#Writeblr community

[the-golden-comet]

Compound words my beloved 💛

A fun thing to do once I understand the rules for English language and grammar is finding ways to break them; make brand new words and sentences from the pieces. A fantastic exercise of the creative mind ✨

one of my worst writing sins is abusing my power to create compound words. i cannot write the sentence "The sun shone as bright as honey that afternoon." no. that's boring. "The sun was honey-bright that afternoon" however? yes. that sentence is dope as fuck. i do not care if "honey-bright" is a word in the english dictionary. i do not care if the sentence is grammatically correct. i will not change. i will not correct my erred ways. the laws of the english language are mine.

[inky-duchess]

Writing Theory: Dialogue

One question, I often get asked on this blog concerns dialogue and how to write it. Dialogue is the characters speaking to one another or even to themselves and while it sounds easy, it can be difficult to chose what your character might say or how they might say it or even how it might present on the page/word doc/napkin you're writing it on.

Content: The What and Why

What is your character actually saying? Your character is in a situation (which hopefully you put them in or at least know what is going on, if you do not, it is OK). But in most situations, most characters interact in some way, whether it is verbal or not. What your character says has to link to the situation in some way. Picture yourself on a bus sitting next to a friend and you have just seen a dog out of the window. What would be the response or the natural line of conversation here? Probably 'Oh, that dog is cute.' or 'This journey is taking forever.' etc. It unlikely would be a long monologue about a character's deepest darkest secrets or an admission of murder. It is unlikely, but of course not impossible. But generally, one usually tries to keep the conversation to the present and the now. Allow your character to get their point, or even part of it, across to who they talking about clearly. Remember not only does their companion need to know what is being said, but as do your readers.

Why is this person saying this? There is a deeper level to what anybody says and we all know this. A person will generally keep to neutral phrases or topics in order to keep the peace, distance themselves from whoever they are having the conversation with or a person will be curt and short with somebody they are not getting along with or a person will be polite and formal to somebody who demands the respect. There is a reason behind word choice, a reason behind tone and even topic. You won't have to delve into the intricacies of the 'hello' or 'hey' types of dialogue but say if a character was in a situation they must or do chose their words carefully, then you have to consider the why of it as you write the conversation.

Characteristics of Speech

Characters don't talk like they are reading from an instruction manual. Personality, experience and other factors effect how your character might speak. Next time you are in a group setting, focus on how the people around you speak, whether its the sentence structure, the tone, the volume or the flow of their words. No character speaks the same as another, and nor should they. I go further into this in this post here. Now you have established your character's voice as it pertains to personality, now consider the actual voice of your character. How would you describe your character's voice? Even if you don't include a description of it in your narrative, you should have some idea of how your character speaks. Some people have gravelly voices, high pitched voices, clear, garbled, etc. You can of course, fan cast a voice if you wish. The way your character speak can give away things about them as people. Contractions, slang and colloquial phrases are often used to denote those of working class or poorer factions whether the lack of them, including a larger vocabulary, are often attributed to a wealthier, more educated class. You can say a lot about somebody by the way they speak and is an important tool in the entire show don't tell deal. Speaking of...

Showing, Not Telling when Your Character is Yapping

People don't often come out with what they really want to say. Thankfully or else I would be unemployed and in jail.

Concealment: Like I said before, characters will sometimes chose words or specific tones when speaking or breaking off at certain points to conceal what they are thinking. The dialogue might look something similar to using different approaches either with a character trailing off before the offending phrase (...) or catching themselves (-) or hesitating/considering their words/pausing before speaking. It doesn't often mean a character is being evasive, they may be avoiding harming somebody's feelings.

Class/Social rank: Like I said above, the way somebody speaks can be an indication of their status in society. This is not a bad thing, we have different ways of speaking because we come from different walks of life, we have totally different experiences. Writing the character's voice with this in mind can indicate your character's background.

Nationality/Culture: As in the real world, we don't all speak the same language, it makes us who we are and marks out our culture and place in the world. Phrases, sayings and specific words or even pauses to consider the wording or sentence structure can denote a character from having a different mother tongue or culture than those around them. Your character may sometimes have to tailor what they say to somebody of a different culture or nationality even if they speak the same language. For example, if I'm writing a post here or in my WIP, I often have to steer clear of slang, sentence structure. grammar structure and phrases that non-Irish people are not familiar with.

Emotion: Emotion and dialogue walk hand in hand, a character will not speak without some emotion behind it and most emotions make us want to say something. Anger will make our words sharper, harsher, more abrupt. Happiness will make words flow faster, more positive and sometimes even jumbled. Grief will make one sound disconnected, numb and unable to think straight. The way your characters speak can tell your reader and the rest of the cast able to read their emotional state even if they cannot see their face or your helpful dialogue tags.

Sensibilities and Personality: Word choice and avoidance of certain words can tell somebody a lot about the person speaking. Somebody who avoids cursing or using 'vulgar' language might be considered proper, mannerly and formal. Somebody who does might be judged. Somebody who avoids topics that are considered taboo is somebody who aligns to social norms and expectations while somebody who tends to venture into incendiary topics is likely not and more free willed. These are not bad things but it can tell you a lot about the person speaking or in the way that person responds to somebody's words.

On Dialogue Tags and the Controversy of 'Said'

(nobody would ever fucking say that)

I don't buy into this drama over dialogue tags. Some writers will denounce them, some swear by them and they have been arguing over this as often as we do about the Oxford Comma. The real truth is that it is up to you. It is not a cardinal sin to use them and there is nothing - NOTHING - wrong with using the word said. There are of course some dialogue tags I personally hate and some I love but there is nothing wrong with the word 'said' or 'says'. Here are a few commonly used tags.

A

Accused: Used to pin the blame on somebody.

Added: Usually used when the character is adding to something they or somebody else has said.

Agonized: When a character is distressed over something.

Agreed: Used when a character allows something or agrees with something that is said.

Acknowledged: Used when giving voice to a fact.

Announced: Used for a statement.

Asked: Posing a question

Answered: To address a question.

Addressed: When a character draws attention to something or draws the attention of somebody.

Affirmed: Used when a character is stating an opinion or fact.

Apologized: When a character is saying sorry for something.

Approved: When a character is giving their support to a fact or something somebody has said.

Articulated: When a character expresses a thought/idea.

Asserted: When a character affirms an opinion firmly.

Advertised: Used when a character is drawing attention to something.

B

Babbled: Used when a character is talking excitedly, often nonsensically.

Backtracked: Used when a character is going back on something they have said.

Badgered: Used when a character is nagging another.

Bawled: Used when a character is crying out, usually wildly and very loudly.

Bellowed: When a character is shouting.

Began: When a character begins a sentence or thought.

Bemoaned: When a character complains of something.

Bit: Used when a character is being sharp with something that is irritating them or angering them.

Blamed: Used when a character is assigning blame for something.

Bleated: When a character is complaining or moaning, usually used in a derogatory way.

Blurted: When a character says something without pause or thought.

Boasted: When a character displays self-pride.

Boomed: When a character speaks loudly.

Broadcasted: Used when a character is announcing something, usually loudly.

C

Called: When a character cries out for somebody.

Chanted: When a character speaks in a monotone or often repeating words over and over.

Chattered: When a character speaks rapidly, usually out of nerves or excitement.

Chastised: When a character rebukes another character.

Cheered: Used when a character is excited or pleased about something.

Chimed: When a character adds something to something already said.

Choked: Used when a character is having a difficult time getting the words out.

Chuckled: When a character laughs slightly.

Chortled: When a character laughs slightly and breathlessly.

Coughed: When a character’s breath catches.

Croaked: Used when a character’s voice is strained or dry.

Crowed: When a character boasts loudly about something.

Cried: When a character exclaims or weeps.

Cursed: When a character use swear words or denounces another character.

Cautioned: Used when a character warns somebody.

Complimented: Used when a character is lavishing praise on somebody.

Condemned: When a character denounces something.

Considered: Used when a character is thinking aloud.

Conferred: When a character discusses something with another, usually quiet.

Commented: Used when a character is expressing a thought or opinion.

Complained: Used when a character is annoyed over something.

Criticized: When a character comments negatively on something.

D

Declared: When a character announces something.

Denoted: When a character is indicating something.

Dictated: When a character is insisting on something, usually forcefully.

Drawled: When a character is talking in a low, slow voice.

Droned: When a character is talking on and on, usually derogatory.

E

Elaborated: When a character goes into detail explaining something.

Emitted: Used when a character makes a sound.

Enunciated: Used when a character makes their words clear, often to add emphasis.

Expressed: When a character conveys their thoughts and opinions on something.

F

Fumed: Usually when a character is angry over something.

Fretted: When a character is anxious, usually a reputation of intrusive thoughts.

G

Gasped: When a character inhales suddenly, usually in shock or pain.

Giggled: Used when a character laughing.

Gloated: When a character is boasting over besting another character.

Grinned: When a character is smiling widely when speaking.

Groaned: When a character makes a low sound, usually in pain or discomfort.

Growled: Used when conveying anger.

Grumbled: Used when a character is complaining but in a quiet, low way.

Gulped: When a character swallows.

Gushed: Used when a character is talking excitedly about something they care about.

H

Hissed: Used when a character is angry or irritated.

Howled: Used when a character is making a loud, drawn-out sound noise out of pain and grief.

I

Insisted: When a character speaks or lends their support persistently.

Interjected: When a character adds something into somebody else’s discussion.

Insulted: To speak negatively about another character.

J

Jabbered: Used when a character isn’t making sense but talking rapidly.

Joked: Used when a character is making a jest or fun of something.

L

Lamented: When a character expresses a deep thought or grief over something.

Laughed: Used when a character is laughing.

M

Mewled: When a character’s voice is talking in a feeble voice.

Mentioned: When a character interjects something but doesn’t explain it.

Mocked: Used when a character is teasing, either in humour or spite.

Moaned: Used when a character is complaining, in pain or discomfort.

Mumbled: When a character is speaking in a low, almost unintelligible voice.

Muttered: When a character speaks quietly, usually in an effort to not be overheard.

Murmured: When a character talks quietly, usually not to be overheard or to not gain attention.

N

Noted: When a character brings attention to something.

Nattered: When a character goes on about something almost absent-mindedly, usually when nervous or preoccupied.

O

Observed: When a character is offering their view on something.

Ordered: When a character is giving instruction to another, usually forcefully.

P

Panted: Used when a character is out of breath or panicked.

Praised: When a character is showing positive attention to something or somebody.

Prattled: When a character is talking about something without a line of thought or sometimes reason or attention.

Persisted: When a character keeps at a thought or opinion.

Q

Quavered: When a character’s voice warbles usually out of fear or anxiety or sadness.

Quipped: When a character makes a witty remark.

R

Raged: Used when a character is angry.

Ranted: When a character goes on about something, usually in a monologue expressing their emotion about the subject.

Rambled: Used when a character is talking about something that doesn’t matter or warrant attention.

Relayed: Used when a character is telling another character about something that happened previously.

Remarked: Used when a character speaks about something.

Replied: When a character answers back.

Reprimanded: Used when a character is rebuking another for an action or word.

Responded: When a character replies to something said.

Recited: When a character repeats something from memory.

Repeated: When a character says something again, usually right after they have said it.

Retorted: When a character replies tartly or sharply.

S

Sang: Used when a character is happy or light about something.

Scolded: When somebody is reprimanding a character.

Screamed: Used when a character is scared or angry.

Squalled: When a character is crying out loudly.

Smiled: When somebody speaks when they are smiling, usually positively but can be negative.

Smirked: Used when a character is being smug.

Sneered: When a character is speaking in a derogatory way.

Snarled: Used when a character is being aggressive or angry.

Snivelled: When a character is speaking through a runny nose or tears. It is usually used to denote a character as weak or vulnerable.

Sniffled: When a character is speaking with a runny nose and tears.

Shouted: When a character is saying something loudly or with extreme emotional.

Shrieked: When a character makes a sharp sound, usually from extreme emotion.

Stammered: When a character’s voice becomes halted with pauses, usually an indicator of a speech impediment or nerves or anxiety or fear.

Stated: When a character makes a statement.

Stuttered: When a character speaks with difficulty, often repeating the beginning of words, usually out of fear, anxiety or nerves. But it can also be attributed to a speech impediment.

Swore: When a character curses or uses vulgar words to express their anger.

Scoffed: Used when a character is being derisive about something.

Sighed: When a character exhales out of annoyance, anger, tiredness or boredom.

Screeched: When a character’s voice becomes high-pitched and erratic.

Spat: When a character speaks so forcefully that they almost spit saliva in their effort to get their often emotion driven words out.

Sputtered: Used when a character is unable to get the words out, usually out of disbelief.

Sobbed: When a character is crying so hard that their voice is garbled by their tears and gasps for breath.

Suggested: When a character proposes an idea.

T

Thundered: When a character is talking about something in an angry way, usually loudly.

Told: When your character is relaying something to another.

Tittered: Used when a character is half-laughing, half-trying to stifle it.

Thanked: When a character expresses thanks.

Trumpeted: Used when a character is excitedly announcing something.

U

Uttered: When a character speaks.

Urged: Used when a character is prompting another to take an action.

V

Voiced: When a character expresses their opinion verbally.

Vociferated: When a character argues vehemently.

W

Wailed: When a character makes a sound of grief, pain or discomfort.

Warbled: used when a character’s voice quavers.

Wept: When a character cries when speaking.

Whispered: Used when a character speaks quietly, so not to be overheard.

Whimpered: Used when a character’s voice is feeble and weak, usually in pain or fear

Wheezed: When a character’s voice is strained from lack of breath, such as after a coughing fit.

Whined: When a character complains usually in an irritating way.

Y

Yammered: When a character is talking about something with no line of thought.

Yelped: When a character cries out in shock, pain or discomfort.

Yawned: Used when a character is tired or bored.

Yelled: When a character speaks loudly out of anger or panic.

Yowled: When a character cries out, usually high-pitchedly.

Overusing dialogue tags can sometimes take a reader out of the narrative and make your scenes read more like plays. I generally follow the rule of 'if it not essential' it is out the window. You can simply write dialogue in speech quotes and nobody will stop you.

What's in a Voice?

While we have already gone through the personal sound of your character's voice, what does it actually sound like when they are speaking? When describing the voice of your character while they speak, allows the reader to hear what they can only read and offer a clue how the character is feeling in the moment.

Absent-mindedly: When a voice betrays one’s distraction

Booming: When a voice is loud and carrying.

Breathy: When a voice is peppered with breathes.

Brittle: When a voice betrays a strained mind or fragile sense of mind.

Clear: When a voice is devoid of anything to obstruct or conceal it.

Deep: When a voice is low pitched.

Flat: When a voice is devoid of pitch or emotion.

Gravelly: When a voice is rough, croaking like when one just wakes up.

Guttural: When a voice is rough, coming from the back of the throat.

Harsh: When a voice is unkind and hard.

Husky: When a voice is rough.

Monotonous: When a voice is unvaried in pitch, all in one tone of voice.

Muffled: When a voice is obstructed, such as when the mouth is covered.

Nasally: When a voice sounds like it is coming from the nose, often sharp.

Piping: When a voice is high-pitched, almost sing-song.

Raspy: When a voice is dry and rough sounding.

Rich: When a voice is pleasant sounding to the ear.

Shrill: When a voice is high-pitched.

Silvery: When a voice is clear, soft, and musical.

Soft: When a voice is quiet.

Sonorous: When a voice is deep in sound.

Thin: When a voice is strained, with uneven pitch and tone.

Throaty: When a voice comes from the throat, often rough and croaky.

Tremulous: When a voice is shaking.

Velvety: When a voice is smooth.

Warm: When a voice is comforting, gentle.

Weak: When a voice lacks any strength.

Whispery: When a voice is low, hushed.

Wobbly: When a voice is unsteady.

Avoid the monologues if you can

Nobody can really have a conversation with somebody when that person is rattling off about themselves or their dastardly plans etc. It's not really realistic but in fiction, we kind of want to allow characters to do on a little, to let loose and bare their soul in a speech worthy of Peter Dinklage's best work (Laws of Gods and Men, GoT Season 4). Personally I only give somebody monologuing a few minutes before I interrupt with the good old "that's crazy" or multiple "yeah"s. A character has to be captivated - or captive - to listen to somebody keep talking, talking, talking.

Interaction

Again, your characters are meant to be real people, they are not robots on stage. When people are talking, it isn't perfect. When emotions are high, people will often cut across one another or interrupt one another. When characters are excited or in agreement, they might finish one another's sentences. The dialogue in The Bear, is fantastic for this as the interactions feel real. The characters interrupt one another, talk over one another and finish each other's thoughts. People follow a pattern of talking with people they know, they are less guarded and more prone to speaking their mind if they are comfortable with them or know what to avoid saying. People are more formal when speaking to strangers. People will speak differently to different people, there are things you can only say to your sibling and you wouldn't talk to a classmate you barely know the same way you will speak with a dear friend. The way character's interact can tell the reader a lot about the relationship between the characters.

[the-golden-comet]

✨🌺 Seven Sentence Sunday 🌺✨

Hello, everyone! I hope you had a wonderful weekend! If not exciting, I hope that these days gave you plenty of time to rest and recuperate for the upcoming week! 💛✨

Thank you for tagging me here for seven sentences, @drchenquill !

Here are seven sentences from my current WIP ITROG 🌺✨

It was….a giant tomato. A HUMONGOUS tomato! By the gods, Tyrell never thought produce could be so large! A hopeful patter returned to his heart as he scanned for more; Dead mice, voles, smaller creatures the likes that Tyrell has never even seen had been littered around the stash. The hunter checked the dead rodents for signs of disease. Nope, still fresh.

I will leave this tag +open for anyone who wishes to do it, at your leisure of course! 💛✨

Have a marvelous week, everybody! 💫

✨👇 Tag List for Writing Snippets below. DM me if you’d like to be added 👇✨

Tag List for writing tidbits (lmk if you want + or -)

@paletteofseaglass , @basketcase1880 , @halfbakedspuds , @notwritinganyflufftoday ,

@twopercentboy , @mxtansy , @menaceofmemory , @unfilteredmoonchild , @blerdsong ,

@iamwhimsy , @beansmakesthings , @birdycage , @tiagems , @narkaholic ,

@irolynn , @macinchiz , @owlsandwich , @stephtuckerauthor,

@sarandipitywrites , @mauvecatfic , @finchwrites , @aurumni-writes , @uiraya ,

@justanotherchangeling , @ahopelessnecromantic , @ryns-ramblings , @oleanderbailey , @buffythevampirelover ,

@soulcoda , @simonnebethel , @leacher , @augustrhodes , @spideronthesun ,

@peach-the-gospel , @alintalzin , @mjparkerwriting

[abditorywriting]

When you finish a piece of writing and realize you hate the way you wrote it:

[imaginationinkstudio]

this is more than just helpful for writing disabilities. (Coming from a physically disabled individual herself)

Tag Directory

[large text: Tag Directory]

This list is not exhaustive, but covers the most common tags we use.

Last updated: 01/01/2025.

Disabilities:

#Albinism representation #amputee representation #Autism representation #ADHD representation #Blindness #Brain Damage representation #Burn Survivor representation #Cerebral Palsy representation #CDD representation [Complex Dissociative Disorder] (includes DID, OSDD, etc.) #chronic illness representation #chronic pain representation #Deaf character (includes Hard of Hearing) #DeafBlindness #Down syndrome representation (for things specific to DS) #Dwarfism representation #Epilepsy representation #face difference (includes facial scars, burns, etc.) #GAD representation [Generalized Anxiety Disorder] #heart condition representation #Intellectual Disability representation #Learning Disability representation (includes dyslexia, dyscalculia, etc.) #Limb Differences #mobility disabilities #monocular vision #mysterious disability #multiple sclerosis representation #muscular dystrophy representation (includes all types of muscular dystrophies, SMA, vague muscle atrophy/dystrophy, myopathies, etc.) #mute representation #Nonverbal representation #nonspeaking characters #OCD representation #personality disorders #POTS representation [Postural Orthostatic Tachycardia Syndrome] #PTSD representation #psychosis spectrum representation (includes schizophrenia, schizoaffective disorder, psychosis in general + other conditions that cause it) #Selective Mutism representation #speech disability representation #spinal deformities (includes scoliosis, kyphosis, lordosis) #SCI representation (Spinal Cord Injury but does also include spina bifida etc.) #substance use disorders #strabismus representation #Tourette's Syndrome representation (includes other tic disorders as well) #vitiligo representation

Aids:

#AAC users [Augmentative and Alternative Communication] #ambulatory wheelchair use #ankle foot orthosis #assistive technology (includes Braille) #canes #crutches #guide animals (includes both dogs and miniature horses) #feeding tubes #hearing aids #knee scooters #mobility aids #prosthetics #eye prosthetics #rollators #service animals #walkers #wheelchairs #white canes

Frequent Topics:

#combat and disability #fantasy setting (includes SCI-FI etc.) #fantasy disabilities #fantasy ableism #fantasy species (while this was originally meant for actual fantasy species, anything that's non-human goes here, including basic animals like cats and things like robots) #fantasy tropes #historical fiction #horror and disability #inaccessible setting #intersex representation (majority of intersex variations are not disabling but a few are/can be) #magic aids #parasports in media #religion and disability #sign language representation #villains with disabilities

Tropes:

#blindfold trope #cure trope #faking disability trope #fetishization of disability #disability as punishment #disability erasure #disability negating superpowers #magic induced disability #mask trope #perfect prosthetic trope #tropes

Other:

#acquired disability representation #accessibility (for making things accessible to readers) #art reference #CCartShare (sharing art from our art tag) #character inspo #cripping up (cosplaying disabled characters) #disabled character ideas ("what disabilities make someone use a cane" etc.) #recommendations (various media about disability, mostly not writing related) #sensitivity reader #terminology #writing descriptions #more information needed (for when we need some additional info before answering properly - if you've sent an ask, it might be in there) We also tag the username of the asker so if you've sent an ask off-anon you can check through that as well. Anon asks are tagged as "#anonymous" and/or with the sign-off included in the ask.

[transman-badass]

Are they good words, that I just wrote? No, not in my opinion

But oh my god they are my words, from my brain, my hands, my soul

That's more than any fucking glorified autocorrect can ever do

[gaslightwestern]

New York City, 1874 - Mabel Williams

That no-good, rat-faced wretch was up to something. Officer Traynor, a cop so crooked not even an iron could sort him out, caught her attention the moment he slipped into The Lonely Wife. Derby hat tilted low and collar pulled high, Mabel might have ignored him if not for the shine of his shoes, the perfect fit of his coat, and the glimmer of his lapel pin. A low-ranking lawman, his new wardrobe screamed money on the sly. Overdressed for a Five Points dive and beyond where he made his usual rounds patrolling and harassing folks of the Seventh Ward, Mabel doubted police business brought him here. After two shots of gin, a hurried glance at his watch-chain sent Traynor back out the door, not knowing he had gained three new shadows. “Would you please slow down?” Charlotte O’Shea hissed, hitching up her skirts as she tried to navigate the dark alley without stepping in any muck. Although Andrew Liang walked quietly beside her, his smirk spoke loud and clear. “If you get any closer to that gentleman, he’s bound to spot you!” Rather than point out Traynor was no gentleman, Mabel slowed her pace and whispered back, “If you insist on tagging along, keep up!”

[ Hell's Half Acre: Intro | Tag | Excerpts | Mabel | Charlotte | Rambles | Updates ]

Please let me know if you'd like to be added or removed from the taglist: @cirianne, @oliolioxenfreewrites, @jacqueswriteblrlibrary, @thelaughingstag, @shouldyouwakethewriteblr

[melloncolliegalaxies]

[writing-with-melon]

This is going to be my year!

Writeblr Re-Re-Introduction Updated

It's time for an update. :)

I’m Melon!

27 // she/they // gray ace

I love tea, music, sarcasm, and revolution. And writing I guess…

My alter ego is Latina living in the borderlands (she speaks Spanish and is a beeatch).

I have a film degree I have yet to use, but I’m a film nerd anyway. I also studied literature. (I’m a film/lit nerd)

I post writing tips, neat stuff, and of course stuff about my wips

I write: sci-fi // romance // period pieces // contemporary/urban fantasy // fanfiction // screenplays

My WIPs are:

Newcast Chronicles or The Queen’s Company: A steampunk adventure where the genius inventor Nathaniel Tate teams up with a band of outlaws that call themselves The Queen’s Company when his mentor is brutally murdered. Nathaniel helps the Queen’s Co. on their quest for revenge when he finds they all have a common enemy, a secret government faction, the very same that had his mentor killed. Found family, revenge, and dangerous heists and some time travel, just for fun.

Cursed Pennyroyal and The Wizard Asturia: The story of a cursed spellbreaker and a thief magician whose emotions have been stolen. They couldn't be more different and would never be friends but thanks to an evil spirit they must work together to dissolve a deadly curse that threatens the kingdom's annual masquerade and therefore the genral peace. And if things aren't complicated enough, they fall in love... with each other's alter egos. A world with neat spirits, double identity shenanigans, enemies to lovers, and a masquerade.

Wollstonecraft: (on hiatus) A story of love, family, secrets and werewolves. Emi moves back to her small town in NM, after nearly a decade of being away and she meets Kieran Wollstonecraft, who you guessed it, is a werewolf. After what seems like a one-night stand, she gets mixed up in his family drama which also kind of turns out to be her family drama. It’s a mess, but what are else are you gonna do if you’ve found your true mate?

I also have some Arcana fanfics if you're so inclined, but they are on hiatus: Notes on the Wall and You Knew the Name of the Wolf (Muriel x fem!reader)

You can also find me on wattpad and on Ao3 and again on tumblr @melonreblogsstories a blog dedicated to reblogging other people’s stories, wips, and writeblrs!

I’m looking for more writer friends who just want to talk about their own WIPS. If you’re a writeblr I’d love to check out your blog.

Melon is always super down to be tagged even if she takes a while to respond and her inbox is always open! :)

[kookntae4ever]

This is me. Kinda jealous of all the writers who can write quickly because I can't.

[ettawritesnstudies]

READERS: FYI BOOKSHOP.ORG HAS FREE SHIPPING FOR ANTI-PRIME DAYS

This is a cool platform that gives back to local and small businesses so I'm affiliated with them. If you want to use my link to buy anything I'll get a small cut which is appreciated, but regardless this is still a neat opportunity to dodge Amazon's monopoly especially if you don't have prime.

[willowiswriting]

[aalinaaaaaa]

Well said! Just recently I put a litany of notes in my rough copy while I was doing my lab report. So on the page there's a bunch of numbers and calculations and then there's a few scribbled writing notes at the bottom 🤣

Screw it , I'm going to write this book.

[phoenixofthegreenwood]

Me: I love writing, it’s so fun and creatively stimulating!

Also Me while I’m writing:

[pinespittinink]

got thoughtful about opinions on bad books so here’s an inverse: what’s a book you had to read for school that you actually enjoyed/have grown to like? mine is Lord of the Flies