#hayden c scott

[cosmicseafoam]

Summon - Hayden C Scott

Hayden did the arrangement for the scene between Twenties and Year Zero

[haveyouseenthismovie-poll]

[chronophotographic-gun]

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

[elvisomar]

James Earl Jones' very first film was (in my estimation) the best film ever made: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Until his passing today, Jones was the last surviving member of the cast of that film.

[nihillist-blog]

Dr. Strangelove (1964)

[filthydelinquent]

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb - Directed by Stanley Kubrick, 1964

[creepynostalgy]

Slim Pickens on set of Dr. Strangelove or: How I Learned To Stop Worrying And Love The Bomb (1964)

[eclecticpjf]

Now watching:

The design for the booklet that comes with the Criterion Collection edition is fantastic.

[ulrichgebert]

Nachdem wir mit der Berücksichtigung von Designaspekten bei Stanley Kubrick jetzt soweit durch sind, können wir auch mal wieder einen Kubrick-Film nur so zum Spaß anschauen. Dr. Strangelove drängt sich da ja geradezu auf.

[reppyy]

[joespinell]

what’s with there being THREE dr strangelove actors being in movie adaptations of a christmas carol

[esonetwork]

Dr. Strangelove | Episode 398

New Post has been published on https://esonetwork.com/dr-strangelove/

Dr. Strangelove | Episode 398

Jim discusses a cult-classic celebrating its 60th Anniversary this year – Stanley Kubrick’s “Dr. Strangelove,” starring Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn, Slim Pickens, James Earl Jones, Peter Bull, and Tracy Reed. An Air Force General (Hayden) sends his bomber wing into Russia to bomb the country because of a conspiracy he believes in. Find out more about this heralded Black Comedy on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

[neil-gaiman]

This was a conversation on the Internet almost 25 years ago. It's about physical fandom, and ways of talking and communicating in physical fandom, some of which we would now talk about in reference to neurointerestingess rather than to fandom. It came up over on Bluesky talking about people who pronounce words wrongly because they have only encountered them on the page.

The poster who brought it to my attention, Scott Kullberg, said "I remember an old USENET post about a speech therapist's analysis of fannish speech. One of the things she noticed is that it's common and not considered rude to interrupt with this kind of correction."

Fascinating for me because a) it checks out in some ways, b) I wasn't at the event it describes but I could have been and c) reading the thread makes me nostalgic for an Internet that's been eaten by something else. (I also very much enjoyed Patrick Nielsen Hayden's contribution.)

[sovaghoul]

Do you guys think the Ghouls will be in the Ghovie credits?

Will it be like

Lead Guitar: A Nameless Ghoul

Drums: A Nameless Ghoul

Bass: A Nameless Ghoul

etc.

Or like

Lead Guitar: Ghoul

Drums: Ghoul

Bass: Ghoul

OR will their fandom names be acknowledged??

Lead Guitar: Dewdrop

Drums: Mountain

Bass: Rain

OR

Will we get

Lead Guitar: Per "Sodomizer" Eriksson

Drums: Hayden C. Scott

Bass: Cos Sylvan

[dweemeister]

Whenever you feel alone, just remember that those kings will always be there to guide you. And so will I.

Born to a turbulent family on a Mississippi farm, James Earl Jones passed away today. He was ninety-three years old. Abandoned by his parents as a child and raised by a racist grandmother (although he later reconciled with his actor father and performed alongside him as an adult), the trauma of his childhood developed into a stutter that followed him through his primary school years – sometimes, his stutter was so debilitating, he could not speak at all. In high school, Jones found in an English teacher someone who found in him a talent for written expression, and encouraged him to write and recite poetry in class. He overcame his stutter by graduation, although the effects of it carried over for the remainder of his life.

Jones' most accomplished roles may have been on the Broadway stage, where he won three Tonys (twice winning Best Actor in a Play for originating the lead roles in 1969's The Great White Hope by Howard Sackler and 1987's Fences by August Wilson) and was considered one of the best Shakespearean actors of his time.

But his contributions to cinema left an impact on audiences, too. Jones received an Honorary Academy Award alongside makeup artist Dick Smith (1972's The Godfather, 1984's Amadeus) in 2011. From the end of Hollywood's Golden Age to the dawn of the summer Hollywood blockbuster in the 1970s to the present, Jones' presence – and his basso profundo voice – could scarcely be ignored. Though he could not sing like Paul Robeson nor had the looks of Sidney Poitier, his presence and command put him in league of both of his acting predecessors.

Ten of the films James Earl Jones appeared in, whether in-person or voice acting, follow (left-right, descending):

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) – directed by Stanley Kubrick; also starring Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn, and Slim Pickens

The Great White Hope (1970) – directed by Martin Ritt; also starring Jane Alexander, Chester Morris, Hal Holbrook Beah Richards, and Moses Gunn

Star Wars saga (1977-2019; A New Hope pictured) – multiple directors, as the voice of Darth Vader, also starring Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, Billy Dee Williams, Anthony Daniels, David Prowse, Kenny Baker, Peter Mayhew, and Frank Oz

Claudine (1974) – directed by John Berry; also starring Diahann Carroll, Lawrence Hilton-Jacobs, and Tamu Blackwell

Conan the Barbarian (1982) – directed by John Milius; also starring Arnold Schwarzenegger, Sandahl Bergman, Ben Davidson, Cassandra Gaviola, Gerry Lopez, Mako, Valerie Quennessen, William Smith, and Max von Sydow

Coming to America series (1988 and 2021; original pictured) – multiple directors; also starring Eddie Murphy, Arsenio Hall, John Amos, Madge Sinclair, Shari Headley, Jermaine Fowler, Leslie Jones, Tracy Morgan, and KiKi Layne

The Hunt for Red October (1990) – directed by John McTiernan; also starring Sean Connery, Alec Baldwin, Scott Glenn, and Sam Neill

The Sandlot (1993) – directed by David Mickey Evans; also staring Tom Guiry, Mike Vitar, Patrick Renna, Chauncey Leopardi, Marty York, Brandon Adams, Grant Gelt, Shane Obedzinski, Victor DiMattia, Denis Leary, and Karen Allen

The Lion King (1994) – directed by Roger Allers and Rob Minkoff, as the voice of Mufasa; also starring Jonathan Taylor Thomas, Matthew Broderick, Jeremy Irons, Moira Kelly, Niketa Calame, Ernie Sabella, Nathan Lane, and Robert Guillaume, Rowan Atkinson, Whoopi Goldberg, Cheech Marin, Jim Cummings, and Madge Sinclair

Field of Dreams (1989) – directed by Phil Alden Robinson; also starring Kevin Costner, Amy Madigan, Ray Liotta, and Burt Lancaster

[momentofmemory]

If you were going to add an episode to Teen Wolf, what would it be about?

Oh i so got u bestie; i have so many thoughts about a bonus episode in between Codominance and Sword and the Spirit (5x13 to 5x14)!! The overarching theme of the episode would be trust—how it's been broken, how it's been healed, who you choose to put your faith into (and why), etc.

A-Plot

Scott seeks out, finds, and confronts Deucalion, in response to discovering Theo is looking for him at the end of Codominance. I think you could still keep the tension of whether or not Deucalion is double crossing Scott or triple crossing Theo, and then that final showdown will feel less out of nowhere

The main people involved here would be Scott, Kira, and Stiles, as Kira processes what all happened with the skinwalkers, particularly re: her test, and gets some closure between her & Scott re: her fox

In order for it to make sense that she goes back to the skinwalkers after Codominance highlighted how much she doesn't want to be with them, this episode would have to do some groundwork of her realizing she wasn't in control when she killed the oni and "beat" the test. We see her break her sword in the next episode, so i think maybe she should try to use it again in this one—and fail. This provides some really interesting stakes for Eichen & Scott's faith in her

Also i think scira deserve a talk about scott lying to her, and feel like this could be related to the crater in his chest he also won't talk about. I think his trust in Eichen could really elevated if Scira had a scene where Scott tells her the truth about just how big her fox is, and he trusts her not only with that information, but that she can still do it

Also also Scott and Stiles actually talk about Scott dying for heaven's sake!!! We needed it so bad and I think this would be a good time for it, especially as Kira finds out about it for the first time. Then we get a sciles hug bc i said so

How their varied fears of the nogitsune vs kira's kitsune plays in very heavily here, too

Ahem so anyway this resolves with a tense scene between Scott & Deucalion where you're really not sure if you can trust him at all, and afterwards Scott is worried he's making a bad call—and Stiles says it's okay, because he doesn't trust Deucalion, he trusts Scott, and Kira follows him up by saying that either way, this time, the pack will be there to back him up.

B-Plot

I hate Eichen so bad but I think it would've helped if Lydia had had scenes with Valack when she's more cogent/given more agency—maybe something that clarifies what he was doing with Peter at the end of s4 and how that led to her?

I feel like this would have to be in a mindscape, same as she has with Meredith, so Lydia is able to respond coherently/isn't just a prop to talk at

This could also clarify some of Valack's goals/motivations more concretely and foreshadow Lydia's victory over him in Lie Ability

C-Plot

Instead of Theo telling Malia he'll help her at the end of Codominance, their arc would be drawn out over the episode. This would heighten the tension of her having to depend on him, while allowing her to wrestle more explicitly with whether or not she's looking so she can kill the Desert Wolf, or to save Deaton

At the same time Scott is reckoning with his death, Theo is reckoning with Scott's resurrection—prompted, perhaps, by Corey having realized Scott was scared of Theo in the tunnels, the same way Corey was scared of Scott

Misc

I'd love a scene with Liam & his Dad—a werewolf reveal, preferably, +Liam processing his choices re: Scott & Hayden with someone that loves him, but is removed enough from the situation to comment on Liam's responsibility

I could get a Deaton & Corinne scene, as a Treat<3