#he is literally so gender

[fish-bowl-2]

[sopuu]

my friends and i watched the parkour movies in one sitting-

[cenvast]

"Toshiro Is Sexist," "Toshiro Owns Slaves": What's Really Going on With This Guy?

I've seen a lot of debate on whether or not Toshiro is problematic because he's a slave owner or because he's sexist in the context of his crush on Falin. While I do want to examine his relationship to Falin, I'd like to take a few steps back and unpack his upbringing first. We'll dive into the gender and class dynamics he was raised with and how it impacts his behavior in the main storyline.

Like all people, Toshiro is shaped by the environment he grew up in. Toshitsugu, Toshiro's father and the head of the Nakamoto clan, is the most impactful model of authority and manhood in his life. Toshiro does recognize some of his father's flaws and tries to avoid replicating them. But whether or not he emulates or subverts his father's behavior, Toshitsugu is often the starting point for Toshiro's treatment of others, particularly marginalized people.

The Nakamoto clan exists under a patriarchal hierarchy with Toshitsugu at the top. As noted by @fumifooms in their Nakamoto household post, his wife has more authority than Maizuru. She's able to ban Maizuru from parts of their residence, but despite disliking his infidelity, she can't divorce him or stop him from cheating on her. Their marriage is not an equal partnership.

On an interpersonal level, Toshitsugu and Maizuru also have a fraught relationship. While she does seem to care for him, she's often frustrated by his thoughtless behavior.

For example, he drunkenly buys Izutsumi for her — without considering how she'll have to raise this child — and invades her room in the middle of the night. When he cryptically says, "It's all my fault," she replies, "I can think of a lot of things that are your fault." She calls him an "idiot" and "believes that [Toshiro] will grow up to be a better clan leader than his father," implying that she takes issue with Toshitsugu's leadership.

Because Maizuru and Toshitsugu are described as being "in an intimate relationship" and "seem[ing] to be lovers," Maizuru appears to be a consensual participant. Still, this doesn't negate the large power imbalance between them as a male noble clan leader and his female retainer. This imbalance introduces an insidious undertone to Maizuru's frustration with Toshitsugu. Like Toshiro's mother, Maizuru doesn't have the agency to do as she pleases in their relationship; he has the ultimate authority. For instance, she doesn't seem to want to raise Izutsumi, but she has to anyway.

While Maizuru's role as Toshitsugu's mistress is significant, she's also the Nakamoto clan's teacher and Toshiro's primary maternal figure. She cares deeply for Toshiro: tailing him, feeding him, and taking responsibility even for his actions as an adult. While it might seem sweet that she cares for him like a son at first, Maizuru was notably fifteen years old at the time of his birth. In the extra comic below, he's six years old and has already been in her care for some time. Even if we're being generous and assuming that she didn't start raising him until he was six, she was still only twenty-one at the time she was parenting her boss/lover's child with another woman.

Maizuru's roles as mistress and maternal figure, in addition to her role as retainer, demonstrate the intersection between gendered and class oppression in the Nakamoto household. Despite her original role being a retainer trained in espionage, Toshitsugu presses her into performing gendered labor for him and eventually, Toshiro. She's expected to be Toshitsugu's lover, perform emotional labor for him as his confidant, care for his child, and carry out domestic tasks like cooking. She says, "Even during missions, I was often dragged into the kitchen." If she was a male servant, I doubt she would have been expected to perform these additional tasks. She can't avoid these tasks either, stating that her "own feelings don't factor into it."

Toshitsugu disregards his wife's and Maizuru's desires and emotions to serve his own interests. Because he has societal power over them as a nobleman and in Maizuru's case, her master, neither woman can escape their position in the household hierarchy.

As a result, Toshiro grew up within a structure where men and male nobility, in particular, wield the most societal power. The hierarchical nature of his household and society discourages everyone, including him as a clan leader's eldest son, from questioning and disrupting the existing hierarchy.

The other Nakamoto household members also internalize its sexist, classist power dynamics.

For example, Hien expects that she and Toshiro will replicate the uneven dynamics of the previous generation, regardless of her personal feelings. She sees her and Toshiro's relationship as paralleling Maizuru and Toshitsugu's relationship; she is the closest woman to Toshiro and his retainer, so she's shocked when Toshiro doesn't attempt to begin an intimate relationship with her. Notably, she doesn't have actual feelings for him. Her expectations are centered around the household's precedent of placing emotional, sexual, domestic, and child-rearing labor onto the female servants without any regard for their personal desires.

Hien also probably knows that her position in the household will improve if she is Toshiro's lover because she's seen it improve Maizuru's position. However, the fact that being the future clan leader's lover is the closest proximity she, as a female servant, has to power further reveals the gendered, class-based oppression she and the other women live under.

It's important to note that the Nakamoto clan bought Benichidori, Izutsumi, and Inutade as slaves, so they have less power and agency than Maizuru and Hien. The clan further dehumanizes Izutsumi and Inutade as demi-humans; their enslavement contains an additional layer of racialization.

Toshiro isn't oblivious to the gendered, class, and racial power dynamics of his household. He tries to distance himself from participating in its exploitative power structure. He walls himself off from Hien, who he's known since childhood, to avoid replicating his father's behavior and making his servant into his lover. He disapproves of his father's enslavement of Izutsumi and Inutade, and he lets Izutsumi go when she runs away in the Dungeon.

But does any of this absolve him of his complicity in his household's sexist, classist power dynamics and racialized slavery?

The short answer is absolutely not.

Despite his distaste for his father's exploitation of his servants and slaves, Toshiro still uses them. He refers to his party as "his retainers," and he has them fight and perform domestic tasks for him. You could argue that Toshiro doesn't like to and thus, doesn't regularly use his servants and slaves. In the context of him asking his retainers to help him rescue Falin, Maizuru says, "The only time he ever made any sort of personal request was for this task." But it shouldn't matter whether exploitation is a regular occurrence or not for it to be considered harmful. Toshiro asking Maizuru to cook him a meal still constitutes asking his female servant to perform gendered labor for him. He's also very accustomed to her grooming and dressing him.

Maizuru sees feeding, washing, and even advising Toshiro romantically as fulfilling Toshitsugu's orders to care for his son. They aren't fulfilling a "personal request." But just because her labor has been deemed expected and thereby devalued doesn't mean that it isn't labor or that she isn't performing it.

Maizuru's dynamic with Toshiro is also complicated by her role as his maternal figure. She loves him and wants to take care of him, and she doesn't have a choice in the matter. During Toshiro's childhood, the onus was on Toshitsugu to cease exploiting his lover and release her from servitude, but Toshiro is now an adult man. Seeing as how Maizuru defers to his wishes and calls him "Young Master," they still have a power imbalance that he's passively maintaining. Ideally, he would not ask anything of her until he has the authority to release her from servitude.

Throughout the story, Toshiro acts as if he has no agency and quietly disapproving of his father's actions absolves him of his participation in maintaining oppressive dynamics. While his father still ranks higher than him, he's essentially his father's heir. He has much more power than Maizuru, the highest-ranked servant. At the very least, he could leave his slave-owning household.

Unfortunately, his refusal to confront injustice is consistent with his character's major flaw: he does not express his opinions, desires, or needs. While this character trait obviously hurts his friendships, it also furthers his complicity in the injustices his household runs on.

Toshiro's relationship with eating food — the prevailing metaphor of the series — also parallels his relationship with confronting injustice. Maizuru mentions that he was a sickly child, so the act of eating may have been physically uncomfortable for him. As an adult, his refusal to eat crops up during his rescue attempt of Falin. Denying himself food might have been punishment for not accomplishing important tasks like rescuing Falin and/or a way to maintain control over something in his life when he felt like he'd lost control over the rest of it, again in the context of losing Falin. (Note: I suggest reading this post on Toshiro's disordered eating by @malaierba.)

But he cannot and does not avoid consuming food forever.

Similarly, Toshiro keeps his distance from his retainers and tries not to use them until the Falin situation occurs. His efforts to avoid exploiting his retainers amount to inaction — things he doesn't ask of them or do to them. But his inaction does nothing to dismantle the existing hierarchy that places his retainers under his authority, denies them agency, and often marginalizes them as not only servants or slaves but as women, and he ends up using them as servants and slaves anyways.

Returning to the narrative's themes of consumption, Toshiro cannot avoid eating just as he cannot avoid perpetuating the exploitative system of his household. The Nakamoto clan consumes the labor and personhood of those lower in the hierarchy. The retainers' labor as spies and domestic servants is the foundation of the clan's existence. Thus, the clan consumes their labor to sustain itself.

Within this hierarchy, the retainers' personhood is also consumed and erased. As Izutsumi describes, they are given different names and stripped of their agency to reject orders or leave. Maizuru and Hien also say their feelings are irrelevant in the context of Toshitsugu's and Toshiro's wants and needs. Both women are expected to comply with whatever is most beneficial and comfortable for the noblemen. Clearly, despite Toshiro's detachment from his household's functions, these social structures remain in place and harm the women under him.

Although we know the Nakamoto clan has male retainers, the choice to highlight the female retainers seems intentional. We're asked to interrogate how not only being a servant or a slave in a noble household impacts a person's life and agency, but how being a woman intersects with being a member of some of the lowest social classes.

Toshiro only distances himself from his father's behaviors of infidelity and exploitation so long as it doesn't take Toshiro out of his comfort zone. He doesn't free his slaves. He's far too comfortable with his female retainers performing domestic labor for him, and he barely acknowledges their efforts; they're shocked when he thanks them for helping him save Falin. He hasn't unpacked his sexist (or classist or racist) biases because he perpetuates his household's oppressive hierarchy throughout the narrative. Considering all of this, he inevitably brings this baggage to his interactions with Falin.

Falin is presumably one of the first women he's had extended contact with that isn't his relative or his family's servant. Because of his trauma surrounding his father and Maizuru sleeping together, he understandably falls for a woman as disconnected as possible from his father and his clan. He seems to genuinely like Falin, respects her boundaries, and graciously accepts her rejection. His behavior towards her is overall kind and unproblematic.

But if Falin had gone with him, she would've likely been devalued and sidelined like the other women of the Nakamoto household. No matter how much he loves Falin, simply loving her cannot replace the difficult work of unlearning his sexism. Love, of course, can and should be accompanied by that work, but by the close of the narrative, we gain little indication that Toshiro acknowledges or seeks to end his part in exploiting and devaluing women and other marginalized people.

A spark of hope does exist. Toshiro expressing his feelings to Laios and Falin suggests that his time away from home has encouraged him to speak up more. Breaking his habit of avoidance may be the first step towards acknowledging his complicity in systems of injustice and moving towards dismantling them.

Special thanks to my very smart friend @atialeague for bringing up Toshitsugu's relationship with Maizuru and the replication of dynamics of consumption and class! <3

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[biceratops7]

***

Same energy 👆

[jouxlskaard]

i love you tim i would do anything for you tim

[faerieomenart]

He is me and I am him, ok ok? But really, I adore Hypnos from the HADES games. He's so silly. I did this to celebrate seeing him in the second game, even though we can barely interact with him. :((

Idk what I was doing with my style here. I have difficulties with more stylistic art styles usually, but I do really like the doodles here.

Lost the date drawn, but it was sometime this year a few months ago.

[biblically-accurate-dca]

[hughmanbean]

The Nurturing Queen and the Greedy Duke

Credit to @sky00asara in this post for this idea I love guys who are moms (if you get what I mean) This will follow the same rough story beats but will still have a little of my own flair.

The Nuturing Queen, Mother of the Wandering Princess and Erratic Prince, has been said to provide protection and inspire devotion to all who come across her. Praised as Balance and Duality personified, she is a large influence and very commonly mentioned in every scroll, book, art piece, and all magic artifacts that Constantine has seen. He's heard from so many beings of how great she is, her feats, and her being the largest connection between the Unknown Realms and Earth.

Here comes the problem. The Nurturing Queen has an enemy who's been around just as long as she has, who's also been seen not long after wherever she goes, chasing her trail and lurking. The Greedy Duke. He wishes to have her as his own, and take the throne to himself, subsequently plunging the Unknown Realms into chaos. Whenever he confronts the Nurturing Queen, legendary battles commence, and he is beat back.

But now, things are going wrong. The Lazurus Pits have been reported as acting, well, erratic. The Erratic Prince, some beings say, has been seen discussing things with the Greedy Duke. They fear his loyalties may not lie with his family.

A shift has been felt in the magics community. Unknown Realms Beings have ventured into Earth, either out of curiosity or to wreak havoc. Now, at the watchtower, JLD work out how to summon a being and demand to know what's going on, the rest of the Justice League desperate.

When they finally do summon one, they're launched into the Unknown Realms as an answer, told to "Find our Queen" as the being dissappears. They're on a floating island in a green void.

[uselessimpulses]

something something plant membranes as clothing so hes n akey

[punkeropercyjackson]

"This is the gender fuckery and cis+ website"You guys can't even handle trans people who don't want to physically transition

[sweet-treat]

silly frame

[i-crav3-blo0d]

Can we just appreciate how STUNNING Cole Sprouse is in Lisa Frankenstein like HOLY EFFING SHEETS THE GENDER ENVYYYYY

[cuubism]

a selection of The Library's customers

--

One day Hob will get used to The Library's many strange happenings. Maybe. Or probably not.

Today, it's the fact that there's a customer.

Sort of.

The small child who's essentially appeared in Dream's study frowns up at him, hands on her hips. She looks to be about nine. She's wearing a school uniform. Where are her parents?

"This," she says to Dream, horribly affronted, "is not the school library."

"I imagine it did not have what you needed," Dream says. Utterly unbothered by a random child wandering into his shop, seemingly out of nowhere. Hob watches with astonishment from where he's sitting at Dream's desk with a cup of coffee, evidently not needed for this interaction. "What were you looking for?"

"Unicorns," she declares.

It seems odd to Hob that a primary school library wouldn't have any fantasy books with unicorns in them, but what does he know. Dream nods with utter seriousness. "Please wait a moment," he says, and disappears into the bowels of the shop.

"How'd you get in here?" Hob asks as the girl sits down primly in a chair.

"I used the door, silly," she says. Not the front door, surely. Hob definitely hadn't seen her come up the stairs into the study.

Then her eyes light up. "Can I have a scone?"

Hob had brought over a container of them from the cafe, and Dream's been picking at them all morning. Hob passes the kid the container. What the hell else is he supposed to do?

Fortunately, Dream returns before Hob has to figure out what his adult responsibility is as regards an unaccompanied child that probably should be in school right now. Dream hands the girl a stack of at least ten books of varying sizes, presumably about unicorns. The girl looks through them, scrunches her nose up, and asks, "D'you have anything more scientific?"

Dream considers. Then hands her a large, flat book that he definitely hadn't been carrying a moment ago. The girl sets it on the ground, kneeling before it, flipping through the pages. It seems to be made up of scientific diagrams and large, full-color images. Hob sees viscera, organs, bones-- then the girl closes the book again. The cover says, Unicorn Anatomy: Piece by Piece.

The little girl smiles up at him, sharp and pixie-like. "Thank you, Mister Dream," she says, incredibly polite for a child currently grinning madly over unicorn dissections.

Dream nods solemnly. "I hope it will serve you well in your endeavors."

She trots off back into the stacks, to whatever door (?) she came from, and Hob turns to Dream. "Do you often get random children here?"

"The Library finds its customers," Dream says placidly. "She will find her way back to her classroom, worry not."

"Figured that, somehow."

Dream sets the other unicorn books aside and takes up a scone in their place, nibbling on it as he perches on the edge of his desk, looking down at Hob. He seems amused by Hob's confusion. "Why do you have a front door if people don't use it?" Hob asks.

"You use it," Dream points out. Which... is unexpectedly touching. Unexpectedly special.

"Fair enough," he agrees, voice tight.

--

Dream's next customer comes bursting in through a side door as Hob is helping Dream stack some new books. He runs in so fast he has to catch himself against the desk, his business suit tattered and smoking, his hair... literally on fire. He rapidly pats it out.

"Please," he begs, as Dream just observes him calmly from where he's sitting cross-legged on the floor. "I need--"

"1983 Alternate History," Dream fills in. "Yes, I'm sure you do. One moment, please."

As he disappears into the stacks, the customer leans against the desk, panting for breath. Hob doesn't think offering a scone is going to help in this case. He's not sure what else would help, either.

Fortunately, Dream returns quickly, handing the shaking man an equally tattered grey book that is indeed titled, in a concerning handwritten scrawl, User's Guide to 1983 - Alternate Version. And, subtitled: FOR EMERGENCY USE ONLY.

"Thanks," breathes the man, clutching the book to him. And with no more explanation than that, he runs back through the door he came from. Hob thinks he catches a glimpse of something very large and very on fire through the doorway, but the door swings closed too fast to tell for sure.

"They would do well to pass that around rather than returning it," Dream says, before sitting back down and returning to his book sorting.

Hob is naturally curious, but he thinks about all the fire and this time decides he doesn't want to know.

--

"...Hi?"

For once, Hob has successfully convinced Dream to stop working for a moment. Dream is, in fact, currently sitting on his lap, resting his head on Hob's shoulder in a half-doze as Hob regales him with a university story that's certainly crazy enough to fit in with any of the books in The Library. But Library customers don't follow a nine - to - five schedule, Hob's learned this well enough by now.

Dream does not seem embarrassed to have been caught in this position. He just stands fluidly, stretching his arms over his head. "Yes?"

The young person standing hesitantly in the middle of the room -- might be eighteen? twenty? once he crossed thirty Hob lost the ability to tell young adults' ages with any accuracy, they all seem like kids -- twists their hands together and says, "Could you help me find a book?"

Dream nods and waits for them to tell him which one.

The kid glances back and forth between the two of them nervously, like they think one or both of them might judge their selection. Hob tries to look non-threatening, even though it's hard to look more non-threatening when he's already half-sunk into the couch, wearing sweatpants, and was just caught cuddling his boyfriend in a semi-public space. He's also certain that whatever book this kid might be after, The Library definitely has something more concerning and more questionable.

Like Alternate 1983 History, for example.

Dream probably already knows what they're looking for, too, he always does.

Dream just tilts his head in beckoning and walks off into the stacks, his customer following behind, still wringing their hands.

Hob's fully expecting only Dream to come back, for his customer to disappear through another exit -- none of which Hob can ever find later. But they both come back through around ten minutes later, Dream carrying a book with a yellow cover. The study is close and cozy enough that Hob can make out the title -- Gender Queer -- as Dream passes it over, and oh, yeah, he gets it now. Granted, Hob himself has always been more of the type to punch people out whenever they give him any shit, but he understands the impulse, the need, sometimes, to hide.

The teen clutches yellow-covered book close to their chest. "You can take it home," Dream says when they make no move to leave.

They look down at the cover and then back up at Dream. "...I'm not sure I can," they say at length. "It's too, um. Obvious."

Dream just raises an eyebrow. "Is it?"

Hob swears he didn't look away, but as he follows the teen customer's gaze back down, the book has definitely changed. The cover is blue now, and it seems to be about maths, though it's hard to make out from far away. The kid flips through the pages, and they must be different from before for they look up at Dream in disbelief.

Dream, the fucker, just winks. Presses the book closed again, upon which the cover returns to yellow.

"Algebra is scintillating," he drawls, turning away and snatching up the container of scones from a side table -- a not-insignificant part of Hob's job, at this point, is just keeping Dream in scones -- "and suitable for any young person. Take a scone with you, too." He holds out the container. "Hob's are the best."

And with a tiny smile, the kid takes one.

[itsstilltru]

we interrupt your regularly scheduled program to bring you… a man… thanks for your time

[politicalprocrastinator]

Christopher Eccleston did not kiss a man on the lips for you bitches to say that the doctor used to be straight