#he doesn't give a fuck what people think

[suaimhneas-gairid]

my favourite part of the new käärijä song is the YEARNING LOOKS wait no it's the SENSUAL TOUCHES wait no it's the FRUITY LYRICS wait no it's-

[lgbtlunaverse]

While I think the moment in cql where Meng Yao– still bleeding from a stab wound in his chest btw– realizes Lan Xichen is in danger and decides to save the man who was so kind to him in cloud recesses is cute and all, nothing will ever beat the book for me. Little bookkeeper civilian Meng Yao, who has not had a serious chance to make his dreams of being a cultivator come true in fucking years, out of nowhere gets the fucking sect leader of Gusu Lan dropped right in his lap?

It's such a great example of Meng Yao's multilayered motivations to me. Because is civilian Meng Yao thinking of all the ways he can use this? Of the fact that having a great sect leader in his debt is the best thing that could happen to him? Duh. Obviously.

Is he very purposeful about appearing to Lan Xichen as a kind young man full of untapped potential, brave and willing to put his life on the line even though he really doesn't know so much about about cultivators, no sir, except a little he picked up here and there, because you see his father– 👉👈 Of course he is!

But the way through which he does that is... by actually saving Lan Xichen's life, at no doubt significant personal risk. The way he makes Lan Xichen believe he's kind and selfless is by... being kind and selfless. Just because he's doing it on purpose doesn't mean he's not doing it.

Is it lying if you want people to think you're nice and so you're nice to them? Isn't that just called being nice? Yes, he is very purposeful about how he appears to people, and very carefully crafts an image based on what he wants them to think of him, but most of the time he does that simply by... actually being the kind of person he wants to appear as. He still did the kind things he did, regardless of his motivations for doing them.

[starry-bi-sky]

I am absolutely loving your Danyal Al Ghul au. While I have a soft spot for the whole plotline of Danny becoming his canon personality almost right after breaking away from the LOA all because of Jazz, I'm just as much for your take in which he goes through the same character development as Damian.

Now I'm curious. You already tackled his relationship with Dani, will you eventually take a stab at when he, Sam, and Tucker meet Gregor? Given that it's one of my hated episodes as I couldn't stand Sam's infuriatingly hypocritical attitude to Danny's suspicions of him, I'd kill to see your spin on it.

Aw, thank you! Danyal Al Ghul aus are what got me into DPDC first, so I have a major soft spot for them. That being said, uh, its exactly that soft spot that causes me to have Many Opinions about the trope you just mentioned. Like the trope is all fine and dandy, i don't blindly hate it, my main issue with it is that most aus i've seen treat his backstory as an ex-assassin more like a pretty cosmetic accessory rather than something that actually should have had an impact on him. Especially if he remembers being in the league.

Like i cannot stress enough the fact that being in an ecofascist assassin cult (regardless of his standing in it) should've left him, in some way or another, screwed up morally and psychologically because that's just how development works. Nature vs. Nurture is like a game of tug-o-war that never ends, where they are constantly fighting against each other and one side usually has the upper hand or greater influence. Children model the behaviors of the adults around them (ex: bobo the clown doll experiment), and what impacts them in childhood can stick with them permanently.

Like how my psychology professor put it: a baby's brain is like wet cement; if you slap your hand on it, it leaves an imprint, and the cement dries that way. The same rings true for small children.

I could go on, but I frankly have so many thoughts on that alone that I would end up completely derailing from the second half of your ask, and I don't want to be more critical than I already have. Especially since you just mentioned you have a soft spot for the trope.

[Okay, hold onto your hats because this is long. Naturally lmao.]

Gregor! Man, I'll admit I last watched the show back in middle school on a dodgy illegal website (it had surprisingly good audio and visual graphics, and full episodes. But really annoying porn ads.) but I only made it to like season 1 before my hyperfixation faded and I lost interest. So I never actually saw the Gregor episode.

But... it is relatively easy to find free websites that stream Danny Phantom :), so finding the episode took me like. Thirty seconds. Plus the Tv.Tropes recap page because my damn earbuds just died and im out in public as of rn.

I'm not sure if I'll write something for the gregor episode like I did with Dani, since Dani's a bit of a special case in that she's a clone and tends to be a reoccurring presence in DPDC, and I thought the new dynamic with Danyal would be interesting.

Plus, I'm not a big amethyst ocean shipper for the pure reason of I'm just not all that interested in it; its kinda bland to me. I'll admit I've entertained the thought in this au due to the whole balcony scene i wrote, but I would've entertained the thought anyways if it was Tucker in that position instead. Big multishipper, me.

But, if I had to make it official? Danyal is not interested romantically in Sam when the Gregor episode happens, regardless of his relationship with Valerie. Who, speaking of I'm trying to think about how that would go, and I'm torn between including him almost-dating Valerie or not.

Because on one hand it helps point out Sam's hypocrisy (and i love her but i am always happy to point out her flaws and address them in au) in this episode in terms of Danny spying on them, but on the other hand I'll want to include a lot of set up in order to make Gray Ghost work in this au and wow will that take a while.

Especially with the Flirting with Disaster episode because it happens due to Technus' meddling, and Danny is, well, the son of the Batman? A trained assassin? An ex-assassin nonetheless, but still an assassin? A prodigy child in this au? He might not have needed to use most of his skills in the last few years, but like... there's just a bunch of 'what if' and 'well technically...' and 'would he? he could, but would he?' things that is getting in the way of my thought process and making my head spin.

.

Mmm. Okay. Flirting with Disaster occurs relatively the same as canon with a few exceptions; like Danyal noticing the strange coincidences, and he might take the idea into proper consideration because Sam has a point it is strange, especially out of nowhere.

However,,, he really enjoys Valerie's company, and he does really like her. He's been adjusting to civilian life for the last four years and while he's made a lot of progress, he's still. an ex-assassin child living like a wolf amongst sheep. This is normal, typical teenager stuff, and usually his friends like to encourage him doing normal teenager stuff.

So he's stubbornly holding out on the thought that this is normal, that ghost stuff isn't interfering here. He's a little hurt that his friends are discouraging this, he's not bothered by the fact that Valerie is a ghost hunter and he a ghost -- his mother is an assassin, and his father is Batman, and they still had a relationship. (Granted, he's not gonna tell them that)

If anything, being diametrically opposed to each other but still being in love is part of the family! Granted, usually both parties are aware of said opposition to each other, but he'll make a special exception this time around.

(And man now that i'm thinking about gray ghost, im now thinking about various like. scenes i could write between the two of them. maybe in a reblog.)

Anyways uhhh things relatively go the same as canon. Yeah. I think Sam still has a crush on Danny and still spies out of jealousy with Tucker.

.

Now, the Gregor episode! With that out of the way; the TVTropes recap for this episode isn't the best because it doesn't go into detail about the entire episode like it does with Flirting With Disaster and Shades of Gray.

(which i looked at earlier because I made a section of this post talking briefly about what changes I'd make to the Shades of Gray episode to help set up Gray Ghost, but ended up deleting because it was kinda irrelevant for the matter at hand.)

So I'm taking in bits of the episode clips at a time, I'll try not to get too nitpicky about how each scene goes because then it's gonna take me a longer time to write this.

But! First thing's first; since Danny is not romantically interested in Sam, he is also not jealous of Gregor. He is however, a bit eyebrow-raisey at him in their first introduction, but that's because Gregor is coming off as obnoxious.

Danny thinks he's kinda annoying, and it doesn't take a genius to see that Gregor is trying to impress Sam. But since they've only known him for five minutes he takes the good faith assumption and assumes that Gregor is genuinely trying to show interest in Sam's interests too because he likes her, so he keeps mum. The fake hungarian accent is weird, but it's overall harmless, so he doesn't point it out.

He does do the spying thing when he starts suspecting that Gregor might be working for the GIW. The episode only has this happen twice, but for the au this happens a handful of more times over the course of the week, with Danyal's suspicion steadily rising more and more each time.

Hah, when he brings up wanting to spy on Sam and Gregor because of this reason, Tucker still does his "woah! you wanna spy on Sam?" thing.

Danny immediately turns to him, completely unimpressed, and crosses his arms. "Tucker," he says, deadpan, "you and Sam spied on me and Valerie."

He uses a combination of his ghost powers and his regular stealth ability to spy on them. He's hiding in a tree when they're skipping rocks, close enough that he can use his powers to hear them talk but far enough away that he has a good view of their surroundings.

He's invisible in the cinema, but doesn't accidentally get in front of the projector. He checks the inside of the room for the GIW, and then waits outside the actual room itself, keeping an eye on the area and occasionally flying in to watch the movie out of boredom. It reminds him of being back on a recon mission with the League, but it doesn't end with him orchestrating someone's death.

Then when they're at the mall he stays in human form, blending in with the crowd. He runs into the GIW there, but realizes that they're not there because of Gregor; they're just shopping. They didn't show up at either of the last two locations, and he follows them to make sure they're not also trying to blend in. But they're literally just there for shopping.

Danny is rather pleased with this turnout; so far Gregor isn't a spy, he's just annoying. The next day at lunch he asks Sam how her date with Gregor went, and that's how she figures out he spied on them, because well, she didn't tell him that.

"Have you been spying on me?"

Danny messes with his food a little bit, and Tucker is sinking into his seat with embarrassment. He frowns, "Only last night. Those incompetent government dodos--"

His lip curls up; he gets all 'Shakespeare-y' (as Sam and Tucker put it) when he's insulting someone, "--kept appearing whenever Gregor did. I followed you and him last night to make sure he wasn't a spy."

A roundabout way of saying, "I was worried".

Sam is, as canon, furious. Danny understands why, he knows generally speaking that people don't like being spied on. But he's confused on just how angry she is, and is a little irritated by it.

"Why would you do that!" She exclaims, "That's way out of line, Danny."

"How? You spied on me when I was going on dates with Valerie." He narrows his eyes, and points his fork at her, "I'm not blind, I noticed."

"That's different, we told you why we were suspicious. And we don't have ghost powers like you do."

"I don't need ghost powers to sneak around, Sam, you've seen this firsthand. And I just told you why I followed you, I thought he was working with the guys in white--"

"So you think someone can only be interested in me if they're after you?" (this is a paraphrased quote, folks ;D)

"No! If that was the case I would have voiced my concern the moment I thought it. I don't get why you're so angry, you spied too."

Iiits.... a mess. Sam storms off with Gregor, Tucker tags along because okay, yeah, maybe Gregor isn't with the GIW, or maybe last night was a fluke. Either way he ends up tagging along. Danny overhears that conversation between the GIW and Mr. Lancer, and maybe he's right, maybe he's wrong; but something is up.

I've gotten to that scene in the locker room where Gregor tells Danny that he knows he doesn't like him, and I've paused at Danny's reply to say this: Danyal doesn't even bother trying to deny it.

"I know you do not like me."

"You're right; I don't."

"Ah, let me finish. I know you do not like me because you want to protect your friend, Sam, and I respect that."

"...That's correct."

"Good! Because I am going to ask her out."

"I had a feeling you'd say that," he stands up, claps his hand tight on Gregor's shoulder, and leans close to him with a threatening smile, "so you understand me when i say; if you break my best friend's heart, you're as good as dead, right?"

"Ah,, yes. I am so glad we got that cleared out of the way, and now I hope after we can.. how you Americans put it, hang out?"

In the episode he hugs Danny and gives him a la bise (which is that french greeting where you kiss someone on the cheek two or more times) after they end their conversation. But here, when he goes to do that to Danyal, Danny leans away, points an accusatory finger at him, and says; "Absolutely not; we are not close."

The next scene after that is like, end of day. Sam, Tucker, and Gregor walking away. Sam looks over her shoulder to glare at Danny, then gets forlorn. Tucker looks back and just looks forlorn.

(When did I start narrating each scene?? Eh, I'm writing this in brief spurts of time throughout the day. Don't fix what's not broke)

After that there's this whole scene with the two GIW agents that have been chasing Phantom all episode. They're there because they have Tucker's PDA that Skulker took, and it's got the information of their purple backed gorilla assignment on it. They've been going around seeing who Tucker associates with in hopes of catching Phantom.

Uhh ahaha and that is where this gets a little interesting imo, and also allows me to mention that im retconning Danyal's (already) redesigned ghost form. Which I've wanted to retcon even before this moment bc it was just too busy. I'll get to that in a moment.

The GIW suspect Gregor for being the Phantom because of his white hair and green eyes, which is all fine and dandy until you remember: Danyal (and by extension Phantom) has that very noticeable, rather identifiable facial scar that goes across the middle of his fucking face. The GIW could easily suspect that Phantom hides his scar with makeup if he's in disguise, but if they meet a kid with a seemingly identical facial scar and similar disposition? Hoo boy.

Solution? I've got two: Gregor is canonically a kid from Michigan who faked everything to impress Sam. Considering he knows she's gothic and knows that she's ultra-recyclo vegetarian? He probably watched her from afar or got information on her somehow. His hair is dyed, his eyes might just naturally be green, but if he notices that she's got a crush on either Danyal or Phantom? A little sfx makeup could help him recreate a similar looking scar.

My second solution that's gonna happen anyways bc its that suit redesign; Danyal does hide his face as Phantom. Ghosts are emotional creatures and its a popular headcanon that their interests, ambitions, etc, influence the way they look as a ghost, not just their death. A big reoccurring theme of my au is that Danyal did not leave the League unscathed, and that being an assassin is an important part of his identity.

So i'm discarding the hazmat suit look entirely and leaning into the 'assassin' thing. But the general (stylized) feel is like, white ribbon/cloth vambraces that he has used as a garrote at some point, a hood, a gaiter scarf-type thing. I'm keeping the cape. I did a doodle a few days back that's not the official redesign, but a redesign for Phantom. I may reblog this post with that attached because it's got the general feel down. There's very little white involved, but the inside of his cape flares out and looks like the night sky.

Now, the hood and gaiter scarf gets rid of most of the problem, but Danny's hood doesn't stay on all the time, so the GIW have likely seen the upper half of the scar. :] Gregor's own drawn-on scar doesn't have to be 1:1, but it looks close enough, right? A small scar cutting through the edge of his brow and ends right below the corner of his eye. A 'cool, badass' one opposed to Danny's 'garish' scar.

But! Back to the episode scene. Canon Danny gets written off as being 'too prepubescent' to be Phantom, and honestly it'd be hilarious if Danyal was written off for the same reason (he's calling them idiots in his head if they do). But instead -- leaning into the GIW's incompetence here -- he gets written off as being too mature or too talkative. Or something equally as absurd.

Sam breaks up with Gregor for canon reasons, but when Gregor does his "i really like you, but, come on-!" and gestures to tucker, he adds on "and that scary friend of yours too, seriously!"

Things go relatively the same as canon after that. Danny does end up apologizing for spying, however. Sam does it first. Sorrows, prayers, all that.

.

Things usually end up changed or different when I actually write it down, so I'd likely add more or adjust different scenes according to the flow of the oneshot. This is just like, a general vibe of how things would go, and where some of the more obvious changes would be if I did write this oneshot.

Hope you enjoyed! Thanks for the ask :]

[waitineedaname]

okay I've finished making my big spreadsheet of how mp100 characters refer to each other! some thoughts on this under the cut because it got long

the Kageyama brothers are very polite in how they refer to people. their parents must have really instilled etiquette into them bc no one else is as consistent about using polite honorifics/titles as they are. the only people Mob doesn't give an honorific/title are his brother and Dimple, and the only people Ritsu doesn't give an honorific are Dimple and Shou, who he just calls "Suzuki"

Reigen, on the other hand, is pretty inconsistent and casual with his use of honorifics. he says "Mob-kun" a couple times and "Ritsu-kun" once, but usually they're just Mob and Ritsu (or "Mob's brother" lmao). the only honorific he consistently uses is "Tome-chan"

it's infrequent, but both Reigen and Dimple refer to Mob as "my boy" at some point :') he's their boy!

Ritsu doesn't refer to the Awakening Lab kids at all until he asks their names after being kidnapped lmao the only exception is when he calls out to the older Shiratori brother after the younger one is taken away and he calls him "Shiratori-kun." considering the fact that after asking their names, he refers to both of them as Daichi-kun and Kaito-kun, I think there was absolutely a moment when everyone was freaking out about the Shiratori brothers where he was like "ohhhhh that's his name"

also he switches from "Onigawara-san" to "Onigawara-senpai" when he realizes he's friends with his brother lmao fakeass

even though Mob starts calling Teru "Hanazawa-kun" as soon as they exchange names, Teru doesn't give him the honorific until they decide to raid Claw together. I guess that's the point when he decides they're friendly enough for it? he calls Ritsu "brother-kun" as soon as he realizes they're related and never refers to him by his actual name

everyone calls Teru some variation on his nickname EXCEPT Mob and Dimple. Dimple actually only calls him "brat" and "that guy" for a while until he managed to track him down again during the alleyway incident, which I realized is because he was exorcised before learning Teru's name lskdjflkdsf from the Seventh Division arc onwards, he just calls him "Hanazawa"

I love that Dimple tries to refer to the brothers with cutesy nicknames and both of them are like "if you do that again I'm killing you all the way dead" and he's like "understood." and then refers to them by given name from then on lmao

Teru refers to Dimple as "Dimple-kun" and Tome calls him "Dimple-chan," both of which are SO funny to me because he's way older than them. rude as hell, this evil spirit deserves no respect

Shou doesn't use honorifics or titles for ANYONE. Ritsu is just Ritsu, the Ultimate 5 are all their last names, his dad is just Pops. he also exclusively refers to Mob as "Ritsu's brother" dkfjldskfj

Serizawa alternates between "Shigeo-kun" and "Kageyama-kun" with no real rhyme or reason to it. just seems to depend on his mood I guess

[buqbite]

Halo

[beanghostprincess]

Luffy not knowing about Zoro promising Sanji to kill him if he ever ends up losing himself makes me go feral because that's something they can only know about. Because Zoro's respect for life and death goes beyond anything, and Sanji knows he understands. Sanji knows that if somebody has to kill him, it's him.

And I don't even think it's because Sanji assumes Zoro's opinion of him is hatred and it would hurt less for him to do this, but because Sanji knows only Zoro would be able to treat the promise as it is. Because he would put Sanji's wishes before any feelings he has for him. It's not that Zoro doesn't care, but I think he respects people's ideals and decisions to the extent of being able to kill Sanji if he so desires.

That being said, he'd do it if there's no other way to fix it. If it's either dying or living as an emotionless machine, which is the same as dying for Sanji, Zoro would fulfill his promise. And there is just... Something about Luffy not knowing. Their captain. The man they're devoted to the most as if he were their God. Luffy doesn't know. It's something only the captain's wings are aware of and the thought of these two keeping this from Luffy until the end is just insane. Not even trying to make it romantic here, but the bond and respect these two have for each other is crazy.

Maybe it's the poetry of it all, too. Somebody like Zoro, who has looked at Death in her face multiple times and said "no", ending Sanji's life, who wants to give in to death to not experience a fate worse than death for him.

[crownedwille]

.

[dykedvonte]

wanted to say I appreciate your nuanced takes on MW and especially Curly. i don't get the claim that the fandom is full of Curly apologists when majority (esp yt and tiktok) say he's worse than Jimmy. Yes there's commentary about bro culture defending people, he def messed up in trying to placate Jimmy (tbh "we'll fix this" sounded more like trying to keep someone prone to outbursts like Jim calm and not hurt Anya/himself) but I don't think he did nothing to help Anya, since she continued to confide in him and he had less than a week to resolve it before the crash (I also don't get everyone saying he knew for ages when it seems like Anya told him that same week). I get Jimmy's a pos but saying stuff like Curly should've known he'd crash the ship or that Jim had a criminal record he ignored, reducing them to obviously horrible villain and willfully ignorant sidekick feels like a disservice to the game. If your best friend turned out to be horrible, what would you do in a confined space in the span of a few days to respond? I'd say some of the horror comes from trying to do good but ultimately failing, Curly's state after the crash is meant to be tragic horror not revenge/punishment

Thank you and this is what I want to get across.

A lot of information we have to supplement when it comes to how long things have been happening on this current ship. I think people try to add on to the horror and negligence by making things more obvious so it can feel like it was easier to avoid when, true to life, its not. Jimmy clearly didn't deserve or appreciate what Curly did for him in getting him the job, but do you think if Jimmy was that big of a menace on Earth he would've given him a position where he could have that level of power over people's lives? There's something in the fact he specifically chose to pick a position so close to himself where he could watch Jimmy.

I hate the bro code argument because that is a whole can of worms people really don't get. That sort of mentality is born from the general respect and preference of male matter over female ones. Curly is clearly not that guy, he is absent minded about the issue and inadvertently dismissive but he clearly believes Anya, he just can't understand what she's going through. It's an onslaught of information that no one really reacts right to. Additonally, the entire discussion of her assualt plays to heavy into the idea that there is fault outside of the perpertratior when it comes to SA. It's too close if she only did this or if Curly had protected her better but the fact of the matter is Jimmy did what he did. He did it before any of the conversations with Anya about it and it's why her behavior seemed to change so drastically in those last two days.

He has other conflicting thought and while his role as a Captain should've taken over, people act like it's not a very human thing to have such a toxic presence cloud your judgement. It is never easy to separate friend from coworker once that connection is formed, you want to help them, especially if they were friend first and for a long while like in this case. It's not right, but people act like it would be easy when the game clearly points out that no choice is easy to make, especially when you have to make it for more than one person. You have the weigh the consequences, look at all the options and make a plan. People can headcanon and decide how long things where happening, but if we look at what we were presented through the characters eyes, the only person given time to do that was Jimmy.

He waited two months after the crash to appoint himself Captain. Every time a problem was brought up he immediately took action and refused to sit on it and find a better solution. I think it's important to look at the warped way Jimmy takes initiative where Curly didn't as it works as a good contrast of why you don't just run in to "fix" things. The quickest and easiest option may not be the safest or most beneficial. I think some thoughts on the game suffer from the black and white thinking the game doesn't operate on along with us being voyeurs. We see what exactly led to what but the characters don't. They don't have the hindsight and foresight we do and even ours is scrambled by the non-linear story telling.

Like it's hard to talk abuou those grey zones without sounding like an apologist because you're explaining why taking responsibility isn't easy. It's not and it's weird to act like it would be in a scenerio that led up to the events of the game knowing what we know. We see all these characters in such isolated moments with various things before, in between, after and even during we aren't privy too. The idea that Jimmy is worse than Curly heavily banks on the words Jimmy was saying to Jimmy before he crashed the ship. That whatever happened on the ship was his responsibility to bare, which is true due to his position. But, are they not still not responsible for taking the actions Curly then must bare?

Like i feel like people think that these are situation that become easier with age or when you are in a postion of authority and they aren't. You don't lose your biases or gain some sudden knowledge that makes it easier. It just becomes more tiring as you keep dealing with it. I would be first in line to say Curly fucked up and should've done more but the idea he knew how bad it could get or he really saw the worst in the people around him and ignored it pretty much ignores a huge aspect of his character and the game.

[flying-cat]

I can't imagine being anywhere near as insane as Trump supporters because my dad told me that he, earlier, drove past a guy putting a "Harris Walz 2024" sign outside his house and decided to yell out at him "TRUMP 2024 YOU COCKSUCKER" and flip him off. And he laughed when he told me because he thinks that yelling at a man (emphasized man because he thinks men should be "better" than women, and "better" would be voting for Trump in this case) who is voting for a "whore who slept her way to the top" (his exact words) is funny. And expected me to laugh with him. And got angry when I didn't and just stared at him in disbelief. Even though he already knows that I don't like Donald Trump. These people fully expect others to find their weird ass derogatory words and behavior FUNNY. Donald Trump is leading a cult of old people who he brainwashed into being delusional with him.

[butwhatifidothis]

Still baffled that Hopes so blatantly wrote Claude as the typical Evil Vaguely Middle Eastern Man set on destroying the Good White Nation for his Evil Vaguely Middle Eastern Nation that is often seen in fantasy settings - complete with him being seen as worse than a white woman who does many of the same evil deeds he does in-verse, even by his friends (should it be the bad ending route of SB) - and so many in the fandom were so eager to gobble that shit up. INSIST that "Clearly A Racist Stereotype" is LEAGUES better than "Subversion Of A Racist Stereotype" even. Like I don't think I'll ever get over how supremely fucked that is

[greenerteacups]

Hi GT,

Forgive me if this is a stupid question, but I absolutely love the recs you've given (you've introduced me to tomione, and I love it!) and I was wondering if it's possible to give you some recs in return? There are some books and fics that definitely have dramione / got vibes, and I was wondering if I could share them with you!

So glad you've enjoyed them! Feel free to rec me anything you want. I've read most of the classic recs in terms of fic and adjacent content (Cruel Prince et al), but I'll try anything that's well-written. My tastes run towards weird and/or audaciously creative stuff, and I can forgive a lot of weaknesses in plot on the grounds of (1) ambition or (2) character work. My turnoffs are instalove, protagonists who can't fail, and most Y/A (I'm not a hater, I swear, I just need characters who can say "fuck" when their leg gets chopped off.)

I'm also a fan of weird and fucked-up dynamics.(Wuthering Heights was my favorite book for a while, and as a teenager I wrote an AU in which the book ends on a long sex scene where Heathcliff fucks Cathy's ghost and then immediately gets murdered by Catherine 2.) Obviously, I am very normal.

[billdenbrough]

fundamentally disinterested in the recurring discourse about kevin's drinking that aims to a) make it his Specific Problem To Focus On And Overcome when it is a crutch and coping mechanism to get him through a Much Bigger Problem (emotional fallout he can't square with by himself, culture shock, trauma, loss of his extremely wildly co-dependent relationship w riko, losing the structure of the nest, mourning a future he was meant to have, processing a grave injustice, anger and fear and desperate grief, all of which is his Actual Specific Fox Problem) while he builds himself back up, and b) thinks that even if it is a problem (more on that later), it's the foxes' problem to deal with.

like. it's just not.

yeah, he doesn't drink until he meets them. they gave him that habit, and in traditional terms, they're (the monsters specifically) a 'bad influence'. but these are the foxes. this is kevin day, son of exy, whose meteor is crashing spectacularly through no fault of his own. there are no traditional terms to be found here. the framework for it literally doesn't exist. neil comes into the foxes with more conventional expectations—appalled at the athletes' substance use, his horror at matt's trip to columbia, his steadfast and early repeated stance that none of the foxes should let andrew treat them the way he does, and certainly not nicky—and tends to engage with them less as the series goes on and he folds himself into the foxes. the thing about the foxes is that they've all been in pits deeper than they are tall. and some of them got a helping hand on the way—erik, andrew's extreme intervention methods, stephanie walker—and wymack was always waiting for them on the other side, ready to throw down a rope, but all the foxes dragged themselves out of their own holes. often not alone, often not without assistance, but at the end of the day, they have to do it.

there's that line neil has about aaron in that scene that got deleted when the timeline shifted around, when he thinks about how aaron got this far in life on his own, surviving on willpower and sheer desperation. that applies to aaron in a way that's a little more acute than some of the rest of them—boy who doesn't let the foxes in bc of andrew, boy who doesn't let nicky in bc he doesn't know how, boy made of flinching and seeking an escape and grieving the one who hurt him—but is broadly true for the foxes en masse.

this isn't to say the foxes can't help each other, but it's not their job. it just isn't. they'll keep kevin alive, keep him safe, keep him flanked and contained within their ranks. they'll fight tooth and nail in this battle with him, fight to get him to that championship game, fight to get that trophy in his hands. but that's all they've agreed to. that's all they're responsible for, in this covenant they've made with him. he says they can make this happen, and they're going to get him to that final game, but it's up to him what state he's in when he gets there.

like. they're foxes. they've been triaging their whole lives. they hate each other and they hate everyone else more. they're the kids with their backs up against the wall. half of them are addicts. i don't think kevin is comparable, personally; he's getting through a horrific situation with a coping mechanism. that's not the same thing as battling yourself to stop using. but that's not really the point of this. what i'm getting at here is that to the foxes, it's easy math: kevin who can lean on vodka and andrew and wymack and the foxes to stay upright when he's not ready to stand on his own two feet is still a kevin who is standing. a kevin with one less piece of scaffolding to lean on is a kevin who falls over, a kevin at risk of complete collapse, a kevin one phone call away from running back to the master, a kevin one crucial loss away from not ever making it back to himself at all. they're triaging. this is low on the totem pole of things they have the room to care about. they very much have bigger problems, both individually and even just kevin-related. if alcohol makes seeing the boy he knew best in the world and moved in tandem with his whole life and who destroyed their entire legacy and his entire life in one move — if alcohol makes facing that boy easier to stomach, then, fuck, why would they take that away? they're foxes. they've all got their demons. this is what kevin needs this year and a half to let him face his, that's all. they can understand that. it doesn't have to be pretty, as long as it keeps him in the fight. that's the priority.

i think there's absolutely space to explore this in fic and art and fandom in a way that maybe does explore it as a Problem, both that it's an active problem for kevin & that it's something to explore other foxes helping him with (there's a t&n fic that i've been gnawing at the bit to read for months that seems poised to explore this premise, and that's super up my alley)! i just think we're in different territory when we're talking about the series—and its characters and dynamics—in a conversational rather than transformational way, and end up talking about this like the foxes are responsible for kevin's choices. i love kevin day. i read these back at the start of 2015 & he's so dear to me that loving him was the blueprint for how i feel abt kageyama. but it's been pretty weird to see how the conversation has been translating Loving Kevin Day into... thinking the foxes are doing wrong by him with respect to this in actual canon. like that's just not how it operates there

[dootznbootz]

I think some folks MAY have gotten the wrong idea about how I feel about Circe with some of my posts. So, to clear the air...

Homies, I love that fucked up sorceress.

I love how we're never given a reason why she turns people into animals. That's so funny and so awful. And another potion-making magic gal?!?! I love that she's just basically vibing on an island doing whatever she wants. I even love the fact that she scares Odysseus shitless! She's morally gray and that's why she's FUN.

I just sincerely hate when people try to girlboss her or have her be a victim of SA when she never was Looking at you, Miller. Especially when she was actually the one who coerced Odysseus in exchange for his men being transformed back into humans. And even then, while he was clearly afraid of her, (it's in the language of the Odyssey) she likely meant him no harm after a certain point. He just didn't know that.

Why does she need a reason to do awful things? Why can't she just be a goddess who does whatever she wants? That's the reason why I love her!!! She's fucked up!!! :D

I hate what the Telegony did to her as well! >:( You're telling me, this sorceress goddess, who makes potions (!!!) wouldn't have magic contraceptives??? Would WANT CHILDREN?!?! WITH THE PATHETIC WIFEMAN?! No. Fuck no. Eugammon of Cyrene, I have beef with you 🤬

Anyways!!! Understand all the "#anti circe" I have is simply Anti "Girlboss Circe" or the book. I genuinely think she's neat af as her morally gray, fucked up sorceress self and just get frustrated with...everything :'D

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[polysyndetonaddictsupportgroup]

what would megumi’s life have been if he was actually raised by the zenin from day one? like either gojo lost the custody battle or they were able to scoop him up before gojo ever reached them. i doubt they would want to keep tsumiki with them so she’s not there for little baby megs.

i think it would be really cool to see a zenin raised megumi interacting with his fellow classmates when he attends the school, not to mention the contrast between him and gojo. like on paper they both should have gotten the same treatment-being pampered and spoiled rotten but we also know that the zenin think that hurting little kids makes them stronger so it would be super interesting to see megumi realise that the stuff that happened to him wasn’t normal and for gojo to have a guilt trip bc he wasn’t able to help megumi when he needed someone to help him the most.

So I have a fanfic that I’ve half written (no idea if I’ll ever finish it—I’d love to, it’s just hard to find the time) about EXACTLY THAT that I talked about in this post for an ask game.

That being said, that entire thing happens from Tsumiki’s perspective, and I agree with you—I don’t think the Zenin would have ever actually taken her too. They don’t want her. She’s not Zenin. She’s not a sorcerer. They only bought Megumi. For the most part, Megumi is absent from that post, and you asked about Megumi. So this is what I think would happen on Megumi's side of that post I linked.

It comes down to two things:

1. He is never, ever happy with the Zenin.

2. He never lets go of his sister.

Megumi’s old enough to remember Tsumiki when the Zenin take him away. He's old enough to love her. And I think that Megumi loves very quietly, but he also loves very violently. He wouldn't let his sister hold his hand on the walk to school, but he would sacrifice himself for her future.

I think the Zenin took him from his sister, and I think he kicked and screamed and wasn't strong enough. I think they thought he would forget her eventually.

And then I think he bit most of the Zenin Clan.

At the end of the day, what Megumi wanted was the one thing the Zenin were not willing to give him. They were never like the Gojo clan, they were never going to pamper him, but there are a great many things in this world that they would give the Ten Shadows finally returned to them. But they would not give him a non-sorcerer, non-Zenin sister who would only be a weakness to him. They refused to let him have any contact with his sister, and that was the source of a lot of what soured.

Any Megumi that was taken in by the Zenin would have been taken in to Naobito's household directly. He would be announced as the one who finally inherited their most cherished technique, and he would be declared heir, and the Zenin would call him beloved for it.

They would keep him in a room that was large and empty and almost always dark, and he wouldn't be allowed to decide when he slept or woke, and the door would always be locked from the outside. They would give him a wardrobe of expensive clothes that he hated, and he would never get to pick which of them he wore.

Megumi would hate them. He would hate all of them.

He's just not the type to be comfortable with or enjoy the adoration of others--especially when it's not backed up by genuine love. Megumi is someone who very much values sincerity and depth to emotion--it's one of the reasons why he seems to respect Yuuji so much. Yuuji is a good person who follows through with what he says. He's not just going to talk about wanting to save people--he's there making the sacrifices as he does it.

The Zenin do not actually love him. And he knows it. He's experienced love before, and this isn't it.

They love the idea of him. The fantasy of him that lives in their heads. He has no interest in being their little god prince to contend with the Gojo's own. He knows who he is, and it's not this. He wants to go home. He wants to find his sister again. He doesn't want to do this anymore.

And I think that's a feeling Megumi never escape: he just didn't want to do this anymore.

Megumi would feel like a bug pinned beneath glass in the Zenin compound. He would constantly have people managing him--when he ate, what he ate, what he wore, when he slept, when he woke, when he trained, what he did. Having to become a jujutsu sorcerer signified an inherent loss of control, but it's nothing compared to the sheer objectification that he goes through when the Zenin have exclusive control over him.

He has no power of what clothes he wears. How his hair is styled. His schedule, his diet, the people he speaks too--he's suffocating and the Zenin are just increasing pressure on him.

I don't think Gojo ever thought that would be Megumi's life.

We’re gonna just have this imagining exist in the same world as the Tsumiki centric fic described in the linked post, and in that, the reason why Gojo never took him in was because he didn’t know Megumi had a sister. He showed up, saw the divine dogs, realized Megumi had the Ten Shadows, and decided he couldn’t do this. He was a mess. He was grieving Suguru and Haibara. Megumi looked just like the man who killed Riko, and apparently inherited the fucking Ten Shadows of all the goddamn things. The Zenin would lose their shit, and Gojo didn’t have the energy to fight and told himself he didn’t need to, because if Megumi was the Ten Shadows he’d be cared for like a prince with the Zenin. He turned around and left and spent the rest of his life with Megumi in the back of his mind, always nagging him with whether he made the right decision. It wasn’t until Maki got there and made a few worrisome references to Megumi's standard of living that he started to really worry that he had made the wrong one, and it wasn't until he found out about Tsumiki that he knew it was the wrong decision.

It's like this: The Zenin hurt Megumi in every world.

It would be bad no matter what, but it really gets bad because Megumi refuses to stop trying to get back to Tsumiki. She's his sister. They didn't have anyone or anything in this world, but they had each other, and he couldn't let these people just take her away. He’s feral about it. He refuses to fit the mold they keep trying to cram him in. He’s trying to scale the walls to escape. He’s increasingly desperate and angry and the Zenin are getting more and more frustrated the longer he fights them. He’s the heir to the clan, and he can’t stop trying to leave it to get back to some random girl who isn’t his real sister and isn’t someone they’ll ever allow him to have.

It gets bad.

They put him under increasingly strict levels of control. He’s constantly being trained, which means he's constantly being hurt. He’s not allowed to speak to anyone without the clan head’s approval. He is under absolutely constant guard after he manages to get over the wall and halfway to his old neighborhood before they catch him again. Tsumiki’s name is not allowed to be said aloud, or his old name. He forgets his name used to be Fushiguro, but he doesn’t forget Tsumiki. He doesn’t let himself.

I think it escalates until it hits a breaking point. Megumi becomes increasingly self-destructive and non-responsive to everything they try. They push him to extremes that start risking permanent damage.

I think Megumi would try to hurt himself, eventually.

He wouldn't be in his right mind. He's in the most shit situation possible. He's undergoing pretty severe abuse. He'd be at the end of his rope from the lack of control over his own life, and he'd be spiteful as hell towards the Zenin. And the only thing he has to hurt them with is himself.

As a character, Megumi has always considered his own sacrifice as an acceptable means to the end of getting back at someone. Mahoraga, intrinsically, requires him killing himself as a way of killing someone else. He'd hurt himself if it was the only way he had of hurting them.

Naobito would cover it up. He'd never, ever want the rest of the clan to find out that it happened. It was already bad enough that Megumi openly hated them--he couldn't have the Zenin seeing any vulnerability in what was meant to be their most powerful member. He'd put Megumi in total lockdown until he could make it all go away.

Then they'd make a deal.

A binding vow. Megumi could never purposefully hurt himself again. He could never again try to leverage his own safety against the clan.

And in exchange, Tsumiki would be taken care of.

The last time Megumi saw his sister, she was on a sinking ship. They were running out of food, money, options--he doesn't know if she even has food anymore. He doesn't know if she lost the apartment or if there's still running water.

They're not letting him see her. But they are letting him take care of her. He can sacrifice another piece of control over himself, and she'll never have to worry about money again. They'll pay for her housing, her food, her education, for her every desire for as long as she lives. The trust the Zenin set up for her will be a generous one, and it will be managed meticulously by a trustee who can make sure she'll be provided for until she's old and grey. And Naobito will vow to never hurt her or send someone else to hurt her. She'll be safe. She'll be taken care of.

Megumi makes the deal.

In the end, the deal's what sort of breaks him.

Because he doesn't promise to stop looking for her, but the Zenin manage to make it a part of the terms anyway. When they approach Tsumiki's mother with the offer to be her family's beneficiary, they include a requirement that Tsumiki be moved to another city entirely with no forwarding address given. She needs to be somewhere that Megumi can never find her again.

The Zenin keep the old apartment. They pay the rent every month. And the next time Megumi manages to make it off compound, they let him make it all the way there before dragging him home. They let him see the empty apartment with all its empty rooms.

Naobito wants him to know that Tsumiki's gone. He wants him to know that he'll never find her again.

He tries to run a few more times after that, but he never makes it very far. He doesn't have anywhere to go.

In the linked post, Megumi finds Tsumiki, just once. She's on a class trip. He's on one of his very few and far between allowed excursions off the compound grounds, and he sees her in the crowd and recognizes her, and he ducks away from his escort before anyone can stop him.

She remembers him. He didn't think she would do that.

She tries to save him. He didn't think she would do that either.

She still loves him. And he was always too afraid to hope she would do that.

It goes the same way it did the first time. There's a car, and the Zenin shove him in it. She's on the outside, and he's trapped within, and he wishes she didn't scream so loudly when it happens. The sound never seems to leave his dreams.

His sister still loves him. Naoya hits him in the back of the head. He wakes up, and it was like she was never there at all.

But they hit him harder, after. Like they're trying to beat the memory of her out of him. He has even less freedom, when he already had next to none at all.

But he still has a sister. He has a place to go that isn't here. He just has to figure out where that is.

He wouldn't really have anyone in the Zenin clan. Most people are just... weird about him. Naoya's violently abusive. Naobito's weird and violently abusive. Everyone wants him to be someone he's not.

Maki would be his favorite.

He doesn't care about whether she's got cursed energy--his sister didn't have any. And she's obviously strong. She doesn't treat him like a divine blessing or try to force him to act a certain way. I think they would have genuinely liked each other, but kept each other at a distance. They're both trapped in an abusive situation and keep themselves safe by keeping everyone else at arm's length.

He would have been happy to see her get out, though. He would have told her that she could have his spot as heir or head or whatever when she came back if she wanted it. She would have told him that if he ever got out... well, fuck it. They could be something then. Family. Whatever the fuck they weren't allowed to be here.

She would have told him she's sorry, and she would have meant it. The only one she she regretted more than Megumi was Maki. He would have told her not to be, that if she dared to be sorry for getting out that he would never forgive her, and he would have meant that too.

I think his relationship with his own techinque would be very different in a world where the Zenin raised him. In canon, his issue is that he doesn't view himself as someone who could be powerful or win in the long run, but in this world, all he ever hears is how powerful he is. Pride of the fucking Zenin. The most powerful of them in centuries. Meant to rival Gojo fucking Satoru himself.

I think his real issue would be controlling it.

His technique would be a source of negative associations for him. It's the reason why the Zenin took him away. Most of his interactions with it have involved getting beaten and hurt by either his family or a high-level curse they shoved him in front of. I think he'd have a lot more firepower under his belt than at the start of canon, but he'd have less of a fine tuned control over it.

He lost control over his own life because of his shadows. It think that would manifest in struggling to control his own shikigami at times. he's not as in-sync with them as he is in canon.

Eventually, he'd go to Jujutsu High. He would be the only one in the first year class at the beginning, just like in canon. And he'd finally meet Gojo Satoru, the man he's supposed to topple.

He looks at Megumi really goddamn weird.

He's... enthusiastic. About. Teaching. He guesses. And constantly asking prying questions about the Zenin, but not in the sort of way he'd expect from a rival. In the sort of way he'd expect from someone concerned about him. Which is stupid. And annoying. And weird. He keeps a distance from everyone. They've all heard about the Zenin clan heir, and he has no interest in having to fit or break whatever mold they've already cast him in. He's better off on his own.

Maki's there. She's cordial where other people can see it, and in private, she takes care of him in a way that's terrifyingly close to familial. He's not sure if he likes it. He's not Mai, and she's not Tsumiki, and they both want someone they can't have.

She isn't sorry she left. She is sorry she left him. He can hate her for it all he goddamn pleases.

Of course, if this is in the same world as the linked post, Megumi finds Tsumiki again. He finds her in Sendai.

He gets to keep her, this time.

Gojo Satoru, of all the goddamn people, intervenes and becomes his sister's benefactor. It's super fucking weird. He won't stop looking at Megumi strangely. He won't stop insisting that he didn't know he had a sister, like that matters.

That would sort of be the first time in a long time that life actually gets better for Megumi.

I think he would ask to go by Fushiguro again, once he asks Tsumiki what his name used to be. He'd ask her if she minded it, him taking the name again, and he'd ask the rest of the school to call him Fushiguro instead of Zenin.

Predictably enough, Naobito loses his shit when he finds out, but it's not nearly as big of a pain in the ass as he thinks it is? Because Gojo intervenes.

Gojo keeps intervening.

It drives Megumi nuts, because if anyone was supposed to hate him, it was this guy. If anyone was supposed to be against him, it was this guy. This is the guy he was supposed to rival. This is the guy who killed his shitheel bio dad.

Gojo's just... good to him. He keeps him safe. He keeps him safe from his own goddamn family, and that's--no one's ever done that. No one's ever protected him from the Zenin.

The Zenin try to remove him from the Tokyo campus and move him to Kyoto the second they find out Tsumiki's there, and Gojo just... says no. It causes an uproar, and he doesn't fucking budge. It's treading dangerously close to him kidnapping the Zenin clan heir, his refusal to let them remove him from the Tokyo campus, and he doesn't care about whatever problems it causes him.

Megumi's his student. He doesn't want to leave. So Gojo won't let them take him.

He personally goes to Kyoto and collects him, the one time the Zenin force him into a car and move him when Gojo's off on a mission. He tells the higher ups to get fucked. He changes Megumi's student I.D. to read Fushiguro, and he causes problems for Yaga and the assistants until they start calling him Fushiguro as well.

Megumi's different with the other students once his sister is there.

He's more connected with them. He becomes best friends with Kugisaki and Itadori. He gets closer with the second years. He's visibly happier, and it sort of casts in sharp contrast how unhappy he was before this.

And Gojo? Gojo's so goddamn sorry. He didn't know megumi had a sister.

The thing is that now that both Tsumiki and Megumi are on campus, it sort of haunts Gojo with what could have been. They're both fantastic kids--funny, smart, resourceful. And it's painful watching them try to rebuild what was taken from them. And it could have just. never happened. Because he could have saved them both. He could have been their family.

It's sort of painfully obvious the Zenin abused Megumi, and it fucking haunts him. He doesn't even have to read into Megumi's behavior--he sees it happen, right in front of him, with how they try to control him and push him around. He wants to kill them for it. He wants to hate himself for it. He could have saved Megumi and he just. He didn't.

He wishes he did.

[witheredgardenparty]

Has anyone talked about how each member of the Genius Society represents the over reliance on the belief of intelligence but not the act of intelligence?