#he was created to entertain children. he has full control over a huge virtual world. he’s as trapped in it as the players are.
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strangestcase · 3 days ago
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ngl I love how Caine is such a foil to AM and TADC isn’t even an IHNMAIMS adaptation, just a homage. Caine treats his human subjects terribly but not out or malice or spite. He’s a petty, strange, Willy Wonka esque child-like children’s entertainer put in charge of a bunch of adults and he doesn’t know how to tend to their needs. As Zooble and Jax put it, it’s not like he’d punish the players, but it’s still better to be on his good side. He’s incoherent. And why would he? He’s an AI, and AI is notoriously bad at coherence. I feel there’s some commentary on the modern use of AI (well, LLMs, generators, etc) and what is assumed of them
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esther-dot · 3 years ago
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I dont even ship Jonsa, but it so funny to me that dany stans will try to relate it to targaryen incest. As if two cousins marrying in a feudal setting is the same as years and years of brother sister incest which has led to persistent madness, stillbirths and deformities
I read/watch way too much entertainment set before the 21st Century to be bothered by cousin-cest. Marrying cousins is a thing people did in America, even into the 1900s (it's still legal in like half the states although uncommon), so the freak out is funny. And in Westeros it's even more normal for cousin marriages to occur, so it isn't even noteworthy whereas Targcest is a whole thing. A thing that has connections to the fall of real world dynasties. I forget who has talked about this before, but I know others have mentioned The Royal House of Habsburg and there's some interesting stuff there:
Beginning in the early 12th century they quickly expanded their realm through a series of strategically executed marriages, from the mountains of Switzerland to a territory that included swaths of Austria, Hungary, Italy, France and Spain. The Spanish branch of the Habsburg dynasty helped create an empire that reached its apex in the 16th and 17th centuries, controlling land from the Phillippines to the Americas.
Yet the Habsburgs are known not only for controlling huge tracts of Europe, but also for maintaining control by rarely marrying outside the dynasty.
By the end of the 17th century, the results of their marital practices had become apparent in the form of a distinctive protruding lip, a high rate of infant mortality and a host of other health problems.
Could the same marital practices that helped bring the Habsburg dynasty to power also have led to its demise?
In the April 15 issue of PLoS One, scientists from Spain’s University of Santiago de Compostela argue that inbreeding so incapacitated the Habsburgs over the centuries that by the death of King Charles II of Spain in 1700, they were virtually unable to reproduce. (link)
and obviously, the Targ version is most closely aligned with the Ptolemaic Dynasty:
Incestuous relationships were so common in the Ptolemaic dynasty that Ptolemy II is often given the nickname “Philadelphus,” a word used to describe his marriage to his sister Arsinoe II. Almost every pharaoh of the dynasty thereafter was married to his or her brother or sister; Ptolemy II’s heir, Ptolemy III, along with his other children, was from a previous marriage and did not marry a sister, but he did marry his half-cousin Berenice II. It wasn’t until the next generation that we see another marriage between a full brother and sister: Ptolemy IV and Arsinoe III. Ptolemy V was the first offspring of a Ptolemaic sibling marriage. The trend continued within the family up to the birth of the famous Cleopatra VII. Her father was Ptolemy XII and her mother was her father’s sister, Cleopatra V.
Marrying within the royal family meant never having to dilute their Macedonian blood with that of the native Egyptians. It also meant that foreign powers couldn’t infiltrate Egypt. It seems as if the Ptolemys would have then produced a number of offspring with genetic disorders, but none appear to have significantly suffered from inbreeding. Nevertheless, inbreeding worked in their favor and helped keep the rule of Egypt in the hands of the Ptolemys for almost 300 years. (link)
The fact that they ignore the purpose of Targcest, and act like two people who are cousins falling in love is the same, uh, no. And attempting to compare the "incest" of Jonsa to generations of extreme inbreeding....I mean, there are reasons to not like Jonsa, but that's just a weird angle to attack from.
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zebranote1 · 4 years ago
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Rust gambling site: Different types of games on rust gambling site
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So what're the many several types of games available on the web today? Certainly one of the most popular online game genres may be the multi-player RPGs. These allow a huge number of players to stay the game at exactly the same time. The initial thing about these games is that most people are playing their own personal game while to be able to interact with the remaining gamers who are online at that same moment. These games generally revolve around a fantasy world by which folks have created characters. While playing the overall game you're supposed to keep in character constantly and submerse yourself into the idea of this fantasy Kingdom. A number of these games require a membership at some point to manage to progress further in the game. However, there are a few available which can be totally free to use. Another popular way to fill your free time is to play among the millions of flash games on the internet. You'll find a game about most situations, and these games usually are easy to beat but very addicting when playing. The type of flash game you could find online would include shooting, racing, puzzle, and other silly stress relieving games. Children can enjoy one of many different education games available in their mind virtually. Almost any cartoon on television includes a game that goes alongside it online. A good thing about a number of these games is that children are learning valuable moral or scholastic lessons without even realizing it. For them, it generally does not feel just like a job to play these games and in exchange, they are subconsciously soaking up the info that is being fed in their mind throughout the game. You will find millions of free online games open to play. Finding them is incredibly easy and oftentimes, there is very little required of your personal computer to play them. There are lots of various kinds of online games, which was not touched upon in this article. It will be impossible to count the total amount of free online games offered to a person today. Next time you will find yourself with some time to kill you will want to take a look at one of many millions of games available online. Rust gambling site was were only available in February 2018 by Facepunch Studios. Rust is a favorite survival game. It can also be a multiplayer survival gambling game. The game was basically developed as a replica of another game of exactly the same genre, DayZ. Rust's primary goal is always to survive and fight for your lifetime in the wilderness by utilizing any material you will find on a steal. To fight and cope with wolves, bears, and other players, you need to handle and take care of your quality of life, hunger, and thirst. The thought of a rust gambling site stumbled on light after the arrival of tradeable in-game items called skins. 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The 7-day trade held has hit ordinary players, traders, and big markets for digital stuff like OP skins. Valve introduced the 7-day trade hold. The latter has found a method to disregard the ban by swapping the virtual goods they held between players. Unless and before players wanted to withdraw that, they would contain the virtual goods without changing physical ownership. Valve chose to ban all of the trade boys owned by industry as he was against it. Internet is filled up with hundreds and countless free games, played by individuals from all parts of the world. Regardless of the age or occupation, all of them take pleasure in the great number of online games present on the web that become a passion for them as long as they spend a massive amount time playing them. The demand for such games has become in a way that new titles are now being churned out by the minute. There is no shortage of variety for online gaming enthusiasts that choose to pay time each day choosing a common online titles to play and be relaxed. If you decide on the correct online portal, you receive an almost ad-free gaming experience where you will find no annoying pop-ups to spoil the game-play for you. The games are sorted into columns or pages of typically the most popular, critics'favorites, fashion games and so on. The advancement in technology in contemporary times has enabled developers to replicate a nearly console-like gaming experience because of their users. Actually, for novices at gaming, online gaming is the absolute most recommended form as the titles available are relatively clear to see and have great entertainment value for the common user. Regardless of the undeniable fact that the majority of the games present online are free and are generally smaller than their desktop and console counterparts, the difference in game-play between both is seldom noticeable to the amateur gamer. 3D online games have been available for a while now, and enjoy exponential rise in popularity among all of the action and adventure games out there.To acquire further details on Rust Gambling Site Recommended Reading Virtually every genre of games occurs on major online portals, be it airplane missions, first-person shooters, aliens, zombies, space, stars, racing, cooking, fashion, design, etc. As the saying goes, name it, and they'll have it. Card games and casino games are rivals for the most truly effective spot when it comes to interest, and the listing of titles available would take lots of time to write here, should we bother trying. Make sure to take your pick on the list of games that you're most passionate about, and the knowledge will be worth the extra effort spent in selecting the most appropriate game rather than deciding on a random one. It's only the personal preferences that matter with online gaming, because the rest has been provided for by the developers who've left no stone unturned in developing ample number of free games for every single genre. It's now virtually impossible not to locate a thing that suits your interests and preferences. Kids may also take advantage of the avalanche of online games. There are huge amounts of free games which have animals, balls, balloons, sports, bubbles and fruits in them, as well as jigsaw puzzles, army-based and games which can be all available under different titles for your son or daughter to play and enjoy. They could even be enjoyable for parents, who will likely then often participate in and compete with the little one playfully. So if you're one such parent, don't be embarrassed. It's time and energy to spend some quality moments with your child. All major internet gaming portals offer you accounts. After you have an account made, that will be optional of course, you can submit scores online, vote for games that you like or hate, maintain your statistics effectively, learn how several hours you've spent playing a game and your own personal high scores. Do offer a moment to reading the game's description and get acquainted with the controls so you know what you're supposed to do once the game begins, that's to state if that you don't know it already. As for teenagers, the games that enjoy great popularity among them are sports games, racing and adventure ones. They like the simulation offered by these online games and a lot of the times obtain friends involved to take full benefit of the unlimited number of players they are able to enjoy competing with over the internet. Such games also appeal to users of the age group because off the highly graphic content and rapid game-play which tests their reflexes like no other test can. Be it skateboarding, racing, or even a sport, every game can be acquired by countless developers so even probably the most feature-hungry teenagers are unlikely to miss a function they enjoy on the consoles.
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sunsetbeachsoap · 5 years ago
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Hollywood: Daytime Goes to the Beach Aaron Spelling will bring sunshine and sand to set-bound soap operas with his new ‘Sunset Beach’
Nov 4, 1996 By Betsy Sharke Except for a nasty cold, Aaron Spelling couldn’t be in much better spirits. He’s spent most of the day with his office crammed full of wardrobe racks and cast members from Sunset Beach, the first daytime drama that Spelling Entertainment has ever done and the first daytime drama to be introduced on network TV in eight years (1989’s Generations was the last — and it didn’t).
‘We brought in 12 racks of clothes,’ says Spelling. ‘I think fashion is as important to a serial as anything else.’ Fashion sets the tone. It defines the palette. The length of a skirt, the style of jeans, can tell the viewer volumes about a character before the first word of dialogue is spoken. Spelling already loves the Sunset Beach cast — their names have been added to his annual Christmas party list — and on this day he is doling out advice to them on everything from buying a new car to renting apartments to how to handle fame, should it be lucky enough to come. He has issued his no-hair-changes dictum — Sunset cast members had better be happy with the style and color they start the show with, because Spelling isn’t about to let them confuse a new audience with a makeover any time soon. It is a long-standing rule for a Spelling show, and his staff knows that he’s deadly serious about it even if some of the awestruck actors don’t — yet. On Jan. 6, Sunset Beach will hit the air. ‘The series is a critical component of NBC West Coast president Don Ohlmeyer’s plan to make the network’s daytime schedule as potent as its prime time. NBC is in third place in daytime, though the net is up 20 percent this season and is closing in on second-place ABC. Ohlmeyer has his sights set on first, which CBS now owns. ‘With Sunset, we have something new and hot and exciting,’ Ohlmeyer says. ‘(In) the ‘80s, NBC daytime basically disintegrated. We are in the process of rebuilding, but we have to deliver the goods. That’s how we’ve built prime time, with distinctive programming. ‘There hasn’t been a successful soap launched in 10 years. It’s very difficult to do, but with Aaron’s touch and looking at the cast we have, we think it’s worth the effort. Some of our affiliates are very receptive (to the show) some, we’re in the process of kidnapping their children.’ On Stage 11 at NBC Studios in Burbank, carpenters and set designers are working late into the night to complete the sets that will form the primary backdrop for the show. The small community of Seal Beach, roughly a 90-minute drive south of Los Angeles, has been scouted nearly grain by grain of sand. It will be the exterior home for Sunset, and unlike most daytime soaps, the location will be a frequent player. Last week, readings and the first of three weeks of shooting exteriors began. The Santa Anas — California’s devil winds — stirred up the sand, making it sting on the skin. The water, which is never warm at Seal Beach, was even colder than usual. But no one was complaining. The 22 actors who will give shape and form to Sunset Beach are a beautiful bunch indeed, a canvas of racial diversity plucked from the talent pool in New York, Los Angeles and other cities including Philadelphia, the hometown of Spelling Entertainment president Jonathan Levin, who went back for that casting session. They are also young faces, part of the strategy to make Sunset a daytime soap for younger viewers, to do for daytime drama what Ricki Lake did for talk, at least in terms of attracting a new audience. Spelling is considered a master at casting, instinctively knowing which faces will work together as a couple, which actors will have that all-important element of chemistry. Now the virtually unknown Sunsetters are all in front of him, many meeting for the first time, and the air is electric. ‘One of my favorite sports is finding new people and combining them with other people, and I had used so many people from daytime on our soaps,’ says Spelling, whose legacy includes such prime-time legends as Loveboat and Dynasty. The company is currently on prime time with an unprecedented four dramas: Melrose Place; Beverly Hills, 90210; Savannah; and Seventh Heaven. Sunset has been 18 months in the making, and Spelling is like a proud papa, surrounded by actors whose future he has just secured. The series, which is co-owned by Spelling and NBC, has a one-year commitment from the network. That’s 51 weeks of shows, 255 hour-long episodes guaranteed. ‘I wouldn’t tell Candy, my wife, for a week after the show was sold, but my daughter Tori is a daytime addict, and she kept saying, ‘Do it,” says Spelling. With four shows already on the air, he has little time. Launching a daytime soap would siphon off even more of it. ‘I don’t think it hit me for a while. OnMelrose, we wrap on the 22nd of November and don’t come back until January 5th. The actors and writers get a chance to rest. This is never-ending. But it’s been a strange, great experience.’ Worldvision, which sells Spelling’s shows internationally, already has 10 countries signed on for Sunsetwithout one scene shot, based on a four-minute video that outlined the premise of the show and included Spelling talking about it. The foreign sales are important, as is NBC’s share in the financing. Mounting a daytime drama from scratch is a massive undertaking. ‘It requires the logistics of mounting a military campaign,’ says Levin. ‘There’s huge construction, there’s an enormous amount of lighting, tremendous casting, wardrobe problems. It’s not like prime time, when you see life in a kind of episodic way. Daytime is an endless stream of programming that, once it’s begun, can’t be stopped.’ Ohlmeyer puts the production investment alone at about $50 million. ‘Then there’s the cost of launch, advertising and promotion — it’s a major commitment on our part,’ he says. ‘With daytime, you’re not really going to know anything concretely for 18 months. I feel we’re very much on track. We’ve done this in a really organized way in terms of laying out target dates, scripts in by here, cast in place by here, task force working on clearances to this point we’re right on schedule. That still doesn’t change the pucker factor.’ NBC was initially looking at four ideas, Spelling’s idea among them, for a daytime soap. Spelling’s concept originally was loosely defined as ‘Melrose Place at the beach.’ When they began to look seriously for a title for the new show, Spelling ran a title contest in-house. The winner would get $200. There were dozens of suggestions, but the most serious contender, Never Say Goodbye, came from an unlikely source: Viacom chairman Sumner Redstone, who suggested it during a dinner with Spelling. ‘I loved the name — it says romance, which this show is all about,’ says Spelling, whose company is part of Viacom. But in testing, viewers were drawn to the ‘beach’ motif more than anything else, Spelling says. Executive producer Gary Tomlin (Santa Barbara) and Robert Guza Jr. are the people on the front line of the creative side of Sunset Beach. The initial groundwork on the series was done by Chuck Pratt, who was an executive producer on Melrose Place, and Guza, whose work everyone knew from Spelling’sModels Inc. Together they wrote a nearly 400-page bible outlining Sunset’s premise, characters and storyline. Spelling remembers the bible for Melrose Place being closer to 40 pages. Unlike most daytime dramas, which tend to build their storylines around families and family rivalries,Sunset Beach is about young singles and couples who have been drawn to the town, and the relationships that emerge as the action unfolds. The producers also created an underlying mythology about the town as a place where one can find true love. ‘We loved the idea of creating a town and making the town a character,’ says Guza, who is cocreator and head writer. ‘(With) Sunset Beach, you get to create this world and these characters, and then you get to screw up their lives.’ Sunset Beach is being written at a faster pace than traditional daytime dramas. It’s a delicate balancing act to move action through each episode without losing the audience. ‘We would love it if people watched five days a week, but they don’t,’ says Tomlin. Three days is more typical. ‘We have to make certain they’re able to pick up where the story left off and that it hasn’t moved so rapidly that they can’t figure it out.’ The show is also being designed to allow room for cameos by big-name prime-time stars. Spelling wants to give viewers as compelling a reason as possible to tune in to Sunset. ‘On top of needing to have a terrific show, you are fighting against viewer habits that are long, long ingrained,’ says Levin. ‘It is very difficult to change the loyalty of the daytime viewer, and we’re talking about shows that have been on for 30 years. That’s one of the reasons we’re targeting young viewers — they’re the most available and the most flexible in their viewing habits.’ Then there is the station lineup. Affiliates exert their independence far more in daytime than prime time. NBC says that Sunset is cleared on 85 percent of its affiliates; the network expects to reach 90 percent by the premiere. With the cast now in place and the first rolls of tapes being produced, the network knows that stations that are wavering at least will have something concrete to see. ‘Will we get sufficient coverage — that’s a constant battle,’ says Levin. ‘Will the local affiliates elect to air the show in desirable time slots that will afford us the best opportunity to be sampled? These are things we are lobbying for but ultimately we don’t control.’ Spelling and NBC executives hope that Sunset Beach will be scheduled to follow Days of Our Lives, which has made a dramatic turnaround. ‘Over the last 18 months with that show, it’s been unbelievable, going from being in the middle to the top,’ Ohlmeyer says. ‘If we can get that kind of performance from Another World — and we think we’re finally on the right track there — with Sunset Beach we could have a solid three-hour block.’ Copyright ASM Communications, Inc. (1996) ALL RIGHTS RESERVED http://www.mediaweek.com/mw/esearch/article_display.jsp?vnu_content_id=510703
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Freemasonry is full of jewish symbolism because it's basically esoteric kabbalah for gentiles. www.stichtingargus.nl/vrijmetselarij/ritualen_en.html Link to their rituals by the way. From last thread: Scottish rite masonry has submitted to Jesuits since the 19th century: https://youtu.be/QA4DVUUewu4 Popish origin of English freemasonry: https://www.youtube.com/watch?v=vl_ANuq3Rf8 "Loyola was a converso" refuted: https://www.youtube.com/watch?v=arR6FiCbHcU Apparently they have to be tolerant of all religions and think we all basically worship the same God. How anyone can call himself a christian and mason is beyond me to understand
The Beatles legit feels like hypno music. I've never liked it. "Gimme Shelter" has MK Ultra-tier lyrics. http://bit.ly/2HOJ2Rb An outstanding example of social conditioning to accept change, even when it is recognized as unwelcome change by the large population group in the sights of Stanford Research Institute, was the “advent” of the BEATLES. The Beatles were brought to the United States as part of a social experiment which would subject large population groups to brainwashing of which they were not even aware. When Tavistock brought the Beatles to the United States nobody could have imagined the cultural disaster that was to follow in their wake. The Beatles were an integral part of “THE AQUARIAN CONSPIRACY,” a living organism which sprang From “THE CHANGING IMAGES OF MAN,” URH (489)-2150-Policy Research Report No. 4/4/74. Policy Report pre-pared by SRI Center for the study of Social Policy, Director, Professor Willis Harmon. The phenomenon of the Beatles was not a spontaneous rebellion by youth against the old social system. Instead it was a carefully crafted plot to introduce by a conspiratorial body which could not be identified, a highly destructive and divisive element into a large population group targeted for change against its will. New words and new phrases–prepared by Tavistock(1)– were introduced to America along with the Beatles. Words such as “rock” in relation to music sounds, “teenager,” “cool,” “discovered” and “pop music” were a lexicon of disguised code words signifying the acceptance of drugs and arrived with and accompanied the Beatles wherever they went, to be “discovered” by “teenagers.”
construction began on the WTC the same year that 9-1-1 became the nat'l emergency number.
Also, Donnie Darko (a film that revolves around a fatal plane crash) premiered at a movie festival on 1/19/2001. Its wide release took place in October of that year.
Plato explains how certain types of music would have to be restricted from the population or limited to only certain people who had already learned to control their passions. I thought it was common knowledge that music has a huge amount of power of the people. One of the reasons I don't listen to the radio anymore or anything produced in the modern world. All of it literal CIA trash. “When on the East the sheer bright star arose that tells of coming Dawn, the ship made landfall and came up islandward in the dim of night. Phorkys, the old sea baron, has a cove >here in the realm of Ithaka; two points >of high rock, breaking sharply, hunch around it, making a haven from the plunging surf that gales at sea roll shoreward. Deep inside, at mooring range, good ships can ride unmoored. There, on the inmost shore, an olive tree throws wide its boughs over the bay; nearby >a cave of dusky light is hidden for those immortal girls, the Naiadês. Within are winebowls hollowed in the rock and amphorai; bees bring their honey here; and there are looms of stone, great looms, whereon the weaving nymphs make tissues, richly dyed as the deep sea is; and clear springs in the cavern flow forever.  >Of two entrances, >one on the north allows descent of mortals, >but beings out of light alone, the undying, >can pass by the south slit; no men come there.” Homer, The Odyssey, Book XIII, transl. Robert Fitzgerald
Theologists therefore assert, that_these two gates are Cancer and Capricorn; but Plato calls them entrances. And of these, theologists say, that Cancer is the gate through which souls descend; but Capricorn that through which they ascend. Cancer is indeed northern, and adapted to descent; but Capricorn is southern, and adapted to ascent (note 12). The northern parts, likewise, pertain to souls descending into generation. And the gates of the cavern which are turned to the north are rightly said to be pervious to the descent of men; but the southern gates are not the avenues of the Gods, but of souls ascending to the Gods. On this account, the poet does not say that they are the avenues of the Gods, but of immortals; this appellation being also common to our souls, which are per se, or essentially, immortal.  It is said |28 that Parmenides mentions these two gates in his treatise "On the Nature of Things", as likewise that they are not unknown to the Romans and Egyptians. For the Romans celebrate their Saturnalia when the Sun is in Capricorn, and during this festivity, slaves wear the shoes of those that are free, and all things are distributed among them in common; the legislator obscurely signifying by this ceremony that through this gate of the heavens, those who are now born slaves will be liberated through the Saturnian festival, and the house attributed to Saturn, i.e., Capricorn, when they live again and return to the fountain of life. Since, however, the path from Capricorn is adapted to ascent, hence the Romans denominate that month in which the Sun, turning from Capricorn to the east, directs his course to the north, Januanus, or January, from janua, a gate. But with the Egyptians, the beginning of the year is not Aquarius, as with the Romans, but Cancer. For the star Sothis, which the Greeks call the Dog, is near to Cancer. And the rising of Sothis is the new moon with them, this being the principle of generation to the world.
This doc details the city of Baiae. It was a wealthy coastal city. The Emperor built experimental buildings, and had party goers talk about how the interiors affected them emotionally. Concrete let them play around with shapes like never before. 3D video games are an infinite continuation of this kind of thinking. Vidya are totally fabricated, experimental worlds designed to illicit an emotional response from the participants. JOIN US  https://www.facebook.com/groups/qanonreports https://twitter.com/CIACLOWN1 https://www.bitchute.com/channel/ciaclown16661/
https://www.theosophical.org/publications/1551 https://www.theosophical.org/publications/1586 https://www.theosophical.org/publications/1550
Final Fantasy 7 had an interaction where old men invited you to a private sauna, and you end up in bed with one of them. Watch this, it's normalizing old pedos gang banging kids.
Yakuza must be heavily tied in with it all, just look at the rackets they are known for running as well as government intermingling. Reminds me of Gumpei Yokoi leaving after the failure of the Virtual Boy for Bandai, making the Wonderswan which went on to be pretty succesful in Japan then was killed in a "highway accident". It's no secret how linked the game companies are to yakuza groups either, I remember a really good documentary about Nintendo's old president Hiroshi Yamauchi and how he had dealings with them but it's been scrubbed from the internet seemingly.
So whats the deal with the jesuits? They were founded by a jew who was investigated twice by the spanish Inquisition for connections to the Alumbrados (The Illuminati) centuries before the Illuminati was created by Jesuits and Jews in bavaria. More than half of the Jesuit founders were jews. So many jews dominated the jesuit order that the catholic church and pope started requiring background checks to determine Jesuits were not jews going back multiple generations but this was discontinued http://www.unz.com/article/review-the-jesuit-order-as-a-synagogue-of-jews/.
This may be worth listening for you. I've seen a lot about Mozart and The Magic Flute which he gets in to about 15 minutes in but the whole beginning is talking about that time period in Europe, including Adam Weishaupt and the original foundation of The Illuminati. 
I've always suspected the Power Rangers was occult. The 1995 Power Rangers movie is hard to find clips of. Looking at it now i think it was predictive programming. The female sages look like soft core porn actresses. The Power Rangers travel around as a rainbow of light. The Power Rangers are a NWOesque multicultural fighting force bonded by new age spirituality, and a desire to fight "the enemy." http://bit.ly/2W0sU8V https://archive.org/details/MightyMorphinPowerRangersTheMovie1995VHS_201809 >44:00 Ivan Ooze wears a crescent, and downward star hat while handing out ooze to children. >49:40 sad frog power ranger >1:23:14 Parents all under mind control, and suicidal after exposure to children's ooze(Ooze may allude to the Hermetic dark moisture) >1:25:20 Ivan Ooze is smashed and the rings of light(Saturn) free the parents from their suicidal spell cast by the Ooze.  https://io9.gizmodo.com/secret-origins-of-the-japanese-superhero-show-that-beca-1722551968 (((Haim Saban))), the head of Saban Entertainment, approached Toei offering a partnership to air the then-most recent Sentai show, 1992’s Kyōryū Sentai Zyuranger. He had become fascinated by the Super Sentai concept, after seeing the 1985 show Bioman. But unlike Marvel, Saban did not want the full show: Their request was simply to use the action sequences that had been shot for all 50 episodes of Zyuranger, so that Saban could build an entirely new action series around it (and, most importantly, own the majority of the rights to it).
Ivan Ooze has an Order of the Eastern Star style star on his chest. https://archive.org/details/MightyMorphinPowerRangersTheMovie1995VHS_201809 46:40 Ooze infects parents and makes them slaves 47:15 Ivan Ooze promotes his Ooze drug over television 48:00 porn chick promotes animism to the multicultural Power Rangers The "Ooze" felt like a metaphor for something. Like a karmatic warning. >https://io9.gizmodo.com/secret-origins-of-the-japanese-superhero-show-that-beca-1722551968 This allowed Saban to essentially eject the vast majority of Zyuranger’s plot, and develop a vastly different story to slot the action sequences into. Originally, Zyuranger was not about modern-day people becoming superheroes, as many Super Sentai shows were. Rather, it was about a group of Humans who came from an ancient civilization that existed during the time of the dinosaurs 170 million years ago. The 5 heroes—Boi, Mei, Dan, Goushi, and Geki—were placed in suspended animation following the sealing away of their evil rival, the witch Bandora, only to reawaken in ‘90s Japan, following Bandora’s escape. Each hero represented one of 5 prehistoric “Guardian Beasts”, and they invoked their powers to summon giant robot dinosaurs and battle Bandora’s alien forces from a planet named Nemesis. >https://www.youtube.com/watch?v=_C3X4gLd1gQ Occult breakdown of the Power Rangers movie. Their colors reflect chakra colors. (ignore the gold shilling) So the Haim Saban jew changes the story from ancient heros to modern, multicultural, K-12 plebs fighting "evil." The American Power Rangers series uses distinctly Jewish names. I'm suspicious of anything starting with a z. http://bit.ly/2W0sU8V Angel Grove, California is a fictional town in the Power Rangers Universe, the setting for much of the action of the Zordon Era of Power Rangers. Angel Grove is presumably based on Los Angeles or San Francisco,  >but the town was shown as being settled by the British, a historical impossibility.  >(British Israelism) The population is 376,000 and the elevation is 241 ft. According to a computer trivia program it was established in 1775, another historical impossibility.  In the show, Angel Grove is the home of the Power Rangers, who for most of the series attend Angel Grove High School, the exteriors of which were shot at Grant High School in Los Angeles.  >Angel Grove is also close to the site of the Command Center (Power Chamber), the Power Rangers' base of operations, exteriors of which were shot at the Brandeis-Bardin Institute, a Jewish religious retreat in the Los Angeles area.  Angel Grove was the setting of the villains' attacks until "Countdown to Destruction" (the Power Rangers in Space finale). It has also been stated Leo Corbett (the Red Lost Galaxy Ranger) that most of Terra Venture's space colonists are former Angel Grove residents seeking a new home - to get away from all the alien and monster attacks on Earth.  The location of Angel Grove also experienced a huge climate shift in its history, as seen in certain episodes where some of the Rangers travel back in time. During colonial times, the city was surrounded by a lush green forest, but in the Wild West era, Angel Grove was located in a desert, suggesting the climate became much dryer.  >(the Middle East) The myth of Tammuz and Ishtar is one of the earliest examples of the dying-god allegory, probably antedating 4000 B. C. (See Babylonia and Assyria by Lewis Spence.) The imperfect condition of the  tablets upon which the legends are inscribed makes it impossible to secure more than a fragmentary account of the Tammuz rites. Being the esoteric god of the sun, Tammuz did not occupy a position among the first deities venerated by the Babylonians, who for lack of deeper knowledge looked upon him as a god of agriculture or a vegetation spirit. Originally he was described as being one of the guardians of the gates of the underworld. Like many other Savior-Gods, he is referred to as a "shepherd" or "the lord of the shepherd seat." Tammuz occupies the remarkable position of son and husband of Ishtar, the Babylonian and Assyrian Mother-goddess. Ishtar--to whom the planer Venus was sacred--was the most widely venerated deity of the Babylonian and Assyrian pantheon. She was probably identical with Ashterorh, Astarte, and Aphrodite. The story of her descent into the underworld in search presumably for the sacred elixir which alone could restore Tammuz to life is the key to the ritual of her Mysteries. The myth of Ishtar symbolizes the descent of the human spirit through the seven worlds, or spheres of the sacred planets, until finally, deprived of its spiritual adornments, it incarnates in the physical body--Hades--where the mistress of that body heaps every form of sorrow and misery upon the imprisoned consciousness. The waters of life--the secret doctrine--cure the diseases of ignorance; and the spirit, ascending again to its divine source, regains its God-given adornments as it passes upward through the rings of the planets. This is from Manly Palmer Hall Secret Teachings of All Ages https://www.cia.gov/library/abbottabad-compound/E4/E4AAFF6DAF6863F459A8B4E52DFB9FF4_Manly.P.Hall_The.Secret.Teachings.of.All.Ages.pdf https://blogs.wdav.org/2014/08/mozart-101-part-3-of-4-the-magic-flute/ German poet Goethe once said about The Magic Flute, “If the multitude find pleasure only in what is actually visible, the initiated will not fail to perceive the higher meaning.” Those “initiated” are none other than the Freemasons. Mozart became a Mason in December 1784 and was an active member until his death seven years later. Freemasonry in Mozart’s time was driven by a desire to spread the ideals of the Enlightenment – reason, tolerance, and humanism. Mozart found solace in these principles as he dealt with the passing of his father, troubles in his marriage, and his ever-growing debt. It is no surprise then that his later works became saturated with Masonic themes. The Magic Flute is certainly no exception. Written at a time when Freemasonry was condemned and discredited, The Magic Flute has been called an “Enlightenment allegory, veiled in masonic ritual.” >Mozart didn’t limit his Masonic nods to just the abstract allegorical level. Freemason rituals and symbolism are scattered throughout the opera. Take the number three, for example. This numeral, an important figure to the Masons, occurs again and again: the main character Tamino is rescued by three ladies and guided along his journey by three boys; he must endure three trials to join the brotherhood; the snake representing ignorance is cut into three pieces. Mozart even goes so far as to write the work in a key signature with three flats. The Magic Flute, meant to epitomize the meaning of Freemasonry, was Mozart’s last completed composition. He fell ill two days after its premiere. He died after the show’s 67th performance. One hypothesis regarding Mozart’s death is that Masons poisoned him for revealing their secrets.
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endenogatai · 6 years ago
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UK sets out safety-focused plan to regulate Internet firms
The UK government has laid out proposals to regulate online and social media platforms, setting out the substance of its long-awaited White Paper on online harms today — and kicking off a public consultation.
The Online Harms White Paper is a joint proposal from the Department for Digital, Culture, Media and Sport (DCMS) and Home Office. The paper can be read in full here (PDF).
It follows the government announcement of a policy intent last May, and a string of domestic calls for greater regulation of the Internet as politicians have responded to rising concern about the mental health impacts of online content.
The government is now proposing to put a mandatory duty of care on platforms to take reasonable steps to protect their users from a range of harms — including but not limited to illegal material such as terrorist and child sexual exploitation and abuse (which will be covered by further stringent requirements under the plan).
The approach is also intended to address a range of content and activity that’s deemed harmful.
Examples providing by the government of the sorts of broader harms it’s targeting include inciting violence and violent content; encouraging suicide; disinformation; cyber bullying; and inappropriate material being accessed by children.
Content promoting suicide has been thrown into the public spotlight in the UK in recent months, following media reports about a schoolgirl whose family found out she had been viewing pro-suicide content on Instagram after she killed herself.
The Facebook -owned platform subsequently agreed to change its policies towards suicide content, saying it would start censoring graphic images of self-harm, after pressure from ministers.
Commenting on the publication of the White Paper today, digital secretary Jeremy Wright said: “The era of self-regulation for online companies is over. Voluntary actions from industry to tackle online harms have not been applied consistently or gone far enough. Tech can be an incredible force for good and we want the sector to be part of the solution in protecting their users. However those that fail to do this will face tough action.
”We want the UK to be the safest place in the world to go online, and the best place to start and grow a digital business and our proposals for new laws will help make sure everyone in our country can enjoy the Internet safely.”
In another supporting statement Home Secretary Sajid Javid added: “The tech giants and social media companies have a moral duty to protect the young people they profit from. Despite our repeated calls to action, harmful and illegal content – including child abuse and terrorism – is still too readily available online.
“That is why we are forcing these firms to clean up their act once and for all. I made it my mission to protect our young people – and we are now delivering on that promise.”
Children’s charity, the NSPCC, was among the sector bodies welcoming the proposal.
“This is a hugely significant commitment by the Government that once enacted, can make the UK a world pioneer in protecting children online,” wrote CEO Peter Wanless in a statement.
“For too long social networks have failed to prioritise children’s safety and left them exposed to grooming, abuse, and harmful content.  So it’s high time they were forced to act through this legally binding duty to protect children, backed up with hefty punishments if they fail to do so.”
Although the Internet Watch Foundation, which works to stop the spread of child exploitation imagery online, warned against unintended consequences from badly planned legislation — and urged the government to take a “balanced approach”.
The proposed laws would apply to any company that allows users to share or discover user generated content or interact with each other online — meaning companies both big and small.
Nor is it just social media platforms either, with file hosting sites, public discussion forums, messaging services, and search engines among those falling under the planned law’s remit.
The government says a new independent regulator will be introduced to ensure Internet companies meet their responsibilities, with ministers consulting on whether this should be a new or existing body.
Telecoms regulator Ofcom has been rumored as one possible contender, though the UK’s data watchdog, the ICO, has previously suggested it should be involved in any Internet oversight given its responsibility for data protection and privacy. (According to the FT a hybrid entity combining the two is another possibility — although the newspaper reports that the government remains genuinely undecided on who the regulator will be.)
The future Internet watchdog will be funded by industry in the medium term, with the government saying it’s exploring options such as an industry levy to put it on a sustainable footing.
On the enforcement front, the watchdog will be armed with a range of tools — with the government consulting on powers for it to issue substantial fines; block access to sites; and potentially to impose liability on individual members of senior management.
So there’s at least the prospect of a high profile social media CEO being threatened with UK jail time in future if they don’t do enough to remove harmful content.
On the financial penalties front, Wright suggested that the government is entertaining GDPR-level fines of as much as 4% of a company’s annual global turnover, speaking during an interview on Sky News…
The #OnlineHarms regulator should have teeth, says Jeremy Wright. Fines comparable to information commissioner's under GDPR – 4% of global turnover. Potentially makes individual managers liable. In extreme cases, decides whether websites should be allowed to operate in the UK… pic.twitter.com/gBMe6uUKie
— Alexander J. Martin (@AJMartinSky) April 8, 2019
Other elements of the proposed framework include giving the regulator the power to force tech companies to publish annual transparency reports on the amount of harmful content on their platforms and what they are doing to address it; to compel companies to respond to users’ complaints and act to address them quickly; and to comply with codes of practice issued by the regulator, such as requirements to minimise the spread of misleading and harmful disinformation with dedicated fact checkers, particularly during election periods.
A long-running enquiry by a DCMS parliamentary committee into online disinformation last year, which was continuously frustrated in its attempts to get Facebook founder Mark Zuckerberg to testify before it, concluded with a laundry list of recommendations for tightening regulations around digital campaigning.
The committee also recommended clear legal liabilities for tech companies to act against “harmful or illegal content”, and suggested a levy on tech firms to support enhanced regulation.
Responding to the government’s White Paper in a statement today DCMS chair Damian Collins broadly welcomed the government’s proposals — though he also pressed for the future regulator to have the power to conduct its own investigations, rather than relying on self reporting by tech firms.
“We need a clear definition of how quickly social media companies should be required to take down harmful content, and this should include not only when it is referred to them by users, but also when it is easily within their power to discover this content for themselves,” Collins wrote.
“The regulator should also give guidance on the responsibilities of social media companies to ensure that their algorithms are not consistently directing users to harmful content.”
Another element of the government’s proposal is a “Safety by Design” framework that’s intended to help companies incorporate online safety features in new apps and platforms from the start.
The government also wants the regulator to head up a media literacy strategy that’s intended to equip people with the knowledge to recognise and deal with a range of deceptive and malicious behaviours online, such as catfishing, grooming and extremism.
It writes that the UK is committed to a free, open and secure Internet — and makes a point of noting that the watchdog will have a legal duty to pay “due regard” to innovation, and also to protect users’ rights online by paying particular mindful not infringe privacy and freedom of expression.
It therefore suggests technology will be an integral part of any solution, saying the proposals are designed to promote a culture of continuous improvement among companies — and highlighting technologies such as Google’s “Family Link” and Apple’s Screen Time app as examples of the sorts of developments it wants the policy framework to encourage.
Although such caveats are unlikely to do much to reassure those concerned the approach will chill online speech, and/or place an impossible burden on smaller firms with less resource to monitor what their users are doing.
“The government’s proposals would create state regulation of the speech of millions of British citizens,” warns digital and civil rights group, the Open Rights Group, in a statement by its executive director Jim Killock. “We have to expect that the duty of care will end up widely drawn with serious implications for legal content, that is deemed potentially risky, whether it really is nor not.
“The government refused to create a state regulator the press because it didn’t want to be seen to be controlling free expression. We are skeptical that state regulation is the right approach.”
UK startup policy advocacy group Coadec was also quick to voice concerns — warning that the government’s plans will “entrench the tech giants, not punish them”.
“The vast scope of the proposals means they cover not just social media but virtually the entire internet – from file sharing to newspaper comment sections. Those most impacted will not be the tech giants the Government claims they are targeting, but everyone else. It will benefit the largest platforms with the resources and legal might to comply – and restrict the ability of British startups to compete fairly,” said Coadec executive director Dom Hallas in a statement. 
“There is a reason that Mark Zuckerberg has called for more regulation. It is in Facebook’s business interest.”
UK startup industry association, techUK, also put out a response statement that warns about the need to avoid disproportionate impacts.
“Some of the key pillars of the Government’s approach remain too vague,” said Vinous Ali, head of policy, techUK. “It is vital that the new framework is effective, proportionate and predictable. Clear legal definitions that allow companies in scope to understand the law and therefore act quickly and with confidence will be key to the success of the new system.
“Not all of the legitimate concerns about online harms can be addressed through regulation. The new framework must be complemented by renewed efforts to ensure children, young people and adults alike have the skills and awareness to navigate the digital world safely and securely.”
The government has launched a 12-week consultation on the proposals, ending July 1, after which it says it will set out the action it will take in developing its final proposals for legislation.
“Following the publication of the Government Response to the consultation, we will bring forward legislation when parliamentary time allows,” it adds.
Last month a House of Lords committee recommended an overarching super regulator be established to plug any legislative gaps and/or handle overlaps in rules on Internet platforms, arguing that “a new framework for regulatory action” is needed to handle the digital world.
Though the government appears confident that an Internet regulator will be able to navigate any legislative patchwork and keep tech firms in line on its own — at least, for now.
The House of Lords committee was another parliamentary body that came down in support of a statutory duty of care for online services hosting user-generated content, suggesting it should have a special focus on children and “the vulnerable in society”.
And there’s no doubt the concept of regulating Internet platforms has broad consensus among UK politicians — on both sides of the aisle. But how to do that effectively and proportionately is another matter.
We reached out to Facebook and Google for a response to the White Paper.
Commenting on the Online Harms White Paper in a statement, Rebecca Stimson, Facebook’s head of UK public policy, said: “New rules for the internet should protect society from harm while also supporting innovation, the digital economy and freedom of speech. These are complex issues to get right and we look forward to working with the Government and Parliament to ensure new regulations are effective.”
Stimson also reiterated how Facebook has expanded the number of staff it has working on trust and safety issues to 30,000 in recent years, as well as claiming it’s invested heavily in technology to help prevent abuse — while conceding that “we know there is much more to do”.
Last month the company revealed shortcomings with its safety measures around livestreaming, after it emerged that a massacre in Christchurch, New Zealand which was livestreamed to Facebook’s platform, had not been flagged for accelerated review by moderates because it was not tagged as suicide related content.
Facebook said it would be “learning” from the incident and “re-examining our reporting logic and experiences for both live and recently live videos in order to expand the categories that would get to accelerated review”.
In its response to the UK government White Paper today, Stimson added: “The internet has transformed how billions of people live, work and connect with each other, but new forms of communication also bring huge challenges. We have responsibilities to keep people safe on our services and we share the government’s commitment to tackling harmful content online. As Mark Zuckerberg said last month, new regulations are needed so that we have a standardised approach across platforms and private companies aren’t making so many important decisions alone.”
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