#have been playing wrath of the lamb lately.. it does not fuck around
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haii2u · 3 years ago
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lament of the angel
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metanoiamorii · 4 years ago
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❛Maybe we are not meant to be, not yet. Maybe we’re stars, waiting to collide in another life.❜
♧ Title: Be Still My Foolish Heart [BSMFH]
♧ Status: Brainstorming & Drafting
♧ Point of View: Third
♧ Genre: Fantasy, Action, Drama, Romance
♧ Warnings: Violence, War, Death of major and minor characters, nudity, past abuse, generational trauma, generational healing, racism, transphobia, homophobia, character corruption arcs, ethics vs morals, star crossed lovers, tragic endings, codependent and complicated relationships.
♧ Featuring: Diverse LGBTQ+ characters, enemies to friends to allies to lovers slowburn, complex and complicated characters, fantasy religions, plenty of symbolism, complex world building, ethics vs morals, a whole lot of moral grey can be fit into this bad boy, character redemption and corruption arcs, some found family, learning to separate one from their family's trouble and taking control of their life, soulmate trope, setting the groundwork for future generations.
♧ Setting: An Ancient Chinese inspired, fantasy setting
♧ Synopsis:
In Oidien there has always been a defined split against the Heavens and Ghost City. No one can remember what sparked the feud between them, it's possible after all these years of the fighting and endless war... they don't even remember themselves. They know it's tradition to keep fighting, to ensure the cycle of violence continues. So that is what they do; they keep fighting.
In recent years, the King of Ghost City has drawn back from the fields off battles and distants himself from politics. He leaves the affairs in his eldest children: Lianhauzi holds the crown, Lutaizi knows his way around the court, Suming’qiu is gifted with the army, and Taixuan is there to ensure everyone takes a break, to take care of her family.
A fight against children is how the Heavens view it... To their surprise, these children are more than gifted than their father. This isn't a game to them, it's a livelihood. They know how to secure a victory within minimum casualties, and they know how to balance one another's weakness.
The Heavens cannot take another loss. No matter how many battles they have lost, they have always managed to win this war. Each time. But on this account? They're afraid to admit they've been beat. So they come to a resolution: they have to take out one of the links. Take out one and the rest should crumble.
It's...
Not as easy as one would imagine. Or so their spies in court relay. The four know to keep their distance in public, and if they meet in private no one knows. They handpick their servants carefully, and they ensure each servant knows their tasks and do not overstep. They've taken every precaution necessary.
Even when it works, when one of their spies is welcomed inside that well guarded, hidden court... no one expects the game of cat and mouse to transpire. Their spy is humored until she's willing to change her allegiance and eventually is brought into the family by marriage... In the very least, she offers the weakest link to exploit to destroy the family.
♧ Tease
Of all I have done,
Forgettable they to none;
Has it now begun?
No, not forgiveness.
That I would never ask for, love.
I wish, regret comes.
You know as I do,
Games I once played, have turned you,
A pretty face blue.
I made no mistake,
You know as I do, the stakes
Required; played.
Once, for you, my rule
To survive, I broke, for you;
That forsaken dual.
My conscious it haunts;
My sleep, in dreams it will taunts
And it brings your scorn.
Pour me a wine glass,
For my sanity to last
And my wrath? To trap.
For me, preform; dance
Distract me with your nice laugh
Until I collapse.
And leave, in silence,
See to it, quiet your lips
Of the truth won't slip.
Allow me my sleep,
Don't be cruel, do not slight, cheat
You ugly she-beast.
A single night, peace,
That is all I ask for, please...
Better, just leave.
I have discovered,
Regret? No, I now confessed
Not for you, coward.
♧ Excerpt:
Her booted feet pattered against the puddles of rain droplets as she hugged the umbrella close to her shoulder, protecting herself from the storm. In a hurry she rounded the corner, following after the image of a soaked cat that had caught her attention and ran before she could approach it properly. It had been the first time in awhile since she had taken to sprinting, to follow the cat. Around the corner Xihuli came, brought to an abrupt halt when she turned into another person, as insane as she was to be out in the midst of a storm.
Her umbrella clattered to the floor, dropped as she staggered back a pace. The bright red silk was out of place, spinning upon the rain soaked ground. She gained her footing, no longer staggering to place distance between them. Her head threw back, an angry look quick to find purchase upon her features. Having yet to reach for her umbrella, the rain begun to soak the bright red and white silks she wore, drenched and sticking to her figure. "Watch—"
Her protests are so abruptly cut off. She watches the man tilt back his own umbrella, dark as the stormy sky with red spider lilies imprinted upon the fabric; the hanging tassels brush against his form, parting to expose his face. A youthful face that should have been smiling, with those eyes— so red to match the spider lilies upon his umbrella— staring at her as if she were a lesser being. The umbrella sits back upon his shoulder, head tilted forward with his chin forward, a sign he was in fact superior to her.
"Don't you know better, Zhuque?" The tone he speaks in, it's unlike that rambunctious voice he's known for, full of laughter that becomes too obnoxious for the ears. How serious it is, no jest spoken, no room for his games. He stares her down, staring through the dangling tassels of his umbrella. And how unkind that look is, a look that's no better than a wolf staring at a lamb. "You should never be out so late."
The two men, another prince and his own dog. Wine and lilac gives him away, wearing the golden lotus crown in his hair. Face unfriendly, a natural scowl he had been born with. He stands beneath the umbrella held above his head, keeping him dry from the rain. Held by that fucking bastard, smug and vain, with the bones acting as hair pins. He's uncaring if he gets wet, of course he is. When he controls the ocean why would he care about a little storm?
Lianhauzi pulls back his hood as he now stands blocking the last exit, Lutaizi and An Huli keeping the woman pinned in. He takes a step forward, Xieyuan moves with him, holding the umbrella in place. When he steps forward they all watch Xihuli push herself back, struggling to press her back into the wall, able to stare in each direction where one was coming from. "The fear in your eyes betray you... You know why we are here."
♧ Characters:
Love Interests
Shenguai Suming’qiu; Heizhao-jun
Amab • Agender • He/Him • Asexual • Reciproromantic
The Fourth Master of the Phantom Palace; that has earned the name of Black Sinister Claws. Said to be cursed from birth, as he has come to age and stepped into the politics and warfare, he has come to be their lucky charm. A conniving young man with a sharp intellect, and a shaper wit. For his family, he has taken up the role as master of intelligence and handles all correspondence, planning, and diplomacy. As a front, he appears an apathetic man, detached and void of all emotions, only hellbent on his work; only his siblings and a selected handful are able to see another side of him.
Yi Xianzi; Courtesy Name Ke’ai
Afab • Genderfluid • She/They • Pansexual • Demiromantic
The Young Mistress of the Yi Manor is a woman with high and strong morals, and lives to maintain peace for the Heavens, and secure a future for the younger generations. She bears conflicted emotions of supporting her mistress’ less than moral ambition, but often does not speak of them and turns a blind eye instead; she tries to justify these actions for the greater good, despite knowing better. Often at times, she is torn between her loyalty to her household, and her own sense of justice and morality.
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Phantom Paradise
Shenguai Bixie’e; Guiwang
Amab • Nonbinary • He/They • Pansexual • Apothiromantic
The King of Ghost City. Despite years and generations of war with the Heavens, he remains undefeated and stays alive. Defying the odds, many believe he is unkillable, and quite well, untouchable. He has retired, for the most part, from the battlefield, and remains within the Phantom Palace, allowing his children to helm the war. He spends his time with his concubines, or with his council. Few see his face, fewer are able to gain an audience with him.
Shenguai Lutaizi; Heige-jun
Transmasc • Genderfluid • He/They • Omnisexual • Demi-Homoromantic
The unorthodox First Master of the Phantom Palace; that has earned the name of the Lord of the Black Song. First in line to the throne, he has conceded his right to it, and would concede his own royalty if not for his siblings. Despite being a Prince of Ghost City, he is nothing like his father. Carefree and reckless, he would prefer to spend his days drinking, goofing off, and living life to the fullest, uncaring of a familia grudge that makes little sense to him.
Shenguai Taixuan; Duandaojian-jun
Transfem • Nonbinary • She/They • Demisexual • Panromantic
The Second Master of the Phantom Palace; that has earned the name of the Princess With A Broken Blade. She takes greatly after her elder brother, and refuses to partake in a war that has not personally done her wrong. Despite her heritage, she is a woman with a strong sense of justice, morals, and honour. She protects her family from harm, and she will not turn away someone in need, no matter their origins. Opposed to being a sister and a daughter in her family, she fills the role of mother and acts as the woman of the household.
Shenguai Lianhauzi; Baoli’jífeng-jun
Amab • Agender • He/They • Asexual • Akioromantic
The Third Master of the Phantom Palace; that has earned the name of the Violent Tempest. Pressed by his elder siblings, he has taken up as their father’s heir to the throne; the Crowned Prince. He is known for his bad temper and strict nature. At heart, he has good intentions, he lacks the best judgement to execute his intentions.
Shenguai Kuangre Ai Du De; Dubo'mogui-jun
Amab • Genderfluid • They/He/She • Pansexual • Cupioromantic
The Sixth Master of the Phantom Palace; that has earned the title of the Gambling Demon. He is a man unaffected by grudges, politics, responsibilities. He prefers to take a page from his brother, Lutaizi’s, book and spend his time enjoying life to its fullest. He is very much a hedonist, and a compulsive gambler. Everyone he meets, he is obligated to gamble with them, at least once. The catch? He’s capricious, he’s erratic, and he will always change the game and stakes with every person.
Shenguai Jiaxiu; Mei-jun
Amab • Genderfluid • He/She/They • Pansexual • Frayromantic
The Seventh Master of the Phantom Palace; that has earned the name of the Beauty Lord. Arrogant and narcissistic, he is a very conceited man. He enjoys simple flattery and having others fawn over him, being the center of attention. Out of admiration he has taken after his brother, Suming’qiu’s, footsteps and assists him with his tasks. Himself, he carries out the more… darker duties called for, and gathering information; assassinations and spying tends to be his expertise.
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The Four Calamities
An Huli; Chui Feihong
Transfem • Agender • She/They • Homosexual • Homoromantic
Little Fox, as she’s called, is the favored of Prince Lutaizi, and the oldest of the Great Calamities. She is a woman who knows what she desires, what she is determined to do, and she refuses to allow anything or anyone to stand in her way. She comes off to be blunt, spiteful, angry; a she-devil, some claim in kinder terms than a bitch. Ahead of her time, she refuses to hide herself behind a mask, to be perceived as a gentle woman when, in truth, she is a walking storm, and for that, many frown upon her.
He Ruxie; Hei Xieyuan
Amab • Agender • He/They • Demisexual • Gyneromantic
Lord Black Water, as he is called, is the favored of Prince Lianhauzi, and the second of the Great Calamities. Formally a scholar in his past life, he experienced a string of bad luck, costing him his family, his wife, his daughter, his livelihood, his freedom, and soon his sanity. When he perished in his mortal life, he returned as a malicious spirit, and soon came into the service of the Shenguai family and serves loyally and viciously
Da Chen; Nitu Guiguai
Transfem • Nonbinary • They/She • Asexual • Demiromantic
The Enlighted One, as they are called, are the favored of Princess Taixuan, and is the third of the Great Calamities. In their previous life, they lived the life of an honest priest, surrounded by corruption and sin. When they met their end, their resentment for their peers remained and thus they rose to power to root out the corruption and seek retribution. Of the four, they are the amicable. They often forgo emotions and act only in rationality. Their mind is never clouded, and each act they make are in good conscious. Good will is shown to those that live an honest life, no matter their origins; ruin is shown to those are decide to live a dishonest life.
Wusi Linghun; Bai Wulian
Closeted Transmasc • Agender • He/They • Akiosexual • Demi-Akioromantic
The White Devil, as he is called, is the favored of Prince Suming’qiu, and the youngest of the Great Calamities. Formally a young lord in the Heavens, he turned his back on a betrothed he held no affection for. Openly, he cast aside his previous life, to serve the Shenguai family, and became a quick aid to the Fourth Prince. He is said to be two-faced, in some encounters being ruthless and apathetic, and other times he is genuine and compassionate; a toss up upon which side someone will see when their paths cross with him.
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The Heavenly Host
Meng Zhang; Courtesy Name Amnizha
Transfem • She/Her • Demisexual • Demiromantic
The First Master of Dongbu, and the acting Qinglong. Kindness is the one rule she lives by: kindness to her family, kindness to her allies, kindness to a stranger, kindness to her foes. She sees no reason to rule with fear and hatred, and actively will not promote negative emotions. She is a stern and serious woman, she takes pride in her knowledge, her power, and securing the truth. Behind closed doors, she opposes Xihuli and the Emperor, knowing both have secrets they would prefer to keep buried, in public she maintains an appearance of being a close ally.
Ling Guang; Courtesy Name Xihuli
Cis-female • She/Her • Demisexual • Apothiromantic
The First Master of Nanfang, and the acting Zhuque. Openly, she is perceived as a compassionate woman, who puts the needs of her people before herself, and acts selfless; in truth, she is surprisingly violent and vulgar. She continues to fuel the war, slandering and starting rumors of false deeds to rile the public, and gain the support of her supposed allies. There is nothing she is not willing to do to gain fame, support, and what she desires.
Jian Bing; Courtesy Name Cixia
Afab • Genderfluid • She/They • Asexual • Demiromantic
The First Master of Xibian, and the acting Baihu. She is known for being a compassionate woman, she wears her heart upon her sleeves, and acts out of the goodness of her heart. She openly encourages peace, to cease endless war and bloodshed; to make amends. For which, she is seen as an enemy to Xihuli, but is a close friend to Amnizha. Her only downfall are her chronic illnesses that have left her sickly since birth.
Zhi Ming; Courtesy Name Lu'yongshi
Amab • Agender • He/They • Closeted Homosexual • Homoromantic
The First Master of Beifang, and the acting Xuanxu. He has a reputation that precedes him as an honorable gentleman. He is a man of his word, he acts in accordance to justice and honor, and rarely strays from it. At heart, he is a warrior, and lacks the delicacies for social greetings; he comes off as blunt, uninterested, distant, and often lacking a heart to care.
Zhi Shi; Courtesy Name Yansbi
Cis-female • She/Her • Asexual • Aromantic
The younger sister of Lu'yongshi, the Second Master of Beifang, and acting Xuanshe. She happens to be her brother’s polar opposite. She is less than honest, she lacks honour, she craves power, she will use blackmail to get what she desires. As, she is not above blackmailing and guilting her own brother to act in accordance to her own agenda. She is also a close associate to Xihuli.
Long Jianhong; Courtesy Name Canren
Cis-male • He/Him • Bisexual • Apothiromantic
The current Emperor of Zhongxin, and the acting Honglong. A prideful man that cares more of his own person than his own people. Often, he turns a blind eye to all suffering, and allows Xihuli to do as she pleases. He is a womanizer, with various concubines’ , and elicit affairs with others. He was loveless to his wife, as there are rumors he was behind her untimely death. Whether these rumors are true or not are unproven, and few challenge them out of fear.
Long Shisan; Courtesy Name Li Busengren
Amab • Genderfluid • He/She • Quoisexual • Quioromantic
The Fourteenth Prince of Zhongxin. With twelve siblings in line of succession to the throne, Li Busengren acknowledges the chances for him to be the heir are little to none; this is added by the factor of being, from birth, his father’s least favorite child. With a will to prove his father wrong, and desperate for his father’s approval, he’s ready to do anything for an ounce of recognition.
Taglist
BSMFH: @writings-of-a-narwhal, @kittensartswriting, @inkflight, @qelizhus,
General: @endlesshourglass, @writerray, @poore-choice-of-words, @alexwritesfiction, @primusesgiantmetalballbearings
Both: @cecilsstorycorner, @little-boats-writes, @hazard-writes, @egg-shark
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florbelles · 4 years ago
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C & E for Lyra, G & M for Lillian 💕
thank you lovely!! sorry for the delay xx
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— E / EXTERNAL PERSONALITY
i. does the way they do things portray their internal personality?
absolutely. it might seem counterintuitive, since a good deal of her life has relied on deception — her many cons, her evasion of suspicion in forty murders over the span of ten years, and eventually posing as a civilian to spy on the resistance for the project — but she’s effective because of her passive, instead of active, methodology; she will not tell an explicit lie, but she will make a statement that is technically true, but wildly misleading in its context; she really is that affable and good-natured. she is also sadistic, messianic, and freely admits that she considers herself monstrous ( yes, she is terrible; she knows what she is, do you? ), but generally speaking, no one has cause to see that until it’s too late ( no, literally, she is removing their eyeballs, she is cutting their tongues, she is sewing flowers where their organs used to be, and isn’t it beautiful, that their deaths have meaning, that their skin will not simply blister and burn, that they will not choke as the ash fills their lungs; she will string their bodies about the county; no one will know the work is hers, not until later, not until the end, but then, they never thought to ask ). her blood runs much too hot, she is much too impulsive and reckless, her fuse much too short to maintain a persona that is not, essentially, who she is; if others have missed something essential, well. that’s hardly her fault, is it?
ii. do they do things that conform to the norm?
absolutely not. she has never, anywhere in her life, not been glaringly out of place. it’s how she prefers it; she hides in plain sight. she was perpetually flinging herself up against what was expected of her, getting kicked out of boarding school, disappearing for days at a time on nantucket, eventually leaving the week before her sixteenth birthday and never returning. she left behind any semblance of a normalcy with her old life; she’s been on the run ever since. the closest she has had in her adult life to a routine, to normalcy, is with the project. that says everything, i think.
iii. do they follow trends or do their own thing?
see above. she has quite literally never conformed; even as a girl she was a scandal, far too obscene for the old money set ( doubtless her mother’s blood, they murmur; what was lawrence thinking? ). her manner of speaking is outdated, over-formal and over-familiar; her wardrobe consists solely of bare feet or high heels, of long white or pale pink dresses with thigh slits, plunging necklines, bared arms; she is entirely ostentatious. she was living out of her car pumping gas at a texaco in a wedding dress on a tuesday afternoon.
iv. are they up-to-date on the internet fads?
not especially, she stays informed prior to hope county on what’s presently influencing the public consciousness but she doesn’t especially engage with it; she’s never been much for the internet. she’s good at context clues. if you send her a gif or a meme she’ll understand it. if you send her a screenshot of a vine or expect her to understand that sort of shorthand she’ll be lost. why have you sent this photo of a man smashing his phone. is he a friend. does he need help.
v. do they portray their personality intentionally or let people figure it out on their own?
she projects her personality diligently. everything about her has been refined to this; everything about the way she presents herself is intentional. yes, it’s a manipulation, but it’s also true — she has never been anything else. she would not be able to be otherwise, even if she wished to. she allows people to draw their own assumptions from what she presents, and their conclusions are nearly always incorrect; she is indisputably a certain type of woman, but very few actually arrive at the type of woman she is. she weaponizes hyper-femininity to give the illusion of vulnerability to a certain type of man. she gives the impression of materialism where there is none. she bares her tattoos at all times ( the lilies strangled by vines, the thorned roses, the serpent twined in carnations, the wrath across her breasts ); she has shown everyone what she is, she warned them, she wears it on her skin, it is not her fault they did not interpret it correctly ( this is why the marking & atonement immediately resonates with her, it’s aligned with an ideology she already possesses ).
— C / COMFORT
i. how do they sit in a chair?
legs extended and crossed at the heel when she wishes to take up space or make herself an imposing presence; straight backed with her legs folded at a bar or in a meeting; a regular feline at home ( if she’s with her husband she’s curled around him and in his lap, no personal space in this house ). ( originally answered here x )
ii. in what position do they sleep?
she used to sleep on her stomach or side with one arm flung out and the other tucked under her head; she and john sleep in a tangled mess on top of each other because they’re disgusting. she likes to keep a hand on one of his pulse points; she can’t sleep unless she can feel him breathe. ( originally answered here x)
for the last ten years of her life she sleeps curled on the ground with her fingers in the dirt and tries to feel a pulse through the earth.
iii. what is their ideal comfort day?
watch the sunrise ( this is not john's ideal comfort day so his ass better be on that balcony ), fuck all morning, wander the mountains or get high by the river most of the day, read or dance to her favorite records, and a fire at night ( bonfire in the firepit or by the river preferable, hearth fire acceptable if the weather is not permissive ).
iv. what is their major comfort food? why?
hot, sweet, baked things. sugar donuts, scones, coffee cakes. she would loiter around the nantucket bakeries as a girl. lawrence would take her sometimes, if he needed something or was repenting.
v. who is the best at comforting them when down?
john is essentially the only person she even allows to attempt; faith and joseph very circumstantially. it’s less about emotional vulnerability and more about burdening anyone else with her problems; in any given situation, she considers herself the most expendable party, but specifically her discomfort/suffering — she quite literally believes her soul to be damned and forfeit as the price of the world, the lamb, if you will — and that extends to her emotional state in terms. she’s comfortable making herself john’s problem because he signed up for it; she adamantly refuses to do so elsewhere.
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— G / GORGEOUS
i. what is their most attractive external feature?
she favors her eyes; all of her sisters share them. she is most often complimented on her hair.
ii. what is the most attractive part of their personality?
extremely resourceful and an excellent conversationalist; either a real pain in the ass or a fucking delight when she lets her hair down, depending on who you ask.
iii. what benefits come with being their friend?
access to everywhere and everything, though if it’s above board she’s probably going to be dull about it and spend the whole time sniping at society she sees there. knows the best places to slip in if you don’t want to be seen, can guarantee you’re seen if you do. can dispatch unwanted suitors, artfully when she’s sober and off-puttingly when she in her cups. premium gossip, if you'd like it.
truthfully, before the war, she'll never be a simple friend to have; she comes with the complications of her family and her name, as much as she might like to slip out at night and play at anonymity to pretend otherwise ( which she will want to do, often ). nonetheless, she invariably comes with society's gaze fixed on her, her familial obligations, and a good deal of skepticism about the intentions of others. she’ll see to your social advancement because that’s what she expects you need from her. if you've withstood the test of time, however, you’re her family, second only to her siblings; she’ll do anything for you.
post-war she can offer her loyalty and a wealth of knowledge about the world before, context to pre-war technology, etc. very scientifically adept, if not trained; in another life she would have spent her years in a lab instead of in front of the cameras. a valuable ally as long as you don't put her on the front lines.
iv. what parts of them do they like and dislike?
she likes that she's resourceful. she likes that she's undefeated among her peers at chess. she likes how splendidly she can command a room, when she wishes; she likes that she can make people listen to her. she likes it better still when she feels she has something that's worth saying ( and she nearly always does ). she likes that she can be ruthless.
while it is one of her defining traits, she can dislike her obstinacy, insofar as she recognizes it’s to blame for her willful blindness to what was happening around her before the great war. she dislikes the extent to which her loyalty to her family led her to turn her head to what was happening around her. she dislikes that she cares so much what everyone thinks of her. she dislikes that she needs her mother's approval, that she hears her voice even after her death. even after she killed her.
v. what parts of others do they envy?
to that point, she envies the more uninhibited like jackie a good deal; to disregard the opinion of others, even their family, in the name of staying true to herself and her ideals is a type of bravery that lillian wishes she had, even if she thinks jackie misguided in her radicalism. she envies freedom, in all forms she lacks it. she envies those unconcerned with perfectionism. she envies anyone who lives a life unencumbered by expectations and legacies.
post-war, she envies those who aren’t burdened with what came before, all that was lost and how and why. she wouldn’t unknow it it she could — being the last to know is a great fear of hers that’s been realized one too many times — but that doesn’t mean she doesn’t envy those who don’t have that baggage of first hand experience and involvement.
— M / MATERNAL
i. would they want a daughter or a son?
neither, truthfully, but she would probably feel more comfortable raising a son; she’s already spent her life shielding evie from their mother, and feels she did an abysmal job of it, so she’s not eager to repeat those mistakes.
ii. how many children do they want?
none, really. lillian is unable to have biological children, but even if she could, she only would have had them out of a sense of obligation to continue the family line, and because of that sense of obligation — subconscious though it might have been — she came to resent the concept.
iii. would they be a good parent?
not really. she could learn — she can learn about anything — but it wouldn't come naturally to her. because it's not something she would choose for herself, it isn't something that would ever be uncomplicated for her. in many respects she's too much a perfectionist to strike a balance as a parent; she would either be overinvolved and overbearing or go to the other extreme and be entirely hands-off. her nanny would most likely be the better mother; hers was.
iv. what would they name a son? what would they name a daughter?
john is the family name for boys, from which she'd probably be disinclined to deviate ( even evie only ventured so far as "shaun" in her defiance ). she would name a girl anything but audrey ( her mother's first name, her own legal first name ). after the war it would be extremely circumstantial. she would probably name her after jackie. because of birth order, she tells evie brightly. evie is annoyed by this for the rest of their lives.
v. would they adopt?
she technically does adopt, in the sense that she takes in her nephew and passes him off as her own. she figured she owed evie that much. ( as it happens, the great war comes just before his first birthday, so motherhood is still not something in the cards for her ). she wouldn't do it again, and she would not have done it under virtually any other circumstances.
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