#hana no joō

[suginami-division]

It was nearing midnight, yet someone still had the audacity to knock on Ryuko Umemoto’s door. I mean, he was planning on pulling an all-nighter anyway to finish animating before the deadline hit, but come on! At this hour?!

Heaving a sigh of frustration, Ryuko got up and opened the door to find…nothing but two packages. Huh? They couldn’t even show up in person…?

Eh, whatever. At least someone got him something, right? Let’s hope to fuck that this isn’t a prank or some shit! Opening the packages, inside was…

…A monitor and a box of chocolates! There’s a letter attached to the chocolate box, let’s give it a read, shall we?

‘Umemoto-san,

Greetings. I know we don’t know each other that well, but I am your Secret Santa this year!

Animating is hard, isn’t it? I’ve heard of how terribly overworked animators often are, so I hope you’ve been getting enough sleep. Please remember to take care of yourself.

I don’t know much about technology so I’m not sure of the technicalities of this monitor, but it’s the latest model! I think it can really help you. Unless you already bought one? If so, I apologize.

Also, a box of chocolates for this holiday. You deserve something nice.

I hope you and the rest of Sazanka Zombies have a great Christmas!

By Koyumi.’

(i’m so sorry for sending this in twice i realized i forgot the pictures IM SO SORRY PLEASE DELETE THE OTHER ONE 😭😭😭)

With an annoyed scoff at the uncertain tone of the letter, Ryuko nonchalantly tossed the letter aside with the rest of his dark, messy apartment. Looking over the box of the monitor, the ex-yakuza glared at the box, reading the labels with a critical eye. Surprisingly, despite the sender being unfamiliar with technology, he found that as she had said it is a recent monitor. A pretty good one too, which Ryuko would only give a curt nod to himself in approval.

However, his sleep deprived, hungry brain went to the box of chocolates. The glaring bright green box wasn't of importance, in fact an annoyance to Ryuko. The contents inside were his target instead. Some cocoa pieces packed with sugar was sure to be a good bit of fuel to get through this hellish time crunch.

Carefully, the monitor was set aside. As appreciative as he was for the gift, setting it up to his current work desk would have to wait. Instead he carried the box of chocolates to his desk, threw the lid off and sat down.

"Duty calls..."

And back to work Ryuko went.

Thank you for the gift! And don't worry! I could work with or without the images honestly ahaha

[gion-division]

𝐑𝐎𝐔𝐍𝐃 𝟒 — 𝐒𝐈𝐍𝐆𝐈𝐍𝐆/𝐑𝐀𝐏𝐏𝐈𝐍𝐆 𝐂𝐎𝐌𝐏𝐄𝐓𝐈𝐓𝐈���𝐍

“Well, since I’ve danced in this competition already, it’s only natural that I sing too. Please enjoy this performance as well, just as you did my last one, fufu.”

As she bowed, the stage darkens once again for the performance of the Empress. If ‘he’ is watching this too, then she hopes that her emotions will reach him.

‘In Between The Scenes.’

Performed by:

Koyumi “EMPRESS”.

“I mean, I think we’ve all heard each other rap by now, so it’ll be kinda weird to do that right? That’s why I’m deciding to sing instead. This song was actually highly requested by my fans even before this contest began, so I hope everyone enjoys this live performance! Music please, let’s go let’s go!!”

‘Queen Fox.’

Performed by:

Moriko “Canopus” Himawari.

[saitama-division]

Generations of Divisions (Redux)

Basically this is just the original post I made a year ago but updated with all the new divisions that joined this year. These are based off when the blogs are created so please forgive me if I made a mistake.

Note for future creators, if you’re planning on making a division, the ones labeled “Inactive” are basically free for you to adopt for your own.

Part 2

Generation Zero (October 2017 — August 2020)

Ikebukuro Division: Buster Bros!!! (Created October 24th, 2017)

Yokohama Division: MAD TRIGGER CREW (Created November 13th, 2017)

Shinjuku Division: Matenrou (Created December 4th, 2017)

Shibuya Division: Fling Posse (Created December 25th, 2017)

Osaka Division: Dotsuitare Hompo (Created October 28th, 2019)

Nagoya Division: Bad Ass Temple (Created November 25th, 2019)

Chuohku Ward: Party of Words (Created August 15th, 2020)

1st Generation (December 2020 — April 2021)

Harajuku Division: Alley Catz (Created December 7th, 2020) @harajukudivision (INACTIVE)

Kawasaki Division (formerly Akihabara): DayBreakers (Created January 16th, 2021) @kawasaki-division (INACTIVE)

Saitama Division: Femme Fatale (Created April 1st, 2021) @saitama-division

Shinagawa Division: CodeX (Created April 1st, 2021) @shinagawa-division

Ueno Division: Sakurai Clan (Created April 30th, 2021) @uenodivision

2nd Generation (May 2021 — September 2021)

Aoyama Division: Jet Set Trio (Created May 7th, 2021) @aoyama-division

Taitō Division: Blade Maiden (Created August 31st, 2021) @taito-division

Urayasu Division: Cherry Go Round (September 1st, 2021) @urayasu-division (INACTIVE)

Naha Division: Wild Shīnu (Created September 5th, 2021) @naha-division

Sapporo Division: Polar Knights (Created September 5th, 2021) @sapporo-division

Okinawa Division: Liberty Guild (September 27th, 2021) @okinawa-division

3rd Generation (October 2021 — December 2021)

Minato Division: Oculus (Created October 26th, 2021) @minatodivision

Chiyoda Division: Crimson Glow (Created October 28th, 2021) @chiyoda-divison (INACTIVE)

Sumida Division: Gilded Revolution (Created November 24th, 2021) @sumida-division (INACTIVE)

Akihabara Division: Otaku Corps (Created December 15th, 2021) @akihabaradivision

4th Generation (January 2022 — April 2022)

Fukuoka Division: MIHANASA (Created January 18th, 2022) @fukuokadivision1

Toyama Division: ECO BooN (Created February 12th, 2022) @toyama-division

Sendai Division: Kiya Kara (Created April 9th, 2022) @sendaidivision

Nagasaki Division: Thirteen (Created April 27th, 2022) @nagasakidivision (INACTIVE)

5th Generation (May 2022 — June 2022)

Edogawa Division: Wicked Requiem (Created May 3rd, 2022) @edogawa-division

Suginami Division: Sazanka Zombeez (Created May 17th, 2022) @suginami-division

Minato Division (2nd Team): R.I.P. Märchen (Created May 22nd, 2022) @minato-division03

Akihabara Division (2nd Team): Pixel Syndicate (Created May 22nd, 2022) @akihabara-division03

Meguro Division: DOG STREET CLUB (Created June 10th, 2022) @megurodivision (INACTIVE)

Toshima Division: Inner Circle (Created June 10th, 2022) @toshima-division (INACTIVE)

Shizuoka Division: Silent Tragedy (Created June 23rd, 2022) @shizuokadivision

6th Generation (July 2022 — August 2022)

Chiba Division: MAD LYNX (Created July 26th, 2022) @chiba-division (INACTIVE)

Nerima Division: Vivid Angels (Created July 27th, 2022) @nerima-division (INACTIVE)

Koto Division: Toxic Love (Created July 27th, 2022) @koto-division (INACTIVE)

Miyazaki Division: Beautiful Nightmare (Created August 4th, 2022) @miyazaki-division (INACTIVE)

Nagano Division: Han’nya no Tsumi (Created August 6th, 2022) @nagano-division (INACTIVE)

Kobe Division: Lovesick (Created August 7th, 2022) @kobedivision

Kanazawa Division: Justice Shield (Created August 7th, 2022) @kanazawa-division

7th Generation (September 2022 — December 2022)

Gion Division: Hana No Joō (Created September 6th, 2022) @gion-division

Enoshima Division: Solar Siren (Created September 6th, 2022) @enoshima-division

Odaiba Division: Artificial Heaven (Created September 26th, 2022) @odaibadivision (INACTIVE)

Ōta Division: Birds of Prey (Created October 22nd, 2022) @ota-division

Nakano Division: BittASweetZ (Created November 3rd, 2022) @nakanodivision

Ginza Division: Last Judgment (Created December 22nd, 2022) @ginza-division

Saga Division: Bloody Divas (Created December 31st, 2022) @sagadivision (INACTIVE)

8th Generation (January 2023 — May 2023)

Nara Division: Miraitabi (Created January 19th, 2023) @naradivision

Katsushika Division: Death Row Block (Created February 1st, 2023) @katsushika-division

Hakodate Division: Kuma no ie (Created May 3rd, 2023) @hakodate-division

Setagaya Division: ENIGMA (Created May 12th, 2023) @setagaya-division

Chuohku Ward: Party of Words Tertiary Team (Created May 23rd, 2023) @nug-chuohku

Kumamoto Division: Strange Magic (Created May 28th, 2023) @kumamoto-division

9th Generation (Part 1) (June 2023 — December 2023)

Echizen Division: Clockwork Lament (Created August 25th, 2023) @echizen-division (INACTIVE)

Chiyoda Division (2nd Team): KURUNE INC. (Created August 29th, 2023) @chiyoda-division2 (INACTIVE)

[taito-division]

Azusa's Thoughts on Gion Division

Koyumi

"I've known Koyumi-san for a long time. She's actually a rather good friend of my family. ...If I'm being honest, she's also something of a second mother to me... or at the very least an older sister. She comforted me when my real mother disappeared and has been trying to help me locate exactly what happened to her. We both reached the same conclusion: Chuohku had something to do with her disappearance..."

Honoka Ajisai

"My father, before he got sick, was an avid fan of Bunraku puppetry. Me, I always thought it was a little odd and scary with how much the dolls moved around, though I had to admit, there was a certain... art to it. To see a girl as young as Honoka-chan making a career out of it is truly inspiring."

Moriko Himawari

Azusa looks a little surprised at the photo of the former actress. "Moriko-chan? She's joining the D.R.B. as well? ...Well, this is... certainly problematic. If you wondering, Moriko-chan is one of my students here in my dojo. In fact, she often takes it upon herself to help me with classes from time to time. She is a good student, if a little excitable. I've often had to lecture her to stop carrying around a katana, as I do not want her getting punished by Chuohku officials. Still, despite her behavior, she is a valued student of mine. I am very glad to have her in my class."

Hana no Joō

"Koyumi-san has put together a most fascinating team. I have to wonder what her reasons are for entering the D.R.B., though. Of course, knowing Chuohku, she was more than likely coerced into entering like many of the other teams. Still, a part of me is actually trembling to face her. Her skill as a Geisha is well-known, and I'd like to see how she incorporates that into her rapping."

[okinawa-division]

Ace's Thoughts on Gion Division

Koyumi

"This woman... she is... what are they called again? ...Oh yeah, a Geisha. I'll admit, I always thought that they were all just prostitutes who acted uppity just because they were of higher value. But Rashaad was quick to lecture me on that, which was a shock. Apparently, selling their bodies isn't in their job description, though some have been known to do so. They are simply meant to provide companionship to people, male and female. So... if that's the case, doesn't that mean she's pretty much like that host from Shinjuku who's afraid of women?"

Honoka Ajisai

"This kid scares me, and not just because she's some sort of puppet master. But the last time we met, she just kept... staring at me. Now don't get me wrong. I'm used to being ogled. But the way she was staring... it made me think she was peering deep into my soul or something, which freaked me out."

Moriko Himawari

"...Don't tell him I said this, but I think Rashaad has a thing for this woman. I mean, every time she comes around the bar, he suddenly gets all out of character, becomes very flustered, and starts stammering a lot around her. I don't know if she notices or not. Truthfully, she reminds me a lot of Eevee. Not that there's anything wrong with that, of course. I think it's nice that Rashaad has someone he likes. It always struck me as odd that the guy has never shown romantic feelings for anyone before. ...I just hope the two of them don't mind that there's such a large age difference between them."

Hana no Joō

"'Flower Queen', huh? Reminds me of that group from Ueno. 'Sakura Family' or something like that? Well anyway, these women obviously have a following, what with them doing stage shows and such. I wonder what they'll have in store for the rest of the teams at the D.R.B."

[minato-division03]

When They Go To A Haunted House

@akihabara-division03​ @edogawa-division​ @shizuokadivision​ @tokyo-division​ @kyoto-division​ @kagoshima-division​ @gion-division​ @nagano-division​

[numberonestarlightbeliever]

イタリアの恋人たちはバレンタインデーを祝う 2012年2月|マルギー・ロンガノ・ミクラス イタリアの恋人たちはバレンタインデーを祝う イタリアの恋人たちはバレンタインデーを祝う バレンタインデーは愛と同義語であり、イタリア人は伝統的に恋人とみなされてきました。イタリアでは "La Festa Degli Innamorati"として知られています。バレンタインデーは恋人と恋人の間でのみ祝われます。イタリアの若い恋人たちは、橋や手すりに南京錠や「ルチェッティ」を付けて、鍵を捨てるという、最近の伝統を背景に、一年中お互いの愛を告白します。

イタリアでのバレンタインデーのお祝いは、実際にはイタリアの伝統ではありませんでしたが、今日は祝われているハロウィーンのようにアメリカの伝統から輸入された休日です。ロマンチックなカップルのための休暇であり、子供たちは米国でのようにバレンタインカードを交換しません。

歴史

バレンタインデーは、ローマの神々と女神の女王を祝う2月14日の休暇として、ローマ帝国の起源を実際に持っています。古代ローマ人はまた、ジュノという名前のこの女王が女性と結婚の女王であると考えました。

バレンタインデーの起源に関する別の伝��は、戦時中の恋人同士の結婚を禁じるローマ帝国の秩序に反する司祭だった聖バレンタインと、秘密結婚したバレンタインを指しています。これが発見されると、彼は2月14日に死亡し、その後、教皇ゲラシウスによって聖人と名づけられました。

イタリアのバレンタインデー

この恋人の休日を祝うために、イタリア人はお互いの花を贈り、ロマンチックなディナーを計画し、お互いにチョコレートでお祝いします。有名なイタリアのチョコレートメーカーであるペルジーナは、伝統的なヘーゼルナッツではなく、光沢のある赤いラッパーと甘い赤いチェリーと液体の中心を持つBaciチョコレートキャンディの特別版を作って、この日を祝います。これらのチョコレートはいつも好みのもので、ホイルラッパーの中にはロマンチックなフレーズのある「ラブノート」があります。

フィレンツェとヴェネツィアは伝統的にイタリアで最もロマンチックな場所の2つと考えられていますが、ローマとジュリエットの街はバレンタインデーを4日間のイベント「ヴェローナ・イン・ラヴ」で祝います。広場には巨大な赤い心臓が描かれ、市内中心部には照明付きのハート型のランタンが特徴的です。ロマンチックなテーマの無料コンサートはPiazza dei Signoriで行われ、Julietに書かれた最も美しい手紙のコンテストがあります。ベローナで週末を過ごすために恋人や恋人を引き付けるために、地元のホテルの多くはお得な情報を提供しています。レストランには特別価格のメニューがあります。

愛のロックやルチェッティdell'Amore

イタリアの著者Federico Mocciaがベストセラーの本「Ho voglio di te」（私があなたが欲しい）がリリースされてから、4年以上前にイタリアでは、橋、手すり、ランプポストに錠前錠を固定する伝統が始まりました。これに続いて、Riccardo ScamarcioとLaura Chiattiが主演する同名の人気映画が続きました。

物語の中で若い恋人たちは、ローマのピトン・ミルヴィオの北側にある街灯柱の周りに鎖と紐を張り、その上に彼らの名前を書いてそれをロックし、キーを下のテベル川に投げる。行動は、カップルが永遠に一緒になることを示唆している。

イタリア全土で、私はこれらの閘門が橋の近くにあることを知っていましたが、チンクエテッレの歩行尾の上の標識のようなより特有の場所でも見られました。多くの都市では、構造物の美しさや文化から離れ、安全性の懸念が増していることを銘記して、これらの橋を橋に置くことを禁止している。

最近、ローマ当局は、ミルヴィオの数千の錠前錠を取り除かなければならないという判決を下し、ヴェネツィアでは数カ月前に当局がアカデミア橋から数百の錠を取り除き、リアルトで同じことをするつもりを発表した大運河の橋。

フィレンツェでは、警察はヴェッキオ宮殿から5000本以上のロックを取り除きましたが、今日はこれらのロックを取り付ける犯罪ですが、どこにでも引き続き貼り付けることができます。この現象はトリノ、ボローニャ、パレルモ、さらには他のヨーロッパ諸国にも広まっています。イタリア当局との戦いが敗北なので、愛はすべてここに当てはまるようだ。 Itaria no koibito-tachi wa barentaindē o iwau 2012-nen 2 tsuki | marugī rongano mi kurasu Itaria no koibito-tachi wa barentaindē o iwau Itaria no koibito-tachi wa barentaindē o iwau barentaindē wa ai to dōgigodeari, itariahito wa dentō-teki ni koibito to minasa rete kimashita. Itariade wa" rafesuta Degli Innamorati" to shite shira rete imasu. Barentaindē wa koibito to koibito no ma de nomi iwawa remasu. Itaria no wakai koibito-tachi wa,-bashi ya tesuri ni nankinjō ya `ruchetti' o tsukete, kagi o suteru to iu, saikin no dentō o haikei ni, ichinenjū otagai no ai o kokuhaku shimasu. Itaria de no barentaindē no oiwai wa, jissai ni wa Itaria no dentōde wa arimasendeshitaga, kyō wa iwawa rete iru harou~īn no yō ni Amerika no dentō kara yunyū sa reta kyūjitsudesu. Romanchikkuna kappuru no tame no kyūkadeari, kodomo-tachi wa Beikoku de no yō ni barentainkādo o kōkan shimasen. Rekishi barentaindē wa, rōma no kamigami to megami no joō o iwau 2 tsuki 14-nichi no kyūka to shite, rōma teikoku no kigen o jissai ni motte imasu. Kodai rōma hito wa mata, juno to iu namae no kono joō ga josei to kekkon no joōdearu to kangaemashita. Barentaindē no kigen ni kansuru betsu no densetsu wa, senji-chū no koibito dōshi no kekkon o kinjiru rōma teikoku no chitsujo ni hansuru shisaidatta Sei Barentain to, himitsukekkon shita Barentain o sashite imasu. Kore ga hakken sa reru to, kare wa 2 tsuki 14-nichi ni shibō shi, sonogo, kyōkō gerashiusu ni yotte seijin to nadzuke raremashita. Itaria no barentaindē kono koibito no kyūjitsu o iwau tame ni, itariahito wa otagai no hana o okuri, romanchikkuna dinā o keikaku shi, otagai ni chokorēto de oiwai shimasu. Yūmeina Itaria no chokorētomēkādearu perujīna wa, dentō-tekina hēzerunattsude wa naku, kōtakunoaru akai rappā to amai akai cherī to ekitai no chūshin o motsu Baci chokorētokyandi no tokubetsuhan o tsukutte, kono Ni~Tsu o iwaimasu. Korera no chokorēto wa itsumo konomi no mono de, hoirurappā no nakaniha romanchikkuna furēzu no aru `rabunōto' ga arimasu. Firentsu~E to vu~enetsu~ia wa dentō-teki ni Itaria de mottomo romanchikkuna basho no 2tsu to kangae rarete imasuga, rōma to Jurietto no machi wa barentaindē o 4-kakan no ibento `vu~erōna in ravu' de iwaimasu. Hiroba ni wa kyodaina akai shinzō ga egaka re, shinai chūshin-bu ni wa shōmei-tsuki no hāto-gata no rantan ga tokuchō-tekidesu. Romanchikkuna tēma no muryō konsāto wa Piazza dei Signori de okonawa re, jurietto ni kaka reta mottomo utsukushī tegami no kontesuto ga arimasu. Berōna de shūmatsu o sugosu tame ni koibito ya koibito o hikitsukeru tame ni, jimoto no hoteru no ōku wa otokuna jōhō o teikyō shite imasu. Resutoran ni wa tokubetsu kakaku no menyū ga arimasu. Ai no rokku ya ruchetti dell' Amore Itaria no chosha Federico Moccia ga besutoserā no hon `Ho voglio di te'(watashi ga anatagahoshī) ga rirīsu sa rete kara, 4-nen ijō mae ni Itariade wa,-bashi, tesuri, ranpuposuto ni jōmae jō o kotei suru dentō ga hajimarimashita. Kore ni tsudzuite, Riccardo Scamarcio to rōra Chiatti ga shuen suru dōmei no ninki eiga ga tsudzukimashita. Monogatari no naka de wakai koibito-tachi wa, rōma no piton miruvu~io no kitagawa ni aru gaitō hashira no mawari ni kusari to himo o hari, sono-jō ni karera no namae o kaite sore o rokku shi, kī o shita no teberu kawa ni nageru. Kōdō wa, kappuru ga eien ni issho ni naru koto o shisa shite iru. Itaria zendo de, watashi wa korera no kōmon ga hashi no chikaku ni aru koto o shitte imashitaga, chinkueterre no hokō onoe no hyōshiki no yōna yori tokuyū no basho demo mi raremashita. Ōku no toshide wa, kōzō-mono no utsukushi-sa ya bunka kara hanare, anzen-sei no kenen ga mashite iru koto o meiki shite, korera no hashi o hashi ni oku koto o kinshi shite iru. Saikin, rōma tōkyoku wa, miruvu~io no sū sen no jōmae jō o torinozokanakereba naranai to iu hanketsu o kudashi, vu~enetsu~iade wa sū-kagetsu mae ni tōkyoku ga akademia-bashi kara sū hyaku no jō o torinozoki, riaruto de onaji koto o suru tsumori o happyō shita dai unga no hashi. Firentsu~E dewa, keisatsu wa vu~ekkio kyūden kara 5000-pon ijō no rokku o torinozokimashitaga, kyō wa korera no rokku o toritsukeru hanzaidesuga, dokoni demo hikitsudzuki hari tsukeru koto ga dekimasu. Kono genshō wa Torino, borōnya, Parerumo, sarani wa hoka no yōroppa shokoku ni mo hiromatte imasu. Itaria tōkyoku to notatakai ga haibokunanode, ai wa subete koko ni atehamaru yōda.

[certainartisancolor]

彼らが愛のために支払った価格

あらすじ：Anarkali、Laila、Julietがずっと前にして伝説になったように、人々が互いに愛することを犠牲にして何かを学ぶことができました。

出典：AnarkaliとSalimの絵のGoogle写真

Anarkaliについて聞いたことがありますか？今はそうではないでしょうが、今日、私は、非常に悲劇的な人生が、恋に落ちただけで犠牲を払うよう求められていることに対する証言である、非常に美しいAnarkaliという少女について書くつもりです。

Anarkaliはザクロの花を意味するので、彼女のニックネームの可能性は高いですが、彼女は本当の名前を持っていて、16世紀のインドのMughal Emperor Akbar宮廷に住んでいた本当の人でした。彼女は彼女の美しさと彼女の才能のために選ばれたに違いないので、彼女はAkbarのハーレムに属していたので、Anarkaliは他の人を喜ばせる安い売春婦ではなかった。

すべてのイスラム教徒の支配者とその支配者たちは、自由がなく他の男性を見ることができなかったため、文字通り奴隷として飼われていた女性たちで、彼らのハーレムを守っていました。彼らは24時間武装した警備員によって嫉妬されて警備され、ハーレムを訪問する権限のない侵入者を殺害した。警備隊員が自分たちで何らかの不調を招くような面白いアイデアを持たないようにするために、彼らは去勢されて、昔、北京の禁じられた宮殿のような宦官だった。

これらの美しい、しかし無力な女性は、世界の多くの地域から人を拉致した奴隷商人から購入され、人間としてではなく商品として取引されました。イスラム教徒として彼らは4人の妻しか許されなかったので、王は彼らと結婚することはできませんでした。

今、彼はラジュプタナ（Rajputan）からジョダ・バイ（Jodha Bai）という美しいヒンドゥー教の王女と結婚し、彼女をインドの女王とし、彼女を愛し、すべての願いを叶えたが、彼は他の妻たちも守ったAnarkaliのようなかわいらしい女性がいっぱいのハレムが立ち上がる。当時は標準的な慣習だったので、多くの豊かな人々が権力を持ち、後で自分の問題を作り出した数多くの違法な子どもたちを後釜から守りました。

しかし、私たちはAnarkaliに焦点を当てましょう。彼女は皇太子サリムを見て、王子自身のようにすぐに彼と恋に落ちた。 Anarkaliは他のどのような美しい女性でもなかったが、多くの芸術と書道で教育を受け、才能のある偉大なダンサー、ミュージシャンだったが、彼女はタブーを王のハーレムに入れていたので、Akbarは愛好家に非常に怒り、サリム王子は反逆し、彼の父親に戦いを与えるために彼の原因に同情している多数の部隊を連れて行った。

王子の反乱の結果は、Akbarの忠実な軍隊が容易に反乱軍を撃退し、悔い改められないSalimが音楽に直面するように父親に連れて行かれたため、終わった結論でした。 Akbarはまだ彼の息子と非常に怒っていたので、不運な王子が父親自身が点灯したキャノンに直面する郵便局に縛られていたので、彼はキャノンの火によって吹き飛ばされるように命じた。

しかし、王子の元に同情していた将軍は、最後の瞬間にキャノンを回して、ボールが王子の命を救う別の方向に進んだ。この時までに、王の怒りはいくらか軽減され、王子は結局次の王になることに気付��ました。おそらく、女王の母親は、王子に少し余裕を持たせ、彼には簡単に行くように説得することもできました。

しかし、アクバルはまだ処罰されなければならないアナカリに怒っていた。皇太子は彼女のような普通の人と決して結婚することはできませんでしたので、彼女は彼女に生き埋めを命じましたが、それはおそらくMughal e Azamと呼ばれる60年代の映画にちょうどトンネルが墓の下に掘られてその通りアナカ���。インディアンは映画の悲しい結末を好まなかったので、Anarkaliが彼女の死を免れたときに安心した。

ある人は、ラホールへの王様から追放され、人生の残りの部分を小さな痛みと敬虔なところで過ごしたと言います。それは本当に才能のある美しい女の子の悲しい終わりでした。彼女は間違った人を愛して処罰されましたが、後に王になったサリム王子はアナカリを忘れずにラホールに埋葬された素敵な霊廟を建てたことが歴史からわかります。人々は彼女の墓に花を置き、すべての愛はとても貴重で模範的なものであることを願っています。

出典：LahoreのAnarkaliの墓のGoogle写真

ラホールにあるアナカリの墓には、アラビアの碑文があり、それを彼女の墓に指定しています。下の絵は彼女が王の勲章で生き埋めされていることを示しています。

出典：Anarkaliの実行を描いた絵のGoogle写真

（Akbarの息子プリンス・サリムと恋に落ちたのは明らかだったが、ある日、アクバルはサリムの笑顔と罰として葬られたのを見た1599年に生きている – 出典Wikipedia）

彼の気性で知られている、強大なアクバル王は、おそらくアグラではあるが、このように処刑されたが、処刑された場所は知られていないだろう。

私がここで書くのは、LailaとMajnuの物語と呼ばれる、必要のない愛の別の悲劇的な物語です。

出典：Laila and MajnuのGoogleフォト

物語：

Qays ibn al-MulawwahはLayla al-Aamiriyaと恋に落ちた。彼はすぐに彼女の名前を頻繁に言及し、彼女のための彼の愛についての詩を構成し始めた。女の子を求めるための彼の無意識の努力は、地元の人々が彼を「マズヌン」と呼ぶ原因となった。彼は結婚式で彼女の手を求めて、レイラが精神的にバランスのとれていない人と結婚することがスキャンダルになるので、彼の父親は拒否した。

すぐ後に、LaylaはTa’ifのThaqif部族に属する別の高貴で豊かな商人と結婚しました。彼は名前がワードアルサカフィー（Ward Althaqafi）である赤みを帯びた顔色を持つハンサムな男として説明されました。アラブ人はアラブ語で「バラ」を意味するワードと呼んだ。マジュンは結婚を聞いたとき、部族キャンプから逃げ出し、周囲の砂漠をさまようようになった。彼の家族は結局帰国の希望をあきらめ、荒��で彼のために食糧を残した。

彼は時には自分自身に詩を朗読したり、棒で砂の中に書き込んだりすることができます。レイラは、夫と一緒に北アラビアのある場所に移動したように描かれています。いくつかのバージョンでは、Laylaは彼女の恋人を見ることができないことからの悲しみから亡くなります。 Majnunは、Laylaの墓の近く、688年に荒野で死んでいると判明しました。

彼は墓の近くの岩の上に3詩の詩を刻んでいました。それは彼に帰された最後の3詩です。

“私はこれらの壁、レイラの壁を通り、私はこの壁とその壁にキスするそれは私の心を鼓舞する壁の愛ではありませんしかし彼らの中に住む人の”

Laylaは荒野でMajnunを訪問します。ボドリアン図書館が保有するインドの水彩画（出典：Arie m den toom-eigen werk / selft製、CC BY 3.0、https://commons.wikimedia.org/w/index.php?curid=3508955）: Source : Google photo

彼の狂気と彼の死の間には、多くの他の軽微な出来事が起こった。彼の録音された詩のほとんどは、狂気への降下前に構成されていました。後のロミオとジュリエットのような永遠の愛の悲劇的な物語です。このタイプの愛は、愛人が彼らの情熱と結婚したり成就したりしないため、「処女愛」として知られています。

アラビアでは、他の有名な処女愛のストーリーが、キースとルブナ、クスアールとアッツァ、マルワとアル・マジュン・アル・ファランシ、アンタラとアブラの物語です。この文学的なモチーフは、ウルドゥー語のghazalsのような南アジアのムスリム文献を中心に世界中で共通しています。LaylaとMajnunの物語は、ペルシャでは早くも9世紀に知られていました。 2つのよく知られたペルシアの詩人、RudakiとBaba Taherは、両方とも愛好家に言及します。

5世紀のアラビア文学では知られていましたが、ペルシャの文学で劇的に普及したのはニザミ・ガンジャビのペルシャ傑作でした。 NizamiはMajnunについての世俗的で神秘的な情報源を集め、有名な愛好家の鮮やかな絵を描いた。その後、他の多くのペルシアの詩人が彼を模倣し、ロマンスの独自のバージョンを書いた。 NizamiはUdhrite愛の詩の影響を引き出しました。これは、しばしば不幸な憧れによって、エロティックな放棄と愛された人への引きつけが特徴です。

他の影響としては、11世紀に書かれたVāmiqu ‘Adhrāのような古いペルシャ語の叙事詩があります。これには、処女と情熱的な恋人と同様の話題があります。彼の適応では、若い愛好家は学校で知り合いになり、恋に落ちた。しかし、彼らは家族の不和のためにお互いを見ることができず、レイラの家族は彼女と別の男と結婚するように手配した。

ルドルフ・ゲ��ペ博士によると、「後の多くの詩人は、たとえ最も平等ではない、確かにそれを上回ることができなくても、Nizamiの作品を模倣している、ペルシアの学者Hekmatは、 40人のペルシア人と13のトルコ語版のLayliとMajnunよりも。 Vahid Dastgerdiによれば、「もし既存のすべての図書館を検索すると、おそらくLayliとMajnunの1000以上の版が見つかるだろう」と述べている。ペルシアの有名なロマンスの統計調査では、ḤasanḎulfaqāriはLaylaの59個の模倣品Majnunはイランの世界で最も人気のあるロマンスであり、続いてḴosrowoŠirinの51バージョン、Yusuf o Zuleikhaの22バージョン、Vāmiqu ‘Aḏhrāの16バージョンが続きます。 （出典：Wikipedia）

多くの国では、アンカーリやロメオとジ​​ュリエットのような恋人がまだ涙を流していることが多く見られます。私はJuliaの家をイタリアのヴェローナで見ましたが、LahoreのAnarkaliの墓は見ませんでした。出典：イタリアのヴェローナにあるジュリエットの家と墓のGoogle写真これらの物語を驚異的で永遠にするのは、恋人たちが滅びる悲劇です

Source : Google photo of Julia in Verona. Italy

Source : Google photo of Julia’s house and tomb in Verona. Italy

彼らの犠牲がどれほど偉大で、どれほど堅実な彼らがお互いを愛していたのか、 若い美しい少女の苦しみが彼女が恋していたから生きていると想像できますか？ 何百年も後に彼女の痛みを感じることができますか？彼らは愛のためのバーを実際に非常に高く設定しました。

  Karera ga ai no tame ni shiharatta kakaku arasuji: Anarkali, raira, jurietto ga zutto mae ni shite densetsu ni natta yō ni, hitobito ga tagaini aisuru koto o gisei ni shite nanika o manabu koto ga dekimashita.

Shutten: Anarkali to Salim no e no gūguru shashin

Anarkali ni tsuite kiita koto ga arimasu ka? Ima wa sōde wanaideshouga, kyō, watashi wa, hijō ni higeki-tekina jinsei ga, koi ni ochita dake de gisei o harau yō motome rarete iru koto ni taisuru shōgendearu, hijō ni utsukushī Anarkali to iu shōjo ni tsuite kaku tsumoridesu. Anarkali wa zakuro no hana o imi surunode, kanojo no nikkunēmu no kanōsei wa takaidesuga, kanojo wa hontō no namae o motte ite, 16 seiki no Indo no Mughal enperā Akbar kyūtei ni sunde ita hontō no hitodeshita.

Kanojo wa kanojo no utsukushi-sa to kanojo no sainō no tame ni eraba reta ni chigainainode, kanojo wa Akbar no hāremu ni zokushite itanode, Anarkali wa hokanohito o yorokoba seru yasui baishunpude wa nakatta. Subete no Isuramu kyōto no shihai-sha to sono shihai-sha-tachi wa, jiyū ga naku ta no dansei o miru koto ga dekinakatta tame, mojidōri dorei to shite kawa rete ita josei-tachi de, karera no hāremu o mamotte imashita.

Karera wa 24-jikan busō shita anchisukiru ni yotte shitto sa rete keibi sa re, hāremu o hōmon suru kengen no nai shin’nyū-sha o satsugai shita. Keibi taiin ga jibuntachide nanrakano fuchō o maneku yōna omoshiroi aidea o motanai yō ni suru tame ni, karera wa kyosei sa rete, mukashi, Pekin no kinji rareta kyūden no yōna kangandatta. Korera no utsukushī, shikashi muryokuna josei wa, sekai no ōku no chiiki kara hito o rachi shita dorei shōnin kara kōnyū sa re, ningen to shitede wanaku shōhin to shite torihiki sa remashita.

Isuramu kyōto to shite karera wa 4-ri no tsuma shika yurusa renakattanode,-ō wa karera to kekkon suru koto wa dekimasendeshita. Ima, kare wa rajuputana (Rajputan) kara joda bai (Jodha Bai) to iu utsukushī hindo~ū kyō no ōjo to kekkon shi, kanojo o Indo no joō to shi, kanojo o aishi, subete no negai o kanaetaga, kare wa hoka no tsuma-tachi mo mamotta Anarkali no yōna kawairashī josei ga ippai no haremu ga tachiagaru.

Tōji wa hyōjun-tekina kanshūdattanode, ōku no yutakana hitobito ga kenryoku o mochi,-go de jibun no mondai o tsukuridashita kazuōku no ihōna kodomo-tachi o atogama kara mamorimashita. Shikashi, watashitachiha Anarkali ni shōten o atemashou. Kanojo wa kōtaishi sarimu o mite, ōji jishin no yō ni sugu ni kare to koi ni ochita. Anarkali wa ta nodo no yōna utsukushī joseide mo nakattaga, ōku no geijutsu to shodō de kyōiku o uke, sainō no aru idaina dansā, myūjishandattaga, kanojo wa tabū o ō no hāremu ni irete itanode, Akbar wa aikō-ka ni hijō ni ikari, sarimu ōji wa hangyaku shi, kare no chichioya ni tatakai o ataeru tame ni kare no gen’in ni dōjō shite iru tasū no butai o tsurete itta.

Ōji no hanran no kekka wa, Akbar no chūjitsuna guntai ga yōi ni hanran-gun o gekitai shi, kuiaratame rarenai Salim ga ongaku ni chokumen suru yō ni chichioya ni tsurete ika reta tame, owatta ketsurondeshita. Akbar wa mada kare no musuko to hijō ni okotte itanode, fuun’na ōji ga chichioya jishin ga tentō shita Kyanon ni chokumen suru yūbinkyoku ni shibara rete itanode, kare wa Kyanon no hi ni yotte fukitobasa reru yō ni meijita. Shikashi, ōji no gen ni dōjō shite ita shōgun wa, saigo no shunkan ni Kyanon o mawashite, bōru ga ōji no inochi o sukuu betsu no hōkō ni susunda.

Kono toki made ni,-ō no ikari wa ikuraka keigen sa re, ōji wa kekkyoku tsugi no ō ni naru koto ni kidzukimashita. Osoraku, joō no hahaoya wa, ōji ni sukoshi yoyū o mota se, kare ni wa kantan ni iku yō ni settoku suru koto mo dekimashita. Shikashi, akubaru wa mada shobatsu sa renakereba naranai anakari ni okotte ita. Kōtaishi wa kanojo no yōna futsūnohito to kesshite kekkon suru koto wa dekimasendeshitanode, kanojo wa kanojo ni ikiume o meijimashitaga, sore wa osoraku Mughal e Azam to yoba reru 60-nendai no eiga ni chōdo ton’neru ga haka no shita ni hora rete sonotōri anakari. Indian wa eiga no kanashī ketsumatsu o konomanakattanode, Anarkali ga kanojo no shi o manugareta toki ni anshin shita.

Aru hito wa, rahōru e no ōsama kara tsuihō sa re, jinsei no nokori no bubun o chīsana itami to keiken’na tokoro de sugoshita to iimasu. Sore wa hontōni sainō no aru utsukushī on’nanoko no kanashī owarideshita. Kanojo wa machigatta hito o aishite shobatsu sa remashitaga,-go ni ō ni natta sarimu ōji wa anakari o wasurezu ni rahōru ni maisō sa reta sutekina reibyō o tateta koto ga rekishi kara wakarimasu. Hitobito wa kanojo no haka ni hana o oki, subete no ai wa totemo kichōde mohan-tekina monodearu koto o negatte imasu.

  Shutten: Rahōru no Anarkali no haka no gūguru shashin rahōru ni aru anakari no haka ni wa, Arabia no hibun ga ari, sore o kanojo no haka ni shitei shite imasu. Shita no e wa kanojo ga ō no kunshō de ikiume sa rete iru koto o shimeshite imasu. (Akbar no musuko purinsu sarimu to koi ni ochita no wa akirakadattaga, aru hi, akubaru wa sarimu no egao to batsu to shite hōmura reta no o mita 1599-nen ni ikite iru – shutten u~ikipedia) shutten: Anarkali no jikkō o kaita e no gūguru shashin Kare no kishō de shira rete iru, kyōdaina akubaru-ō wa, osoraku agurade wa aru ga, kono yō ni shokei sa retaga, shokei sa reta basho wa shira rete inaidarou.

Watashi ga koko de kaku no wa, raira to Majnu no monogatari to yoba reru, hitsuyō no nai ai no betsu no higeki-tekina monogataridesu. Shutten: Raira ando Majnu no gūguru foto monogatari: Qays ibn al – Mulawwah wa reira al – Aamiriya to koi ni ochita. Kare wa sugu ni kanojo no namae o hinpan ni genkyū shi, kanojo no tame no kare no ainitsuite no uta o kōsei shi hajimeta. On’nanoko o motomeru tame no kare no muishiki no doryoku wa, jimoto no hitobito ga kare o `mazunun’ to yobu gen’in to natta.

Kare wa kekkonshiki de kanojo no te o motomete, Reira ga seishintekini baransu no torete inai hito to kekkon suru koto ga sukyandaru ni narunode, kare no chichioya wa kyohi shita. Sugu-go ni, reira wa Ta’ if no Thaqif buzoku ni zokusuru betsu no kōkide yutakana shōnin to kekkon shimashita. Kare wa namae ga wādoarusakafī (Ward Althaqafi)dearu akami o obita kaoiro o motsu hansamuna otoko to shite setsumei sa remashita. Arabu hito wa Arabu-go de `bara’ o imi suru wādo to yonda. Majun wa kekkon o kiita toki, buzoku kyanpu kara nigedashi, shūi no sabaku o samayō yō ni natta.

Kare no kazoku wa kekkyoku kikoku no kibō o akirame, kōya de kare no tame ni shokuryō o nokoshita. Kare wa tokiniha jibun jishin ni uta o rōdoku shi tari, bō de suna no naka ni kakikon dari suru koto ga dekimasu. Reira wa, otto to issho ni Kita Arabia no aru basho ni idō shita yō ni egaka rete imasu. Ikutsu ka no bājonde wa, reira wa kanojonokoibito o miru koto ga dekinai koto kara no kanashimi kara nakunarimasu. Majnun wa, reira no haka no chikaku, 688-nen ni arano de shinde iru to hanmei shimashita.

Kare wa haka no chikaku no iwa no ue ni 3 utanouta o kizande imashita. Sore wa kare ni kisa reta saigo no 3 utadesu. ” Watashi wa korera no kabe, Reira no kabe o tōri, watashi wa kono kabe to sono kabe ni kisu suru sore wa watashi no kokoro o kobu suru kabe no aide wa arimasen shikashi karera no naka ni sumu hito no” reira wa kōya de Majnun o hōmon shimasu. Bodorian toshokan ga hoyū suru Indo no suisaiga

(shutten: Arie m den toom – eigen werk/ selft-sei, CC BY 3. 0, Https: / / Commons. Wikimedia. Orugu/ w/ index. Php? Curid = 3508955)

kare no kyōki to kare no shi no ma ni wa, ōku no ta no keibina dekigoto ga okotta. Kare no rokuon sa reta uta no hotondo wa, kyōki e no kōka mae ni kōsei sa rete imashita.-Go no romiotojurietto no yōna eien no ai no higeki-tekina monogataridesu. Kono taipu no ai wa, aijin ga karera no jōnetsu to kekkon shi tari jōju shi tari shinai tame,`shojo ai’ to shite shira rete imasu. Arabia dewa, hoka no yūmeina shojo ai no sutōrī ga, kīsu to rubuna, kusuāru to attsu~a, Maruwa to Aru majun Aru faranshi, antara to abura no monogataridesu.

Kono bungaku-tekina mochīfu wa, urudo~ū-go no ghazals no yōna minamiajia no musurimu bunken o chūshin ni sekaijū de kyōtsū shite imasu. Reira to Majnun no monogatari wa, Perushade wa hayaku mo 9 seiki ni shira rete imashita. 2Tsu no yoku shira reta Perushia no shijin, Rudaki to Baba Taher wa, ryōhō tomo aikō-ka ni genkyū shimasu. 5 Seiki no Arabia bungakude wa shira rete imashitaga, Perusha no bungaku de gekiteki ni fukyū shita no wa nizami ganjabi no Perusha kessakudeshita.

Nizami wa Majnun ni tsuite no sezoku-tekide shinpi-tekina jōhō-gen o atsume, yūmeina aikō-ka no azayakana e o kaita. Sonogo, hoka no ōku no Perushia no shijin ga kare o mohō shi, romansu no dokuji no bājon o kaita. Nizami wa Udhrite ainoshi no eikyō o hikidashimashita. Kore wa, shibashiba fukōna akogare ni yotte, erotikkuna hōki to aisa reta hito e no hikitsuke ga tokuchōdesu. Hoka no eikyō to shite wa, 11 seiki ni kaka reta Vāmiqu’ Adhrā no yōna furui Perusha-go no jojishi ga arimasu. Kore ni wa, shojo to jōnetsu-tekina koibito to dōyō no wadai ga arimasu.

Kare no tekiōde wa, wakai aikō-ka wa gakkō de shiriai ni nari, koi ni ochita. Shikashi, karera wa kazoku no fuwa no tame ni otagai o miru koto ga dekizu, Reira no kazoku wa kanojo to betsu no otoko to kekkon suru yō ni tehai shita. Rudorufu gerupe hakase ni yoru to,`-go no ōku no shijin wa, tatoe mottomo byōdōde wanai, tashikani sore o uwamawaru koto ga dekinakute mo, Nizami no sakuhin o mohō shite iru, Perushia no gakusha Hekmat wa, 40-ri no Perushia hito to 13 no Toruko-go-ban no Layli to Majnun yori mo.

Vahid Dastgerdi ni yoreba,`moshi kizon no subete no toshokan o kensaku suru to, osoraku Layli to Majnun no 1000 ijō no han ga mitsukarudarou’ to nobete iru. Perushia no yūmeina romansu no tōkei chōsade wa, ḤasanḎulfaqāri wa reira no 59-ko no mohō-hin Majnun wa Iran no sekai de mottomo ninkinoaru romansudeari, tsudzuite ḴosrowoŠirin no 51 bājon, Yusuf o Zuleikha no 22 bājon, Vāmiqu’ Aḏhrā no 16 bājon ga tsudzukimasu.

(Shutten: U~ikipedia) ōku no kunide wa, ankāri ya romeo to ji ​​ ~yurietto no yōna koibito ga mada namida o nagashite iru koto ga ōku mi raremasu.

Watashi wa juria no ie o Itaria no vu~erōna de mimashitaga, rahōru no Anarkali no haka wa mimasendeshita. Shutten: Itaria no vu~erōna ni aru Jurietto no ie to haka no gūguru shashin korera no monogatari o kyōi-tekide eien ni suru no wa, koibito-tachi ga horobiru higekidesu Karera no gisei ga dorehodo idaide, dorehodo kenjitsuna karera ga otagai o aishite ita no ka, wakai utsukushī shōjo no kurushimi ga kanojo ga koishite itakara ikite iru to sōzō dekimasu ka? Nanbyakunen mo nochini kanojo no itami o kanjiru koto ga dekimasu ka? Karera wa ai no tame no bā o jissai ni hijō ni takaku settei shimashita.

  注：私のブログは、フランス語、スペイン語、ドイツ語、英語の各言語で利用できます：

Chū: Watashinoburogu wa, furansugo, Supeingo, doitsugo, eigo no kaku gengo de riyō dekimasu:

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http://achtrjee.wixsite.com/mysite/blog

    Price they paid for love( In Japanese ) 彼らが愛のために支払った価格 あらすじ：Anarkali、Laila、Julietがずっと前にして伝説になったように、人々が互いに愛することを犠牲にして何かを学ぶことができました。 出典：AnarkaliとSalimの絵のGoogle写真 Anarkaliについて聞いたことがありますか？今はそうではないでしょうが、今日、私は、非常に悲劇的な人生が、恋に落ちただけで犠牲を払うよう求められていることに対する証言である、非常に美しいAnarkaliという少女について書くつもりです。 Anarkaliはザクロの花を意味するので、彼女のニックネームの可能性は高いですが、彼女は本当の名前を持っていて、16世紀のインドのMughal Emperor Akbar宮廷に住んでいた本当の人でした。彼女は彼女の美しさと彼女の才能のために選ばれたに違いないので、彼女はAkbarのハーレムに属していたので、Anarkaliは他の人を喜ばせる安い売春婦ではなかった。 すべてのイスラム教徒の支配者とその支配者たちは、自由がなく他の男性を見ることができなかったため、文字通り奴隷として飼われていた女性たちで、彼らのハーレムを守っていました。彼らは24時間武装した警備員によって嫉妬されて警備され、ハーレムを訪問する権限のない侵入者を殺害した。警備隊員が自分たちで何らかの不調を招くような面白いアイデアを持たないようにするために、彼らは去勢されて、昔、北京の禁じられた宮殿のような宦官だった。 これらの美しい、しかし無力な女性は、世界の多くの地域から人を拉致した奴隷商人から購入され、人間としてではなく商品として取引されました。イスラム教徒として彼らは4人の妻しか許されなかったので、王は彼らと結婚することはできませんでした。 今、彼はラジュプタナ（Rajputan）からジョダ・バイ（Jodha Bai）という美しいヒンドゥー教の王女と結婚し、彼女をインドの女王とし、彼女を愛し、すべての願いを叶えたが、彼は他の妻たちも守ったAnarkaliのようなかわいらしい女性がいっぱいのハレムが立ち上がる。当時は標準的な慣習だったので、多くの豊かな人々が権力を持ち、後で自分の問題を作り出した数多くの違法な子どもたちを後釜から守りました。 しかし、私たちはAnarkaliに焦点を当てましょう。彼女は皇太子サリムを見て、王子自身のようにすぐに彼と恋に落ちた。 Anarkaliは他のどのような美しい女性でもなかったが、多くの芸術と書道で教育を受け、才能のある偉大なダンサー、ミュージシャンだったが、彼女はタブーを王のハーレムに入れていたので、Akbarは愛好家に非常に怒り、サリム王子は反逆し、彼の父親に戦いを与えるために彼の原因に同情している多数の部隊を連れて行った。 王子の反乱の結果は、Akbarの忠実な軍隊が容易に反乱軍を撃退し、悔い改められないSalimが音楽に直面するように父親に連れて行かれたため、終わった結論でした。 Akbarはまだ彼の息子と非常に怒っていたので、不運な王子が父親自身が点灯したキャノンに直面する郵便局に縛られていたので、彼はキャノンの火によって吹き飛ばされるように命じた。 しかし、王子の元に同情していた将軍は、最後の瞬間にキャノンを回して、ボールが王子の命を救う別の方向に進んだ。この時までに、王の怒りはいくらか軽減され、王子は結局次の王になることに気付きました。おそらく、女王の母親は、王子に少し余裕を持たせ、彼には簡単に行くように説得することもできました。

[wolfsand9]

Ringo Sheena-Yumiko Shiina Born: November 25, 1978, Urawa, Saitama, Japan Zodiac: Sagittarius

Genres: J-pop rock, punk, alternative jazz, experimental avant-garde electronica Occupation: Singer, songwriter, musician Years active: 1998–2003, 2006–present Instruments: Vocals guitar piano Website: http://www.kronekodow.com

In year 1996 she introduced herself as “Sheena Ringo” for the first time. “Ringo” means “apple” in Japanese. Ringo Sheena said that “Ringo” originated from her class nickname when she often blushed in public, and from The Beatles’ drummer Ringo Starr.

Studio albums: Muzai Moratorium (無罪モラトリアム, “Innocent Moratorium”), Shōso Strip (勝訴ストリップ, “Lawsuit Winning Strip”), Kalk Samen Kuri no Hana (加爾基 精液 栗ノ花, “Chalk, Semen, Chestnut Flower”),Sanmon Gossip (三文ゴシップ, “Superficial Gossip”), Hi Izuru Tokoro (日出処, “Land of the Rising Sun”)

Cover albums: Utaite Myōri: Sono Ichi (唄ひ手冥利 ～其ノ壱～, “A Singer’s Luck: Part One”), Gyakuyunyū: Kōwankyoku (逆輸入～港湾局～, “Reimport: Ports and Harbours Bureau”), Reimport Vol. 2 – Civil Aviation Bureau (逆輸入〜航空局〜 Gyakuyunyū: Kōkūkyoku) Soundtrack: Heisei Fūzoku (平成風俗, “Heisei Manners”)

Extended plays: Ze-Chyou Syuu (絶頂集, “The Acme Collection”), Saturday Night Gossip (サタデーナイト・ゴシップ Satadēnaito Goshippu) Compilation albums: Watashi to Hōden (私と放電, “Electric Discharge & Me”), Mora, Ukina (浮き名, “Scandal”), Mitsugetsu-shō (蜜月抄, “Honeymoon Excerpt”), Chuíxián Sān Chǐ (Chinese: 垂涎三尺, “Mouth Watering”)

Singles: “Kōfukuron” (幸福論, “A View of Happiness”), “Kabukichō no Joō” (歌舞伎町の女王, “Queen of Kabukichō”), “Koko de Kiss Shite.” (ここでキスして。, “Kiss Me Here”), “Honnō” (本能, “Instinct”), “Gips” (ギブス Gibusu), “Tsumi to Batsu” (罪と罰, “Crime and Punishment”), “Mayonaka wa Junketsu” (真夜中は純潔, “Chastity at Midnight”), “Stem (Daimyō Asobi-hen)” (茎～大名遊ビ編～, “Stem (At Play with a Feudal Lord)”), “Ringo no Uta” (りんごのうた, “A Song of Apples”), “Kono Yo no Kagiri” (この世の限り, “Limits of this World”), (Ringo Sheena & Neko Saito + Junpei Shiina), “Ariamaru Tomi” (ありあまる富, “Excessive Wealth”), “Carnation” (カーネーション Kānēshon), “Jiyū e Michizure” (自由へ道連れ, “Traveling Companion to Freedom”), “Irohanihoheto” (いろはにほへと), “Kodoku no Akatsuki” (孤独のあかつき, “The Solitude of Dawn”), “Nippon”, “Shijō no Jinsei” (至上の人生, “A Life Supreme”), “Saihate ga Mitai” (最果てが見たい, “I Want to See the Very End”), “Nagaku Mijikai Matsuri” (長く短い祭, “A Long and Short Festival”), “Kamisama, Hotokesama” (神様、仏様, “God, nor Buddha”) and many others.

—Ringo Sheena-Yumiko Shiina— Ringo Sheena-Yumiko Shiina Born: November 25, 1978, Urawa, Saitama, Japan Zodiac: Sagittarius Genres: J-pop rock, punk, alternative jazz, experimental avant-garde electronica…

[gion-division]

𝐑𝐎𝐔𝐍𝐃 𝟓 — 𝐅𝐀𝐒𝐇𝐈𝐎𝐍 𝐒𝐇𝐎𝐖

Nightmare mode !

“Both Honoka and Moriko were very excited for this round, fufu. Honoka especially was planning to make yokai-like outfits from the very beginning, so to see her finally bring these designs to life must be very satisfying.”

“According to her, I’m supposed to be a Hannya, a human woman that turned into a demon out of jealousy. …Hm? The giant skeletal head? Oh! Honoka said it’s a reference to Gashadokuro. It’s astonishing.”

“Ah ah, what do we have here…Humans? What a surprise. I didn’t think humans would be so ‘brave’ as to appear before us on a night such as this. What do you say we show them just how powerful us yokais are, since they are so curious~”

“…Ehe, tada! Honoka made me look like a Tengu! Gosh, you don’t know how excited I was when I heard that there was a horror round for this contest! Hmhm~ Don’t I look cool? Tengus are said to be swordsmen too, pretty fitting if I do say so myself.”

[gion-division]

𝐑𝐎𝐔𝐍𝐃 𝟑 — 𝐅𝐀𝐒𝐇𝐈𝐎𝐍 𝐒𝐇𝐎𝐖

Beach episode !

“Admittedly I’ve never gone to the beach, even in my younger years, since I’m often busy at the okiya and there are no beaches surrounding Gion anyway, so I’m quite out of my element. Honestly, I’m only here because little Honoka wanted to go as well, haha~”

“Haahh, the beach~ I actually don’t like beaches that much, sometimes it can be a little too humid for me. I’d rather spend time in the shade here~ Also, to whoever prepared this coconut juice for me, I’m giving you a free autograph!”

[gion-division]

With the COVID numbers slowly rising again (unfortunately), that's got me thinking of a question I wanted to ask...

If COVID took place in the HypMic universe, how would your OC's handle it? Would they slowly go insane from being trapped indoors? Would they develop an unhealthy drinking/smoking habit? Or would they be perfectly fine?

Koyumi herself is fine. She considers herself someone who can adapt to things pretty well, even if she is rather shaky at first. She’ll follow the regulations done to a T, will watch over Moriko and Honoka as usual, etc. She’ll be the one to go shopping for whatever the team needs to too. As expected of the Division leader, she’s got it all held together!

But what she is worried about is her profession. Her entire job centers around people; engaging in conversations, pouring tea and performing for them, etc. If she can’t do any of that, then what happens to her? Geishas are already becoming pretty scarce in the modern day because of a lack of interest, this is just making it worse…Sure she can take on some other jobs in the meantime to make income, but she definitely won’t enjoy it as much…

Honoka wouldn’t care that much to be honest. In fact, she’s the most unaffected about the pandemic. Yes, concepts such as ‘wear a mask when going outside’ and ‘social distancing’ are new and confusing to her when Koyumi first tells her about it, but considering the fact that she never went outside that much anyway, does she really need to worry?? All of Honoka’s hobbies are indoors too, so she’ll just be chilling honestly. Hana No Joō all live in the same home as well, so all of the important people in her life is right next to her. It’s not that bad!

Knowing this terminally ill child though, she’s probably gonna get COVID anyway despite all of this. Someone help her. When will she be free of this curse?

Moriko would’ve definitely had a harder time adjusting to the pandemic if she was still an actress, but now? Considering how many hours she needs to spend on drawing panels, she can’t really complain! At least she might be able to actually complete things before the deadline now since she can’t go outside much anymore; she keeps finishing her manga at the last minute because of how much she spends her time doing things outdoors. Besides, it’s not like she’ll be completely bored and only working! She can do some video game streams too whenever she’s on break, and her teammates can join in!

I guess the only thing she’s gonna miss is the in-person interactions between her and her fans…Seriously, those are so fun! She’s quite an affectionate person too, so the ‘social distancing’ thing is dreadful for her.

Yudai is DYING. Seriously, this is the most terrible situation he could imagine! He understands why these rules are established but he will continue to complain endlessly about it until his teammates distract him with something else—like gaming. He’s unintentionally the worst one out of everyone here due to his natural extroverted-ness; he gets all touchy/affectionate when greeting aka he doesn’t do social distancing, sometimes he pulls the mask below the nose, he sneaks outside anyway, etc. Get Fumio to whack him.

And you know what’s worse? You know what he hates the most? He can’t go to the fucking beaches. That’s literally what made him famous, his love for water and being a swimmer—And you’re telling me he can’t do it anymore?! Yeah his house in Enoshima has a pool that he can swim in but it’s not enough! Not enough at all!! Even the backyard lake he has back in Hokkaido is not enough for him and that’s significantly bigger! Fuck you Coronavirus! …….Maybe he should actually go into that pool to cool his head for now. Time to get mopey again.

…Well shit. Asuka is slightly distraught at the fact that he needs to stay inside. Being outside is literally his job, the whole point of archaeology is to discover ancient things, so this…sucks. It really does. He’s fine with the whole ‘online’ thing, he can definitely still teach people who are training to become archaeologists or just wants to learn history/culture in general, and he can still do part-time jobs online too but…He just doesn’t get the same energy.

…I mean, he was never a complete stickler for the rules anyway. As long as you stay away from people and wear your mask then you can be outside, right? Sooooo he can definitely go explore as long as he’s not near anybody, yeah? Yeeaahhh? :)

Fumio is hands-down the only sane person in the entire Solar Siren team when it comes this pandemic, he’s perfectly fine just being inside the household with his plants. Peace and quiet, his beloved. However, he’s looking at his teammates with the most scared look because of their feral ‘I-need-to-be-out-in-the-world’ aura. Unfortunately for his ass, he is still gonna get dragged around by Yudai whenever the olympic swimmer wants to leave anyway so someone pray for him please—Fumio doesn’t get as easily sick as Honoka does but he’s still the physically weakest out of the team so!

[gion-division]

𝐑𝐎𝐔𝐍𝐃 𝟐 — 𝐓𝐀𝐋𝐄𝐍𝐓 𝐒𝐇𝐎𝐖

Dim, almost dark on the stage. There is no introduction as Koyumi walks up, looking more…stoic than expected. None of the motherly warmth she usually conveys is shown anywhere. It’s a far more different atmosphere.

Coldness still prevails, even as the red lanterns light up on stage to illuminate her appearance. Elegant as always, as she is supposed to be.

If she is to put on a show for everywhere, to give them a peek of her talent, then it’s only natural that she gets into the act, doesn’t she?

This is, after all, what she does best.

“Geeezzz, a talent show, huh? Well, guess I gotta pull out the big guns!” Moriko laughed. “It’s actually been a super long time since I’ve done this kind of thing, haha. But, it’s kind of stuck with me after I did it in a movie, so! Here I go!”

Quickly, she took her sword out of her sheath.

And the next minute, her sword—

Had been swallowed.

[gion-division]

𝐑𝐎𝐔𝐍𝐃 𝟏 — 𝐅𝐀𝐒𝐇𝐈𝐎𝐍 𝐒𝐇𝐎𝐖

Represent your city !

Of course, we all know Gion of Kyoto as one of the most exclusive Geisha districts in Japan, but there is one other thing that this Division is most known for! And that is…

— 祇園祭

The Gion Matsuri! The Gion Matsuri is a national festival hosted by the Yasaka Shrine that occurs during the entire month of July, it’s most famous event being the Yamaboko Junko on July 17th.

“Sing, dance, drink, and eat! You’ll forget all your problems if you do! Well, not that I’ve ever gone to an actual Gion Matsuri yet, but I’m sure it’s very fun. Miss Koyumi always says it is! You should come watch her perform there next time.”

Speaking of the Yasaka Shrine, it is dedicated to the sea god Susanoo-no-Mikoto, younger brother of Amaterasu, as part of the Gion faith.

“Which is why I asked Honoka to design me an outfit that resembles our God. I hope I’ve done him justice, ufufu.”

Behind the scenes . . .

Honoka couldn’t stop herself at all from pacing around the room after she finished the outfits and helped put them on her teammates. She’s far too antsy about everything. For good reason, of course.

This is her first time making clothes for such a big thing—And actually showing it off! On TV, no less! With so many people watching! Of course she’s gonna be anxious! She’s working with two people who actually has experience in fashion, and one of them has a whole brand compared to her who only makes clothes as a hobby! Her division is relatively small compared to everyone else, so she didn’t have much to base things off of. But she thinks she did a good job…? Maybe? Her teammates seem to like it at least…

“…My hands hurt.”

She should rest for now. Honestly, it feels like she rushed herself too much to get the outfits done. This is absolutely no self projection.

“Uuuuu…Let’s hope that people aren’t too mad that I combined traditional elements…”

“By the way, Moriko, please give me back my war fan after this is over.”

“Eh- Why? These are cool. You never let me try these out!”

“Just give them back to me.” （＾ν＾）

“Urk— …Fiinnee.”

“I don’t know why you weren’t satisfied with a regular fan anyway.”

“Because weapons are way cooler…”

[gion-division]

Before and After (Hana No Joō ver.)

Before

“Koyumi”

Honoka

Moriko

After

Koyumi

Honoka

Moriko

[gion-division]

“Far away there in the sunshine are my highest aspirations.”

Introduction

Moriko Himawari, also known as Canopus in rap battles, is the third member of Hana no Joō. A cheerful actress most known for being in horror and action series / films, Moriko retired to focus on pursuing a manga artist career. This decision has made her relationship with her family incredibly strained, to the point she’s even running away from them.

Biographical Information

Name: Moriko Himawari / Himawari Moriko

Moriko (森子) - “Forest Child”

Himawari (向日葵) - “Sunflower”

Aliases:

Himewari (fans)

Sunny / Sunshine

Final Girl Queen

Gender: Female

Age: 21

Birthday: October 12th

Star Sign: Libra

Ethnicity: Half-Japanese, Half-South African

Hair Color: Dark brown with blonde highlights

Eye Color: Green

Height: 183cm / 5’11”

Weight: 167lbs / 76kg

Piercings: Tongue piercing

Markings: A couple faded bruises from messing up stunts.

Family:

Unnamed father (Deceased)

Unnamed mother

Fun Facts

MC Name: Canopus

Occupation: Ex-Actress | Manga Artist

Division: Gion

Team: Hana No Joō / Flower Queen

Position: Third Member

Favorite Food: Koeksisters

Least Favorite Food: Taro

Likes: Weapons, anime and manga, talking to people, and harajuku sweets.

Dislikes: Tight schedules, people who are rude / arrogant at first meetings, too many rules, and pointless fights.

Appearance

Moriko is a tall brown-skinned woman with a toned build. She has long, curly brown hair that reaches her back, with yellow at the tips; it’s normally put up in a ponytail. Her bangs are swept to her right, framing her green eyes. On her neck she’s wearing a black choker with a cream-colored flower.

She wears a pale yellow cardigan that has flowers and butterfly patterns on it, and a white sleeveless kimono top with black lining and a slit on its side. On her waist is a dark brown strap for her katana. Her sweatpants are dark red and she wears white sneakers. She also wears black gloves with gold lining.

Personality

The most accurate way to describe Moriko is cheerful. She’s the typical genki girl: usually smiling, kind, and energetic. She always wears her heart on her sleeve. It kind of makes other civilians uncomfortable around her though because she keeps talking even if they want to be left alone, so it feels like she doesn’t know how to read the room.

Moriko’s also quite rebellious, often breaking rules if she doesn’t find them necessary or doing things her own way if she doesn’t like the way someone else does it. She’s been restricted for most of her life, let her be free for a bit~ Granted she’s gotten into trouble for being like this but who cares!

Despite her friendliness, she absolutely loves the thought of fighting if it means she gets to have fun. Whether it be physically or with a microphone, Moriko absolutely loves a challenge and enjoys the thrill, which is why she joined the DRB with Koyumi. Most of the time she doesn’t really take it as an actual competition though, she sees it as a “friendly battle” and hopes to be friends with the “enemy” afterwards like what happens in some animes. It’s not her being stupid or naive, she just has a lot of hope for people. It’s hard to get her to truly hate someone.

Hypnosis Mic

Her microphone is a long and golden circle microphone. In the middle of the circle is a five-pointed star with a yellow speaker.

Her speakers take the form of a golden astrolabe in the sky, acting as the sun. Surrounding her is a bamboo forest.

Her rap ability is Sunlight, which makes her speaker flash a bright light on the entire area for a few seconds to blind her opponent(s) and make them bypass their turn. On the other side, it heals her team. She can only use this ability two times in each battle however.

Trivia

Yes, the katana’s real.

Moriko is ambidextrous, but leans towards using her left hand.

Her birthday is a reference to Joshua 10-12, ‘The Sun Stands Still’.

Her MC name is the name of the star associated with Chaxiraxi, a goddess often known as the Sun Mother.

Her quote is from Louisa May Alcott; the full quote is “Far away there in the sunshine are my highest aspirations. I may not reach them, but I can look up and see their beauty, believe in them, and try to follow where they lead."

Moriko is very popular with the gyaru community.

Unsurprisingly, Moriko’s a gamer. She even has a Youtube channel where she plays a lot of fighting and horror games like the Mortal Kombat series, Street Fighter, Samurai Shodown, etc.

Moriko already has a whole list of lore for the worlds and characters of her manga idea. She can ramble about it for hours, please talk to her about this. No this is absolutely not me self-projecting.

She’s the main driver in the team, owning both a car and a motorcycle. She’s gotten into a lot of car chases though, which has destroyed property so she needs to apologize and pay for things often.