#hate these people with a passion hate them

[june-julie]

No one truely hates with passion anymore. I’d often mutually hated people and thought I’m lighting black candles for you and donating your body to science so they can all see how much of a bitch you are as well whereas the other person only calls them an arse. Put your soul into it this is unacceptable behaviour.

[bonkaii4]

Mel being an empath

(Okay i just got say arcane has sparked passion in me i haven’t felt for a show and fandom in yeeeears i haven’t written a meta in forever so bare with me.)

Anyway at first watching act 3 the reveal of Mel being empath felt crazy like that’s such a huge bomb that we didn’t get build up on or much follow through but i do think it explains so much about her character. Traditionally empaths are written to be overly emotional or sensitive sort of like telepaths and being smart but Mel wasn’t written like that she’s quite calm and collected her most emotional outbursts are with her mother and jayce and even with jayce it’s only because he’s hurling accusations at her and she still remains relatively calm in her responses. I think her knowing people’s emotions wether she was aware of this or not plays into this she knows Jayce is coming from a place of hurt and confusion where as her mother back in season one she knows she’s being disingenuous with the reasons of being in piltover.

First watch this just seems like a disgruntled daughter and her mother trying to get on her good side but knowing that Mel can read people’s emotions adds another layer she see right through her mother which not only from just being raised by her but through her her empath skills.

also wanted to bring this up someone pointed this out tiktok and someone else pointed out that this maybe because we’re seeing this scene through Mel’s POV and since she is empath she see that Maddie is secretly enjoying executing Caitlyn. This got me thinking about her career as council member/politician I’ve wondered how she got so high up while seemingly not only being the youngest member but being young period if she’s assumed to be Jayce’s and Victor’s age this makes her about 24-27 in s1 which is extremely young for council member which essentially this region’s governing body. Being able to sense people’s true intentions allowed her to know who to align herself who not to, knowing when people agreed and disagreed with her, or when people sympathize with your views, causes, or concerns on certain issues which all helped her advance quickly her career. I’m sure being from a high born house helped but we see other high born houses in council positions but they’re all older.

She also seems to be somewhat bored with politics and somewhat disillusioned when we meet her i mean giving a fellow council member a child’s toy almost like a practical joke doesn’t seem like someone who views politics and her colleagues with utmost seriousness it isn’t until she meets Jayce that we see the passion for change. I think being empath she saw that Jayce and Vicktor’s vision for hextech and Piltover and Zaun were pure and genuine which is why she supported them. I also hate the rhetoric that Mel never loved jayce and just manipulated for her own gain she does everything in her power to stay true to him and Vicktor’s vision she doesn’t push him to do anything that goes against their morals and goals. When Jayce is worried about Vicktor and his absence at the council may lead to she reassures she won’t let them corrupt their dream. Like i said early she isn’t written like a typical empath she also isn’t written like a typical manipulator(if you can call her that) she is genuine in what she’s says to Jayce she just also knows how people work and his feelings on the matter so she’s able to play on that.

Ambessa describes her to be too soft and she tells Jayce she didn’t Medarda standards i think the way she operates as empath is the cause of that I don’t think Mel is welling to corrupt herself or others when getting what she wants unlike her Mother and the rest of her family i think they operate much more cut through in their goals.

Whew anyway mind any typos i didn’t mean for this be as long as turned out just wanted to share revelation i had!:)

[blood-starved-beast]

Rare Reddit W actually

I saw some people on TikTok and on the main sub talking about how it is "crazy for Cait and Vi to hook up in the jail cell" and how "Vi should be going after her sister" so I wanna make sure we all understand the convo beforehand and why it makes sense that it would lead to sex lmao

We find Vi in this scene metaphorically (and literally, in a jail cell) where she was in act 2 of season 1: alone, feeling like she has lost all her family, and still feeling like she failed her sister, which is where Caitlyn and her first met. Given the wishy-washy terms that were left on during their last scene together, Vi is prepared for Caitlyn to tell her "I told you so", which Vi verbally expresses to Cait. But, Caitlyn does not tell her that, she tells her that she is the one who made it so Vi could free Jinx by moving the guards since she knows Vi well enough that obviously Vi was gonna go to her sister.

Vi reacts to this so passionately for two reasons: One, she is no longer alone. Caitlyn is saying "I'm still on your side" and more importantly "I've moved on, my love for you is stronger than my hate for your sister", which prompts such an enthusiastic response from Vi. Two, Vi is lifted of one of the biggest burdens she has dealt with during the series, which is the unique love triangle between Vi, Jinx, and Caitlyn. Vi no longer feels like she has to choose between them. Jinx verbally tells Vi "you should be with her" and Caitlyn admits to facilitating Jinx's release.

So naturally, Vi stops holding herself back, it's why she doesn't give a fuck when Caitlyn admits to sleeping with Maddie. Vi indulges herself and her desires for the first time in the series, no longer burdened by this internal conflict. Like, no wonder Vi was "feeling fantastic"...

Also, on the topic of "Vi should be going after her sister", the show establishes Vi as someone who does not go after people who leave her. Vi is someone who lives for others, and so she respects their decisions even if they hurt her. She is not someone who goes where she feels she is not wanted. Vi didn't go back to Caitlyn after episode 3 of season 2, she's not gonna go after Jinx either, it's who Vi is.

Text form. Written by Level-Ad7232 on reddit

Ok now I'm a bit more ok with Vi's arc in s2 but still. Would've been nice for more for Vi I think. She really out here with the most subtle arc.

[piscespetals]

summary: in which sevika becomes your boss at The Last Drop

content: this fic is another multi-chapter work! i hope you enjoy.

content warning for this fic: depiction of sa (this chapter only), blood, slight gore/fight scenes, cursing, sexually explicit content. pretty heavy topics to be honest, it makes a lot of commentary on how it's like to live in Zaun. since this chapter has an sa scene (very lightly detailed scene but still hints to it), if you would like to skip that part, there will be three asterisks (***) that indicate when the scene begins and when it stops so that you can do what's safer for you. sa will not be talked about alot in depth for the rest of the chapters, and i will give a content warning to chapters that hint or reference it.

word count: 3k

thanks for reading!

Part One

When you are first hired at the Last Drop, it only takes 4 hours for Sevika’s name to circulate the building and make its way towards you. 

The first time you spot her, she is brushing through a crowd of drunkards, seemingly not wanting to be approached with an expression as hard as stone. The tall woman, attractive and large as she may be, is intimidating. Her figure, although only in your line of vision for a few seconds, is something made of pure muscle and height. You know that she could easily tower over you if she wanted. 

Despite her quick and fast entrance, it only takes your first day to realize that Sevika isn’t someone that you fuck around with. And based on the way that your coworkers and supervisors tense at the mere mention of her name, it’s obvious that she’s someone important here.

Throughout your first month at the Last Drop, any other appearances of Sevika is no different. Her steel cold stare could freeze anyone to death. You’ve seen her drag people upstairs only for them to never come back down (who knows what she or Silco did with the body?). You’ve seen the way she dominates the deadliest men–how she doesn't let them silence her. 

How she challenges them…

You've also seen the way that your coworkers have gotten their heart broken, hoping to be the one-night-stand turned lover that changes Sevika’s promiscuous ways. And every time, your coworkers end up heartbroken. Gender doesn’t really seem to matter with Sevika. She’s ruthless with everyone. She’s mean.

And, God, you really hate how much you like mean women.

At first, you thought it was amusing to be pining after her. It isn’t surprising, since you've had your fair share of passionate romances (and heartbreaks) with people similar to Sevika. Like a moth drawn to a flame, you can’t seem to stay away from them.

But now it’s been over a month and you can't help but wonder when the crush will dissipate. At this point, it's entirely inconvenient.

You've managed to keep yourself out of the limelight for the majority of your time at the Drop. You’ve found your rhythm by staying in the kitchen, away from the wandering eyes of questionable strangers. Away from Sevika.

But that only lasts for so long.

Amy, your boss, manages to shatter your Switzerland bubble on a Thursday evening at noon. It’s exactly the last thing you want to hear: “I need you to swap schedules with Janessa,” Amy barks.

It isn’t a suggestion or question. It’s a demand. 

Your mouth opens to object, already feeling that familiar pang of agitation within you. But Amy doesn’t hang around long enough to hear. 

“Thanks!” She calls over her shoulder, briskly walking behind the counter and towards the kitchen.

Your teeth grind and your jaw clenches. With balling fists, you stand there for a few more minutes. Trying to simmer down. Trying not to get fired.

You cook. You make new recipes. You may even help the dishwashers every once in a while (especially on nights that are packed). 

But you don’t buss and you don’t wait. That’s Janessa’s ballpark. She’s known as one of the best waiters in town. Her reputation followed her as she hopped in between different restaurants before landing at The Last Drop for good. She’s usually quick, efficient, polite but not too polite (no one ever could be considering the kind of people that this job attracts). 

The idea of Janessa swapping places with you in order to cook an overwhelming amount of food under the pressure of constant verbal abuse? That doesn’t sound right. 

Well, it doesn’t sound like something she would willingly do.

“I tried to help you out,” Max, your coworker, whispers. He clicks his tongue while washing down the countertop of the bar. You forgot that you were holding a conversation with him before Amy interrupted. “I overheard her talking to Nessa about it and offered the swap.” Max blinks through his thick lashes, which are covered with clumps of purple mascara, before he makes eye contact with you. “The bitch told me I wasn't qualified. Can you believe it?”

You snort underneath your breath, nearly choking at the idea of such a conversation happening.

Max—a petite curly-haired himbo with stunning hazel eyes and nails long enough to claw your heart out—most certainly isn't a popular bartender due to his skills. He has charisma, a charming personality and a smile that can make anyone stop in their tracks. He’s willing to listen to anyone that needs a shoulder to cry on (which is almost always every regular that comes here),  and he doesn’t mind sucking up to Amy as long as it means that he has full control of the bar. He’s been employed here long before Amy’s time, which you truly believe is his saving grace.

He knows the history, the neighborhood— the business very well.

But mixing drinks? Not his strong suit.

Seeing him out on the level ground with numerous tables to handle would be comical. A train wreck for sure, but definitely comical.

“Did she say why Nessa was swapping?” Self consciously, you peer at the rest of the pub over your shoulder. Everyone is seemingly out of earshot but it doesn’t hurt to be sure.

Max’s shoulders tense. He stops his scrubbing, right hand still holding onto his soaked disinfecting cloth as he sends you a sidelong glance. “Not my place to tell.”

The hairs stand up on your arms as you register his reply.

The sound of the entrance door opening is what shatters your reverie. Just like that, Max’s shoulders relax. A smile spreads across his face, this time not quite reaching his eyes, as he looks towards the door. “Welcome to The Last Drop!” He says, voice dipping into that flirtatious cadence you know all too well.

That is all he is going to say on the matter. You know Max doesn’t like gossiping about people’s shit. And your coworkers definitely have a lot of messy situations throughout their employment here. He wants no relation to any of it. 

You pick up on the hint, instead swallowing your curiosity and looking at the incoming customer. It’s one of the workers from the brothel across the street. She’s a leggy brunette with towering stilettos and a resting bitch face as cold as stone. She’s just as unapproachable as the last time you saw her. But there’s a spark in her eye when she regards Max. Based on her last few visits, you’ve grown to learn that she’s taking a liking to him.

“Well, that's my cue. I’ll leave you to…do your thing,” You mumble, fighting off a smirk. Max peers at you with a quizzical expression as you gesture vaguely to the bar around you. “Or whatever nonsense you do up here…”

“Hmph,” He rolls his eyes. “Shouldn't you be back there making shepherd's pie or something?”

“You mean working? Something you're not familiar with, I’m sure.”

“With a face card like this? I’m too fabulous to work.” He winks before gesturing towards his face. “A reality you're not familiar with, I’m sure.”

A laugh erupts out of you as you click your tongue. You’re walking towards the kitchen, ready to clock out for the day and finally rest, when you hear the lady of the night approach the bar. You believe her name to be Scarlett, and her voice is a low and silky murmur while she addresses Max.

When you glance over your shoulder, you can't help but notice the way her cleavage spills over her frilly corset top. Her braids are pulled into a bun on top of her head, eyes alluring as she peers at Max through thick long lashes.

Too caught up in all the glamor that Scarlett is, you walk right into a nearby wall (because that is unfortunately what happens whenever beautiful women are near you). 

Max and Scarlett immediately glance at you. Max, with that all-knowing smirk, and Scarlett's raised eyebrow is enough to make you want to dig yourself a grave.

But you don't. Instead, you clear your throat, apologize and shuffle to the kitchen with haste.

The air is thick with cigarette smoke.

That’s one of the reasons why you hate waiting. 

You don’t mind occasionally working in such an atmosphere. After all, you are one of the few chefs that regularly make an appearance everyday. So you’ve grown accustomed to walking through the boisterous crowds of smokers and drunken belligerents before and after your shifts.

But then, for the rest of the shit, you usually find solace in the kitchen—swallowed by plates and dishes and food and ingredients—which is more your forte.

“Hey pretty lady,” A bald, greasy buff man grumbles. His eyes are set on you yet simultaneously far away. Out of focus. “I’m getting hungry. Why don't you come over here and serve me?” Then he winks with a shit-eating grin that makes you queasy.

“You're not in my section,” You reply dryly with a shrug. “But I'll let Dylan know that you're ready to order.” 

“I don't want Dylan,” His eyes linger on your chest, before trailing down your entire physique. It's almost as if he allows his entire train of thought to become visible for everyone to read. 

Your teeth grind as you quickly scan the room once more. Dylan said that he was stepping out for a 5 minute smoke break 40 minutes ago. 

There's a part of you that doesn't want to give in. You don't mind being the one coworker that won't take on more tables than absolutely necessary. Especially when you were voluntold to switch job roles with someone you barely even know, and without even being told why.

If it wasn't so hard to find a job lately, you're pretty sure Amy’s management within itself would be enough encouragement for you to quit. But you really, really need the money. Despite the toxic work environment and occasional harassment from drunk citizens, this is the closest you've come to financial stability in years. You can’t afford to fuck it up.

A heavy exhale leaves you as you shift your feet. “Have you had a chance to look over the menu?” You ask, eying the man with distaste.

His grin widens. “No. What do you suggest?”

“Well, we offer a lot of stuff really. If you're in the mood for something more fulfilling, we have different stew dumplings. I'm not sure about your allergies though, most of the stews here are made with—”

“Surprise me,” Then he gives you another once over.

There is a part of you, a small part, that's tempted to reach across the table and rip out his eyes. You hate the feeling you experience when men unabashedly undress you with their eyes; especially when it’s from creepy old men. 

Even more so when said men don't know how to respect boundaries.

But you ignore the idea of doing such a thing. Instead, you turn on your heels and walk away.

Or, at least, you try to walk away. 

***

A tight grip wraps around your wrist, pulling so abruptly that you nearly fall over. It happens so fast that you barely register it. A breath, hot and pungent with liquor, travels across the base of your neck before meeting your nose. “You didn't ask me if I wanted anything to drink.” The man adds, voice low and gravelly.

Then more is happening...

And that's what makes you snap. 

Within seconds, you're reaching for your knife, which you had previously placed inside the pocket of your apron. 

A fire courses through your veins as you retract the blade.

“What the fuck!” The man yells, letting go of your wrist. He presses a palm against his right cheek, which now has a wide gash that is gushing with blood.

***

You don't give him time to say anything else. Your elbow comes in contact with his throat, jabbing his windpipe with as much force as possible. He staggers from the impact, landing with his back on top of the table behind him as he gasps for air.

Your knife, now dripping with his blood, digs into his chest. You hold it there, watching him wince when you apply pressure.

“If you ever so much as breathe in my direction again,” You mutter darkly. He’s squirming uncomfortably, a pool of blood soaking through his shirt as your knife continues to pierce his chest.

The pub has grown eerily silent and the heavy weight of countless eyes begins to register.

“I…I-I,” The man underneath splutters in shock. Beads of sweat gather around his forehead as he peers up at you through a cloud of fear. Thirty minutes ago, you’d have been surprised to find him roughed up by someone half his size, especially considering how large his biceps are. 

But then again, The Last Drop seems to be filling up with tons of useless goons nowadays.

“We’ll deal with him.” The voice that breaks your reverie is unrecognizable—feminine and raspy. 

That's when your head snaps up and you realize just how tense the atmosphere has become. Many citizens watch you silently, some mouths ajar while others look ready to egg you on. It's never really a typical Friday night at this place without people trying to drunkenly fight each other.

It's rare, though, that  employees become the main culprit.

Something moves closer to you—a person. “Hey, it's alright. I-”

Still on edge, you're quick to react. You inhale sharply, grip tightening around your knife with reflexes that feel like second nature.

A low growl fills the air, the sound of metal colliding with metal following soon after. Then your blade is being knocked out of your hand, something powerful grabbing both of your arms.

A flash of grey, the smell of cigarillo. Warmth. Undeniable warmth.

“Woah, it's just me." The voice is so close, yet so far away.

"Look-" Then... "Maxwell, I need you to come and help." The voice speaks again. This time even firmer. A woman’s voice. 

When your vision adjusts, you lock gazes with a pair of stormy grey irises. They're merely inches from yours, peering down at you with a gaze that is steady. 

That's when you realize that you can't move because she's practically towering over you. Holding you.

It’s Sevika.

You must have tried to attack her, clearly caught off guard. Surely, you hadn't meant to. For a split second, you lost it and now here she comes, seemingly out of nowhere. It was merely a reflex—a fight or flight response.

“It's me. Sevika," She announces, voice sharp as if she's trying to to speak through a wall. "I'm having them take him upstairs. He’ll be dealt with,” She repeats, almost as if it's a promise. She searches your eyes, grip loosening around your arms, “I’ll make sure of it.” She adds. Despite her expression being made of steel, there's something that flickers in her eyes. It appears only for a millisecond but it's glaring enough to somehow recenter you.

Her shoulders appear to relax when you start to feel present in the room again.

She waits for you to reply. And waits.

And waits.

And waits some more.

Then, “I can handle myself,” Is all that you manage to say. 

She stares at you for longer. You can see the gears in her brain shifting, but you aren't exactly sure of what to anticipate next, or even how to accept the fact that you just tried to attack your boss with a pocket knife.

“I’ve got her,” This time, the source is coming from someone familiar. Max. “It's okay,” He whispers, drawing closer. You feel him before you see him. The tips of his claw-like nails brush against your shoulders as he gingerly grabs a hold of you. 

Only then is when Sevika breaks your gaze, this time turning to Max. “Staff lounge.” The brute woman orders. 

“I’m fine.” You counter. 

The edge in your voice says otherwise.

“...Then I need you to grab Amy,” She continues, completely disregarding you. “I would like to know why we have a chef waiting tables during the busiest rush of the week—”

“I don’t need to go anywhere,” You press, voice raising a few decibels.

Sevika jaw’s clenches, icy eyes flickering towards you. “You nearly decapitated someone. You—”

“...I have four hours left. I will leave when my shift is complete.”

Her nose flares. “Lounge. Now.”

Before you can reply, she’s turning on her heels and walking away.

Unfortunately, Max agrees with Sevika.

It’s apparent in the way he immediately grabs your shoulders after her departure. Every citizen seems to be watching the entire escapade because this is the quietest you’ve ever heard the pub be during a rush hour.

“I’m fine!” You hiss, frustrated by the whole ordeal. You are perfectly capable of defending yourself. You don't need staff members to coddle you. “Seriously.”

Max doesn’t reply, merely huffing underneath his breath as he guides you past the bar and towards a back hallway that leads to another room. 

When the two of you have reached the lounge, he finally says, “You're shaking.”

Your eyebrows furrow. “What?”

He leans forward, grabbing both of your hands,“ You're shaking.” He repeats, looking at you dead in the eyes. That's when he lets go and you peer down at your palms.

A frown spreads across your lips at the sight of your trembling fingers.

“You nearly killed the guy,” Max continues. “Where did you learn to fight like that?”

“It was only self-defense.”

“I'm not saying you were in the wrong,” A flicker of worry meets Max’s eyes. “That asshole deserves everything you did to him, probably more, But,” He winces. His gaze trails off to a distant place behind you. “Chef’s don’t usually do what you just did.”

Before you can reply to Max, the door flings open. In walks the petite redhead that you instantly knew to be Amy. She’s light on her feet, eyes alert and face flushed. At first, you’re surprised to see her in such a state. 

Shortly, though, Sevika enters the room. Then it all makes sense.

Sevika’s domineering in all aspects and has a ferocious air about her that can make anyone feel...tense. 

You thought she was the last of it, but another pair of footsteps walk-in behind her. 

“S-Sorry,” The person stammers, side stepping so they can scurry around Sevika and find a chair to sit in. The person is Dylan.

“This won't take long,” Sevika announces. She seems annoyed, not even looking at anyone else in the room. “Starting tomorrow, nothing about tonight will be brought up again. Now, Amy.” She turns to Amy, who instantly shrinks in her chair. “Why wasn't Janessa on the floor tonight?”

There's a beat of hesitation before, “She's working the kitchen now.”

Sevika’s nose flares. “If you moved her because of last week, I want you to think over your explanation very carefully.”

Another beat drags. Amy blinks. She gapes. She blinks once more. Her cheeks are tomato red at this point. “I-”

Sevika presses on. “Did Silco somehow change his mind?” 

“...No.”

“So you deliberately went against Silco’s orders and switched Janessa to the kitchen. Meanwhile,” Sevika’s eyes flicker to you. Your stomach lurches. “You make our only competent chef work the floor, after I told you that she isn't up for debate. And you expect me to show you mercy?”

Amy doesn't answer. She's on the verge of tears, which shocks you.

Amy is a bitch.

She’s known for brutally reaming people for simply breathing wrong. She doesn’t hold back and she doesn’t mind doing it in front of customers either. You know her to be stone cold. Heartless. Void of compassion and depth.

You never thought that you’d see the day where she’d get her ass handed to her.

Sevika turns to you, face filled with hard lines and calculating orbs. She stares at you for a few moments. You don't quite understand if she’s sizing you up or mentally chastising you. But you wait for her to fully collect her thoughts.

“If anyone touches you like that again,” She slowly begins, voice low. “You do what needs to be done. Whatever that means to you. Do you understand?” 

Your muscles freeze at her words.

No questioning? No reprimands?

“You aren't mad?” You clear your throat.

You were fully expected to get reamed for tonight.

Sevika raises an eyebrow, “Do you want me to be?”

Heat spreads across your body. You don't answer her question, deciding to move on. “Does Silco know about tonight?”

She grows more perplexed, “Do you want Silco to know?”

In the corner of your eye, you watch how stiff the rest of the staff members become. The room is so quiet that you nearly hear a pin drop.

It’s obvious that Silco finding out about this would cause a shit show.

Sevika takes your silence as an answer. 

“None of this will be mentioned again after tonight.” She breaks eye contact and turns to the rest of the room. “Is that clear?”

Everyone nods.

“And Dylan?”

Dylan jumps at the sound of his name. “Huh? I mean, yes? Y-Yes, ma’am?”

“If you disappear for that long again, you won't have a job to come back to.”

“Yes, ma’am. I-I mean,” Dylan blinks with swimming eyes. “Sorry.”

Sevika chooses then to shove her human hand into her pocket, glancing at you once more. When she retracts it, you notice that there is something shiny and silver that she's holding.

Your knife.

Silently, she holds it towards you. 

When your feet stay planted—brain struggling to process everything that's happening—she exhales heavily, evidently becoming impatient.

Clearing your throat, you force yourself to close the distance. You grab your knife, knuckles grazing her palm, which ignites a static shock. Your fingers jump away from her instantly. If the skin contact startled her, her face doesn’t give it away.

“Thank you,” Is all that you say. You hate how vulnerable you sound.

She merely nods. Then, “He's upstairs, by the way. Definitely suffering from what you did to him but not harmed any further." She pauses, rubbing her lips together. "Did you want to come upstairs? It's your call on how you would like him to be handled."

You eyes widen at the realization.

She took him upstairs to do god know what (everyone knows that if Sevika takes you upstairs for any other reason than discussing business, then you probably aren't coming back down). You'd never thought she would include employees in such a thing.

Even with a matter such as this.

"I'll give you ten minutes to think about it," She continues on. "If you decide to come upstairs, he'll be waiting. Otherwise, go home. Tomorrow you'll return to the kitchen.” Then she turns on her heels, adding, “Amy, I expect your desk to be cleaned out by midnight.” Before she walks away. 

In the midst of her departure, your eyes begin to burn. 

Max and Dylan are already stepping out of the room, completely shaken up by the entire situation.

Being reprimanded by Sevika is never on anyone’s bucket list.

You idle there for a while, letting all of the events replay in your mind as your muscles start to unspool. Fidgeting with your knife, you allow the blade to extend. That’s when you notice that his blood has been cleaned off and your blade sharpened.

Amy wails pathetically while curling into herself. 

Her cries are nothing more than brown noise at this point. You're too preoccupied by the hammering of your heart, and the way that Sevika’s words have tattooed themselves onto your hippocampus:

If anyone touches you like that again, you do what needs to be done.

[brainfuzz]

Agreed.

First, assuming ramencel took a traditional path to college, she's at most 22, and more likely hasn't reached drinking age yet. That in mind, I say this as gently as possible - Child, perhaps you should grow up a little before you start making judgements.

Second, I did not take a traditional path to college, and when I started my undergrad at 35, it was in library science. One of the things that got hammered into my head was that any reading is good reading, and there is no such thing as "trash" in books. There are badly written books, but there are no bad books. If someone tells you a book is bad, you need to seriously question why they say that.

In my child lit class, we discussed the merits of the Captain Underpants books vs. "real" kid's books, like Little House on the Prairie. One's a graphic novel with questionable humor, and the other is a beautiful retelling of a child's life in the mid 1800's. You know which one kids should read? The one they find interesting and will enjoy. That's it.

Third, the important thing is that people read - what they read is irrelevant. Even the smuttiest, trashiest novel (or fanfic for that matter) has merit. 50 Shades of Grey? Got people comfortable with kink, started discussions about it, and hopefully showed people what bad BDSM etiquette looked like. The Sound and the Fury is generally accepted to be great classic American literature, but I hated it with a passion - it was the only book I've ever used Sparknotes for instead of reading it - and I will never read another book by Faulkner in my life.

And lastly, reading anything will open your mind to other possibilities. Someone may read only romance novels, and pick up the first in the "Quilts and Kilts" series. They may read all nine of them. Reading them may spark their curiosity about quilts, which leads them to start the "Elm Creek Quilts" series, which is not a romance. One of those books is centered around quilts and the underground railroad, which may inspire them to pick up a book about Harriet Tubman, and so on and so on.

Reading anything is learning, and the only people who don't want you to learn and have an open mind are people who want to subjugate you. Censorship in any form is bad, it doesn't matter what the topic is, or who the audience is. You start censoring romance because its porn, and you start sliding into things that aren't porn, or aren't romance. We end up banning PD James' Adam Dalgliesh series because he has a girlfriend that he kisses on page.

People like to say that's ridiculous, nobody is going to ban mysteries because people kiss in them. Yeah, well nobody thought Roe v Wade would get overturned either.

tldr; all reading has merit, even shitty books like 50 Shades of Grey. No book should ever be banned, and you should question the motives of anyone who wants to control what you can read.

It's all fun and games and laughing at BookTok until you can't get on AO3 anymore, as someone who likes both romance and fanfic.

[akutasoda]

salvation is unreachable, and your my salvation

synopsis - he never deserved you and so he hates you for it

includes - blade

warnings - gn!reader, angst, no comfort, wc - 1.2k

a/n: a little gift for my pookie @https-sourlimes although its probably a bit too angsty to be a gift..

blade abhorred you.

there was absolutely no doubt about that - from the way he spoke to you and how he physically looked irritated or somewhat angered to the way he always actively avoided running into you. although the last one wasn't the easiest of tasks as you did work together but that made the message even more clearer when you couldn't find him anywhere if he wasn't required to be there.

but you never understood why, neither did anyone that knew you two. blade was always the more secretive type of person, someone that never shared more than necessary so it was truly anyone's guess as to why he felt such strong feelings of detest toward you.

occasionally, someone would try and reassure you that he simply just didn't like anyone. however that was only partially true. blade clearly was not a people person and could be described as “intimidating” or even rather imposing, so it wasn't exactly a surprise that he glared at the average person or they found him to be a formidable presence.

but he wasn't like that with you, there was a very clear difference and it was so confusing to you. from the very first meeting with blade, you tried your absolute hardest to be nice to him and get along with your new co-workers. there was nothing that could be recalled that would cause him to behave in such a way to you.

although, as tragic as it may sound, you had gotten used to the way blade treated you - just because blade was always rude towards you didn't mean you should let that get you down, or even discourage you from being nice to him. but unknowingly, that was the problem.

there was once a man, a blacksmith, who was human. he was someone who had feelings that were mainly positive, someone who had a passion for his work - but he was no more. he had destroyed himself, in a way akin to how he used to melt down failed weapons, and then had painfully built himself back up to physically embody what he had once found a great joy in crafting.

he had become a weapon.

one armed with a similar blade that had once been used to pierce his body over and over, that caused him so much pain and suffering. killing any remaining remnants of the man he once was - any part of him that was still there after the mara spread through his very body and infected his mind.

and ever since that man had died. blade was born.

blade embodied all the pain and suffering that past figure caused. he wasn't used to any sort of positive feeling whether it be experiencing or receiving. and so when you came along, a positive presence that entered his life, blade wouldn't admit it, but it felt so foreign to him that it was scary.

blade would've preferred his first experience with you to be one of violence than you being genuinely kind to him. at least that would've been something he was used to, something familiar that would make him more likely to adjust to your presence quicker - but that affection that was so distant to him made it harder.

somewhere along the line, blade had noticed something different. the pure hatred he held for you had begun to morph into a foreign feeling that confused him - why was he feeling this way? what had evoked these feelings?

blade’s lack of comprehension when it came to figuring out his feelings wasn't doing him any favors. he couldn't figure out exactly what these feelings meant or even what they were and even though he desperately tried to push them away, they always came back stronger,

in all honesty, it scared him. so eventually it resulted in more anger resonating inside his mind, hatred that eventually became associated with you - before you came along, blade was somewhat content with his life as a weapon, it was simple. but now you entered his life and now he was experiencing all these confusing feelings that evoked more fear into him than any fight ever could.

so to him, the solution was simple. you needed to go. blade knew that was quite the impossible task to fulfill so he did the next best thing and tried to distance himself from you. limiting all your interactions and therefore limiting his exposure to your kindness.

although blade obviously was completely oblivious to the simple fact that he had developed some sort of “crush” on you - so the solution wasn't as simple as avoiding you. blade would soon find that out by the fact that you consumed his thoughts,

blade despised you.

more accurately, despised the fact that he probably could pick you out in a sea of people, that he could recognise your voice anywhere. blade hated how he visibly unconsciously perked up at the sight of you before immediately resuming his usual facade, how he would occasionally catch himself thinking about you.

he detested you. so why was he slowly becoming more welcome to your presence?

why had his plan to avoid you slowly devolved into him doing the exact opposite?

however, you had interpreted this as him finally coming around to you - something that was somewhat accurate but blade didn't want you to notice his sudden change in behavior. you noticed the small signs that slipped through his facade and you secretly were overjoyed that he finally had stopped seemingly hating you.

although, you didn't change how you acted around him. a small part of you was scared that it may destroy the progress you two had made. maybe he truly did just need some more time to get used to you being around, get accustomed to your presence?

but blade was no better off. spending even that little bit more time with you had led to those unknown feelings brewing inside him grow even more. they consumed his brain and what was left of his heart, warm, fuzzy feelings that he wished to desperately rip from his body - for the first time, he even began wishing that his mara would begin to act up and bring some sense back to him.

although there seemed to be nothing blade could do to drag himself away from you. he began craving your presence, wishing to hear your voice and admire you. each time these thoughts consumed him, he quickly caught himself and tried bringing some semblance of sense back to his mind.

and so he resorted to what he knew best - violence.

he could try and block out the pain and betrayal in your eyes when he drew his blade at you, pointing it directly at your heart.

he could try and convince himself that it wasn't him who was spitting insults and threats at you. words that seemed to be pure words of hatred and disgust but really masked the pure affection and longing he had for you.

but he was scared. loving you would mean letting you past his walls and facades, showing you the very little human sides of him that remained intact and could experience vulnerability. but letting you in was exactly what those parts of him would want.

unfortunately, blade hated you.

he hated longing for the life that he could have with you. he hated how you made him feel.

and even if he did accept his feelings, you deserve someone better - perhaps the man he once was, not the just the fractured remnants.

taglist - @little-miss-chaoss, @frankiesteinn

[cece693]

The Better Brother (Damon Salvatore x M! Reader)

A small pet peeve of mine regarding Damon Salvatore fics is how people sometimes gloss over the wave of self loathing this man possesses. Since childhood he's had to bear constant comparisons with Stefan—how he wasn't enough, not as kind, etc.—so in my mind, if he does find someone he would absolutely push them away. That gave rise to this fic!

Summary: Damon finally found the one, however, thoughts of self-hatred and the constant comparison to his 'better' brother had him doubting if he even was deserving of such future.

tags: sad, in my feelings, break up, Damon thinking he's underserving, self hatred

Damon leaned against the bar of the Mystic Grill, the amber liquid in his glass catching the dim light. He swirled the bourbon absently, his mind not on the drink but on the man standing at the dartboard, a soft laugh escaping his lips as he teased Stefan for his missed throw.

M/N had come into Damon’s life like a hurricane—wild, passionate, and with a kindness that made him feel human for the first time in decades. He wasn’t supposed to fall this hard. But now that he had, every insecurity Damon carried weighed heavier on him.

He drained the glass and set it down with a little too much force, drawing a glance from M/N. Damon met his eyes and forced a smirk, but it didn’t quite reach his own. M/N tilted his head, his expression softening with concern, and made his way back over. “What’s got you brooding over here?” he teased, bumping Damon’s shoulder as he slid onto the stool beside him.

Damon shrugged, reaching for the bottle to pour himself another. “Just thinking about how life is unfairly cruel to us handsome, brooding types.”

M/N didn’t laugh. He didn’t fall for Damon’s deflections anymore.

“You’ve been distant all week,” he noted, his voice quieter now. “What’s really going on?”

Damon’s grip on the glass tightened. He hated how easily M/N saw through him, hated how good he was for him. And most of all, he hated himself for ruining what they had before it could even bloom. But Damon knew how this story ended. It was always the same. Stefan was the hero, the savior, the one who got the happy ending. Damon was the shadow lurking behind, destined to lose.

“You should go back to your darts game,” Damon said, his voice cold now, deliberately so. “I’m fine.”

M/N stared at him for a long moment, then sighed. “I know you don’t believe this, but you don’t have to push me away every time you get scared, Damon.”

Scared.

The word stung because it was true.

Later that night, Damon found himself alone in the Salvatore boarding house. The fire crackled in the hearth, casting long shadows across the room, but its warmth didn’t reach him. He sat on the edge of the couch, elbows resting on his knees, a photograph clutched in his hand.

In the photo, they were both smiling—genuine, unguarded. Damon hardly recognized himself in that moment, caught off guard by M/N’s infectious energy. The picture had been taken at the Mystic Falls Winter Festival, a day Damon had reluctantly agreed to attend. M/N had dragged him to the Ferris wheel, teasing him about being afraid of heights.

Damon hadn’t been afraid—not of the heights, at least. But the way M/N had looked at him at the top, with so much trust and warmth, had sent a different kind of fear coursing through him. For a brief moment, suspended in the sky with M/N’s laughter ringing in his ears, it felt like the world wasn’t so bleak.

He clenched his jaw and stared at the photograph for a long time, his fingers trembling slightly. “You don’t deserve this,” he muttered to himself. “You don’t deserve him.”

With a sharp breath, he shoved the picture into the drawer of the side table and slammed it shut. This was the right thing to do. Even if it hurt. Even if it tore him apart.

The next day, Stefan found Damon in the parlor. The sunlight streaming through the windows only emphasized how wrecked the oldest Salvatore looked. He was slouched in the armchair, a near-empty bottle of bourbon in front of him, his eyes distant and unfocused, as if he had been staring into nothingness for hours.

“What did you do?” Stefan’s voice cut through the oppressive silence of the room, sharp and demanding.

Damon let out a low chuckle, the sound bitter and hollow. “Relax, Saint Stefan,” he drawled, his voice dripping with sarcasm. “I did you a favor.”

Stefan’s brows furrowed as he stepped closer, his tone tightening with frustration. “What the hell does that mean?”

Damon finally lifted his gaze, his trademark smirk flickering onto his face. “He’s all yours now,” he said, the words carrying a mix of resignation and self-loathing.

He didn’t need to ask to know what Damon meant. “You broke up with him,” Stefan said, his tone flat, more a statement than a question.

Damon shrugged, his nonchalance forced and brittle. “Better for everyone that way,” he muttered, grabbing the bottle and taking another swig.

Stefan wasn’t having it. He crossed the room in two strides and snatched the bottle from Damon’s hand, setting it firmly on the table out of reach. “Better for everyone or better for you?” he snapped, his voice cutting through Damon’s feigned indifference.

Damon’s smirk flickered. He slouched further into the chair, rubbing a hand over his face. “Don’t get all noble on me, brother. This is what you wanted, isn’t it? A clean slate? No more complications? No more me standing in the way?”

Stefan stared at him, incredulous. “You really think I wanted this? That I wanted you to destroy the best thing that’s ever happened to you?”

“Spare me the lecture, Stefan,” Damon said, his tone sharp, though it lacked its usual bite. “He’ll be fine. Hell, he’ll probably thank me someday.”

Stefan shook his head, his frustration mounting. “You don’t get it, do you? M/N doesn’t want me. He never has. He chose you, Damon. And instead of fighting for him, you pushed him away because you’re too much of a coward to believe you deserve him.”

Damon’s jaw tightened, his hands curling into fists on the armrests of the chair. “Coward? Is that what you think I am?”

“Yes,” Stefan shot back without hesitation. “You���re so scared of being happy, of someone actually loving you for who you are, that you’d rather sabotage it before they can leave you. You think that’s noble? It’s not. It’s pathetic.”

Damon stood abruptly, his chair scraping against the floor as he loomed over Stefan. “Don’t you dare lecture me about love, Stefan. You’ve been handed every happy ending on a silver platter while I’ve had to fight for scraps.”

“And this time, you didn’t even fight,” Stefan countered, his voice soft but firm. “You just gave up. And you hurt him in the process.”

Damon’s shoulders slumped, the fight draining out of him as quickly as it had come. He turned away, staring into the dying embers of the fireplace. “You don’t understand,” he muttered, his voice barely audible. “He deserves better. Better than me.”

“Maybe that’s not your choice to make, Damon. Maybe he already decided that you’re what he wants. And maybe…just maybe, you should let yourself believe it.”

Damon didn’t respond. He couldn’t. The words sat heavy in his chest, pressing against the fragile walls he’d built around his heart. He clenched his jaw, his eyes burning as he stared into the fire, willing the tears to stay where they were. Stefan sighed, his frustration softening into something closer to pity. “You’re going to regret this,” he said quietly. “And when you do, I just hope it’s not too late.”

He turned and left the room, leaving Damon alone once again.

The silence that followed was deafening, broken only by the faint crackle of the fire. Damon sank back into his chair, staring at the empty spot on the table where the bourbon bottle had been.

Deep down, he knew Stefan was right.

But knowing didn’t make it hurt any less.

And that was the curse of being Damon Salvatore.

[redroomreflections]

Hotel California | Track 7 Infamous Lover

Natasha Romanoff x fem!reader

Summary: Natasha Romanoff, frontwoman of the punk rock band Velvet Rebellion, falls hard for a woman she believes is too good for her. Their intense relationship unfolds in the chaotic world of rock 'n' roll, where they struggle to balance fame, personal demons, and their undeniable passion for each other.

W/c: 6.5k

Chapter 7/12

Masterlist | General Masterlist

Note: Some things are set into motion in this chapter.

18+ Minors DNI (mature)

Themes: love, fame, sex, drugs

It was an unusual morning for the two of you. Natasha stood in your kitchen, looking more at ease than you felt. Her mug was half-empty, cradled in her hands, while yours sat untouched on the counter before you, its steam curling upward in lazy spirals. The silence was deafening as you tried to process what Natasha told you. Isabella was still asleep in the other room.

Allowing Natasha to stay over had been a line you weren’t ready to cross, but the look on her face last night—the heartbreak she tried so hard to hide—left you with no choice.

You cared about her more than you could put into words, which made this more complicated. You didn’t want to be angry, but the way she’d shown up, raw and vulnerable, with a piece of her past you didn’t know how to navigate, was testing your patience.

Natasha broke the silence first. “I’m sorry for showing up like that. I just... I didn’t know where else to go.”

"Don't apologize for coming to me," You shook your head. You checked the time on the stove clock. 8 am. Neither of you had gotten much sleep. Isabella would be up soon, but she'd have many questions and comments. To feel like you had a handle on the situation, you began to make breakfast. Something simple. French toast and eggs. "It's just, I don't understand why she would call you, of all people."

"I don't hate her..." Natasha began. Then she stopped. Those weren't the right words. She set her mug down and rubbed the back of her neck. “It’s not what you think.”

You paused, spatula hovering over the skillet. Your tone was even when you spoke, and it wasn't as hard as before. "Then explain it to me. Because from where I'm standing, it looks like she still has a hold on you."

Natasha sighed, her shoulders slumping slightly. “She called me out of nowhere, drunk, stranded... I didn’t want to leave her like that. It sounds stupid, but I felt I had to help.”

“You didn’t have to do anything,” you said firmly. “She’s not your responsibility anymore, Natasha. You don’t owe her anything.”

“I know,” Natasha replied quietly, her eyes dropping to the floor. “But it’s hard. Carol... she was a big part of my life for a long time. Walking away from that hasn’t been easy.”

You softened at her admission, the frustration in your chest giving way to something more tender. “I get that,” you said after a moment. “But you’ve got to figure out what you want, Nat. You can’t keep one foot in the past and expect the future to wait for you.”

She glanced up, green eyes meeting yours, and you were struck by the vulnerability in them. You weren't sure what else to say, but before you could come up with something, Natasha closed the distance between you and gently cupped your cheek. You held your breath as she leaned in, her forehead resting against yours.

"I want you," she whispered, her words feathering against your lips. "I'm trying. I don't want to screw this up. I don't want to screw us up."

"Then don't," You muttered. "If this isn't what you want. If there's even a chance you want her, then you need to be upfront with me. If this is just sex for you..."

"It's not," Natasha said firmly, her eyes flashing with something fierce and protective. "It's never been like that. You know that."

"Do I?" You asked. "I'm trying to be levelheaded. You tell me your ex calls, and you go running."

"Not like that," Natasha sighed.

"You went to her," You pointed out.

"Because she was alone, drunk, and in trouble," Natasha shook her head. "I wouldn't have stayed. I just... wanted to make sure she was okay. That's all."

"Did she try to kiss you?"

"What? No," Natasha snorted, shaking her head. "God, no. She was drunk. Really, really drunk."

"So, nothing happened," you asked.

"Nothing," Natasha nodded.

"Okay," You nodded slowly.

"Okay?"

"Yeah," you said, returning to the stove and plating the food you'd made.

Natasha hesitated, then slid her arms around your waist, pressing her front to your back and resting her chin on your shoulder.

"I'm not going anywhere," she murmured. "I promise."

You hummed, leaning into her warmth. The knot in your stomach loosened, but it didn't completely disappear.

"I trust you," You nodded to yourself. It wasn't something you had to convince yourself to believe. She came to you. She told you the truth.

"That's good," Natasha nodded, a relieved smile gracing her face. She kissed the side of your head and then your neck.

"Mm, what are you doing?" You asked.

"Nothing," Natasha smirked.

"That doesn't feel like nothing," you teased, a hint of a smile on your lips.

Natasha opened her mouth to respond, but a small voice interrupted.

"What are we talking about?" Isabella yawned, shuffling into the kitchen with messy hair and sleep-heavy eyes.

"Nothing," you and Natasha said in unison, the words tumbling too quickly to sound convincing.

"Whatever," Isabella rolled her eyes, clearly unimpressed, as she climbed onto one of the kitchen stools. Her gaze shifted to Natasha, and she grinned. "Natasha, you're here."

"Yeah," Natasha nodded, taking a small step back from where she'd been standing close to you. She looked unsure, her hand brushing awkwardly against the counter. You understood the hesitation—it was a delicate situation, having her here when things between the three of you were still so new.

But Isabella didn't seem to share your reservations.

"Good," Isabella chirped, swinging her legs under the stool. "I was wondering when Mama would let you come."

Your cheeks flushed. "Bella," you said, trying to keep your tone even.

"What?" she asked innocently. "I like her. You do, too, right?"

Natasha stifled a chuckle, and you shot her a look.

"Natasha's just visiting," you said, redirecting the conversation.

"Sure," Isabella said with a sly grin, clearly not buying it. She turned her attention to Natasha. "Anyway, Mama, could you do my hair today? In a different style? Something that isn't babyish."

"You are a baby," You pointed out as you slid her a plate of French toast and fresh fruit.

Isabella rolled her eyes again. "I'm almost ten, Mama."

"Still a baby," You stepped around the counter to wrap her in your arms. "My one and only baby."

Isabella squirmed away, giggling. "Mama," she whined. "Stop. You're embarrassing me in front of company."

"Sorry," you apologized, smiling at Natasha, who was watching the scene with amusement. "Old habits die hard. I'll think of something to do to your hair. Eat your breakfast now, and we can walk the dog."

"Yay!" Isabella cheered.

Natasha's hand found yours, her fingers entwining with yours and squeezing lightly.

"We?" Natasha asked softly.

"Yeah," You nodded.

Natasha gave you a soft smile, the kind that reached her eyes and made your knees weak. You were falling for her, and there was no stopping it.

********

A part of you was glad Isabella was talking to Natasha. The other part was concerned. There were still things you needed to talk about that you hadn't figured out yet. And this whole Carol situation last night had left a bad taste in your mouth. You didn't like the idea of her and Carol reconnecting. Not when it meant Natasha was spending time with someone who had hurt her before. Especially when that someone was her ex, especially when that someone was Carol Danvers, you didn't hate the girl. You barely knew her. Simply hearing of her reputation was enough for you.

You didn't want to get too in your head. Not as you were walking with Isabella and Natasha around the neighborhood.

"I'm in intermediate-level gymnastics," Isabella explained to Natasha. She held loosely onto Bear's leash as the dog pulled her over to a random bush. He really was a good walker most of the time.

"That's pretty cool," Natasha grinned, her hand holding yours. "How long have you been doing it?"

"Since I was six," Isabella boasted.

"She's pretty good," You added. "Gymnastics, ballet, and dance. She's the busiest kid I know."

"It's fun," Isabella smiled. "Keeps the mind going and the body healthy. Did you play sports as a kid?"

"I did ballet," Natasha admitted."Yeah, it was a long time ago."

"Did you like it?"

"I did," Natasha nodded. "I was good at it, too."

"Were you any good?" Isabella asked.

"Kind of," Natasha chuckled. "It was a long time ago."

"When did you stop?"

"Well, I didn't quit," Natasha explained. "I got older, and my body changed. The type of moves they have us do can be hard on the body."

"Oh," Isabella nodded, a little less cheerful. "So, did you ever hurt yourself?"

"Not seriously, no," Natasha shrugged.

"That's good," Isabella sighed, relieved. "I hurt myself last year. A twisted ankle."

"Yeah," Natasha nodded.

"I cried because it hurt," Isabella continued.

"Of course, it did," You smiled. "We'd take a break until you were feeling better. Then you were back at it."

"Yeah," Isabella sighed. "Rookie mistakes."

"You could say that," You grinned.

"Are you busy on Wednesday, Natasha?" You could see by the smile in her eyes that Isabella was about to ask her something without your permission.

"Wednesday? What’s on your mind?"

Isabella's face lit up with a mischievous grin, her eyes darting toward you briefly before returning to Natasha. "We have this recital rehearsal, and we get to bring a helper for some of the moves. Can you come?"

You groaned internally, already anticipating how this was going to play out. "Bella, we talked about this. You’re supposed to ask me before inviting someone."

"I know," she said innocently, twirling a strand of her hair. "But Natasha’s really strong. She’d be great for the lifts!"

Natasha glanced at you with a raised eyebrow, clearly amused. "Lifts, huh?"

"It’s true!" Isabella insisted. "And besides, you said you used to dance. You’ll understand better than Mama. No offense," she added quickly, glancing your way.

"None taken," you muttered, trying not to roll your eyes.

Natasha seemed thoughtful for a moment. "When is it? I could probably stop by," she said, looking at you for permission.

"Great!" Isabella cheered, jumping up and down. "It starts at four on Wednesday, and we can pick you up."

"Or you can meet us there," you suggested.

"Yeah, yeah, whatever," Isabella said, waving her hand dismissively. "Can we go to the park now? Pleeeease?"

"I think we can manage," You said, reaching out and taking Bear's leash. The dog had been patiently waiting during your conversation. You didn't think he'd wander off but didn't want to risk it.

"Yes!" Isabella cheered, throwing her hands up.

"Actually, I have a studio session now," Natasha checked her phone. "I'm pretty late, and Wanda's going to kill me."

"Oh, well, do you want us to walk to the house with you?"

"No, I have my car keys," Natasha denied. "I'll find my way."

"Oh, well, okay," You nodded. Isabella gestured for you to kiss her goodbye. You rolled your eyes at your kid and pulled Natasha down the sidewalk out of earshot. "So, I'll talk to you later?"

"You bet," Natasha nodded. She pressed her lips to yours, giving you a sweet, tender kiss. You leaned into it, savoring the taste of her and the feel of her. You'd never get tired of this.

"Okay," You whispered as you broke the kiss.

"Okay," She smiled, squeezing your hand. "Bye, Isabella."

"Bye, Natasha," Isabella called.

"See you, little one," Natasha smiled, winking at her before leaving.

You watched her walk away, admiring the view. It wasn't until she disappeared around the corner that you rejoined your daughter.

"You're in looove," Isabella teased.

"Maybe," You smirked.

"You should totally marry her," Isabella commented.

"Oh, should I?" You asked. "It hasn't even been that long."

"When you know, you know," Isabella said sagely.

"That's very true," You nodded.

"She makes you happy, right?"

"She does," You agreed.

"And I like her." Isabella listed. "You should totally marry her."

"How about we take things slow, okay?" You chuckled. "Let's see how things go."

"Whatever," Isabella giggled.

"What's with you and this whatever thing?" You wrapped an arm around her shoulder.

Isabella shrugged dramatically, leaning into your side. "It’s just a vibe, Mama. You know, like, whatever happens, happens."

You couldn’t help but laugh at her sass. "I don’t know about you, but you’re too young to drop wisdom like that."

She grinned mischievously. "Maybe, but someone’s got to keep you in check."

You rolled your eyes, smiling as you hugged her tighter. "I think I’m the one who needs to be keeping you in check."

Isabella hummed, content to let you have the last word for now.

The two of you enjoyed the rest of the morning together, laughing and playing and making up silly songs.

******

When Natasha arrived at the studio session, initially, she didn't know what to write. She'd had a list of songs in her black book that she knew she wanted to lay out. But for the last hour, she'd been staring at the blank sheet, her pencil hovering uselessly over the staff.

"Are you writing?" Wanda asked.

"I am," Natasha nodded.

"Then why aren't we recording?"

"Just... a little writer's block," Natasha said.

"Writer's block?" Wanda repeated. "Do you have anything in mind?"

"I do, but..." She shook her head. "I try not to write such personal things. I have a melody and a couple of lyrics in my head, but I don't know if I should do it."

"Becuase you're in a love triangle?" Wanda guessed.

"No, it's not even a love triangle," Nataha shut her book. "It's not even a love anything. Carol is my ex. I blocked her number. Y/n is my now."

"So why the blockage?" Wanda asked.

Natasha paused momentarily, trying to figure out what was holding her back. Her heart told her to write, but her head told her to be smart.

"It's not like I haven't written love songs before," Natasha started.

"But these are about Y/n," Wanda nodded. "And Carol. I get it."

"Carol was a long time ago. What we had... it wasn't good. We didn't end things on good terms. Y/n, on the other hand, is something I want to try. Someone that means something to me."

"Then write about it," Wanda shrugged.

"I just don't know if I should," Natasha said. "Writing a song about Carol? Fine. We weren't happy. But Y/n. She's someone special. If I write about her and it doesn't work out..."

"You can't live your life worried about the what-ifs," Wanda pointed out. "If you want this relationship and're serious about her, then you must be willing to put yourself out there. That's what people do. They take risks. They have faith in one another. It's a leap of faith."

"When did you become a philosopher?" Natasha teased.

"I'm not," Wanda chuckled. "I just think you're overthinking it. Write the damn song, Natasha. Or I will."

Natasha opened her mouth to argue but thought better of it. "Okay, it starts like this..."

"I love her, I want her, but my heart cannot recover,

Stuck in a whirlwind, won’t you get me out?

Fading in and out of what we were before,

But I'm losing me when I keep begging for more."

Natasha sat back, tapping the pen against the notebook's edge as she let the words flow through her mind. Wanda watched her carefully, a knowing smile on her face. Natasha had always been cautious, especially regarding matters of the heart, and Wanda had seen it enough times to recognize the hesitation.

"You know," Wanda began, leaning forward, "that song is pretty powerful already. The emotions are raw. You don't have to have everything figured out right now. Sometimes, you just need to let the music do the talking."

Natasha nodded, eyes still focused on the page, her mind racing with the thoughts of Carol and you of the past and the present. The confusion between what she'd been through and what she now had with you. It wasn't easy, but it felt right.

"You’re right," Natasha finally admitted, her voice softer. "I just... I don't want to mess things up with Y/n. She’s different, Wanda. She’s... real."

Wanda reached over and squeezed her hand, her expression gentle. "I know, and that's a good thing. It's a sign that things are changing for the better. Take it one day at a time, and don't overthink it."

"That's easier said than done," Natasha sighed.

"True," Wanda chuckled. "But I'm always here for you, even if it means reminding you not to be so damn stubborn all the time. Now, let's write some more of this song."

Natasha grinned, picking up the pen and turning back to the page, her fingers already itching to start composing. "You know, I'm glad we decided to work on this project. It's been a long time coming."

"Me too," Wanda smiled, her eyes lighting up. "And hey, we might actually finish something. We recorded three songs with the guys. If we finish this and like it...we might actually be getting somewhere with the album."

"Don't jinx it," Natasha laughed. "But I wouldn't mind recording more. Especially with this."

"Yeah, yeah," Wanda waved her hand. "Let's just get this song finished. Then we can talk about the next one."

"Deal."

As they worked, the two women found themselves in a comfortable rhythm. The back and forth between them was familiar, and they quickly lost track of time. The song began to come together, and Natasha found herself getting more and more excited. This was the kind of music she wanted to be making—deep, soulful, real.

They spent the rest of the day working on the song, taking breaks only to eat or use the bathroom. When they finally called it a day, both women were exhausted but pleased with their progress.

"Okay, now for the next one," she said with a knowing grin.

Natasha raised an eyebrow, wiping her hands on her jeans. "Another one already? You don’t waste any time."

Wanda chuckled. "What can I say? We’re on fire. So, I thought… maybe we should try something different for the next single."

Natasha tilted her head in interest. "Different? How?"

"I’m thinking we stick to the punk vibe, but… I want to experiment with something soulful, a voice that's a little outside of our usual sound." Wanda's eyes sparkled with the excitement of the idea. "I was thinking Y/n could be a good fit for it."

"Y/n? As in, my girlfriend?"

"Yes, and my friend," Wanda nodded.

"You think she could do it?" Natasha asked, her chest warming at the mention of the you.

"Yeah, absolutely. She's got a great voice, and her lyrics are killer. Plus, she's not afraid to be vulnerable. That's the kind of emotion we're going for. What do you think?" Wanda began to pack up her things.

"I think it's a big ask," Natasha said. She sighed, her thoughts racing. "I guess I get the appeal. It’s just… Y/n's got her own sound. I don’t want to pull her into something that’s not authentic to her. Plus, she doesn't sing anymore."

"I get it, and I wouldn't be suggesting it if I didn't think she was right for the song. I've heard her sing before. She's got the range and the passion." Wanda looked at Natasha, her expression serious. "It's worth a shot. Maybe if she hears the song, she'll feel inspired to sing again."

"Maybe," Natasha said, though she wasn't sure. The thought of you singing again filled her with hope, but she didn't want to get her expectations too high. You'd clarified that singing wasn't part of your life anymore. Still, the idea of having you collaborate with them was intriguing. "Okay, I'll bring it up with her. But no promises."

"Fair enough," Wanda nodded. "I'll let you take the lead. Just don't wait too long. I think it could be a game-changer for us."

Natasha gave her a skeptical look. "A game-changer? Isn't that a bit much?"

Wanda shook her head. "Nah, not when it's true. Besides, the world could always use more soulful artists. It's a win-win."

"All right," Natasha relented. "I'll talk to her."

"Great," Wanda smiled. "I'll see you later."

"Bye, Wanda," Natasha said, waving her off. She had a lot to think about.

The question was, where did you stand on all of this?

[ematooney]

People are sensitive and they need to grow up, plain and simple. I don’t care if it triggers you, if it did then why are you even here?

I get real passionate about these things and I hate how one small word can get a war started. There is a reason why these words are here and we must speak them or what’s the point of what we and many other people have even been through? Yes, these moments of pain do not define us, but we shouldn’t be afraid to say them for fear of being cancelled. It’s the truth!

Usually I’m not the type of person to talk about these things, but enough is enough. Please grow up. Learn to not be so sensitive, learn to accept others opinions even if you disagree them. Because I’m not going to allow myself to sugarcoat or walk on eggshells on topics that could hurt people otherwise I would be condemning the ones that DID.

you gotta be able to say "die"

you gotta be able to say "suicide"

you gotta be able to talk about "sex"

they're uncomfortable topics, YEAH for SURE

because LIFE is uncomfortable. Death and suicide and sex and pain are straight up going to happen. not having words for the way it discomforts you doesn't make it more comfortable, it just makes you less able to reach out about it.

even more vital, you gotta be able to say words like "rape", "abuse", "queer" or "racist". cause we fought fucking hard to name those experiences. to identify "rape" as distinct from "sex" and "racism" as distinct from "acceptable behaviour" and "queer" as distinct from "invert"

like the function of communication is not to minimise immediate discomfort. we gotta be able to talk about stuff that's hard or sucks or causes difficult conversations.

[iz-star]

About the latest polemic about Zayne and Sylus over twitter...

I left twitter for good. I'm honestly so tired of the drama that arises there everyday. I literally decided to log in today just to see some Arcane spoilers and the first thing I was hit with was with the most recent drama about CN players and specially Zayne and Sylus players having a heavy argument about plagiarism and how some lines of Zayne seem to have been copied onto Sylus' lines...

Firs of all, I don't know how the CN fanbase is, so I can't really say anything about that matter. From what I read, it seems things are quite complex there and arguments & harassment among LI's fanbases seem to be quite intense from what ppl is saying but, again, I can't really say too much on that matter cause I don't know how the fanbase is there, I'm not part of it neither I go to CN websites to look up for lads content. Most cases my experience visiting CN websites has been because of kind ppl that has respectfully asked me permission to repost my art and give me credits there, from that perspective my opinion about the CN fanbase has always been good and it still stands, I'm pretty sure that great part of the fanbase it's nice and it's only the small little toxic portion that is overshadowing the nice and chill part of the fandom.

My point here it's: Don't let yourself to have a tunnel vision about this situation.

You can probably see 10, 100 or even 500 ppl arguing and harassing others and even so it's not even a quarter of the whole total of players that belong to the fandom only in China, let alone global. To generalize from your point of view is not the objective take you think it is, talking from your experience doesn't talk for others experience, no one's experience here is universal. I read a lot of ppl trying to find someone to blame all the time "Zayne players started everything" "Sylus writers copied Zayne" etc and you know? Rolling this ball to one another is not going to lead us anywhere because as always, it's not acknowledging the true issue here: that is, us as players, keep enabling this kind of toxic behaviour if that means to stand up for or to 'defend' our main LI.

To try to portray one LI's fanbase as the guilty one is just creating more trouble than solving it and it's also not having a general understanding of the situation at hand and instead, encouraing biased opinions that only create more division and discrimination within the fandom.

And let's be honest, it's not the first time (and probably won't be the last, sadly) that drama arises within the fandom where we attack others LIs and their fanbase. This game is targeted towards adult women, we are not supposed to behave like adolescents making tantrums and messing up with our peers, yet here we are, enabling arguments, harassment, bullying or overall having an ugly and mean attitude in order to defend something that honestly, all the LIs would feel ashamed for if they were real. Like, literally all of them hate to be on the spotlight for the stuff they're good at, it would be even worse if the spotlight it's caused by them for all the wrong reasons.

I know lads guys are fictional, and I'm not going to invalidate people's feelings by saying that you shouldn't take it too seriously just bc they're not real -most of us find a lot of comfort in fiction, after all- but that doesn't give you the right to harass real people neither hurt their feelings [the same ways you feel when they attack your fav LI]. You are able to feel whatever you want to feel, however, you're still responsible for your words and actions. If this game is turning you into an awful person, then I'm afraid to say that you probably must step back and reconsider if your passion for it is healthy for you.

I know it's easy to get upset and sometimes we have the need to express it. However, to decide to be a part of a fandom is to accept that you are not going to always like what ppl say, let alone agree with them. Not everyone's opinions might aling with yours but it's enterily up to you the way how you take and respond to them. As I said before, I left twitter for good bc I found myself often wanting to be mean to others upon reading the negative stuff some ppl said about Zayne, especially in order to compare him with other LIs just to make him look bad. I would often felt so ugly thinking like that. Staying away from that drama has been super helpful and that's the best advice I can give for now: try and enjoy the game and your LI by yourself if the fandom is getting too much to handle.

Be careful about the discourse you support and always ask yourself if your words and actions will truly lead you somewhere good and healthy or it will only cause more chaos for you and others. Flammable opinions only light up and burn if we feed the fire, if there's no one to keep it alive, the flame will drown out very quickly.

[mstrickynici]

Welp, time to replay Veilguard.

Maybe I'll like it more the second time.

I did enjoy it, but also dislike so much of it. It was mostly fun while playing it, but kinda leaves a bad tastes afterward. If it wasn't a DA game I'd probably love it.

Many people already wrote paragraphs about it though, so this is just personal rambling.

Gotta admit, I hate the "Illuminati" - evil forces orchestrating everything in the dragon age universe- secret ending slide with a passion I didnt know I had.

Why? Why write that? Whose idiot idea was that? Way to go ruining all of the previous games and their villains retrospectively!

It's something I absolutely didn't like about veilguard either. Just how every bad guy, plot, and personal quest had to have the evanuris involved in some way. Like everything. There wasn't a single quest not tied to them being responsible or a driving force, it's maddening.

They changed how the blight works. The blight!

It was the scariest thing in the entire franchise. It's incurable, if it doesnt kill you, you become a darkspawn, exposure can be enough to get it, if it gets in a wound you WILL BE infected, any land it's touched and corrupted is uninhabitable and dead for centuries, if not millennia.

Now you get a "blighted" status if you step in it. Oopsie, stepped in some blight, tee hee :3

It's not a fucking status effect!!!

I actually though the first time that happened there'd be story consequences, that I got blighted. But no, just a pop up.

I dont even wanna start on the "southern thedas is basically gone" shit they did either. Other people wrote better about that than I ever could.

Just... everything feels so disrespectful to the previous games and player choices.

It did make me want to replay Origins, 2 and Inquisition again, just to wash away any bad vibes.

[bohemian-rhapsody-in-blue]

I’ve been thinking about this a lot. I realize it’s sort of connected to this chart:

This was a chart that puts into visual terms a system used by US President Dwight D. Eisenhower to decide what to prioritize and do when, and is supposed to help increase one’s productivity. I think Stephen Covey also used it in that Seven Habits of Highly Effective People book that my school was obsessed with for some reason. You can put Tasks You Need/Want To Do into each box, depending on how urgent and important you deem them, and then that will—y’know, in theory—help you decide what order to do them in.

Tim Urban of Wait But Why (he also has some bullshit “enlightened centrist” and Elon Musk-fanboy opinions I don’t agree with, but I love his series of popular posts and TED Talk about procrastination) suggests in this post that procrastinators’ matrices tend to look more like this:

We tend to live in Quadrants 3 and 4, avoiding Quadrant 1 until it’s absolutely necessary and we’re sent into a panicked frenzy of productivity. But the trick to this is, if you think “oh, clearly what I’m doing to procrastinate is my passion, so I’ll pursue that instead,” it turns from a fun, desirable Q3 or Q4 task into an undesirable Q1 one. It might be the exact same task, or similar, but now it’s urgent and a responsibility and people expect things of you and that’s scary…so now you’re avoiding the task you used to love!

OP seems to have experienced this with art, where it started as a Q4 task (doodling in class, to avoid the Q1 task of learning about Henry VIII) or Q3 task (updating their webcomic on a regular schedule) to a Q1 task when they made it their career. I’ve gone through it with writing: fanfic or random cracked-out stories I write just for myself? Fun! I wanna! My senior thesis, which is literally the same thing, writing short stories? Oh no, now it’s an assignment, and that’s to be avoided.

And like OP said, this means procrastinators are rarely just sitting idle, and they are getting stuff done! Even if it’s not urgent stuff, or stuff that looks important to you right now, it is stuff that is getting done. Of course, what this Q3 or Q4 stuff is can range from “mindlessly scrolling through Instagram” to “working on a successful webcomic and letting your creativity flow.” The other day, I found some free Latin textbooks online and found that I was doing the exercises in them as a means of procrastination—I was literally teaching myself a dead language instead of doing the psych homework I was supposed to be doing. My brain is broken. (Of course, if I actually took a Latin class, I’d probably start procrastinating on doing the exercises for THAT too…)

I don’t know what the conclusion is here—doing a Q1 job I hate to save mental energy for Q3/Q4 stuff I love? I don’t want to never try and seek credit, payment, etc. for things I love to do for fear that they’ll become Q1 things and I’ll start hating them. I don’t know, I’m only a college undergrad here. But I thought OP brought up a very good point that I’ve actually been using for a whole as a framework to look at my procrastination, and I thought I’d provide an alternate visualization that’s helped me too.

i feel like i had a massive breakthrough with understanding in hindsight how adhd has affected my relationship with art, and i sat there for about an hour just like

[n3felibata]

This is gonna be a hot take, but it bothers me when people say that Phoenix became an attorney JUST for Edgeworth.

Yes, Edgeworth is a big part of the reason he became a lawyer. Yes, Phoenix went to law school after finding out he's the "demon prosecutor" now. Hell, I'll even outright admit that Phoenix would not be an attorney if it weren't for Edgeworth.

But that's the only reason he stands in court. Goodness, no. It goes deeper than that, and it has a lot to do with Phoenix's depth and the overall message of Ace Attorney.

First of all, in the first few minutes of the very first game, Phoenix outright says that Larry is part of the reason he became a lawyer, too.

(Really, I feel like some of you are forgetting that Larry defended him that day as well...)

And second of all, there's the fact that he continues to be a lawyer in Justice for All despite thinking Edgeworth was dead for most of that game. And I have to admit it's been a while since I've played Justice For All, but I remember him defending his clients just as passionately as he does in any other game.

Edgeworth directly asks Phoenix in this same game why he stands in court, and Phoenix responds by saying this:

At least him saying in PWAA that he stood up for Maya because he "can't just abandon her" and "someone has to look out for people with no one on their side" is only one dialogue option out of three.

But telling Edgeworth he wants to save lives is the only answer the player can give to that question. Because it's the correct one. Phoenix Wright has a huge sense of justice, and it's a big part of his character.

This is why Phoenix hates prosecutors so much, or more specifically the ones that only stand in court to "win" and fuel their own ego rather than to actually seek the truth. And that's probably also why the writers continously make the antagonists of these games people who fit that exact description.

And yes, his backstory (or at least this specific part of it) may not be as traumatic as the other characters', but it doesn't need to be. This kind of stuff can seriously impact a child, especially when the teacher themselves in joining in on the bullying. His clients are going through worse, yes, but regardless, this experience taught him that people will assume the worst in you with little to no evidence and what it means to have someone believe in you when no one else will. He wants to be there for people going through worse than him, and that's valid. Not every character needs to be an orphan or rape victim or something to be an intriguing character with reasonable motivations and experiences that are meaningful to them.

Again, I'm not denying that Edgeworth is a huge part of why he went to law school (and thank goodness he did because I can't imagine what would've happened to Edgeworth if he never became an attorney...), but saying that Edgeworth is the ONLY factor feels like it's not only disacknowledging Phoenix's depth and reducing his character to just his relationship with Edgeworth, but also feels like it's disacknowledging the themes of justice in the writing of the game itself. Like no offense, but how did y'all manage to take what's clearly meant to be a satirical call out to Japan's flawed justice system and reduce it to just "yaoi"?

I LOVE wrightworth, but sometimes it feels like some people are so fixated on it that they forget that both Wright and Edgeworth are still their own complex individuals with depth outside of their relationship with each other.

[gojoswhitebabydolllashes]

A small dabble of arcane headcanons while I (mourn) write my next fic. (I'm in denial that the show is over)

----

Heimerdinger spies on jayce and viktor when their in the lab because the council has a secret bet going that the two of them are dating, and when jayce goes to the council meetings it's incredibly awkward. They also probably pass around notes subtly during the meetings.

Jinx has a stack of photos of silco that she draws on, different things like a moustache or horns. Sometimes, even fake eyebrows. It's her way of accepting he's really dead.

Caitlyn sucks at yoga. Although she's tall and nimble, she's just not the most flexible. When her and vi finally begin to live together, she tries to get vi into it, and it turns out she's actually pretty good at it, and it shocks caitlyn😭😭

Ekko hates flies. Even though he's the leader of the firelights, he hates flies with a passion, and often, the people within his base catch him talking to the air and hitting around trying to get the flies away.

Viktor bakes. And he's damn good at it. Whether it's for jayce or just a small thing for him to eat while working on a new hextech project, he loves baling. he often cooks pastries and blueberry muffins. Whenever anyone in the council or just in the building smells his baking, they beg him for a cake or a cookie.

Mel owns a teddy bear. It sits on her bed, and sometimes she takes it to viktor and jayce when their in the lab to keep them company.

Vi never backs out of a dare during truth or dare. Even if it's licking the ground or doing a weird dance or even cutting off some hair, vi is not afraid to go the lengths of the dares.

Jayce's phone is always on low battery. 1%, 6%, or 15%, he's never fully charged it because he's always on it, calling or emailing. Once, viktor fell over in the town square and tried to call jayce but he didnt pick up. Safe to say, jayce got hit with a cane when viktor got home.

Sevika actually loves the colour pink. But she has not dared to tell anyone. In secret, she wears pink socks. The only person who caught her wearing them was never seen again.

Silco has a massive dog that he keeps under his desk as a guard. He's trained it to bite everyone except jinx.

Ambessa struggles with her makeup in secret, so she gets her right hand man to do it. And shockingly, he's actually good at it.

[niftyskyblue]

THANK YOU!!! I’m not even passionate about Terusai (Don’t get me wrong, I do like the ship, I just tend to not get attached to any specific ship/sexuality headcanon and enjoy content from a variety of them), but the amount of Teruhashi hate is just?? Mindboggling???

Like, in her introduction Saiki basically says “She’s not wrong to view herself that way because she’s objectively correct”, and it’s like it just flew over these people’s heads! I just can’t understand how people can view her as a terrible, arrogant, selfish person when it’s shown time and time again how she goes above and beyond to live up to other people’s (and her own) expectations of her as the perfect pretty girl.

Did they not watch the episode where it’s shown she memorises the names of literally every person who attends the school because she knows it would make their day if she remembered their name and ruin it if she didn’t? To the point she actually collapses from exhaustion because she stayed up all night rememorizing everything??? And, again, she’s not being arrogant thinking that! She’s right!!!

Defending teruhashi is like a full time job holy shit my bae don’t deserve this.. Arguing with teruhashi haters/ hardcore aroace saiki truthers just goes to show how much saiki k fans don’t understand the anime at all, and how they haven’t watched pass season 1. I had to tell like 3 people in the past hour that he likes troublesome things and all of his friends💀 like?? I haven’t watched this show in 3 years yet ik more than you😭 30 minute essay video about how ppl misunderstand teruhashi and how stupid saiki k fans are PLS🙏🏾

[acesw]

Knowing our Arcanists 7: Charlie

Welcome to entry seven of my series: "Knowing our Arcanists"! This is a series in which I introduce and tell the stories of our fellow characters in Reverse: 1999. For our final character for this week, we have: Charlie!

Its my anxious queen who carried me in 1.0. Gosh her design needs a small reboot but I love her anyway because she can at least slay in it. Lets get started.

Charlie is an English arcanist from the 1650's, born on April 23rd. Her arcane skill is in relation to making brief illusions, which is fueled by her love for drama and acting.

She's a very anxious yet a daring person, who takes on the mantle of her grandfather William Shakespeare. Being a direct descendant, she was very much destined for a life full of drama, but she did not expect it to be like where she is now.

There was a troupe named the "King's Men," an acting company who was very much well known in the country as well as all of Europe at the time. First led by William, the company acted for many years until it was forced to officially close in 1640s, when the Puritans in Parliament gained control and forced the closure of theatre.

The English civil war led to the death of the king and the love for theatre, but the King's Men remained determined, shifting to become an outlaw troupe known as "The People's Men."

Prior to its outlawing, Charlie had not known her origins nor about the troupe, and did not want to take part in it until she was forced to join. Learning that the troupe planned to fight Cromwell, she made 13 attempts to run away before eventually giving up and reluctantly deciding to join them. She continued to hate it until one rehearsal where one of the actors fell ill and chose her to substitute for him.

She entered that stage full of nervousness, but by the end she received thunderous applause and cheering. She didn't anticipate such outcome, nor the fact that she was genuinely happy for the first time in her life. This is what allowed her to unlock her potential as an arcanist and a Shakespeare.

After the outlawing of plays and the dismissal of the actors, the current People's Men remained on the run for months or perhaps years, hosting illegal performances for those who request, and will make their run once they are seen.

Many of these requests needed to usually be decided by Charlie, but on some occasions, The Fool needs to try to convince her.

One such case was when they had gone to a town named "Autonoma" to perform for a secret festival. While I can't exactly remember much, this was one of the moments where the troupe had been close to being caught by the knights, but Charlie decided to keep the show going by making her defense against them by performing a trick with her skill.

When that trick failed and she was about to be caught, her troupe and the townspeople backed her up, and they drove the knights away. They celebrated the victory with the troupe's performance.

To think, Charlie's a very anxious and yet a very brave girl. While her anxiety causes her to have a great deal of self-doubt, her insecurities can be briefly burned away by her fiery passion and her unwavering resolve to put on a show. She'll forget how much she really hates herself in such moment.

But she also wishes to return home and lead a simple life as a farmer, taking her time to instead just read her grandfather's plays rather than perform them. But alas, her fate had other plans, and she can't exactly run away now. But would she really want to in the first place if this entire thing made her happy?

Charlie also greatly cares for her troupe, and wishes to do the best with them no matter what, but she can't shake off her gripes with them. She even hates the costume that she wears, curses them in her notes at times, and enjoys the days off that she gets.

However, her dedication to acting cannot be dismissed by her nor by others, so she'll keep going by her heart even if her mind refuses. She'll refuse to give up on the crew that refused to give up on her.

For what it's worth, she simply needs to be motivated enough to continuously ignite that passion, and follow by her hope that her performance and her illusions can also fill the joy and love in people's admiration in theatre. Maybe someday, through this, she'll find the confidence to love herself and what she's able to do as well.