feel better about it above everything and everyone else" (doesn't that sound familiar?) to be more aligned with Lynne: "use what you learned/gained from that unfortunate occurrence to help others". And Missile is basically on the "right" wavelength the whole time, which is why everyone agrees he's the Bestest Boy.)

[pennyserenade]

i have thought in great detail about coriolanus and sejanus, and whether or not coriolanus ever really liked sejanus. i think that the novel/movie are purposefully constructed to make this ambiguous, but i prefer to veer on the side of "yes, he did."

coriolanus' way of loving people was...lacking, to say the least. even with tigris, he thought awful, mean things about her, but it was evident he cared very much for her. the problem with coriolanus was not that he couldn't love -- it was that he could not love without first being assured that his investment would yield positive results for him. at least, he could not readily admit to himself that he was loving until he knew it was going to work out for him.

his character is very succinctly summed up by sejanus, when he tells him, "I remember that from school, watching you watch other people. Pretending you weren't. And choosing the moments you weighed in so carefully" (397). without fully knowing the totality of it, sejanus got it all too right: coriolanus took people in, measured them out, decided what they meant to him, and weighed in when he thought it'd benefit him. coriolanus was calculated in all things, most of all in love—a thing he knew made you vulnerable.

but that's not to say what coriolanus said to himself was the exact same thing as what he felt. if it was, i do not believe he would've done half the things he had done for sejanus--even given the prospect of reward in the end. this is part of what makes coriolanus descent into evil so heartbreaking: a part of him was good. he did want for connection and comfort, even if he had a real fucked up way of going about getting it. coriolanus was a dog that bit without fully knowing why; it was a protective instinct he used, because so much of his life had been filled with loss already.

in the book, after coriolanus snuck his father's handkerchief with lucy gray's scent into the tank of snakes, he went to sejanus' house. this is an incredible detail that so many people tend to overlook when they talk about coriolanus and sejanus' friendship. the beginning of the chapter reads:

"What had he done? What on earth had he done? His heart raced as he blindly turned down one street and then another, trying to make sense of his actions. He couldn't think clearly but had the dreadful feeling he'd crossed some line that could not be uncrossed" (287).

we start this chapter with a frenzied, rattled coriolanus, one terribly afraid of what he had just done and the consequences this action might have later. he was scared and isolated, and he didn't know what to do. a little further on, collins writes: "His feet had carried him far from home, but he realized the Plinth apartment was just a few minutes away. Why not pop in?" (288).i find this construction of words to be fascinating, especially in relation to coriolanus--a character we have come to known as calculated and precise, even in moments when he has to think on his feet. one could argue that during this part of the book, and in this state, it makes sense that coriolanus might wander that far from his home absent-mindedly. it shows how out of touch with himself he had become, and just how much the act he had just committed disorientated him. but i think it was more than that. i think coriolanus wanted to go to the plinth's house, that he was seeking comfort after he had done something incredibly dangerous (something, arguably, that sejanus might have done), and he could not admit it to himself. and his original intention had been to see sejanus, but sejanus was asleep.

the fact that collins wrote "his feet had carried him" and "he realized" is so brilliant. i’ve got lots of opinions about why she chose to write the book in a third person point of view. one of the reasons i think she did it has to do with the fact that coriolanus was distancing himself from himself--shedding culpability through phrases such as these, especially in moments like this. coriolanus did love sejanus, but he simply could not admit it to himself because sejanus was not a safe or wise investment to make. coriolanus refused to give credence to his need for him, and it ended up killing the boy in the long run.

[fierrochase-falafel]

"All the names are changed to protect the innocent"- an analysis of Marvin's use of names

So y'know how in In Trousers, Marvin is the only named character who actually has screentime and all the women in his life are nameless (ignoring his teacher, Miss Goldberg). It's pretty clear this is, to an extent, a sign of Marvin not seeing the women in his life as people in their own right as he appreciates the affection of no woman actively giving him any, and that he only focuses his attention on unattainable women (such as Miss Goldberg) as a form of compulsory heterosexuality and men (Whizzer).

I do, though, think it's interesting to note that in Love is Blind (in March of the Falsettos), Marvin says "Love reads like a bad biography, all the names are changed to protect the innocent". Marvin's experience of love so far has been women whose names he has left unsaid. Given Whizzer refuses to acknowledge he loves Marvin, and Marvin says he loves Whizzer "sorta, kinda", their relationship isn't taken fully into account as love Marvin has experienced. Marvin does admit he loves Whizzer to Mendel later in the "sorta kinda" conversation, but says he would only concede it if Whizzer loved him back, meaning that he refuses to fully accept that love unless Whizzer said he loved him first: Marvin's inner dialogue does not really see Whizzer as part of his vision of 'love' (albeit ironically the only true romantic love he has experienced). Hence, Marvin's experience of love, at this point, really has had his previous lovers' names changed, perhaps to protect them from people recognising them as having engaged with him at all.

Who this decision is protecting, though, depends on who is innocent. Maybe Marvin had some amount of sympathy for both his high school sweetheart and his wife as being innocent victims of loving him when he didn't love them in return. However, in March of the Falsettos, Marvin does say his wife's name for the first time (I think!) in 'Marvin hits Trina', and he says it not 1, not 2 but 8 TIMES. In quick succession. This song takes place immediately after he gets an invitation to Trina and Mendel's wedding. Trina having her own life makes her no longer 'innocent' as he sees her as having betrayed him, so he addresses her by name repeatedly in anger at this.

I think it's also worth noting that from a point of view of innocence, the first whole name revealed in the musical is that of Whizzer Brown. Whizzer is someone Marvin is very well aware of being sexually experienced, which contradicts the idea of innocence as someone naive to concepts such as sex. He sees Whizzer as someone who is not innocent, and so his name is left in fully throughout. The multiple meanings of 'innocent' to both imply sexual inexperience and having done nothing wrong, can also group together having a lot of sexual experience with being guilty of it. The negative connotations of these together subtly shows Marvin's internalised homophobia and conflicted views on Whizzer and his unapologetic flamboyance. One could also say Whizzer is basically a walking pride flag in how he seems unashamed of his personality and life, and his name is also very obviously on display as such as he has nothing to hide or stash away. Arguably that is innocence, but I don't think Marvin sees it that way. Anyways, this is getting a bit convoluted.

Through this one line, even though it seems strange-sounding and just a pretty odd throwaway at first (atleast it did to me on the first few listens), you get a distinct idea of Marvin's view of what is innocent and what is guilty, and who he deems to be innocent in a world where he sees himself as the highest power. Trina and Whizzer, as individuals who disagree with Marvin's views of what is right on a particular front, are guilty. While trying to hide their names initially when mentioning "his wife", "his child" and "his friend" in Tight Knit Family, his opinion of their lives comes out on top in this love-biography he has in his head. He writes the bad biography (even he admits it's bad, funnily enough), and to him they aren't innocent. Obviously he goes through major character development at the end of March of the Falsettos, and this seems to make his use of names less distinct. He says Whizzer's name more softly, with emphasis on love, and I don't think he says Trina's very much at all, maybe letting go with his anger and view of her as 'guilty'. This is last part is largely conjecture though! I'd love to hear more people's takes on this.

Edit: I just realised! In terms of innocence, Miss Goldberg's name being revealed is probably also representative of her adulthood when Marvin's in school, making her seem more 'mature' to him and thus not innocent (given how childhood often connotes innocence.

[glitchyko]

I’ve decided to just go wild and start showing off my ocs and stories here that I’ve had in my brain and have made art for, even if they make absolutely no sense, starting with my oc that arguably makes the least amount of sense, but I still love her despite that, Xiǎodàn

To explain what’s up with Xiǎodàn, she kind of started as a sort of silly what if thought I had that went something along the lines of, “What would happen if someone was like, born in the scroll?” I’m not sure how to explain it, but before I knew it I was just running with the idea and Xiǎodàn is the result of that-

I’m still working out some of the details of Xiǎodàns story, but I have a sort of general idea of her backstory and her family’s to an extent

So this story starts with Xiǎodàn’s mother, Xīcai, who was a celestial maiden, though she was only a servant/attendant, nothing too grand or special. But she was forced into assisting in a crime (this is one of the things I’m still thinking on) and was caught and sentenced to be imprisoned in the memory scroll, however her punishment was reduced to be only temporary since it came out that she wasn’t helping of her own free will

But when Xīcai was eventually released from said scroll, two things were different about her now, one being her divinity was taken away from her (this was part of her punishment) and she was pregnant-

To explain that Xīcǎi, falls in love with a man who is a apart of the ink scroll (he’s the memory of someone else, I don’t really know how to explain it, ink scroll stuff is hard to explain, but basically he’s not the actual guy, but a memory of him) and stuff happens from there that leads to Xīcai to be expecting when she’s freed from the scroll

So now that she’s a mortal woman, and soon to be a mother, Xīcai works her ass off building a life, getting a home and job and integrating into the mortal realm and raising her daughter, who she named Xiǎodàn, and her daughter looks and acts completely like any mortal human kid would

That changes after Xiǎodàn’s 13th birthday

One day, Xiǎodàn noticed on the very tip of her middle finger, was a small black mark, that no matter how much she scrubbed and wiped it, wouldn’t go away. And with each day that passed, that black stain quickly got bigger and bigger and more appeared as well, and within a month or two, she was basically an ink person, though unlike the ink demons shown in s4, her body has more physicality, she’s got flesh, bones, etc, and her body doesn’t stain everything it touches

So while Xīcai is trying to figure out what to do about her daughters transformation and who she can go to for help, Xiǎodàn stays home and in her room most of the time, since she can’t go outside with her current appearance, cause of this, she’s grown incredibly lonely since she can’t see or talk to her friends in person now, the only person she can talk to face to face is her mom. One day at some point she’s just curled up in her room, and she mutters how she just wants someone else to talk to, before pressing her face into her knees, unaware of drips of ink on the floor slowly coming together and forming a small puddle, until a figure starts coming out of said puddle

It turns out Xiǎodàn can summon Inky (that’s what she calls the protective curse/ink MK) and de summon him whenever she pleases-

In a way Xiǎodàn is kind of like a walking scroll, she can create/summon ink people, but she can’t imprison people in the scroll (maybe she could if she had a piece of the scroll but I’m still deciding on this)

Xiǎodàn is not super eager to trust this ink monkey person who appeared in her room, and Inky isn’t super keen on trusting her either, though they are very curious about what exactly Xiǎodàn is and what she could be capable of, since she was able to bring them out of the scroll without a having a piece of it, and Xiǎodàn summoning inky and talking to them does make her wonder what exactly can she do (inky helps spark her curiosity) but she doesn’t tell Xīcai about this because she doesn’t want her mother to worry or freak out, and Inky advised her not to. So Xiǎodàn sort has Inky as a secret friend, summoning when she just wants someone to talk to about whatever.

One day inky is summoned by Xiǎodàn, and inky notices some bags are being packed and asks what are those for, and Xiǎodàn explains that her mom says they’re going to go to a city called Megaopolis to meet someone Xīcǎi says might be able help her, and when inky asks who, Xiǎodàn says he’s called the monkie kid and Inky just quietly says with a smile, “Interesting…”

And that’s all I’m gonna share for right now, I know this oc and this story don’t really make sense when you think about it, and there’s things I still need to decide on, but I wanted to share these here cause why not

[clownakai]

Rye doesn't speak much.

It's nothing personal, apparently: it's just how the guy is. Hiromitsu can even see the appeal of it— get people so used to not getting anything out of you that eventually you're left in peace—, but that doesn't mean that being on the other end of Rye's near-perpetual silence isn't a massive annoyance on a good day, especially seeing as he's currently the organized crime's equivalent of Hiromitsu's commanding officer. Especially seeing as the man's no talking policy clearly extends to Pokémon battles— arguably one of the most speech-reliant situations you can find yourself navigating.

Sure, body language can be exploited just fine to read your opponent's intentions (many trainers, whether they realize it or not, tend to attribute a specific flair to their movements when calling out moves: once you've figured those out, prediction becomes a hell of a lot easier), but Rye lacks those tells as well, and that's without considering the fact that the warehouse they're in casts heavy shadows over the sniper's form.

(Hiromitsu is under no illusion of it being a coincidence.)

And if the lack of useful tells wasn't enough—

A series of whistles pierces the air, followed by two consecutive offensive moves courtesy of Rye's Houndoom: the widespread Flamethrower achieves little in terms of damage, but it does obstruct Mochi's vision long enough for the subsequent Iron Tail to land with impeccable precision.

His Togekiss plummets with a shrill cry, only barely managing to right himself and regain altitude at the last moment. Hiromitsu calls for a Roost— the third in less than two minutes of battling.

He really needs to get his head in the game. This is nothing like standardized battles: the concepts of alternating turns and limited movesets are as alien to these people as Clefairy are to Earth as a whole, which makes sense but is also turning out to be more of a setback than Hiromitsu initially thought.

So far, he's managed to isolate five distinct whistle sequences, three different series of clicks, and at least four combinations of the two resulting in just as many coordinated attacks, each made up by moves that don't even match the individual whistles and clicks' original meaning half of the time.

Keeping up with Rye is getting harder by the second; even with a massive type advantage, Hiromitsu may very well lose the match if he doesn't come up with something, fast.

Type matchups aren't everything!, a squeaky little voice chirps in the back of his mind. In Hiromitsu's humble opinion, that's utter bullshit 90% of the time; unfortunately for him, it appears that Rye belongs to the remaining 10% of case scenarios.

Fuck you, Hiromitsu thinks, and then calls, "Protect and Rain Dance!"

Mochi throws up the shimmering barrier just in time for Rye's Houndoom to slam into it at full tilt, the Flame Wheel she'd been charging dissipating harmlessly as the first droplets of summoned water begin to dampen her fur.

Hiromitsu frowns. That could have easily been an Iron Tail or a Thunder Fang: it'd make sense, even, for Rye to opt for those as opposed to yet another— now ineffective— fire-type move. It'd definitely grant him a quick— huh.

Is... Is he actively trying to drag the fight out? But why? What does Rye have to gain from exhausting both of their Pokémon?

Long, high-pitched whistle. Whistle, whistle. The Houndoom’s surroundings begin to boil and glow a sicklish purple. That's—

"Dodge!" Hiromitsu shouts, thankful that it's Mochi battling by his side when he realizes the Togekiss already had his exact same idea. He's not sure he'd be able to attain the same heights of synergy with a Pokémon that hasn't been with him as long as Mochi has.

The spray of their opponent's Sludge Bomb whizzes past, missing by a wide margin, although the same can't be said for the following Flamethrower. The jet of flames, narrow and long-ranged this time around, engulfs Mochi's left wing for an interminable second before dissipating; the Togekiss cries out, struggling to remain airborne, and Hiromitsu doesn't even need a visual to know that he's now racing against time. He's willing to bet that's quite the nasty burn he's going to find himself treating later.

... Hold that thought.

"Thunder Wave," he orders, internally cheering when the move hits. Mochi's earlier Rain Dance has done a good job weakening their opponent's fire type moves so far, and the Houndoom’s soaked fur proves to be a blessing in disguise by combining with Thunder Wave into a disruptive shock as the paralysis fully settles in. "And now Facade!"

Mochi lets out a belligerent cry before diving straight for Rye's Houndoom, who fails to dodge the attack and consequently gets thrown into a wall. Amazingly enough, she's up and back into the fray within seconds, a guttural snarl stretched around her fangs. She's not moving as fluidly as before, though, all thanks to Mochi's Thunder Wave: Hiromitsu glimpses the Pokémon's muscles spasming more than once as she fights the status condition.

Again, Hiromitsu has to wonder just what it is that Rye thinks he can get out of such a drawn-out match: a general idea of how Hiromitsu fares under pressure? His battle style? Hints as to how strong he is? The exact same could be said about Hiromitsu: he's nothing if not observant, and while his opponent's peculiar commands system has been giving him quite a bit of trouble, he's at least been able to pin a few things down here and there, along with a very interesting bit of information.

It's quick, and most importantly it's subtle, but Rye's Houndoom glances back at her trainer whenever he spells out a combination of moves. Oh, it's done masterfully: she never outright turns to look at Rye, but among all the running around she does she's bound to at least have him within her periphery for a moment or two, and with the excellent night vision so common among dark types there's no doubt she'd be able to catch some kind of additional message from her shadow-clad trainer, be it a minute change in expression or a sign he makes with his hands.

And, if Hiromitsu has it right...

Whistle. Long, high-pitched whistle.

"Dazzling Gleam, then Protect!" He commands, heedless of the Snarl that hits Mochi square in the chest. His Pokémon shakes the attack off and responds in kind with minimal hesitation, the bright shockwave radiating from his own attack momentarily bathing the warehouse in blinding light. It's not as powerful an offensive as it'd be if Mochi was in perfect shape, but Hiromitsu reckons it still dealt a great deal of damage.

He hears more than sees something heavy clash against his Pokémon's Protect along with the distinctive crackle of electricity dispersing in the air, and he can't contain a victorious grin. He's figured it out, he—

—meets Rye's eyes across the improvised field, or at least he thinks he does; the poor lighting does him no favors. Nevertheless, Hiromitsu gets the distinct impression that the older operative is holding back a laugh, and he only figures out why when Mochi lets out one more melodious cry before half-gliding, half-plummeting to the ground in exhaustion.

Hiromitsu resists the urge to run up to his Pokémon and check on him on the spot. Instead, he calmly returns Mochi to his poké ball as Rye's Houndoom limps back to her trainer, head held high despite the near-constant tremors running across her entire body.

Rye doesn't say anything, merely returning her to her poké ball as well before giving Hiromitsu a long (and still annoyingly silent) once over. Then he turns around, beckoning him to follow, and Hiromitsu can do nothing but obey.

Outside, unaffected by the crossfire, Vermouth awaits Rye's assessment of their battle, a cigarette loosely hanging from her lips. Hiromitsu isn't sure why, exactly, she decided to have them face off like this, but he assumes it's something to do with his future standing within the Organization’s ranks. It wouldn't be the first test he's had to undergo for that exact purpose, either.

The woman's Seviper, coiled at her feet, raises its head upon sensing their approach. Hiromitsu catches Rye sneaking more than a few glances at the serpentine Pokémon: a mild fear of it, perhaps, or merely distaste for anything Vermouth-adjacent. From what little he's seen of the woman, Hiromitsu can already sympathize. Still, this is no time to speculate, so he files away the detail for a later, more thorough examination.

"How was he?" Vermouth asks without preamble, hardly even sparing Hiromitsu a glance— much unlike her Pokémon, which he immediately finds himself being circled by.

Rye lights a cigarette he produced from fuck knows where, takes a long drag and angles his head away from their little group to exhale the smoke, ignoring Vermouth with the air of someone who has done it a million times when she pointedly doesn't extend him the same courtesy. "Not bad."

"That's it?" She raises an eyebrow. "You don't get paid for two-words reports."

"I'm not getting paid for this at all.”

You didn't look too put out by that back there, Hiromitsu doesn't say. At long last, the Seviper at his feet seems to lose interest in him: it slithers back to its trainer, successfully preventing what would have undoubtedly been a lovely chat about Rye's salary by curling around Vermouth's legs in a blatant bid for attention.

Vermouth scoffs, but doesn't push any further. Finishing her cigarette and flicking away the butt, she weaves through her Pokémon's coils without so much as a backwards glance. "You'll want to have a better report ready for when Gin comes around," she says in lieu of goodbye. "God knows what kind of mess there'll be to clean up if you don't."

Rye says nothing, taking a drag out of his own cigarette and waving Hiromitsu off once Vermouth and her Seviper are out of sight. He does make a vague phoning gesture with his free hand, though, so at least there's that. Hiromitsu didn't blow his chances, even though he lost the match.

Sure, he still has to face Gin's judgment— according to their intel, the guy is quick on the trigger and paranoid as fuck—, but if his performance had truly been unsatisfactory Rye would have probably called him something much different from not bad in front of Vermouth. He doesn't look like someone who enjoys unnecessarily long cons.

Hiromitsu's hand remains tightly wound around Mochi's poké ball until he's sitting in his car, completely alone; only then does he let go of the tiny sphere in his pocket.

He didn't blow this, he repeats to himself as he makes his way to his apartment. He didn't.

[flightfoot]

I'm so glad you love Kira Kira so much!!! It's such an underrated season ahhhh. The only thing keeping it from my own top spot is the treatment of Rio. He's my favorite precure character of all time and I simply can't let it slide T-T

Oooh yes it's so good! Like, it has the most well-constructed character arcs for each of the cures of any season, most are more lopsided.

Like with Ichika! She loves making sweets, but she's not very good at it at first. She's not a lethal chef or anything, she just isn't very experienced and doesn't know a lot. I loved watching her slowly work together with her friends to learn how to bake. It's not like some instant thing, you just notice her slow improvement throughout the season.

She does have something she's naturally gifted at, and that's decoration! She's really good at decorating treats in a way that will bring joy to the person who receives them, to the point that Ciel, a baking prodigy, actually learns from her in that regard.

Himari's arguably the most blatantly autistic cure there's ever been, and that's saying a lot. She loves baking and is an expert on the chemistry of it. Unfortunately, she's been discouraged from sharing her passion in the past, since her classmates got bored with her infodumping about the subject. I love her character arc about learning to come out of her shell and finding a way to use her infodumping tendencies for good by finding a receptive audience who enjoys being taught by her!

Aoi has my favorite character arc of the Cures. I love how she was inspired by her idol to become a musician and rock out with her bandmates, and how she's going against what's expected of her because, surprisingly enough, she's the heir to a wealthy family. She doesn't have any interest in running the corporation though. I loved her finding her voice and standing up for what she wants to do!

Cure Chocolat has one of the prettiest designs in Pretty Cure, in my opinion! Akira's character arc has some weaknesses, but it's still compelling. She's got a sick little sister she's protective of, and she tends to put too much on herself. I didn't really like that the show emphasized those self-sacrificial qualities - seriously she's gonna burn out at some point - but otherwise she's great!

She also has one of the most blatant queer relationships in the show. Like Kira Kira never SAYS that Akira and Yukari are a couple, but it sure hints at it.

There's never been a Pretty Cure character quite like Yukari. Even Yui, who's also a cat, is pretty different from her. Like she has this thing going on where she's good at everything instantly and it gets boring, which is why macarons interested her - she actually FAILED the first several times and had to work at making those to make them good.

I don't even really know how to describe her, she's so catlike. I don't think she actually changes a lot like the others do, you just see more facets of her. I love how easily she's able to act and fool villains, making them think they have the upper hand when she's actually playing them like a fiddle.

So her starting off as this haughty, slightly conceited prodigy who didn't think much of Ichika's merely alright pastries (given that she's world famous and has trained under the fanciest bakers in Paris), but slowly grows to see that even if Ichika's actual pastries are lackluster, they have a lot of heart, a lot of Kira Kira in them, and trying to figure out why that is. Her whole breakdown when she realizes how she just... didn't see what Pikario was going through, why he freaked out and ran away, and how he was then infected with evil and taken advantage of and STILL refused to talk to her even after being purified... she became a lot better at reading people as the season went on. I really love how she reached out to Biburi especially. She might not have been able to do much to save her brother, but she can help her at least.

On the bright side, at least Pikario got to be the first guy to have a claim to being a precure? Even if it was just a temporary power-up and he didn't get a Cure name, he was still first on that.

Pikario's the second-best Heel-Face Turn character I've seen in Precure (sorry Pikario, but Setsuna takes the top spot). I love how understandable his motives are. He and his sister went to Paris to learn how to be bakers together, but she's improving by leaps and bounds while he's being left behind and is becoming more and more frustrated, and she's rarely even around anymore. And then the last straw, when he makes the waffles she complimented so highly before, only for her to tell him they weren't as good as the ones from before... it was honest, but no wonder he snapped.

I love that he and his sister still had things to work out afterwards and that all his problems weren't instantly solved once he was freed of the brainwashing, the underlying problems that caused him to be vulnerable still had to actually be fixed first.

He definitely got cheated, he was one of the most interesting characters in the season (and the franchise, honesty), but he was put in a coma for a substantial portion of the show and didn't get to join the team permanently. But what WAS there still makes him a top-tier character.

---

I adore these characters so much, Kira Kira is SO underrated it's criminal.

[saintsenara]

Oh, and kind of a follow up but, thoughts on Harry/Ginny/Voldemort or even just Ginnymort?

thank you very much for the ask, anon!

now, i'll admit to being quite fond of a bit of tominny [or, to give it its proper name, gin and tonic] but i think the more interesting thing to do here is to take you specifically asking about hinnymort and ginnymort seriously and assume that we're talking about the adult lord voldemort. no nose and all.

because i regret to say that how ginny would interact with this version of voldemort is something i spend a disturbingly large amount of time thinking about. and this is largely because i think it's really fascinating that she's the only person in canon [other than hagrid and myrtle, neither of whom the narrative particularly cares about] whose torture comes at the hands of tom riddle in young and pretty form and whose hatred of voldemort is - therefore - not hatred of the horrifying voldemort who brought the country to its knees in the 1970s and is determined to do it again, but of someone she considered her best friend in the world.

i'm always really struck by harry's insistence when breaking up with ginny at the end of half-blood prince that he's afraid she's at risk from voldemort if they stay together, because this is one of the only examples prior to deathly hallows of him demonstrably thinking of tom riddle and lord voldemort as a single continuation of the same person. in both chamber of secrets and half-blood prince, harry - however begrudgingly - is interested in and sympathises with [and, let's be real, fancies...] the teenage voldemort. his sympathy vanishes when voldemort comes for his job interview with dumbledore - that is, when he begins to look like his adult self, who harry is only afraid of and enraged by.

i think something really interesting can be done with that in terms of thinking about how harry's fear of the voldemort ginny's at risk from doesn't square with her own experience. harry's trying to keep her safe from the eldritch monster; ginny finds him considerably less scary than the beautiful boy who was her best friend.

and there is also the fact that there seems to be no evidence that the non-diary voldemort actually knows who ginny is. one of the things which really stands out in the first chapters of deathly hallows is just how wrong harry is about needing to go it alone for his friends' own protection: nagini has evidently not been briefed to expect hermione in godric's hollow; ron isn't identified by the snatchers who capture him after he leaves the horcrux hunt; and the vast majority of the order, including the adult weasleys, are free to continue working until at least april 1998.

and so i think it's quite interesting to think about how ginny is probably going to be less bothered by finding herself entangled with the adult voldemort - after all, he's so obviously evil that there's none of the wheedling his way into her trust which got her into such trouble with tom. she can just go with the flow...

and - of course - this experience would be very different from how harry's going to react to finding himself as the third in this triad. i actually think ginny would find it easier to talk to a voldemort she never felt any inclination to trust. harry very much would not. his interest lies with the young voldemort, who he can convince himself might be salvageable. i don't think he's rushing home from the ministry for cuddles on the sofa...

what does voldemort get out of the arrangement? apart from the opportunity to live rent-free in grimmauld place and leech off harry's riches, that is...

well, his whole.... vibe with harry is obvious, and he does have a canonical fondness for bolshy women with great hair...

but i think it's also arguable that ginny also possesses lots of qualities he canonically values - above all, the fact that she clearly has a bit of a vindictive streak. i am absolutely certain that diary!tom plays on this in order to make her all the more vulnerable to manipulation surrounding the basilisk's attacks [i.e. reminding her that she was complaining about how annoying she finds justin finch-fletchley the day before he's petrified, convincing her that she's the person responsible] and i am also certain that the secrets he uses to strengthen himself are her most violent and unpleasant ones.

bellatrix's capacity for casual cruelty is clearly one of the things voldemort particularly likes about her - and, indeed, there are more similarities between hinny and bellamort in canon that i imagine was jkr's intention [she never gave up on voldemort either!]. i actually think you can write yourself fairly plausibly into a scenario in which voldemort becomes quite fond of ginny, and ginny becomes reasonably happy to listen to him complain about harry's taste in interior design and how everyone who works for the ministry is insufferable.

harry's getting through it by screaming into a pillow at regular intervals. and - y'know - because of the whole soulmates thing.

[bestworstcase]

Hello, long time lurker and fan of your analyses here. There is one thing that I've been thinking over in relation to how people in the fandom react to Salem, that I'm puzzled with.

I followed one blog because of their posting about a game, and the villain of the game have extraordinarily similar circumstances to Salem, and that got me reflecting...

Both of them had tragic circumstances (or at least, implied), both of them were "corrupted" by "dark creatures" and considered "evil" because of it, both were betrayed by loved ones and both had their faith in the gods shattered and rejected them and deride divinity, but I see that there is much more analyses, understanding and sympathy for the guy than for her.

He wasn't portrayed to be very sympathetic in the game (in fact, he wasn't that present, showing up mostly at middle-end) and most of his characther was informed by a movie and a dlc, and yet...

Why would that be? It is because gamers are more prone to sympathyze with villains? It's because Salem's a woman, or that people are more willing to see depth in video games than in animation? It is lack of media literacy?

Thank you for your time!

it’s gender. mostly

(*without knowing the other story it’s difficult to say how much narrative framing contributes to the disparity, but framing can have a significant influence; by this i don’t mean whether the character is portrayed sympathetically per se but more, whose perspective do we see? what details are given focus?

salem as a character has been kept extremely opaque—the lost fable is narrated from ozpin’s perspective so we don’t really know why she does anything, we only know why ozpin believes she did everything; to understand her v1/v3 soliloquies we need context given in v6 and arguably v9 before it’s possible to start piecing together what she’s really talking about / what she really means, etc—and that’s something rwby does on purpose, because it’s Making A Point about the power that storytellers have over their audiences, and truth being more difficult to come by than asking for just one side of the story.

which has the effect of making salem a difficult character. the thematic point the story is making with her character is that it is really, really easy to fall for dehumanizing propaganda if that’s the only source of information you have. to see beneath the surface with her you really need to pay close attention to what she says and does and be very skeptical of what other characters say about her, including the authoritative spirit of knowledge [i.e. you need to pick up on ruby only asking specifically for ozpin’s side of the story AND that it’s never stated by anyone that jinn’s answers are objective factual truth AND that the lamp probably works like the staff in that she answers the exact wording of the questions put to her]. because the narrative we’re getting about her is heavily steeped in in-universe propaganda designed to convince people that she’s an unreasonable, deceitful, supremely manipulative and malevolent, inhuman monster.)

<- but with that being said. fandom is always much more critical of female characters than male ones, and it tends to be much more difficult to persuade a fandom to dedicate this level of interest and energy to a female character than a male one. you can see this in action even within just the rwby fandom: compare the fan reception of raven vs taiyang, for example, with leaving her child in the care of two loving parents because she felt unable to take good enough care of yang being styled as the worst most horrid unforgivable thing a mother could do whereas letting his five year old "pick up the pieces" is often… flat out ignored in favor of headcanon that he’s the best dad ever.

or just the fact that the vast majority of the fandom regards the lost fable fight as "salem murdered her kids, ozma died trying to protect them" even though that is explicitly contradicted by what’s shown on screen with both ozma and salem being equally aggressive and oz having no idea what happened to those girls from the instant the fight began because he wasn’t thinking about them; they BOTH killed their kids in their fury at each other. but the fanon is that salem murdered her children on purpose in a vengeful rage and ozma was a good dad—in its most extreme form this becomes the Dadpin Nonsense.

(there is also an extremely funny talking point in dadpin circles to the tune of "if ozlem were gender-swapped no one would question that salem was abusive!" as if a) tauradonna shippers who scream and cry about blake being abusive don’t exist and b) dadpin people wouldn’t eat ozpin alive if he was a woman)

it’s complicated by the reality that salem does do a lot of very horrible things—terroristic attacks, enabling a serial killer by using him as her attack dog, her abusive treatment of cinder, everything she does to lionheart, sacking atlas, razing vale—and her moments of restraint or mercy are very easy to miss (she actively disguises her own release of her hostages in 8.9 for example) and again you have to be very attentive to detail to pick up on the fact that she cares about cinder. so it isn’t like she has an obvious "good side" juxtaposing all the atrocities, which means except for those who make a conscious decision to try to figure out what’s going on in her head while keeping an open mind, no one is going to see anything but the atrocities.

and again, fandom in general is a lot more willing to do that with male characters than female ones.

i think the clearest sign that It’s The Misogyny is the sheer amount of extremely widespread, extremely entrenched fanon there is about salem that is straight up contradicted by the text. her supposed "disdain" for humanity, for example; people act like it’s outrageous and nonsensical to suggest that salem thinks highly of humankind in the abstract (despite her indifference to individual people) even though… in both of her soliloquies she speaks quite highly of mankind… or her supposed "obsession" with magic, never mind that she barely uses "real" magic herself (most of what she does is Grimm Stuff, and she uses dust to make her grimm battlewhale fly) and never mind that she keeps flat out warning cinder that magic "comes with a cost." etc. this is a kind of flanderization driven by people disregarding what she says/does and mentally inserting generic villain tropes to fill in the gaps of story they miss by doing that, and then these ideas become memetically repeated often enough that they become the accepted lens through which everything she does is refracted.

(and that is how you get nonsense takes like "salem calls emerald’s semblance a semblance because she’s furious that this pitiful imitation of REAL MAGIC somehow fooled her, not because 'semblance' is what that kind of magic is called." this is why salem’s the only adult character who’s read as condescending and disdainful when she refers to the 17-19 year olds as children, even though all the older adults and some of the teenagers themselves do that. etc. there’s a preconceived notion that salem is disdainful of humanity and the text is bent to fit that reading even to the point of creating the absurd double standard that it’s… wrong for salem to use the same language used by every other character in the story?)

this kind of sexism is covert and usually subconscious; it emerges out of disinterest and an unexamined reflex to read female characters as less competent / less moral / less complex / less trustworthy / less rational etc. than their male counterparts, often with a side helping of blaming bad things male characters do on female characters instead. (eg see team rwby being blamed for things ironwood does in v7-8 by certain circles, or the constant "everything oz does is justified because salem evil" drumbeat).

watch how fast this fandom turns on summer rose once she turns out to be neither a martyred paragon nor a slave.

[thesharktanksdriver]

Hey! So I wanted to ask something about determination! reader, have the characters of the movies meet Reader? Like for example Uta or Tesoro of film gold?

Anyways I lover You work and I hope to see the part of Roger! ✨

Hello!!! Sorry for getting to your ask so late, I’ve been really tired these past few days lol.

But as for your questions kinda?

I have to retcon y/n meeting Uta as a baby cause it doesn’t match up timeline wise. I assumed Shanks found her just before Roger died but I’m pretty sure I’m wrong about that lol.

But I do want to write a lil something for Uta, she’s a personal favourite of mine and she in my opinion doesn’t get enough attention.

I’d like to make something about y/n meeting her and somehow convincing her of how the wake-shroom is dangerous, maybe by eating it and dying lol. I might even make something later on with the straw hats meeting up with her in Elegia for a reunion for her and Luffy….plus a duet between her, Brook and y/n would be killer. I just want good things for her 😭

As for Tesoro if think something interesting could be that they both met while slaves, but I’m unsure if that timeline wise since y/n was a slave when boa and her sisters were for an undetermined amount of time until Boa was forced to kill them.

Really sad idea for that though is that in that time Tesoro tried his best to help and protect them before they were killed. Maybe they had even met because he could hear them quietly singing to try and comfort Boa and her sisters and it reminded him of Stella :[

That idea is really funny tho when it comes to one piece gold cause he has a panic attack realizing their

A) alive after he assumed they died cause he saw the girls they were with uncontrollably sobbing, now he thinks they had somehow escaped

B) with the straw hats he’s actively trying to kill

C) damn, he needs their skincare routine cause they look like they haven’t aged at all!

Even if this route isn’t the case, i cousl kinda see him doing his whole thing In gold of trying to capture and kill the straw hats but then sees they have this random kid with them that reminds a little too much of Stella and assumes the straw hats kidnapped them and is holding them as some sort of hostage.

Which in turns makes him even more pissed and determined (lol) to kill these damn pirates and save this kid.

If this was the case of scenario of their meeting, y/n opening up about their own time as well as a slave would be really interesting. Especially since in many regards he became like the world novels he hated, taking pleasure in others suffering as well as having insane amounts of wealth to live in luxury while also being hypocritical and hating other wealthy people who act exactly like him.

Tesoro wouldn’t get why y/n looks at him with a sad and also horrified look in their eyes.

Why they seem afraid of him when he had “saved” them.

Another potential movie character I can see as an interesting person for y/n to meet is Z.

Because for a much as Z hates pirates I don’t think he’d be willing to hurt a kid, not when his was killed. So he’s left in a weird impasse of wanting to kill the straw hats but also trying to keep y/n not involved even if he knows they’re also a pirate and their actively joining in on the fights.

Doesn’t help that the marines there to stop him reaallly want y/n too, so he kinda has to deal with Borsalino and making sure that the admiral nor y/n’s crew doesn’t get them.

I’d definitely imagine y/n would get in heated arguments with the dude, especially since they’re not letting someone mess with Roger’s legacy and cause they get his pain (somewhat at least).

They’ve been on the receiving end of cruelty from pirates.

But at the same time marines have done arguably much worse yet uphold the status of justice.

What is justice when they murder all infants on an island due to fear of Roger having a blood child.

What is justice when they wipe out an entire race of people and take their land to make Mary geoise.

What is justice when they make living weapons.

What is justice when marines can kill civilians with only so much as a small punishment by HQ.

What justice is there in tracking down escaped slaves and being lapdogs for celestial dragons.

At least pirates though some are equally terrible don’t proclaim themselves under the hypocrisy of “justice”. Don’t claim to be holy saints when they try and kill someone for the sin of their father being a pirate.