#hate is not the opposite of love

[natalievoncatte]

She had it. She actually had it, in her hands.

Myriad. The ultimate weapon of a dying race, brought to Earth to subjugate its people and rebuild an empire from a shattered world, possibly the key to saving this one. The key Lena needed to unlock Non Nocere and

(take over)

heal the world. End all strife. Eradicate all conflict. No more pain. No more deceit. No more greed, or cruelty, a world without malice, a peace without end.

No more lies.

It was in her hands, such a small petty little thing, barely more than a trinket.

Lena dropped it too sharply on the stainless steel lab table, took three steps, and vomited, the contents of her stomach noisily splashing at her feet. It was the effects of portal travel, she told herself- like jumping from a great height and into cold water at the same time.

(oh god what did I do)

She just needed a few moments to steady herself, collect her bearings, clean up.

(oh god oh god I hurt her what have I done)

Then, she could begin her work immediately. She shrugged out of her coat and found a bottle of vodka, hardly her weapon of choice, and took a pull straight from it to wash the

(pain away)

sour taste of her own puke out of her mouth and dull the sour churning in her stomach, because she couldn’t get the image out of her head, the image of Kara lying broken on the fortress floor with green lines of agony carved in her flawless skin and the most heartbroken look of remorse and fear in her eyes.

(Lena don’t do this)

(please don’t do this I’m SORRY)

Snatching the Myriad core from the lab table, she went to shove it into place. The final work would take only a few hours and then…

Lena stopped. Her hand hovered inches above her work. All she had to do was make the connection, but something was stopping her, as if her own arm revelled against her. She tasted puke and alcohol in her mouth and she was crying, hot tears burning down her cheeks in razor lines.

(Lena please)

No more lies.

It was heavy in her hand, the alien device suspiciously heavy and cool to her touch. Why didn’t she just do it? She was here, key in hand, ready to open the door and she couldn’t do it. Why?

Gritting her teeth, Lena took it in both hands, staring at it.

This was good. This was right. Lena had given Kara everything. Everything! Her friendship, her support, her comfort, her secret council. She killed her own brother for her and what did she get in return? Lies! Deception!

(soft hugs and kind words and powerful arms shielding her from harm and strong hands… holding her)

It had all meant nothing. It was all a lie.

Right?

It was, wasn’t it? It was! It had to be, she needed it to be! If it wasn’t, if she was wrong, then she betrayed and tortured the only person who cared about her for what? For this fucking thing?

Lena held Myriad over her head. She hadn’t even been aware she’d raised it high, ready to smash it to the ground. Bringing it down, she stared at the device and saw a stranger’s face, a distorted visage of a pale, stress-thinned woman with red-rimmed eyes.

Oh God.

The watch! There was still time. It still had the coordinates.

Lena’s hand hovered over the watch. She could push the button and erase the only way she’d ever reach the fortress again, and it would be decided. She’d make it permanent, make it real. She could finalize the destruction of the most important relationship she’d ever had. Deny Kara. Give her up.

(leave her locked in a cage of agony)

Lena pressed the button.

The portal opened behind her with a gust of wind.

She stepped through.

The first thing that hit her was the cold. She didn’t think to put her coat back on.

The second thing was a right hook from Alex Danvers that sent Lena sprawling across the floor and Myriad spinning out of her grip.

“You bitch,” Alex snarled. “I knew it. I fucking knew it. I should have put a bullet in the back of your head the first time you set foot in my town.”

Alex stood over her, boiling with fury.

“I knew it was all a lie. I knew! I know what you did. You and your little lip bites and your flirty looks and your coffee dates. Was breaking my little sister’s heart part of the plan or just a sadistic bonus?”

For once in her life, Lena was truly speechless. She stared up at her attacker, absently touching the trickle of blood from her split lip.

“I didn’t, I wouldn’t,”

“You fucking did,” Alex hissed. “How dare you come back here? Didn’t you steal enough? Was the rest of the armory too much temptation for you?”

“I couldn’t leave her,” Lena choked out.

“Alex,” a harsh voice rasped, “that’s enough.”

Kara was on her feet, clutching her side. The Kryptonite had left her pale and pallid and hunched over a little, her normally bright eyes dull.

Lena pushed herself to her feet, wobbled, and started for Kara.

“Don’t you dare,” Alex stepped between them.

“I said that’s enough,” said Kara, pushing past her.

“I’m sorry,” Lena blurted. “Oh God, I’m sorry, Kara I…”

“Shhh,” Kara whispered. “It’s okay.”

Lena’s hands seemed to move on their own, palms cupping Kara’s cheeks. God, she was cold. She was shivering. Kara was shivering. She leaned into Lena’s grasp, falling against her.

“I’m sorry,” Lena whimpered.

“It’s okay,” Kara said, gathering Lena in her arms.

“The hell it is,” Alex cut in. “Jesus Christ, she robbed the Fortress of Solitude! She hurt you, Kara!”

“I hurt her first.”

“Kara, she’s right.”

Kara shook her head.

“You can’t just forgive her!” Alex almost screamed.

Kara looked at Alex, then at Lena.

“You’re forgetting. I’m Supergirl. I can do anything.”

The tears began to flow and Lena couldn’t stop them. She collapsed into Kara’s arms and sobbed, her body shaking with exertion.

Alex bent down and picked up Myriad.

“Give me that,” said Kara.

Alex looked at her quizzically, and placed the device in Kara’s hand.

She looked at it for a moment, then looked down at Lena.

“Do it,” Lena whispered.

Without the slightest appearance of effort, Kara closed her hand and the device exploded between her fingers, circuits and alien technology clattering to the floor.

“Let’s go home,” said Kara. “I think we need to talk.”

[princeyralsei]

This is how their second meeting went right

[novelconcepts]

It’s so funny seeing the problems people have with this show and just going *shrug*. The show itself is so ambitious that it was bound to have holes in the narrative, but like. “The adults only remember what’s convenient”—yeah, kinda? Kinda the idea? Do you remember every instance of what you did when you were eighteen, decades ago? I don’t. I definitely do not. And there is so much I know I’ve wallpapered over out of shame and regret and embarrassment—as a very normal person with a terribly boring upbringing.

Imagine spending two years where every day bleeds into the next, where you’re doing unimaginable things just to get by, where you’re sometimes reveling in the worst shit you could possibly be doing because it makes you feel alive? You’re telling me you’d cast that all in stone, memory-wise? Nah, dude, you’re pushing that shit down. You’re fine-tuning it in your head so it’s fuzzy at best and flat-out erased at worst. You think at forty these woman have just been chilling with their most reprehensible memories? Shauna absolutely did not. Taissa canonically repressed everything she possibly could. Natalie sank into drugs. Van ran away. It’s only when they’re together and they’re forced to actually interact that they start behaving like their teenage selves again. It’s only when you come back upon your old classmates that you fall into old patterns. Because doing otherwise for twenty-five years would have undone them completely. They did forget. Not completely, but the way you always forget huge swathes of your childhood. And then it’s easier to make the story what you can live with.

Shauna? Oh, she was kind of always writing, good with a knife, feel like she stressed me out sometimes, but I had my own problems. Oh, Tai? She was intense and ambitious and…did that ever damage me directly? Can’t recall. Van? She was sweet and funny and told stories. That’s probably it. Misty? Yeah, she was the outsider, she wasn’t even on the team. I remember making fun of her, but haven’t we all been there? Lottie? Where did she even go? We just lose track of old friends sometimes. Nat? Nat’s been in and out of trouble for years. Hard to remember what she even looked like when she was small and blonde and…and…rough? She was rough, right? Yeah. Yeah, the yearbook pictures back that up. Jackie? A tragedy. Just so sad. Anyway: life to live, groceries to buy, work to do. Anyway: don’t need to waste any more mental energy on that. Anyway: wait—why is someone sniffing around the story? What even is the story? It’s bad. It’s bad, why would we want to remember? It’s bad, and the details are coming back, and oh no, oh god, we can’t bury it any deeper.

What we’re watching in the adult timeline is far from flawless, but they are remembering as they go. And they’re coloring their own memories, which are really just memories of memories. Like Nat seeing Travis in the dead-wife light, they are still writing the narrative the way they can live with. But their stories are going to start butting up against one another. And the only way through is to be the last one standing: because then you can believe whatever you need to. Whatever lets you keep standing tall.

[poorly-drawn-mdzs]

Happy Halloween! 🧼🥩🎃

[bridge-arsonist]

Why The Voice Of The Cold Hates The Narrator

Replaying the Nightmare -> Wraith route and I'm realizing...

Jesus fucking christ, The Cold hates the narrator. Honestly, I think he might just give Smitten or Contrarian a run for their money.

He:

Doubts every word the narrator speaks

Insults the narrator whenever he gets the chance

Actively suggests killing the narrator, even stating that the princess could help do that

Not only suggests killing the narrator, but also suggests that—no—actually, death is too good for the guy. They should lock the narrator in a void just like the fake good ending. Mind you, this route doesn't even have the narrator do that!

Mocks the narrator when he finally gives up on trying to make you slay the princess

Seems happy that the narrator is gone, saying he had a feeling The Wraith could deal with him

I'm pretty sure Cold over here'd rather be playing Slay The Narrator.

Really though, upon further reflection, The Cold's hatred for The Narrator is also prevalent in The Spectre, where one of the few things he actually seems to have a firm stance on is "We should kill the Narrator". In the Greys, though he's arguably at his most nihilistic, he still seems to oppose the Narrator. He joins the Skeptic in his suspicions, and though he mostly just seems to be having a time provoking Smitten during the Burned Grey, he still does take the occasional second to spite the Narrator.

And honestly, come to think about it, it makes sense. After all, the Cold manifests not necessarily from slaying the Princess, but more specifically, from killing yourself. But not just from killing yourself, slaying yourself in The Tower at the hands of the Broken doesn't manifest him, but specifically by killing yourself to spite the narrator. I mean, other than Empty Cup and Moment of Clarity (Where we don't actually know how he manifested due to the timeskips), each iteration of Cold's manifestation checks out.

Spectre: You slay her, get the good ending, but then decide "fuck this and fuck your contruct", and stab yourself even as the narrator repeatedly urges you not to.

Burned Grey: You kill the Damsel, and in a fit of rage against both you and the narrator, the Smitten kills you, even as the narrator urges him not to. (Funnily enough, this means that, despite the Smitten's line of "you killed her, and so I killed you", it was the opposite, and the Smitten manifested the Cold)

Drowned Grey: You kill the Prisoner, and, just like in the Spectre's route, you kill yourself even as the Narrator urges you not to. If you refuse to kill yourself, Skeptic does it for you, seeming apologetic towards you, but definitely not towards The Narrator.

Wraith: You kill yourself as the Narrator urges you not to, and Paranoid also spends this route doubting the Narrator.

These routes involve various levels of emotion for the Princess, ranging from "My love! Still gonna kill you though" to "So scary! Still gonna kill you though", and an overall perception of the Princess as a corpse. But the Narrator? In all of the routes leading up to Cold's manifestation, the Narrator is met with hostility, usually leading to you killing yourself out of a mix of spite and suspicion.

So Cold's manifestation has two constants:

Some level of apathy towards the Princess, regardless of your previous interactions with her. Whether she's your perfect damsel or your worst nightmare, you don't care. You stab her.

Disregard for your own safety. You're just going to stab yourself, cool. It's better than this hell. Sometimes it's another voice fulfilling this requirement for you, like Smitten in the Damsel, or Skeptic in Prisoner depending on whether or not you willingly die.

Distaste towards the narrator. A conclusion that the Narrator is untrustworthy and distinctly not on your side. No matter how you manifest the Cold, it is clear that you do not like this pesky raven one bit. The Nightmater -> Wraith route shows this through Paranoid's constant suspicion of the Narrator. This distaste frequently, thought not always, occurs due to the Narrator attempting to force you to live out your life in the void, though it can also occur due to the Narrator attempting to make you live a life without the one thing you cherish (Damsel route).

Apathy towards most things, but one thing's for certain: You don't trust that Narrator guy. He tried to make you live out a crappy, boring life for eternity.

Cold's attitude makes sense when you look at how he was created. Just like Smitten was made by deciding the princess was an immediately trustworthy damsel in need of rescuing from the pesky narrator, or that the witch is a gorgeous woman whom you can save by giving your blade in spite of the narrator's wishes—Cold is made through deciding that neither your nor the princess's safety particularly matters, but fuck that narrator guy. He sucks. As apathetic as the Cold likes to act, he reacts to Smitten's threats and the Princess's murder attempts with "interesting", and reacts to the Narrator's explanation of the timeline with "we should kill him".

So, my point?

Well, I think that—not only does the Cold hate the Narrator—but hating the Narrator is part of him as a voice. He's cold, apathetic, and he hates the Narrator. It's been baked into his very being through the choices that you make. The princess doesn't matter, your physical well-being doesn't matter, but know that the Narrator is an untrustworthy little prick.

TLDR: Replaying Wraith made me realize that the Cold probably hates the Narrator very very much, and he does so because it is baked into his very being because of the choices you made to manifest him. You go, king. Let your inner hater run free.

[rookamell]

Neve is so scared of getting hurt but she's also so scared of other people getting hurt because of her and I think it's wonderful that she's emotionally intelligent enough to know when someone deeply cares about her or she deeply cares about someone else but not emotionally intelligent enough to like... be normal about it

[sleepybitnation]

Noticed an interesting parallel.

For Kaito’s line in chapter 3- it’s when Maki was struggling with her real talent being exposed and hid in her room sorta accepting the fact that everyone views her that way now

For Maki’s line in chapter 5- it’s when Kaito was dealing with the effects of his illness and emotionally distancing from the group in order to maintain the idea that he’s Perfectly Fine

In both of these, they’re aware the other is hiding behind a mask of sorts (for Maki she sees herself as a heartless killer, while Kaito sees himself as the hero everyone relies on), but they also see past that in each other and are aware they are struggling. Hence the concerned looks and Those Lines.

I thought it was cool because their dynamic is often dismissed as Kaito simply helping her, but in reality they were both there for each other and in a way that’s equal rather than him playing “hero” with her. When one of them was suffering, rather than leaving them to deal with it on their own like they’re both used to, they said stuff like this and went out of their way to look out for each other.

I find it interesting how they similarly struggle with feeling like they have to be strong for those who rely on them. It makes sense they’d see right through it in each other because they understand that pain. I love equals

[flovoid]

who will take the fall who of us is stronger you’ll just want it more if you could, you’d have fought it  but you know you’re not  from the start, they knew you were wrong

[aurorangen]

The twins must have slept all day because they did not want to sleep by bedtime! They wanted to play all night, but eventually, the fun tired out Louis who was starting to act quite the opposite of his brother.

[natalievoncatte]

Every part of Lena Luthor’s soul was screaming at her do not do this.

Yet there Kara Danvers

(Kara Zor-El, last daughter of the house of El, LIAR.)

stood, bedraggled and tear-tracked, hunched in Lena’s doorway like a tiny kitten begging her for food. Lena wondered how she did it, how she made herself so small and unassuming, pathetic even. It was more than a change of clothes and hair and ripping off her glasses. She truly changed, somehow.

Changed to deceive. Changed to mock, changed to take without giving, to make Lena a fool.

(it was a cruel thought, a green thought, a Lex thought)

“I’ve told you already, Kara. I don’t want you here. You’re a liar, you and all your little friends mocked me to my face and kept secrets behind my back.”

“It wasn’t like that.”

“I don’t believe you.”

That relentless sad puppy look of hers softened even further.

“Why?”

God above how Lena hated her. Hated her for daring to ask. Fuck you, that’s why.

(nothing hurts more than a question that has no answer)

“I hate you, that’s why.”

Kara swallowed hard, wringing her hands. She was dressed in her pajamas and had probably flown here, then landed and asked to come up like a normal person. Didn’t she see that was the problem?

“I don’t believe you.”

Lena threw up her hands. “Oh fuck off with that, Kara. You lost your favorite toy, get over it. I’m done with you. I moved on, you should too.”

“You let me in. I’ve seen the real you. You’re not vindictive. You’re not cruel. You’re a kind-hearted, selfless, compassionate person.”

“And you didn’t,” Lena snapped, moving to close the door. “You deceived me in the most fundamental way. You made me believe you cared for me and believed in me and saw the good in me. No one sees the fucking good in me, no one. No one did but you… and it was all a trick to keep an eye on the Luthor.”

“No, no, I didn’t-“

“You didn’t? Then why did you get James to spy on me? Why’d you question my motives? Why’d you keep lying to me after I proved myself over and over and over again? Because I was never good enough. It was never real.”

Kara rubbed her arms. “Do you really think I brought you into my circle of friends and held you in when you were sad and brought you to Thanksgiving and let you sleep over in my home to keep an eye on you?”

There was a heavy pause.

“That’s fucking insane,” Kara snarled.

Taken aback, Lena flinched, half at the profanity and half at the anger in Kara’s voice.

“I admit it,” her voice broke suddenly, “I can’t deny it. I can’t just dismiss how you feel, I get that, but I didn’t keep my secret from you because you were some kind of a project, Lena. I kept my secret because keeping it let me keep you. It was selfishness, pure and simple. I wanted my one friend who didn’t see me as a superhero. I wanted… I wanted what I always want, things I cannot have.”

There was such agony in her voice that it cut through Lena’s growing fury like a blade sinking into clay, stuck fast, hot in her chest.

“I knew I’d lose you to it eventually. I didn’t do it for you. I did it for me.”

Lena blinked a few times, feeling her resolve start to shake.

(another manipulation. she will do anything, say anything to get back in your good graces)

(to do what, Lex? to what end?)

“Say what you came here to say.”

“I kind of did, but I have one more thing to ask.”

“Then ask it.”

Kara swallowed. “I want to pretend.”

Lena’s brow arched.

“Pretend what?”

“Just pretend it’s like it was. For one night. Just give me one more night and I promise you I will never bother you again. You’ll never see me or Supergirl for the rest of your life.”

“You’re on TV every day.”

“I meant in person.”

“And stop talking about yourself like you’re two different people.”

Kara sniffed.

“Okay,” she muttered.

Lena stood there for what felt like an eternity, screaming at herself not to do this.

(do it, it’ll make it hurt more)

(me or her?)

Lena stepped aside.

Kara entered. She brushed at her eyes, adjusted her glasses, and walked into Lena’s expansive, cold, dark penthouse.

As soon as she did, it was as if the light came back. It felt warm again, seeing her standing there. Having her here, in her cute little pajamas with her braid over one shoulder, those big eyes open and hopeful.

Lena closed the door.

“What do… what do you want me to do? Us to do?”

“We could watch a movie, maybe get Chinese delivered. Have you eaten? I doubt you’ve eaten.”

Lena hadn’t, actually. She hadn’t eaten today and had eaten only scraps yesterday and only because Jess insisted.

Kara touched Lena’s side, a soft brush of fingers over her ribs, and winced.

“You’re starving yourself,” she murmured. “Oh, Lena.”

“Kara-“

She already had her phone out and was ordering. Of course Kara had Lena’s place still saved in DoorDash.

Lena grabbed her hand to stop her.

“My treat.”

Lena fetched her own phone and put in a quick order- of course she had all of Kara’s favorites saved and of course she almost sent them to Kara’s address instead of her own.

“I ordered.”

Lena looked down at herself, wondering why the hell she was doing this. She was still dressed for the lab, so she retreated to her bedroom.

When she opened the closet her eyes immediately went to the maroon Midvale High School sweatshirt hanging at the far end of the rack, where it had been defying her for months. She should have burned the god damn thing but every time she reached for it, her hand pulled back of its own accord.

Not today. She let it fall over her, oversized for her frame and too long, and changed from slacks to leggings and pumps to bare feet, her toes curling from the cold hardwood floors.

Kara had already taken up position on the couch and had put on one of her beloved movies, one they’d already watched together ten times and Kara had probably already seen ten times more. The Princess Bride.

It was a cheap ploy and Lena knew it.

It gouged at her anyway, leaving something raw in her chest. It ripped open every place she’d forced to herself to scab over, broke every stitch. She killed the lights, halfway out of tradition and halfway to make sure Kara didn’t see her fighting back the tears.

Neither of them spoke. They sat on opposite ends of of the couch. When the food arrived, Kara got up to get it from the driver and her absence was keen, the void she left behind ripping at Lena.

When she sat down again right next to her, Lena let her. She shoved a box of take out into Lena’s lap and insisted she eat. They ate in silence.

Kara’s heart wasn’t in it. She are aimlessly rather than shoving her food in her mouth and gobbling it all down in minutes as she usually did. She was pretending, hard.

Lena barely paid any attention to the movie. The food, normally seasoned and spiced to the point where she couldn’t stand it and ate only to please Kara, was bland and tasteless in her mouth.

Kara, haltingly and hesitantly, put her head on Lena’s shoulder, and winced when Lena’s shoulders hitched. Why the fuck was she doing this to herself?

The worst part was that it didn’t hurt. It felt like home. Even now after all she had done and all that Kara had done and said, feeling Kara’s sadness in her soft weight beside her was ripping her apart, the mad anger and rage swept aside by a torrent of grief she couldn’t hold back.

If she was going to pretend she might as well pretend. She put her arm around Kara and leaned into her, nuzzling her nose into Kara’s soft hair, wondering if her alleged best friend ever noticed that Lena’s favorite thing in the entire stupid fucked up world was a Kara Danvers hug and nothing was more precious to her than these times when she almost kissed the crown of Kara’s head.

How she ached.

The movie ended and Netflix began making suggestions.

“Kara,” Lena murmured. “Let’s go to sleep.”

“If we go to sleep the night will be over,” her voice was small, trembling.”

“I know, darling. Just let it be what it is.”

Kara nodded.

Lena’s pulse was pounding as she headed for the bedroom, wondering how Kara had never picked up on how decidedly unplatonic it was to fall asleep in each other’s arms. Neither spoke as they climbed into Lena’s California King, a bed big enough to drown in, sinking beneath a goose down comforter, Kara’s body heat like old coals from a campfire.

For a moment they lay apart, and then slowly came together in their usual way, Kara forming herself into a protective cocoon to shield Lena from… from everything. Morgan Edge, her brother, alien shotgun weddings, random nuts with a gun and a grudge, everything but the greatest threat, her worst enemy.

“I have to go in the morning,” Kara whispered, “so I better say this now. You are not a monster, Lena. I never wanted to ‘keep an eye on you’ other than to protect you and keep you safe. No matter what you do, I will never, ever give up believing in you, but if you want me gone, that’s what I have to do. I love you so much it hurts me. I can’t stand being apart from you but if that’s what you need from me that’s what I’ll give. I would do anything for you. If moving on is what you want…”

Kara took a ragged breath.

“As you wish.”

Lena felt something crack inside her. An image filled her mind: Kara. Kara with graying hair, walking away, walking off into the sunset like the hero she was, and with someone else… with a child between them, a future, a home…

“God damn you, Kara Danvers!” Lena snapped, shocked at the sound of her own voice. “God damn you for making me feel this way! Do you have any idea what you did to me? I can’t just turn it off, I can’t stop feeling.”

“This was a terrible idea,” Kara sighed. “I should have known better. I’m just hurting you more.”

Kara began pulling away.

Lena threw out her arms, locked her hands behind the neck of the most powerful being on the entire planet, and yanked. Hard.

Their lips came together in a crash. The force was all Lena’s, as Kara’s inhuman might yielded to her control. There were no words. Kara hesitated for a shocked moment before she kissed Lena back, looping her arms around Lena’s waist.

This was no stolen glance, no innuendo, no coy hint. When Lena kissed Kara she made as if to devour her, and was mounting her before she realized she was doing it. Kara yielded, she always yielded even when Lena pinned her wrists to the mattress and clamped her legs around Kara’s hips and ground on her like a horny teenager.

She kept expecting Kara to sputter, to push back… to be fucking straight, to be brutally honest about her intentions, but there was nothing straight in the way Kara shifted to grind against her, or the way she twisted her hands free and slid them under the soft Midvale High Sweatshirt and skimmed them over the bare skin of Lena’s back. There was no mistaking the intent of her kisses or the feral sound she made when the shedding of clothing began.

Lena must have shocked her at first, because when Kara recovered, she became a force of nature. Lena was quickly on her back and let out an excited yelp when Kara simply tore her leggings apart and bared her with a feral grin on her face before shedding her top with the same desperate energy.

When they came together, really came together, Lena was nearly overwhelmed. Kara was insatiable, relentless. Hokey cliches like “force of nature” were woefully inadequate.

She never ran out of stamina and she was gentle when needed and forceful when Lena wanted it, every stoke and motion and caress somehow perfect, and she sensed without needing to be told when Lena was ready to give rather than receive and yielded without a word.

They barely even had to talk, and when Lena was finally exhausted, Kara was there with kind touches and soft words and cared for her like the most precious thing in the world.

Lena fell asleep, deeply and soundly, and when she woke up with the sun on her skin and an empty bed she wondered if it was all an elaborate dream until she heard Kara humming halfway across the penthouse, grabbed the sweatshirt, and padded barefoot from the bedroom.

Kara was at the stove cooking breakfast and holding a spatula like a microphone, singing… a fucking Britney Spears song.

“I thought you were going to leave in the morning,” Lena sighed.

Kara froze.

“I’m glad you didn’t. I’d have to come get you.”

Kara turned to her with a billion watt smile.

“I was lying about leaving you alone.”

Lena walked over, arms around her waist, hugging herself. She cupped Lena’s chin with a hooked finger and the casual intimacy of it made Lena’s heart swell.

“I love you so much. I can’t breathe without you,” Kara whispered.

Lena took Kara’s wrist and guided her hand to cup her cheek, nuzzling against the soft skin of Kara’s palm.

“Stay?”

Kara nodded.

[some-pers0n]

I dislike how the concept of "comfort games" has been relegated to these cutesy and soft pastel and bright cheerful games where you just walk around aimlessly or fish/farm/whatever. Minimal gameplay in exchange for aesthetics and charm. More power to the people who love those games, but for me a comfort game is like a high-octane nightmare gauntlet where I have to be alert at every second less I fail and have to restart again

[sofiaruelle]

I think I like this lil life.

[asingularshieldmaiden]

I am of the full opinion that a Silmarillion adaptation of any kind can:

never adapt the whole book

never be a live action feature film or tv series

needs to forget the aesthetics of the lotr movies (as much as we love them)

in comparison. I do think a successful silm adaptation could be

a 2D - NEEDS TO bE 2D - animated film/series

a play (but like a 4 hr Shakespeare epic) - I do think one could get away with a musical but they would have to get super weird with it. HOWEVER it could also totally be an opera or ballet.

a single chapter/storyline of the book

I think the silmarillion is too weird to be a live action anything because movie production ceos are too concerned with marketability. this is where the forgetting of the lotr film aesthetic needs to come in. Lotr worked because they made those designs from scratch (like elves - from like art noveau and shit) rather than a lot of subsequent adaptations which were like "we need it to look consistent with lotr" so it got stale its so tired. go completely different cultural/historical period inspiration start from scratch we get some really cool stuff here on Tumblr.

single plotline - self explanatory. silm is too long and too broad with too many characters for a single adaptation. focus on making 1 good story rather than trying to tell 530200 shitty ones.

the 2d animation/opera/play thing comes in because THOSE MEDIUMS ARE ABLE TO GET WEIRD. They can stretch the limits of believability!!! they can get the weird singing, character vibes perfectly AND have crazy things happen to characters because they have much higher suspensions of disbelief. like u can have someone turn into a bird in a play using practical effects and rather than some poor overworked cgi artist doing an animorphs level job because they aren't paid enough to do a good one, u can have a puppet or a hectic costume. Also u can have hectic wigs please and thank you I want the most hectic devastating wigs for all of the elves (and dwarves). also opera/ballet costumes are so awesome they would do the elves justice.

anyway u got to the end of my silm adaptation fever dream agree or disagree I dont care.

[plorpl]

Where’s that text post that’s like “Wilson is kind, gentle death and House is rough, painful life” because first of all, GO OFF; second of all, I have more to add:

House is justice; Wilson is clemency.

House is harsh truth; Wilson is comforting lies.

House is abrasive idealism; Wilson is resigned realism.

House is spiky vulnerability; Wilson is velvet guardedness.

House is constructive cruelty; Wilson is destructive kindness.

House is focused passion; Wilson is diffuse romance.

House is a gleeful perpetrator; Wilson is a willing victim.

House is self-sabotage; Wilson is self-sacrifice.

[star-scroll]

Ectoberhaunt Day 13

Isekai: Old Hero New World

[knockknockwhosthereartistism]

Some scenes from Chp. 26 of A Human Condition, also known as Bill taking 2 steps forward and 8 steps back

@sapphosscribe