#happy 69th post B)
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#69: August 26th, 1978
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Main Masterlist
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Hawks -Â
Hawks X Sad Reader MasterlistÂ
> You donât think he could possibly mean anything to you beyond him being a hero and trying to do his job, right?
Fluff and angst. Mainly used for comfort. Reader has depression. Please stay safe.
Stupid basic imagine that lived in my head rent free for too long.
 Incorrect quote?
SMAU Practice scenario
NSFW One shot
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Shoto Todoroki -
18+ StoryÂ
> Just a spicy one shot. 18+
Birthday One shotÂ
> Just a short story. Light fluff and angst (birthday is Jan 11th for those who dont know)
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Midoriya -
Halloween One shot
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Tokoyami -Â
Halloween One shot
ïž”âżïž”âżïž”âżïž”ïž”âżïž”âżïž”âżïž”ïž”âżïž”âżïž”âżïž”
Kirishima -
Anxiety comfort
Emotionally Exhausted Introvert Comfort
Sick Comfort
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Bakugo -
Halloween One shot
Thanksgiving One shot
Happy Birthday!
> Similar notes to Shigaraki B-Day post
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Dabi -
Part One
> Beginning of an 18+ Dabi X Reader story. TW: Darker themes. Going to be moved over and continued to A03 eventually
Incorrect quotes
SMAU Boyfriend Scenarios
More incorrect quotes
Coffee and Salt
>Â All it took was one meeting to get you to hate him and you to snag his attention. Blame Natsuo. It really is ALL his fault anyways. Would you like some salt with your coffee?
 18+ quirkless cafe AU. Slow burn with eventual spice. AO3 series.
Happy Birthday
> Read TW. Short little story for his birthday. Angst. No fluff.
Fire Escape
> Just a fluffy angst one shot. Iâm proud of it. :) Gn reader as always.
Dear heart, why him
> Angsty one shot. Post breakup with Dabi
S/O Headcanons
> Just my personal opinion on this.
Smoke Rings
> Minor DNI. Read TWs. One shot.
ïž”âżïž”âżïž”âżïž”ïž”âżïž”âżïž”âżïž”ïž”âżïž”âżïž”âżïž”
Shigaraki-
Happy birthday!
> Note that Iâm not proud of this. It actually makes me kinda mad with how bad it is. But I wanted to get something out for his b-day. So this will have a part 2 for his next birthday. Contains fluff and very much minimal cursing.
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Overhaul -
Overhaul X Yakuza Employee Reader
> What happens when you simp over a germaphobe? Not great things. Mainly fucking up. 13+
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Shinso-
Shinso One shotÂ
> Reader reality shifts over to MHA universe, and Shinso is the only one who remembers them when they leave. 13+
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One Shots-
Saying goodbye to your comfort character
^Any comfort character. Kind of sad.
Shitpost (16+)
^ Im so so sorry.Â
Incorrect quotes
> Just mha quotes
Titanic AU
> WIP
Incorrect Quotes as Conversations between my brother and I (69th post lets gooo)
Quotes Taken out of context
InCoRrEcT qUoTeS oNcE aGaIn
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No Fandom -
Justice
> Just a 13+ short blurb
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Caught Up ( ͥ° ÍÊ ÍĄÂ°)
Needless to say, this had to happen, one way or another. ;-;
SO, SWEARING. INNUENDOS. and most importantly, a lemon.
(Also, for those who arenât into this sort of stuff, just know that it has happened. You do not have to read it.) I is 16 now, this is fine...I think. (I donât like going into detail as much as...others do, so...I hope this suffices for now. I probably will end up writing another ;) )
(Only just realized that this is the 69th post.)
And so, it begins, now.
He jumped universes, taking the glitch with him, humming slightly into his jacket. Error looked at him warily, unsure, feeling him pull on his sleeve a little.
âWhat?â
âYou know what you were thinking I was planning in doing earlier?â
âUhh...â
âWell...if you donât wanna fight me, how about...?â The oil monster stepped away, grinning sheepishly, poking Errorâs ribcage gently. Error paused, staring at him, bewildered.
âWhy? I...Iâm not...â He trailed off, anxiously looking for any sign of hesitance from Nightmare.
âYouâre scared?â He enquired quietly, Error grimaced, shrugging a bit. âWell, I can promise that I wonât hurt you...if it makes you feel any safer?â
âJust...w-what about your other form?â He tilted his head, Nightmare smirked slightly.
âIâll be fine.â He told him âJust tell me that youâre willing to try and Iâd be more than happy.â Error bit his tongues, thinking, slowly sinking into his jacket as his cheeks turned dark gold. Silently, he nodded, avoiding eye contact. Nightmare chuckled âWas that a yes?â
â...y-yeah...â He whispered, embarrassed about the simple thought of intimacy. He noticed a smile on Nightmareâs face from the corner of his eye, idly walking beside him as he led the way, out of the throne room. âN...Night?â
âHm?â
â...how come youâre not...scared...of doing it...?â He questioned nervously, Nightmare eyed him, squeezing his hand gently.
âI donât have any reason to be scared of you.â He said simply âYou said you didnât want to fight me, let alone hurt me, so...I trust you.â
âB-but you were--â
âYeah, but youâre not them.â He pushed open his bedroom door, closing it behind Error and locking it. âLight on or off?â
â...off...â The glitch glanced around, feeling Nightmare pull him over to the bed, confidence in his strides. âS...so...what am I...supposed to do...?â
âFor one...I think you know that these need to go.â Nightmare touched the brim of Errorâs shorts, he glitched uncomfortably, taking his jacket off cautiously. Nightmare pinned him to the bed, grinning, watching his cheeks flush darker. âNeed a hand?â
âN...not really...--!â Error squeaked, feeling a tendril slip up his left leg, flinching away immediately. Nightmare tugged his red jumper over his skull without a problem, lavender dusting his cheeks, partially amused as Error covered his chest with his arms.
â...I could always get you used to it...â He suggested, the glitch sank into the bedâs covers, flustered. âYou donât mind, do you?â
â...I-I donât...know...â He replied, the sensation of Nightmareâs tendrils crawling up his legs returned, he began gnawing on his tongues.
âI swear...youâre probably gonna have more fun than me.â Nightmareâs eye glowed softly, flickering from time to time, illuminating his and Errorâs face. âDonât worry about anything, alright?â
âBut--â
âError...--!â He was cut short by Error squeaking again, writhing, discomforted by the sudden contact on the bottom of his pelvis. Nightmare paused, looking at him and, out of nowhere, breaking down into a fit of laughter. âYouâre fucking adorable!â He exclaimed, his eye sparked, watching code cover Errorâs eyes.
His tendrils continued to move, pressing down lightly, causing Error to kick out, wanting Nightmare off him. The oil monster took his own jacket off, followed by his dark grey jumper, slipping his slippers off his feet. He moved onto the bed properly, pulling Error with him, chuckling a little at the expression on his face.
âYou trust me, right?â Nightmare queried, Error nodded, rubbing at the coding. âGood...â He touched the brim of Errorâs shorts again âDâyou trust me enough?â Hesitating for nearly a full minute, Error nodded once more, feeling his slippers being pulled off with his shorts.
âN/igh//t...â
âYou okay?â
âM...m/hm...â He felt Nightmare move a bit, the code dispersed from his face, allowing him to see. He grew flustered, feeling the oil monster push down on him slightly. A white glow ignited around their bodies âSh-shit!â Immediately, he grew light-headed, feeling Nightmareâs magic beginning to pulse through his bones.
The change of magic was enough to cause him to feel drowsy, twitching as Nightmare moved closer to him. He stared at him, chewing on his tongues, holding down the urge to shove Nightmare off him and hide under the covers.
â...you okay?â Nightmare asked again, not wanting to scare Error away.
âI...I donât know...t-to be honest...â He responded warily, averting his gaze, uncertain. âIt...it feels weird...â The oil monster nodded, kissing his forehead gently, only making Errorâs face grow even darker, his blush spreading over his nasal bone.
â...just tell me when youâve had enough and Iâll stop, okay?â
âO-okay...â He nodded into Nightmare, hugging him, shuddering slightly at the sensation.
â...careful.â Nightmare murmured, Error said nothing, breathing heavily into his shoulder. â...does it hurt...?â
â...a...a little...â Nightmare moved back a little, worried.
âDo you want me to stop?â
âNo...no, I...donât wanna...stop...â Error shook his head, glancing up at the oil monster, almost expectantly. Nightmare sighed slightly, wary, cupping Errorâs cheeks in his hands.
â...are you sure? You...look like youâre about to start crying...â
â...mânot...â He mumbled, feeling Nightmare rubbing his thumbs into his cheeks. â...stop that...â
â...why?â
â...âcoz youâre gonna make me drool...â Error said, averting his gaze. Nightmare smirked a bit, carrying on, watching as blue saliva started to make its way out the corners of Errorâs mouth. âT...twisted git...â Error twitched, Nightmare chuckled quietly, amused.
â...you have no clue how much I fucking adore you.â He grinned smugly, the glitch groaned, rolling his eyes.
â...you can stop...â
â...and if I wanted to hurt you?â
â...d...donât.â Error squeaked, anxious. Nightmare smiled, laying down beside him, shaking his head.
âI wouldnât dare...donât worry...â He told him, Error moved onto his side, staring at the oil monsterâs eye.
â...I...love you...â
#caught up#armageddon#asknightmareanderror#nightmare sans#error sans#lemon#sour lemon#intimate#intimacy#sinners#sin#god help me#save me#i'm going to hell#maybe satan likes lemons?
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Dominate Me
Pairing: Dean x Reader
Word Count: 9,686 (Worth it, if you ask me.)
Warnings: swearing, physical restraints, commands, teasing, alcohol, biting, licking, sucking, smut. Graphic smut. Graphic descriptions of sex.
A/N: I started this about a month ago, after I was inspired by this post. In celebration of my 69th day after creating this fiction blog, I decided to finish and release this baby. Enjoy.
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You knew he secretly wanted to be dominated. Well ..there is no way you could possibly know that, but you really hoped your plan would work. Â âOkay, buck up buttercup, youâve got this. You are a powerful, confident woman.â You splash cold water over your face and stare into your eyes in the mirror. You stand up straight and put your hands on your waist, admiring your favorite piece of lingerie.Â
 Right now, you donât care about your body. You donât care about the shape, the bumps, the discoloration. You know that the secret to confidence is faking it-and the secret to sexiness is confidence. Ergo, you look at yourself up and down and state, âYou are one sexy fucking woman.â  Youâve had this body for decades so you had every single day to notice differences; speculate every line, every hair, every fading part of you that looking back on photos you think have lost their luster.  But guess what. Dean hasnât seen any of it. You think, hoping that a fresh pair of eyes will be so blinded by the glamorous parts that they wonât notice anything else. Heâd better be fucking happy I decided to show him any of myself at all. You decide, determined.
 Alright! It is time! You get dressed and pour yourself a glass of Glenfiddich. You swirl it in front of your nose and inhale deeply. Mmm, sweet.  You take a swig and gag a little - not quite sure how youâre going to hold back your reflexes out there. But I WILL do it!  Itâs not that you donât like the burn, itâs just more comfortable to let your body react than trying to suppress yourself.  You grab the handle, close your eyes, release the breath tightly pent up inside of you....and turn the handle.
 As soon as you step into the room, Dean turns to face you, âHey, Y/N have you seen this-â he drifts away and slowly drops his jaw.  You keep your head up and donât say anything, allowing him to absorb your whole physique. You can tell he canât quite put his finger on it, but something about you is different. Yeah, mother fucker, take it in, figure it out.  Dean averted his eyes and cleared his throat, âScotch, Y/N?â  You smile after you walk past him, giddy inside, but solid as a rock on the outside, âMy favorite.â You say in what you imagine is a seductive voice.  â12 year?â You catch him checking out your ass as you turn back around, âActually, itâs the 18.â You wink at him and walk over to his side.  âWell havenât we refined our tastes?â He chuckles but stops dead when you lean over his shoulder and ask in a hushed voice, âSo what were you asking me about? Something I havenât seen?â  âOh, well, yes this article- um, articles rather. About,â he pauses as you can tell he is smelling your perfume, âwell actually here, you can just read them.â He puts them on the table and stands up, screeching his chair backward.
 You pick up the small stack of clippings and smirk to yourself. Going pretty well, maybe?
 You hold one article in front of your face as you twirl the glass in circles with your other hand. Partially taking in the information presented in front of you in writing, you use your peripheral vision to take in information of another kind. You tap the side of the glass and bring it to your lips, pausing for a moment to think- youâve got to keep the ball in your court. You settle your bottom lip on the edge of the glass, curling your lip up and down unintentionally.  You hear a grunt over by the window and snap back to the moment. âHmmm.â you murmur and take the sip thatâs been preparing itself under your lip. Without changing expression you swallow slowly and put the article down. You get out of your chair and walk toward Dean in time to see him gulping hard and looking out the window.
 You slide into the armchair and lean back comfortably, crossing your legs in a relaxed manner. You rest your fist under your chin, sucking your bottom lip between your teeth.  Thatâs not very confident, is it Y/N? You unfurl your lip before Dean can notice your nervous habit. Heâll be able to tell right away that youâre nervous. Youâve been hunting together for way too long to hide your usual tendencies from him.  Now just let him stew in the silence. Silence makes people uncomfortable, and you are in control of keeping it going. You purse your mouth a little to keep your smirk from growing too obviously.  Deep inhale. You finish off your glass and set it audibly on the wooden side table, bringing Deanâs attention to you again.
 âMan, I could use one of those.â Dean suggests and you wait a moment before tilting your head and holding out your glass toward him, âGreat, Iâll take another.â He looks at you stunned but you keep your hand extended and your face still.  He takes the glass and walks away with a twisted, confused face. Thatâs right fucker. You must be used to me always jumping to bring everybody drinks and clear the plates from the table. Not today, sweetheart. You can bring me drinks for once. Not that he was ever rude or refused to get his own drinks, he was usually too focused on research to pay attention to cleaning up after dinner.
 You stay unmoving in your seat, with the exception of leaning your head back and closing your eyes to give the illusion of deep thought or resting. Let him think whatever his mind wants him to think.  âSo this series of unexplained deaths year after year, what do you think? Something there for us to look into?â breaking the silence in his usual husky, gruff voice.  Your stomach tightens but you keep your eyes closed, God knows how he probably looks right now. No need to get you drooling over his concentrated hunting persona. This is your time, and you add, âSame month every year? I donât believe in coincidence.â  You hear ice clinking by your face, but you donât flinch. After a moment Dean clears his throat and switches his weight from one leg to another, âHere you go.â he says curtly.  Slowly unfurling your eyelids you stare directly into Deanâs eyes. His eyebrows raise slightly and you express a, âThank you.â continuing to bore into him as you take the glass and drink a gulp.  Dean breaks eye contact and looks up at the ceiling before bringing his own glass up to his face to take a deep drink. You take the opportunity to put your hand on his hip and he chokes on his scotch and stumbles a few inches, but not before you managed to unlatch the strap on his blade and slide it out of his belt.
 âYou could have just asked,â he wipes the side of his mouth, which is covered with a few drops of scotch and spit, âyou didnât have to scare me.â  âScared?â you asked innocently but in a low voice. âYou - I mean, not scared, just surprised while I was drinking. I could have choked.â he stutters.  âYou did choke.â you say evenly as you inspect the blade between your hands and uncross your legs purposefully, âI think this kind of hunt could use a blessed dagger. Do you have any more?â You say matter of factly as you pop out of the armchair and flank Dean, âSorry for scaring you.â you say, not sorry at all, and you tuck the dagger back into Deanâs holster.
 Assessing Deanâs reaction you keep your heart rate steady so as not to blush, this close to his face. He doesnât move and doesnât make any faces of his own. It seems heâs figured something out, but what is he thinking?
 âY/N,â he starts as you walk back to the table with the articles, âIs something on your mind?â he follows up a few steps behind you.  âThis seeming ritual sacrifice is at the top of my mind,â you place your hands on the table, framing the articles between your palms. You stick your ass out a bit, planning your next move here.  He leans over your shoulder, breathing over your ear, âThatâs not quite what Iâm talking about.â You stop your body from shuddering, turning excitement into pure anger and tilt your head in his direction, facing him.  You donât want to say anything too fast but if you donât say something at all you will seem a lot less confident than the past 15 minutes.  âYouâre different.â he unknowingly rescues the situation.
 âWhat is different?â You turn around and lean against the table, crossing your arms under your chest and leaning your head back just enough to look defiant.  âIt took me a few minutes, but I donât think Iâve ever seen you in heels.â He mirrors your crossed arms, quickly glancing down at your pressed up cleavage framed by your biceps.  âItâs our first day off hunting for a while, and I donât make a habit of comic-girl heeling it when weâre fighting.â You smirk.  âI wouldnât know I guess.â He thinks a moment, looking deeply into your eyes, âThatâs not all.â he continues.  âOh?â you ask, amused. Surely he isnât going to say âyou are usually a quiet scared shit unless we are fighting demons or spiritsâ But that is kind of it, isnât it?
 He steps closer to you and you keep your muscles loose and relaxed, refusing to tense up like he expects of you.  âYouâre not usually so ..direct.â He twists up his face as though this wasnât a satisfying answer for himself.  âI was only saying what I think about the case?â You say mock confused and shake your head a bit. He thinks twice about approaching you and turns to pace a circle around the table.  âNot about the case. Not with your words is what I mean.. youâre not usually so direct with your actions.â He rounds in front of you and continues his circle around the table. You see from the corner of your eye he eyes you suspiciously as he steps behind the table.  âIâm only standing here, Dean.â you can tell that your lack of movement and minimal speaking is bothering him, but he hasnât realized that being the one doing all of the talking and moving is making him uncomfortable.
 He stops across from you at the table, you could tell even though your back was turned to him, from the reflection in the television on the wall.  âAre you mad at me or something?â he struggles to figure out the situation.  You turn around and furrow your brow at him, âHave you done something for me to be mad at you?â What a ridiculous question. What could you possibly-when have you ever done anything thatâs merit any anger from me? But you see he isnât sure what to think. He looks up at the ceiling in a recounting manner, thinking of his past actions.
 His freckles are illuminated under the cheap motel chandelier and his green eyes reflect the tiny light bulbs shaped like candle flames. He is mouthing to himself and his kneading lips make you feel a bit hot all of a sudden. You turn away and go back to the armchair for your abandoned scotch glass. You sway your hips in a way that you know the heels will accentuate the lift and curve of your ass, hoping to scramble his thoughts so that you can gather yours.
 You go back to grab the bottle of Glenfiddich and glance down to see your nipples, hard like two pebbles in your shirts. Well, I suppose Iâd better make my way to the point soon.  You sashay over to Dean with the bottle, his thoughts sufficiently scrambled. âOkay Dean, letâs just talk then.â You pour a generous amount of liquid bliss into his glass and top off your own, âI feel like we never get to just talk.â you pout as you slide his glass toward him.
 âTalk? We talk a lot.â He lifts up the scotch whiskey and shrugs before going in for a swallow, âDEAN.â you say strictly.  He glances at you and puts his glass down, âThatâs almost twice youâve made me choke. Will you just do and say what you need to say when Iâm not drinking?â  âWell then I wouldnât get to do or say very much.â you tease and he fake laughs before you continue, âDare to drink before me?â reaching out your glass in his direction.  âAhah is that a challenge little one?â He chuckles and clinks your glass.  âDonât call me little one.â You command. Quizzically he nods but doesnât protest. âWe talk about hunting, we talk about strategy, we talk about what we found during research.â You glide toward the edge of your seat and slope over the table, resting your elbows and forearms under your chest, exposing a fine twist of lace under your loose shirt.  âAlright. Well, I notice,â he says minding not to look down your shirt as it falls open more than your clothing is used to doing, âYou donât normally dress girly.â he finishes rather lamely.
 âGirly? Ribbons and dresses and flowery hats? What are girls supposed to wear, my dear?â you mock with a frown.  âNot like that. I mean... you are wearing heels for the first time, I donât even know where youâve had them-and while you normally wear your denim and t-shirts, I donât think Iâve ever seen you in anything other than a sports bra?âÂ
 Bingo.
 You leer at him with a sly smile on your face, âSeen me in anything other than a sports bra?â Flushing red he quickly shakes his glass in front of his face, âNo, not seen, well you know. You change quick, but youâre just,â he stumbles and takes a deep breath.  Silence is your friend here. He takes a swig of the whiskey and you decide to put him out of his misery.  âSo you watch me when Iâm changing, or are you saying that you only see me in a sports bra and nothing else?â Okay so youâre adding to his misery not putting him out.  âObviously not.â He grumbles and you burst out laughing, unable to contain yourself anymore.
 âWhat do you mean, other than a sports bra? If you donât mean what I said before, then you must mean,â you lurch over the table toward him and tug your neckline down with a single finger, exposing your laced and designed torso, âAre you talking about my current lingerie?â You lick your incisors, ready to devour him at a momentâs notice.  His look of sheer terror is absolutely delicious. To see the great, self-assured Dean Winchester sheepish and awkward is an unimaginable delight.  âFucking hell.â Dean grunts in a moment unsure of if he should look away or lunge at you.  You return to your side of the table but remain standing, hands on the edge of the table.  âI guess I wonât ask how long youâve noticed, but I suppose I canât blame you, I do find it pretty hot myself.â You grin, bemused.  âAhah..â Dean awkwardly laughs in his seat, unsure of what to say.
 âCome here.â you point at your chair and take a few steps back. He looks at you amused, which annoys you. Iâm in charge here. Do you think this is about you right now?  âWhat exactly are you going to do?â he sneers.
 You frown and grind your teeth a moment. Think. You push your hair out of your face and look down at him with a determined stare.  âI see weâve finished the bottle. Iâve got one more in my bag.â You grab the chair and start dragging it with you, âIâm going to get my bottle. If you are in the chair when I come back, I will share. If you are not, I suppose you wonât know what I was going to do after all.â You leave the chair in the middle of the carpet, facing away from the bathroom.  Dean perks up and you turn on your heel toward the bathroom door and disappear behind it without so much as a glance over your shoulder.
 Shit, okay. This had better work. If that didnât work I am about to make a fool out of myself. You unbuckle your jeans and yank them down your legs, then remembering you are wearing a garter with stockings you gently tug them the rest of the way off and step out. You shove your hand into your bag, searching for the bottle, kissing it once you pull it into sight. Thatâs not way to think now. Youâre too far in now. Youâll make a bigger fool of yourself coming out if he is in the chair and you say âjust kidding ha haâ You gaze at yourself in the mirror and remind yourself again, you are one BADASS WOMAN. Men will die at your feet and you will step over their bodies and keep on walking. You nod. A bit extreme, but itâs got your spirits up again.Â
You smooth out your bodice and tighten up your stockings to the top of your thighs, ensuring the garter clips are secure. Better keep the heels on, it makes me so much more powerful and womanly feeling.
 You walk out and smile to yourself to see Dean seated in his place. Everything is perfect. You cradle the bottle and make a wide loop around the chair and in front of Dean.
 Dean starts to mouth out words but he canât seem to find his voice. Unable to make a snarky comment he simply looks at the floor to the side of you.  Pleased, you go to the kitchenette to retrieve his glass, only to find that yours sits alone on the counter. You raise an eyebrow but pour yourself half a rock glass.  You take the bottle and your drink and slink back over to Dean, who seems to be chewing his lip nearly through the skin. You spot the glass, as you imagined, between his thighs, right up to his crotch on the chair.  You think youâre so fucking clever. You pop open the top of the bottle, and tip it over his thigh as though you are about to pour but then you tilt it back up and say, âArenât you forgetting something?â you leer down at Dean.  âPlease?â he suggests. You scoff, âCute. But your thighs are getting this glass pretty hot.â He wiggles and eyebrow and you frown at him, âBring us some ice.â  He gets up and throws his hands in the air, âOkay.â he says mock exasperated.
 âLeave this.â you latch a finger into his belt. He looks over his shoulder at you and shrugs. He starts to undo his buckle but you pull him back firmly by his belt loops and slide your finger along his waistband as you circle in front of him, âIâve got it.â  Without breaking eye contact you pull the tab of the belt tight, making a tiny bit of air escape Deanâs lips. You flip the clasp out of the way and drag the belt out by itâs buckle end with one hand. Once youâve extended all the way behind you, it becomes apparent it is much longer than your reach. You step back and slide behind Dean as he stands quietly in place.
 You meet the two ends of the belt in your hands and bend it in half so it forms a puckered loop. You loudly snap the belt and say, âIce.â  Slightly startled he goes to the fridge and pulls out a single tray. He avoids meeting your gaze as perplexed expressions muddle his face. He drops cubes into his own glass and looks around the counter for a second.  âHere little tiger.â you slosh your glass too and fro before stopping him, âWhy donât you just hold a couple in your mouth for me?â  âWhat?â He chuckles. Your expression turns dark and you motion toward the chair, âAm I unclear?â  He scoffs and smiles at you, amused. He shakes his head and pops a couple of cubes in his mouth and you place your arms on the back of the chair, awaiting his return. He sits down and looks up at you for the next request.
 âOkay, you seemed to have earned a sip.â You roll the neck of the bottle around the rim of his frosty glass. You allow half a shot to pour in and he stares at the glass in disappointment.  You crouch down in front of him and put the bottle down. âYouâre going to have to earn it bit by bit baby.â He lightly nods and starts to open his mouth to let out an icy breath. âCw-ow-lhâ He incoherently speaks and you place your glass under his lips, âWell go on, give them to me.â  He spits them out carefully and swallows back the melted remnants. âMan that was cold.â  You place a finger to his mouth and shake your head. He grazes his bottom lip with his teeth and you lift up the bottle again, âGood boy.â You splash some more brew for him and put the bottle back down.  You give him the glass and spot some curtain tie holds and you walk over to the drapery and release them from their restraint. Deanâs eyes widen as you return to him and kneel to secure Deanâs arms to the chair. It doesnât have to be particularly tight or well latched, since no matter how well you tie him up he is a hunter after all.  You stand back up and slide the belt through your hands. Smooth, worn leather. You turn your back to him, although at his eye level itâs more like you turn your ass to him.
 You snap the back strap of your garter and turn your head over your shoulder, âAre you watching, little tiger?â
 He seems in a trance, swaying his head lightly as he watches your form, until he raises his eyebrows and possibly smirks a little.
 You hold the belt against your waist, circling it behind you. The cold leather tingles your skin, and you think about how this holds Deanâs jeans up every day. You want him to think about it holding you, as well.  You slide the belt along your lower back, allowing it to curve along your hips. You loosen your grip so that it can drop to your ass, and fall further in an achingly slow pace. You cradle your bottom with the belt and give it a bit of lift by pulling on the leather strap.  As you pull a bit harder it glides up off your cheeks and your ass bounces without the pressure.
 Once more you place it just above your thighs. When it is in place you give the belt a good crack, spanking your ass with itâs leather snap.
 Dean moans in his chair behind you and you hear his feet shuffle on the floor a moment.
 You keep the belt at your thighs as you waggle your behind left to right, making your whole body shimmy around. You drop one end of the belt and put your hand around itâs neck, pulling the buckle upwards over your head. It slides through your fingers until you catch the other end, once again. You pull the belt fully overhead, raising both arms in the air.  You stretch your body back, arching your chest, and sliding a leg back to keep you balanced.
 You see an upside-down Dean with his jaw dropped to his chest and his eyes a swirling disbelief of crazed appetite.
 Using your core muscles, you slowly bring yourself back up to standing and form the belt into a circle again. As you turn you pinch the ends of the belt to make a thin loop again.
 You snap the belt with a loud CRACK.
 Dean flinches.
 You lick your lips and make measured strides of one foot in front of the other. You come up in front of him and crack the belt again.  This time Dean doesnât flinch. His tongue is practically hanging out of his mouth, and youâre sure if you waited a few more minutes he would be drooling.  You release one side of the belt and bring the hand that is still gripping the buckle onto Deanâs shoulder.
 You place one leg to the side of his knee. You wait.
 He releases his stare from you just to run his eyes down your body. He soaks up all of your figure. He devours your lingerie with his eyes. He gets down to your hips and his mouth clamps shut with a loud clunk. His teeth are exposed in his grin, but obediently he does not make a comment.  His jaw works as he continues down your legs, all the way down to your heels. He moans a little impatient whimper.
 You place your other leg on the outside of this thigh, squatting down to sit in his lap.
 He bites his lip hard as he watches you lower yourself onto him, paying particular mind to your lacy crotch.
 You wrap the belt behind his neck, allow it to slither behind his shoulders. You grab a hold of the flickering end before it drops behind him and you tighten up on Dean.  You look down at him, divine power running through your veins. He was obeying you. He was hungry for you. You were swelling with seduction and suspense.  His green eyes sparkled as you inspected them closely. Those eyes youâve always wanted to stare into, but you were afraid to look too long. You took your time now, noticing each speckle like freckles in his iris.  You pulled the belt harder, leaning him into you, bringing his lips right in front of you.  His eyes, although too close to your face to focus, you could see they were still open, looking at you.  The moment you prolonged between you made him glance down at your lips instinctively. You wondered if he would break and kiss you. You wondered if you would want to punish him for breaking or fall in to his kiss.  Hot breath swept against your lips, and you smelled the Earthy, sour smell of whiskey.
 You thought of putting in an ice cube for fun, to experience an icy numbing kiss. But not now. Not for your first kiss with Dean Winchester.
 You inhaled a deep breath and pressed yourself to him. Your whole body. Your mouth to his mouth, your chest to his chest, your legs to his legs. You wanted to entwine into him, like a vine spindling around another vine until itâs impossible to untangle.  You exhaled through your nose and you felt dizzy. His tongue was soft, but kind of cold from hanging his mouth open the past few minutes. It wrapped around your tongue like a wave extending and receding.  His lips were succulent and you wanted more than anything to bite them. So you did.  You sank your teeth into his bottom lip, making him gasp a quick moan of pleasure.  âY/N...â he warned.
 âPatience.â you whispered against his lips.
 You lean back and observe his tasty expression. He is filled with restraint, almost bursting with every last bit of what he has left. Your eyes land on his luscious lips, temporarily bruised with the marks of your teeth.  You raise your eyebrows in satisfaction and reach down to the side of him where his glass sits, awaiting more reward.
 You sip whatâs left of the liquor and he opens his mouth to protest, but you shake a finger at him.  You reach to other side for the bottle and pour a hefty serving into the glass. He smiles and nods his head.  Until you take another large gulp, leaving him only half of what you poured. He frowns but you put the glass to his lips.  âBe grateful for what youâve got.â you say as you tip the glass toward him, allowing him to drink up the remainder.
 He smacks his lips in delight and you put the glass and bottle down.
 You straighten up and lean back a little, resulting in a scent wafting from your moist panties, up to his nose.  His muscles tighten underneath of you and you place your hands on your thighs, grabbing the fatty insides until it slightly stings, âDo you want to touch me?â You gently shake your fists full of your legs, until he breaths heavily and nods.  You scrape your nails up your thighs, outward toward your knees, until you hit your garter. Deanâs eyes run along the light red trails you drew and he canât stop himself before saying, âWhy donât you let me scratch that for you,â as he reaches his hands as far within the restraints as he could, nipping at the outside of your thigh and part of your ass with his fingers.
 You stand up quickly, outside of his reach, âUh-uh. Bad little tiger.â
 You place a foot between his thighs, on the seat. You glide your fingers down your garter reaching the top of your heel. You lick one of your fingers, to be able to catch the tight hose that wrap your legs, which has the unintentional effect of making Dean blush.  You pinch part of the hose and rake your fingers up your leg to straighten out your tights. You put your leg down and replace it with the other side. You lean in and make sure to keep Deanâs eyes as you place two fingers halfway into your mouth, pressing them into your tongue, and drag them down slowly until theyâve lightly pulled your lip out. One final flick pops your lip back into place and Dean closes his eyes tightly for a moment, licking his own lips in imagination.  You fix your hose and make sure the garter is lined up nicely along your thigh.
 You kneel down in front of Dean, allowing him to look down at you for once. His eyes are hypnotized to follow you, so you feel just as much power from below, as from above.  You lean down to one of his hands and pause your mouth in front of his dangling fingers. He cocks an eyebrow at you and tilts his head. You stick the tip of your tongue out until it is just under his finger and you turn your head toward his face, âKiss me.â you whisper.  He leans down as far as he can and you meet him the rest of the way, allowing him to suck your bottom lip. This time his tongue is hot and thrusting with urgency. He is becoming very impatient and you wonder how it is you can keep it up as well. Something about having Dean Winchester eating out of the palm of your hands makes you want to take your time.  You lean away from him, down toward his fingers again, and this time he wiggles one toward you, gently flicking your bottom lip. You snap at him playfully, âIâll decide.â is all you say.
 You incline your head to take the tip of his thumb between your wet lips. Light suction as you cover more of it with your mouth causes Dean to release a low breath. You tingle with excitement and graze your teeth along the underside of his thumb as you pull back. You run your tongue along his thumb with a warm, wet massage, nursing it lightly. Dean wraps his other fingers around the side of your face, rough and cold. He touches you delicately, with great restraint.
 You grab the bottle again and pull back from him. You pick up the glass, and start to circle the opening of the bottle along the rim of the glass in circles.
 âOr would you rather have it off of me?â You suggest to Dean.
 âOh, please.â he breaths out in an astonished little beg.
 You place the glass back down and you put the bottle to your lips. You push yourself up and stand very closely in front of Dean. You let the whiskey pour into your mouth, not minding as some sloppy liquid trails from your lips down your chin.  He watches a drop of whiskey flow from your neck to your clavicle, and divert to your sternum, falling down the middle of your ribcage.  He swallows loudly and you bring the bottle away from your mouth, watching his expression carefully.  You put a hand behind his neck, giving him a quick tug to come toward you, âStart from the bottom.â you instruct.
 He immediately goes for the spot just above your belly where the end of the trail is about to trickle down again. It tickles as he uses his tongue to reverse the pathway the Scotch took on you. He kisses your sternum, creating a shiver across your skin, that he seems to like. He smiles against your chest and he traces his tongue above the band of your lingerie. You prop yourself down on him so that he can reach the remaining remnants of alcohol on your body.  Dean kisses a fleshy part of your breast and you hit the bottle against his shoulder, âStay on track!â you order.  Submissively he returns his path to your collarbone. You clutch a mass of hair in the back of his head as his route waves back and forth around your sensitive skin. He nibbles on your neck where it is slick and sucks lightly at a particular spot that makes you mewl with arousal. You run your hand up and down the back of his neck, occasionally pressing your nails into him.  As he reaches under your chin, he makes eye contact with you, his eyes sultry and hypnotic. You swoon as he moves his lips to the outside of your lips, watching your reactions to his movements.  You moan as you kiss him, allowing him to nibble and lick as he pleases. His kiss is less urgent this time, more intimate and knowing. Knowing to kiss you in ways that it affects you, that it arouses you, that it makes you almost unable to bear teasing him any longer. Because a tease for him, is almost like a tease for you.
 âReady to get me naked?â you raise a brow at Dean, happy to see him light up with excitement.
 You give him one last peck and shoot up to place the remainder of the bottle on a side-table, âThatâs enough for now.â you say, not sure if you are feeling swirly from intoxication of Scotch or Dean. You know your limits, so the buzzy feeling should fade in about half an hour, just enough for you to be experimental without getting sick.  You twirl in front of him, facing your ass to his nose and you lean down to grab the sides of his arms. You use them to steady yourself as you slowly drop down onto him, landing your ass comfortably onto his lap.  âTake it off.â you say over your shoulder.
 Dean starts pulling at his restraints, starting to loosen them when you correct, âNot that.â you tuck an arm behind your back, pointing at the hooks latching your piece together, âFigure it out any way you can.â You add, tauntingly.  Dean buries his face in your back, you feel his teeth reaching all sorts of ways at the clasps. You giggle. He is not going for sexy here, he is trying to figure out any way whatsoever to get that damn thing off of you and he doesnât care how it looks right now.  After a little bit of strategic calculation with pressure and his mouth he managed to unlatch the top hook. Once he figured it out, the remaining hooks followed. He victoriously grazed his teeth along your now bare back, letting you know heâs completed his task.
 âGood boy.â you smile as you slide the the straps off of your shoulders, taking one arm off at a time in painful anticipation.  You place your hands on top of Deanâs hands and tap the tops with your fingers. âYou can take these off now.â you instruct, looking down as he very quickly and sloppily pulls the curtain ropes off his wrists.  You take your hands on top of his and guide them to your waist. You let them go and feel him carefully and hesitantly slide up your ribcage. As you didnât stop him he continued on to cup your breasts, releasing a primal growl and biting down on your neck.  You reach your hand back and grab his neck as well, lacing your fingers through his hair.  He grabs at your tits, massaging and squeezing them, all the while kissing into your neck without regard for poise or coordination. He is slipping his resolve to continue holding himself back, but something about his actions shows he enjoys taking orders from you.
 You lean your head back and to the side, nipping at an available ear in front of your face. He turns to you and starts kissing you deeply, while scratching at your chest, and running his other hand down your belly. You feel his teeth hit against yours, the awkward angle difficult to maneuver around, but you love the way his hands feel on your body. He grasps at your thighs, squeezing the fleshy mass with vigor, bruising you in his wake. You may have control over him, but he still wants to leave his mark on you. He wants you to own one another. He wants you to boss him around, and have his name all over you so that he will be the only one on you.  He reaches his hand over your hot panties, rubbing the moist spot that is spreading along your thighs. You moan into his mouth, seething air escaping your lips as he puts more pressure where he feels blood engorging your clitoris. He twirls a thumb around your nipple with his other hand, gripping at any skin he can reach with his fingers.  You turn your head away from his mouth and he bites hard on the muscle between your neck and shoulder. âUHHNNHH!â you let out in a yelp, arching into his hands.  âStop!â you command, and he immediately halts, whispering with worry, âDid I hurt you?â He puts his hands on the sides of your arms, holding you carefully.
 âNo, little tiger, you were treating me just right.â you blink and nod to regain composure.
 âYou just needed a breather before you lost control.â you remark, taking a deep breath of your own.  Dean chuckles behind your ear, âOh, I think youâve got me under control just fine.â he roars in a low gravely appreciation of you.  âWell then, letâs keep testing those bounds,â you smolder as you stand up off of him, still facing away from his face.
 You lifted your hair above your neck and let it drop down like a small waterfall to your back. You put your hands to your breasts and grazed them outward to the sides of your rib cage. You swiftly moved them down along the curve of your waist, out to your hips, down your sides, and you bent down as you continued your hands down your thighs to your knees and folded all the way forward as you reached your ankles. You were tucked as much in half as you could manage and you looked past your calves to Dean, chest rising heavily up and down as he observed where your ass met your vagina, still covered in soaking lace.
 You snapped upward, and twirled around to expose yourself to Dean. A little bit more than half naked. He drew a slow breath in, gasping at your beauty. He loved every bit of you. He wanted to run his hands all over you, bumps and curves and sink his teeth into it all as well.  You curved your hands around your breasts and looked down to see how your fingers traced their shape. You twirled a finger around your nipple, and you looked back to Dean.
 You kneeled down in front of him again, this time reaching for his zipper. You attempted to undo the button, but with the tension of sitting down it was pressed tightly into his hips.  âTake them off.â you say and faster than you even realized he stood up, heâs already undone them and pulled them halfway down. You smile but only say, âSit.â to him and he falls back into the chair.  His boxers have a flap on them, so you pull back the slit with one finger and watch Dean as he eagerly watches your fingers pull him out of his boxers. His heart is racing and you can feel the blood pumping in his penis.  You lick your lips and tilt the head toward your mouth, so that you can keep your eyes locked with Dean.  You press your lips to his cock, squeezing the tip through your puckered mouth.  âOh my, fuck.â he swears as you rub the underside of his head with your tongue, swirling it the way you illustrated on his thumb earlier. You traced your tongue along the curves of the head, sucking as you pulled it out of your mouth. You kissed the side of the head, and slid the tip of your tongue along the slit of his head.  He roared with delight and you lightly grazed your teeth along the head, just enough to titillate him. Dean places his hands on the top of his head and wrinkles his brow as he keeps your stare.  You wet your lips again and plunge your mouth as much as you could down his shaft, making him grab the sides of the chair with surprise, âJesUS FUCKING CHRISTâ
 You take your time bobbing up and down his cock, inhaling as you go down to take in more each breath. Saliva starts pooling out your mouth and you use a free hand to grab his shaft and move along with your mouth using the lubrication.  Dean lets out a string of cursing, but never puts his hand on your head, not wanting to do something to make you stop.  You use your other hand to feel his testicles through the cloth, rubbing as much under them as you could reach. You even grabbed under his thigh and squeezed hard, releasing some of your own pent of tension.  You decided to make good use of your tonsils and let go with your working hand, taking one big breath to push Deanâs dick all the way inside your mouth until it hit the back of your throat, making you gag in response.  Itâs been a while since youâve done this, so you did not expect the intense gagging that came next. You pulled off of Dean and covered your mouth, spitting up as you gasped for air.  Dean lunged forward, patting you on the back, making sure you were okay.
 âIâm fine,â you shook your head, but you kept covering your mouth so he wouldnât see what a saliva-covered mess you are.
 âNo, donât hide, Fucking Hell that is so Fucking sexy.â Dean says, taking your hand away from your mouth. You donât know what he finds so sexy about it, but his eyes and pupils widening told you he wasnât just making it up.  âDean, I want you to cum for me.â you say right before you take his dick back into your mouth, squeezing with your hand as you go down again. You watch his face as best as you could with all of the movement, seeing his head throw back and his face squirm into different configurations.  You suck and squeeze as you go down, and release pressure as you come back up, over and over, twisting your hand lightly to a rhythm.  Dean begins to wail steadily as you feel his testicles retract a tiny bit, and you prepare your breath and throat for an incoming explosion.  âY/N, Oh,â Dean moans your name with desire and arousal, âY/N, Oh, FUCK. Y/N-â He warns you and you continue your pace as best as you can with his writhing around.  His orgasm reaches itâs peak as he ejaculates into your mouth, hot and thick. You eat him up and continue to slide your tongue along his erection, until he pushes on your shoulders exclaiming, âWoah, hold on, I canât-â he squirms underneath of you, âtoo sensitive!â he shouts and you smirk as you pull back, covered in spit, sweat, and some semen.  You swallow deeply the remainder of his fluid and run your tongue along the inside of your mouth. It feels silky and sleek, a thin film of Deanâs slickness left behind. He tastes kind of bitter but you revel in the thought of taking in Deanâs semen, taking pleasure in the idea more than the flavor.  You put the tip of your finger along the spine of his dick, using the faintest touch to slide up along a vein lined on the top. It follows the sense of your touch, pulling up slightly by reflex as you reach the head and pull away.  You take the erection, still quite hard in your hand, rubbing the bottom of the head with the tip of your thumb, where semen drizzles one last drop out the head. You run your tongue from the base of his cock, along the vas deferens, to lick up the last bit of cum from Deanâs dick.  You place your mouth one more time on his head and suck ever so lightly, making him grit his teeth and clench the arms of the chair. You take one last deep plunge on his penis and as you come back up you graze your teeth along his sensitive skin, exposing goosebumps along his thighs.
 You sit back and look up at him, wasted in the chair. He glances at you and starts to talk, âWow, your mouth-â but you put a finger to your lips and stand back up.  âYouâve been doing a lot of staring at my ass,â you reach for Deanâs hands, placing them on just the top of your garter, âbut you have yet to show your appreciation.â you let go of his hands and he looks down at your garter straps. He rubs your thighs delicately and inspects the garter where it connects with straps to your garter belt.  He looks up at you as he runs a finger along the belt line, somewhere halfway between your waist and the biggest part of your hips. His tongue slides between his teeth, moving left and right between them. His hands run up and down the sides of your hips before sliding around back to the chunky part of your butt.  He grips your ass hard in his hands, on the borderline of painful, but as he releases you release your breath. Unaware you were holding it as he squeezed more forcefully. He places his hands at the top of your hamstring, just under the glutes, and bounces your ass playfully. He gives it a little spank and your eyebrow jerks quickly. He pulls your hips toward him and bites your hip bone, protruding at him enticingly.  The sensation of Deanâs teeth on you again drives you wild and a noise rolls up through your body and out your throat, making him hug around your hips with intensity. When he releases you he gives your ass cheek a loud slap, which to his pleasure made your booty jiggle deliciously.  He digs his hands into your hipbones and spins you around with force, resulting with your ass in his face. He slid his hands down your booty, then back up and gave them a little lift. He made a crisp chomp on a part of you, and then rubbed his face between your ass cheeks.  Man, he really likes ass. You smile and thank the heavenly creature that gave you an ass for Dean Winchester to play with right now.
 âPlease.â Dean hugs you from behind and rests his face in the crook of your back.
 âYes?â you place your hands on his arms and curiously peek behind your shoulder.
 âPlease, can I Fuck you?â he pleads so sweetly and kindly that the words donât seem to line up with the meaning.
 âLetâs go-â you start and you are shocked by your body being forcefully thrust into the air. Dean lifted you with the vigor of a bulldozer on steroids and twisted you to your side as he dropped you into his arms.
 You never felt comfortable with people trying to lift you, but with his giant bicep tucked under your kneecaps, and his powerful hand digging into your ribcage, you threw all caution to the wind and let him turn you into a damsel.
 A damsel ready to get fucked.
 Dean fell on top of you as he threw you onto the bed, but strategically had his hands land on either sides of your body.
 You reached for the edge of his shirt and pulled it above his head as he lifted his arms. He hungrily kissed your neck and all around your chest as he kicked off his boxers. He sat up, fully erect again and reached for your delicate panties. He scratched your legs all along the way as he pulled them off of you and threw them over his shoulder.  He lifted your ass into his hands as he adjusted himself as close to you as he could get, placing you on his thighs as he leaned back.
 âAny orders?â he asks and you smirk, unable to bear it any longer.
 âGo wild.â a sly smile across your face.
 He takes your suggestion very seriously as he grabs your hips with one hand and takes his dick in the other and rubs between your lips to get to the vaginal opening, without waiting a breath he pushes inside of you and both of you swear at the ceiling as he fills you up.  He leans an arm forward and places his hand beside you on the bed, while still holding your hip in his other hand. You grasp at the sheets above your head, gasps escaping your chest in desperation.  His dick rubbed all along your canal, getting drenched in your abundant juices. He moved vigorously beneath you, heavily panting as he felt your soft velvety insides slide along his cock. âFuck, you feel so good.â He rasps out between thrusts. Sweat ran down his temples and dripped onto your stomach as he lurched over you.  He stopped and tucked his palm under one of your knees, raising it into the air and pulling your thighs apart. He rammed into you, groaning with rumbling grunts as he slid between your thighs, now wet with a combination of your lubrication, his sweat, and probably your sweat as well.  He kissed your knee as he lifted your calf to his shoulder, repositioning you on one of your sides. He smacked your ass and growled as he rubbed your clit with his thumb, making you feel sparkles inside of your head. You were breathing so heavily you were practically hyperventilating, and the lack of oxygen was already affecting your brain when lack of blood also added to your high. Your clitoris rushed and pumped heavily with blood as he put his thumb in his mouth to soak it and then circled it with pressure on your engorged flesh.  One look at Dean fucking Winchester, muscles covered in sweat, the look of concentration on his face as he pumped his fucking COCK inside of you, while taking care to pay attention to pleasing you with his hands - it threw you into a whirl. Your heart was bursting so hard that the adrenaline finally washed over you - you came so fucking hard that you felt your body convulse as you arched backward. You felt his dick inside of you, as your muscles squeezed around his shaft, as your body contorted toward his hand - the perpetrator that pushed you over the edge of the cliff to orgasm.  You felt after shocks as he continued to push into you and pull slightly out of you, making figures with his hips to feel new parts of you.  He took your leg off of his shoulder and he scooped his arm behind your shoulder, forcing you up alongside him.  Dean moved his legs under him, making you crouch on top of him, legs tucked underneath of you and your knees around his hips.  You bounced to his rhythm, helping to take some of the work off of him. He put his hands on your shoulders, pushing you down harder each time you came down on his dick.  You took the opportunity to put your hands around him on his back, scratching deeply each time he pushed you down. He bit his lip, hard.  He looked from your bouncing breasts to your eyes, pulling you in to a kiss. He had a hunger, you had created an appetite in him, and he was trying to sate himself.  You leaned back, grabbing along the sides of his slick abdomen. You ran your hands along his rigid muscles and moved your fingers along the grooves as he contracted them to thrust into you.  You put your hands behind you on the bed for stability, making your breasts jut out and bounce in his view. His cock began hitting a particular spot it hadnât reached before and you shuddered with gratification. He looked down to watch your genitals connecting and the sight of his dick moving up and down inside of you made him lose whatever control was left.
 He pushed you back and he fell down on top of you, his stomach grinding against yours. He held himself up on his elbows, but he couldnât hold himself up to look at you for the moment. He sunk his teeth into his favorite place on your shoulder and you grabbed his back with a sharp intake of air.  You spread your legs and wrapped them around his lower back, sliding around in sweat but gripping at him as best as they could.  He really rammed into you, but in this position you couldnât get the full pleasure from his intensity that you wanted.  âMove,â you say as you give a push to his shoulder. Confused, he sits back and slides out of you. You groan in agony, but flip around as quick as you can, leaning on your elbows and waving your hips in the air, âOkay, now.â you say.  âYes,â he groans in ecstasy and grips your fleshy hips.  He attempts to penetrate you, but with all of the slip and slide going on he needed a little bit of help. You reach your hand underneath and between your legs and you wrap your hand around the base of his cock.  You guide his penis to your cunt and you push yourself back onto him, earning a, âY/N, FUCK YES.â and he continues his crusade behind you.  Your face falls into the pillow as you feel every muscle inside of you moving around from this position. You love the way it feels like his dick is practically pushing out your stomach from there. You love the tiny blip of pain as he possibly hits your cervix. You love that you can scream literally as loud as you want, and from this position, the only noise you make is a muffled unintelligible wail into the pillow.  You spread your knees out a little so that you can reach your clitoris and give yourself another happy ending.  You barely even have to do any rubbing, as Deanâs thrusting bobs your hips back and forth enough to rub along your fingers if you just keep them in place.  Luckily due to the mixture of several different body fluids you are just slick enough for comfort, but also not too wet to subdue your friction.  Out of curiosity you stick a finger slightly farther back, feeling as Deanâs dick slides in and out of you. Again the concept of Dean-Fucking-Winchester slipping his ridiculously rock-hard erection in and out of your pussy aching from his constant and rampant pounding sends swirls through you. As you bring your finger back to your clit you feel the coil in your abdomen tighten so tightly that it breaks and unwinds and you are conquered by a rush of waves all over your body. Your final orgasm again makes you clench your muscles in spasms all over your body and the pressure on Deanâs dick sets him over the edge, releasing himself into you practically right after your orgasm started. He clenches your body in his hands, youâre not even sure where, because youâve lost feeling in most of your muscles.  All of the tension of the night, with a final release exhausts you, and extinguishes your ability to go on any further. Dean seems in agreement, as he falls beside you after you plant your body completely into the bed.  âYou did it,â Dean said in a gravely victorious voice, âYou conquered me.â he said, although you feel he sounds much too pleased with this.
 You roll your head to his side and soak up his state of pure bliss.
 âJust wait until we try the 21 year Glenfiddich.â you moan and he turns his head to you with a wide grin and expectant eyes.
#Dean x reader#Dean Imagine#Dean Winchester#supernatural fiction#supernatural au#Dean smut#spn smut#Deanxreader#Spn fiction
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New Post has been published on https://freenews.today/2021/01/09/kamil-stoch-wins-also-in-titisee-neustadt/
Kamil Stoch wins also in Titisee-Neustadt
Only three days after his triumph in the 69th 4-Hills-Tournament, Kamil Stoch also won the first of two World Cups in Titisee-Neustadt. In an exciting competition, the three-time Olympic champion presented himself in outstanding shape on the Hochfirst-hill and came in ahead of Norwayâs Halvor Egner Granerud and his teammate Piotr Zyla.Â
After this first round, Kamil Stoch was second behind his teammate Dawid Kubacki, but Kubacki then had difficult conditions in his second jump and dropped to seventh overall. This cleared the way for Kamil Stoch today. Besides todayâs winner, also Piotr Zyla (3rd), Andrzej Stekala (5th), and Dawid Kubacki (7th) finished in the Top 7, the Polish team keeps performing at an extremely high level. Poland also leads the Nations Cup with a total of 2286 points, ahead of Norway (2144 points) and Germany (1933 points).
âOf course, Iâm a little bit tired after the 4-Hills-Tournament, which had lots of ups and downs, especially emotional. I knew that Iâm in good shape and that my performances are at a high level. Mentally Iâm a bit tired, but the body is doing its job. Iâm just happy at the moment. Itâs a pity that there are no fans anywhere because we miss them a lot. I hope that the fans can come back and support us soonâ, said Stoch. This was already the 39th World Cup win Stoch, who is now tied for third in the all-time ranking with his fellow countryman Adam Malysz. Only Gregor Schlierenzauer (AUT / 53) and Finlandâs Matti Nykaenen (46) won more World Cups.Â
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#Halvor Egner Granerud#Kamil Stoch#Piotr Zyla#Ski Jumping#Ski Jumping World Cup#Titisee-Neustadt#top news
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IHEARIC VIDEOS - Acoustic Guitar, Keyboards, and Steel Drums http://bit.ly/2VSKcBk
Katie Wedmore
As per usual, we have a rather eclectic mix of videos from IHearIC. We had acoustic guitar player, Katie Wedmore, keyboardist Matt Smart, and Tyler Swick, Aaron Ziegler, and Blake Shaw playing electric bass and steel drums. Katie Wedmore is a singer and acoustic guitar player with a YouTube channel who obviously has no interest or desire to promote herself! Katie Wedmore on YouTube: https://www.youtube.com/channel/UCjtLbaaydmH9H4sG_-af0lQ "Matt Smart (Music Coordinator) Matt has played and conducted all over the world including Brazil, Hong Kong, and Shanghai and has worked with Michael Feinstein, Michael Tilson Thomas, and Bonnie Raitt, among others. A California native, he has degrees in music from Pomona College and Butler University (and was at The University of Iowa for a while). Matt calls the Bay Area home where he is very active music directing, teaching, composing, and performing." - from his Transcendence Theater Company profile "Tyler Swick is a freelance musician and music educator in Las Vegas, Nevada. Elementary music education was a late passion for Swick, discovering it at the end of his music education degree at the University of Kentucky. After the bell rings in the Clark County School District, he heads over to the College of Southern Nevada to work with the Coyote Calypso Steel Band as an arranger and participant. The Coyote Calypso Steel Band is where Swick received his first exposure to steel drums when they played at the Las Vegas Day of Percussion in 2004. Now Swick teaches private steel pan lessons at the college after rehearsal but when he's not playing pan at CSN, Swick lectures the History of Rock and Roll to undergraduates. âLate nights and weekends are spent enjoying the vibrant music scene around Las Vegas, whether it's listening or performing." Iowa performance history: University of Iowa Steel Bands - PASIC 2013 UI Jazz Band âOttumwa Symphony Orchestra Reggae Against the Machine 5 O'Clock Somewhere Band Tin Can Duo - from Tyler Swick's home page Tyler Swick home page: http://www.tylerswick.com/ "Dr. Aaron Ziegler is a percussionist, educator, and arranger based in Toledo, Ohio. He currently serves as Adjunct Professor of Music at the University of Toledo where he directs the newly formed Rocket Steelband and teaches classes in Ethnomusicology, and Jazz History. He also maintains a private studio of concert percussion, marching percussion, and drum set students of all ages. "As a percussionist, drum set player, and steel pan player, Dr. Ziegler has performed throughout the midwest including the Detroit Institute of Arts, the Toledo Museum of Art, and the Iowa and Ohio days of percussion. He has also performed internationally at the Percussive Arts Society International Conference 2011 and 2013, the Inaugural International Panorama Competition in Trinidad & Tobago in 2015, and served as the percussion adjudicator for the 69th annual Hong Kong Schools Music Festival in Hong Kong, China in 2017. "Dr. Ziegler received his Doctorate of Musical Arts in Percussion Performance and Pedagogy with a secondary area in Ethnomusicology, as well as his Master of Arts from the University of Iowa, and his Bachelor of Music Performance from the University of Toledo. Dr. Ziegler proudly endorses Innovative Percussion sticks and mallets." - from Aaron Ziegler's home page Aaron Ziegler home page: http://www.aaronzieglerpercussion.com/ "Blake Shaw is an upright/electric bassist, composer, bandleader and private lesson teacher from Lisbon, Iowa who now resides in Iowa City. Shaw started on double bass at the age of 17 after becoming familiar with electric bass a few years before. He started his college career in the fall of 2008 at Kirkwood Community College. This is where he had his first classical lessons on double bass with Jeanette Welch. He moved on to the University of Iowa to pursue a Bachelorâs of Music in classical double bass performance, studying with professor Volkan Orhon and completing that degree in 2013. After a brief cruise ship gig in Australia, with the P&O Australia cruise line, following his BM degree Shaw came back to the US to start a Master of Arts degree at UI under the supervision of John Rapson, Damani Phillips, James Dreier and Steve Grismore while acting as one of the jazz departmentâs teaching assistants. Shaw was fortunate enough to play along side with several different guest artists during his years at UI such as: Wycliffe Gordon, Oâhad Talmor, Carmen Bradford, Terrell Stafford, Dave Pietro, and Dick Oatts. "Shawâs influences come from various genres and instrumentalists. He has made it a mission to become diverse and proficient in different contexts. His experience stretches from jazz, rock, classical, bluegrass, to latin, funk, R&B, and anything in between. His main bass influences have been but arenât limited to Dave Holland, Christian McBride and John Clayton. Current bands Shaw is booking with include but arenât limited to The Blake Shaw Quintet, Goose Town, Elizabeth Moen, River Glen, Thrio, and The Clinton St Quartet. You can also find Shaw subbing in Christopher Merzâs Very Happy Band as well as Flash in a Pan. Side projects include Dana Tâs bands, the Muscatine Community Orchestra and Eric Thompsonâs Fun Time music Hour." - from Blake Shaw's home page Blake Shaw home page: http://blakeshawbass.com/ The IHearIC YouTube channel: https://www.youtube.com/user/IHearIC IHearIC videos on IMSC: http://iowamusicshowcase.blogspot.com/search/label/IHEARIC%20VIDEOS PREVIOUSLY ON IOWA MUSIC SHOWCASE: AUDIBLE FARM - Episode 17: Cobey Murray https://iowamusicshowcase.blogspot.com/2019/01/audible-farm-episode-17-cobey-murray.html DES MOINES IS NOT BORING - The Vahnevants: Bum Out! https://iowamusicshowcase.blogspot.com/2019/01/des-moines-is-not-boring-vahnevants-bum.html DSM UNPLUGGED - Chris Ranallo on Jan 6, 2016 http://iowamusicshowcase.blogspot.com/2018/06/dsm-unplugged-chris-ranallo-on-jan-6.html IHEARIC PODCAST - Episode 26: Feed Me Weird Things (06/03/2018) http://iowamusicshowcase.blogspot.com/2018/06/ihearic-podcast-episode-26-feed-me.html YOUR OWN PRIVATE IOWA - Episode 30: Andersen Coates http://iowamusicshowcase.blogspot.com/2018/06/your-own-private-iowa-episode-30.html THREE RANDOMLY PICKED PREVIOUS POSTS.... IHEARIC VIDEOS - A Steel Pan Player and a Cellist https://iowamusicshowcase.blogspot.com/2018/05/ihearic-videos-steel-pan-player-and.html IHEARIC PODCAST - Episode 3 (11/05/2017) https://iowamusicshowcase.blogspot.com/2018/04/ihearic-podcast-episode-3-11052017.html IOWA MUSIC SHOWCASE PODCAST - Episode 63: Iowa Country and Folk Music https://iowamusicshowcase.blogspot.com/2018/04/iowa-music-showcase-podcast-episode-63.html OTHER IMSC WEBSITES AND LINKS: Feed: http://feeds.feedburner.com/IowaMusicShowcase Facebook: https://www.facebook.com/pages/Iowa-Music-Showcase/364796883703114 Twitter: https://twitter.com/iamusicshowcase Instagram: https://instagram.com/iowamusicshowcase
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Why Lena Waithe's Emmy's 'LGBTQIA' shoutout thrilled many, but confused some
Lena Waithe accepts the Outstanding Writing for a Comedy Series award for âMaster of Noneâ onstage during the 69th Annual Primetime Emmy Awards at Microsoft Theater on September 17, 2017 in Los Angeles, California. (Photo: Kevin Winter/Getty Images)
Lena Waithe is best known for playing Denise, the lovable, low-key lesbian ying to Aziz Ansariâs yang on Master of None. But she just made history for her role as writer, becoming the first black woman to ever win an Emmy for comedy writing, for her work on the poignantly groundbreaking episode âThanksgiving,â about the complexities of coming out to your family.
Since Waithe is gay IRL as well as onscreen, tonightâs victory would also make her the first black lesbian to win in the Emmy category â a fact that Waithe embraced with a fierce grace onstage during her acceptance speech.
With a beaming Ansari at her side, Waithe thanked her girlfriend and the entire âLGBTQIA community,â noting, âI see each and every one of you. The things that make us different, those are our superpowers. Every day when you walk out the door and put on your imaginary cape and go out there and conquer the world, because the world would not be as beautiful as it is if we werenât in it.â
Overjoyed fans immediately began flooding social media with praise for Waitheâs shout-out.
Lena Waitheâs speech to her âLGBTQIA familyâ just made me very emotional. Love her. https://t.co/1TD90fDcXQ #Emmys pic.twitter.com/L9RN1pANs2
â Jarett Wieselman (@JarettSays) September 18, 2017
I donât think Iâve ever heard an acceptance speech include
LGBTQIA Queer Chosen Family
So important that @LenaWaithe did this. pic.twitter.com/z0nKS5TTra
â George M Johnson (@IamGMJohnson) September 18, 2017
âTo my #LGBTQIA folks â what makes us different makes us beautiful.â @LenaWaitheâs #Emmys speech was amazing (and made us tear up.) pic.twitter.com/5d6jQL7WEb
â NARAL (@NARAL) September 18, 2017
Still, some were left scratching their heads over Waitheâs addition of âIAâ at the end of âLGBTQ.â And so, before delving into more happy tweets, hereâs a quick lesson in the queer ABCsâŠ
âLGBT,â the original acronym, stands for âlesbian, gay, bisexual, transgender.â The âQâ was eventually added, and is used to denote âqueerâ or âquestioning,â as in a person who is questioning his or her sexual identity.
The âIâ stands for âintersex,â which is âan umbrella term describing people born with reproductive or sexual anatomy and/or a chromosome pattern that canât be classified as typically male or female,â according to GLAAD.
But its inclusion in the extended version of the LGBTQ acronym is one thatâs been debated for years. Some intersex activists argue that one, the condition is pathologized in a way similar to how homosexuality has historically been treated and two, that the surgical âtreatmentâ for intersex individuals is heavily motivated by homophobia. Still others believe that inclusion in the acronym gives the inaccurate impression that all intersex people are gay or lesbian.
Finally, thereâs the âA,â which stands for âasexualâ â another point of heated discussion when it comes to inclusion in the acronym. A person who is asexual is one who does not experience sexual attraction, and many who identify as such see inclusion as making sense, because, as one activist put it, âAsexuality is very much a part of the broader conversation in our society about gender and sexual diversity. [Itâs] certainly queer, and itâs certainly part of the LGBT community.â Still others donât get it.
FWIW, the National Organization for Women (NOW) is just one major organization to have updated its queer acronym usage to LGBTQIA; but other activists, including Lea Delaria of Orange is the New Black, wonât have any part of it. âThis is the biggest issue we have in the queer community to date and will continue to be the biggest issue until we learn to accept our differences, and thatâs the issue,â she once told PrideSource.com. âAnd part of me believes that this inclusivity of calling us the LGBTQQTY-whatever-LMNOP tends to stress our differences. And thatâs why I refuse to do it. I say queer. Queer is everybody.â
Acronym specifics aside, people could not get enough of Waitheâs prideful shout-out on Sunday night.
Sometimes visibility and representation is all that matters. So many LGBTQIA youth are so full and inspired. #emmys #ALLBlackLivesMatter https://t.co/UwKCUBj8qh
â George M Johnson (@IamGMJohnson) September 18, 2017
Seeing Black|Brown|LGBTQIA actors winning awards is incredible b/c kids are watching the celebration of diversity. Itâs beautiful. #Emmys
â Brianda Quiñones (@BriandaQuinones) September 18, 2017
So cool Lena Waithe gets a standing ovation for MAKING HISTORY! #LGBTQIA #masterofnone #emmys #tvwriter pic.twitter.com/7QzUs4fY3i
â Destri A Martino (@DestriMartino) September 18, 2017
Go Lena!
More from Emmy Awards coverage from Yahoo:
Jane Fonda, nearly 80, wears long, faux ponytail to Emmys
Sofia Vergara says sexy Emmys dress is âperfect for voluptuous womenâ
Sean Spicer drives podium on stage to open 2017 Emmy Awards
Stephen Colbertâs best monologue jokes at the 2017 Emmys
See all the 017 Emmy Awards Arrivals
Anna Faris slays while making post-split debut at the Emmys
Silicon Valleyâs Amanda Crew stuns in sheer sequined sheath on Emmys red carpet
âModern Familyâs Sarah Hyland shows off abs (and, perhaps, Spanx) in cutout gown at Emmys
Follow us on Instagram, Facebook, and Twitter for nonstop inspiration delivered fresh to your feed, every day.
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While You Were Offline: Free Nuggs. Pls RT
As of this writing, most of the internet is discussing the US missile strike in Syria, Russiaâs condemnation of it, or some combination of the two. Oh, you thought fast-food Twitter weirdness, Wendyâs promised a user named Carter Wilkerson a yearâs supply of nuggets if he could get 18 million retweets. Wilkerson immediately went to work:
HELP ME PLEASE. A MAN NEEDS HIS NUGGS http://pic.twitter.com/4SrfHmEMo3
â Carter Wilkerson (@carterjwm) April 6, 2017
His plea seemed like a long shot, but eventually it started getting tractionâamassing over a million retweets in 48 hours and rallying others around his cause.
@rafficlassiy @Tom_Ruffin @carterjwm @ConanOBrien @jimmyfallon @TheEllenShow @MeninistTweet @McDonalds @RickandMorty @chrissyteigen @pizzahut We should make a Facebook page to support him and start making a real effort..if he were to get 18 mil that would be record breaking history
â Wheelerrrr (@redneckxice) April 7, 2017
@carterjwm I am emotionally invested in this.
â Mary Numair (@MaryNumair) April 6, 2017
Our boy is trending in twitter
This man needs 18m retweets for a year's supply of nuggetshttp://bit.ly/2nVSSox
â lil' conno from 69th (@larkin_conner) April 7, 2017
Even Wendyâs was cheering him on.
@MarkPygas @hellxxn @carterjwm Nah, not afraid. It would honestly be pretty awesome if he got that many.
â Wendy's (@Wendys) April 6, 2017
@joewest_ Call us Captain like Nathan Fillion, Carter wants nugs for 18 million, Tweets for eats, drop in the bucket, worth it all for chicky nuggets
â Wendy's (@Wendys) April 7, 2017
1 Million?!?! Officially SHOOK http://bit.ly/2orIPvd
â Wendy's (@Wendys) April 7, 2017
Soon, mainstream media picked up the story and Wilkerson had his own Twitter Moment. The attention didnât get him much closer to his goal, though. But considering that Ellen DeGeneresâ Oscars selfie only surpassed 3 million retweets, his quest was surprisingly successful. The Takeaway: So far, Wilkerson has amassed some 1.7 million retweets, but that number is climbing.
The Ballad of Devin Nunes
What Happened: When House Intelligence Committee Chairman Devin Nunes stepped down from the governmentâs investigation into Russian interference in the presidential election, the internet stepped up with some commentary. Where It Blew Up: Twitter, media reports What Really Happened: Letâs journey back to a more innocent time last week, when the biggest thing in the world appeared to be the news that Devin Nunes recusing had said he wouldnât leave his post. So whyâd he do it?
Devin Nunes to step aside from House Intel Russia investigation after ethics complaint http://pic.twitter.com/Zv3VjoMN42
â Bradd Jaffy (@BraddJaffy) April 6, 2017
Oh, OK. As the news broke, Twitter responded as one might expect Twitter to respond:
TIMELINE: Nunes on March 28: "why would I" step down from the Russia probe? Nunes on April 6th: steps down from Russia probe
â Evan Rosenfeld (@Evan_Rosenfeld) April 6, 2017
Devin Nunes is stepping down so he can spend more time with his flop sweat and vacant, nervous stare
â Ike Barinholtz (@ikebarinholtz) April 6, 2017
Nunes re-election slogan: Once you've tried everything else, always do the right thing.
â Jason Kander (@JasonKander) April 6, 2017
No Nunes is good Nunes?
â Jon Lovett (@jonlovett) April 6, 2017
But while some were noting just how devastating investigations into the Trump administrationâs potential ties with Russia had beenâ
In the past month, journalists' work led to recusal of Sessions and Nunes. "Fake news" is taking real scalps.
â Justin Miller (@justinjm1) April 6, 2017
"Hoax" Trump/Russia story having a lot of real world impact:
Manafort (Resigned) Flynn (Resigned) Sessions (Recused) Nunes (Recused)
â Judd Legum (@JuddLegum) April 6, 2017
âothers were complaining that Nunes had surrendered too easily.
Nunes should not have recused himself. Most likely pressured by Paul Ryan to do so. Deep State at work.
â John Cardillo (@johncardillo) April 6, 2017
How many Dems stepped aside?
How many Dems recused themselves?
Stop playing the Democrat game.
Finish repealing #Obamacare @potus #Nunes
â Real Erin Cruz (@WAGNERGIRLE) April 6, 2017
Some conservatives, however, were happy to see Nunes go, if only to welcome his replacement.
I would like to thank Soros for filing bogus complaint against Chairman Nunes because now Trey Gowdy is in. The lefts worst nightmare. http://pic.twitter.com/hyalac5EAq
â Ex-DemLatina (@terrymendozer) April 6, 2017
Dems, you happy now? Chairman Nunes stepped aside.
Well dumbasses, now you've got the relentless & fierce Trey Gowdy.
DEAL WITH IT. http://pic.twitter.com/w9Qcyy31hJ
â elle #MAGA (@SurfPHX) April 6, 2017
The Takeaway: Another day, another upheaval in Washington. Speaking ofâŠ
The Nuclear Option
What Happened: It might seem like the internet isnât a big fan of tradition, but the response to the changing of rules in the US Senate might suggest otherwise. Where It Blew Up: Twitter, media reports What Really Happened: It was a big week in the US Senate, as the confirmation of Supreme Court nominee Neil Gorsuch heated up. Firstly, lined up enough votes to filibuster the nomination, leading to this suggestion to Senate Republicans:
Senate GOP has a choice: break the Senate rules or sit down w/ Dems & POTUS to come up w/ a nominee who can earn 60 votes.
â Senate Democrats (@SenateDems) April 6, 2017
Rewrite rules or abandon Gorsuch and come up with an alternative option? In these partisan times, itâs easy to guess which option the Republicans chose.
McConnell is poised to use the Nuclear option setting in motion the Mutually Assured Destruction of the Senate as a deliberative body.
â John Hergt (@natureofthings7) April 6, 2017
As @SenateGOP change Senate rules for Trump, voters will remember that they broke their promise to serve as a check on POTUS
â igorvolsky (@igorvolsky) April 6, 2017
Grassley, heading into vote, confident that Rs will blow up filibuster. Says Senate will return to rules used "from 1789 to 2003."
â Dave Weigel (@daveweigel) April 6, 2017
The so-called "nuclear option" in Senate votes means, "following the Constitution."
â Ann Coulter (@AnnCoulter) April 6, 2017
And so, a of and
BREAKING: Senate votes 52-48 to repeal rule allowing filibusters against Supreme Court nominees, clearing the way for Gorsuch confirmation
â Reuters Politics (@ReutersPolitics) April 6, 2017
How did that go down, do you think?
Moment the senate "went nuclear" and changed the rules the chamber was somber, silent, barely a breath.
â MaryAlice Parks (@maryaliceparks) April 6, 2017
BREAKING: The United States Senate
â Jesse Lehrich (@JesseLehrich) April 6, 2017
The Senate #GOP just used the #NuclearOption to push through Gorsuch to final vote, even w new #TrumpRussia revelations daily. #WeObject http://pic.twitter.com/W6Ro0i1qW9
â NARAL (@NARAL) April 6, 2017
So was there a Republican SCOTUS nominee that could have gotten 60 votes? Probably.
Were Senate Republicans interested in finding out? Nah.
â Matt Fuller (@MEPFuller) April 6, 2017
.@SenateGOP To sum up: GOP just changed Senate rules b/c they didn't have votes they needed to get outcome they wanted. This is an attack on democracy.
â Women's March (@womensmarch) April 6, 2017
The Takeaway: This probably wonât backfire on the Republicans, right?
The Senate GOP has just a few years until they deeply, deeply regret destroying the Supreme Court filibuster.
â John Iadarola (@johniadarola) April 6, 2017
Oops in Advertising
What Happened: You guys, you like being politically aware? You like Pepsi? What if we mix those two flavors together? Oh, itâs a disaster? Oh, OK then. Where It Blew Up: Twitter, media reports What Really Happened: It was, quite simply, the advertisement that no one could quite believe was real. Last week, Pepsi released an ad featuring Kendall Jenner that showed the reality star/model joining a protest and bringing police and protesters together with the power of Pepsi. To call it problematic would be an understatement. In fact, letâs just let Twitter handle this, shall we?
the new @Pepsi ad evoking imagery of @IeshiaEvans in Baton Rouge is total exploitative brand social activism bs http://pic.twitter.com/YzAFtWEzDO
â Sherry (@slchen_) April 4, 2017
-this is the closest we have ever seen a kardashian be to activism and it's a fake protest in a pepsi ad she was paid millions to appear in
â jack wagner (@GrimmKardashian) April 4, 2017
*kendall jenner hands cop a pepsi*
cop: im not racist anymore
â BRANDON WARDELL (@BRANDONWARDELL) April 4, 2017
"It's not a cola." [taps board] "It's the resistance." ⊠"Mr. Draper, for the last time, you no longer work here."http://bit.ly/2orT42C
â James Poniewozik (@poniewozik) April 4, 2017
"Hold my wig, Keisha. I've got some liberating to do!" "Um, it's Jennifer." http://pic.twitter.com/pgcqsGAQGu
â Tax-free Hands. (@thewayoftheid) April 4, 2017
Nevertheless, she Pepsisted. http://pic.twitter.com/53e6rxLS50
â M egi (@MattNegrin) April 4, 2017
Perhaps unsurprisingly, Pepsi ended up pulling the ad within 48 hours. The Takeaway: The real winner of this whole PR disaster? Coca-Cola, probably.
Next year Coke is going to buy a Super Bowl spot and just play that Pepsi ad.
â Guy Endore-Kaiser (@GuyEndoreKaiser) April 4, 2017
History Lessons
What Happened: Turns out, it might be too soon for the FBI to start saying nice things about someone it once investigated. Who knew? Where It Blew Up: Twitter, media reports What Really Happened: Last week marked the anniversary of the assassination of Martin Luther King Jr., an occasion honored by an unexpected source:
Today, on the anniversary of his assassination, the FBI honors the life, work, & commitment of Dr. Martin Luther King, Jr. to justice. http://pic.twitter.com/WZInYKQx2g
â FBI (@FBI) April 4, 2017
Yes, thatâs definitely an FBI tweet celebrating man the agency complicated history with. Twitter?
@FBI alright then http://pic.twitter.com/0FCZfoOy4z
â Jordan Uhl (@JordanUhl) April 4, 2017
Memories. @FBI http://pic.twitter.com/yOHDnL3azu
â Ben Wizner (@benwizner) April 4, 2017
There are too many ironies to count here. http://bit.ly/2nVQ3nn
â Eli Lake (@EliLake) April 4, 2017
@FBI y'all terrorized the man most of his adult life, all because he was trying to make a difference for his people. Shove your remembrance.
â cx (@cxcope) April 4, 2017
@FBI I think every MLK celebration tweet should end with "And we're really sorry."
â Erick Fernandez (@ErickFernandez) April 4, 2017
The Takeaway: This seems to sum the whole thing up, really.
The FBI gave MLK a shout out today.. http://pic.twitter.com/ztIEQPpl8L
â Sadpagne Papi (@jonesdmvv) April 4, 2017
The Corrections Dept.
What Happened: The New York Times accidentally published some fake news last week. The paper then issued a quick (and embarrassing) apology. Where It Blew Up: Twitter, media reports What Really Happened: Everyone loves a good newspaper correction, and this one was better than most.
A correction today from @NYTimes. http://bit.ly/2nVRZMl http://pic.twitter.com/IfZ4oFijgG
â Harrison Golden (@harrisongolden) April 5, 2017
And even that correction was corrected.
@markberman The first draft of the correction actually read: "Ivanka is his daughter."
â Ayla Mayer (@santapauli1980) April 5, 2017
Yes, the original version apparently forgot that Trump actually has two daughters.
HIS OTHER DAUGHTER IS TIFFANY. #SayHerName http://bit.ly/2nVYoXX
â Gary Legum (@GaryLegum) April 5, 2017
The big question, though, was how the mistake had managed to not only be made by the writer, but also get past editors. There was one dominant theory.
"Editing error" = "Freudian slip" http://bit.ly/2orT5nc
â Robert Hamer (@rsolonhamer) April 5, 2017
Is this a Freudian Slip? Or an Electra Complex? Or an Oedipus Complex? http://bit.ly/2nVCHYd
â Jeet Heer (@HeerJeet) April 5, 2017
The internet, naturally, saw the humor in the gaffe.
This article is horrifying but the correction at the bottom regarding Ivanka is fucking hilarious. http://bit.ly/2orDDHw
â Surviving the End (@EndTimeSurvivor) April 5, 2017
i've been on the phone all day, did anything else good happen http://bit.ly/2nVCoMW
â cat ferguson (@biocuriosity) April 5, 2017
The Takeaway: This guy gets it.
Peak 2017. http://bit.ly/2orL6pY
â Kevin Fallon (@kpfallon) April 5, 2017
Read more: http://bit.ly/2nVMPjC
from While You Were Offline: Free Nuggs. Pls RT
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IHEARIC VIDEOS - Acoustic Guitar, Keyboards, and Steel Drums http://bit.ly/2FFhgHv
Katie Wedmore
As per usual, we have a rather eclectic mix of videos from IHearIC. We had acoustic guitar player, Katie Wedmore, keyboardist Matt Smart, and Tyler Swick, Aaron Ziegler, and Blake Shaw playing electric bass and steel drums. Katie Wedmore is a singer and acoustic guitar player with a YouTube channel who obviously has no interest or desire to promote herself! Katie Wedmore on YouTube: https://www.youtube.com/channel/UCjtLbaaydmH9H4sG_-af0lQ "Matt Smart (Music Coordinator) Matt has played and conducted all over the world including Brazil, Hong Kong, and Shanghai and has worked with Michael Feinstein, Michael Tilson Thomas, and Bonnie Raitt, among others. A California native, he has degrees in music from Pomona College and Butler University (and was at The University of Iowa for a while). Matt calls the Bay Area home where he is very active music directing, teaching, composing, and performing." - from his Transcendence Theater Company profile "Tyler Swick is a freelance musician and music educator in Las Vegas, Nevada. Elementary music education was a late passion for Swick, discovering it at the end of his music education degree at the University of Kentucky. After the bell rings in the Clark County School District, he heads over to the College of Southern Nevada to work with the Coyote Calypso Steel Band as an arranger and participant. The Coyote Calypso Steel Band is where Swick received his first exposure to steel drums when they played at the Las Vegas Day of Percussion in 2004. Now Swick teaches private steel pan lessons at the college after rehearsal but when he's not playing pan at CSN, Swick lectures the History of Rock and Roll to undergraduates. âLate nights and weekends are spent enjoying the vibrant music scene around Las Vegas, whether it's listening or performing." Iowa performance history: University of Iowa Steel Bands - PASIC 2013 UI Jazz Band âOttumwa Symphony Orchestra Reggae Against the Machine 5 O'Clock Somewhere Band Tin Can Duo - from Tyler Swick's home page Tyler Swick home page: http://www.tylerswick.com/ "Dr. Aaron Ziegler is a percussionist, educator, and arranger based in Toledo, Ohio. He currently serves as Adjunct Professor of Music at the University of Toledo where he directs the newly formed Rocket Steelband and teaches classes in Ethnomusicology, and Jazz History. He also maintains a private studio of concert percussion, marching percussion, and drum set students of all ages. "As a percussionist, drum set player, and steel pan player, Dr. Ziegler has performed throughout the midwest including the Detroit Institute of Arts, the Toledo Museum of Art, and the Iowa and Ohio days of percussion. He has also performed internationally at the Percussive Arts Society International Conference 2011 and 2013, the Inaugural International Panorama Competition in Trinidad & Tobago in 2015, and served as the percussion adjudicator for the 69th annual Hong Kong Schools Music Festival in Hong Kong, China in 2017. "Dr. Ziegler received his Doctorate of Musical Arts in Percussion Performance and Pedagogy with a secondary area in Ethnomusicology, as well as his Master of Arts from the University of Iowa, and his Bachelor of Music Performance from the University of Toledo. Dr. Ziegler proudly endorses Innovative Percussion sticks and mallets." - from Aaron Ziegler's home page Aaron Ziegler home page: http://www.aaronzieglerpercussion.com/ "Blake Shaw is an upright/electric bassist, composer, bandleader and private lesson teacher from Lisbon, Iowa who now resides in Iowa City. Shaw started on double bass at the age of 17 after becoming familiar with electric bass a few years before. He started his college career in the fall of 2008 at Kirkwood Community College. This is where he had his first classical lessons on double bass with Jeanette Welch. He moved on to the University of Iowa to pursue a Bachelorâs of Music in classical double bass performance, studying with professor Volkan Orhon and completing that degree in 2013. After a brief cruise ship gig in Australia, with the P&O Australia cruise line, following his BM degree Shaw came back to the US to start a Master of Arts degree at UI under the supervision of John Rapson, Damani Phillips, James Dreier and Steve Grismore while acting as one of the jazz departmentâs teaching assistants. Shaw was fortunate enough to play along side with several different guest artists during his years at UI such as: Wycliffe Gordon, Oâhad Talmor, Carmen Bradford, Terrell Stafford, Dave Pietro, and Dick Oatts. "Shawâs influences come from various genres and instrumentalists. He has made it a mission to become diverse and proficient in different contexts. His experience stretches from jazz, rock, classical, bluegrass, to latin, funk, R&B, and anything in between. His main bass influences have been but arenât limited to Dave Holland, Christian McBride and John Clayton. Current bands Shaw is booking with include but arenât limited to The Blake Shaw Quintet, Goose Town, Elizabeth Moen, River Glen, Thrio, and The Clinton St Quartet. You can also find Shaw subbing in Christopher Merzâs Very Happy Band as well as Flash in a Pan. Side projects include Dana Tâs bands, the Muscatine Community Orchestra and Eric Thompsonâs Fun Time music Hour." - from Blake Shaw's home page Blake Shaw home page: http://blakeshawbass.com/ The IHearIC YouTube channel: https://www.youtube.com/user/IHearIC IHearIC videos on IMSC: http://iowamusicshowcase.blogspot.com/search/label/IHEARIC%20VIDEOS PREVIOUSLY ON IOWA MUSIC SHOWCASE: AUDIBLE FARM - Episode 17: Cobey Murray https://iowamusicshowcase.blogspot.com/2019/01/audible-farm-episode-17-cobey-murray.html DES MOINES IS NOT BORING - The Vahnevants: Bum Out! https://iowamusicshowcase.blogspot.com/2019/01/des-moines-is-not-boring-vahnevants-bum.html DSM UNPLUGGED - Chris Ranallo on Jan 6, 2016 http://iowamusicshowcase.blogspot.com/2018/06/dsm-unplugged-chris-ranallo-on-jan-6.html IHEARIC PODCAST - Episode 26: Feed Me Weird Things (06/03/2018) http://iowamusicshowcase.blogspot.com/2018/06/ihearic-podcast-episode-26-feed-me.html YOUR OWN PRIVATE IOWA - Episode 30: Andersen Coates http://iowamusicshowcase.blogspot.com/2018/06/your-own-private-iowa-episode-30.html THREE RANDOMLY PICKED PREVIOUS POSTS.... IHEARIC VIDEOS - A Steel Pan Player and a Cellist https://iowamusicshowcase.blogspot.com/2018/05/ihearic-videos-steel-pan-player-and.html IHEARIC PODCAST - Episode 3 (11/05/2017) https://iowamusicshowcase.blogspot.com/2018/04/ihearic-podcast-episode-3-11052017.html IOWA MUSIC SHOWCASE PODCAST - Episode 63: Iowa Country and Folk Music https://iowamusicshowcase.blogspot.com/2018/04/iowa-music-showcase-podcast-episode-63.html OTHER IMSC WEBSITES AND LINKS: Feed: http://feeds.feedburner.com/IowaMusicShowcase Facebook: https://www.facebook.com/pages/Iowa-Music-Showcase/364796883703114 Twitter: https://twitter.com/iamusicshowcase Instagram: https://instagram.com/iowamusicshowcase
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Katie Wedmore
As per usual, we have a rather eclectic mix of videos from IHearIC. We had acoustic guitar player, Katie Wedmore, keyboardist Matt Smart, and Tyler Swick, Aaron Ziegler, and Blake Shaw playing electric bass and steel drums. Katie Wedmore is a singer and acoustic guitar player with a YouTube channel who obviously has no interest or desire to promote herself! Katie Wedmore on YouTube: https://www.youtube.com/channel/UCjtLbaaydmH9H4sG_-af0lQ "Matt Smart (Music Coordinator) Matt has played and conducted all over the world including Brazil, Hong Kong, and Shanghai and has worked with Michael Feinstein, Michael Tilson Thomas, and Bonnie Raitt, among others. A California native, he has degrees in music from Pomona College and Butler University (and was at The University of Iowa for a while). Matt calls the Bay Area home where he is very active music directing, teaching, composing, and performing." - from his Transcendence Theater Company profile "Tyler Swick is a freelance musician and music educator in Las Vegas, Nevada. Elementary music education was a late passion for Swick, discovering it at the end of his music education degree at the University of Kentucky. After the bell rings in the Clark County School District, he heads over to the College of Southern Nevada to work with the Coyote Calypso Steel Band as an arranger and participant. The Coyote Calypso Steel Band is where Swick received his first exposure to steel drums when they played at the Las Vegas Day of Percussion in 2004. Now Swick teaches private steel pan lessons at the college after rehearsal but when he's not playing pan at CSN, Swick lectures the History of Rock and Roll to undergraduates. âLate nights and weekends are spent enjoying the vibrant music scene around Las Vegas, whether it's listening or performing." Iowa performance history: University of Iowa Steel Bands - PASIC 2013 UI Jazz Band âOttumwa Symphony Orchestra Reggae Against the Machine 5 O'Clock Somewhere Band Tin Can Duo - from Tyler Swick's home page Tyler Swick home page: http://www.tylerswick.com/ "Dr. Aaron Ziegler is a percussionist, educator, and arranger based in Toledo, Ohio. He currently serves as Adjunct Professor of Music at the University of Toledo where he directs the newly formed Rocket Steelband and teaches classes in Ethnomusicology, and Jazz History. He also maintains a private studio of concert percussion, marching percussion, and drum set students of all ages. "As a percussionist, drum set player, and steel pan player, Dr. Ziegler has performed throughout the midwest including the Detroit Institute of Arts, the Toledo Museum of Art, and the Iowa and Ohio days of percussion. He has also performed internationally at the Percussive Arts Society International Conference 2011 and 2013, the Inaugural International Panorama Competition in Trinidad & Tobago in 2015, and served as the percussion adjudicator for the 69th annual Hong Kong Schools Music Festival in Hong Kong, China in 2017. "Dr. Ziegler received his Doctorate of Musical Arts in Percussion Performance and Pedagogy with a secondary area in Ethnomusicology, as well as his Master of Arts from the University of Iowa, and his Bachelor of Music Performance from the University of Toledo. Dr. Ziegler proudly endorses Innovative Percussion sticks and mallets." - from Aaron Ziegler's home page Aaron Ziegler home page: http://www.aaronzieglerpercussion.com/ "Blake Shaw is an upright/electric bassist, composer, bandleader and private lesson teacher from Lisbon, Iowa who now resides in Iowa City. Shaw started on double bass at the age of 17 after becoming familiar with electric bass a few years before. He started his college career in the fall of 2008 at Kirkwood Community College. This is where he had his first classical lessons on double bass with Jeanette Welch. He moved on to the University of Iowa to pursue a Bachelorâs of Music in classical double bass performance, studying with professor Volkan Orhon and completing that degree in 2013. After a brief cruise ship gig in Australia, with the P&O Australia cruise line, following his BM degree Shaw came back to the US to start a Master of Arts degree at UI under the supervision of John Rapson, Damani Phillips, James Dreier and Steve Grismore while acting as one of the jazz departmentâs teaching assistants. Shaw was fortunate enough to play along side with several different guest artists during his years at UI such as: Wycliffe Gordon, Oâhad Talmor, Carmen Bradford, Terrell Stafford, Dave Pietro, and Dick Oatts. "Shawâs influences come from various genres and instrumentalists. He has made it a mission to become diverse and proficient in different contexts. His experience stretches from jazz, rock, classical, bluegrass, to latin, funk, R&B, and anything in between. His main bass influences have been but arenât limited to Dave Holland, Christian McBride and John Clayton. Current bands Shaw is booking with include but arenât limited to The Blake Shaw Quintet, Goose Town, Elizabeth Moen, River Glen, Thrio, and The Clinton St Quartet. You can also find Shaw subbing in Christopher Merzâs Very Happy Band as well as Flash in a Pan. Side projects include Dana Tâs bands, the Muscatine Community Orchestra and Eric Thompsonâs Fun Time music Hour." - from Blake Shaw's home page Blake Shaw home page: http://blakeshawbass.com/ The IHearIC YouTube channel: https://www.youtube.com/user/IHearIC IHearIC videos on IMSC: http://iowamusicshowcase.blogspot.com/search/label/IHEARIC%20VIDEOS PREVIOUSLY ON IOWA MUSIC SHOWCASE: AUDIBLE FARM - Episode 17: Cobey Murray https://iowamusicshowcase.blogspot.com/2019/01/audible-farm-episode-17-cobey-murray.html DES MOINES IS NOT BORING - The Vahnevants: Bum Out! https://iowamusicshowcase.blogspot.com/2019/01/des-moines-is-not-boring-vahnevants-bum.html DSM UNPLUGGED - Chris Ranallo on Jan 6, 2016 http://iowamusicshowcase.blogspot.com/2018/06/dsm-unplugged-chris-ranallo-on-jan-6.html IHEARIC PODCAST - Episode 26: Feed Me Weird Things (06/03/2018) http://iowamusicshowcase.blogspot.com/2018/06/ihearic-podcast-episode-26-feed-me.html YOUR OWN PRIVATE IOWA - Episode 30: Andersen Coates http://iowamusicshowcase.blogspot.com/2018/06/your-own-private-iowa-episode-30.html THREE RANDOMLY PICKED PREVIOUS POSTS.... IHEARIC VIDEOS - A Steel Pan Player and a Cellist https://iowamusicshowcase.blogspot.com/2018/05/ihearic-videos-steel-pan-player-and.html IHEARIC PODCAST - Episode 3 (11/05/2017) https://iowamusicshowcase.blogspot.com/2018/04/ihearic-podcast-episode-3-11052017.html IOWA MUSIC SHOWCASE PODCAST - Episode 63: Iowa Country and Folk Music https://iowamusicshowcase.blogspot.com/2018/04/iowa-music-showcase-podcast-episode-63.html OTHER IMSC WEBSITES AND LINKS: Feed: http://feeds.feedburner.com/IowaMusicShowcase Facebook: https://www.facebook.com/pages/Iowa-Music-Showcase/364796883703114 Twitter: https://twitter.com/iamusicshowcase Instagram: https://instagram.com/iowamusicshowcase
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Katie Wedmore
As per usual, we have a rather eclectic mix of videos from IHearIC. We had acoustic guitar player, Katie Wedmore, keyboardist Matt Smart, and Tyler Swick, Aaron Ziegler, and Blake Shaw playing electric bass and steel drums. Katie Wedmore is a singer and acoustic guitar player with a YouTube channel who obviously has no interest or desire to promote herself! Katie Wedmore on YouTube: https://www.youtube.com/channel/UCjtLbaaydmH9H4sG_-af0lQ "Matt Smart (Music Coordinator) Matt has played and conducted all over the world including Brazil, Hong Kong, and Shanghai and has worked with Michael Feinstein, Michael Tilson Thomas, and Bonnie Raitt, among others. A California native, he has degrees in music from Pomona College and Butler University (and was at The University of Iowa for a while). Matt calls the Bay Area home where he is very active music directing, teaching, composing, and performing." - from his Transcendence Theater Company profile "Tyler Swick is a freelance musician and music educator in Las Vegas, Nevada. Elementary music education was a late passion for Swick, discovering it at the end of his music education degree at the University of Kentucky. After the bell rings in the Clark County School District, he heads over to the College of Southern Nevada to work with the Coyote Calypso Steel Band as an arranger and participant. The Coyote Calypso Steel Band is where Swick received his first exposure to steel drums when they played at the Las Vegas Day of Percussion in 2004. Now Swick teaches private steel pan lessons at the college after rehearsal but when he's not playing pan at CSN, Swick lectures the History of Rock and Roll to undergraduates. âLate nights and weekends are spent enjoying the vibrant music scene around Las Vegas, whether it's listening or performing." Iowa performance history: University of Iowa Steel Bands - PASIC 2013 UI Jazz Band âOttumwa Symphony Orchestra Reggae Against the Machine 5 O'Clock Somewhere Band Tin Can Duo - from Tyler Swick's home page Tyler Swick home page: http://www.tylerswick.com/ "Dr. Aaron Ziegler is a percussionist, educator, and arranger based in Toledo, Ohio. He currently serves as Adjunct Professor of Music at the University of Toledo where he directs the newly formed Rocket Steelband and teaches classes in Ethnomusicology, and Jazz History. He also maintains a private studio of concert percussion, marching percussion, and drum set students of all ages. "As a percussionist, drum set player, and steel pan player, Dr. Ziegler has performed throughout the midwest including the Detroit Institute of Arts, the Toledo Museum of Art, and the Iowa and Ohio days of percussion. He has also performed internationally at the Percussive Arts Society International Conference 2011 and 2013, the Inaugural International Panorama Competition in Trinidad & Tobago in 2015, and served as the percussion adjudicator for the 69th annual Hong Kong Schools Music Festival in Hong Kong, China in 2017. "Dr. Ziegler received his Doctorate of Musical Arts in Percussion Performance and Pedagogy with a secondary area in Ethnomusicology, as well as his Master of Arts from the University of Iowa, and his Bachelor of Music Performance from the University of Toledo. Dr. Ziegler proudly endorses Innovative Percussion sticks and mallets." - from Aaron Ziegler's home page Aaron Ziegler home page: http://www.aaronzieglerpercussion.com/ "Blake Shaw is an upright/electric bassist, composer, bandleader and private lesson teacher from Lisbon, Iowa who now resides in Iowa City. Shaw started on double bass at the age of 17 after becoming familiar with electric bass a few years before. He started his college career in the fall of 2008 at Kirkwood Community College. This is where he had his first classical lessons on double bass with Jeanette Welch. He moved on to the University of Iowa to pursue a Bachelorâs of Music in classical double bass performance, studying with professor Volkan Orhon and completing that degree in 2013. After a brief cruise ship gig in Australia, with the P&O Australia cruise line, following his BM degree Shaw came back to the US to start a Master of Arts degree at UI under the supervision of John Rapson, Damani Phillips, James Dreier and Steve Grismore while acting as one of the jazz departmentâs teaching assistants. Shaw was fortunate enough to play along side with several different guest artists during his years at UI such as: Wycliffe Gordon, Oâhad Talmor, Carmen Bradford, Terrell Stafford, Dave Pietro, and Dick Oatts. "Shawâs influences come from various genres and instrumentalists. He has made it a mission to become diverse and proficient in different contexts. His experience stretches from jazz, rock, classical, bluegrass, to latin, funk, R&B, and anything in between. His main bass influences have been but arenât limited to Dave Holland, Christian McBride and John Clayton. Current bands Shaw is booking with include but arenât limited to The Blake Shaw Quintet, Goose Town, Elizabeth Moen, River Glen, Thrio, and The Clinton St Quartet. You can also find Shaw subbing in Christopher Merzâs Very Happy Band as well as Flash in a Pan. Side projects include Dana Tâs bands, the Muscatine Community Orchestra and Eric Thompsonâs Fun Time music Hour." - from Blake Shaw's home page Blake Shaw home page: http://blakeshawbass.com/ The IHearIC YouTube channel: https://www.youtube.com/user/IHearIC IHearIC videos on IMSC: http://iowamusicshowcase.blogspot.com/search/label/IHEARIC%20VIDEOS PREVIOUSLY ON IOWA MUSIC SHOWCASE: AUDIBLE FARM - Episode 17: Cobey Murray https://iowamusicshowcase.blogspot.com/2019/01/audible-farm-episode-17-cobey-murray.html DES MOINES IS NOT BORING - The Vahnevants: Bum Out! https://iowamusicshowcase.blogspot.com/2019/01/des-moines-is-not-boring-vahnevants-bum.html DSM UNPLUGGED - Chris Ranallo on Jan 6, 2016 http://iowamusicshowcase.blogspot.com/2018/06/dsm-unplugged-chris-ranallo-on-jan-6.html IHEARIC PODCAST - Episode 26: Feed Me Weird Things (06/03/2018) http://iowamusicshowcase.blogspot.com/2018/06/ihearic-podcast-episode-26-feed-me.html YOUR OWN PRIVATE IOWA - Episode 30: Andersen Coates http://iowamusicshowcase.blogspot.com/2018/06/your-own-private-iowa-episode-30.html THREE RANDOMLY PICKED PREVIOUS POSTS.... IHEARIC VIDEOS - A Steel Pan Player and a Cellist https://iowamusicshowcase.blogspot.com/2018/05/ihearic-videos-steel-pan-player-and.html IHEARIC PODCAST - Episode 3 (11/05/2017) https://iowamusicshowcase.blogspot.com/2018/04/ihearic-podcast-episode-3-11052017.html IOWA MUSIC SHOWCASE PODCAST - Episode 63: Iowa Country and Folk Music https://iowamusicshowcase.blogspot.com/2018/04/iowa-music-showcase-podcast-episode-63.html OTHER IMSC WEBSITES AND LINKS: Feed: http://feeds.feedburner.com/IowaMusicShowcase Facebook: https://www.facebook.com/pages/Iowa-Music-Showcase/364796883703114 Twitter: https://twitter.com/iamusicshowcase Instagram: https://instagram.com/iowamusicshowcase
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Photo by Drew Morton http://www.drewmadestuff.com/
Once again, we have an usual pairing with today's IHearIC videos. The first is some pan drums. And the second features a cellist. "Tyler Swick is a freelance musician and music educator in Las Vegas, Nevada. Elementary music education was a late passion for Swick, discovering it at the end of his music education degree at the University of Kentucky. After the bell rings in the Clark County School District, he heads over to the College of Southern Nevada to work with the Coyote Calypso Steel Band as an arranger and participant. The Coyote Calypso Steel Band is where Swick received his first exposure to steel drums when they played at the Las Vegas Day of Percussion in 2004. Now Swick teaches private steel pan lessons at the college after rehearsal but when he's not playing pan at CSN, Swick lectures the History of Rock and Roll to undergraduates. âLate nights and weekends are spent enjoying the vibrant music scene around Las Vegas, whether it's listening or performing." Iowa performance history: University of Iowa Steel Bands - PASIC 2013 UI Jazz Band âOttumwa Symphony Orchestra Reggae Against the Machine 5 O'Clock Somewhere Band Tin Can Duo - from Tyler Swick's home page Tyler Swick home page: http://www.tylerswick.com/ "Dr. Aaron Ziegler is a percussionist, educator, and arranger based in Toledo, Ohio. He currently serves as Adjunct Professor of Music at the University of Toledo where he directs the newly formed Rocket Steelband and teaches classes in Ethnomusicology, and Jazz History. He also maintains a private studio of concert percussion, marching percussion, and drum set students of all ages. "As a percussionist, drum set player, and steel pan player, Dr. Ziegler has performed throughout the midwest including the Detroit Institute of Arts, the Toledo Museum of Art, and the Iowa and Ohio days of percussion. He has also performed internationally at the Percussive Arts Society International Conference 2011 and 2013, the Inaugural International Panorama Competition in Trinidad & Tobago in 2015, and served as the percussion adjudicator for the 69th annual Hong Kong Schools Music Festival in Hong Kong, China in 2017. "Dr. Ziegler received his Doctorate of Musical Arts in Percussion Performance and Pedagogy with a secondary area in Ethnomusicology, as well as his Master of Arts from the University of Iowa, and his Bachelor of Music Performance from the University of Toledo. Dr. Ziegler proudly endorses Innovative Percussion sticks and mallets." - from Aaron Ziegler's home page Aaron Ziegler home page: http://www.aaronzieglerpercussion.com/ "Blake Shaw is an upright/electric bassist, composer, bandleader and private lesson teacher from Lisbon, Iowa who now resides in Iowa City. Shaw started on double bass at the age of 17 after becoming familiar with electric bass a few years before. He started his college career in the fall of 2008 at Kirkwood Community College. This is where he had his first classical lessons on double bass with Jeanette Welch. He moved on to the University of Iowa to pursue a Bachelorâs of Music in classical double bass performance, studying with professor Volkan Orhon and completing that degree in 2013. After a brief cruise ship gig in Australia, with the P&O Australia cruise line, following his BM degree Shaw came back to the US to start a Master of Arts degree at UI under the supervision of John Rapson, Damani Phillips, James Dreier and Steve Grismore while acting as one of the jazz departmentâs teaching assistants. Shaw was fortunate enough to play along side with several different guest artists during his years at UI such as: Wycliffe Gordon, Oâhad Talmor, Carmen Bradford, Terrell Stafford, Dave Pietro, and Dick Oatts. "Shawâs influences come from various genres and instrumentalists. He has made it a mission to become diverse and proficient in different contexts. His experience stretches from jazz, rock, classical, bluegrass, to latin, funk, R&B, and anything in between. His main bass influences have been but arenât limited to Dave Holland, Christian McBride and John Clayton. Current bands Shaw is booking with include but arenât limited to The Blake Shaw Quintet, Goose Town, Elizabeth Moen, River Glen, Thrio, and The Clinton St Quartet. You can also find Shaw subbing in Christopher Merzâs Very Happy Band as well as Flash in a Pan. Side projects include Dana Tâs bands, the Muscatine Community Orchestra and Eric Thompsonâs Fun Time music Hour." - from Blake Shaw's home page Blake Shaw home page: http://blakeshawbass.com/ The IHearIC YouTube channel: https://www.youtube.com/user/IHearIC IHearIC videos on IMSC: http://iowamusicshowcase.blogspot.com/search/label/IHEARIC%20VIDEOS More IMSC posts featuring drums: http://iowamusicshowcase.blogspot.com/search/label/drums More IMSC posts featuring live performances: http://iowamusicshowcase.blogspot.com/search/label/live%20performance PREVIOUSLY ON IOWA MUSIC SHOWCASE: LOCK N LOAD - Our Interview With Dustin Conaway- Sept. 27, 2014 https://iowamusicshowcase.blogspot.com/2018/05/lock-n-load-our-interview-with-dustin.html OTHER SOURCES: The Iowa Hardcore Website http://iowamusicshowcase.blogspot.com/2018/05/other-sources-iowa-hardcore-website.html IHEARIC PODCAST - Episode 22: May Concert Recap and Diversity in Music (05/06/2018) http://iowamusicshowcase.blogspot.com/2018/05/ihearic-podcast-episode-22-may-concert.html JAZZMAN JOE VIDEOS - The CJC Big Band at Java Joe's in Des Moines on May 20, 2018 http://iowamusicshowcase.blogspot.com/2018/05/jazzman-joe-videos-cjc-big-band-at-java.html IOWA BLOCK RADIO CLASSIC - Ep.3 https://iowamusicshowcase.blogspot.com/2018/05/iowa-block-radio-classic-ep3.html THREE RANDOMLY PICKED PREVIOUS POSTS.... PLAYLISTS: Thanksgiving - Iowa Style http://iowamusicshowcase.blogspot.com/2017/11/playlists-thanksgiving-iowa-style.html IOWA MUSIC SHOWCASE PODCAST - Episode 46: Iowa Star Wars Music, Part 4 of 9 - May the Fortieth be with You! http://iowamusicshowcase.blogspot.com/2017/04/episode-46-iowa-star-wars-music-part-4.html IHEARIC VIDEOS - Dana T, a Violinist, and a Chorus http://iowamusicshowcase.blogspot.com/2018/05/ihearic-videos-dana-t-violinist-and.html OTHER IMSC WEBSITES AND LINKS: Feed: http://feeds.feedburner.com/IowaMusicShowcase Facebook: https://www.facebook.com/pages/Iowa-Music-Showcase/364796883703114 Twitter: https://twitter.com/iamusicshowcase Instagram: https://instagram.com/iowamusicshowcase
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