#he only showed up for 1 panel in the chapter but the artist still drew him killing it huh

[hollowfaith]

one blond bastard

[nimpnawakproduction]

The ultimate reference sheets for all of Vash's outfits in Trigun maximum (with commentaries)

IT IS DONE. I'M FREE. Now I can forget all about Trimax and draw Trigun stampede designs only hahaha (just kidding I have things for Trimax on the stove).

Trigun bookclub was an awesome initiative, I loved the manga with my all heart and wanted to honor Nightow's designs ;w; I also wanted to help my fellow artists with references for Vash's clothes because DEAR GOD it's difficult to understand how the hell he dresses himself in the morning. I have a lot of fun dressing and undressing him like a barbie doll. My hyperfixation is completely healthy.

I put a "read more" section to avoid spoilers :) !

The July coat

The very first coat in Trigun chronology and the one he wores during the destruction of July ! There is not a lot of panels to take references but I tried to stay as close as possible to the manga. I don't know what number of prosthesis he had before but let name this one Prosthesis 1.

Scars map

Next, nakey Vash ! There's A LOT of changes between one panel to another. Scars changes places and forms panel to panel and the design evolved from the first chapters of Trigun, the time we see him naked as Eriks and his undressed state while he was a prisoner on the Ark. I drew the scars that appeared more than once or were in clean view in a panel (but really you can do like Nightow and draw as many scars as you want without thinking about consistency, this boy has been in a meat grinder)

After July underclothes

Or the jumpsuit that gave me grey hair. His suit does not make ANY sense, I don't know how the hell he dresses himself in the morning with this. My solution is that it's very long gloves and chaps strapped to a belt. The position and shapes of the belts changes IN EVERY PANEL. Same for his knee guards, sometimes they're here, sometime they cover his shins, sometimes they are tiny..... I gave up in the end and draw them as we see them in the very last panel he wears this suit. But damn he looks good in it.

Also in all of the 13 volumes, there is not a single panel with a clear view of his holster (I checked...) so here is my interpretation.

This is prosthesis n°2, the design is a little different from the first one so I guess Prosthesis 1 got destroyed (this happens a lot).

After July coat

The very first Trigun coat he wears in the manga ! Very simple, very basic, it gives him impossibly wide shoulders but Vash deserves it. The first one is worn Post July until Vash's confrontation against Brilliant Dynamite Neon. The second one is the state of his coat after the sandsteamer incident. He loses his prothesis after his fight against Monev the gale. He meets Wolfwood with only one arm and stays that way while he fights Knives for the first time.

Eriks

I took liberties with colors because there's no colored panels with Vash as Eriks. Yes I drew him without suspenders because he has them for like 5 panels and then Nightow drew him without them for the rest of Eriks arc so I made choices ;w;

I love the fact that Vash choose to wear tight jeans even in his casual outfits, this boy will not let his skin breath. This is now Prosthesis 3 ! It's way less advanced than the ones he wore in the rest of the manga, the other ones seem to replicate skin.

After his years as Eriks

And now the first Maximum coat, he wears it until the famous Yuri hospital arc! Finally an undersuit that makes sense, I love it, too bad Nightow-san decided that I had to suffer and changed it again to add BELTS EVERYWHERE. We only see his legs in this part of the manga so I gave him the same top because I can.

The tubes he has on his waist are filled with bullets, he can connect them to his prosthesis to have a mini machine gun.

We are now at Prosthesis 4 !

Hospitalization on the Home ship

The famous Yuri hospital phase! Vash definitely shared his wardrobe with Wolfwood, you can't tell me otherwise.

The first outfit still shows Prothesis 4 but he keeps it for like 5 minutes and lost it again against Nine-lives. I don't really know if the prothesis comes with the integrated glove or if there's synthetic skin under it but why would he keep the glove on if it's not intergrated?

The second pictures is the different outfits he wears during his convalescence. I took liberties with the colors, I drew this in like 10 minutes, everything seems easy when you don't have to draw BELTS. We are now on Prothesis 5 ! Nightow drew it as a regular arm so I guess Vash wears gloves on top of it??????

Back on the road in pursuit of Knives

He wears this one after his stay at Home, throughout the Dragon's nest ark and until his 2nd fight against Knives.

I liked the design of his jumpsuit until I looked closer at the panels and saw that the design change ON EVERY ONE OF THEM. Knee guard on only one knee? No kneeguards? Two??? WHO KNOWS ??? I tried to make it work but really go wild with this one, even the author does not know how his pant looks.

Still prosthesis 5, BUT UNTIL WHEN?

Prisoner on the Ark

THEY MASSACRED MY BOY. Did they even feed him at least in 7 months? Those pictures are the definition of the drenched kitty cat left under the rain. Give this man a blanket and a therapist.

Bye bye Prothesis 5 ! And see what I mean when I say that his outfit does not make sense????? It comes out in parts????

After his imprisonment on the Ark

The last suit in the manga! He keeps this coat until the end of the story. From this point, only his hair changes (or the color of his coat).

I adore the little angel wing symbol on his left arm, such a cute addition. Too bad it appears in one of the most traumatic event of his life.

Speaking of his jumpsuit...The return of belts.... But at least this outfit stays relatively coherent except for his kneeguards who appear and disappear panel from panel but most of the time he doesn't have any, so no kneeguard it is. Prosthesis 6 hello !

Final battle and end of the story

It hurted to drew those outfits ;w; And working on the design of his coat when he fights Legato made me realize where Orange studio took inspiration to chose the colors for Vash's coat in the final episode of Stampede ! Great job ! I tried to color the same effects as one of the illustrations showing dark Vash but I'm not really good with colors..... He actually radiates energy but with some purple undertones, I took some liberties because those are my drawings I do what I want.

I'm not sure at 100% that he has a tuft of blond hair left when his outfit turns black but his hair is all black at the end of the fight. His prosthesis is destroyed at the end of the fight. He got another one in the final chapter. So 7 prosthesis throughout the story!

[facets-and-rainbows]

Blue Exorcist 10th anniversary book Q&A session

The 10th anniversary book has a section where Katoh answers 100 questions submitted by fans on Twitter, so here they are translated/paraphrased! May contain manga spoilers up to the recent flashback arc, so be warned.

(Note that I’m playing it very fast and loose here because there are A HUNDRED OF THEM, so not exact wordings, but it should capture the gist. Lemme know if there are any you want elaborated on)

1. Katoh likes the feel of traditional drawing more than digital but is impressed with how far digital has come

2. Meph THOROUGHLY ABUSES spacetime to watch all his shows and ensure that he gets all the merch he wants

3. Did the girls take all of Yukio’s school uniform buttons in middle school? Yes, they did (apparently it’s like A Thing for girls to ask for a button from their crush at middle school graduation, based on some sad movie from the 60s where a guy who got drafted as a kamikaze pilot gave a girl one of his uniform buttons to remember him by)

4. Rin's tail is about a meter long

5. There are tons of servants working at Mephisto's mansion. Belial is in charge of them

6. Katoh borrows from all sorts of neat real locations when making settings

7. Katoh identifies with pretty much all the characters the most! Except Lucifer.

8. Demon designs she's proud of include the impure king and hachirou, pretty much anything that was the main one in an arc

9. Katoh lists a bunch of her favorite musical artists/music she’s listening to recently: King Gnu, Official Hige Dandism, Kenshi Yonezu, BAD HOP, Sakanaction, Keyakizaka 46, Hypnosis Mic, Aimer, B’Z, Queen Bee.

10. Awww the rabbit manga that characters are often reading isn't just Robo to Usakichi, it's an even older one that she drew as a little kid

11. She likes industrial style interior designs

12. Rin and Yukio alternated who got the top bunk growing up, because they couldn't agree on it lol

13. Katoh cares a whole lot about panel layouts and speech bubble positions, might even be her favorite part of the process (it shows!)

4. Katoh does NOT have a mashou, lol

15. Rin has probably been practicing in secret so he can learn to carry stuff with his tail

16. Izumo probably got into shojo manga around 1st grade, her mom had some around the house

17. Specialty dishes: Rin - lots of stuff but especially nabe Yuri - stuff you can throw together quickly Shiro - stuff he learned from Yuri and/or cookbooks, alongside teaching Rin Yukio - Does. Not. Cook.

18. Can't pick a favorite place she's been on research, but there's no place like Japan

19. Kinzou's band isn't currently meeting because demons, but he's probably still thinking of new songs

20. Hardest characters to draw: anyone with detailed flowing hair. Hardest to write for: Lightning and Gedouin. She had to go read books about serial killers specifically for material for Gedouin, lol 

21. Suguro actually gets a dorm room to himself, though allegedly Yukio is technically assigned as his roommate, lol. Didn't end up that way what with Yukio being a teacher and also Rin’s whole...situation

22. Shiemi makes some of her own hair accessories! Cute

23. Katoh doesn't mind if you include stuff with fan letters but check with the editor first

24. Time for making each chapter: Planning/storyboarding: 1-5 days. Sketching: 3-5 days. Drawing/inking: the rest. Just...the rest of the time

25. Neither Suguro nor Izumo have dated before and neither is currently dating. But that's probably just because things were hectic for them! It could happen

26. Yukio breaks 5 or 6 pairs of glasses a year, someone get this kid a strap or something

27. How many spare glasses does Yukio have? Check the fanbook lol it's in there (dang it Katoh)

28. The demon she wants us to pay the most attention to is Lucifer. Because plot.

29. What's under the Order's big meeting table? It's a BOTTOMLESS PIT and if you fall in it you DIE that's what makes it COOL (laughs)

30. What are the job requirements for the angelic legion? Literally just Arthur liking you and inviting you to join

31. She WANTS to do more character profiles but just hasn't gotten to it

32. Rin's tail feels like a cat tail, texture wise

33. The "red Assiah fire" is literally just actual fire nothing special

34. Rin's current hair color is light blue fading to white at the ends

35. Thoughts on Rin's growth: she likes that he stays positive in awful situations and she also thinks it's very main character of him to face the past instead of avoiding it

36. Mephisto didn't purposely surround Rin with stuffed animals when he woke up after going crispy. Mephisto's bed is just Like That

37. Kurikara was based on a cool sword she found in a sword book, but that one was technically just a ceremonial sword. The symbol on it us a Sanskrit letter kaan (sp?) associated with Fudou Myouou

38. Kuro can communicate with normal cats and hangs out with them often

39. Sometimes Shiemi's skirt is extra fancy around the hem what's up with that? Apparently it's an optional accessory that comes with the skirts help I haven't noticed this and don't know any fashion terms in any language

40. When coloring, Katoh always tries to have an overall theme in mind ("emphasis on blue" etc) so it comes together in the end

41. Yes the twins are genetically related to Shiro because of Goro (she says they're like his nephews but I say GENETICALLY at least they'd be indistinguishable from his children)

42. Strongest mom of all the strong moms around here? Yuri! Did you SEE her give birth??

43. Are you careful about your own health Katoh-sensei? Not particularly! Her mom has had to bring her food at work sometimes! Don't do this at home kids

44. At the dating events Shura goes to, does she drink cocktails in moderation? Yeah, she probably downplays her normal drinking habits at these things. But normally she's down for just about any kind of drink

45. Lucifer just really likes oysters okay

46. How many pages of manga does Katoh draw in a day? If she's being good about self-care: three. Maximum number ever: TEN

47. Mephisto is one of those folks who can eat like a garbage compactor and never gain weight. Possibly because his body resists that sort of change the same way it resists aging etc

48. First food Rin cooked: fish burger type patty. Yukio's favorite things Rin cooks: fish simmered in soy sauce, yellowtail with daikon radish. It's fish all the way down

49: Did Rin ever get more monthly allowance from Mephisto? It doubled! He gets TWO 2000 yen bills now (rip) [T/N: That's uh, that's USD $37.26 a month or 33.10 euro]

50. Why isn't Rin more popular with the girls? He gets nervous talking to them, plus he's too oblivious to notice even if he DID have some fans

51. Why change Suguro's hair? She gets bored with keeping everything the same, and she wanted a visual representation that he was getting serious and going into kind of a training arc

52. Things Katoh pays extra attention to when drawing: trying to capture the feel of whatever she's drawing (like "that looks warm and soft" or "I bet that guy stinks" cough Lightning cough)

53: Does Rin take after Yuri more? (He's got her eyes!) Katoh tried to draw Yuri so she looks like both twins. Personality, too - Yukio has her smarts and Rin has her optimism

54: Do you ever wanna be like Mephisto? Well she'd like to be able to get away with just ANYTHING EVER, but no, let's not be like Mephisto

55. Konekomaru not only carries around a cat toy in case he meets any cats, he MAKES cat toys to carry around based on what he thinks the cats would like

56. How'd you come up with Shima? Go read the fan book!

57. Do the kids have Twitter/Instagram accounts? Rin - probably not. Konekomaru might be on some social media. Paku and Izumo are totally on instagram

58. Is there something Rin makes that you wish you could try? All of it! That's the whole idea! He's good at cooking!

59. Will we ever have a (G-rated) reveal of what ALL of Mamushi and her family's tattoos look like? Maybe! She'll think about it

60. Does Arthur have a repertoire of different hairstyles? Not really, he just puts some of it up on the top. Heck he might even have people to do that for him

61. If you wrote a shojo manga what would it be about? She'd have to do a lot of research before even coming up with a story, since there are so many style differences between the genres aside from just the subject

62. The other two of Mephisto's top 3 favorite foods: Cup ramen and....f-fried bubblegum?? Is that a THING???

63. Where do you start when drawing a character? Usually the outline of their face but if it's a complex pose/composition she'll start with whatever's in the foreground (like hands)

64. If Katoh could have a familiar, what demon would she choose? Mephisto. As the all-powerful author, she might actually be able to command him as a familiar!

66. If you swapped Yukio and Rin's relationship around what would change? not much, you'd pretty much have Rin going to the Illuminati and Yukio going to the past

67. Top 3 foods/souvenirs to try in Kyushu? Well she doesn't know what’s good CURRENTLY but when she was there she always used to like burdock tempura udon, hakata torimon (a kind of manju with white bean paste inside), and Chikae style cod roe. today I learned Katoh went to high school in Kyushu

68. Katoh listens to music a lot while she's storyboarding, then when she and the assistants are all drawing and inking they put various videos/movies and stuff on in the background

69. For all his hitting on girls, is Shima actually popular with the ladies at all? He's got enough girls in his life that he probably COULD find a girlfriend if he really wanted, but the double agent thing tends to get in the way. He still wouldn't be as popular as Yukio though (side thought/translator’s note: Shima would be proud of being number 69.)

70. Katoh has the ending planned out in a big-picture way, but there are still a few details here and there that she's fretting over

71. It's cute when the boys put their ties over their shoulders when they're working on something! Where'd that come from? She just figured a tie might get in the way and that seemed like a realistic way to get it out of the way

72. Looks like Yukio is getting some facial hair! What about Rin? They're both about the age for it, but maybe Rin can't grow a beard yet. Maybe a little peach fuzz here and there

73. Katoh's favorite blue exorcist merch? There were some exorcist licenses a while back, and the exorcist pins. Basically it's really cool that these little accessories she drew ACTUALLY EXIST NOW, LIKE YOU CAN HOLD THEM IN YOUR HANDS

74. Okay realtalk how long do we have left, I don't want the series to end yet? We're solidly in the second half by now but it's not, like, ABOUT to end yet

75. Katoh would be a Knight meister, based on what characters she likes to play in games and such

76. How many people in the whole exorcism cram school? More than you think! She doesn't give a number but apparently licensed exorcists also attend classes for new meisters, etc, so there's a wide age range attending

77. How's Arthur feel about, like, studying Taming on the way to becoming Paladin? He's at least mostly accepted that you have to use demons to fight demons effectively

78. Konekomaru started wearing glasses in his first year of middle school, so like 7th grade (more recent than I thought!) He has one spare pair, in contrast to Yukio lol

79. Katoh's current obsessions? Ghost/scary stories! She's even been going to live readings of them recently

80. Media Katoh consumes for inspiration? A wide range of foreign teen drama, horror/suspense, shojo manga, light novels, anime, etc. Special focus on things where two boys are in conflict or there are brothers involved

81. If they weren't exorcists what jobs would they have? Rin - chef. Yukio - doctor. Shiemi - uh, florist?

82. Inspiration for the design of True Cross Town? Katoh and her assistants gathered up a bunch of references, picked out stuff they felt matched the tone, and mashed them all up together

83. Did you use any references etc for the school/exorcist uniforms? She says she probably should have but she just kind of made them up before publication

84. Favorite part of drawing? For color pages, picking out a color scheme. For black and white, drawing in all the little details (though she doesn't always get time to lately)

85. Once again confirms the demon kings' weird hair is a representation of their horns. ADDS THAT PEOPLE WHO CAN'T SEE DEMONS CAN'T SEE THE WEIRD HAIR

86. Now that Yukio's at the Illuminati, where's he gonna get his Jump SQ and spare glasses? Well he probably never planned to stay for long, but hey it's a big ship and they might have an optometrist and/or newsstand there

87. Do you base the demon characters on any references etc? Not really, she just gets a general idea of popular demon designs and then makes up her own in her own style

88. Merchandise Katoh personally wants to have made: stuff that an adult could just use in their day to day life. Also, it's not gonna happen, but if her favorite figure brand made AoEx figures she could die happy

89. If Beelzebub's host body was a beautiful woman, how would Shima react? Would the womanizing win out over the bug phobia? Katoh replies that Shima would probably just faint from being near a girl that pretty, before the bugs even got involved

90. Will the twins ever get to smile and eat dinner together again?? We'll just have to wait and see!

91. What do you check at a "scenario check"? what's a scenario check man I dunno They check for people being out of character or the setting feeling off. They had a lot of these checks for the anime, but they also do them for the drama CD, games, and all that other stuff where multiple authors are involved

92. Why does Shura use baldy as an insult for people who are clearly not bald? She feels like they have some kind of metaphorical, mental kind of "baldness" and she's calling them out on it. Whatever that means

93. After Blue Exorcist ends, what do you want to draw next? She has SO MANY IDEAS, SO MANY

94. Did Katoh make up the Shinto chants that, for example, Izumo used against Gedouin? They're assembled from bits of actual Shinto prayers according to what feels right in the scene

95. Yukio reads the Jump SQ, right, and, just hear me out here, he likes gag manga, right? Does this mean he reads Salaryman Yukio? It's something he would read, but let's say that in the AoEx universe there's just a very similar manga that he finds oddly relatable

96. What do Yukio and Shima do in their free time on the Dominus Liminus? oh my god you guys this ship has so many amenities.  Yukio probably spends time reading in the library, which they totally have. There's also, like, a gym, and a movie theater, and a THEATER theater, all of which are free. Shima probably hangs out at the pool (!) and goes to the movies, and hits on illuminati girls, lol

97. Easiest character to draw? The ones with boring simple hair, lol. Lightning gets an honorable mention for ALSO not having eyes in most shots, but Rin wins--he was specifically designed to be easy for Katoh to draw because that's what you want in your main character

98. How do demons understand gender? They just possess whatever feels like the best match to how they feel in Gehenna, whether that's a man, or a woman, or a rat, or whatever

99. Where do you start when you're coming up with a story? She starts with character design and how the characters relate to each other. Currently she's just continuing an existing story, so she works on splitting up the overall plot into episodes and fleshing it out with scenes and information about characters

100. When do you feel most happy? She honestly feels like she lives a very happy life overall. Mentions noticing a lot of little things, like how nice her cats' heads smell when she cuddles them or taking a nice cold refreshing drink of water. There's happiness in everything. aww.

[vampcubus]

Quiet (Midoriya/Reader) [part 2]

| A/n: I have to admit, I re-wrote the ending several times and I’m still not satisfied with it but here we go anyways! |

| See part 1 ... here |

✦✿  Warnings: Angst with a happy ending. ✿✦

✦✿ Words: 5500+ ✿✦

are you guys ready to c r y??

.   .   .

You stare blankly at a red and purple sky, eyes lazily watching the clouds roll by and the half-visible sun dip down and slowly set. You leaned forward to capture that perfect in-between moment, smiling as the last sliver of the sun finally dipped behind the horizon, letting the sky gradually shift from warm pinks and oranges to dark blues, indigos, and purples. You sighed and sank into a more relaxed position as your eyes welcomed the appearance of the moon as it took to the sky, washing the park in its gentle white light.

You sat at the same rotting-wooden picnic table you sat at every night, a familiar book with kitty skeletons draped in red and black across the cover sat just beneath your hand. The lukewarm coffee you’d picked up hours earlier sat right next to the book, half-empty from your lack of interest despite it being your favorite kind. 

You’d even considered dropping by your dorm to throw it in the freezer—to beat yourself with later if you kept thinking about a particularly annoying green-haired boy—before coming here, but you found that you just didn’t want to be on campus more than you had to.

Being out and about decreased your chances of running into him.

You let your eyes stray from the steadily appearing stars and to your right, where Midoriya had sat just a few nights ago.

You let out a frustrated sigh, turning your gaze back up to the sky and raising the cup of coffee to your lips. It didn’t taste amazing right now, but it served as a good enough distraction to stop thinking about him. You’d done the right thing, whether you cared about Midoriya or not, you wouldn’t let yourself be manipulated. You would not come running back into his arms only to be forgotten when other things in his life became more important than you again.

It was better this way. 

You told yourself, trying to convince yourself that you would only distract Izuku from his dreams. You’d only get in the way and end up broken again when he realized that.

You flicked the book open and skimmed your eyes over the pages. The illustrations of grim-themed yet still cute cats above each new chapter momentarily consuming your attention. Your soft smile faltered when you stumbled upon a particularly strange looking cat with wild, curly fur and huge round eyes cowering underneath a couch. Your eyes lingered on the drawing, everything about it just screams Izuku.

You shake yourself out of it and flip to the front page, breath hitching when you noticed a sticky note attached to it. It was in the handwriting of the clerk you’d grown familiar with. She often scribbled funny quotes or little notes things into the books you purchased for you to laugh about when you stumbled into the shop again.

He was here today, wanted me to slide this to you once you came in today. Not quite sure if he knows that ‘secret admirers’ are supposed to be discreet? 

-Kiko ッ

You almost smile at that, not doubting for a moment who she was referring to. But then you knit your brows together in confusion when you noticed an arrow at the bottom of the note. Curiously, you unstuck the unusually heavy sticky note and flipped it. Your heart stopped functioning entirely when you saw a familiar bracelet taped to the back of it.

You gasped tearing the bracelet from the note and inspecting it closely. No way… there’s no way he even remembered this existed.

It was a colorful and cute bracelet with mostly green beads and white lettered ones spelling out ‘All Might.’

The sight of the bracelet brings you way back, and suddenly you are no longer outside at the park.

Instead, you are laying on your stomach with an impressive fort of blankets hanging above your head. Your small hands fiddled with the beads, tiny fingers slipping on each random-shaped bead you could find in your craft box that was remotely green in color. Across from you lays a much smaller Izuku on his belly with his nose buried in a comic book, eyes sparkling and lips noisily slurping at the straw of a juice box.

“Y/N-chan look!” The curly-haired boy squeals, shoving the comic book over to you and pointing at a panel of a very stylized All Might with multiple civilians draped over his shoulders. It’s a familiar frame from the video you’ve watched with the boy about a million times already. You personally didn’t idolize the symbol of peace as passionately as your friend, but it always made him happy, so you always watched it with him. You squinted, scrunching up your nose at the picture.

“They drew his hair wrong!” You complained pointing at the clearly exaggerated shojo-looking hairstyle the number one hero had been illustrated with.

“No, that’s just the artists’ style.” Little Izuku exclaims, standing up in the fort, proudly posing in his All Might one-sie, holding the comic book up into the air like it was Simba.

“Ohh,” You remember humming thoughtfully before returning to tying an s-clip to the end of the bracelet, looking your newest creation over with pride. You sat up too, looking anxiously over to your best friend who had engrossed himself back into the comic. “Gimme your hand.”

You vividly remember the young boy’s freckled face lighting up and his hand being shoved in your direction. You slid the way-too-big bracelet over his tiny wrist and looped it around a second time so it wouldn’t fall off. “Here, so everybody knows you’re the next All Might!”

His big green eyes overflowed with tears, almost flooding your blanket sanctuary and drowning you both in his own tears when he tackled you to the ground, hugging you tight. You remember him showing the bracelet off to all of his friends and Kacchan the next day. He wore it even more religiously than his hero-onesie, his mother even mentioning that he only took it off to bathe.

You recall your shock when a week later he dropped a similar home-made bracelet with your favorite-colored beads and your idolized hero’s name on it. It had been the first time anyone had ever made something for you and you cherished it.

“We match now, so that means we gotta become big strong heroes together when we get big!” You remember his high-pitched voice declaring with his best All Might impression.

You felt your eyes burn with salt and the telltale weight of tears welling up in the corners of your eyes, your fingers shaking as they clutched the bracelet. Despite how old the plastic piece of jewelry was, it was in outstanding condition--save for a few scratches on the bigger beads here and there.

You’d thought that he’d lost it or thrown it away a long time ago. It’s been years. How on earth did he still have this?

Feeling your breath start to quicken you shot up from your seat, grabbing the book from the table and dashing off towards U.A. You turned each sharp corner, narrowly avoiding crashing into several other students—including Bakugou who hissed and swore at you as you retreated to your dorm You shoved the door open and slammed it shut. The next fifteen minutes were spent digging through your stuff, looking through untouched boxes of your things you’d brought from home but never needed until now. 

And then, you finally found it tucked away in an old pencil pouch. You pulled out an all-too-familiar bracelet, holding it up to compare to the green one in your other hand. There was no doubt about it, it was real. Your fingertips traced the familiar beads of your own bracelet, eyes flickering between it and its counterpart.

Why…?

Why did he keep it so long?

You kicked the box back into the closet and toed the door shut, tossing both bracelets onto your nightstand and flopping face-down onto your bed.

It didn’t matter. It was just a bracelet, nothing more than a flimsy piece of plastic. Nothing compared to the friendship you had. So what if he held onto some dumb bracelet? That didn’t make up for months of distance, weeks of him slowly forgetting you existed while you stood idly by. Letting it happen because you cared too much.

So why did you feel so guilty?

You groaned exasperatedly into your pillow snuggling your face into it when it started to soothe your headache. Your eyes opened suddenly with a furious glower when your stupid brain immediately thought back to the times you and Izuku would nap together when you were kids, anywhere anytime. You often played so hard you knocked yourselves out so his mom would find you cuddled up against one another in your blanket forts, on the couch, on the slide at the park, under the sink once… anywhere you could fit into and doze off, you would.

In fact, you didn’t shake the habit of napping together until you were at least thirteen, which is usually around when parents start getting suspicious so you stopped doing it. You felt a slight blush rise to your cheeks, remembering those special times in middle school when you would sneak in and sleep together for a while if one of you had a nightmare. That was most likely the most rebellious thing you two innocent little suck-ups ever did.

You sigh, eyes drifting over to the bracelets strewn carelessly across your nightstand.

How can one bracelet bring back so much nostalgia?

.   .   .

Midoriya was slumped miserably against one of the couches in the dorm lounge, pen shakily scribbling away at an assignment. His handwriting has gotten a little better since last year, still wobbly and inconsistent in places but his teachers have voiced their appreciation of its improvement. He thinks back to earlier when he had dropped off that bracelet at the bookshop, afraid that if he approached you, you wouldn’t want to see him or he’d start crying again.

It really tore him apart inside to part with it, having kept it for so long. He’d found the bracelet while looking through some of his things one day. It fell out of a box with a bunch of his older more beat up action figures.

Seeing it after being put away for so long had brought the biggest smile to his face, remembering how much he’d loved it when he was younger. It was also what made him remember you… It was as if you suddenly popped back into existence. And in excitement to share the memory with you, perhaps catch up with you over coffee, he had disregarded the fact that it had been months since you’d last spoken.

He now realizes his mistake. 

But after last night he knew he didn’t deserve to have such an important piece of you to himself. He absentmindedly wondered if you still had yours… probably not, huh? His wasn’t as pretty as the one you made him, and why would you keep it after he practically ignored you for a year?

Still, he had hope that just maybe there was a chance he could make it up to you, that he hadn’t messed up so bad that you never want to speak to him again. Midoriya closed his eyes, frowning down at his notebook in shame. Who was he kidding? It was just a piece of plastic and likely held no value to you after what he did.

He misses it. Already.

“Midoriya.” Iida’s voice piped up and the green-haired boy jumped.

“Oh hey, Iida. Did you need something?” He asked, trying not to sound as worked up as he really was, forcing a small smile.

“I came to ask if you’d heard from L/N at all today?” Midoriya’s heart dropped at the sound of your name.

“No… why?”

“Well, it’s just that several students claimed to have seen her running obnoxiously through the halls earlier this evening and I was curious if you’d happen to know anything about it?” Iida asks, straightening his glasses with a displeased expression, clearly not amused by your behavior.

“No, I haven’t. Sorry,” Midoriya admitted sullenly, eyes downcast to the floor.

Iida’s eyes softened and the bluenette sighed, taking a seat next to his friend. Ochako and he hadn’t managed to get much out of the sulking Midoriya since the other night, but they suspect that things didn’t necessarily go well between him and you. Not to mention he’s been a zombie all for days, barely getting any sleep at all these past few nights

“And, as your friend, I am concerned about your wellbeing,” Tenya confessed, pushing his glasses up closer against his face as Midoriya sighed. 

“I’m fine, Iida.” Midoriya offered him a half-smile but otherwise made no attempt to spill anything. Tenya made eye-contact with Ochako across the common room, who had been the one to encourage him to approach Deku in the first place.

“Midoriya, what happened between you and L/N last evening?” The Iida son pressed, cautious not to pry too much in fear of upsetting him.

“I messed up,” Midoriya looked down at his lap, a drawing of your face in the corner of his math homework. He abruptly turned the page in hopes Iida hadn’t already seen it. “Really badly.”

.   .   .

The next morning, Izuku is as sluggish and mopey as ever, worrying his classmates with his lack of enthusiasm.

“You should talk to her.” Todoroki’s cool voice shakes Midoirya out of his daze after homeroom. He’s been staring absently at you as you ignored his existence, focusing on the lesson. It isn’t hard to guess who the half-and-half teen was talking about. And yet he still found himself surprised.

“I’ve tried, Todoroki. Talking won't help.” Midoriya sighs, eyes dropping to his mess of notes, including several crumpled up drawings of you.

“And sulking around doing nothing will?” Todoroki questions, not able to recognize the shell of the boy in front of him.

 “I messed up, and she wants nothing to do with me now.” And he respects that.

“Something tells me that isn’t entirely the case.” Shouto replies and the green-haired boy sends him a puzzled look.

“What do you mean by that?” He asks, a brow raised at the possibility that Todoroki knows something he doesn’t.

“You forget that Y/N and I are close friends now, although you haven’t necessarily been around so you may not have known at all.” He states bluntly and it does nothing to comfort Midoriya at all. He hadn’t known you and Todoroki were friends! What else did he not know about you?

“What are you getting at, Todoroki?” Deku asks with a defeated tone, wishing the stoic prodigy would just be out with it.

“Y/N tells me everything, don’t think she hasn’t told me about what happened a few nights ago. But when she spoke about you it didn’t seem like she didn’t want anything to do with you.” Shouto explained, definitely catching the young Midoriya’s attention. “She’s upset, yes, and you aren’t wrong to assume that she is angry with you right now. But the longer you wait to talk to her about it—if you planned to at all that is—the longer it will take for her to forgive you.”

Forgive him? Was that even possible at this point? He didn’t know, but if what Todoroki said was true, and he actually had a chance, he couldn’t waste any more time ‘sulking around and doing nothing.’

“Are you sure that’s even possible, Todoroki?” Deku questioned, eyes adept as ever as he searched the bi-colored eyes of his rival and friend for answers he may not even have.

“I don’t know for sure, Midoriya. That is up to Y/N.” Todoroki admits, and Deku bites the inside of his cheek still torn over this. “But I don’t think she will forgive you if you don’t try.”

“Mm.” Deku nods, thanking the two-toned boy and packing up for his next class of the day.

.   .   .

Your ears perked up at the sound of someone knocking on your door later that night. You sighed into your pillow, not wanting to leave its soft embrace. You tried to ignore it at first, pretending to be asleep but he insistent knocking continued. Grumpily you pushed off of your comfy bed to sluggishly open the door, thinking it was most likely Mina and she’d just keep knocking until you opened up. 

You were not expecting Midoriya to be standing there.

“What do you want?” You asked, your voice holding no softness or enthusiasm ad your narrowed eyes stared coldly at your former best friend. He flinches at the icy tone of your voice.

“I-I um… can we… talk?” Izuku asks anxiously, wringing his hands together, elbows drawn in close to his stomach self-consciously. “Please?”

He meets your steeled gaze with his own apologetic one, green eyes pleading with yours. Izuku owned the most convincing pair of puppy-dog eyes you’ve ever seen, even when he wasn’t meaning to and even now you faltered.

“Why? Why should I let you in? Give me one good reason not to slam the door in your face and go back to bed?”

“B-because I w-won’t leave until I say what I need to say,” Midoriya stated as firmly as he could, a determined glimmer in his eyes as he did so. You don’t doubt that he might sit at your door all night if you refused him. “A-and I have a feeling you have some things to say too.”

He wants to resolve this.

“I have nothing to say to you.” You hissed stepping back into the threshold of your room starting to close the door but his hand smacks against the wooden surface, a desperate look in his eyes that only makes you push harder. “Move.”

“Please! Please just hear me out, Y/N, please just give me this! Let me try! You don’t need to forgive me. I just need you to listen!” Midoriya pleads, his glossy eyes already spilling hot tears down his freckled cheeks. He’s shaking. “Please…”

Midoriya stumbles forward when the door opens and he just barely catches himself, wide eyes darting up to yours as you take several steps away from the entrance. You cross your arms, you can’t believe you’re actually doing this.

“You have five minutes. Start talking.” You relent, sitting down on your bed.

Midoriya sighs in relief, closing the door behind him before clumsily scrambling over to you. You pat the spot next to you, avoiding any and all eye-contact. Izuku’s heart skips a beat when he spots his bracelet on your nightstand. So you did get it! His breath gets caught in his throat when he tries to speak at the same moment his eyes drift to your wrist, where a relic of your friendship dangles. 

You kept it! He feels his eyes overflowing, the ugly fat tears streaking down the sides of his face as he stares dumbfounded at the familiar bracelet.

“You have four minutes.” You flatly remind him, and he jumps, trying to think of the words he’d practiced just a half-hour before he showed up at your dorm.

“AH—o-okay! um, I…” When he fails to speak even after a good minute passes, you sigh deeply. If he had nothing to say, why’d he even come? What happened to all that gusto about ‘saying what I need to say’?

“Why did you keep it?” You ask out of the blue after an uncomfortable silence and his head perks up, but he looks confused, eyes searching yours.

“Keep what—?” He starts, but you cut him off.

“The bracelet. Why did you keep it? It’s been years, I didn’t even think you still remembered that old piece of junk existed.” You blurt out, each word sounding distressed and just… confused. You wanted to understand.

He stares at you, mouth agape at a complete loss of what to say. His mouth suddenly feels dry and his tongue rubs anxiously against the roof of his mouth.

“Because… because it was important... to me.” Izuku breathes, the muscles and nerves in his hand twitching as it laid only inches away from yours. “I was s-so happy when you first gave it to me, my mom had to pry it off of me just to bathe me.” He chuckles, smiling at the memory.

“And I kept it because it reminded me of you, it felt like there was a part of you with me even when you couldn’t be there. It comforted me, knowing that you put s-so m-much thought into something j-just for me and I f-felt so special!” He breaks off when his hiccups start to get out of control. “A-and—”

He chokes and apologizes taking a moment to breathe again. You hadn’t realized how much one silly piece of jewelry had impacted him until now, so much so that he’s crying over it.

“And I made a promise, remember?” Izuku sniffs, wiping his eyes uselessly with his hand, only really smearing the wetness across his cheeks and wetting his hand with his own tears as they continued to spill down the freckled planes of his red cheeks.

You nod, but turn away when you feel your own emotions starting to spike up. You bit your lip, held your breath, clenched your teeth. Anything to keep the tears at bay as they threatened to fall.

“I-I said that when we—”

“We match now, so that means we gotta become big strong heroes together when we get big.” You butt in, sniffling and raising a hand to scrub at the tears streaming down your face and pooling at your chin. “That’s what you said.”

Deku stares at you, guffawed as you quoted his younger self. He hadn’t expected you to remember it so clearly, It makes him feel even worse. Knowing how much it must’ve hurt you when you grew apart. How hard it must’ve been on you to keep quiet about everything while he lived his best life, forgetting all about his dearest friend.

“Why’d you give it back?” You asked, voice trembling as you wiping your eyes with your arm. You glanced over at the green bracelet lying on your nightstand. “If it meant so much to you, why give it back?”

He closed his eyes. He listened to his heart as it slammed against his chest like a pinball machine, demanding him to say something.

“Because I forgot about the friendship it represented, and I shouldn’t have. I wish I wouldn’t have, but I did. I broke my own promise and e-even worse, I hurt you because I was just too caught up in my own problems—my own dreams—to remember that you’ve been a part of them since the beginning.” Izuku sobbed, there was no point in holding it all in now. 

“I gave it back because I was so afraid I screwed up everything between us, and I don’t deserve it!”

I don’t deserve you. The phrase rang in his ears so loudly it was almost deafening, he wanted nothing more than to say it too. He couldn’t because he couldn’t catch a single damn breath to say it. But even as he feels he has gathered that breath it’s stolen away once more when he feels your hands on his face.

In a flurry of your own emotions and a nagging force of habit you had reached out and grasped his face, the soft pads of your thumbs wiping at his cheeks.

“Stop crying already, you had something you wanted to say right? Stop letting your emotions get in the way of that.”

The firmness in your tone as your stern eyes descended upon his own struck a chord in him. You’ve said something like that to him before. Years ago.

“Stop crying, Izuku! Stop letting your emotions keep you from standing up for yourself! Kacchan steps on you because he knows all you’ll do is cry!”

Multiple times.

“Would ya quit crying already? You’re tougher than that, Izu. Like All Might!”

Constantly.

“Stop crying because you don’t have a quirk! Become a hero without one!”

It had always been you. You there comforting him, encouraging him, telling him to quit crying and speak up for himself. To keep pushing on despite the fact that he just wasn’t as gifted as other children. How could he have forgotten one of the most important lessons you ever taught him? How could he have forgotten about you?

You tugged one of your bunched sleeves down with your teeth and dried up the downpour of tears from his cheeks with your hoodie sleeve. Careful not to rub the skin raw, you kept at it until he was simply too shocked to cry anymore. This is the first time you’ve done this in years, yet far from the first time you’ve had to do it at all. Even as children, you were using your fingers, your sleeves, the edge of your shirt to wipe his tears away.

“I—”

“Shush, I don’t want to hear it unless it’s what you came here to say.” You interrupt, and the look in his eyes changes from nervous to determined.

“I was going to say that I am s-sorry,” He stutters.

“What else?” You encouraged, watching as he slowly gained more confidence. “You said you weren’t going to leave until you say what you need to say, keep your promise.”

“I was going to say that I don’t deserve you!”

“And are you lying?” You ask.

“No!” Midoriya exclaims more confidently, more certain of himself than before.

“And is that all you wanted to say?” You asked again, smiling as the sobbing boy from before completely changed with your encouragement, egging him on.

“No…” Midoriya confesses, faltering slightly as his nervousness returns. He doesn’t know if he’s ready to say it yet. Would that even be acceptable right now? Even as strong as he feels right now he can’t help but hesitate, to blush, to avoid your gaze.

“Then say it.” 

“I…” He trails off, suddenly terrified of the thought. He couldn’t! It would put everything on the line! “I-I…”

Your hand cups his cheek coaxing him to look back up at you.

“Stop hesitating, tell me what you want to say.”

He’s already put your friendship on the line, what difference would it make? You wanted the truth so you’d get it! He takes a deep breath, closing his eyes before opening them again, meeting your own straight on. There’s a spark in those green eyes that wasn’t there before he squinted them shut. It’s like an emerald fire was lit behind them.

“I love you!”

It’s quiet.

You stare at him, and he stares right back, his determined gaze never weakening as he maintained eye-contact.

“You what?”

“You heard me,” Midoriya replies.

This time it’s your turn to shy away. Your face darkens incredibly fast, heart racing against your chest as your eyes darted from side to side, deep in thought. Your mind threw numbers together into every equation it knew, each answer coming out the same. You had expected an “I want to be friends again!” or “I want a second chance!” or “I want to fix this!”

Never in a million years could you have predicted him to say that. Not to you. Your eyes drifted back up to his. He looks a little less confident now, almost worried as he awaits your response.

“Get out.” You breathe, eyes wide as you stare at him watching his determined face change to one of confusion.

You couldn’t believe it. After forgetting your existence for almost a year, after only remembering when he found the bracelet, after only wanting to talk to you because it was most convenient to him… and he has the goddamn nerve to say that he loved you.

“W-what?” Izuku gasped, not understanding what was going on. Suddenly you were pressing yourself against the wall farthest from him on your bed.

“G-get out!” You exclaim, the angry tears running down your face.

“Y/N, what are you s-saying?” His voice shook, the tears starting to fall from his eyes again, his nose beginning to run as well as his entire body shook. Why were you telling him to leave? Did he make the wrong call? Did you not feel the same?

“Why are you lying to me?” You asked, the question coming out like a whisper.

“I-I’m not lying to you, I love you!” Midoriya cried. “Please, you have to believe me, I wouldn’t lie to you! I’ve always liked you—since we were kids, Y/N! I can’t fake that! You know I can’t!”

You shake as his desperate green eyes plead with yours, a sincerity in those irises you grew up staring into, a sincerity that just can’t be faked. He actually… he actually loved you? But why? He ignored you for a year!

“And you can honestly tell me that in that year you forgot about me you loved me?!” You demanded, your tears making your vision blurry and unmanageable.

“I never stopped loving you, even if it was overshadowed by my dream to become a hero, even if I made mistakes not even I can fix, my heart always belonged to you.” Midoriya crawled over to kneel in front of you on your bed where you still had your back pressed to the wall and your knees pulled tightly to your chest. “I’m not perfect, Y/N. I made a mistake by not being there for you, and I will do anything it takes to fix it if I can.”

“And you won’t forget me again? You promise?” You ask shakily, feeling a little embarrassed by how small you felt, scrunched up in such a way and crying in front of someone other than your cat at home.

“Yes,” His immediate response confirms it, not an ounce of hesitation present in the way it rolls off his tongue. “I promise, I’ll never forget you. And I’ll never be the reason you cry again.”

“Can you believe me?” Izuku reached his hand out to you.

“I… I believe you.” You admit, a small smile gracing your lips as you take his hand. Izuku lets out a relieved sigh, his free hand trembling over his heart. You can tell how terrified he was. “This doesn’t mean I forgive you though, Izu.”

“I know, and I’m going to try my very best to make it up to you. I promise.” Izuku states. It doesn’t bother him that you didn’t say ‘I love you’ back, he wouldn’t have deserved it. He’s going to have to work for it, and that was fine with him.

“Do you…” You started, face flushing and eyes avoiding his as you removed your hands from his face. “Do you wanna hug it out?”

“Yes!” You yelp when he throws himself at you, tackling you to the bed with his arms around you. You squeeze your own arms around him, face burrowing into his shoulder as you squeezed the life out of one another.

“Sorry.” He mutters when he realizes he’s practically on top of you and most likely crushing you. He moves to roll off of you but your arms only tighten around him.

“No, please just… can we just stay like this for a while?” You asked, and Izuku felt his heart beating so fast he was convinced it eventually just commit seppuku if it pounded any harder. He nodded against your shoulder, cheeks burning a bright crimson as he relaxes.

“Also,” You spoke up and he hummed in response, he couldn’t be bothered to move. You reached over to your nightstand to snatch the green bracelet from it, the green-haired boy whining when he had to re-adjust after you started moving. “Gimme your hand.”

He pulled away, green pools swirling with confusion. He complies with your sudden request and gasps when you slide the bracelet back onto his wrist.

“This belongs to you.” You smiled and he mirrored it with one of his own, hand impulsively taking yours, fingers intertwining with your own. Your matching bracelets reflected the dim light of the room, casting a warm glow over your faces as you smiled at each other. No longer did you feel forgotten or used, instead you felt loved again. “Now get off  me.”

Izuku laughs and slips off of you to lay at your side, his arms pulling you in close so he could cuddle you, just like you did when you were kids.

Izuku rested his forehead against yours, one hand reaching up to timidly brush against your reddened cheek, causing your eyes to flutter closed and a small sigh to escape your smiling lips. He missed seeing you smile. But there was still something else that he needed to take care of before you drifted off to sleep.

“Y/N?” He asked.

“Yes?” You sighed sleepily, 

“Don’t ever feel like you have to keep quiet anymore, alright? Please, always talk to me.”

You blinked, your mouth opening and closing several times.

“Okay.”

[amazildoessomethingstupid]

Chapter 96: Unspoken Rule

Man I thought it would be a lot longer before I did another of these, but as it turns out I fucking hate in between pages.  Y’know, those pages between the actual good and interesting shit?  Y’know the parts that are in between the fun parts, but you have to have them to actually move characters to the good parts? The parts that are boring and filler?  Yeah as an artist/writer I hate those too and it took me most of the week to come up with a page to make it not boring as sin.  Sadly this means, ANOTHER RANT!  And this time we are taking a look at Unspoken Rule. But before we do, I’d like to share with you the bit of panic that set in and what kind of pressure I had on me when trying to force an update.  For a second I thought that this rant was going to be about…

And I was very, very, scared.

Thankfully a friend notified me that I don’t know how to count, so we’re talking about this chapter instead!  Boy what a relief that was, I thought.  But it seemed a bit disappointing.  I hadn’t heard anything of this page, seems like it’ll be a short rant.  That won’t do.  So I figured, “hey if there’s not much to say.  Fuck it, we’ll do a double feature with the carnival…”

Sadly, I have something to say.

And we start with a good lighthearted joke.  Although, that expression in the first panel throws it off a bit.  The dialogue on the initial read says snark and sassy, but the face says honest concern, but then we show it is snarky.  So the face is just, confusing.  Not worth kicking up a fuss about, but definitely a headscratcher.

Anyway, on to what’s actually happening.  Which is Mike is being nervous and back and forth about wanting to talk to Lucy and apologize.  And it’s so weird to me.  This is such a serious plot point, and major conflict in the story, yet this is played for laughs. And not even good laughs, just hollow jokes it feels almost tasteless.  But not as tasteless as this:

BIG OOF  

Alright guys, see this?

I am absolved of this being uncharacteristically brash and open.  If Taeshi can do that kind of rudeness, so can I.  Lucy is just so cold now, it feels bad.  Not out of character, not unrealistic, just…bad.

But moving from that, we get into these two.   And…

Awww…th-this is actually pretty sad. And engaging.

HEY! I SEE YOU REACHING FOR MY HEARTSTRINGS! YOU STAY THE FUCK AWAY!

But seriously, this a very nice scene. It’s kind of touching, and it’s a moment I wish we had more of.  

It’s…actually very nice. The characters are finally airing their grievances, and we’re getting somewhere. I…I actually like th-

OH YOU BACKSTABBING, HACK WRITING, BITCH! ARE YOU FUCKING SERIOUS RIGHT NOW?!

WHAT THE FUCK IS THAT?! WHY ARE YOU STICKING YOUR DICK IN A GAS STATION MILKSHAKE?! BITCH,

ARE YOU FUCKING F’REAL SHAKES RIGHT NOW?!  WHY ON EARTH WOULD YOU FEEL THE NEED TO ADD THAT?!  THIS JUST DESTROYS ALL IMMERSION, I ALMOST FELT SOMETHING THERE FOR A SECOND! BUT THEN YOU HAD TO DO SOMETHING SO DUMB!  THIS ISN’T EVEN ON THE CHARACTER, THIS IS A STRAIGHT UP WRITING ISSUE!  EVEN I WOULDN’T DO SOMETHING THIS DUMB!  IT’S SO OUT OF PLACE!  IT GIVES ME MENTAL WHIPLASH CAUSE I HAVE TO DO A DOUBLE TAKE TO MAKE SURE I’M NOT JUST FUCKING SEEING SHIT! AND YOU KNOW WHAT’S THE WORST PART ABOUT THIS FUCKING PANEL?!

IT’S IN THE PRINTED BOOK! Taeshi saw this, drew it, posted it, and got whatever feedback from it.  Then later came back, saw it, and edited a bunch of things for the book, and decided, “No that’s fine.  We’ll leave it there, that’s perfectly okay.”  And just left it there!  WHY?!  You had a good scene, an actual honest to god, good scene.  And you had to just make a dumb joke, and ruin the whole mood.  This is the sort of bad run and gun cheap gag sort of shtick that you’d expect to see from Volume 1!  Except, even Volume 1 knew when to take itself seriously, and maintain that serious tone!  I mean imagine if this happened in something like Zach’s talk with Lucy.

Any good graces this scene had, in setting up these two working out their problems and moving in a nice direction is thrown out the window now, and for what?!  What’s the purpose?  Why would yo-

Oh…Oh no…

Please, have mercy! You already stabbed my back, please don’t stab me in the heart! Please, not like this!

Aaaugh, no!  Not like this!  Poor Rachel!  It’s not fair I can’-

Wait….

I-is…Is that it?

Are you kidding me?

That’s it?  Two pages?  Really? That’s how you’re breaking it off?  This is how you’re going to stab me? Look, there’s like 3 more inches left in the knife, come on.  Push it deeper.  Twist it, I know you want to.  WHY ARE YOU HOLDING BACK? FUCKING WORK THIS SCENE AND MAKE ME CRY!  

NO FUCK YOU, WE’RE NOT MOVING PAST THIS!

YOU WROTE RACHEL’S BREAK UP. IN

TWO

FUCKING

PAGES!?

YOU WROTE OUT ONE OF THE MOST GROUNDED, HEALTHY, PRODUCTIVE RELATIONSHIPS IN YOUR COMIC IN TWO PAGES LIKE IT WAS NOTHING!  WITH A HORRIBLE ONE-SIDED DIALOGUE, WHERE RACHEL IS TALKING TO PAULO WHO HAS SUDDENLY INHERITED THE EMPATHY AND UNDERSTANDING OF A BRICK WALL!  HOW COULD YOU DO THAT AFTER EVERYTHING YOU DID IN BUILDING THIS CHARACTER’S ENTIRE ARC AND DEVELOPMENT!?  AFTER TRANSFORMING A CHARACTER WHO WAS PORTRAYED AS UNLIKABLE, BITCHY, ANNOYING, SLUTTY, AND DUMB.

To fleshing her out, to be deep, thoughtful, caring, and supportive.  Rachel is my favorite character, and it’s not because she’s a slut it’s because she represented something in this comic that had been absent.  

Natural character development.  That wasn’t brought on by some big event shaking their entire core, and changing them. In fact, one of the best things about Rachel is that despite how differently her character’s reception is from Volume 6 compared to Volume 1, her personality, her attitude, and her core is mostly unchanged.  

She’s still slutty, she’s overweight, she’s silly.  But a big part of why I love her as a character, and why I think many others do as well, is because never does it seem to be a negative to her.  We don’t see her get upset, or self-conscious about her weight, or her sexual behavior, because she’s confident in herself and accepts herself. Not only that, but she’s shown to take charge, stand up and not be afraid to call out what she sees is wrong. And outside of her character…

She was a role model for Paulo.  Unlike Jasmine whose relationship was more Paulo bending himself to fit her lifestyle, Rachel was a character who accepted and supported Paulo’s lifestyle, but at the same time helped steer him to do the right thing.  And in a comic where almost every fucking character is so intent on dancing around their issues and waiting until it blows up in their face, Rachel served as an example of someone who had it together.  A proactive person, who didn’t want to see these characters get worse.

I have ranted and gone off on a lot of decisions and actions that these characters have done, but not once did I ever scratch my head or think twice about something that Rachel did. Her character didn’t need a bunch of insight, and excuses about hormones or “they’re teenagers, lol!” to understand her.  She simply was who she was, and I respect that.

In short…

Despite everything that my history with this comic gave me, the feelings I developed from all the bullshit that has happened in this story, despite all of that.  It was this one character, what she brought to the table, and what she did for the comic and its characters, that gave me something I thought I’d long lost, and never thought I’d ever regain.

She gave me hope in this comic.  That it would finally have its characters be proactive, regain its humor, and bring itself out of the slump it made for itself.  With this character, and the writing behind her, I believed Taeshi was finally on the right track, and was setting up something great that would grow the characters and build upon them naturally.

But that’s not what we got. And the real bitch of it is, this could’ve been a real emotional moment. A well executed front-stab.  We knew it was coming, we saw the writing on the wall, but we still needed to face the music.  It was set up to be a wonderful tragedy, where both parties are well aware of the futility of their relationship.  They understand each other, and why it won’t work, but also don’t want to let go.  And I was going to make a comparison to Two Kinds, because they had a similar scenario with Trace’s wife and the whole idea of moving on is a recurring theme… But looking back I realized something.  I don’t need to bring a comparison to Two Kinds or someone else’s comic, and no I’m not even going to draw a comparison of what I would’ve done in this situation by drawing a comparison to False Idol’s future scene (although I was thinking about that).  No, we don’t need to look too far because you know what the real sad part about this is?

We’ve had this conversation before.

And just look at it. Look how heartbreaking this is.  This is how it should’ve been.  You see that Paulo understands what she’s saying, he knows what she means and how bittersweet their relationship is.  It is one of the best moments from the newer volumes, and their inevitable breakup should’ve been a turning point.  It should’ve marked a big life-changing moment for Paulo.  Where he is sad about how he’s making Rachel feel, but he’s unsure about his own feelings. Maybe Rachel makes the decision for him and breaks it off, and Paulo realizes how hurtful his behavior is, and that he can’t play games with people anymore, that it’s not fair.  It could be the moment Paulo turns a new leaf and becomes more mature, and in seeing that; Rachel can let go taking some solace in knowing that he is a better person now.

But instead we got this…

We’re not even halfway through this god damn chapter. Well where is it taking us now?

Huh…and it seems that the writing is not going to change pace either, I wonder where this is going.

Oh boy, everyone’s getting into teams!  And oh man, Lucy’s going up against Mike!  And boy is this contrived.  And what’s even worse, is that despite how much Taeshi has shunned Volume 1 and its stupid sense of humor, and how shoddy it was.  Volume 1 wasn’t THIS contrived, and when it was, it was pretty tongue in cheek about it.  In fact!

This sounds like something Volume 1 would MAKE FUN OF.  But let’s give the benefit of the doubt maybe it’s not that bad.  It might have something going on, an-

(It’s interesting, I think I have like 3 reaction pics of Sam trying to shoot herself, but this one just can not be matched.  And it’s not even meant for the rants.)

You know what?  I’m not even gonna bother going over this part. No one will be seated during the harrowing “Will they won’t they” inconsequential dodgeball fight. Although I will say,

Not gonna lie, that actually got a laugh out of me.  Good job. Anyway, Lucy catches the ball and wins the game who cares.  But then…

First of all

Look at those arms. Damn Lucy what happened?  You’re looking like two toothpicks in a marshmallow.   But more than that.  Did I read that right?

Yeah!  It’s not like you stopped practicing Martial Arts!  Why would you?  It’s not like you had some serious physical trauma happen to stop you-

OH WAIT!

RECOVERY PERIOD? PHYSICAL THERAPY?  PFFFT WHO THE FUCK NEEDS THAT?  YEAH SURE, YOU’RE TOTALLY FINE AND CAPABLE BEING A FUCKING BLACK BELT IN TAE KWON DO.  SURE!  NOTHING WRONG WITH THAT! WHAT THE FUCK ARE STITCHES AM I RIGHT?

But I’m just combing cotton here, this all just fluff.  There’s really only one thing left to talk about here.

And I’ll be honest.

This.

Is…

Pretty good.

This is honestly really well done.  There’s nothing I can say about this.  It’s a very serious moment, I can feel Taeshi reaching for my heartstrings but I…I’m okay with it.  This was the moment I wanted to see.  Finally these characters air out some of their grievances.  We get insight to how they feel, we are finally getting somewhere. It’s not nice, but it’s progress an-

…

THAT’S THE TH-….

*sigh*

Fuck you too, Taeshi.

Three times.

Three fucking times in one chapter, that you set up something good.  Had a good thing going, and then decided to fuck it up at the end. That’s a new record.  Even when I expected nothing out of this chapter, you manage to let me down.  You astound me with how much you disappoint me.  If I didn’t know better, I’d think you were doing it to intentionally troll me. But I’m not that vain.  Fuck you Taeshi, I’ve said this before but always with the tone of hyperbole, and a bit of optimistic cynicism.  But this time I really mean it.  I have no more faith in you as a writer.  Whatever you come up with, however this ride ends.  I don’t think you will pull it off anymore.  I don’t think you have the competence to tie this up in a proper way.  At one point you could’ve.  At one point, I think you had it in you with the mindset, the creativity, and the emotional drive to tell a well-crafted story.  But not anymore, and I despise what you’ve become.    Let’s get this stupid chapter over with.

What’s next?  What are we doing huh?  What are we getting at?

Oh…

I see.  This is where we’re going huh? That’s what all this was for?

ALRIGHT! Y’KNOW WHAT? FINE! I GUESS THIS IS WHAT WE’RE DOING BOYS!  THIS IS THE NEW DIRECTION FOR BCB!  LOOK! SHE CALLED PAULO CUTE! OMG THE SHIP IS SAILING, DON’T YOU GET IT?  IT’S JUST SHIPPING! THAT’S ALL THAT MATTERS! THAT’S HOW WE’RE DRIVING THE PLOT!

FUCK ALL THAT CHARACTER DEVELOPMENT, THIS IS WHY RACHEL GOT DROPPED!  IT WASN’T CAUSE OF CHARACTERS NATURALLY CONCLUDING RELATIONSHIPS, IT’S ALL BECAUSE LUCY’S HERE AND WE CAN’T HAVE PAULO’S RELATIONSHIP WITH RACHEL CLASH WITH THAT!  SHE’S OUTLIVED HER USEFULNESS! NOW IT’S ALL ABOUT PAULO X LUCY, OR PAULO X DAISY WHICH IS IT?  THIS IS THE REAL DRAMA YOU ALL ARE LOOKING FOR!  THIS IS HOW WE REALLY MOVE THE PLOT AND CHARACTERS!  CHOO CHOO BOYS!  ALL ABOARD THE SHIP!  LET’S JUST GO ALONG FOR THE RIDE WHERE WE GOING TAESHI?  I’M READY!  I DON’T HAVE ANYTHING LEFT TO FUCKING LOOK FORWARD TO OR LIVE FOR!  SO COME ON, WHERE ARE YOU SAILING US?

I give it a 2/10.  Until next time, guys. 

[davidaccampo]

Breaking Down Comics

A friend of Amanda Donahue, one of my co-creators on THE MARGINS, asked me some questions, and they were so good I felt it was worth dusting off Tumblr to answer. Thanks, Nick, and I hope these rambles give you something worth your while! 

Below are Nick’s two questions and my VERY long answers.

Sooo, my first question would just be how you got into it. Is it your primary form of writing?

Great question. So, is it my primary form of writing? Hmmm. I just finished a commitment to a set of 4 interactive mobile game scripts that took up quite a chunk of the last few months. In that time frame I also released a one-shot licensed 22-page comic and a 12-page digital creator-owned comic. So, on balance, I don’t think it’s currently my primary form of writing, but it’s definitely my favorite form, and it’s a medium and industry that I’m both very familiar with and passionate about, so whenever I’m given the chance to write comics, I take it.

However, comics as an industry is a difficult one to navigate. With the two biggest publishers owning incredibly popular franchises, the prime means for writers to make a living on comics is to essentially write super-heroes that you don’t own. And that, in itself, is neither good nor bad. It’s just worth noting that if you want to make comics your primary form of income, then DC and Marvel are going to come into your orbit in some shape. And that type of writing will come with its own set of thrills and challenges.

On the flip side, creator-owned comics and graphic novels can be an extremely fulfilling creative experience, if financially tricky to produce and sell. But the comics industry is still intimate enough that you can find ways to make and sell your comics. There’s a lot more to talk about there with regards to distribution and comics retail, but that’s another conversation.

It’s also worth noting that while the prevailing understanding is that digital comics sell only a fraction of the numbers of printed comics, it’s also a very accessible platform. With time and effort, you can put a comic book out to a global audience.

I may have veered slightly off topic here, but I think the point I’m trying to make is: if you want comics to be your primary form of writing, they most certainly can be. And you can and will make comics passionately and whole-heartedly, and you’ll put them into the world.

But making a living off of them is much more complicated scenario and every creator out there will have different advice for you, but be prepared for an equation that’s pretty familiar to any who has ever freelanced: less control = more money. Generally speaking, of course. There’s always a Walking Dead situation, if all the stars align.

Oh, and I never answered the first part of that question — how did I get into it? I’ll try to bullet point my personal path, which is super wonky, but probably not much stranger than most writers.

It kinda went like this:

Dave’s Writing Career: A Timeline

I always loved comics. In high school, I even wrote and drew 80 pages of a comic that was a horrible pastiche of Marvel/Epic’s Elektra: Assassin by Frank Miller and Bill Sienkiewicz and DC’s The Question by Denny O’Neil, Denys Cowan, and Rick Magyar. However, in my 20s, I’d attend conventions and discover that I had no idea how to move from fandom into professional writing.

I went on to study English and Creative Writing, thinking I’d write prose novels.

Then I moved to LA and fell in with a crowd of Hollywood screenwriter types. I wrote a few screenplays with a writing partner, Jeremy Rogers, but when nothing really came from it, we decided to make our own short films.

We made 3 short films that went into film festivals.  At this point, I was tired of spending so much time and money making 10-30 minute films that didn’t result in much. We hatched a new plan: what if we availed ourselves of the iTunes platform and released an audio drama as a podcast?

Wormwood: A Serialized Mystery was the result. It allowed us to tell long, serialized stories, much like my first love: comic books.

Toward the end of the Wormwood run, an illustrator named Jared Souza contacted us. He’d adapted scenes from Wormwood into sequential art, and  was curious if we ever thought about turning it into a comic book. We jumped at the chance, and with Jared we wrote and drew an 12-page mini-comic that we printed and took to the San Diego Comic-Con. Hermes Press was interested in our book, and they offered us a deal shortly after the show was over.

From there, I kept thinking about what else I could do with comics. I partnered with Chris Anderson for Lost Angels, and we made another 12-page mini-comic as a sales pitch, and we were offered a digital-first deal with a new publisher, Comicker.

And it keeps going from there, but that is the long and windy road telling stories in a LOT of different formats, each with its own strengths and weaknesses. Learning the strengths of one format does help you to understand the strengths of another. For example, for Wormwood we could really lean into long, twisty passages of monologue because it was all about the actors’ voices. However, as soon as you bring that to comics, you realize the amount of word balloons those monologues would take would utterly cover up any artwork on the page. And so you adjust.

Which is a nice segue to your other question…

Secondly, I'd love to hear how you work things out. As far as layout in regards to story. The most challenging aspect for me is to convert my thinking from imagining in film to now these static images. Do you put a lot of thought into that area, or do you focus mostly on the story and then sort of work that out as you are getting it down?

My initial thought is: “I do both.” But let’s break those up.

In terms of static images: think about the key moments. The perfect still frame of film that sums up the core of a moment of story in your mind. You want to build out from there.

But almost more importantly: think about the gutters. The space between panels. The gutters are actually where all the magic in comics reside. I recommend reading Understanding Comics by Scott McCloud. McCloud is great for understanding how a reader processes the information when we’re as absorbing art in a sequence. And the key is the gutters: The narrative “time” between panels can last a millisecond or a millennium. And the reader understands that from the context. So you’ve got to figure out how much you can get away with in between panels.

A panel exists in one moment in time. One action can occur. Imagine a father and son playing catch. What’s the most important part of that scene? The father throwing? The son catching? That’s two panels. Or, it could be a wide shot of the two, the ball in mid-air, but that wide shot probably should take up as much space on the page as two close angle shots of throwing and catching.

So, you ask yourself: what’s the emotional context of the scene? Is it important to show the father about to throw the ball (perhaps metaphorically teaching his son)? Is it important to show the son catching that ball (perhaps showing the son absorbing the lesson)? Is the activity itself the most important part (the wider shot might work best). It really depends upon the what you want to get out of the scene.

Another example: A man sits in his living room. There’s a knock at the door. He answers. It’s his landlord.

How many  panels is that? The only concrete answer I can give you is that it’s ”more than one” — because the of multiple actions involved.

It could be two panels: 1) the man sits reading a newspaper, but his head is cocked because he’s JUST heard the SFX of knocking on his door. 2) he’s standing at the open door and the landlord is asking him for a rent check.

It could be five panels: 1) the main sits reading a newspaper. 2) We show the front door, with knocking SFX. 3) The man opens the door, but we don’t show who it is, building suspense. The man is nervous. 4) we reveal it’s the landlord, standing there, arms crossed and angry. 5) The landlord asks for the rent check.

How important is that scene to your overall story? Five panels is roughly a whole page. Do you want to spend a whole page to show that the man is late with his rent?

That’s brings us to the next part of your question, and the other aspect that’s really important to comics: page count.

Page count is crucial because of the amount of time it takes an artist to draw a page, and also because of the printing costs. A standard issue of a comic is roughly 20-22 pages. So you’ve got to start by knowing how much space you’ve got (some writers will refer to this as “real estate”).

As a general standard, I’m going to assume that you’re looking at a mini-series or story arc that’s probably 5-6 issues, at 20-22 pages per issue. That works for comic book issue publishing, and it collects nicely into a graphic novel.

Even if I know I’m writing a graphic novel (as we did with The Margins), I tend to think in those general terms because it helps me break the story down.

So, I might start by assuming I have 5 chapters that are each 20 pages. Then I figure out — where is the best place to end Chapter One? It shouldn’t just be a moment of pivot — a cliffhanger, something that pushes the reader to start the next chapter as quickly as they can.

I’ll use the film THE MATRIX for this example, but I’m doing this from memory, so this may not be the best story breakdown.

At first thought, knowing I have 5 chapters of 20 pages each, it seems to me a great end to the first chapter might be Neo waking up in his pod in the real world. I mean, you have to read Issue #2 if that’s where Issue #1 ends, right?

If that’s page 20, you now have 19 pages to get there. And you have to get through: Trinity and the agents, Neo following the white rabbit, Neo meeting Trinity, Neo getting a call phone from Morpheus, Neo taken by the agents and getting the tracker put in him. Neo getting the tracker removed. Neo taking the red pill.

That’s a LOT! (It’s probably more than 20 pages, but please bear in my I’m just using this as an example.)

Next I’d think about: how much real estate do I give to Trinity vs. The Agents. Maybe four pages. The first two are the fighting and running across the rooftops. The second two could be a DOUBLE-PAGE SPLASH (two pages that make up one giant image) of Agent Smith ramming his truck into the phone booth. That’d also make for a good title/credits page.

I can probably script that, but I first have to think if I can get though the rest of it with 15 more pages. Ack!

Luckily, the next bits contain a lot of conversations, so we can probably get away with 5-9 panels per page, lots of back and forth conversation, condensed onto fewer pages. And that’s key because we’re going to have to go to larger panels for key action sequences like Neo climbing out on the building ledge. Neo getting the tracker put into his belly.

To be honest, at this point, I’d probably have to rethink some of this — this feels like too much for 20 pages. But hopefully that example shows you how I approach the process. It’s basically taking the whole story and then breaking it into issue-sized chunks, then pages, then finally panels.

And as you think about panels, you do want to make sure you have a mix. Some kind of big splash page is important — it allows you to focus on the biggest moments, and it also gives the reader a bit of a chance to relax, slow down and take in the art. A sequential page can have more panels, but it becomes denser, and each panel can contain less information — one or two dialogue balloons, limited backgrounds, etc. The more panels, the less room and detail each panel can contain.

Personally, I like to think about most of my sequential pages being about 4-8 panels, peppered with one or two splash pages. I can bump up or lower the panel count as needed. If you start by thinking about 3-4 panels for big cinematic action and 5-9 panels for dense conversation or smaller actions, then you’ll probably find yourself with a decent balance through your comic.

Those are my long-winded answers. I hope this helps. There’s much more to talk about in terms of craft, but this covers most of what I think about when breaking down a comic book story.

[blindtaleteller]

TEASER : Chapter 8 - Ocean Eyes

                                       (Still looking for the artist!)

-------====CLINT - (out of the frying pan..)

“ That encroaching fire, -is- going to be a problem… “ was annoyed, at the very best. He could see the force behind his motions bringing up a few screens to the side and then; just stopping. He was focused on a corner of the main view. “ Dark screen up. Iggy, enhance LLQ 1. Are those -civilians?- “

The side screen shifted, and sure enough well behind the line of ground troops holed up behind what had once been a fence lined with flower pots in the woods and running, trying to keep ahead of the fire and what was falling in behind them; was a whole pack of people. All sorts; number unconfirmed but the visible was somewhere between a hundred and one-twenty. Loki zoomed and scrolled back, to the tail end where the fire was pulling down trees; just in time to watch an explosion from what was probably distance napalm delivery take a good dozen of the living out of the laggers behind. “ Shit. “ from Quill as he sat up and set his tablet aside, as Clint grit his teeth.

It took a moment to realize they were adjusting course. And another moment to realize the heat had kicked on; but the temperature inside the Stiletto had dropped, by almost five degrees. “ Lau. “

The consoles under his fingers were showing cold-stress; fog ringed fingerprints that might have only stayed a few seconds for the heat combating it, but it was there. “ Lau. We .. “ a breath when another shot went off. Clint knew very well what he was thinking. “ ..do we have -time- for this? “

“ Are we going into that? Like; -in-, to that? “

“ -I- am. Even if I -could- ignore that. Even if. “ he heard the bite and hiss to those particular two words. No, he couldn’t; ignore that: and Quill was up heading for the table where he’d hooked his holster, checking everything else he had gearwise otherwise. Apparently, they were all on the same page. “ That fire -has- to be stopped. “

And Clint was all in for this. They were already here, and watching that: no, just no. He’d seen them; there were kids out there. “ What’s the plan babe? “

“ Peter isn’t ready to try his hand at the Stiletto yet. Not like this. I am more durable, and the both of us know the equipment we'll be deploying better: so you will take her.. “ he was bringing up extra screens he hadn’t played with yet. They both heard the cha-kunk of panels opening on either side. “ I’m dropping shield beacons behind the barricades. So long as they remain undamaged, that will help keep any more firebombs from being dropped from this side at least and to an extent. Once the back wall is dropped and raised, you’ll need to put out what’s already on that side. Iggy, translation program; drop a small volley of relay drones with the message I’ve prepared. Let the men behind those barricades know we are friendlies here to assist their civilians. They don’t need to know anything else, yet.  Make it fast, I want in without excess incoming fire. We’ll pick them up again on our way out if possible. “ Seven round metallics about the size of track and field balls were dispatched almost immediately, as they veered further north-west along the road at a much higher speed: and dropped stealth.

There were a few shots, before the view locked onto various points along the flowerpot-and-sandbag littered barricades those drones had arrived at started to pop up. A grunt as Loki took note of the large clearing furthest nor-west. It was set up clearly as a refuge camp, but well down the first set of cliffs the falls were roaring over. “ That’s Chilsipnisi Park. There are two major drops in the terrain, that the falls drop over; one right on it’s edge. Our main target is in between, near the first drop. I’ll drop and run with them; “ was not exactly a plan he liked, but. “ I’ll take a set of hover lifts and Iroga rings with me. That will get them, and me; down to the next level, and into Chilsipnisi. Clint, get closer, ready to switch. Peter, you said you’ve used propulsion boots. If you reach up above the table, there’s a long black handle tucked into the ceiling. Pull it down. I don’t use them myself, for other reasons; but there should be a set and stabilizers on the left side, underneath. Can you handle taking a few extra drones and putting out the larger incoming weapons fire; and if possible neutralizing some of those single mobile shooters? “

Okay, it was a little nerve wracking, but he did like a couple things about this. Firstly, he didn’t think he had ever experienced this side of Loki, to this extent. Or if he had, he didn't remember it. Clint knew he thought fast; was an amazing tactician when it came to manipulating a situation; but he had never really seen him go at this kind of bigger, military confrontation. Thor had made very brief mention of an instance or two since he had come back and they had started their training and war games at night. But this was an entirely different speed. In a matter of minutes, his trickster had assessed started up and brought a solid plan to deal with .. everything, on the field that was an immediate danger. He had come across four star generals who couldn't be that decisive without more intel.

“ Yeah I think so? “ was given a nod as Loki set things up for him so he could concentrate on flying, and just press buttons and follow prompts. It was almost a turn on how fast he worked; and he said as much even as Pete reached and pulled that handle, bringing the whole ceiling down behind him: the huge rack-like tables locking into place with the one they usually ate at; taking up space between the rail and the shut-in bed. Quill whistle, getting it a glance. And okay, he wished he had known that arsenal had been up there. Armor and other worn equipment on the right, everything else --quite a lot of everything else-- to the left. There was something there that caught his eye, briefly; a bow; some hundred arrows quivered or lined up in packs by type to the far left. He wondered, if those were his; before he refocused.

“ Take extra armor too, and as many other toys as you’re comfortable with. After fire suppression, Clint; you’ll stabilize a line just past the west bank. Iggy is now picking up anti-aircraft as well as mobile launchers on their way from the south and south-west. He is tagging them through satellites now. I only have four EMP packets on board, but those should stop them outright; if not slow them down… “ and he started to stand, switch was easy enough; they had practiced a few times and Clint was glad for it now. “ Babe, what’s the plan for the stone? “

A nod as he drew his hair back in a messy loop at the back of his head snapped up a few items Clint couldn’t pay attention to at the moment. “ That will depend on whether any of the plan changes, but mostly: the area needs to be secured first. “ The retreat of his voice told him he was already on his way past the steps. “ Once you’ve taken care of those things, and I’ve set up a better perimeter for the civilians at the least; we’ll go after the Stone and leave the rest to them in favor of getting it out of play here. So long as the beacons have power and remain undamaged -- “ the alarm, the rush of air below as eh switched to his headset; and he saw a second one come online on another screen. “ --they should hold. As it is they have a five day charge, at best. I would say three under this kind of fire though. So.. hopefully they will be able to hold out long enough to evacuate, or at least move their civilians somewhere more secure. “

“ And if things go bad? “ from Clint made him pause, as Clint brought up the view of the loading ramp. “ The only thing we can do, of course. “ He watched him pat Quill ahead; and their favorite almost-ginger dove out without hesitation; immediately making an aerial beeline for his targets, and immediately dodging incoming bullets. “ We improvise. “ and the next moment he looked, Loki was gone; the tether to what he had unlocked from cargo yanking after him and rolling out .. well things he didn’t think anyone else among them could even think to drop out of an airborne craft with, moving at this speed. “ Love you babe. Starlord ..watch your butt out there too. “

“ You got it Loxley. “ made Clint smirk a little at the next Robin Hood reference in line as he tracked them both. Loki being the showman he was and probably wanting to spook the ones taking shots at him; didn’t bother with any from of deceleration; which.. Made his stomach lurch a bit, but less so, knowing he’d dropped from much further heights in New York alone. “ Same applies, dude. And speak up, if you need an extra hand. These things are a lot speedier and more responsive than mine. Might be able to finish my end up faster than usual, with the HUD zoom engaged. “

Proved to be pretty true as he flicked his gaze back to the screen tracking Quill while he dropped the first line of fire suppression. “ Sooo been holding out on us, you asshole. I am getting you to my range back home, or into the training gym in New York when we’re done. I wanna know which of us is more accurate. “

“ I suck with a bow. “

“ You ever even shot -one- arrow in your life, Starbutt? “

“  Nope. That’s how I know I suck at it. “

“ We’ll trade back and for--  the FUCK was that  ?!  “

Middle of the second pass, the shadow fast-dropping for the woods below was big, intimidating, and hard to miss. Iggy was catching up with it still as Quill called it. “ Shit! Lo! Incoming interspatial! “ but it was the next, familiar combination of letters that followed that instantly raised the hairs on the back of his neck and had him loading up the first EMP on an immediate adrenaline spike. “ P.C.C.! ... “

][][][][][][][][][][[][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][

READ FROM THE START AND MORE ON AO3 HERE:

https://archiveofourown.org/works/19248328/chapters/45772732

[snkpolls]

SnK Season 3, Part 1 Poll Results (Manga Reader Version)

The poll closed with 240 responses. Thank you to everyone who participated!

Please note that this is the results of the manga reader poll. Anime only watchers are suggested not to read if you do not wish to be spoiled about certain events! Anime only viewers, click here to view your poll results!

RATE THE FIRST COUR 231 Responses

Overall, respondents had a positive experience with the anime’s retelling of the Uprising arc with a 4 being the most popular ranking. It seems most believe there was room for improvement, but that it was overall enjoyable!

Good shit man, good shit. Next arc is gonna wring my heart dry of every last feel in existence, but so far I am satisfied.

This season was poor. I hoped for better. The scenes I loved it the manga were removed. Lots of character development was gone. But my biggest pain is anime version of Kenny. I will be honest - I am disappointed.

I liked it but the manga version will always hold a special place in my heart

I thought it was amazing, despite all the new things and things taken out. I still love the series way too much to really criticize choices they or Isayama make. I know I'm still gonna watch it and love it.

FAVORITE ANIMATED COUR SO FAR? 235 Responses

Nearly half of voters favor the Clash of the Titans arc’s adaptation the most so far, but the Uprising arc came at a surprisingly strong second overall! 

Well done, WIT Studio! Although some of my favorite chapters became my least favorite and vice versa (sadly), this was over all the best arc in my opinion.

It was a good story, but they cut out way too many scenes I loved making it not the best adaptation when it comes to comparing it with the manga. Season 3 is still my favorite season though.

FAVORITE EPISODE(S) FROM THIS COUR? 231 Responses

“Friends” was the most well-liked episode of the first half of the season, but overall the last four episodes performed the strongest. This is likely due to their more faithful adaptation of the manga material than than the earlier episodes. On that note, “Pain” did pretty well in regards to the earlier episodes. 

First two episodes were meh (way too fast for my liking), then it got slightly better, but the last 4 episodes were amazing

that ending scene in ep 12, what the hell, that scared me so much but it was so well done! also that last scene before the ending song is great for hype lol, Erwin's (japanese) voice actor is a god, my god what a man, SUSUMEEE

RATE THE SOUNDTRACK 236 Responses

It is probably safe to assume that the majority of respondents agree with the sentiment, “OST when!?” The soundtrack was great this season according to voters. Hopefully Sawano treats us soon! 

It was so good and I really want the soundtrack to come out, I have 6 months to mentally prepare myself for the return to Shiganshina arc and I still won’t be ready

RATE THE ANIMATION 235 Responses

Overall, reactions to the animation were positive. Although there were some scenes that had room for improvement, ultimately we can’t deny that the hard work done on the action sequences really paid off. Here’s hoping for even more glorious animation in the second half of the season! 

HOW DID YOU FEEL ABOUT THE FOLLOWING KEY CHARACTERS BY THE END OF THE COUR?

We’ll let the results speak for themselves on this one. Levi, Historia, Erwin, Hange and Kenny drew the most positive feelings. Rod evoked the most negative feelings.

ARE YOU PLANNING TO WATCH THE NEXT COUR? 237 Responses

We’re happy to see that most of you guys will be around for more! 

I feel like this section and onwards are not going to make for very entertaining episodes and are better in manga format, particularly if it's going to keep forcing major changes

HAVE YOU BEEN WATCHING THE DUB? 237 Responses

The majority of respondents have not watched the dub and have no desire to do so. 16% will get around to it eventually and 14% are keeping on up on it. 

IF SO, WHAT ARE YOUR OPINIONS OF THE DUB THIS SEASON? 211 Responses

Aside from the 75% who haven’t been watching it, those who have are having an overall positive experience with it this season, regardless if the original Japanese is the preference or not!

This season has been an improvement both in voice acting and script, I've been pretty satisfied with it.

I'm not sure why people think animes need dubs tbh. They never sound good. Kenny's voice actor really butchered the cowboy voice.

I've only seen a few scenes but when Levi shouted ''Nifa!'' it sounded really weird in the dub xD

The very idea of watching dubbed anime is heresy

DO YOU THINK LINKED HORIZON WILL BE INVOLVED IN THE NEXT COUR? 233 Responses

The majority are feeling pretty confident that Linked Horizon will be back again for part 2 with an exciting new opening for us! 16% are sure they will stick around, but we may not see them retake their role as the artist of the opening. A small sliver of respondents think that they will be absent. 

OVERALL, DID YOU THINK THE ADAPTATION OF THE UPRISING ARC WAS DONE WELL? 237 Responses

Just over half of respondents believed that the Uprising arc was adapted well overall. 28% felt it was a good story, but not a good adaptation - still enjoyable, but not close enough to the source material. Smaller percentages either preferred the anime’s retelling or, on the opposite end, believe that the adaptation wasn’t good in any way. 

Í think a few parts would've been better if they had stuck to the source, but overall it was a good adaptation

It was horrible to be very honest, ehhhhh they ruined it

There were a few cuts and changes that didn't make sense or took away from the story but it wasn't too bad. I love Attack On Titan too much to be ungreatful lol.

At some points it was a better adaptation, with changes I liked, and at some points the attempts to fix some issues created some others. I'd say I find it about even with the manga, the pros and cons balance out.

I enjoyed it, and I loved the action animation in the first few episodes, but I'd still have preferred a more faithful adaptation.

First half was rushed, i like the manga version of it better, but the second half that went more like the manga was excellent

It could've been a teensy bit better, but glad they hit all the marks that were important (except for the hesitation of the 104th squad killing people)

It was a good story, but they cut out way too many scenes I loved making it not the best adaptation when it comes to comparing it with the manga. Season 3 is still my favorite season though.

Although the story was entertaining and was produced well, it missed a lot of key factors present in the manga that really brings it down. At the end you have a feeling of hollowness as opposed to satisfaction

OPINIONS OF THE ARC BEFORE THE ANIME? 238 Responses

Prior to the anime adaptation, the majority of respondents were fond of this arc of the story. A few were indifferent or didn’t enjoy it, however. 

I thought this arc was boring when I read it in the manga and it honestly wasn’t any better when it was animated.

AND AFTER? 237 Responses

Opinions stayed about the same after the anime retelling, with just a small bump up in the “liked it” area.  

I actually like the Uprising arc. So when the anime came up I expected it to be better. So for me this is a good adaptation. Plus I think half of the budget was spent on making Levi 100 time hotter... My only regret is that they didn't show Levi shirtless.

Uprising arc is my favorite in the manga. So many changes have driven me mad but in the end, I have rather enjoyed this cour. The chara design and the animation are insane. Feel robbed in many ways though, but never mind.

I felt like a lot of details that made the arc good in the manga was lost in the anime

HOW DID YOU FEEL ABOUT THE FOLLOWING MAJOR CHANGES?

While most stances were overall neutral on many of the changes, the most disliked change was taking away Levi forcing Historia to take the crown, thus unraveling subsequent events which eventually lead to the beloved punch/smile scene. The most well received change was including a proper Kenny vs. Levi fight scene in the cave. 

I did disapprove of some removals and additions, because I felt that the way the manga structured it made the plot flow easily. For the anime, it felt a tad rushed with the fast stream of information given to the viewers.

Like many manga readers, my biggest and only really significant complaint was the removal of Levi's choking-and-speech moment. It was entirely crucial to both his and Historia's characterisation and future development.

I only liked two of the changes. Everything they did that stuck to the manga was really well done.

The fandom is happy because of the 2nd fight between them in the cave. That was the worst fight IMO: Kenny didn't learn anything from the first battle between them and decided to go against Levi again; he was babbling some nonsense, offended his nephew and as result - he almost got killed. So in other words - Kenny was shown as immature, dumb simpleton who despised his nephew and was pathetic fighter.

while different, i still think it was a good adaptation and none of the changes really bothered me too much.

An additional scene that I'm still upset they didn't include - the conversation between Nile and Erwin before Erwin's arrest, where they discuss their childhood together.

ADDITIONAL THOUGHTS ON THE FIRST COUR?

A shame a bunch of the political parts were ''rushed'', but it was to be expected. Otherwise a good adaptation!

Decent adaptation that skimmed over the boring stuff. Too bad some scenes were hacked away.

"Okay, this is epic." - Ben Shapiro

I don't care that Isayama approved the changes and that the majority of people seemed to have enjoyed this arc more in anime form with the changes. I'm not an idiot, I know how adaptations work and that they're a different medium and that it wouldn't be a 100% panel by panel adaptation nor was I expecting it to be. Neither of the previous seasons were. But they removed and changed SO MUCH of what made the arc great and my favorite personally that I'll never get over that.

After a few fast paced episodes that were slightly Concerning™️ things slowed down and made a lot of sense. I’m glad that isayama got a chance to see uprising play out in the way he would have liked. And as far as changes, some were great, some were not awesome, but we always have the manga. Overall it was amazing and what will I do with my Sundays for the next six months rip

It was pretty calm, right before the storm of the next cour

First sighting of god tier character Floch

I feel like a fair bit of changes were made just to give the main/loved characters far more screentime, and some other changes to be simply dumb and entirely unnecessary

I wish they had just stayed true to the manga. It seems like they wanted to remove some of Levi's darker parts which makes him a less interesting character.

While it could have been better (less CGI!), it was phenomenal overall, and I believe guarantees that the Shiganshina arc is in good hands!

Rod's Titan was so gross. YUCK!

EEEEEEKKKKKK

10/10 there was a brief flashback of Mina Carolina in the Cave.

I'm still salty about some cuts but overall I liked it. Who will say no to Anime SNK?

For Yams story and characters are the most important, for the anime team - it's fun for watchers. That's a bit sad but okay.

Historias new coronation outfit was better than in the manga

I see the anime as an extra, so nothing that happens in the anime will change how I see certain characters or the arc itself. So I really had a problem answering your poll. In my eyes, it a gimmick, a nice animated extra but nothing more.

Despite not being a 1:1 adaptation of the manga, the anime still manages to do a fantastic job of adapting Uprising as well as altering it. The story and characters were still executed very well, and this arc overall had a MUCH better reception than its original counterpart which, in my opinion, says something.

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 221 Responses

SHOULD THE POLLS CONTINUE/OVERALL POLL FEEDBACK? 226 Responses

We’re happy to see you guys are enjoying the polls! We appreciate all of you! <3

Thanks again to everyone who participated! We’ll see you again in April! 

[keanuital]

Keanu Reeves on his love of motorbikes and the 'Sad Keanu' meme

WHEN IT COMES to riding a motorbike, Keanu Reeves is no celebrity dilettante. Like his alter ego Johnny Utah in Point Break, the enigmatic movie star is a self-confessed speed demon who regularly tests his limits as a fearless motorcyclist. As a young boy growing up in Toronto, Canada, where he first aspired to be a hockey goaltender before acting intervened, Reeves was fascinated by bikes. His stepfather owned a Norton Interceptor and to this day his favourite motorcycle remains his 1973 Norton Commando.

But it took a pretty German girl to actually get Reeves on his lifelong motorcycle journey: “When I was 22, I was working on a movie in Munich and a girl showed me how to ride her Kawasaki Enduro. Ever since then I’ve been addicted to everything about motorcycles,” he says. “Wherever I’ve been in the world – shooting a film or whatever – I’ve always looked for a used bike shop to get something very fast I could ride around for a few months and then sell back afterwards. I get very restless if I don’t get to feel the kind of speed and freedom riding a bike gives me.”

Reeves is a fearless renegade rider who cherishes the time and “incredible freedom” he experiences aboard an impressive collection of bikes that includes a 1974 BMW 750 (“I bought that while shooting The Matrix”), 1984 Harley Shovelhead, and Moto Guzzi T3, but he still finds time for his day job. His new movie, John Wick: Chapter 2, sees Reeves return to the role of the reformed hitman bent on atoning for his past. Not only did the original John Wick blow critics away and prove to be one of the sleeper hits of 2014, but it also gave Reeves his first truly galvanizing role since The Matrix films.

In John Wick: Chapter 2, Reeves’s retired assassin is forced back into action again in order to foil a plot involving a secret assassins�� guild. Like the original, the sequel sets out to replicate the same kind of kinetic and brilliantly choreographed fight sequences that show he hasn’t lost any of the martial arts techniques that he has honed over his career.

Says Reeves: “I can still hack it – I don’t want anyone else to do the fight scenes, and I still do virtually all of the fighting. The only problem is that you’re very sore and stiff the next day because you’re older and less flexible. I can’t jump as high as I used to, but my overall technique and ability to do the choreographed sequences is at a much higher level now and I still get a kick out of doing those scenes. I’ve also had some great teachers to get me to where I needed to be. It’s a lot of fun.”

Shot in Rome and New York, the sequel co-stars Ruby Rose (Orange is the New Black), Ian McShane, John Leguizamo, Bridget Moynahan, Laurence Fishburne (his former Matrix boss), Common, Lance Reddick, Peter Stormare, and Riccardo Scamarcio.

Ironically, the high octane sequel sees Reeves take the wheel of a supercharged Chevrolet Chevelle and mow down a villainous motorbike rider in one particularly thrilling sequence shot in New York’s Times Square.

Despite any subconscious misgivings about running over a fellow biker, albeit for the sake of fiction, Reeves likes the fact that the new Wick movie raises the action bar even higher than the first. “I love John Wick. We had an amazing time making this story. I can’t say that we’re not geeked about continuing the idea and the character. We have some really cool ideas. We talk about what would be cool to take it to the next level… If the first one was a black belt, this one is third-degree black belt.”

Set for release at the end of February, John Wick: Chapter Two could well be the kind of monster hit that Reeves needs to recover his Hollywood mojo. Now 51, the ever-handsome and still rather boyish-looking actor has seen his legacy tarnished in a string of critical and box-office flops. But in the guise of John Wick, he is able to infuse his palpable single-minded, melancholy spirit into a character who after losing his wife experiences a profound sense of despair. That underlying sense of rage and danger turns Wick into a ticking time bomb – someone you wouldn’t want to provoke.

“One of the things that drew me to Wick was his sense of honour and desire to lead a better life,” explains Reeves. “He’s driven by a firm set of principles and he’s not someone who you want to mess around with after he’s lost his wife and simply wants to be left alone.But once he’s set in motion, he’s going to be a man who is very hard to stop.”

The image of the solitary warrior has been a prevailing theme in Reeves’s screen roles of late. Films like 47 Ronin, Man of Tai Chi, and Henry’s Crime all saw him play laconic, lonely figures railing against an indifferent universe. These kinds of stories have served to fuel the ‘sad Keanu’ meme that took hold after Splash News ran a photo of Reeves sitting by himself on a park bench munching on a sandwich. For a man with a personal fortune in excess of $100m it seemed like a tragic portrait of a suffering artist. Reeves, who has never married and has no children, rejects the notion that he is lonely, much less sad: “I don’t feel lonely. I don’t socialise a lot but I have good friends and I have a very good life. I just don’t do anything to attract any attention to myself and I find it’s much easier to live that way.”

The meme itself was simply a case of him taking a break while shooting a film in New York. Explains Reeves: “It was lunchtime, between filming on Henry’s Crime. I decided to have something to eat during the break and began thinking about something. You know, sometimes you just start thinking during lunch. And that’s exactly what I did, but people seem to have decided that I was very sad. It’s interesting: photos can generate a thousand words, but none of them would be true!”

Motorbiking is what excites Reeves more than anything else in life. He believes that the combination of fear and exhilaration that comes from riding a motorcycle at high speed is a “unique sensation” that has few equivalents. The desire to find “the ultimate ride” is what inspired him to co-found the Arch Motorcycle Company in 2011 together with custom-bike builder Gard Hollinger.

The fruit of that collaboration is the Arch KRGT-1, a bike that most motorcycle experts and enthusiasts consider to be one of the most elite custom motorcycles on the planet. It combines space-age design with state-of-the-art engineering, and is powered by a Twin Cam 124 cubic-inch (2,032 cc) 45-degree down-draft fuel-injected engine that generates 122 hp and 122lb-ft of torque.

According to Reeves, this is a motorcycle that delivers on every single level: “It’s a bike that’s really confident feeling going straight, and it has a lot of torque so whenever you get on the throttle, you can really feel the pull and push of the motorcycle. It can turn and handle. We knew we wanted to offer something unique, not only aesthetically, but also when it comes to the pleasure of riding.

“I told Gard: ‘OK, the reason we should do this is because the machine is amazing, and we’re going to die anyway,’” he adds, laughing.

Reeves was involved in the development process virtually every step of the way and found a kindred spirit in veteran bike builder Hollinger. They set up shop in Hawthorne, California, near to Elon Musk’s Space-X facility, and set about fashioning their dream machine.

Though Reeves tends to downplay his technical input versus aesthetic contribution, Hollinger, his partner in the venture, has suggested otherwise: “He’s being modest. He always has a lot of feedback. I think he has to temper his wishlist a bit, because he doesn’t want to overwhelm me. His thoughtfulness and passion for riding was a huge part of what caused me to commit to the project. I’ve ridden my whole life, and when we talked about the riding experience, I was struck and impressed by how in tune he was. Man, all the years I’ve been riding, I’ve been taking it for granted.”

At a premium cost of $78,000, the KRGT-1 incorporates aluminium construction, carbon fibre BST wheels, a futuristic instrument panel from MotoGadget, and a six-speed Baker transmission. While gearheads will be blown away by the custom specs alone, ordinary mortals and casual (albeit deep-pocketed) motorbike enthusiasts will be mesmerised by the bike’s otherworldly design.

Says Reeves: “When we were discussing what we wanted to do with the bike, it was not just about building something that looked unique from a design standpoint but something which offered a very distinct experience for the bike rider. First of all, you need to build a machine that performs at the highest level – then you can talk about the aesthetics. But in the end, it’s all about the ride!”

When he looks at the KRGT, which he classifies as a “performance cruiser,” Reeves’s expression lights up: “It’s a new class of motorcycle. It goes beyond anything we’ve ever seen in terms of aesthetics and ergonomics and the way it handles on the road. It’s the product of a lot of hard work and thought. I think it’s beautiful.”

For Reeves, “the ride” is also a metaphor for one’s journey in life. For years, he’s lived almost like a Ronin – a warrior without a master – seeking some form of solace amid the constant attention that comes with being one of the biggest stars in Hollywood.

Yet he was largely indifferent to fame and fortune. He lived in hotels such as the Chateau Marmont for his first 15 years in Los Angeles before buying himself a house. He has little use for his immense fortune and has given much to friends, charities, and cancer research (he funded a wing of a hospital where his sister was treated during her battle with leukemia).

Though he insists that he’s “not lonely”, motorbiking would appear to be his surest means of combating a sense of restlessness and finding peace of mind. He confesses that he’s often “happiest” cruising along Sunset Boulevard late at night when there’s little traffic and he can admire the beauty and spectacle of the Pacific Coast Highway.

“Riding a bike is pure freedom,” Reeves says. “I love the speed and how it completely clears your mind. When I’m out riding, I just feel like I’m very calm and focused at the same time. One of my favourite rides of all is taking the Pacific Coast Highway through the Santa Monica mountains and Malibu Canyon and then making my way back home along Sunset: there’s just nothing else like it.”

Square Mile

[eddycurrents]

For the week of 4 September 2017

Three comics made the favourites list this week. Made Men #1 from Paul Tobin and Arjuna Susini, Seven to Eternity #9 by Rick Remender and Jerome Opeña, and Star Wars: Captain Phasma #1 by Kelly Thompson and Marco Checchetto. Published by Oni Press, Image, and Marvel respectively.

Made Men #1 is a mix of a crime drama and horror, introducing us to the world of Jutte Shelley (nee Frankenstein), a cop who tried to leave behind a world of monsters.

While the story did grab me, what really made this book stand out was the artwork by Arjuna Susini. He has a style I’ve been seeing pop up more again recently, that shows a certain influence by Bernie Wrightson, but also artists like Richard Case, Bill Sienkiewicz, Sam Kieth, and Kelley Jones, and it’s just wonderful. Dark and evocative with nice use of cross-hatching and some hard angles, Susini probably veers closer to the Richard Case end of the spectrum. Still realistic and not nearly as stylized as Kieth or Jones. It’s very impressive work.

The introductory narrative from Paul Tobin, gives us a first-person narration by Jutte that is fairly direct, clinical, and visceral in its description of what’s going on and allows for a distinct window into the procedural way her mind works. It really aids in driving home the cop drama aspect to the story and provides an interesting lens to perceive the carnage.

Needs more talking cats, though.

Seven to Eternity #9 concludes the second story-arc of the series. And hoo, is it a doozy.

In many ways, this series has been telling the story of the fall of a hero. Or at least someone who sets out in the first issue on what seems like a hero’s journey. What Rick Remender really seems to be writing about is how the protagonist, Adam Osidis, has become potentially compromised and has begun a spiral into selfishness over the steadfastness of his father. 

Especially as a large part of this issue is a discussion on the nature of good and evil, and of how whispers and rumours--the weapons of Adam’s antagonist and current travelling companion/hostage, the Mud King--and thereby perception shape the reality of an individual. And then, of course, there’s a climactic magic battle.

All of it made beautiful by Jerome Opeña and Matt Hollingsworth. It’s nice to see Opeña back after a couple issues by James Harren--to his credit knocked it out of the park as well--as this series remains what’s probably the best looking book on the shelves.

The only downside to this issue is that we now have to wait until February 2018 before the series starts up again.

Star Wars: Captain Phasma #1, or more accurately the unwieldy title of Journey to Star Wars: The Last Jedi - Star Wars: Captain Phasma, is a direct continuation from Star Wars: The Force Awakens chronicling what happened to Captain Phasma, the First Order Stormtrooper played by Gwendoline Christie in the film, in the destruction of the Starkiller Base. Wacky hijinks ensue.

Okay, maybe not.

Although certainly a matter of coincidence in timing, Kelly Thompson’s narration for Captain Phasma serves as an interesting comparison to Tobin’s in Made Men. It too is clinical and succinct, but where Jutte is no nonsense and direct in her observations, Phasma is cold and emotionless. Both characters adhere to a certain type of ruthlessness, but one is seeking vengeance for a wrong-doing and the other is taking a pathological approach to covering her tracks. It’s interesting to see the difference in a similar narrative approach in how it relates to ostensibly a hero (Jutte) and a villain (Phasma). 

Beyond just that comparison, this first issue is compelling in its own right. There’s a nice bit of humour in juxtaposition of Phasma’s log recording of the events of the destruction of Starkiller Base and what was actually going on, deadpanning much of the explosions.

This issue also features what is probably the most gorgeous art in one of Marvel’s Star Wars titles yet. And that’s saying a bit since they’ve had artists such as Kev Walker, Phil Noto, and Salvador Larroca working on them. The art here from Marco Checchetto and Andres Mossa is just breathtaking. 

Quick Bits:

All-New Guardians of the Galaxy #9 begins telling the story of what exactly happened to Groot to make him into Baby Groot at the beginning of this volume. Aside from corporate synergy with the second Guardians of the Galaxy film that also saw the rest of the team more reflect their cinema brethren. The answer Gerry Duggan gives in the story is interesting, adding a new wrinkle to the Guardians’ tapestry.

| Published by Marvel

Astonishing X-Men #3 continues the Shadow King’s game with the X-Men trapped in the Astral Plane, this time focusing mainly on Old Man Logan. Ed McGuinness tackles the art this issue and I’m still wondering about how the overall arc will read in one go. Unlike the past two issues, though, this one doesn’t necessarily play to McGuinness’ strengths. The art is still good, but I would have expected something more bombastic or action-oriented from the story.

| Published by Marvel

Black Bolt #5, like every issue preceding it, features some excellence in storytelling from Saladin Ahmed and Christian Ward. There’s also a nice four-page sequence illustrated by Frazer Irving that gives a summary of Lockjaw’s relationship with Black Bolt. 

| Published by Marvel

Daredevil #26 kicks off the three-part Land of the Blind story-arc with the return of Ron Garney on art, delivering some absolutely gorgeous work.

| Published by Marvel

Elsewhere #2 continues Amelia’s Adventures in Wonderland, with the revelation that she’s apparently going to end this world and summarily sent to be executed. Jay Faerber’s story is still a bit of a slow burn in introducing this world, its people, and what exactly is going on, but it remains interesting.

| Published by Image

Giant Days #30 deals with the fallout of Ingrid and Daisy’s relationship. It’s a funny, but sometimes accurate, look at how a first love--or even just a new love--can affect a broader friendship dynamic.

| Published by BOOM! Entertainment / Boom! Box

Hawkeye #10 reminds you that you should be reading the series if just for Leonardo Romero’s artwork. Even if the story from Kelly Thompson wasn’t entertaining in its own right, Romero’s visual storytelling from page layouts to character work to panel transitions is just a visual treat. But the overall story is entertaining too, with some fun dialogue, humour, and an interesting take to see Madame Masque as Not-Kate.

| Published by Marvel

Iron Fist #7...just look at this spread from Mike Perkins with colours by Andy Troy. This issue is a feast.

| Published by Marvel

Royals #7 continues Al Ewing’s trip through obscure(ish) Marvel cosmic and Inhuman continuity, deftly weaving past tales into his ongoing narrative that seems to be his signature. Not to mention some great character moments and development.

| Published by Marvel

Scales & Scoundrels #1 was very nearly my fourth favourite book of the week, it’s a damn impressive debut. Sebastian Girner has offered up another winner after his Shirtless Bear-Fighter a scant few week ago. As its title suggests, this is a fantasy book taking after traditional Dungeons & Dragons tropes, but like other recent series like Night’s Dominion and Ladycastle, it seems primed to turn some of those conventions on their ear. This issue is full of humour, action, and an interesting protagonist in the titular scoundrel, Luvander.

The art by Galaad is also magical. It’s deceptively simple, reminding me of a more abstract Albert Uderzo, and it propels the story nicely.

| Published by Image  

Star Wars: Darth Vader #5 is Charles Soule’s third book this week, after Astonishing X-Men and Daredevil, and it’s another solid read. There’s an interesting missed path What If...? in the issue as Vader works to construct his lightsaber. Giuseppe Camuncoli’s artwork is fantastic as usual.

| Published by Marvel

Star Wars Adventures #1 is good all-ages fun. There are two stories here, both written by Cavan Scott. One focusing on a young Rey on Jakku as a continuing story and the other a “Tales from Wild Space” tale of Obi-Wan one and done. If you like Star Wars and want to share with your kids, this isn’t a bad choice.

| Published by IDW

Thor vs. Hulk: Champions of the Universe #1 is a digital original on Comixology and Kindle from Jeremy Whitley and Simone Buonfantino. I’d consider it more light-hearted, out-of-continuity, all ages fun, probably meant to be collected in time for the Thor: Ragnarok release. It features Thor Odinson and Bruce Banner, so if you’re missing the classics, this is a good get.

| Published by Marvel

Venomverse #1 is every bit as good as the preceding Edge of Venomverse mini-series of one-and-done stories introducing some of the players in this event. Cullen Bunn and Iban Coello deliver an entertaining first chapter here, setting up not just a playground for alternate Venoms, but also a series of adversaries in ever more alternate Poisons.

| Published by Marvel 

The Woods #35 has all of the chickens coming home to roost. This penultimate issue of James Tynion IV and Michael Dialynas’ series is epic. After this, I can’t wait for the conclusion.

| Published by BOOM! Studios

Other Highlights: 4 Kids Walk into a Bank #5, Ab Irato #5, Animosity: The Rise #3, The Greatest Adventure #5, Harbinger Renegade #7, Inhumans: Once & Future Kings #2, Jessica Jones #12, Kingsman: The Red Diamond #1, Lazaretto #1, Millennium: The Girl Who Played with Fire #1, Motor Crush #6, Nancy Drew & The Hardy Boys: The Big Lie #6, No World #5, Outcast #30, Postal #22, Rocket Girl #9, Spider-Man #20, Spider-Man/Deadpool #21, Usagi Yojimbo #161, Venomverse: War Stories #1, The Wicked & The Divine #31, World Reader #6

Recommended Collections: Black Beetle: Kara Bocek, Extremity - Vol. 1, Iron Fist - Vol. 1: Trial of the Seven Masters, Kong of Skull Island - Vol. 2, Manifest Destiny - Vol. 5: Mnemophobia & Chronophobia, Pathfinder - Vol. 1: Dark Waters Rising, Throwaways - Vol. 2

d. emerson eddy knows where the bodies are buried. Which bodies? The ones that hit the floor in 2001.