#handloom and handicraft products

[palsaa]

[besuremart]

Discover Handloom Gems at Besuremart-Your Odisha Supplier, Threads of Tradition

Welcome to Besuremart, your one-stop destination for exquisite handloom treasures in Odisha. As purveyors of tradition and champions of artisanal craftsmanship, we are thrilled to introduce our latest additions: the Chandua Flower Design Purse and the Cotton Traditional Ethnic Hand Art Bag.

Inspired by the timeless charm of Odisha's handloom tradition, our Chandua Flower Design Purse is a testament to the skill and creativity of local artisans. Crafted with precision and adorned with intricate floral motifs, each purse is a work of art that seamlessly blends tradition with contemporary style. Whether you're attending a festive celebration or a casual outing, this purse is sure to elevate your look with its elegance and charm.

For those who prefer a more traditional aesthetic, our Cotton Traditional Ethnic Hand Art Bag is the perfect choice. Handcrafted with care and featuring vibrant ethnic patterns, this bag exudes the essence of Odisha's cultural heritage. With its spacious design and durable construction, it's ideal for carrying your essentials while making a statement wherever you go.

At Besuremart, we take pride in offering handloom items that not only showcase the rich heritage of Odisha but also support local artisans and their craft. By choosing our Chandua Flower Design Purse or Cotton Traditional Ethnic Hand Art Bag, you're not just investing in a beautiful accessory – you're also contributing to the preservation of traditional weaving techniques and the empowerment of skilled artisans.

So why wait? Explore our collection of handloom treasures today and discover the perfect accessory to complement your style. Whether you're drawn to the timeless elegance of the Chandua Flower Design Purse or the cultural allure of the Cotton Traditional Ethnic Hand Art Bag, you'll find something to treasure at Besuremart, your trusted handloom items supplier in Odisha.

[gigoodsworld]

Seek out the extraordinary with Geographical Indication (GI) products! These are more than just everyday items

[communist-manifesto-daily]

Socialism: Utopian and Scientific - Part 29

[ First | Prev | Table of Contents | Next ]

Now, in what does this conflict consist?

Before capitalist production — i.e., in the Middle Ages — the system of petty industry obtained generally, based upon the private property of the laborers in their means of production; in the country, the agriculture of the small peasant, freeman, or serf; in the towns, the handicrafts organized in guilds. The instruments of labor — land, agricultural implements, the workshop, the tool — were the instruments of labor of single individuals, adapted for the use of one worker, and, therefore, of necessity, small, dwarfish, circumscribed. But, for this very reason, they belonged as a rule to the producer himself. To concentrate these scattered, limited means of production, to enlarge them, to turn them into the powerful levers of production of the present day — this was precisely the historic role of capitalist production and of its upholder, the bourgeoisie. In the fourth section of Capital, Marx has explained in detail how since the 15th century this has been historically worked out through the three phases of simple co-operation, manufacture, and modern industry. But the bourgeoisie, as is shown there, could not transform these puny means of production into mighty productive forces without transforming them, at the same time, from means of production of the individual into social means of production only workable by a collectivity of men. The spinning wheel, the handloom, the blacksmith's hammer, were replaced by the spinning-machine, the power-loom, the steam-hammer; the individual workshop, by the factory implying the co-operation of hundreds and thousands of workmen. In like manner, production itself changed from a series of individual into a series of social acts, and the production from individual to social products. The yarn, the cloth, the metal articles that now come out of the factory were the joint product of many workers, through whose hands they had successively to pass before they were ready. No one person could say of them: "I made that; this is my product."

But where, in a given society, the fundamental form of production is that spontaneous division of labor which creeps in gradually and not upon any preconceived plan, there the products take on the form of commodities, whose mutual exchange, buying and selling, enable the individual producers to satisfy their manifold wants. And this was the case in the Middle Ages. The peasant, e.g., sold to the artisan agricultural products and bought from him the products of handicraft. Into this society of individual producers, of commodity producers, the new mode of production thrust itself. In the midst of the old division of labor, grown up spontaneously and upon no definite plan, which had governed the whole of society, now arose division of labor upon a definite plan, as organized in the factory; side by side with individual production appeared social production. The products of both were sold in the same market, and, therefore, at prices at least approximately equal. But organization upon a definite plan was stronger than spontaneous division of labor. The factories working with the combined social forces of a collectivity of individuals produced their commodities far more cheaply than the individual small producers. Individual producers succumbed in one department after another. Socialized production revolutionized all the old methods of production. But its revolutionary character was, at the same time, so little recognized that it was, on the contrary, introduced as a means of increasing and developing the production of commodities. When it arose, it found ready-made, and made liberal use of, certain machinery for the production and exchange of commodities: merchants' capital, handicraft, wage-labor. Socialized production thus introducing itself as a new form of the production of commodities, it was a matter of course that under it the old forms of appropriation remained in full swing, and were applied to its products as well.

[ First | Prev | Table of Contents | Next ]

[everythingkashmir]

Escaping the Matrix

The reality is an illusion

By Faisul Yaseen

‘Khan News Agency’ just outside the Lambert Lane on the Residency Road in Srinagar, the summer capital of Jammu and Kashmir, used to employ seven persons. Today, Hilal Ahmad is the only one running the show.

“The customer flow used to be such that none of us could take a breather during the day,” Ahmad says. “Today, I sit idle, waiting all day for the customers to turn up.”

His business of selling newspapers, magazines, and other periodicals, has been hit with the growth of e-commerce in Kashmir.

“e-commerce is doing much more damage to small-time shopkeepers than the violence of three decades in Kashmir,” he says.

As the e-commerce industry is growing in Kashmir, it is eating away the business of Micro, Small and Medium Enterprises (MSME) like local departmental stores, bookshops, clothing and footwear stores, small traders, retailers, and hawkers while wholesale profit margins are getting squeezed.

In this new world order, how will the small businesses survive?

*****

Andrew Tate, a kickboxer-turned-online influencer was recently in the news when while being arrested he said, “The Matrix has attacked me.”

When Tate mentioned ‘The Matrix’, was he making a reference to the science fiction film franchise or was he talking about the new world order?

In one of his viral videos while referring to ‘The Matrix’, he says, “They want to control us. This is what people who are in charge ever wanted from the beginning, control. They want people to comply. And you have to put systems in place to ensure people comply.”

Are those systems the new business models? And are we the people complying with those systems?

Kashmir Chamber of Commerce and Industry (KCCI) President Javid Tenga says, “There is a need to support people who are losing their livelihood due to e-commerce.”

Tenga, who had shot a letter to the Union Civil Aviation Ministry and Director General of Civil Aviation (DGCA) to stop websites of various airlines from unilaterally raising airfares on Jammu and Kashmir route, says that the government needs to place restrictions on e-commerce of certain items to protect the interests of small traders.

Rescuing small businesses in a place like J&K assumes importance considering that at least 1.82 lakh youth who do not have any jobs are registered with the government.

*****

Chairman of PHD Chamber of Commerce and Industry (PHDCCI), Kashmir, Vicky Shaw says, “The dimensions of business are changing.”

He suggests small businesses to get associated with big companies and become their suppliers.

Shaw also recommends small traders to register their businesses on the Government of India’s Open Network Digital Commerce (ONDC) app for easy marketing of their products.

“People have to move on,” Shaw says.

Coordinator Directorate of Internal Quality Assurance (DIQA) of the University of Kashmir (KU), Aijaz Akbar Mir concurs with Shaw.

According to Mir, who specialises in Management and Organisational Behaviour, Human Resource Management, Human Resource Development and Industrial Relations, the small traders need to come up with “innovations” and “redesign” or “perish”.

“Change is important. What is relevant today may not be relevant tomorrow,” Mir says. “Small traders need to add more products and go for home delivery.”

Coordinator MBA Financial Management at KU’s School of Business Studies, Irshad Ahmad Malik questions whether small businesses were offering what customers want.

“They are not shifting to the alternate mechanism,” he says. “They also need to lure customers with discounts and go for hybrid mode of sales – both online and in store.”

*****

In a time of gloom at the shop fronts, is the government doing anything for helping the small businesses?

Director Industries and Commerce, Kashmir, Mahmood Ahmad Shah says, “There is nothing in the industrial policy. This comes under rehabilitation.”

However, Shah, who is also Director Handicrafts and Handloom, says that the government is incentivising e-commerce in the handicrafts sector.

When merchants, who usually fight with each other, feel an existential threat at the hands of the “common enemy” e-commerce, the role of the government and the quasi-government institutions like J&K Bank, which has for long been the lifeline of the local economy, becomes all the more important.

Editor of the J&K Bank and its Head of Internal Communication and Knowledge Management (IC&KM) Department, Sajjad Bazaz says, “It is all up to the business plan of the shopkeepers.”

He says that the loan limit given by the bank depends on the working capital.

“Many small traders have already started e-commerce but it only accounts for around 40 percent of the sales while 60 percent customers still visit the stores for a personal experience,” Bazaz says.

*****

In the 1999 Hollywood movie, ‘The Matrix’ that Tate makes references to, Morpheus, a rebel leader played by Laurence Fishburne tells the protagonist Neo, who is played by Keanu Reeves, “The Matrix is a system, Neo. That system is our enemy. But when you're inside, you look around, what do you see? Businessmen, teachers, lawyers, carpenters. The very minds of the people we are trying to save. But until we do, these people are still a part of that system and that makes them our enemy. You have to understand, most of these people are not ready to be unplugged. And many of them are so inured, so hopelessly dependent on the system, that they will fight to protect it.”

Are we those hopelessly dependent people who are fighting to protect this world order?

In ‘The Matrix’ Morpheus gives Neo two options, “This is your last chance. After this, there is no turning back. You take the blue pill - the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill - you stay in Wonderland and I show you how deep the rabbit hole goes.”

Do we have options like Neo and what are those options?

Writer and speaker, Sofo Archon in ‘Escaping the Matrix: 8 Ways to Deprogram Yourself’ writes, “Think of the way most people live: They force themselves to wake up early in the morning, dress up, drive straight to some workplace, spend 8 hours or so doing work they hate, drive back home, surf the Internet or watch TV, and then go to sleep, only to repeat the same routine the next day for almost the rest of their lives.”

For escaping ‘The Matrix’, he suggests breaking the shackles of dogmas, stopping giving your power away to external authority, questioning the dominant economic system, detaching yourself from consumerism, being aware of the media, choosing food carefully, reading eye-opening books, and developing mindfulness.

Archon writes that habits, tradition, and dogmas have turned us into mindless automatons that follow a predetermined path that was forced upon us.

*****

Chairman J&K Hoteliers Club Mushtaq Chaya says that there is a need to change these habits and old traditions.

“Shopkeepers have to become smart,” he says. “The people who are making a fortune out of e-commerce are smart people who used to run small businesses like these shopkeepers.”

However, Chaya calls for extending all possible help to these small traders who are finding it difficult to jump the bandwagon of e-commerce.

Like Chaya, President of Chamber of Commerce and Industry, Kashmir (CCIK), Tariq Rashid Ghani also suggests extending a helping hand to the small businesses keeping in mind the past three decades of turmoil in J&K.

“The traditional shop-keeping has come to an end,” he says. “The government needs to promote local items.”

*****

Nikki Baird in her write up ‘Retail in the 2020s: The Death of Consumerism’ for the ‘Forbes’ writes that the consumers should become sensitive to environment footprints; repair and maintenance sector would grow; businesses should deliver experiences; and traders should rethink how their businesses are organised, rework brand strategies, and remodel stores.

On April 17 last year at the unveiling of a 108-foot tall statue of Hanuman in Morbi, Gujarat, Prime Minister Narendra Modi said: “At our homes, we should only use things made by our people. Imagine the number of people who will get employment due to this. We may like foreign-made goods but these things don’t have the feel of the hard work of our people. In the next 25 years, if we just use local products, there won’t be unemployment for our people.”

In times of brand junkies, in times when duds backed by rich parents go on to become entrepreneurs, extending an olive branch to the small traders would be a revolutionary act.

*****

Greek philosopher Plato in the ‘Allegory of the Cave’ in his work ‘Republic’ describes a group of people who have lived all their lives in a cave. Chained to pillars, they can only see shadows cast on the back wall by a fire burned behind them. These shadows are mere illusions. When one of these men breaks out, he discovers a new world. On returning to the cave, he tells the other men about the reality but they reject it and resent him because reality is an illusion for them and illusion a reality.

However, Friedrich Nietzsche in his book Twilight of the Idols argues that if this ‘reality’ was completely unknowable and beyond grasp, what use could it possibly be.

Sheikh Aijaz, who runs Gulshan Books store at the Residency Road in Srinagar, says that a new reality has already dawned as fewer people were turning up to purchase books at stores.

“Most people now order books from e-commerce sites,” says Aijaz who compensates for the loss of business at the store with ‘Gulshan Books Publishing House’, a vertical the family started years back.

The 17th century French philosopher Rene Descartes in his ‘Meditations on First Philosophy’ suggests that the entire human world is but a world of shadows orchestrated by a deceitful “evil genius”.

Not wanting to chase the shadows, millennials across the world may not be buying diamonds, ‘vocal for local’ may be the in thing in India, but are we ready for putting in an effort to make the change.

Do you want to take the blue pill, or do you want to take the red pill?

The choice is yours.

[news365timesindia]

[ad_1] By Anjali Sharma NEW YORK – Indian Government data released on Thursday noted that as of 2023, India is the 6th largest exporter of Textiles & Apparel in the world. The overall export of Textiles & Apparel including handicrafts marked a growth of 7 per cent during April-October period of FY 2024-25 ($ 21,358 Mn) compared to same period of FY 2023-24 ($ 20,007 Mn), it said. India holds a share of 3.9 per cent of the global trade in textiles and apparel, and including handicrafts it comprises 8.21 per cent in total exports in 2023-24, government said. According to the information shared by the Textiles Ministry, the Ready Made Garments category with export of $ 8,733 Mn has the largest share (41 per cent) in the total exports ($ 21,358 Mn) during the period of April-October of FY 2024-25, followed by Cotton Textiles (33 per cent, $ 7,082 Mn), Man- Made Textiles (15 per cent, $ 3,105 Mn). Growth of exports is observed in all principal commodities during the period of April-October of FY 2024-25 compared to corresponding period of FY 2023-24, except wool and handloom which decline by 19 per cent and 6 per cent, respectively. Import of textiles and apparel products by India during FY 2023-24 ($ 8,946 Mn) has decreased by approximately 15 per cent in comparison to FY 2022-23 ($10,481 Mn). The overall import of Textiles & Apparel (incl. handicrafts) declined 1 per cent during April-October period of FY 2024-25 ($ 5,425 Mn) compared to same period of FY 2023-24 ($ 5,464 Mn). It added that man-made Textiles category with import of $1859 Mn has the largest share (34 per cent) in the total imports ($ 5,425 Mn) during the period of April-October of FY 2024-25, as there is demand supply gap in this sector. Growth of imports is observed majorly in Cotton Textiles mainly on account of import of long staple cotton fibre and such trends of import indicates towards an increase in production capacity of the country amidst rising consumption and self reliance, it concluded. The post India reports 3.9% global trade share in textiles, apparel sector appeared first on Global Governance News- Asia's First Bilingual News portal for Global News and Updates. [ad_2] Source link

[news365times]

[ad_1] By Anjali Sharma NEW YORK – Indian Government data released on Thursday noted that as of 2023, India is the 6th largest exporter of Textiles & Apparel in the world. The overall export of Textiles & Apparel including handicrafts marked a growth of 7 per cent during April-October period of FY 2024-25 ($ 21,358 Mn) compared to same period of FY 2023-24 ($ 20,007 Mn), it said. India holds a share of 3.9 per cent of the global trade in textiles and apparel, and including handicrafts it comprises 8.21 per cent in total exports in 2023-24, government said. According to the information shared by the Textiles Ministry, the Ready Made Garments category with export of $ 8,733 Mn has the largest share (41 per cent) in the total exports ($ 21,358 Mn) during the period of April-October of FY 2024-25, followed by Cotton Textiles (33 per cent, $ 7,082 Mn), Man- Made Textiles (15 per cent, $ 3,105 Mn). Growth of exports is observed in all principal commodities during the period of April-October of FY 2024-25 compared to corresponding period of FY 2023-24, except wool and handloom which decline by 19 per cent and 6 per cent, respectively. Import of textiles and apparel products by India during FY 2023-24 ($ 8,946 Mn) has decreased by approximately 15 per cent in comparison to FY 2022-23 ($10,481 Mn). The overall import of Textiles & Apparel (incl. handicrafts) declined 1 per cent during April-October period of FY 2024-25 ($ 5,425 Mn) compared to same period of FY 2023-24 ($ 5,464 Mn). It added that man-made Textiles category with import of $1859 Mn has the largest share (34 per cent) in the total imports ($ 5,425 Mn) during the period of April-October of FY 2024-25, as there is demand supply gap in this sector. Growth of imports is observed majorly in Cotton Textiles mainly on account of import of long staple cotton fibre and such trends of import indicates towards an increase in production capacity of the country amidst rising consumption and self reliance, it concluded. The post India reports 3.9% global trade share in textiles, apparel sector appeared first on Global Governance News- Asia's First Bilingual News portal for Global News and Updates. [ad_2] Source link

[ellajme0]

India’s real GDP growth in FY24 reached 8.2 per cent and exceeded 7 per cent for the third consecutive year, demonstrating resilience amidst global challenges. The growth is driven by stable consumption and improving investment demand. Surpassing China’s economic growth rate, Indian economic growth rate over the last few years has been one of the highest in the world. The Economic Survey 2023-24 projected country’s real GDP growth in the range of 6.5 to 7 per cent, despite taking a conservative approach. Many experts, however, believe these projections will be surpassed. Retail inflation, at 5.4 per cent, remained lowest since the pandemic due to policy interventions and RBI measures. Inflation is expected to decline further to 4.5 per cent in FY25 and 4.1 per cent in FY26, under the assumption that India will have normal monsoon and no external disruption.India's real GDP grew 8.2 per cent in FY24, driven by stable consumption and investment. The 2024-25 budget focused on the textile sector with increased allocations and reduced customs duties. Despite global challenges, exports rose in Q1 FY25. Tiruppur saw recovery, with large orders from global players. New BIS certification for medical textiles starts in October 2024. A supportive budget The annual budget for 2024-25 was presented by Indian Finance Minister on July 23, 2024. The budget addressed various aspects of textile and apparel sector, encompassing production incentives, export growth and sustainability. The key highlights of the budget for the sector include: - The budget allocation for the textile industry was increased by 28.29 per cent, from ₹3,443 crore (FY24) to ₹4,417 crore (~$530 million), of which ₹375.41 crore are allocated for the establishment expenditure of the Centre, ₹3,866.17 crore for central sector schemes/projects, and ₹175.41 crore for other central sector expenditure. The major share of spend on schemes/projects will be consumed by top 5 centrally sponsored schemes: Programmes of the Central Silk Board (23.28 per cent), the Amended Technology Upgradation Fund Scheme (16.42 per cent), Procurement of Cotton by the Cotton Corporation of India under the Price Support Scheme (15.52 per cent), National Technical Textiles Mission (9.70 per cent) and PM MITRA (7.76 per cent). - The budget for PLI (Product Linked Incentive) scheme was increased by 800 per cent to ₹45 crore (~$5.4 million) from ₹5 crore in the previous year. - The funding for CCI’s cotton purchase under the price support scheme was increased from ₹0.01 crore to ₹600 crore, while funding for the Integrated Scheme for Skill Development got a boost from ₹115 crore to ₹166 crore. - The budgets for the Development of the Jute Sector and the Amended Technology Upgradation Fund Scheme (ATUFS) were reduced from ₹75 crore to ₹50 crore, and ₹675 crore to ₹635 crore, respectively. - The budgets towards the National Technical Textiles Mission, National Handicraft Development Programme, National Handloom Development Programme and Handicraft Cluster Development Programme (Handicraft Mega Cluster) went up from ₹170 crore to ₹375 crore, from ₹155 crore to ₹206 crore, from ₹190 crore to ₹200 crore, and from ₹15.7 crore to ₹30 crore, respectively. - The reduction in the customs duty, as proposed in the budget, aims to reduce input costs, deepen value addition, promote export competitiveness, correct inverted duty structure, boost domestic manufacturing etc. In the same regard, the Basic Customs Duty (BCD) on MDI (methylene diphenyl diisocyanate) for spandex yarn production was reduced from 7.5 per cent to 5 per cent, to address duty inversion and reduction in input costs for manufacturers; and, lowering of BCD on real down-filling material from ducks or geese, from 30 per cent to 10 per cent aims at making premium filling materials more affordable for garment manufacturers. - Tariff rates were reduced to zero for certain additional accessories and embellishments for the manufacture of textiles. Additionally, a bottom-up reform was proposed to create new tariff lines concerning many products including technical textiles to align them to the tariff lines with WCO (World Customs Organisation) classification and better identification of goods. These changes came into effect from October 1, 2024. - The government also proposed to expand the list of exempted goods used in the manufacture of leather and textile garments, footwear, and other leather articles intended for export. The move aims at reducing production costs and encourage more manufacturers to enter the export market. Trade update In FY24 ended March 31, 2024, India’s export of textiles and apparel, including handicrafts, increased 1 per cent and reached ₹2.97 trillion (~$35.64 billion). The export value of RMG at ₹1.2 trillion (~$14.4 billion) contributed around 41 per cent to total exports, followed by cotton textiles (34 per cent) and man-made textiles (14 per cent). MSMEs contributed more than 80 per cent of India’s textile and apparel manufacturing capacity. Particularly in March 2024, the textiles and apparel exports registered 11.18 per cent and 1.7 per cent growth over March 2023, respectively, while their combined growth was 6.91 per cent year-on-year. Category-wise, exports of cotton yarn, fabrics, made-ups, handlooms grew 6.78 per cent, carpets increased 16.23 per cent and handicrafts rose by 128.39 per cent. The categories which saw a drop in March included man-made yarn, fabrics, made-ups (-7.86 per cent) and jute including floor covering (-24.13 per cent). Imports of cotton raw & waste and textile yarn fabric, made-ups during the month fell by 11.29 per cent and 12.17 per cent, respectively. In the first quarter period of April to June of FY25, exports of textiles and apparel increased 4.08 per cent y-o-y to $8.785 billion. In this, textile export at $4.935 billion increased 3.99 per cent and apparel export valued at $3.849 billion grew 4.2 per cent, though their combined share in India’s total merchandise exports decreased to 7.99 per cent during the period. Cotton yarn, fabrics, made-ups, and handloom products saw a 5.71 per cent increase to $2.916 billion, the shipment of man-made yarn, fabrics, and made-ups gained by 0.37 per cent to $1.165 billion, and carpet exports increased by 11.41 per cent to $263.37 million. Despite unfavourable economic conditions in the EU, US, and West Asian nations, Indian textile exports grew 9.59 per cent in the month of May compared to May 2023, while apparel exports grew 9.84 per cent. The combined exports of textiles and apparel during the month registered a growth of 9.70 per cent y-o-y. The Indian textile exports during two consecutive months of April and May, increased 6.04 per cent over exports during the same two months in the previous year, whereas the exports of apparel increased 4.46 per cent. Overall, aggregate exports of textiles and apparel for 2-month period surged 5.34 per cent y-o-y. In June alone, textiles and apparel exports amounted to $2.919 billion, with textiles increasing marginally by 0.05 per cent to $1.625 billion. While cotton yarn, fabrics, made-ups, and handloom products increased 0.92 per cent to $959.55 million and the shipment of man-made yarn, fabrics, and made-ups gained 2.79 per cent to $383.16 million, the exports of carpet increased by 10.64 per cent to $121.44 million. During Q1, FY24, imports of raw cotton and waste declined 23.42 per cent to $152.01 million, down from $198.49 million in Q1, FY23. Imports of textile yarn, fabric, and made-ups improved 7.47 per cent to reach $557.2 million, up from $518.4 million in the same quarter of the previous fiscal. The inbound shipment of raw cotton and waste dipped 26.16 per cent to $70.22 million from $95.10 million, while imports of textile yarn, fabric, and made-ups jumped 23.83 per cent to $209.23 million in the month of June 2024. Tough time for exports Indian government aims to achieve $600 billion in textile exports by 2047, but the sector faced challenges such as geo-political uncertainties, consumption shifts, and low overall growth in 2024. The sector was affected by the ongoing Russia-Ukraine war, the Red Sea crisis, and the Israel-Hamas conflict, which made the international trade scenario much tougher for the Indian exporters in 2024. According to a CRISIL report released in February, India’s textiles industry is unlikely to be significantly impacted by the Red Sea crisis. However, a prolonged crisis is likely to impact margins and stretch the working capital cycle. It was further highlighted that the higher freight cost due to the Houthi disruption maybe a hindrance for textile exporters with a lot of trade happening through the Suez Canal. The freight rates increased by nearly 40-50 per cent. Additionally, a global 'weak demand' in textiles was another worrisome factor for the industry. The May 2024 ITMF Global Textile Industry Survey (GTIS) revealed a continued stagnation in the textile business climate and that a weak demand remained the main concern since September 2022. Tiruppur bounced back Tiruppur – India’s textiles export hub, revived back in the first quarter of FY25, following a 14 per cent contraction in knitwear exports during FY24. The revival was triggered by large orders from global players like Primark, Tesco, George at ASDA and Decathlon. While April grew marginally at 1.5 per cent, the respective growths in May and June were 11.4 per cent and 10 per cent. The Tiruppur Exporters Association (TEA) reported US players like GAP, Carter’s and Walmart, European majors such as Next and Duns, and Australian giants like Target and Woolworths, lining up to place orders in the region. This was also due to the global majors diversifying their sourcing basket under the ‘China Plus One’ policy and a major wage hike in an important market like Bangladesh. Late last year, Bangladesh reportedly announced a 56 per cent increase in the monthly minimum wage to $113 from the previous $75 for garment factory workers. As per TEA, the region’s export in April and May amounted to $294 million and $360 million versus $290 million and $323 million in respective months of 2023. During calendar year 2024 also, excluding a 3.8 per cent drop in January, the exports showed growth in rest of the months. The increase in February and March, compared to last year, were 6.4 per cent and 5.6 per cent respectively.   Tiruppur accounts for 90 per cent of India’s cotton knitwear exports, and 55 per cent of all its knitwear exports. The region faced issue of labour shortage, which showed sign of improvement after elections in India. Prior to elections, the region reportedly experienced around 40 per cent shortage in migrant employees, which reduced to around 10 per cent by mid-2024. Tiruppur's textile industry hosts 600,000 inland employees and 200,000 migrants. Mandatory BIS certification The range of medical textile products, including hospital bed linens, pillow covers, and sanitary napkins, are now subjected to Bureau of Indian Standards (BIS) w.e.f. October 1, 2024. The move aims at ensuring quality and safety in medical textiles. BIS began the sensitisation efforts in this regard among stakeholders even before the implementation date. The compulsory ISI mark is a significant step in standardising products used in critical healthcare settings, potentially elevating the industry’s standards on a global scale. Fibre2Fashion News Desk (SB - WE) Source link

[chilimili212]

India’s real GDP growth in FY24 reached 8.2 per cent and exceeded 7 per cent for the third consecutive year, demonstrating resilience amidst global challenges. The growth is driven by stable consumption and improving investment demand. Surpassing China’s economic growth rate, Indian economic growth rate over the last few years has been one of the highest in the world. The Economic Survey 2023-24 projected country’s real GDP growth in the range of 6.5 to 7 per cent, despite taking a conservative approach. Many experts, however, believe these projections will be surpassed. Retail inflation, at 5.4 per cent, remained lowest since the pandemic due to policy interventions and RBI measures. Inflation is expected to decline further to 4.5 per cent in FY25 and 4.1 per cent in FY26, under the assumption that India will have normal monsoon and no external disruption.India's real GDP grew 8.2 per cent in FY24, driven by stable consumption and investment. The 2024-25 budget focused on the textile sector with increased allocations and reduced customs duties. Despite global challenges, exports rose in Q1 FY25. Tiruppur saw recovery, with large orders from global players. New BIS certification for medical textiles starts in October 2024. A supportive budget The annual budget for 2024-25 was presented by Indian Finance Minister on July 23, 2024. The budget addressed various aspects of textile and apparel sector, encompassing production incentives, export growth and sustainability. The key highlights of the budget for the sector include: - The budget allocation for the textile industry was increased by 28.29 per cent, from ₹3,443 crore (FY24) to ₹4,417 crore (~$530 million), of which ₹375.41 crore are allocated for the establishment expenditure of the Centre, ₹3,866.17 crore for central sector schemes/projects, and ₹175.41 crore for other central sector expenditure. The major share of spend on schemes/projects will be consumed by top 5 centrally sponsored schemes: Programmes of the Central Silk Board (23.28 per cent), the Amended Technology Upgradation Fund Scheme (16.42 per cent), Procurement of Cotton by the Cotton Corporation of India under the Price Support Scheme (15.52 per cent), National Technical Textiles Mission (9.70 per cent) and PM MITRA (7.76 per cent). - The budget for PLI (Product Linked Incentive) scheme was increased by 800 per cent to ₹45 crore (~$5.4 million) from ₹5 crore in the previous year. - The funding for CCI’s cotton purchase under the price support scheme was increased from ₹0.01 crore to ₹600 crore, while funding for the Integrated Scheme for Skill Development got a boost from ₹115 crore to ₹166 crore. - The budgets for the Development of the Jute Sector and the Amended Technology Upgradation Fund Scheme (ATUFS) were reduced from ₹75 crore to ₹50 crore, and ₹675 crore to ₹635 crore, respectively. - The budgets towards the National Technical Textiles Mission, National Handicraft Development Programme, National Handloom Development Programme and Handicraft Cluster Development Programme (Handicraft Mega Cluster) went up from ₹170 crore to ₹375 crore, from ₹155 crore to ₹206 crore, from ₹190 crore to ₹200 crore, and from ₹15.7 crore to ₹30 crore, respectively. - The reduction in the customs duty, as proposed in the budget, aims to reduce input costs, deepen value addition, promote export competitiveness, correct inverted duty structure, boost domestic manufacturing etc. In the same regard, the Basic Customs Duty (BCD) on MDI (methylene diphenyl diisocyanate) for spandex yarn production was reduced from 7.5 per cent to 5 per cent, to address duty inversion and reduction in input costs for manufacturers; and, lowering of BCD on real down-filling material from ducks or geese, from 30 per cent to 10 per cent aims at making premium filling materials more affordable for garment manufacturers. - Tariff rates were reduced to zero for certain additional accessories and embellishments for the manufacture of textiles. Additionally, a bottom-up reform was proposed to create new tariff lines concerning many products including technical textiles to align them to the tariff lines with WCO (World Customs Organisation) classification and better identification of goods. These changes came into effect from October 1, 2024. - The government also proposed to expand the list of exempted goods used in the manufacture of leather and textile garments, footwear, and other leather articles intended for export. The move aims at reducing production costs and encourage more manufacturers to enter the export market. Trade update In FY24 ended March 31, 2024, India’s export of textiles and apparel, including handicrafts, increased 1 per cent and reached ₹2.97 trillion (~$35.64 billion). The export value of RMG at ₹1.2 trillion (~$14.4 billion) contributed around 41 per cent to total exports, followed by cotton textiles (34 per cent) and man-made textiles (14 per cent). MSMEs contributed more than 80 per cent of India’s textile and apparel manufacturing capacity. Particularly in March 2024, the textiles and apparel exports registered 11.18 per cent and 1.7 per cent growth over March 2023, respectively, while their combined growth was 6.91 per cent year-on-year. Category-wise, exports of cotton yarn, fabrics, made-ups, handlooms grew 6.78 per cent, carpets increased 16.23 per cent and handicrafts rose by 128.39 per cent. The categories which saw a drop in March included man-made yarn, fabrics, made-ups (-7.86 per cent) and jute including floor covering (-24.13 per cent). Imports of cotton raw & waste and textile yarn fabric, made-ups during the month fell by 11.29 per cent and 12.17 per cent, respectively. In the first quarter period of April to June of FY25, exports of textiles and apparel increased 4.08 per cent y-o-y to $8.785 billion. In this, textile export at $4.935 billion increased 3.99 per cent and apparel export valued at $3.849 billion grew 4.2 per cent, though their combined share in India’s total merchandise exports decreased to 7.99 per cent during the period. Cotton yarn, fabrics, made-ups, and handloom products saw a 5.71 per cent increase to $2.916 billion, the shipment of man-made yarn, fabrics, and made-ups gained by 0.37 per cent to $1.165 billion, and carpet exports increased by 11.41 per cent to $263.37 million. Despite unfavourable economic conditions in the EU, US, and West Asian nations, Indian textile exports grew 9.59 per cent in the month of May compared to May 2023, while apparel exports grew 9.84 per cent. The combined exports of textiles and apparel during the month registered a growth of 9.70 per cent y-o-y. The Indian textile exports during two consecutive months of April and May, increased 6.04 per cent over exports during the same two months in the previous year, whereas the exports of apparel increased 4.46 per cent. Overall, aggregate exports of textiles and apparel for 2-month period surged 5.34 per cent y-o-y. In June alone, textiles and apparel exports amounted to $2.919 billion, with textiles increasing marginally by 0.05 per cent to $1.625 billion. While cotton yarn, fabrics, made-ups, and handloom products increased 0.92 per cent to $959.55 million and the shipment of man-made yarn, fabrics, and made-ups gained 2.79 per cent to $383.16 million, the exports of carpet increased by 10.64 per cent to $121.44 million. During Q1, FY24, imports of raw cotton and waste declined 23.42 per cent to $152.01 million, down from $198.49 million in Q1, FY23. Imports of textile yarn, fabric, and made-ups improved 7.47 per cent to reach $557.2 million, up from $518.4 million in the same quarter of the previous fiscal. The inbound shipment of raw cotton and waste dipped 26.16 per cent to $70.22 million from $95.10 million, while imports of textile yarn, fabric, and made-ups jumped 23.83 per cent to $209.23 million in the month of June 2024. Tough time for exports Indian government aims to achieve $600 billion in textile exports by 2047, but the sector faced challenges such as geo-political uncertainties, consumption shifts, and low overall growth in 2024. The sector was affected by the ongoing Russia-Ukraine war, the Red Sea crisis, and the Israel-Hamas conflict, which made the international trade scenario much tougher for the Indian exporters in 2024. According to a CRISIL report released in February, India’s textiles industry is unlikely to be significantly impacted by the Red Sea crisis. However, a prolonged crisis is likely to impact margins and stretch the working capital cycle. It was further highlighted that the higher freight cost due to the Houthi disruption maybe a hindrance for textile exporters with a lot of trade happening through the Suez Canal. The freight rates increased by nearly 40-50 per cent. Additionally, a global 'weak demand' in textiles was another worrisome factor for the industry. The May 2024 ITMF Global Textile Industry Survey (GTIS) revealed a continued stagnation in the textile business climate and that a weak demand remained the main concern since September 2022. Tiruppur bounced back Tiruppur – India’s textiles export hub, revived back in the first quarter of FY25, following a 14 per cent contraction in knitwear exports during FY24. The revival was triggered by large orders from global players like Primark, Tesco, George at ASDA and Decathlon. While April grew marginally at 1.5 per cent, the respective growths in May and June were 11.4 per cent and 10 per cent. The Tiruppur Exporters Association (TEA) reported US players like GAP, Carter’s and Walmart, European majors such as Next and Duns, and Australian giants like Target and Woolworths, lining up to place orders in the region. This was also due to the global majors diversifying their sourcing basket under the ‘China Plus One’ policy and a major wage hike in an important market like Bangladesh. Late last year, Bangladesh reportedly announced a 56 per cent increase in the monthly minimum wage to $113 from the previous $75 for garment factory workers. As per TEA, the region’s export in April and May amounted to $294 million and $360 million versus $290 million and $323 million in respective months of 2023. During calendar year 2024 also, excluding a 3.8 per cent drop in January, the exports showed growth in rest of the months. The increase in February and March, compared to last year, were 6.4 per cent and 5.6 per cent respectively.   Tiruppur accounts for 90 per cent of India’s cotton knitwear exports, and 55 per cent of all its knitwear exports. The region faced issue of labour shortage, which showed sign of improvement after elections in India. Prior to elections, the region reportedly experienced around 40 per cent shortage in migrant employees, which reduced to around 10 per cent by mid-2024. Tiruppur's textile industry hosts 600,000 inland employees and 200,000 migrants. Mandatory BIS certification The range of medical textile products, including hospital bed linens, pillow covers, and sanitary napkins, are now subjected to Bureau of Indian Standards (BIS) w.e.f. October 1, 2024. The move aims at ensuring quality and safety in medical textiles. BIS began the sensitisation efforts in this regard among stakeholders even before the implementation date. The compulsory ISI mark is a significant step in standardising products used in critical healthcare settings, potentially elevating the industry’s standards on a global scale. Fibre2Fashion News Desk (SB - WE) Source link

[culturalcrafts]

Discover the Timeless Elegance of Chanderi Kurtas

Chanderi is a small town in the state of Madhya Pradesh in India. Its culture and handicraft is very rich, with very fine craftsmanship. Amongst all its products, there is one particular Kurta which stands as an epitome of grace and heritage and as an amalgamation of traditionalism and modernity as it is not only of time but also modern in itself.

The Historical Past of Chanderi Weaving

Chanderi has been a hub of handloom weaving since the 13th century. Weaving Chanderi fabric is an art that has been passed from generation to generation, with each weaver giving his or her special touch to this age-old technique. Originally, the weavers used hand-spun cotton to create the fabric, but over time, silk was added to produce the luxurious Chanderi Silk that we see nowadays.

What Makes Chanderi Kurtas Unique?

1. Delicate Fabric

Chanderi kurtas are light and sheer in texture, which is achieved through a very meticulous weaving process. The fabric is a blend of silk and cotton, making it comfortable and elegant. The addition of zari work – intricate designs woven with gold or silver threads – adds a touch of opulence to the kurta.

2. Intricate Designs

The designs on Chanderi kurtas are inspired by nature and traditional motifs. You will find the patterns of flowers, peacocks, and geometrical shapes intricately woven into the fabric. Not only do these designs look nice but also have cultural values and are symbolic of good things.

3. Versatile Style

Chanderi kurtas are highly versatile and come in a wide range. Whether it is a festive event, wedding, or an official function, a Chanderi kurta will make you look great without even trying. Its elegance with intricate designs would make sure that you make a great impression in a crowd.

How a Chanderi Kurta is Made

The process of making a chanderi kurta involves labor and several steps; each step requires a higher level of skill and accuracy.

1. Yarn preparation

Preparation of yarn

Threads made from pure silk and cotton are chosen, processed carefully in a manner that fine yarn is produced. Strong in texture yet delicate in look, the yarn is treated with bright colors using natural dyes so that these colours survive for a pretty long period and don't fade fast.

2. Warping

Weaving refers to the process that involves making ready yarn arrangements on the loom. The thread has to be stretched and arranged very cautiously so as not to experience uneven fabrics or wrinkles. This step must require so much detail because one misplaced arrangement would ruin the texture of the fabric.

3. Weaving

Magic happens in weaving. Here, handlooms are employed to weave the yarn into fabric. It is during this stage that zari threads are introduced and woven in such a way to create the intricate designs of Chanderi kurtas. These weavers work day and night for days or even weeks to complete a piece.

4. Finishing

After weaving, it is then given a finishing process that enhances the texture and shine of the fabric. The starched and ironed look of the fabric gives it a smooth polished appearance. Then it gets cut and stitched into the final kurta.

Style Your Chanderi Kurta

Chanderi kurtas are versatile and can be worn on any occasion. Chanderi kurtas can be styled in numerous ways.

1. Festive Look

Pair the kurta with a matching dupatta of Chanderi, along with heavy traditional jewelry for a festive look. Go for bright colors such as red, orange, or green and complete the look with a pair of embellished juttis.

2. Wedding Attire

For weddings, choose a rich zari work Chanderi kurta with intricate embroidery. Team it with contrasting silk churidar or palazzo pants. Accessorize with statement jewelry pieces like a maang tikka, chandelier earrings, and bangles.

3. Casual Chic

For a more casual look, style your Chanderi kurta with denim jeans or leggings. Choose pastel shades or muted tones for a subtle yet elegant look. Complete the outfit with minimal jewelry and comfortable flats.

4. Office Wear

You can even wear Chanderi Kurtas to the office. Opt for simple designs that have minimal embroidery work. Pair the kurta with tailored pants or pencil skirts. Structured handbags and closed-toe shoes should do the trick in making the look professional.

How to Care for Your Chanderi Kurta

Chanderi fabric is a bit delicate and requires special care if it has to stay in the best of its condition for years to come.

1. Washing

Always hand wash your Chanderi kurta with mild detergent in cold running water. Never wrong the fabric as it damages the delicate threads. Should you have to machine wash, gentle cycle and put the garment in a laundry bag to protect it.

2. Drying

Avoid placing direct sunlight on your Chanderi kurta because it tends to fade the colors. Instead, let it dry in the shade or indoors. Lay the kurta flat when drying so that it doesn't stretch.

3. Ironing

Iron the Chanderi kurta at low heat. Ensure to put a cotton cloth on the kurta. Steaming it may cause watermarks, and the delicate fabric of Chanderi is highly sensitive.

4. Storage

Store the Chanderi kurta in a cool, dry place. Wrap the kurta with a muslin cloth and keep it away from direct sunlight and humidity. Never hang the kurta for a long time as this can stretch the fabric.

Conclusion

Chanderi kurtas are the epitome of blending tradition and modernity. Their elegance cuts across time, making the style an absolute must-have for any wardrobe. To grasp the depth of the heritage, intricate craftsmanship, and proper care of Chanderi fabric is the essence of beauty and value embedded in these exquisite garments. Whether it is a fancy dress occasion or you seek stylish yet comfortable casual wear, a Chanderi kurta will meet your expectations.

[ikshaadesigns]

Unique Handloom Sarees & Bags Crafted in Bangalore: Discover Artisan Excellence with Ikshaa Designs

Bangalore, known for its rich cultural heritage and vibrant artistry, is home to some of the most exquisite handicraft products in India. Among these treasures, unique handloom sarees and an array of handcrafted bags stand out for their intricate designs, impeccable craftsmanship, and timeless appeal. At Ikshaa Designs, a Bangalore-based brand dedicated to preserving artisan traditions, every creation tells a story of passion and heritage.

Whether you’re seeking the perfect patchwork sling bag Bangalore or a statement piece like an owl sling bag Bangalore, this guide will take you through the unique offerings and artistry that define Ikshaa Designs’ products. Let’s explore why these handcrafted creations deserve a place in your wardrobe and home.

1. The Art of Handloom Sarees: Tradition Meets Elegance

Handloom sarees are a timeless symbol of India's rich textile heritage. At Ikshaa Designs, unique handloom sarees crafted in Bangalore are made with love, precision, and dedication. Each saree reflects the vibrant culture of Karnataka, blending traditional motifs with contemporary designs.

Why Choose Handloom Sarees from Ikshaa Designs?

Sustainability: Every handloom saree is made using eco-friendly methods, supporting a greener planet.

Exclusivity: Each piece is unique, ensuring no two sarees are the same.

Artisan Support: By purchasing these sarees, you directly support local weavers and artisans.

From festive occasions to casual gatherings, these sarees are versatile and timeless, perfect for adding a touch of elegance to your wardrobe.

2. Patchwork Sling Bags: A Modern Take on Tradition

Bangalore’s artisans have mastered the art of patchwork, creating vibrant and stylish bags that resonate with modern tastes. Ikshaa Designs offers a stunning collection of patchwork sling bags Bangalore, ideal for those who love a mix of functionality and aesthetic appeal.

Features of Patchwork Sling Bags:

Bold, colorful designs with intricate patchwork.

Lightweight and easy to carry.

Perfect for both casual outings and formal events.

If you're looking for a patchwork sling Bangalore, Ikshaa’s collection will leave you spoilt for choice.

3. Regular Crossbody Bags: Everyday Style Redefined

For those who prefer practicality without compromising on style, regular crossbody bags Bangalore are a must-have. These bags, crafted by Ikshaa Designs, combine durability with chic aesthetics, making them ideal for daily use.

Key Highlights:

Multiple compartments for organized storage.

Stylish designs that complement any outfit.

Durable fabrics that withstand daily wear and tear.

Whether you're heading to work or running errands, a regular crossbody bag Bangalore is the perfect companion.

4. The Iconic Owl Sling Bag: Quirky and Functional

One of Ikshaa Designs' signature creations is the owl sling bag Bangalore. This quirky, fun accessory is a favorite among bag enthusiasts who appreciate unique and playful designs.

Why You'll Love the Owl Sling Bag:

Adorable owl-themed patterns.

Compact yet spacious enough for essentials.

Ideal for gifting or adding a fun element to your bag collection.

This bag is not just an accessory but a statement piece that captures attention wherever you go.

5. Tote Bags and Lunch Bags: Practical and Stylish Solutions

Ikshaa Designs also excels in creating tote bags Bangalore and lunch bags Bangalore that cater to everyday needs. These bags are designed with utility and durability in mind, without sacrificing style.

Tote Bags:

Spacious and versatile for shopping or work.

Made with high-quality fabrics for long-lasting use.

Available in vibrant patterns and colors.

Lunch Bags:

Insulated interiors to keep your food fresh.

Compact designs perfect for daily use.

Easy-to-clean materials for hassle-free maintenance.

These bags are a blend of functionality and fashion, making them essential additions to your collection.

6. Artisan Creations for Home Decor

Beyond wearable art, Ikshaa Designs also specializes in home decor products Bangalore. From intricately crafted cushions to wall hangings, their collection is a celebration of Bangalore’s rich artistic legacy.

Highlights of Home Decor Products:

Handmade by skilled artisans, ensuring authenticity.

Unique designs that add a touch of elegance to your living space.

Sustainable materials that align with eco-conscious living.

Bring the charm of Bangalore’s craftsmanship into your home with Ikshaa’s exclusive decor range.

7. Phone Sling Bags: Compact and Trendy

Stay stylish on the go with Ikshaa Designs’ phone sling bags Bangalore. These compact yet functional bags are perfect for carrying your phone and a few essentials.

Why Choose Phone Sling Bags?

Sleek designs that suit all age groups.

Lightweight and easy to carry.

Perfect for casual outings or quick errands.

A phone sling bag Bangalore is a practical solution for those who prefer minimalism without compromising on style.

8. Celebrating Bangalore’s Handicraft Heritage

Bangalore’s reputation as a hub for artisan creations Bangalore is well-deserved. Ikshaa Designs embodies this legacy by offering a diverse range of handicrafts products Bangalore that reflect the city’s vibrant culture and craftsmanship.

By supporting Ikshaa, you contribute to preserving traditional artistry while embracing contemporary design.

FAQs About Ikshaa Designs

1. Where can I buy Ikshaa Designs products?

Ikshaa Designs’ collections are available online and in select stores in Bangalore. Check their website for more details.

2. Are the products eco-friendly?

Yes, all products by Ikshaa Designs are crafted with sustainable materials and processes.

3. Can I customize my bag or saree?

Ikshaa offers limited customization options to ensure each product meets your preferences.

Conclusion

Ikshaa Designs is more than a brand; it’s a celebration of Bangalore’s rich cultural heritage and artisan excellence. From unique handloom sarees to handcrafted bags like the patchwork sling bag Bangalore and regular crossbody bags Bangalore, every product is a masterpiece that combines tradition with modernity.

By choosing Ikshaa Designs, you’re not just buying a product—you’re embracing the artistry and passion of Bangalore’s talented craftsmen. Explore their collections today and bring home a piece of timeless elegance.

[travelagentsinindia]

The top shopping destinations in Jaipur and what to buy as souvenirs?

Jaipur, popularly referred to as the Pink city of India, home to historical buildings, architectural wonders, temples, rich culture and traditions and vibrant market bustling with shops and elegant stores, offering tourists an amazing experience.

And if you are in Jaipur, you must definitely visit the markets to enjoy shopping buy beautiful souvenirs to take back to your home country. The best Travel Agents in India makes sure that you have a wonderful time exploring Jaipur and later enjoy shopping.

Where to enjoy shopping in Jaipur? The top shopping destinations

Johari Bazaar

This bazaar is famous for elegant traditional Rajasthani jewelries, and has many shops of gold, silver and other gemstone. The famous traditional handcrafted jewelry is found here known as Kundan and Meenakari designs. 

Bapu Bazaar

This bazaar is famous for selling leheriya and bandhani fabrics, marble artifacts, traditional Rajasthani footwear (known as juttis in local language), and leather goods. Take the help of a guide from the best travel agency in India for a hassle-free shopping experience, as they will be able to guide you about the traditional Rajasthani items of India.

Chandpole Bazaar

This bazaar is famous for selling traditional Rajasthani marble statues and wooden handicrafts and a good place for shopping souvenirs to take back to your home country.

Tripolia Bazaar

This bazaar is famous for selling traditional Rajasthani lace bangles and brassware, handloom and carpets.

MI Road

This market is famous for selling traditional Rajasthani pottery, especially the famous blue pottery, and jewelry and has designer boutiques.

What are the must-buy souvenirs to take back to your home country?

Travelers coming from foreign countries, to buy the best souvenirs to take back home, it is better you take a guide from a reliable travel agency in India. In this way you will be able to buy the traditional handmade items.

Here is a little tip to know what to buy:

Buy Jaipur’s famous Blue Pottery comprising of beautiful geometric and floral designs.

Buy traditional Rajasthani bandhani, and leheriya fabrics.

Traditional jewelries like Kundan, Polki, or Meenakari, earrings, necklaces, or bracelets.

Handmade Rajasthani wooden puppets, carved marble sculptures, and wall hangings.

Goods made of Camel leather like wallets, bags and traditional mojris (shoes).

Local Rajasthani spices and teas.

Here are some of the shopping tips:

Don’t let your guard down, even if you are a foreign traveler, bargain smartly.

Buy local handmade products in this way you are supporting the local artisans.

In some places, they want you to pay in cash rather than cards; do carry some cash with you.

Shopping in Jaipur is not just about buying; it’s about soaking in the city's vibrant culture and craftsmanship, ensuring your trip is truly memorable.

Shopping in Jaipur is not only about buying things, but you will have the chance to interact with the locals, and know about the culture of the region by exploring their local handcrafted items. Let the best Travel Agents in India, guide you to have an amazing shopping experience.

[gigoodsworld]

Mark your calendars! We're launching soon with a collection of stunning new products inspired by India's fascinating GI-tagged treasures.

[jyotiiiii]

Haryana's Rural Life and Tradition

Haryana’s rural life is a beautiful blend of tradition, simplicity, and cultural pride. Haryana hold onto age-old customs and a lifestyle that mirrors their strong connection to the land. Here’s a glimpse into the traditions and rural life that define Haryana:

1. Agricultural Lifestyle

Agriculture is the backbone of rural life in Haryana. The day-to-day lives of villagers revolve around farming, with fields of wheat, rice, and mustard shaping the landscape. Traditional practices are followed, though modern techniques are increasingly adopted, blending the old with the new.

2. Simple Living and Strong Community Ties

Villagers in Haryana lead a simple and communal life. Homes are traditionally constructed from mud or brick, often adorned with folk art. Hospitality is a cherished value, and villagers warmly welcome guests with homemade food and fresh milk products.

3. Rich Folk Culture

Haryana is known for its vibrant folk traditions, especially music and dance. The folk songs, sung during festivals, marriages, and harvests, express joy, devotion, and tales of valor. Popular dance forms include Ghoomar and Phag, performed by men and women alike during celebrations.

4. Attire and Handicrafts

Traditional attire in Haryana includes the dhoti-kurta for men and ghagra-choli for women, often accompanied by a veil (ghoonghat). Haryana is also famous for its handloom products and handicrafts, including intricate Phulkari embroidery, which reflects the state's artistic heritage.

5. Religious and Cultural Festivals

Rural Haryanvi culture celebrates festivals with enthusiasm. Key celebrations include Lohri, Baisakhi, Teej, and Holi, each marked by specific rituals, feasts, and traditional songs. Religious customs are deeply respected, and rural communities often gather at temples and participate in fairs.

6. Traditional Cuisine

The rural diet is wholesome, with simple dishes made from locally grown ingredients. Meals are centered around bajra and wheat rotis, dairy products, and seasonal vegetables. Fresh butter, ghee, and buttermilk are common, and meals are often cooked in traditional clay ovens (chulhas).

7. Role of Folk Wisdom and Panchayats

Haryana’s rural society relies on folk wisdom, often passed down through generations. Panchayats, or village councils, play a significant role in maintaining order and resolving disputes. These councils reflect the community's self-reliant and tightly-knit social structure.

8. Sports and Wrestling

Haryana is famous for its wrestling (kushti) culture. Many rural youth train in local akharas (wrestling arenas), and wrestling events are commonly held. Traditional sports, like kabaddi and tug-of-war, are also popular, emphasizing physical strength and endurance.

Conclusion

Haryana’s rural life is defined by its agricultural roots, strong community bonds, and respect for traditional values. With its folk culture, festivals, and love for wrestling, rural Haryana remains a vibrant, culturally rich region. While modernization brings changes, villagers proudly preserve their heritage, making Haryana a unique blend of old and new.

[handicrafthandloom]

Choosing the right bags manufacturer can make a significant difference in your business, impacting product quality, design consistency, and customer satisfaction. If you're on the lookout for a reliable bags manufacturer in India to supply high-quality block print bags, tote bags, toiletry bags, or duffle bags, it's essential to find one that aligns with your brand's unique requirements. Here’s a guide to help you make the best choice for your business, highlighting key aspects to consider and why Handicraft Handloom is a fantastic option for quality, reliability, and style.

[news365timesindia]

[ad_1] GG News Bureau New Delhi, 9th Dec. The Ministry of Development of North Eastern Region (MDoNER) organized the vibrant Ashtalakshmi Mahotsav, featuring an exclusive Buyer-Seller Meet at Bharat Mandapam, New Delhi. This initiative aimed to foster long-term business relationships between North East India’s artisans and national buyers, focusing on key sectors such as Textiles, Sericulture, Handloom & Handicrafts, Gems, Jewellery & Allied Products, Agriculture & Horticulture, and Tourism. The meet provided a platform for direct business interactions, facilitating bulk orders, trade deals, and enduring partnerships to boost the region’s economic development. Senior officials from MDoNER, the North Eastern Handicrafts and Handloom Development Corporation (NEHHDC), and the Open Network for Digital Commerce (ONDC) were present at the event. During the opening session, the Advisor to NEHHDC highlighted the investment opportunities in the North Eastern Region, while the Chief Business Officer of ONDC discussed their transformative e-commerce initiative. By onboarding artisans and weavers from the North East, ONDC is enhancing their market linkage and enabling scalable, cost-effective e-commerce to support startups and local businesses. The Managing Director of NEHHDC praised MDoNER’s efforts, emphasizing that such initiatives not only promote indigenous products but also enhance the economic prosperity of local artisans and sellers. Joint Secretary, MDoNER, underscored the North East’s growth potential and reaffirmed the commitment of both Central and State Governments to create a favorable investment environment in the region. The event also featured one-on-one interactions between buyers and sellers, further solidifying partnerships to promote the North East’s rich cultural and economic heritage.   The post Ashtalakshmi Mahotsav: Buyer-Seller Meet Promotes North East India’s Economic Potential appeared first on Global Governance News- Asia's First Bilingual News portal for Global News and Updates. [ad_2] Source link