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welcometohashihigh · 5 years ago

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The Rescue Mission: Ken

Ken clenched his fingers around the grip of his spear. Minato had given them all a few minutes to prepare themselves, insisting on holding a strategy meeting with the other two leaders. He turned to look at Aigis, who seemed to never take her eyes off of Minato. He sighed. Aigis would always be the same.

Mitsuru was fencing with Junpei, practicing moves against each other. Ken admitted that his strikes were probably weaker than before, but he had been trying to keep up with his strength between school years. Even so, he cautiously practiced strikes and slashes with his spear through the air, daring any Shadows to come near.

“Hey Ken.” Yukari had walked close to him. “What do you think of those two?” He followed where she pointed to Narukami and Kurusu.

Ken drove the point of his spear into the ground as he thought a moment. “Narukami is pretty big, but he seems nice. His friends like him.” He thought that the gray haired boy gave off a big brother vibe, though he would be cautious about trusting someone like that. “Kurusu is friendly too, and he seems so cool.” Ken admired the other two leaders, but Minato was always the best in his opinion.

“S.E.E.S.! It’s time to get started.” Minato walked back over, so Ken pulled his spear from the ground and unclipped the snap over his Evoker. “From what we’ve seen, this place is just an open area. There’s more hallways ahead, filled with Shadows.” His gray eye locked on to Fuuka, who was talking to the other navis. “We’ll be counting on you three for navigation.”

With that, Minato pointed his sword down the hallway in front of the group, Kurusu and Narukami on either side of him. Ken took a deep breath. He was ready to fight any Shadow that came across his path.

“Take that!” Ken dived down, thrusting his spear through the body of the Shadow beneath him. It dissolved into dust, and he let out a breath of relief. The Shadows hadn’t been too bad here, but there had been a lot. He wasn’t worn out yet, but was rather glad Kurusu and Narukami were with them. The two boys were frighteningly strong, with Narukami being able to take out Shadows in a single swing and Kurusu being so fast Shadows were dead before Ken could even blink.

They had been making considerable progress through the Realm, especially with the help of all three Navis. Ken stretched his shoulder out a little, ready to continue on.

“Good job guys, but be careful! There’s a ton of of strong Shadows up ahead.” Fuuka’s voice echoed around them. “But we think you guys are getting really close to a new area.”

“Let’s go then.” Minato nodded in the direction of the hallway. Ken twirled his spear in his hand and ran after everyone, silently cursing his short stature. He was so distracted that he failed to see the large Shadow lunging at him until it was right in front of him. Ken let out a shriek and whirled his spear around, aiming for the neck but missed, the blade piercing the beast’s shoulder. It tackled him despite the injury and Ken had to push hard on his spear to keep the monster’s snapping jaws away from his face. Panic shot through him.

A long blade sank deep into the Shadow’s side, knocking it off Ken. He shot up, yanking his spear from its shoulder. Narukami pulled his sword from the Shadow before stabbing it right through again. The Shadow writhed, so Ken pulled his Evoker out and held it to his chest.

“Nemesis!” He pulled the trigger, his Persona rising into the air. “Kouha!” Light flew from his Persona and stabbed through the Shadow, effectively killing it. Ken retracted his Persona and nodded to Narukami, who threw himself back into the fray.

The Shadows around them were big and ferocious, and the whole of S.E.E.S. was struggling to fight them off, even with the aid of Narukami and Kurusu. Ken gritted his teeth and flung himself at a Shadow that was sparring with Junpei. With a shout, he stabbed the beast through the back, letting Junpei recover enough to summon Trismegestus and defeat the Shadow. Ken helped him up, and together the two charged forward to assist anyone else. A Shadow lunged for him, but two swift slashes from Kurusu were enough to stop it in its tracks. The thief pulled off his mask to summon that winged demon, Arsene. Ken watched as Kurusu attempted to kill the Shadow with Eiha, but it bounced off its shell.

“Kurusu!” A crazy idea popped into Ken’s head, and he hoped it would work as he wanted it to. “Use Eiha on my spear!” The thief didn’t protest, and dark energy wrapped around the sharp blade. “Go down!” He rushed forward, stabbing his spear through the center of the Shadow. The magic attack exploded outwards, destroying the beast. Ken planted his feet, the dark magic making him feel a little weak. Once it was done, he shook himself off, turning back to look at Kurusu, who smiled proudly at him. Ken felt warmth spread through him.

He looked around, glad to see that the other Shadows had been killed. Minato stabbed his sword down into one repeatedly, making sure it was dead. S.E.E.S. had won this fight, but it was clear it had been taxing. Ken felt pain spark across his left arm. He winced as he looked at it, seeing where a Shadow’s claws had cut his skin. His armband had avoided getting torn, but his sweater would need to be sewn later. He inspected his other pained spots, only finding bruises and scrapes. The cut would need to be treated soon.

Yukari had been going around, looking at everyone’s wounds. She came up to Ken and looked at his arm. “You’ll be ok. Here.” She carefully wrapped the wound despite Ken wincing at her touch. “There. Minato wants to keep going a little farther. He wants to know about the new area Fuuka was talking about. Do you think you can keep going?” He rolled his right arm around. His muscles would be sore tomorrow if he kept going, but he should be ok otherwise.

“I’ll be ok. If Minato wants to keep going, I can keep up.” Ken held his spear across his shoulders and walked after Minato, who had started leading the group onward. He had to jog to keep up thanks to being significantly shorter than anyone here. Eventually the hallway opened up into a wide open space where an eerily large building loomed before them.

“So this is the new area, as Fuuka had mentioned.” Minato’s gaze swept up the tower as he spoke. “As much as I want to go on, S.E.E.S. needs to rest. That last group of Shadows was hard to fight. Fuuka, can you guys tell anything about this tower?”

“It’s not too high or big, but we can tell that it has a very different feel than what you’ve been dealing with so far. You should find a way back so you can rest.” Ken looked around at the black and white walls, eventually noticing movement by the door of the building.

“Minato-”

“I see them.” Minato held up his hand to keep S.E.E.S. to show he would look by himself. Kurusu and Narukami joined him, and even from here Ken could feel the prickliness radiating from his leader. Wow, Minato doesn’t like them, but I don’t know why. Ken watched as the three approached the Shadowy figure. Even from here, the thing’s voice carried.

“Y-You’re back! He was right, you God Slayers are dangerous.” God Slayers? Is it talking about us? There was some scuffling and Ken could see that the thing was actually a person, a person with something in their arms. He wanted to step forward to help, but the voice stopped him. “Come any closer and I’ll kill her on the spot.”

“Minato! He’s not bluffing!” Fuuka’s voice was filled with desperation. Ken shook, unable to decide what to do. “That man is much stronger than you and S.E.E.S. could defeat.”

The man laughed. “If you want to beat me, come to the top of my Temple. Better do it before she dies!” He slid into the building, shutting the door behind him with a solid click. Everyone stood silently, struggling to process what just happened. Ken could see Minato’s arms shaking by his side. After a few more silent moments, Kurusu exploded.

“What the hell are you standing there for? We have to go save her!” Kurusu slammed his foot into the door, but it didn’t budge. Ken flinched at the sound, but turned to look at Minato. “Arisato, these are your people. We have to go.” He looked at the blue haired man with an accusatory glare.

“Kurusu. Look at them, they’re battered and bruised. They can’t continue on at this rate. We’ll head back and figure out what to do next, and don’t you dare try to argue with me.” Minato glared back. “S.E.E.S. needs to rest. We’ll return for now.”

“Minato?” Fuuka’s voice rose to life around them. “We’ve found another entrance to this place nearby you guys. It should be over to your right.” Ken turned in the direction that Fuuka had mentioned, and he noticed a wavering light blue square on the wall. He approached it, seeing that same strange circular symbol that was on Hanamura’s window.

“Ken, be careful. We don’t know what’s on the other side.” Mitsuru walked up behind him, gazing into the window. He thought he could almost see into it, the room beyond looking kind of like the dorms at Hashi. “Leader, will you go on through first?”

Minato walked up to the window and just glared at it before poking his head through. After a moment he came back out with a huff of relief. “Thank god, it’s Ken’s room.” Why my room? “That means we can use this window as a way to get back here to this place.”

“Didn’t that weirdo call this place a temple? Does that mean he’s part of those cultists of rumor?” Narukami had walked over, sheathing his sword on his back. He folded his arms. “What are these windows anyway? Why the windows of our rooms?”

Minato shook his head. “I’m too tired to think about it right now. Come on, we should go rest for now. Let’s meet up later in the planning room.” He leapt through the window and was gone.

“Here, Amada.” Narukami was standing behind him with a small smile. “I’ll help you through.” He knelt down and offered a boost to the child. While normally Ken would have scoffed and walked away, he felt warmth spreading through him at the gray haired boy’s kindness. It was quickly followed by a sharp pang in his chest, but he swallowed the feeling.

“Th-thank you.” He graciously took the assistance and stepped through the window and tumbled into the floor. Minato helped him up, though Ken could feel his arms shaking. They were all out of it. “Minato, are you ok?”

“I’ll be fine. It’s been a while since I’ve fought, so I’m just sore. Is your arm ok?” Minato gently brushed his fingers on the bandage. Ken felt a prick of pain from the pressure, but otherwise it was ok. He nodded. “Good.” The rest of S.E.E.S. had begun coming through the window. “Take your time resting.” With that Minato left his room.

Everyone had long since left his room, leaving Ken to relax by himself. He had been working on school work when the chime of his phone rang out through his room. He picked it up and checked it, seeing a message from Minato.

<< Ken, we’ve gotten a message from Mishima. Please come to the planning room.

Ken stacked his work together neatly before standing up. He wasn’t sure how long he had been sitting there, but his legs were stiff. He walked out anyway, as the planning room was a bit far. He’d stretch out his legs by walking. When he made it to the room, a lot of people were already there, including Narukami and Kurusu. He made his way to a seat near the front and sat down.

Once everyone else was in there, Kurusu spoke of the message. It made sense that Mishima would have texted him first, considering how close friends they were. Despite that, Ken did wonder why Kurusu only called Mishima by his honorific.

“Mishima messaged us just a few minutes earlier. He said that a girl from his class named Nishi went missing. Her friends claimed she was last seen working at the same convenience store that Hokori manages.” Kurusu’s eyes were so dark and piercing, Ken fought to keep looking at the dark haired teen. “I think it’s rather safe to assume that Hokori dragged her into that big building thing we saw in the Chaos Realm.”

“So we’ve decided to take him out, topple that wretched temple of his, and save Nishi.” Minato’s gray eyes swept over everyone in the room, though it was clear the warmth in his glare was only for S.E.E.S. Ken felt excitement shoot through his chest, spreading across his entire body. A new mission. He stared down at his hands, clenching his fingers closed. It wasn’t vengeance that was driving him this time. No.

This time I want to save people.

#hashi high #persona #Persona 3 #Persona 4 #persona 5 #minato arisato #ken amada

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miesmud · 7 years ago

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My Splatoon kids wearing suits

#splatoon oc #splatoon 2 #inkling #octoling #my oc #my art #splatoon #oji #ken #chapstick #uka #hashi

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ayuuria · 3 years ago

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Yashahime Episode 27 Summary

Please do not repost this translation without my consent! This includes screenshots of any type and amount. If you wish to share this translation, simply link to this post.

For more information regarding the use of my translations, click here.

¡Por favor, no repostees esta traducción sin mi consentimiento! Esto incluye capturas de pantalla de cualquier tipo y cantidad. Si deseas compartir esta traducción, usa simplemente el enlace a este post.

Para más información sobre el uso de mis traducciones, haz click aquí.

The Silver Scale Curse

Short Summary

Jaken remembers the details about the Silver Scale curse that Zero placed on Rin 14 years ago. At the same time, Riku appears before Setsuna, who's been attacked by demons aiming for the daughters of Sesshomaru, and exterminates them. Setsuna asks Riku what his true motive is.

Expanded Summary

The Silver Scale curse that Zero placed on Rin 14 years ago. When the cursed silver (fish) scale covers her entire body, Rin will die. After Jaken hears about a method that can delay the progression from the spirit of the Tree of Ages, he attaches the pupa of a Dream Butterfly on the nape of young Setsuna’s neck, who has been separated from Towa in the forest fire. Meanwhile, Towa and the others search for Bokusenou and are pursued by demons aiming for Sesshomaru’s daughters. Setsuna has the other two go on ahead and faces (the demons) alone, but Riku appears and eliminates the demons on his own. Setsuna asks him what his true intention is.

Cast List

Higurashi Towa: Matsumoto Sara

Setsuna: Komatsu Mikako

Moroha: Tadokoro Azusa

Sesshomaru: Narita Ken

Jaken: Cho

Rin: Noto Mamiko

Kikyo: Hidaka Noriko

Zero: Sakamoto Maaya

Riku: Fukuyama Jun

Kirinmaru: Hosoya Yoshimasa

Bokusenou: Hashi Takaya

Rion: Fujita Saki

Inuyasha: Yamaguchi Kappei

Others

#Yashahime #Hanyou no Yashahime #Yashahime: Princess Half-Demon #translation #holy crap this summary!#You mean it was Jaken all along?!

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gdwessel · 3 years ago

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Road to Power Struggle Night 7 - 10/31/2021: Yuto Nakashima Returns; NJPW Strong Episode 64 - 10/30/2021; More Battle In The Valley Matches; Detonation Card Announced: Barnett Returns to NJPW; Romero Fails To Win X-Division Belt in Impact

Happy Halloween if you celebrate it. The tour continued today.

- 10/31/2021, Fukushima Big Palette

Yuto Nakashima TLD Ryohei Oiwa (10:00)

El Desperado & Yoshinobu Kanemaru [SZKG] d. Robbie Eagles [CHAOS] & Kosei Fujita (Kanemaru > Fujita, Boston Crab, 11:01)

Great O-Khan & Aaron Henare [United Empire] d. Toru Yano [CHAOS] & Tomoaki Honma (Henare > Honma, Streets Of Rage, 10:52)

SANADA & BUSHI [Los Ingobernables] d. Togi Makabe & Ryusuke Taguchi (SANADA > Taguchi, O’Connor Bridge, 8:50)

EVIL, Yujiro Takahashi, SHO & Dick Togo [Bullet Club] d. Hirooki Goto [CHAOS], Tomohiro Ishii [CHAOS], YOSHI-HASHI [CHAOS] & Master Wato (EVIL > Wato, EVIL STO, 12:35)

Hiroshi Tanahashi, Kazuchika Okada [CHAOS], Yuji Nagata & Tiger Mask IV d. KENTA, Tama Tonga, Tanga Loa & Jado [Bullet Club] (Okada > Jado, Money Clip, 14:42)

Shingo Takagi & Hiromu Takahashi [Los Ingobernables] d. Zack Sabre Jr. & DOUKI [SZKG] (Takagi > DOUKI, Reverse STF?, 12:17)

The NJPW official results called the winning move for the main event a “Back STF” so I guess that’s a reverse STF of some kind? Maybe? Honma got his one win for the year and it’s been downhill ever since. Yuto Nakashima’s return match went much better than his debut, going the full 10 minute time limit without any issues. Good to see he stuck through it and returned.

This week’s episode of NJPW Strong concluded the matches from the Autumn Attack taping sessions in Garland, TX.

Fred Rosser & Rocky Romero [CHAOS] d. JR Kratos & Danny Limelight [Team Filthy] (Rosser > Limelight, Gut Feeling, 14:40)

Lio Rush [AEW] d. Taiji Ishimori [Bullet Club] (Final Hour, 15:13)

Minoru Suzuki [SZKG] & Lance Archer [AEW] d. “Filthy” Tom Lawlor & Royce Isaacs [Team Filthy] (Suzuki > Isaacs, Gotch Style Piledriver, 11:07)

Post-main, Chris Dickinson came out and challenged Suzuki for the Philadelphia show (that has already happened). Suzuki responded by saying he spoke very little English, but also “Fuck you.” Of course, those Philly tapings should start with next week’s episode of Strong. Rush v. Ishimori seems very much worth watching.

In other NJoA news, three more matches were announced for Battle In The Valley on 11/13/2021. In a battle featuring three guys who will be out of a ROH contract in December, VLNCE UNLTD (Brody King & Chris Dickinson) will take on two of the Stray Dog Army, Bateman & Misterioso. The two most recent Impact World Champions will also be in attendance, as Josh Alexander faces Yuya Uemura, whilst Juice Robinson goes against *spits* Moose.

Meanwhile, what could be the full card for Detonation, on 11/15/2021 in Riverside, CA, has been released. First, it is now official, that Fred Rosser will challenge “Filthy” Tom Lawlor for the NJPW Strong Openweight title. However, the biggest news here is that Josh Barnett wrestles his first NJPW match since 5/3/2004, when he beat Ken Shamrock by DQ in the Tokyo Dome. Barnett did work several events for Inoki Genome Federation after that over the years, and was of course the color commentator for NJPW on AXS from 2015 - 2018, before a shoot incident between himself and Jay White at G1 Special in San Francisco on 7/7/2018 saw the beginning of the end of his career with AXS. Barnett will now be the next opponent in Alex Coughlin’s challenge series.

Full card as announced below:

Detonation (NJPW Strong Taping) - 11/15/2021, Riverside Municipal Auditorium, Riverside, CA

Alex Coughlin Challenge Series: Alex Coughlin v. Josh Barnett [FREE]

Kevin Knight & The DKC v. Jordan Clearwater & Brogan Finlay

Lio Rush [AEW] & Adrian Quest v. Bateman & Misterioso [Stray Dog Army]

Karl Fredericks, Clark Connors & Ren Narita v. Will Ospreay, Jeff Cobb & TJP [United Empire]

Gabriel Kidd v. Jonathan Gresham [ROH]

Chris Dickinson [VLNCE UNLTD] & Alex Zayne v. Jay White & Hikuleo [Bullet Club]

Tomohiro Ishii [CHAOS] v. Brody King [VLNCE UNLTD]

NJPW Strong Openweight Championship: “Filthy” Tom Lawlor [Team Filthy] (c) v. Fred Rosser

Last bit of news: Rocky Romero appeared in Impact on their TV show this past Thursday, challenging and falling to the new X Division champion Trey Miguel. This show was part of the tapings at Sam’s Town in La Vegas, NV, that started this past Sunday 10/24/2021, so expect to see Minoru Suzuki on episodes in the coming weeks as well. It does appear at this time that co-promotion between Impact and AEW is done, at least for now.

The tour continues tomorrow.

- 11/1/2021, Saitama Kumagaya Citizen Gymnasium

Yuto Nakashima v. Kosei Fujita

Robbie Eagles [CHAOS] & Ryohei Oiwa v. El Desperado & Yoshinobu Kanemaru [SZKG]

Toru Yano [CHAOS] & Togi Makabe v. Great O-Khan & Aaron Henare [United Empire]

Yuji Nagata & Tiger Mask IV v. SANADA & Hiromu Takahashi [Los Ingobernables]

Hirooki Goto [CHAOS], Tomohiro Ishii [CHAOS], YOSHI-HASHI [CHAOS] & Ryusuke Taguchi v. EVIL, Yujiro Takahashi, SHO & Dick Togo [Bullet Club]

Hiroshi Tanahashi, Kazuchika Okada [CHAOS], Tomoaki Honma & Master Wato v. KENTA, Tama Tonga, Tanga Loa & Jado [Bullet Club]

Shingo Takagi & BUSHI [Los Ingobernables] v. Zack Sabre Jr. & DOUKI [SZKG]

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recentanimenews · 3 years ago

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Hideo Ishikawa Reprises His Role as Ryoma Nagare in Getter Robo Arc

Nine days ahead of its premiere in Japan, the official website for the forthcoming TV anime adaptation of Getter Robo Arc, the final installment of the Getter Robo Saga manga series created by Go Nagai and Ken Ishikawa, announced 11 additional voice cast members, including 51-year-old Hideo Ishikawa who will reprise his role as Ryoma Nagare.

Ryoma is one of the protagonists of the original Getter Robo series, who piloted the Getter-1 (Getter Eagle), Getter Dragon, Black Getter, Shin Getter-1, and New Getter. Following Akira Kamiya, Ryoma's original voice cast in Getter Robo (1974-1975) and Getter Robo G (1975-1976), Ishikawa voiced Ryoma in Getter Robo Armageddon (1988-1989), Shin Getter Robo vs Neo Getter Robo (2000-2001), and New Getter Robo (2004). It has been 17 years since he played Ryoma for the last time for an anime series (Meanwhile, he has since played Ryoma frequently for the Super Robot Wars game series).

Ishikawa says, "It's been 17 years since 'New Getter Robo,' and I was surprised to see a new story of Getter on TV in the age of Reiwa. The first Getter was in the Showa era, the three shows after 'Armageddon' were in the Heisei era, and 'Arc' is in the Reiwa era. So the world of Getter has been connected for three generations. Once again, I think it is a great series. This is the fourth time for me to play Ryoma's character voice. I want to watch over the activities of his son Takuma, who has inherited the fate of the Getter, and the passionate battles of the new Getter team, together with all the fans."

▶▶新キャスト解禁！いよいよ来週 7月4日（日）放送開始 TVアニメ『ゲッターロボアーク』流竜馬役 #石川英郎さんをはじめとした豪華キャストの皆様が決定しました！#梁田清之 #佐々木望 #菅生隆之 #多田野曜平 #岩田光央 #朴璐美 #土師孝也 #立木文彦 #島本須美 #緒方賢一#getter_a pic.twitter.com/Z2MV0EloMj

— アニメ「ゲッターロボアーク」公式 (@getterrobot_arc) June 25, 2021

Voice cast:

Takuma Nagare: Yuuma Uchida

Sho Kamui: Arihiro Mukaino

Baku Yamagishi: Kazuhiro Sunseki

Hayato Jin: Naoya Uchida

Ryoma Nagare: Hideo Ishikawa

Benkei Kuruma: Kiyoyuki Yanada

Taill: Nozomu Sasaki

Dr. Saotome: Takayuki Sugo

Dr. Shikishima: Yohei Tadano

Captain Igarashi: Mitsuo Iwata

Grand Queen Meldusa: Romi Park

Komei: Takaya Hashi

MacDonald: Fumihiko Tachiki

Ryuryou: Sumi Shimamoto

Dr. Han: Kenichi Ogata

Gettter Robo Arc is set to premiere on AT-X and TOKYO MX in Japan on July 4, 2021.

3rd PV:

youtube

3rd key visual:

Source: "Getter Robo Arc" official website / Twitter

©Go Nagai, Ken Ishikawa/Dynamic Production, Shinsaotome Laboratory

By: Mikikazu Komatsu

#Anime #News #Latest in Anime News by Crunchyroll!

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yourultraarchive · 5 years ago

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Common Japanese Surname Kanji

In conjunction with my “Creating a Japanese name for your character” post, I decided to make a list of the common kanji found in traditional Japanese surnames (as well as a couple of characters that have those kanji in their names!). If you’re looking for a kanji to fill out your character’s family name (if you only have one kanji and need another one, for example) or if you’re looking for some help or inspiration, hopefully this post will help!

井 (i) - well. Common names include Fukui and Inoue. Characters include Inui Ryō (Hound Dog).

上 (kami, gami, ue) - above/top/upper. Common names include Ueda, Tanoue, Makami, Mogami, and Kamigawa. Characters include Kaminari Denki.

岡 (oka) - hill/ridge. Common names include Matsuoka, Yoshioka, and Okamoto.

川 (kawa, gawa) - river. Common names include Ishikawa, Sakigawa, and Kawakami. Characters include Tamakawa Sansa (the cat quirk police officer) and Tsuchikawa Ryūko (Pixie-Bob).

木 (ki, gi) - tree. Common names include Suzuki, Mitsugi, and Kimura. Characters include Shigaraki Tomura, Yagi Toshinori, and Sasaki Mirai (Sir Nighteye), among others.

口 (kuchi, guchi) - mouth/entrance. Common names include Kawaguchi, Yamaguchi, Edakuchi, and Kuchiro. Characters include Kōda Kōji (using an alternate reading) and Iguchi Shūichi (Spinner).

崎 (saki, zaki) - cape/peninsula. Common names include Hamasaki, Kawasaki, Miyazaki, and Sakimoto. Characters include Shiozaki Ibara and Chisaki Kai (Overhaul), among others.

沢 or 澤 (sawa, zawa) - swamp/marsh/mountain stream. Common names include Kurosawa, Serizawa, and Sawase. Characters include Aizawa Shōta (Eraserhead), among others.

下 (shita, jita) - under/below. Common names include Matsushita and Okajita.

島 (shima, jima) - island. Common names include Mizushima, Nakajima, and Shimanose. Characters include Maijima Higar (Power Loader) and Kirishima Eijirō, among others.

田 (ta, da) - rice field. Common names include Yamada, Fujita, and Tamura. Characters include Kōda Kōji, Mineta Minoru, Īda Tenya, Yamada Hizashi (Present Mic), Shishida Jūrōta, Shōda Nirengeki, Hakamata Tsunagu (Best Jeanist), Awata Kaoruko (Bubble Girl), and Tobita Danjūrō (Gentle Criminal), among others.

藤 (tou, dou, fuji) - wisteria. Common names include Saitou, Itou, Kudou, and Fujimoto. Characters include Satō Rikidō and Kendō Itsuka, among others.

中 (naka) - inside/middle/within. Common names include Tanaka and Nakamura. Characters include Irinaka Jōi (Mimic) and Nakagame Tatami (Turtle Neck), among others.

橋 (hashi, bashi) - bridge. Common names include Takahashi and Hashimoto. Characters include Yotsubashi Chikara (Destro) and Yotsubashi Rikiya (Re-Destro).

原 (hara, bara, wara) - field. Common names include Nakahara, Fujiwara, and Harazumi. Characters include Kaibara Sen, Bubaigawara Jin (Twice), and Kamihara Shinya (Edgeshot), among others.

辺 (be) - border. Common names include Watanabe and Sasabe.

丸 (maru) - round/circle. Common names include Ichimaru, Kazemaru, and Marukame.

村 (mura) - village. Common names include Okumura, Himura, and Murakami. Characters include Shimura Tenko (Shigaraki Tomura), Shimura Nana, and the rest of the Shimura family.

本 (moto, hon) - base/origin. Common names include Miyamoto, Sakamoto, and Honda. Characters include Nemoto Shin (one of the Eight Bullets of the Shie Hassaikai).

森 (mori) - forest. Common names include Fujimori, Sugimori, and Morishita. Characters include Komori Kinoko.

林 (yashi, hayashi) - forest/woods. Common names include Kobayashi.

山 (yama) - mountain. Common names include Akiyama, Koyama, and Yamamoto. Characters include Aoyama Yūga, Ishiyama Ken (Cementoss), Kayama Nemuri (Midnight), Yamada Hizashi (Present Mic), Takeyama Yū (Mt. Lady), and Usagiyama Rumi (Mirko), among others.

A reminder just in case anyone needs it: Japanese surnames typically describe a place or the origin of the family it belongs to, for instance if a family came from a “forest origin”, their name might be Morimoto. Or someone from a “snowy village” would be Yukimura. MHA names are not quite so literal or realistic (like Usagiyama “rabbit mountain”), and are meant to be a little more fun.

Keep in mind that this is not a complete or comprehensive list, and that these are NOT all the readings for the kanji. Some of these kanji have different nanori that were not included in this list.

Also a quick note in case anyone was wondering:

When to use KAMI vs. GAMI, SAWA vs. ZAWA, etc.?

Sometimes when you put two kanji next to each other in a name, the second kanji has a different pronunciation/reading. Why? The short answer is, it’s easier to pronounce that way. So some short rules:

Putting two or more kanji together is like a compound word in English, and when you “link” those kanji together, sometimes the latter kanji sounds different (NEVER the first kanji though).

Most kana have a “voiced” (dakuten) version and some have a “half-voiced” (handakuten) version, but it’s mostly the “voiced” version that occurs in pronunciation/spelling when “linking” two kanji.

“ka” ⟶ “ga”, “ki” ⟶ “gi”, etc.

“sa” ⟶ “za” (note: “shi” ⟶ “ji”)

“ta” ⟶ “da” (note: “chi” ⟶ “ji/dji” and “tsu” ⟶ “zu/dzu”)

“ha” ⟶ “ba” or “pa” (though “pa” isn’t used for linking, it’s the “half-voiced” sound)

In the list of kanji above, the 2nd “spelling” for the kanji is the “voiced” pronunciation, for your ease!

Not every linked kanji will change its sound. It’s probably subjective to whoever came up with the family name to begin with, but basically the sounds will be voiced if the person who has the name thinks it flows better as a voiced sound.

Remember that while you might not hear a huge difference in “Ota” and “Oda” or something, there are different nuances in Japanese language that native speakers will pick up that you will not. You might not understand why some names “link” the sounds and others don’t, but to native speakers it makes sense.

In the case of MHA names though? I’d say don’t worry about it too much. Go with the flow of whatever sounds best--or whatever puns the best. (Like Mina Ashido’s surname! Typically it’s pronounced Ashito, but Ashido sounds a lot more like “acid” than Ashito does, right? :D)

Want to read more on the subject of name kanji, know about their history/culture, and look at some examples? Here’s a couple links to a few other sites that list more kanji and readings than what was included on this list too, as well as more info on the spellings and kanji “linking”: [ 1 2 3 4 5 6 ]

#names #tips #archivist #japanese

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gear-project · 6 years ago

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. . .

Samurai Shodown Voice Actors were announced!

Haohmaru as Daiki Nakamura (reprised from Capcom vs SNK 2)

Nakoruru as Mai Nakahara (reprised from KOFXIV/SNK Heroines)

Hattori Hanzo as Tadahisa Saizen (voiced Berserker in Fate/Grand Order)

Galford as Wataru Komada (not much history on him)

Ukyo Tachibana as Shinjiro Sakurai (played a few roles in Angolmois)

Jubei Yagyu as Hiroshi Naka (Galuf in Dissidia Opera Omnia, Shiranui in Muramasa the Demon Blade)

Earthquake as Kentarou Tone (Ukon in Utawarerumono)

Charlotte as Afumi Hashi (not much history on her)

Genjuro Kibagami as Kong Kuwata (reprised, but also voices Geese Howard, Neinhalt Sieger)

Kyoshiro Senryo as Monster Maezuka (reprised, but also voices Benimaru, Choi, Ralf, Mukuro, Fuuma, Mudman, Nicotine, and also Ken Masters in SVC Chaos)

Tam Tam as Ryousuke Morita (Fisher NESS in Gundam Thunderbolt: December Sky)

Yoshitora Tokugawa as Makoto Furukawa (Achilles in Fate/Grand Order, Fuse Man in Megaman 11, Astaroth in HighSchool DxD, and Saitama aka One-Punch Man!)

Shiki as Chitose Morinaga (Bradamante in Fate/Grand Order, Umiko in New Game!, Toma in Sword Art Online Alternative GunGale, and Fumie in Seraph of the End)

#Seiyuu #Voice Acting #This isn't an SNK blog!

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utagoe · 6 years ago

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Ken ga Kimi: Yume no Hashi (夢の橋) Lyrics

Kanji, romaji and English translation for Yume no Hashi (Bridge of Dreams) by Saneaki and Enishi

(kanji source)

朧(おぼろ)げに、光る愛に手を翳(かざ)しても、叶わず

哀しみ、背負うふたり赦し合えたなら―――

あゝ薄月の淵に願いを架けた　ひとつの

もぅ　振り返らないと罪を置いても　惹かれる

そぅ　愛しさの欠片揺れる想いが　弾ける

ねぇ　眠れない夜に優しく　触れた頬の温もり

途切れた雲の中へ潜めてみよう、ふたりで

暈(ぼや)けた　夢の橋で抱きしめ合うのさ

あゝ氷雨に濡れてる傘の面持　陰れば

もぅ　隠しきれぬもの殺めて生きる　覚悟は

そぅ　夜露が溢れた色とりどりに　君へと

ねぇ　この宇宙(そら)に映る赤さが　背負うべき事ならば

朧(おぼろ)げに、光る愛に手を翳(かざ)しても、叶わず

哀しみ、背負うふたり赦し合えたなら―――

途切れた雲の中へ潜めてみよう、ふたりで

暈(ぼや)けた　夢の橋で抱きしめ合うのさ

命と、等しきものあの空の月、燃えてる

心に響く愛を　信じて、欲しくて

途切れた雲の中へ潜めてみよう、ふたりで

暈(ぼや)けた　夢の橋で抱きしめ合うのさ

いつかは、渡れる筈ひとつの、月になるから―――

Romaji

oboroge ni hikaru ai ni te wo kazashitemo kanawazu

kanashimi seou futari yurushiaeta nara

aa usuzuki no fuchi ni negai wo kaketa hitotsu no

mou furikaeranai to tsumi wo oitemo hikareru

sou itoshisa no kakera yureru omoi ga hajikeru

nee nemurenai yoru ni yasashiku fureta hoho no nukumori

togireta kumo no naka e hisomete miyou, futari de

boyaketa yume no hashi de dakishimeau no sa

aa hisame ni nureteru kasa no omomochi kagereba

mou kakushi kirenu mono ayamete ikiru kakugo wa

sou yotsuyu ga afureta irotoridori ni kimi e to

nee kono sora ni utsuru akasa ga seou beki koto naraba

oboroge ni hikaru ai ni te wo kazashitemo kanawazu

kanashimi seou futari yurushiaeta nara

togireta kumo no naka e hisomete miyou, futari de

boyaketa yume no hashi de dakishimeau no sa

inochi to hitoshiki mono ano sora no tsuki moeteru

kokoro ni hibiku ai wo shinjite hoshikute

togireta kumo no naka e hisomete miyou futari de

boyaketa yume no hashi de dakishimeau no sa

itsuka wa watareru hazu hitotsu no tsuki ni naru kara

English

Even if I hold out my hand To that faintly shining love, it does not come true

The two of us carrying sorrow on our backs If we forgive each other―――

Ah, I sent a single wish To the abyss of that faint moon

"I will not look back anymore" Even if I leave my sins behind, I am captivated

Yes, a fragment of love My swaying feelings burst open

Hey, the warmth of your cheeks That I gently touched in the nights I could not sleep

Let's hide ourselves together Inside those broken clouds

We embrace each other On a cloudy bridge of dreams

Ah, I am getting wet under the chilly rain If I am obscured by the look of my umbrella...

It is something I cannot hide anymore I murder my resolution, but it continues to live

Yes, the night dew brimmed over In various colours towards you

Hey, if the redness reflected in this sky Is something that I must carry on my shoulders...

Even if I hold out my hand To that faintly shining love, it does not come true

The two of us carrying sorrow on our backs If we forgive each other―――

Let's hide ourselves together Inside those broken clouds

We embrace each other On a cloudy bridge of dreams

Something similar to life The moon in that sky is burning

I want you to believe in this love that resounds in our hearts

Let's hide ourselves together Inside those broken clouds

We embrace each other On a cloudy bridge of dreams

We can cross it someday Because we will become a single moon―――

#ken ga kimi #kgk #enishi #kuroba saneaki #maeno tomoaki #okiayu ryoutarou #request #otome game #anime #rejet

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descendent-of-the-sixth-heaven · 1 year ago

Note

*Cherry keeps Takeru on her lap while Ken on his father's. Lord Hashi narrows his eyes at the children*

Lord Hashi: So you really ignored my advice. You do know twins is a bad omen, right? Did your study at the temple was for nothing? Your father would disagree with your actions.

*Cherry looks at Kenshin, she is confused because Kenshin never said anything about it. Lord Hashi actually sent Kenshin a letter just after hearing the twins were born. Twins is considered a bad omen in this time so usually the parents will have to sacrifice or abandon one of them*

*kenshin clenched his jaw in anger, his glare hard on Hashi. One of the reasons why he hated meeting his other family members was precisely to avoid these conversations*

Kenshin: ever since the twins were born, my clan has only prospered, bringing victory after victory. I believe my ally can say the same, as he too studied at the temple and also had twins.

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rickyriddle · 7 years ago

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Akuma no Riddle characters’ name analysis

Hi everyone! So, I was doing some researches about the AnR characters' name, especially the kanjis, for my AnR kids headcanon. I discovered some interesting stuff so I wanted to make a post about the meaning of the characters' name and kanjis.

Azuma Tokaku (東兎角): Azuma mean east and Tokaku is written with the kanji rabbit (兎, usagi) and horn (角, tsuno). Rabbit horn is an expression in Japanese that means impossible or something that shouldn't exist. Tokaku's grandmother gave her this name because according to her, Tokaku's strength would be so terrifying that her enemies would think it's impossible. That's also why Tokaku is sometimes referred as a rabbit.

Inukai Isuke (犬飼伊介): Inukai means "dog keeper" (犬=dog, inu, 飼=keeper). I find it funny since people often portrait Isuke as a dog because of her name, but in fact, she's not the dog but its owner (which means the dog is a certain redhead...). Really the perfect name for someone who wants to be called with the honorific sama. I don't know much about the name Isuke, other than it's a male name and it's written with the kanji for "I" (伊) and “through” (介, kai).

Kaminaga Kouko (神長香子): Kaminaga can mean chief and is written with the kanjis god (神, kami) and length (長, naga). The latter can also be read as chief. A perfect given name for the leader of everything, which also reminds of her past in a religious orphanage. Kouko is written with the kanji for incense (香, ka) and the kanji for child (子, ko). 香子 can also be read as Kaoriko, which means child's perfume. Maybe it's a symbolic for Kouko being trained as a child to be an assassin using bomb, since incense is something that needs to be burn, but at the same time, incense isn't dangerous and is even pleasant. Maybe it's linked to Kouko's desire to not be an assassin anymore.

Kirigaya Hitsugi (桐ヶ谷柩): So, Kirigaya is written with the kanjis tung pill (桐, kiri), months (ヶ, ke) and valley (谷, tani). I've no idea what it's supposed to mean. Maybe a reference to poison? All I care is that there's "gay" in it...I'm so mature. Anyway, apparently, Hitsugi's sole kanji, 柩, means coffee. Coffee, a drug, which means...intoxication. Her names are all about toxine! It's a conspiracy! Okay no, I really got nothing other that for her name. Oh, there's another kanji that is also read Hitsugi, 棺, which means coffin. Really suspicious…Edit: "Kirigaya" can also mean "valley of paulownias". kiri meaning the latter word and gaya meaning valley.

Kenmochi Shiena (剣持しえな): Kenmochi means swordship and it's written with the kanji sword (剣, ken) and possession (持, ji). kinda ironic for a girl who didn't fight at all, it looks more like a name for Chitaru (even more ironic since Shiena got poisoned over her supposed crush on Chitaru, perhaps this name was chosen because of that?). About her first name, ell apparently, according to google translate, it means sorry. That just makes me laugh. I guess she's really sorry to have been poisoned by a loli yandere. Okay, more seriously, about the kanji. There's To (し), huh (え, what?), and...literally what (な). Okay. Then we should call her Swordship Sorry now. Couple of years ago I'd read that しえ means purple, but I can't find the source now. Too bad, because it's Otoya's hair colour and it made my OtoShie shipper heart go doki doki. Edit: Shiena’s name can also be written 詩絵菜, with the kanjis 詩 (shi) meaning "poetry, poem", 絵 (e) meaning "picture, painting, drawing, sketch" combined with 菜 (na) meaning "vegetables, greens". I’m not sure if it’s relevant since her name in AnR isn’t written that way, but it could be a reference to her more artistic self, especially regarding theater. Tho it’s kinda ironic if it’s the case, since her least favorite food is vegetable.

Sagae Haruki (寒河江春紀): So, Sagae is written with the kanji cold (寒, samu), river (河, kawa) and jiang (江, kô). So...she's a cold river. Perhaps it's a reference to being free? Water does feel like freedom. Haruki can mean Spring Season Tree or Spring Century. It's written with the kanji spring (春, haru) and age (紀, nori). I guess Haruki is a sunny person? I don't really have a lot of stuff for her name, sorry.

Shuto Suzu (首藤涼): Shuto is written with the kanji neck (首, kubi) and wisteria (藤, fuji), which is a type of flower. So wisteria neck. I guess that the neck of a flower is the stem, so Suzu's head...is a flower? Well, she does have a lot of knowledge in flowers. Then her name Suzu, it's a really interesting case. Her name's sole kanji is 涼, which means cool/fresh, and is usually read as Ryō. But in the same Suzuka, which means fresh breeze it's written with the kanji 涼, and 風 (kaze, wind). Suzu's ending song is also named Suzukaze. Maybe it’s related to Suzu rather cool personality. Usually, the same Suzu is written with the kanji 鈴, which means bell.

Takechi Otoya (武智乙哉): Takechi is written with the kanji war (武, Take) and intellect (智, akira). So intellectual war, perhaps it’s related to her manipulative nature when it comes to kill her victim. It can also be written Takeshi. 武 is really a kanji related to military and martial, and it’s used to write the word samurai, warrior. Perhaps a reference to Otoya being an assassin, or rather, a serial killer. Otoya can also be written 二矢, which means two arrows. Far-fetched, but perhaps it’s linked to the fact her weapon, scissors, had two blades. Her actual name is written with the kanji for second part (乙, otsu), and alas (哉, kana). Not so sure what it could mean.

Namatame Chitaru (生田目千足): Namatame is written with the kanji living (生, nama), rice field (田, ta) and eye (目, me). Kinda make me reminds how we all thought Chitaru died, but it’s revealed at the end that she survived, that she’s living. She also said that she likes rice. For the eyes, perhaps it’s related to justice? It reminds me of the idiom an eye for an eye, a tooth for a tooth. But that idiom referred more to vengeance than justice, which goes with what I think of Chitaru’s action in the series. Rather than doing actual justice, what she did was vengeance. Chitaru’s name can mean A thousand steps, and it’s written with the kanji thousand (千, sen) and leg (足, achi). All I got for that is that steps is important in sword fighting, and with the thousand, perhaps it’s because Chitaru is really experienced swordswoman.

Hashiri Nio (走り鳰)/Kuzunoha Nio (葛葉鳰): Hashiri means running, and it’s written with the kanji running (走, hashi) and the hiragana ri (り). It’s a fake name Nio gave herself for Class Black, because she didn’t want Tokaku to know she was from the Kuzunoha clan, the rivals of the Azuma clan. She chose it because she will always be running for the chairwoman. Nio’s name is written with the sole kanji 鳰, which means nio. Nio is an old name for the grebes that lived in Lake Biwa. It’s a name the chairwoman gave her because Nio didn’t have a name before, she was only referred as runt (or chibi in Japanese). Apparently, it’s the name of a bird from the place Nio was born (Shiga I think). Kuzunoha is written with the kanji arrowroot (葛, Kuzu) and leaf (葉, ha). I’m kinda surprised, I was expecting her name to mean west, like Azuma means east. But arrowroot is a West Indian herbaceous plant from which a starch is prepared. So it’s somehow related to west. Interesting fact, when Haru read her classmates’ name at the beginning, she used the honorific kun for both Isuke and Nio, and later she’s surprised to see that both of them are girls, which means Nio is most likely a male name too. Haru had also use kun for Tokaku, Hitsugi, Haruki and Otoya. Funny detail, but hiragana is usually used for feminine names.

Hanabusa Sumireko (英純恋子): Hanabusa is written with the sole kanji 英, which means Ei, English in Japanese. It can also be read as "Hanabusa" (meaning "the calyx of a flower") but it can also be read as "Hana" (meaning "flower"). Sumireko did seem to like flowers, and I think it can symbolize her elegant nature. English is often viewed as noble, so perhaps it’s also related to the choice of her name. Her name Sumireko can also be read as Junko, who’s usually written 純子 (I’m trying hard to not make a danganronpa reference). The kanji used are pure (純, jun), love (恋, koi) and child (子, ko). The pure love of a child. Kinda ironic for a girl whose childhood consisted of assassination attempts against her.

Banba Mahiru (番場真昼)/Banba Shinya (番場真夜): Banba can mean place and is written with the kanji for number (番, ban) and place (場, ba). Perhaps number is a reference of their two personalities in the same place (the same body?). Mahiru can means midday or broad daylight, while shinya can mean midnight or full night, a clear reference to their day and night split personality. There’s two other way to write Shinya. It’s either 深夜 (Shinya, late at night) or 真也 (Shin’ya, that mean trust, believe, real or genuine). Shinya’s name seems to be a mix of both, and perhaps this name was chosen because Shinya is the only person Mahiru trust. Interesting fact, Mahiru can be both a girl and a boy name, while Shinya is always a male name. Shinya also uses the pronoun ore, which is almost only used by boy, and is a rude way to talk. So perhaps Shinya identify as a boy (but I don’t personally think so but who knows). Interesting thing. If you remove the first letter of Mahiru, it gives Ahiru, which means duck in Japanese (アヒル). I’m not sure if it was intentional but it sure is funny, considering Banba’s liking for plastic ducks.

Ichinose Haru (一ノ瀬晴): Ichinose is written with the kanji 一 (one, ichi), the katakana no (ノ) and the kanji age (瀬, se). It can also mean "Position of current" (ichi no se) in Japanese. Perhaps because Haru is the current queen bee to be tested? One is Tokaky’s number, but perhaps the one here is somehow as a reference as her being the target, since it’s the first number. Her name Haru usually means springs, but in her case, it’s written with the kanji for sunny (晴, hare). It’s not the same kanji as in Haruki’s name. According to Tokaku (and Shinya too?), Haru smells like the sun, which fits her same. It can also fit Haru’s bright personality.

Kaiba (カイバ): Kaiba is written with the katakana power (カ, ka), the (I think) katakana a (イ) and ba (バ). It can mean seahorse in Japanese.

Mizorogi Ataru (溝呂木辺): Mizorogi is written with the kanjis groove (溝, mizo), ryo (呂) and wood (木, ki). It’s ironic that he as a kanji about groove (some kind of depression) in is name, since he’s pretty depressed near the end of the series. Ataru can also be written 陽, which means the sun, and is both a male and female name. Ataru’s name is written with the kanji side (辺, hen). Maybe it’s linked to his sunny personality and the fact he’s a side character.

Yuri Meichi (百合目一): Yuri means lily, a type of flower, and those are the exact kanjis for the word yuri, referring to girl’s love manga in Japan. Kouga and Minakata must have found this really funny, since the chairwoman is behind everything and it’s a yuri manga. It’s written with the kanjis hundred (百, hyaku) and synthesis (合, gô). Meichi can mean eye and is written with the kanjis eye (目, me) and one (一 , ichi). 目 is also the first kanji for the word goal and purpose. I find it interesting that she also has the kanji ichi in her name, like Haru. The name Meichi is fitting for someone who’s an ambitious person who wants to be the best, which could fit the chairwoman, especially her current position.

Azuma Mako (東まこ): Mako is written with the katakana up (ま, ma) and this (こ, ko). Up, maybe for up there, in heaven. Perhaps it’s a reference to the fact she’s dead and in heaven.

Azuma Karami (東空身): Karami can mean sky. It’s written with the kanjis sky (空, sora) and body (身, mi). Again, sky can refer to heaven, referring to the fact she’s dead and in heaven, just like her sister.

Inukai Eisuke (犬飼 ��介). Eisuke can also be written 英輔. His name is written with the kanjis English (英, ei) and through (介, kai). The first kanji is the same as Hanabusa’s kanji and the same as Isuke’s last kanji. It can also be written 栄祐 and 栄助 , which means glory, honour (栄, ei) and divine intervention, protection (祐, suke) or help, aid (助, suke). Eisuke did help Isuke when she was a kid, and I guess for an assassin, he has some honour.

Irina (イリーナ): I think those are katakana, which are usually used in Japanese for foreign names. Irina does seem like she’s not or not fully Japanese because of her darker skin.

So that’s it. I used a lot of different sources, so perhaps some of the kanjis are erroneous. If you know other things about the names and kanjis, don’t hesitate to leave a comment or send me a message. Thanks for reading!

#akuma no riddle #riddle story of devil #anr #analysis #kanjis #name analysis

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miguelmarias · 3 years ago

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TOP 2021

A) Grandes películas realizadas después de 2016, pero vistas por primera vez en 2021:

Mo er dao ga(Anima;Cao Jinling, 2020)

Cry Macho(Clint Eastwood, 2021)

Les choses qu’on dit, les choses qu’on fait(Emmanuel Mouret, 2020)

À l’abordage (Guillaume Brac, 2020)

Still Life of Memories(Yazaki Hitoshi, 2018)

Doraibu mai k?/Drive My Car(Hamaguchi Ryûsuke, 2021)

Let Him Go(Thomas Bezucha, 2020)

Dorogie tovarishchi(Dear Comrades!;Andreí Konchalovsky, 2020)

Il n’y aura plus de nuit(Éléonore Weber, 2020)

Marx può aspettare(Marco Bellocchio, 2021)

——————————————————————————————————————–

The Marriage Project(Hesam Eslami & Atieh Attarzadeh, 2019)

Gûzen to sôzô/Wheel of Fortune and Fantasy(Hamaguchi Ryûsuke, 2021)

Suzanna Andler(Benoît Jacquot;a.Marguerite Duras, 2020/1)

Maixabel(Iciar Bollain, 2021)

News of the World(Paul Greengrass, 2020)

Country Music(Ken Burns, 2019)

——————————————————————————————————————–

B) Grandes películas hechas antes de 2016, pero vistas solo en 2021:

Serdtse materi(The Heart of a Mother;Mark Donskoí, 1966)

Yumechiyo Nikki(Yumechiyo’s Diary;Urayama Kirio/Kiriro, 1985)

Petit à petit(version 4 hrs)(Jean Rouch, 1971)

The Whistle at Eaton Falls(A Drama of Real Life)(Robert Siodmak, 1951)

Taking Sides/Der Fall Furtwängler(Szabó István, 2001)

Losing Ground(Kathleen Collins, 1982)

Dream Girl(Mitchell Leisen, 1947/8)

Valley of the Sun(George Marshall, 1942)

The Silent Partner(S1,Ep.12 de Screen Directors Playhouse)(George Marshall, 1955)

Life Begins at 40(George Marshall, 1935)

Peesua lae dokmai(Butterflies and Flowers;Euthana Mukdasanit, 1985)

Hellfire(R.G. Springsteen, 1949)

Shin Heike Monogatari:Yoshinaka o megoru sannin no onna(Kinugasa Teinosuke, 1955/6)

Texas(George Marshall, 1941)

Vremia zhelanií(Time of Desire;Iulii Raízman, 1984)

Nigorie(Imai Tadashi, 1953)

Die Rebellion(Wolfgang Staudte, 1962)

Kirmes(Wolfgang Staudte, 1960)

Joi no Kiroku(Shimizu Hiroshi, 1941)

Stories We Tell(Sarah Polley, 2012)

Días de otoño(Roberto Gavaldón, 1963)

Man’s Calling(Almost a Friar;Allan Dwan, 1912)

Das Lamm(The Lamb;Wolfgang Staudte, 1964)

Bokuseki(Gosho Heinosuke, 1940)

Hashi no nai kawa(The River with No Bridge; Higashi Yôichi, 1992)

Taiyô no suwaru basho? no suwaru basho(The Place Where the Sun Sits;Yakazi Hitoshi, 2012)

Suîto ritoru raizu(Sweet Little Lies;Yazaki Hitoshi, 2009/10)

Fuon(The Crying Wind;Higashi Yôichi, 2004)

Ainsi soit-il(Gérard Blain, 1999/2000)

The Rose of Kentucky(D.W. Griffith, 1911)

The Romantic Story of Margaret Catchpole(Raymond Longford, 1911)

Odoriko(Shimizu Hiroshi, 1957)

Escape(Mervyn LeRoy, 1940)

Raí/Paradies(Paradise;Andreí Konchalovsky, 2016)

Never a Dull Moment(George Marshall, 1950)

A Millionaire for Christy(George Marshall, 1951)

Friendly Enemies(Allan Dwan, 1942)

Maging Akin Ka Lamang(Lino Brocka, 1987)

Bulaklak Sa City Jail(Mario O’Hara, 1984)

Kawanakajima kassen(The Battle of Kawanakajima;Kinugasa Teinosuke, 1941)

The Girl Said No(Sam Wood, 1930)

Eno nakane bokuno mura(Village of Dreams;Higashi Yôichi, 1996)

Atlantis The Lost Continent(Siren of Atlantis/Atlantide;Gregory G. Tallas,coll.John Brahm,Arthur Ripley, 1947//9)

Koiya koi nasuna koi(Love, Thy Name Be Sorrow/The Mad Fox;Uchida Tomu, 1962)

Destry Rides Again(George Marshall, 1939)

A Message to Garcia(George Marshall, 1936)

Chicago-Weltstadt in Flegelsjahren(Heinrich Hauser, 1931)

Die Stadt der Millionen. Ein Lebensbild Berlins(Adolf Trotz, 1925)

Wandering Papas(Stan Laurel, 1926)

C) Películas recientes muy buenas:

Dereka no mokkin(Somebody’s Xylophone;Higashi Yôichi, 2016)

Hostiles(Scott Cooper, 2017)

Ray Meets Helen(Alan Rudolph, 2017)

Tre piani(Nanni Moretti, 2021)

Des Hommes(Lucas Belvaux, 2020)

Petite Maman(Céline Sciamma, 2021)

Running Wild(Alex Ranarivelo, 2016/7)

Degas et moi(de 3e Scène;Arnaud Des Pallières, 2019)

Eskape(Neary Adeline Hay, 2021)

Dangsin-eolgul-apeseo(In Front of Your Face;Hong Sang-soo, 2021)

The Marksman(Robert Lorenz, 2021)

Un soupçon d’amour(Paul Vecchiali, 2019/20)

The Miniaturist of Junagadh(Kaushal Oza, 2021)

L’equilibrio(Vincenzo Marra, 2017)

Felkészülés meghatározatlan ideig tartó együttlétre(Preparations to be together for an unknown period of time;Horvát Lili, 2020)

Longe(Far;José Oliveira, 2016)

Seize printemps(Suzanne Lindon, 2020)

Onoda, 10.000 nuits dans la jungle(Arthur Harari, 2021)

Huda’s Salon(Hany Abu-Assad, 2021)

The Sea Ahead(Albahr’amamakum)(Ely Dagher, 2021)

Les Apparences(Marc Fitoussi, 2020)

Pray for Rain(Alex Ranarivelo, 2017)

Quién lo impide(Jonás Trueba, 2016-21)

A Quiet Place Part II(John Krasinski, 2020/1)

A Quiet Place(John Krasinski, 2018)

Antlers(Scott Cooper, 2019//21)

Zeros And Ones(Abel Ferrara, 2021)

Supai no tsuma(Kurosawa Kiyoshi, 2020)

A todo tren. Destino Asturias(Santiago Segura, 2021)

The Great Indian Kitchen(Jeo Baby, 2021)

What Is Life Worth/Worth(Sara Colangelo, 2020)

Errementari(El herrero y el diablo;Paul Urkijo Alijo, 2017/8)

Sylvie’s Love(Eugene Ashe, 2020)

La Telenovela Errante(Raúl Ruiz,Valeria Sarmiento, 1990/2017)

Irradiés(Rithy Panh, 2020/1)

Traidores(Jon Viar, 2021)

Impuros(Alberto Utrera, 2021)

Wild Mountain Thyme(John Patrick Shanley, 2020)

Explota Explota(Nacho Álvarez, 2020)

Asa ga kuru(True Mothers;Kawase Naomi, 2020)

The Song of Names(François Girard, 2019)

Coda(Claude Lalonde, 2019)

(The)Borderlands(Samarth Mahajan;col.Nupur Agrawal, 2020/1)

Sardunya(Geranium;Çagil Bocut, 2021)

Ride or Die(Hiroki Ryuichi, 2021)

The Beatles Get Back(Michael Lindsay-Hogg/Peter Jackson, 1969///2021)

Summer of Soul or When the Revolution Could Not Be Televised(Questlove, 2021)

Concierto para la batalla de El Tala(Libro primero de La Saga de los Mártires Unitarios)(Mariano Llinás, 2021)

My Octopus Teacher(Pippa Ehrlich & James Reed;coll.Craig Foster, 2020)

D) Películas más antiguas muy buenas:

You Never Know Women(William A. Wellman, 1926)

Out of the Furnace(Scott Cooper, 2013)

Watashi no Guranpa(My Grandpa;Higashi Yôichi, 2003)

Mubansô(A Cappella;Yazaki Hitoshi, 2015/6)

Panic in Year Zero!(Ray Milland, 1962)

The Man I Married(Irving Pichel, 1940)

Show Them No Mercy(George Marshall, 1935)

Badlands of Dakota(Alfred E. Green, 1941)

The Treasure of Lost Canyon(Ted Tetzlaff, 1951/2)

Nie wieder Liebe!(Anatole Litvak, 1931)

Mukashi no uta(Old Sweet Song/Old Song;Ishida Tamizo, 1939)

Keshin(Metamorphosis;Higashi Yôichi, 1986)

Sekando rabu(Second Love;Higashi Yôichi, 1983)

Slave Ship(Tay Garnett, 1937)

Evelyn Prentice(William K. Howard, 1934)

Zwischengleis(Wolfgang Staudte, 1978)

Heimlichkeit(Wolfgang Staudte, 1968)

The Moon’s Our Home(William A. Seiter, 1936)

All Our Yesterdays(of 77 Sunset Strip)(Richard L. Bare, 1958)

I Live My Life(W.S. Van Dyke II;scr.Joseph L. Mankiewicz, 1935)

Una Romantica Avventura(Mario Camerini, 1940)

Le Grand Jeu(Nicolas Pariser, 2015)

Erótica(Emilio ‘Indio’ Fernández, 1978)

Oatsurae Jirôkichi goshi(Jirokichi the Rat;Itô Daisuke, 1931)

Desert People(Ian Dunlop, 1965-7)

Tap Roots(George Marshalll, 1948)

When the Daltons Rode(George Marshall, 1940)

Scared Stiff(George Marshall, 1952/3)

The Blue Dahlia(George Marshall, 1945/6)

Flowing Gold(Alfred E. Green, 1940)

This Side of the Law(Richard L. Bare, 1949/50)

Gränsfolken(Mauritz Stiller, 1913)

Rendezvous(William K. Howard;uc.Sam Wood, 1935)

High, Wide and Handsome(Rouben Mamoulian, 1937)

Heat Lightning(Mervyn LeRoy, 1934)

Black Jack(Julien Duvivier, 1950)

Nancy Steele is Missing!(George Marshall;uc.Otto Preminger, 1937)

The Woman Between(Victor Schertzinger, 1931)

The Woman I Love(The Woman Between;Anatole Litvak, 1937)

Want Ad Wedding(William A. Seiter, 1955)

El agua en el suelo(Eusebio Fernández Ardavín, 1925)

De sueur et de sang(Wonderboy;Paul Vecchiali;coll.Pierre Sénélas, 1994)

The Ghost Breakers(George Marshall, 1940)

State Secret(The Great Manhunt;Sidney Gilliat, 1950)

The Spieler(Tay Garnett, 1928)

Culpables(Arturo Ruiz-Castillo, 1958)

Phenomenon(John Turteltaub, 1996)

Shack Out On 101(Edward Dein, 1955)

The Dog Lover(Alex Ranarivelo, 2015/6)

Il Fauno(Febo Mari, 1917)

Satánico Pandemonium(La Sexorcista;Gilberto Martínez Solares, 1975)

Parisian Love(Louis J. Gasnier, 1925)

Hollywood on Trial(David Halpern,Jr., 1976)

Beyond Mombasa(George Marshall, 1956)

Money from Home(George Marshall, 1953)

Hook, Line and Sinker(George Marshall;p.,w.Jerry Lewis, 1968/9)

Variety(Bette Gordon, 1983)

Séraphin ou Les Jambes Nues(Louis Feuillade, 1921)

Effraction(Daniel Duval, 1983)

Jalaler Golpo(Jalal’s Story;Abu Shahed Emon, 2014)

Cover Up(Alfred E. Green, 1948/9)

Manchas de sangre en la Luna(Come Die My Love;Luis Marquina & Edward Dein, 1952)

Le 7ème Juré(Georges Lautner, 1962)

La Route de Salina(Georges Lautner, 1969/70)

The Squall(Alexander Korda, 1929)

Rose Bernd(Wolfgang Staudte, 1957)

L’Emigrante(Febo Mari, 1915)

Cenere(Febo Mari & Arturo Ambrosio, 1916/7)

Sâdo(Third Base;Higashi Yôichi, 1978)

Universal Citizen(Peter Thompson, 1987)

Nightfall(Gwyneth Gibby, 1999/2000)

Where Lights Are Low(Colin Campbell, 1921)

Mo hozue wa tsokanai(No More Easy Life;Higashi Yôichi, 1979)

Ureshi hazukashi monogatari(A Tale of Happiness/The Pursuit of Happiness;Higashi Y?ichi, 1988)

Strawberry Shortcakes(Yazaki Hitoshi, 2006)

Shiki Natsuko(Higashi Yôichi, 1980)

Yoi ga sametara, uchi ni kaer?(Wandering Home;Higashi Yôichi, 2010)

De cierta manera(Sara Gómez, 1974//8)

Broadway Love(Ida May Park, 1918)

Forza Bastia 78 ou L’île en fête(Jacques Tati & Sophie Tatischeff, 1978///2000)

…addio del passato…(Marco Bellocchio, 2000)

Die Geschichte vom kleinen Muck(Wolfgang Staudte, 1953)

Sangatsu no raion(March Comes Like a Lion;Yazaki Hitoshi, 1991)

El Movimiento(Peter Thompson, 2002)

Lowlands(Peter Thompson, 2009)

E) Grandes películas que mejoran:

Limelight(Charles Chaplin, 1951/2)

Morocco(Josef von Sternberg, 1930)

Körkarlen(Victor Sjöström, 1920/1)

Fool’s Paradise(Cecil B. DeMille, 1921)

Shane(George Stevens;associate d.Fred Guiol, 1952/3)

Potomok Chingis-Khana(Vsevolod I. Pudovkín, 1928)

Man Hunt(Fritz Lang, 1941)

The Tall T(Budd Boetticher, 1957)

Ruan Lingyu/Center Stage(Stanley Kwan, 1991/2)

Something To Live For(George Stevens, 1942)

One Way Passage(Tay Garnett, 1932)

La Roue(Abel Gance, 1923)

Waga seishun ni kuinashi(Kurosawa Akira, 1946)

East Side, West Side(Allan Dwan, 1927)

The Unfaithful(Vincent Sherman, 1947)

Kuhle Wampe oder Em göhert der Welt?(Slatan Dudow, 1932)

Silver River(Raoul Walsh, 1948)

Il Gattopardo(The Leopard;Luchino Visconti, 1963)

You’re the one(Una historia de entonces)(José Luis Garci, 2000)

George Stevens:D-Day to Berlin(George Stevens,Jr., 1994)

The Mating Game(George Marshall, 1959)

The Edge(Robert Kramer, 1967)

Ice(Robert Kramer, 1969)

Alias Nick Beal(John V. Farrow, 1948/9)

Tenshi no harawata:Nami(Angel Guts:Nami;Tanaka Noboru, 1979)

The Savage(George Marshall, 1952)

Underwater!(John Sturges, 1954/5)

A Face in the Crowd(Elia Kazan, 1957)

Cheers For Miss Bishop(Tay Garnett, 1940/1)

Joy of Living(Tay Garnett, 1938)

A Ilha dos Amores(Paulo Rocha, 1982)

Sentimental Journey(Walter Lang, 1946)

The Man Who Died Twice(Joe Kane, 1958)

The Cheat (Cecil B. DeMille, 1915)

F) Muy buenas películas que cambian después de una nueva visión

The Birth of a Nation(David Wark Griffith, 1914/5)

Suez(Allan Dwan, 1938)

Saskatchewan(Raoul Walsh, 1954)

The Plough and the Stars (John Ford, 1937)

Doblones de a ocho(Andrés Linares, 1990)

My Cousin Rachel(Henry Koster, 1952)

Arsenic and Old Lace(Frank Capra, 1941//3)

Big City(Skyscraper Wilderness;Frank Borzage, 1937)

Make Haste to Live(William A. Seiter, 1954)

Cattle Drive(Kurt Neumann, 1951)

The Gun Runners(Donald Siegel, 1958)

Woman Of The Year(George Stevens, 1942)

Bram Stoker’s ‘Dracula’(Francis Ford Coppola, 1992)

Yoru no nagare(Evening Stream;Narusê Mikio & Kawashima Yûzô, 1960)

The Duel at Silver Creek(Donald Siegel, 1952)

Sólo para hombres(Fernando Fernán-Gómez, 1960)

If I Were Free(Elliott Nugent, 1933)

Stand-In(Tay Garnett, 1937)

The Great Houdini(George Marshall, 1953)

Nightmare Alley(Edmund Goulding, 1947)

The Gazebo(George Marshall, 1959)

The Sheepman(George Marshall, 1958)

The Shanghai Gesture(Josef von Sternberg, 1941)

Her Man(Tay Garnett, 1930)

Confession(Joe May, 1937)

The Sophomore(Leo McCarey, 1929)

Luz de domingo(José Luis Garci, 2007)

Drive A Crooked Road(Richard Quine, 1954)

El mar y el tiempo(Fernando Fernán-Gómez, 1989)

Yo la vi primero!(Fernando Fernán-Gómez, 1974)

Sneakers(Phil Alden Robinson, 1992)

Josette(Allan Dwan, 1938)

The Guns of Fort Petticoat(George Marshall, 1956)

Nitôryû Kaigen(Initiation to the Two Sword Style;retitled in 1954 Miyamoto Musashi;Kongo-in ketto;(Miyamoto Musashi;Duel at Kongo-in Temple;Asaka Katsuhiko & Itô Daisuke, 1943)

Forfaiture(Marcel L’Herbier, 1937)

The Old Dark House(James Whale, 1932)

The Amazing Quest of Mr. Ernest Bliss(The Amazing Adventure;Alfred Zeisler, 1936)

The Male Animal(Elliott Nugent, 1942)

No Man’s Woman(Franklin Adreon, 1955)

Padre no hay más que uno 2(Santiago Segura, 2020)

Trader Horn(W.S Van Dyke II, 1931)

Trade Winds(Tay Garnett, 1938)

Alye parusa(Scarlet Sails;Alieksandr Ptushko, 1961)

It Started with a Kiss(George Marshall, 1959)

Benvenuta(André Delvaux, 1983)

L’Arlésienne(André Antoine, 1922)

Erotikon(Mauritz Stiller, 1920)

Four Hours to Kill!(Mitchell Leisen, 1935)

Hot Saturday(William A. Seiter, 1932)

The Moderns (Alan Rudolph, 1988)

Carmen(Cecil B. DeMille, 1915)

Loves of Carmen(Raoul Walsh, 1927)

Wrong is Right(Richard Brooks, 1982)

Miguel Marías

Fuente: http://www.paginas-del-diario-de-satan.com/pdds/?p=6985

#listas #miguel marías

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