#he outright says in the first novel he’s always loathed dealing with people

[mocha-writes]

I didn’t want to Blorbo tag on what I just reblogged but

I’ve spent so much time studying Strahd like a bug. I’m out here like the red string conspiracy theory board meme with how many different sources I’m pulling from to establish my “version” of his character

But I have to admit how much of that has been latching onto different things from the novels he narrates to go “he’s a pathetic loser actually beneath the cool goth exterior”

[corancoranthemagicalman]

C’s (1/?) Destiel Rec List:

That gets less and less coherent as it goes.

So here is a rec list by order in which I read them and not by preference. They’re like, All Destiel, because that’s how Post-November C rolls:

First on the list is The Courtship of Combat by bendingsignpost 18k

I KNOW it’s not Thee fic by bendingsignpost that everyone is talking about. I know. BUT, I dearly enjoyed it. It’s the first in a series and it’s A/B/O. (I know. I know. Don’t @ me. Or do.) It’s pre-relationship and the characters are definitely themed toward early-Destiel if you catch my drift. Omega!Dean’s hand is being fought over. This wouldn’t matter to Castiel except he totally told Michael that the reason he wouldn’t marry anyone is because he’s head over heels for the Winchester Omega that he doesn’t even have a real recollection of ever meeting. It’s like the perfect balance of a meet-cute and meet-ugly. I just LOVE bendingsignpost’s Castiel voice. It’s such a great characterization.

I’M GONNA SCREAM THE SECOND ON THE LIST IS ANOTHER A/B/O?!? I swear I don’t read that much A/B/O, but this is another exception because it’s Biological Imperatives (Or Not) by tiamatv  29k

Tiamatv is one of my favorite writers. If you’re unfamiliar with their work, I’m gonna rec more of it to you. No worries. THIS lovely piece of work is a Beta/Beta narrative that focuses on how hilarious A/B/O tropes are from an outsider perspective, but doesn’t do it in a way that feels insulting to the classical tropes. It’s just people living their lives where these situations happen not often but enough that they know how to deal with it. Dean and Cas have several first dates trying to figure out what’s happening between the two of them. Castiel is thee love of my life in this piece. And Dean’s headspace makes for a witty narrative.

If you know me at all, you know this next one HAD to be a regency and it’s Of Lords and Letters by MalMuses 14k

Dean is the master of the Winchester estate after his father passes. Unfortunately for the estate (but much to Dean’s pleasure), he can’t run it personally because he’s at war. Not that he likes war all that much, but it’s what he knows. War he knows. Sam is a conniving but well-meaning little brother and puts him in contact with Mister Castiel Shurley. (I KNOW. I KNOW. I allow Castiel Shurley in recent fics only if Chuck is cast as an asshole, and he is :)) But seriously, it’s SO Regency. There’s letters, pining, propriety, and men in period suits. What more could you ask for?

Y’all probably gonna immediately peg who I am as a person when I say Always Together, Eternally Apart by EmiliaOagi 27k is probably one of my top ten Destiel fics.

Here’s the thing—Ladyhawke is probably my second favorite movie in the entire world beat only by The Princess Bride. (Seriously, if y’all wanna bribe me with anything, it will always be that.) NOT ONLY does EmiliaOagi beautifully incorporate the source material, but once more Dean Winchester is SO Dean Winchester it hurts. This piece is from Sam’s perspective, and his running inner monologue is both insightful and entertaining. If you’re unfamiliar with the plot of Ladyhawke, I refuse to spoil it for you. Some things must be experienced, and this is one of them. Either by reading this lovely work or by viewing the original film, you’ll understand the legend that so captivates me.

OH ANOTHER DELICIOUS ONE and it’s like in that vein of Retired Hunters But Not Yet Together Destiel is Welcome to Pine Shores! by andimeantittosting (Saylee) 20k

It’s always fun reading Dean character studies, and this is definitely one of them. So the long and short of it is PINING FOR DAYS (this was written for Pinefest) and Dean trying to set up Cas with other people because he thinks Cas might want more. Oh, and did I mention they’ve been running this motel for like thirteen years? And they share a bed? *Tropes Intensify*

There is also Dean Winchester and the Patron Saint of Blind Dates by goldenraeofsun 18k which I think some of y’all are familiar with.

Sort of what it says on the tin, to be honest, folks. Dean’s friends set him up with some blind dates and the bartender—Castiel—grips his Purple Nurple tight and raises him from perdition. (And no, it’s not a euphemism.) The dates are sort of outrageously in character and interestingly enough this is a Sam/Ruby fic too! I sort of liked how it played out in this piece. If you’re worried about the Sam/Ruby dynamic, fear not! They were both former addicts and have since been clean for (a year or two? I don’t recall the time frame.) Dean has a love/hate sort of relationship with an emphasis on hate with Ruby since she’s the one who got Sam into drugs (allegory for the demon blood) but she’s also the one to try to go clean first. I just thought that was an interesting take, and one I would’ve linked to have seen the show pursue to be honest, but Supernatural has to keep the hot ladies dead or villains or both haha ;)) I digress. It’s a smaller read but the subject matter is pretty heavy. From former religious cults to the former addicts, please keep in mind if mentions of these things make you uncomfortable. It’s definitely the one whose subject matter stuck out the most to me. So apologize if I’ve missed mentioning anything specific for y’all in the previous recs or this one.

WAIT THIS NAME LOOKS FAMILIAR!??! IT’S andimeantittosting (Saylee) BACK AT IT AGAIN BUT THIS TIME WITH The Winchester Affair 34k !!

SAYLEE YOU HAD TO MAKE IT ONTO THIS LIST TWICE. Another Regency, except this time Castiel is long time friends (with benefits *eyebrow wiggles*) with Dean. He’s in love with him, obviously, so this means that an asshole named Zachariah that we all know and loathe comes around planning to frame his poor sister (Hael) with stealing Mary Winchester’s brooch if Castiel doesn’t find some damning evidence on the Winchesters for him. DRAMA AHOY!!! This is a very harlequin/regency novel. It’s actually based off of a novel called Ware the Marquess as is the wont of the Destiel Harlequin Challenge. Very good challenge to check out; very excellent fic to read. And the author so nice we listed them twice. ;) SIDE NOTE: This is totally one of those Regency ones where It Simply Isn’t Done, if you know what I mean. Like, no one is outright slurring or something that I can recall (and it isn’t tagged so I doubt there is), but it Isn’t Done, But They Love Each Other Very Much.

So you guys know Scoobynatural is my comfort episode, right? Well, one of my favorite things that I’ve delightfully discovered is the trope of building off of Cas’ one-liner about being effin’ married, so have The Nikkah by Maxine (WinchesterPooja) 28k!

Reads like a Case-fic as there’s an entire sub-plot happening with Sam. So this story happens well within the canon despite being canon-divergent. This one does end happy!! There’s a view episode like fics I might rec that end in canon-fashion with Dean repression and I love the pining and all but sometimes I need sweet fandom closure. Long and short of it: Djinn culture? Djinn queen? Fake-relationships? Sam dealing with nightmares? This baby can fit SO MUCH ACTION into a fic.

Okay, so you know the fic with the Bee Movie allegory? (It’ll come up on this reclist.) This has the same vibe, except for the relationship is out of order and Dean is Diagnosed with If I Do It This Way It’s Okay. Yeah, it’s Command Me to Be Well by prosopopeya 28k

Human Cas, back from the dead, post-finale, and Dean is trying to figure out how to get his happy ending. I’ve seen this one make the rounds on fic rec’ing so I think it’s a bit familiar, but I enjoyed it. Even though—as my bookmark says—I usually don’t go in for hurt/comforts with heavy on the hurt because my poor heart can’t take it. This is one of my few exceptions. This one has a healthy dose of Castiel standing up for himself with the bittersweet tang of him literally willing to do so much for Dean. But it’s a Dean perspective, so it really deals with a lot of his inner thoughts.

This one is,,,, in a similar vein as Command Me to Be Well. I guess I was in a mood. Baby, Come On Home by woodenducks 9k.

IT’S SEASON NINE WITH A SIDE OF PINE. What more could you ask for angst? Human Cas in Rexford trying to make a life for himself when all he wants is to go home. But he’s also trying to figure out what home even is for him. There’s a lot of drama between Dean and Cas, because of course Dean wants him there. But blah blah angels and blah blah whatever excuse the writers wanted so we couldn’t have human Cas and Dean in the bunker. We KNOW obviously the only thing keeping canon Dean from snapping was the fact that Cas was not human around him. *heavy eyeroll*. Anyways, this is a heartbreaking read from Castiel’s perspective.

One of my favorite Rescue Cas from the Empty fics is (they'll never break) the shape we take by auroralynches (teresavampa) 9k.

There’s this super cool concept of how Castiel experiences his regrets within the Empty and how Dean navigates through them to get to Castiel. I really enjoyed it, and of course the greatest love story ever told has got to have SOME theatrics and sentiments that are definitely reflected in this fic. My point is, I really love when Empty Rescue fics include analyzing Castiel’s regrets, and this one does so but from Dean’s perspective. As in Dean is viewing Castiel’s memories and trying to perceive his regrets.

Sooooo Epistolary by tiamatv 9k eh?

I love love LOVEEEEEE epistolary fics. I love them. I’ll always read them. And I totally told you I loved tiamatv. This is probably another one for the top ten fics just because it plays into my things. Love letters, music, and misunderstandings, oh my!!

HERE’S A VERY SEXY TERRIBLE LIFE ----> Ties that Bind Us by TheTwistedWillow 13k

Okay, so BASICALLY what if It’s A Terrible Life happened in like, circa-season 13 and Castiel was thrown in with Dean Smith and Sam Wesson. Literally all that I wanted in this fic. I do mean it’s sexy, by the way. I can’t even begin to explain this fic beyond it’s Castiel’s perspective, and he has some awareness that something is off. And being inside Castiel’s head when he’s not Castiel gets me every time.

OKAY I KNOW THIS IS THE THIRD A/B/O FIC ON THIS LIST I KNOW I KNOW The Mills School for Distinguished Girls by SillyBlue 13k IS WORTH IT THOUGH?!?!

Alpha Dean Winchester is going off to war. In the meantime, his family still doesn’t know about his marriage to Omega Castiel (in fact, they still think Castiel is a Beta.) Male Omegas are very rare in this universe, and it is addressed along with the fact that just because Castiel might look different on the outside doesn’t make him any different than the girls. Which I thought was a thought-provoking interpretation. There’s prejudices here—a lot of them against women and omegas—and a temporary character death which actually moved me to tears. I bookmarked this saying bring the tissues; bring the tissues.

THE BEE MOVIE FIC THE BEE MOVIE FIC THE BEE MOVI— according to all known laws of life by sobsicles 29k sobsicles I owe you a great slice of pie.

Sobsicles, my beloved, my bestie <3 (am I allowed to say that? I mean it affectionately. Well and truly.) You REALLY got in my head with this one. This is literally such an insane read that I read it twice in a row. Yeah, whoops. Cas is back from the empty and Dean is an asshole about it because feelings are hard. Here is what I bookmarked this fic with: “Dean Winchester has issues. He gets through them. Like a Bull in a China Shop, but he gets through them. The metaphor works.” And that is EXACTLY what happens. Dean is such an asshole and I LOVE IT. 14yr me would cry at the concept of reading this but 14yr me is a tasteless bitch. This is where it’s at. Dean has so much he’s mentally working through and Cas won’t take no shit and Sam is tired. It’s great. I love it. I know we rec sobsicles left and right over here (and I know there’s a new one I haven’t read yet) but this one is really my favorite. And I know some people feel uncertain when fics/authors get popular in a fandom, so if this isn’t for you that’s okay!! But well and truly this is just one of those in the top ten Destiel fics of my heart.

Baby Jack during the Widower Arc truther here like Trial and Tribulations of Raising a Nephilim by Sickandtiredofyou 14k

I’ve seen this one rec’d before but not enough. Like this one SHOULD be talked about. Because I am a Baby Jack Truther, and putting a baby in the widower arc is my literal weakness. Dean goes crib shopping. He paints the nursery. He does that season 2&3 thing he does where he wrecks something so that he has to rebuild it. He’s mourning. He’s crying. Sam is afraid to hold a baby. There’s a lot of emotions and they’re raw. Promise there’s a happy ending, but be ready to cry first.

Another sam pov because i love my little brother Letters to Nowhere by Goodluckdetective (scorpiontales) 28k

AWWW YES. So this is another Empty Rescue fic. This one plays up the Orpheus and Eurydice lore, but in a surprising twist this is Sam’s POV!! Sam doesn’t know the full story, and we as the audience aren’t granted omnipresence for this fic either. It’s just point blank is his emotions. Him worrying for Dean, missing Cas, and wanting a happy ending for all of them. It’s sort of epistolary with how Sam is texting Castiel’s phone, but in general it is Sam Winchester wanting to save both of his brothers. So despite it being Destiel, the Destiel is almost the background ship since this story is Sam’s story and how Sam witnesses their story. It’s pretty meta in that sense, in that he’s aware there’s this grand story going on and we as an audience know there’s this grand love story happening, but we’re reading Sam’s story.

One of those i mentioned where its like an episode and they just end with tension between them >:((( but SO enjoyable and very much like an actual MotW Soul Searching by Lottiethroughthelookingglass 13k

It is in a screenplay format, but I didn’t mind that. It’s definitely a fun read! I thought the characterizations were pretty grand all-in-all. No get together though in this one if you’re looking for Destiel. Sorry. But it does make its way on to the list because we deserved a body swap episode and never got it.

This is like the third fic by tia and im not sorry and it’s Filoplume by tiamatv 8k !!!!

Its SOULMATES BAYBEEEE!!! But it’s not destined Soulmates. It’s like… soul compatibility, but only AFTER you’ve forged the bond. Self-Made Soulmates as it were. Very achingly and lovingly sentimental. Like, I think I’ve read this one four times in one week? It’s the shortest rec on this list (and while I definitely have shorter works bookmarked, I wanted this rec list to be longer ones for some reason I guess) but it feels longer. Maybe because every paragraph is like a gut punch. egGH. It’s another Empty Rescue by-the-by and Dean’s soulmark (given to him by Cas after Castiel’s Despair Confession) helps get him into the Empty.

OHOHOH LEVERAGE AU!!?! The Jericho Job by giantteenwolforgy 20k

The first in a series and I am SO EXCITED FOR MORE. I absolutely adore Leverage, so seeing this was like clearing my skin with care products I’ve never used. The characterizations are amazingly well done and vivid. They feel so unbelievably real and it makes me an eager beaver to get to the meat of them connecting as a team and family, but the slow burn is well worth it.

Yes, yes, Dean needs him, and need = love for Dean’s vocab but what does dEAN WANT and what does want mean to Dean? Find out in if you try sometimes, well you just might find by JenTheSweetie 9k

I’ve always been a huge fan of metas that dissect Dean’s differeniation of need vs want, and this whole work was like one of those metas. It’s a Cas POV of him trying to figure out how to read this man that he knows so well. It pulls out the angst and it makes me ache, but promises there IS a happy ending and Dean WANTS it.

Shush you know you want Goodbye Stranger meets Detroit: Become Human you knOW YOU WANT IT Digital Heartbeat by Chancy_Lurking 14k

MHM IT’S SO GOOD. Talk about good characterization. This work is almost a time piece? There’s a few skips in the timeline but you get the good parts and what’s needed for a full narrative. Castiel is an android sent by Cyberlife to the Men of Letters for aiding in hunting. He’s—of course—assigned to the brothers Winchester.

Shush delicious content right here mwah Heartstring Promenade by SaltyWords (agent4hire22) 17k

Another Empty Rescue?!? Yeah, yeah it is. Dean is sort of reckless. And by that, I mean a lot. But it’s fine. All happy endings, and smutty endings too. ;))

This is one of two 36-questions inspired fics I’ve got bookmarked, but the sex in this one hits my preferences too perfectly so it gets the spot and this list is getting too long to include all of my bookmarks to include both of them anyways but Seek to Know You Better by ahurston 32k mhmmmmmm

This fic is very personal to me. I couldn’t explain even if you asked me to. It might be the Florida Citrus Tree expressionism in Cas’ thoughts, but idk it's such a mystery (the way you know me) by fleeceframe 20k has got it on the list.

Cas loses his memories for a short period of time. Dean and Sam introduce Castiel to Cas, and Dean and Cas have a heart to heart. <3

A vERY interesting premise in a fool's kind of careless by Paclipas 9k

Dean is SUPER off his game when he can’t tell the difference between Cas and Not-Cas over the summer. Canon-fic.

A FIC FROM 2018?!?! WITH TIME TRAVEL??!? Ye ye it is Crazy Diamonds by pantheon_of_discord 24k

Dean of 2018, married to Castiel, swaps places with his newly dragged from Hell 2008 self. Time shenanigans and Bobby Frickin’ Singer ensue.

This one is ONE I AM OBSESSED WITH ACTUALLY And Neither Do You by callsigntango 45k like if it's not the one everyone starts talking about :((( is SO GROSS how callsigntango describes the empty and i lOOOVEEEE ITTTTT. Also plays into a Florida myth I totally forgot about so high-key freaked me out. Hahah.

[aion-rsa]

The November Man and Pierce Brosnan’s Anti-James Bond Roles

https://ift.tt/3gP6902

He’s nastier than I remembered. In fact, Peter Devereaux, who is Pierce Brosnan’s lead spy in the grisly B-actioner The November Man, is a downright scumbag. But this is by design in a film that’s clearly coasting off audiences�� familiarity with the actor as James Bond 007. And despite his penchant for a fashionable enough gray sport coat, Devereaux displays little elegance or wit while he’s on the job; he’s a bastard who’ll sneak into his former protege’s kitchen with a gun and then hold the young lad’s girlfriend hostage and at knifepoint.

“Scenario: Your target has just severed the femoral artery of a woman you have been intimate with. What do you do?” Brosnan’s not-so-super spy bellows right before slicing a young woman across the thigh. He all but sneers as he leaves the rookie to clean up his mess.

This is just one of several anti-Bond set-pieces in The November Man, which is an even uglier piece of work now than when it premiered seven years ago. Yet as the movie comes back to prominence this week due to Netflix’s algorithm, I couldn’t help but be reminded of how the picture must have looked like a breath of fresh air on the page for Brosnan. Indeed, it’s one of several flicks that contributed to a pattern the actor cultivated over the last 20 years: a deconstruction if not outright indictment of the 007 image which made him an international star. The November Man is the slightest of those efforts, however it remains a notable one wherein Brosnan again thrived in taking the glamour, not to mention the piss, out of his most famous role.

Naturally suave and urbane, cultured yet more physical than many of his detractors ever gave him credit for, Brosnan seemed like the natural choice to play 007 back in 1986 when he was first cast in the role. He looked like such a good fit that it might have been one of the contributing factors for why 1980s audiences didn’t fully warm to Timothy Dalton in the role after he stepped in because Brosnan’s ‘80s television series, Remington Steele, was renewed and Brosnan was forced to bow out. When the Irish actor finally got a second chance to slide into the tuxedo nearly 10 years later via 1995’s GoldenEye, Brosnan was more seasoned and mature than his days on NBC, but he was still unquestionably the most chic 007 audiences had ever seen.

At the time, it felt like the return of the rightful king to many casual fans, an heir claiming his rightful throne. Audiences went wild for GoldenEye, which remains in this writer’s opinion one of the best 007 adventures to date more than 25 years later. While the amount of reinvention that Eon Productions and director Martin Campbell had to do to justify Bond’s continued popularity in the post-Cold War era would look like small potatoes compared to what the same team would attempt 11 years later with Daniel Craig’s hard reboot of the franchise in Casino Royale, GoldenEye still remains a blast of fresh air for a series that was feeling increasingly stuffy by the end of the 20th century. Bond had to deal with the world changing, but unlike Craig’s Bond, he didn’t necessarily have to change with it yet.

There’s thus a melancholic element to Brosnan’s Bond 007. He’s not so much a “relic of the Cold War,” as the wonderful Judi Dench’s M says in her first tête-à-tête with a Bond actor, as he is a man that time has passed by. He’s aware his moment is gone, so he spends the 1990s justifying his relevancy, and at least in the case of GoldenEye (and I’d argue all of Brosnan’s first three Bond films) he proved it in the moment with a playful smirk and the best one-line groaners this side of Roger Moore. However, some of those movies aged, they were what audiences wanted from the character then.

However, this is not the only version of 007 that Brosnan could have played. The actor was in fact famous for his behind-the-scenes grappling with the producers and his attempts to take the character in a darker and more grounded direction. In 2017, he recalled to Total Film that, “There was a certain frustration within me as the films went on, as I could see the world happening around me and the movies. I wanted Bond to get a little more gritty and real and down and dirty, but however you try to nurse it along, the scripts would come along with the same outlandish scenarios.”

In essence, he seemed to want to play the Bond that Daniel Craig eventually embodied, or at least a less gloomy variation on it.

One imagines this was the reason even before he left the Bond role that Brosnan began exploring that side of the character wherever else he could. By the time of 2014’s The November Man, the anti-Bonds were almost as familiar for Brosnan as the real thing, and he mostly appeared to be indulging the type of B-actioners that actors of a certain age have turned into a subgenre ever since Taken. However, even before hanging up the tux for good, Brosnan was doing much more interesting work subverting that same public persona.

His performance as Andy Osnad in John Boorman’s The Tailor of Panama stands out as the most contemptuous and articulate deconstruction of the sophisticated 007 image. Based on a John le Carré novel, The Tailor of Panama imagines a disgraced libertine MI6 agent (Brosnan’s Andy) who decides to enrich himself in South American exile by manufacturing a crisis and hoodwinking a hawkish and imperialist American military while also manipulating one particularly demented ex-pat tailor (Geoffrey Rush). Largely underrated now, the 2001 film—which opened between The World is Not Enough (1999) and Die Another Day (2002)—features Brosnan at his smarmiest.

In essence, he is being asked to play a “real” version of James Bond. Hence he comes across as a callow, arrogant, misogynistic prick who after reaching middle age decides to use his immature work ethic to cash in like some of his past adversaries. People die because of his machinations, and lives are ruined. He even attempts to rape an alleged friend’s wife. It is one of Brosnan’s best performances and perhaps the most hard-nosed deconstruction of the Bond archetype attempted by any performer who’d starred in an Eon production.

However, the best inversion of the persona came from Brosnan again a few years later in Richard Shepherd’s hugely under-appreciated The Matador (2005). As a comedy premised around a literal pub gag, the film pivots on “a hitman and salesman walk into a bar….” Brosnan unsurprisingly plays that hitman, Julian Noble. But despite his honorable surname, there’s nothing chivalrous about Julian. A deranged and bitter killer who never thought he’d live so long as to reach an age filled with regret and loneliness, Julian probably remains Brosnan’s best on-screen performance and a proper menace for Greg Kinnear’s buttoned up family man, Danny Wright.

Awash in self-pity and laggard energy, Brosnan comes across like milk that spoiled weeks ago, and which has now grown arms and legs and is dragging itself out of your refrigerator. It’s hard to say Brosnan’s Julian was ever as sober or clear-eyed in his younger life as any version of 007, but he represents the uncouth reality of that character’s vices through his obsessions with booze, teenage girls, and finding pleasure in murder. He’s also one half of a terrific buddy comedy.

A small character piece, Shepherd’s Matador luxuriates in a clever script that despite its barebones narrative still surprises, especially as it becomes a three-hander between Brosnan, Kinnear, and Hope Davis as the everywoman wife who proves too far out of the aging Bond type’s league.

If you haven’t seen this amusing tonic of a film, hunt it down.

Read more

Movies

The top 10 best Pierce Brosnan films

By Duncan Bowles

Movies

Casino Royale and GoldenEye Director on What’s Next for James Bond

By Don Kaye

All of which paved the way for the more rote but overt The November Man. With its plot focusing on a Brosnan spy who’s out to avenge an old flame, not-so-coincidentally named Natalya (which is also the name of Izabella Scorupco’s Bond Girl in GoldenEye), the film traffics in Bond nostalgia; it even casts Olga Kurylenko who appeared in Craig’s Quantum of Solace. But there appears to be only faint nostalgia in Brosnan’s interpretation of those old ways here. Mostly his Devereaux is just a bitter old man filled with contempt.

Which is not to say Brosnan shares such animosity toward Bond. The actor genuinely appears grateful in interviews about that time in his life. However, even during the lesser installments of Brosnan’s tenure in the role, there was always a darkness and edge to his Bond that many franchise fans tended to undervalue.

While never as blunt or brooding as Craig’s self-loathing 007, there was a hidden brokenness to Brosnan’s interpretation that only would be seen in flashes. When they did appear, however, they were crueler than any actor in the role since Connery up to that point. It’s there when his Bond executes Vincent Schiavelli in Tomorrow Never Dies (1997). There isn’t a quip or smirk. There is just disdain on Bond’s face as he responds to Schiavelli’s pleas of “I’m just a professional doing a job” with “Me too.” And when he similarly shoots in cold blood one of his lovers, Sophie Marceau’s Elektra King in The World Is Not Enough, there is a perversity to the scene that makes even Dench’s M shudder.

Brosnan’s Bond likely could’ve been more than the 1990s’ most suave action movie joker. And he’s spent a lot of his post-Bond career proving exactly that.

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[epicmeetsfail]

Unknown Pleasures: The most august https://ift.tt/2NbjYb9

A friend from the midlands once lamented that she’d always lived there. How absurd it was to live on an island, but directly in the middle of it. I can now say, having lived in two coastal cities, that living on the edge of it is very much the same, except that there are much better chip shops and the rain is more … oceany.

It is currently hacking it down out there and I don’t want to go home in it. Join me once more than, readers, for our regular round up of the best new games on Steam that you’ll never see on a billboard. It’s Unknown Pleasures.

Gazing wistfully into the deep this week: algorithmic therapy, Scandinavian body horror, and the ol’ rotate and thrust.

Apsulov: End of Gods £15.49 / €16.79 / $20

First person horror games are usually terrible, and in all the same ways. This is great news for me because I hate them anyway so it makes very little difference, but someone’s only gone and made one I like. Apsulov is gruesome. Its very first scene is horrible, with you (an Alice, it turns out, which explains the latent magic powers) operated on by some robotic apparatus at the whim of an unseen, intensely threatening entity that’s very quick to anger. Something’s wrong with your throat, so you’re all gurgly and choking and it’s horrible, but for once it doesn’t feel sadistic (obviously the villain is sadistic, but the game doesn’t feel so. It’s meant to be horrible, not pornographic).

You escape, of course, and flee a facility, dodging muttering, screaming shamblemen, pursued by your tormentor’s evil beast, and piecing together where and who you are. Scientists have opened a sinister gate or screaming obsidian hellcube or some other thing that only a colossal fool would open, and apparently the Norse gods are involved somehow. Creeping, rapidly growing tentacles are poking through, gigantic valkyrie shields line one lab, and since your captor drilled something into your head, you have the power to see magical sigils. You’re important somehow, but how it all ties together is a mystery. This is all excellently done, and I’m genuinely intrigued to find out more. Even the occasional jump scares didn’t feel cheap, nor the pillar of the horror – that’s the dread and revulsion, and secondary to that, the wider horror of what this event means for earth in general.

I’m impressed. Oh, but the bloody keypads are a joke. You have to ‘use’ them and then take your hand off the mouse and use the arrow keys to type the numbers in. Deus Ex let us use the number pad nineteen years ago, damn it. Come on.

Exception £11.39 / €12.49 / $15

This wasn’t the game that sparked it, but I’ve had a right moan about “the 80s aesthetic” in games this week. Did you know it’s possible to style your game after something that isn’t synthwave and neon? It’s true, I saw a game do it once.

Exception is enthralling, though, and its presentation is a large part of that. It’s a simple action platformer, with a plot about emptying a woman’s computer from a load of viruses that I skipped entirely thanks to built-in options that I respect mightily. You’re a wee robot who dashes about obstacle courses, wall jumping, slashing up hostile robots, and generally dashing to the exit. Several times each level, you’ll touch a waypoint that reorients the whole level, zooming out and rotating and setting you back along the same course but upside down or along a different axis. It’s very cool and the movement flows freely and comfortably, including your attacks.

The vast majority of enemies are easily done in without altering your path, and you’re periodically given new attacks and powers that I didn’t bother with at all (frankly they seemed more trouble than they were worth). Occasional bosses take half a dozen hits and attack in simple enough patterns that they don’t disrupt things too much either. Everything’s bright and fast and spectacular, and even now, at synthwave saturation point, the soundtrack is a perfect accompaniment that drives you on when the wrong beats would undermine the action.

Phantom Rose £11.39 / €12.49 / $15

It’s another one. It’s another bloody deckbuilding roguelike. You’re doing it on purpose aren’t you?

Phantom Rose does things a little bit differently to the many others in its class. Typically in a deckbuilder you’ll draw a handful of cards and choose which to play. Here, there’s some kind of initiative system going on behind the scenes too. In each round of a fight, you and your opponent will line up cards (5 altogether, giving an advantage to one or the other of you). Yours are randomly chosen from your hand, but you can replace some or all of them from another hand drawn at the bottom of the screen. When you’re satisfied, you start the turn and cards play out from left to right.

There’s a big focus on status effects and buffs like Vampiric Whatever, which gives a chance of restoring health when you attack, or focus, which helps you break through defences. It may get complicated later but was easy to grasp for at least the first two floors. Your path goes along a grid from top left to top right, always (until you reach a map edge) offering two options. I didn’t get the sense that these make a drastic difference in terms of risk or reward, with the exception of occasional “maid” rooms, where you fight a powerful monster to free an amine maid (fairly mild on the tacky anime bullshit meter) who’ll reward you with a special item.

I like that one of the attacks lets you hit a monster with their own attack rating instead of yours. That’s a fun trick. It moves at a brisk pace too, and I even appreciate the artwork. All that red and white and black makes for a bold style.

It feels a bit too easy to run out of good attacking cards. But that might come down to practicing more.

Rashlander £2.89 / €3.29 / $4

Rashlander is a modern form of one of those old 2D rotate and thrust gravity games, whose names, aside from Thrust and Gravity Power, escape me. You pilot a wee ship about a sometimes absurdly hazardous area, aiming to land it on a warp pad to move on to the next level. Gravity and inertia are important tools and potential threats, as there’s a basic Newtonian physics system, making navigation tricky and rewarding. Your default ship (more are unlockable, although they’re balanced so that each presents its own challenge) is fragile and lives are limited. In case that wasn’t cruel enough for you, fuel is also highly limited, and when you run out you explode.

It’s bloody hard. I’m a bit rubbish at it. Each warp pad also offers an upgrade, although some have a downside (one increases fuel capacity but scrambles in-game text, an inventive and somewhat maddening invention), and some are a mixed blessing as they change the way the ship handles, which means re-learning on the fly, potentially under dangerous circumstances. While it’s not a cruel game, it’s somewhat antagonistic, although more for comic effect than anything. Levels have hidden collectables and bonus landing pads if you fancy a challenge, but it’ll likely be a while before you’re good enough to risk those as a matter of course.

Eliza £11.39 / €12.49 / $15

The cult of the algorithm is one of the biggest and most insidious disasters of our already disaster-laden era. Eliza is an exploration of this, and of the mental health crisis, and of tech startup ‘culture’, and of counselling. It’s a visual novel in which you play as Evelyn, a new recruit for the eponymous business, which is a counselling service in which all the counselling is done by an AI. The humans like Evelyn are just there to put a face on it, to the extent that they’re not allowed to say anything but whatever script the algorithms produce, based on a vast bank of heuristic data and the patient’s verbal analysis, biological data like heart rate, perspiration and so on. They can’t even interpret.

I did a bit of basic counselling training a long time ago. It’s something I’ve long been interested in, and have experienced and contemplated from many angles. I was all set to loathe Eliza simply for suggesting the idea, fearing the HIGNFY effect, that some absolute piece will get wind of it and not realise what a godawful idea this is.

And yet.

Within the very first session I was haughtily telling the system off for being an atrocious counsellor – outright lying to a patient, for one – but then the next chapter (they’re comfortably short) kicked in. Evelyn meets with an old, estranged friend for lunch, and their shared past is hinted at. She goes to a conference in which a key speaker is a former colleague, who announces that he wants to go further than Eliza, and roll out technology that will directly interface with a patient’s brain. It’s a hybrid of electroconvulsive therapy, VR therapy, and everything else Eliza already does. He also openly criticises the incredible and shameful ignorance the tech people have of psychological research that isn’t jazzed up with some faddy nerd bullshit (I paraphrased). And I’m hooked.

Much as I see the obvious downsides of this system (and not even addressing the issue of putting this in the hands of a private business, let alone a heap of silicon valley jebs)… is it actually worse than what we have now? If not this, then what are we gonna do, magically summon the hundred thousand competent and willing and experienced counsellors and doctors and therapists we need to deal with the absolutely appalling state of mental health treatment in, let’s face it, most countries?

Eliza is obviously the pick of the week.

I tangent. Eliza touched on all of the issues in under an hour. The personal story of Evelyn, the problems she had in her hold job, her own mental health, the troubles faced by her patients, their concerns with the system, its sinister dystopian possibilities, and, despite my distaste, its potential benefits. That’s not just a good idea, that’s a good idea someone really cares about and understands, and has the talent to write.

August 16, 2019 at 12:29PM