#hamlet 2020

[starfallsoup]

i found more art from 2020! here’s a hamlet piece themed around some essay i wrote about something something him being torn into all different directions from authority figures’ expectations in his life and not truly being allowed to grieve or really Be Himself for a while, not while he was performing all these roles and wishes of others and subject to the expectations of being a Prince and being expected to have Gotten Over It already something something

[britneyshakespeare]

on the other hand ive been reading othello today and i know it's shocking ive read 23 shakespeare plays and it took me this long to finally get to othello. in my defense the riverside shakespeare (1973) is a hell of a drug. i have always been reading the plays in no particular order other than what my whims directed me to. i read the winter's tale last year because my professor mentioned it offhandedly. one of the first comedies i read was all's well that ends well not because i knew anything about it, or even heard anyone say it was good, but because i liked the title and i knew there was a character with my name in it. i read all over the place but yeah by far the most significant play i still hadn't read as of a week ago was othello, and now i'm more than halfway through it and. yeah.

i haven't read a pure shakespeare tragedy in three and a half years. ive mostly been reading the histories this year in particular. i think i might generally neglect the tragedies because i find the comedies and romances to be more whimsical and fun, and the histories to be more devilish and bloodthirsty and action-packed, however that is to my regret because my whims have not leaned more towards a tragedy in all that time. i still watch them on occasion but that's different.

i haven't felt this deeply connected to the characters in his plays in such a long time, my god. i absolutely love othello and my heart is aching. desdemona can do no wrong. cassio is poor and unfortunate. i want to rip iago's eyes out. oh my god wow.

[shakespearenews]

James Shapiro: I just found an email from you, from February 2021, a month after the attack on the Capitol. And you wrote, “I’m reading Hamlet over breakfast. I do want to do it with an African American cast. Does it make sense to explore this story in a return to the South?” So you’ve been thinking about this play for two years now.

Kenny Leon: Yes. And we indeed set it in Atlanta a year after the start of the pandemic, a little bit after George Floyd’s murder and the racial reawakening. When we spoke, I had also been teaching classes virtually. And I looked into the eyes of the young people, and I saw the fear in them. I saw sadness in them about where our country was, where it was going in terms of politics, religion and almost everything. I realized that this is an opportunity to look at Hamlet through the lens of those students. Can I set this play in 2020, in Atlanta, Georgia, honoring everything that Shakespeare has on the page, only using his words, only substituting original songs that are more contemporary but nothing else? And as I went through that process, I got more and more excited.

[jackthomwolfe]

idolized fuckwad of the month karl lagerfeld so misogynistic he pulled "get thee to a nunnery"

[nancywheeeler]

"laertes is the most tragic figure in hamlet" "elaborate on that" "no."

[hashtagloveloses]

ok so i figured out why the songs in the new disney movie Wish suck so bad - for the movie celebrating 100 years of mostly animated movie MUSICALS, they didn’t get a songwriter who writes MUSICALS. they got two POP songwriters (Julia Michaels and Benjamin Rice, who’ve written for a lot of big stars like Lady Gaga, Justin Bieber, Selena Gomez, etc). despite lin-manuel’s faults, that man can cook up a song and had won a tony even before hamilton. there’s a reason moana and encanto went crazy. the anderson-lopezes made frozen and frozen II a HIT. maybe if they didnt have them chained to a desk writing two more frozen movies they could’ve worked on Wish instead. the ICON alan menken completed his EGOT from the daytime emmy he won for writing a song just for the tangled TV SERIES in 2020, and they couldnt even get him back?! for the movie celebrating 100 years of animated musicals?!!!

one of the directors of the film is Chris Buck, who did Tarzan - that movie only really has one or MAYBE two songs sung by the characters, and is mostly a soundtrack by Phil Collins instead. but thats a FULL soundtrack that was supposed to be pop the whole way through, not a musical.

one of the only times they got a pop songwriter to do an animated musical was Elton John for the Lion King, but he went on to write several popular musicals after that.

they got a big Broadway star like Ariana Debose, and a big Hollywood star who can really sing like Chris Pine, on that movie and gave them POP composers? for the 100th anniversary? this is the studio that made HAMLET WITH LIONS and a BOOK BY VICTOR HUGO into legendary animated musicals. what the FUCK happened? which executive made this stupid ass choice?

[medievalandfantasymelee]

We are now just a few days away from the end of the submission period for the Hot Medieval and Fantasy Men Melee, and our Entrants stand numbered at 250!!!

Submissions will close on the 27th of June, so if you have a hot medieval/medieval fantasy guy (or multiple of them) you'd like to see compete, send them in!

Here is a list of our Noble and Worthy Contenders so far.

If your man isn't here, that means he has not been submitted.

The Contenders

So Far…

Adhemar, Count of Anjou [Rufus Sewell], A Knight's Tale (2001)

Prince Aemond Targaryen [Ewan Mitchell], House of the Dragon (2022-)

Alessandro Farnese [Diarmuid Noyes], Borgia: Faith and Fear (2011-2014)

King Alfred the Great [David Dawson], The Last Kingdom (2015-2022)

Ahmed Ibn Fahdlan [Antonio Banderas], The 13th Warrior (1999)

Antonius Block [Max von Sydow], The Seventh Seal (1957)

Aragorn, Son of Arathorn [Viggo Mortensen], The Lord of the Rings Trilogy (2001-2003)

King Arthur Pendragon [Alexandre Astier], Kaamelott (2004-2009)

King Arthur Pendragon [Bradley James], BBC’s Merlin (2008-2012)

Athelstan [George Blagden], Vikings (2013-2020)

Ash Williams [Bruce Campbell], Army of Darkness (1992)

Brian de Bois-Guilbert [Ciaran Hinds], Ivanhoe (1997)

 Brother Cadfael [Derek Jacobi], Cadfael (1994-1998)

Carlos I [Álvaro Cervantes], Carlos Rey Emperador (2015-2016)

Prince Caspian [Ben Barnes], The Chronicles of Narnia (2010)

Cesare Borgia [Mark Ryder], Borgia: Faith and Fear (2011-2014)

Cesare Borgia [Francois Arnaud], The Borgias (2011-2013)

Prince Chauncley [Daniel Radcliffe], Miracle Workers: The Dark Ages (2020)

Prince Daemon Targaryen [Matt Smith], House of the Dragon (2022-)

Khal Drogo [Jason Momoa], Game of Thrones (2011-2019)

Lord Eddard Stark [Sean Bean], Game of Thrones (2011-2019)

Edgin [Chris Pine], Dungeons & Dragons: Honour Among Thieves (2023)

Éomer, Son of Éomund [Karl Urban], The Lord of the Rings Trilogy (2001-2003)

Étienne de Navarre [Rutger Hauer], Ladyhawke (1985)

Faramir, Son of Denethor [David Wenham], The Lord of the Rings Trilogy (2001-2003)

Finan [Mark Rowley], The Last Kingdom (2015-2022)

Sir Galahad [Michael Palin], Monty Python and the Holy Grail (1975)

Galavant [Joshua Sasse], Galavant (2015-2016)

Gawain [Dev Patel], The Green Knight (2021)

Geralt z Rivii [Michał Żebrowski], The Witcher (2002)

Geralt of Rivia [Henry Cavill], The Witcher (2019-)

Sir Guy of Gisborne [Basil Rathbone], The Adventures of Robin Hood (1938)

Sir Guy of Gisborne [Richard Armitage], BBC’s Robin Hood (2006-2009)

Prince Hamlet [Laurence Olivier], Hamlet (1948)

Hubert Hawkins [Danny Kaye], The Court Jester (1955)

King Henry II Plantagenet [Peter O’Toole], The Lion in Winter (1968)

King Henry V Plantagenet [Tom Hiddleston], The Hollow Crown (2012-2016)

Prince Henry [Dougray Scott], Ever After (1998)

Hugh Beringar [Sean Pertwee], Cadfael (1994-1998)

Inigo Montoya [Mandy Patinkin], The Princess Bride (1987)

Jareth [David Bowie], the Goblin King, Labyrinth (1986)

Jaskier [Joey Batey], The Witcher (2019-)

Prince John Plantagenet [Claude Rains], The Adventures of Robin Hood (1938)

Lancelot [Santiago Cabrera], BBC’s Merlin (2008-2012)

Legolas Greenleaf [Orlando Bloom], The Lord of the Rings Trilogy (2001-2003)

Madmartigan [Val Kilmer], Willow (1988)

King Mark of Cornwall [Rufus Sewell], Tristan and Isolde (2006)

Mikoláš Kozlík [František Velecký], Marketa Lazarová (1967)

Merlin [Colin Morgan], BBC’s Merlin (2008-2012)

Niccolo Machiavelli [Thibaut Evrard], Borgia: Faith and Fear (2011-2014)

Prince Oberyn Martell [Pedro Pascal], Game of Thrones (2011-2019)

Peregrin “Pippin” Took [Billy Boyd], The Lord of the Rings Trilogy (2001-2003)

Pero Tovar [Pedro Pascal], The Great Wall (2016)

Ragnar Lothbrook [Travis Fimmel], Vikings (2013-2020)

Ravenhurst [Basil Rathbone], The Court Jester (1955)

Richard Cypher [Craig Horner], Legend of the Seeker (2008-2010)

King Richard [Timothy Omundson], Galavant (2015-2016)

Richard III Plantagenet [Aneurin Barnard], The White Queen (2013)

Robin Hood [Errol Flynn], The Adventures of Robin Hood (1938)

Robin Hood [Michael Praed], Robin of Sherwood (1984)

Robin Hood [Cary Elwes], Robin Hood: Men in Tights (1993)

Robin Hood [Tom Riley], Doctor Who: “The Robot of Sherwood” (2014)

Rodrigo Borgia [Jeremy Irons], The Borgias (2011-2013)

Rollo [Clive Standen], Vikings (2013-2020)

Samwise Gamgee [Sean Astin], The Lord of the Rings Trilogy (2001-2003)

Sandor Clegane [Rory McCann], Game of Thrones (2011-2019)

Sid [Luke Youngblood], Galavant (2015-2016)

Sihtric Kjartansson [Arnas Fedaravicius], The Last Kingdom (2015-2022)

Thorin Oakenshield [Richard Armitage], The Hobbit Trilogy (2012-2014)

Tom Builder [Rufus Sewell], The Pillars of the Earth (2010)

Mr. Tumnus [James McAvoy], The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Vlad III Dracula [Luke Evans], Dracula Untold (2014)

Westley [Cary Elwes], The Princess Bride (1987)

William Thatcher [Heath Ledger], A Knight’s Tale (2001)

Will Scarlet O’Hara [Matthew Porretta], Robin Hood: Men in Tights (1993)

Will Scarlett [Patrick Knowles], The Adventures of Robin Hood (1938)

Will Scarlett [Christian Slater], Robin Hood: Prince of Thieves (1991)

[shesnake]

Harriet Gordon-Anderson as Hamlet and Sophie Wilde as Ophelia, Bell Shakespeare Sydney, 2020.

[reasonsforhope]

"These frozen smoke belchers are Minnesota school buses that were set for a retrofit with diesel engines in 2012. New evidence, however, from a small town in Colorado suggests that another retrofit is needed—to electric motors and batteries.

That’s because the West Grand School District is finding that in the frigid winter temps of -30°F, their electric buses outperformed their diesel-powered ones, both in running costs and reliability.

EV skeptics and critics are quick to mention the reduced range of a battery pack when exposed to such brutal temperatures, but no Minnesotan or Coloradoan needs reminding about those especially cold mornings when the car won’t start.

Kremmling Colorado is one of the coldest towns in the country, and the school district that encompasses this hamlet of 1,500 people was able to begin using an electric bus in their fleet starting in 2020 thanks to grants from the EPA, along with the Colorado Department of Public Health and Environment (CDPHE).

“What we are seeing is that these buses are doing great in cold weather they still maintain a battery charge even when it’s cold,” said Environmental Protection Agency (EPA) representative, Casey Becker.

OTHER EV NEWS: Number of Electric School Buses More than Doubled in the U.S. in Past Year

“It averages 26 cents per mile and the diesel buses, just for fuel not including oil changes, filters, lubes, is 58 cents per mile,” said West Grand County School District Director of Transportation, Bethany Aurin.

Becker told Fox 9 News [Note: Video at link!] that there will be a total of 49 electric school buses heading to nine Colorado School Districts, including four in Summit County and three in Steamboat Springs."

-via Good News Network, March 5, 2024

[yeahthatswhatimtolkienabout]

Okay so, I'm getting increasingly confused over the timeline of when Aziraphale and Crowley have met over the ages.

Since I'm writing a S3 fic with lots of flashbacks, I figured that I needed to have a concrete and canon timeline so I don't end up accidentally writing a meeting when there shouldn't be one (ie when Crowley was asleep in the 14th century), and I cannot for the life of me find one that has S2 in it so I present to you:

The Nice and Accurate (hopefully) Timeline of Aziraphale & Crowley and their many meetings throughout the ages.

By Yeahthatswhatimtolkienabout.

Pls let me know if I've missed anything.

Before time was invented - God created the universe.

Before the Beginning - Our dynamic duo meet for the first time, as Crowley creates a Nebula with Aziraphale's help.

After The Beginning (the bible never gave dates for this kinda thing) - Crowley saunters vaguely downwards towards hell with the others who are cast out.

4004 B.C. - Eve is tempted by the Demon Crowley (in snake form) to eat the forbidden fruit. This is the first time we see Crowley in his demon form and the first time he (as a demon) meets Aziraphale, well - that we know of anyway.

3004 B.C, Mesopotamia - OI SHEM! Aziraphale and Crowley meet and watch as Noah gathers the animals two by two onto the ark.

2500 B.C, Uz - Aziraphale and Crowley work together to save Job's children from being killed. Aziraphale lies to heaven and fears he will be taken to hell. Bildad the Shuite is a babe.

33 A.D., Golgotha - Aziraphale and Crowley witness the crucifixion of Jesus. Crowley remarks that he 'showed Jesus the kingdoms of Earth'.

41 A.D., Rome - Aziraphale tempts Crowley to Oysters.

537 A.D., the Kingdom of West Essex - Knight of the table round, Sir Aziraphale encounters Crowley as the Black Knight. This is where the 'deal' is first raised.

1301 A.D - 1400 A.D - Crowley sleeps through the 14th century.

1601 A.D The Globe Theatre, London - Aziraphale and Crowley meet at a production of Hamlet. They have been participating in the 'deal' for some time now.

1650 A.D - Aziraphale does the apology dance for the first time.

1793 A.D, Paris, France - Aziraphale is about to be beheaded, but Crowley intervenes and saves him.

1800 A.D Soho, London - Aziraphale opens his bookshop and Crowley successfully prevents him from returning to heaven at Gabriel's orders, by fooling him with some mannequins.

1827 A.D Edinburgh - Crowley and Aziraphale meet Elspeth, a body snatcher, and are caught up in her endeavours.

Aziraphale then does not see Crowley until...

1862 A.D London's St. James Park - Crowley asks Aziraphale for Holy Water, as a 'just in case'. Appalled, Aziraphale leaves.

1941 A.D London - Aziraphale is caught up in a bait and switch with some Nazis. He is rescued by Crowley. One thing leads to another and Aziraphale is a magician in a show, the Nazi's become Zombies and to cut a long story short, it ends with the pair dining together.

1967 A.D Soho, London - Crowley meets Lance Corporal Shadwell and plans to steal Holy Water from a church. Hearing of this, Aziraphale appears to him in his Bentley and delivers a flask of it to him.

2008 A.D Soho, London - Crowley and Aziraphale meet to discuss the Antichrist and plan to become his godparents to raise him as a 'normal' child, neither influenced by heaven or hell.

2008 A.D - 2019 A.D - Crowley disguises himself as Nanny Ashtoreth and Aziraphale, as the Gardener Brother Francis, and the two try to influence Warlock.

2019 A.D - The events of the first season of Good Omens happens, our pair prevent Armageddon and live happily ever... wait what, a second season?

2020 A.D - 2022 A.D - Lockdown happens. This is where the 'Lockdown' video takes place.

2023 A.D - Pain, otherwise known as Season 2, happens.

I really hope this helps some of you with fic planning and stuff. I was getting really confused over when they met and when certain things started happening, that I needed a record for myself - then thought I should share it!

Edited to add: Thank you for the comments, pointing out some things I've missed! I've added lots of them in now. I've only really included events where the two have met (either in show or in book), and have not added in the bits that Neil Gaiman has added (such as the Wild West scenes etc). If there is a script book for S2 and they are in there - I will come back and add them in.

For a timeline that goes over other significant events in their history, please check out the amended version by @graviitron - they've added some cool bits in there, so thank you! 🥰

[philaet0s]

So I decided to start posting my social media AU here, in parts, and without the few bits that happen off social media that will be on the ao3 version <3

As an introduction, here’s a little bit of context:

Baz is an world-famous singer. At the beginning of the story, he’s about to go on tour for his 5th album

He and Simon are in a relationship but it’s not public. Simon asks Baz if he can make a twitter account where he claims to be Baz’s boyfriend because he thinks it’d be fun to see how people react

Baz’s albums, because I’ve thought about them a lot —except for the first one— lol:

Ergo, - 2019

→ he just wanted to be pretentious with a latin word honestly + the word “ergo” has this intrinsic meaning of consequence. for something to have a consequence, there *has* to be a something, but there’s nothing that comes before the album. it’s his first. it’s a sort of oxymoron with just one word, something contradictory at its core, Baz likes that

I don’t really know what Baz’s first album is like. the themes would probably be rather dark, but I don’t have a clear idea of what the album would represent like i do for the others. and yet i know there’s an album before those others. something that started it all

Flowers in the Water - 2020

→ a reference to Ophelia from Hamlet, who drowned surrounded by flowers. in this album baz explores his feelings after his break up. he was the one to leave his boyfriend who he was in a pretty toxic relationship with though he still had love for him. so he never had much agency during the relationship (as Ophelia doesn’t have agency during most of the play and her life) and the one time he acted on his own, he ‘ruined his life’ -the feeling of despair after a break up, when you think you’ll never find love like that again, even if it was bad (as Ophelia did when she killed herself). Cliché image of the break up as a sort of death, but you can be cliché when you’re heartbroken

baz’s ex used to buy him flowers, so there was this vase in their flat that for a long time always had flowers in it. after a while, towards the end of the relationship, baz noticed that it had been a moment since there had been flowers in the vase, and that was one of the things that made it hit that his bf didn’t care about him anymore

BUT the ‘vase’ is replaced by ‘water’ in the title of the album – a nice metonymy – to better fit the Ophelia reference.

Portrait of the Artist as a Madman - Feb. 2021

obvious reference to james joyce’s Portrait of the Artist as a Young Man. Baz reread the book during lockdown so he had that title in mind. he used Madman instead of Young Man because we all went a little crazy during lockdown so that was his state of mind when he wrote the album

his most reflexive album, in which he writes very personal things about who he was and is, but also his persona as a singer and the way the music industry impacts him and his life

The Prophecy - Sept. 2021

baz really wanted to use the word prophecy in a title. it’s his favourite word in the english language. it’s a very meaningful word, prophecies were a huge deal for ancient civilisations, prophets are important figures in the abrahamic religions + he likes the idea of a prophecy, something being foretold, an inevitable end, no matter what one does. it’s very tragic, he likes that

this album is about his new relationship with simon, a romantic piece about how when they met, he felt like their story had already been written and all they had to do was play it out, he felt this inevitability that he associates with prophecies. simon is the love that was foretold for him

Metamorphoses - 2022

in reference to Ovid’s metamorphoses. Baz reuses some of the stories in the Metamorphoses while also applying them to his life, creating songs that are a blend of mythology and personal. (his fans love trying to guess what is merely his interpretation of Ovid’s stories and what is personal elements he added to the songs). the songs are ordered in a way that shows how baz was transformed throughout his life to become the version of himself he is at the time of writing the album. a sort of memoir told through a dozen songs

Paroxysm - 2023

paroxysm: a sudden sharp attack (of pain, rage, laughter, etc)

the meaning of the word is why baz chose it as a title. he thought it fit the album, which he wrote very differently from his previous ones –in bursts. his creativity was renewed after Metamorphoses, which was a project that felt to him more like writing a book than songs, and it expressed itself differently. in this album, the topics he writes about are all different, with nothing to give a coherent theme to the album… which is the theme in itself. all the songs are little paroxysms

[herejusttosufferalong]

(Re: About Joe Alwyn, Similarities with Nic, and Acquaintance with Luke Thompson)

Response to your shock about Ratty Healy : Hahaha as a swiftie myself I SIDE-EYED tay so hard when she had her rebound with him, like gurl he's nasty and disgusting with all of his past troubling behaviors no matter how sweet he might appear to you.

If you wanna know a glimpse of JoeTay relationship, it was officially started in September 2016 and ended in early April 2023.

They first met at Gigi's bday party (April 29th 2016, References: High Infidelity-Midnights, Gorgeous-Reputation, Dress-Reputation), then met gala (May 1st). She previously and was still dating Calvin Harris- long story short he was a D, she wanted to leave him. I didn't know what prevented things to go further between her and Joe but in met gala she also met Tom Hiddleston and danced together. They had a brief getaway car moment or rebound (Getaway car-Reputation), officially known to public from June to September.

Then Joe and Tay started their relationship on September 28th (Ref: September - Cover by TSwift).

2016-2017 was the hell of year for Tay because of the whole Kanye Kim drama and lies. The whole world turned their back on her and she was at the lowest point of her life. She disappeared for a year then came back with a new album Reputation released in 2017.

Albums that give us many insights about her life and love story with Joe are : Reputation 2017, Lover 2019, Folklore 2020, Evermore 2020, Midnights 2022, The Tortured Poets Department: The Anthology 2024.

He had part of writing and producing some songs with Tay in Folklore, Evermore, and Midnights in the pseudonym of William Bowery.

In TTPD, songs about Joe are So long London, I Can Do It With a Broken Heart, loml, The Black Dog, How Did it End, and Peter.

I'm sad when people have to refer Joe only as Taylor Swift's Ex. He's a talented, low profile, and private actor. He's rarely active in SM. (Alwyn keeps his personal life private, which he described as a "knee-jerk response to the culture we live in". GQ labelled Alwyn a "notoriously low-key actor".)

Alongside with Paul Mescal, he is one the male leads of Sally Rooney Novel Adaptations. Paul in Normal People and Joe in Conversation with Friends. (I really would like Nic to have a project with him. Maybe another Sally Rooney adaptation would be great😭 *manifesting*)

Some of his projects are The Favourite (2018), Boy Erased (2018), Mary Queen of Scots (2018), Harriet (2019), The Last Letter from Your Lover (2021), Stars at Noon (2022), Catherine Called Birdy (2022), Conversation with Friends (2022), Kind of Kindness (2024), TBA projects: The Brutalist and Hamlet.

He is also friends with Lukey T. He ever talked about him in interview.

Similar with Nic, he is very vocal about activist/social movements and always stood on the right side of history. Nic came from her background as an Irish people and her late Dad with his humanity and military works to keep peace in middle east. Joe family also has deep connection to activism, particularly in Palestine, his late great uncle is a peace activist and patron of the Palestinian solidarity campaign. And both are private about their personal lives. But Joe is really silent and not chronically online as Nic.

I just love when Nic has so many connections and fully booked. She deserves it. And I would like the same things to happen to Luke too. They both deserve the best to not put their talent in waste. I wish my parents all the best.

DAMN ANON

Are you on his payroll????

No but seriously thank you for sharing 💜

I know nothing about the guy but I have seen multiple movies listed above with him in it

Will have to rewatch and check out some of his other work 🥃

[consanguinitatum]

David as Benedick in Much Ado About Nothing (the first time he did it, that is!)

David Tennant fans are aware of 2011's brilliant Much Ado About Nothing, in which DT starred as Benedick, alongside Catherine Tate as Beatrice. Filmed at the Wyndham's Theatre in London and directed by Josie Rourke, the production was recorded and offered on Digital Theatre.

But did you know David had played Benedick before?

Yep - he sure has!

It was in 2001, a full decade before his production with Catherine.

Beginning in 1999, BBC Radio 3 launched Shakespeare For The Millennium, an ambitious project to dramatize seventeen Shakespeare productions in four years.

The project was done in collaboration with BBC Worldwide, which emphasized it wanted to take a contemporary, innovative approach to the Bard. It launched on 12 September 1999 with a Shakespeare discussion panel, and a new production of Hamlet -- starring none other than Michael Sheen as the Dane!

On 23 September 2001, BBC Radio 3 broadcast a new production of Much Ado About Nothing as the Sunday Play, with David in the lead role as Benedick and Samantha Spiro as Beatrice. Adapted by Sally Avens, it featured an introduction (as had all the previous productions in the Shakespeare For The Millennium series) by Richard Eyre, the former Director of the Royal National Theatre.

The production also starred a few other recognizable names. There was Chiwetel Ejiofor as Claudio, Emilia Fox as Hero, David Swift as Leonato, Julian Rhind-Tutt as Don John, and David Haig as Dogberry.

All original music was composed and performed by Simon Oakes and Adam Wolters.

Radio listings and announcements, and promo photos of David and Samantha Spiro

Here's a review of the prodcuction!

Much Ado About Nothing was commercially released by BBC Worldwide as part of the BBC Radio collection series in 2001.

The sleeve notes of cassettes and CDs of the production include a scene-by-scene synopsis, a full character analysis, and an essay on interpretation from the director Sally Avens.

Almost four years later, in November 2005, BBC One broadcast a television series called ShakespeaRe-Told, a set of four adaptations of Shakespeare's plays. Each play was adapted by a different writer, and all were relocated to the present day.

The first to be broadcast - on 7 November 2005 - was a modern-day version of Much Ado About Nothing starring Sarah Parrish and Damien Lewis...and Billie Piper and Nina Sosanya and Olivia Colman!

You can watch it here:

Six days after this television broadcast - on 13 November 2005 at 7:15 pm - BBC Radio 3 re-broadcast the audio version starring David and Samantha in its 'Drama On 3' slot.

Fast forward to August 2020.

The BBC released a set of four BBC Radio Shakespeare collections: Histories, Comedies, Tragedies, and Roman Plays. Much Ado About Nothing was included in the collection of Comedies, and became available as an Audible digital download.

If you want to listen, you can find this collection a lot of places. It might be at your local library or on Overdrive, on Google Play, or as an Amazon Audible book.

Or, ya know, just go here:

[fatehbaz]

Seventy-five years after two nuclear bombs were dropped on Japan — killing hundreds of thousands of people in the cities of Hiroshima and Nagasaki — one small community in the Northwest Territories is still haunted by its connection to the blasts. Across Great Bear Lake from the 533-person hamlet of Délı̨nę sits the historic mining site of Port Radium. [...] [T]he Canadian government quietly called for uranium production as part of the country's involvement in the Manhattan Project. That uranium was sent south to help the United States with the race to build a nuclear bomb. [...] [N]ear Great Bear Lake, workers would eventually wonder about the risks they took delivering sacks of ore on their backs as they sent it south — without being told what they were about to be complicit in. [...] Days after the blasts, the Canadian government announced the country's role in the explosions, citing the Great Bear Lake mine's uranium as a key ingredient for the project, said Geoffrey Bird, a professor at Royal Roads University in Victoria who studies tourism and the history of remembrance. An English-language sign connecting Port Radium to the atomic bomb was photographed in Délı̨nę in December 1945. [...] While the Canadian government hasn't apologized to Délı̨nę, the community has apologized to Japan. [...] Locals in Délı̨nę say many ore workers and their family members developed cancer later in life. [...] In the book If Only We Had Known, which tells the story of Port Radium from the eyes of the Sahtúot'ine, elders remember workers' clothing covered with dust, windy days when ore was caught up in the air and children playing games in mine tailings.

Text by: Katie Toth. “Spectre of atomic bomb still looms over N.W.T. community 75 years after Hiroshima.” CBC News. 5 August 2020.

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[O]n 6 August 1998, 10 members of the small Sahtugot’ine Dene community of Deline (Fort Franklin) in the ‘Northwest Territories’ apologized in Hiroshima for the atomic destruction of that city – and the death of over 200,000 civilians – exactly 53 years earlier [...]. Eldorado Gold Mines Ltd. [was] placed under state control during World War Two. They [the Dene] were allowed only to help it [uranium] on its long and winding way, 3,000 miles by river, lake, road and air, from Port Radium on Great Bear Lake to Port Hope on Lake Ontario, where, from 1942-45, the suddenly precious ore – the ‘new gold’ of the atomic age – was, together with ‘Belgian’ uranium from the Congo, refined and dispatched to Los Alamos, the desert lab in New Mexico secretly building the new, city-smashing Superweapon. [...] Beginning in the 1970s, and spiking sharply in the 1980s, many of the men who had handled and carried the ore – and the men who had mined it – began to die from cancer [...]. The “Dene,” the CBC ‘revealed,’ “were never told of the health hazards they faced, even though the government knew … as early as 1932 that precautions should be taken in handling radioactive materials”. Instead [...] “workers [were] dressed in casual clothes and uranium dust [...] covered the men like flour.” [...] [A]s detailed in a December 1998 article [...] in First Nations Drum: [...] [T]he mine was kept running at a very high pace [...]. The Dene were employed as ‘coolies’ packing 45-kilogram sacks of radioactive ore for three dollars a day, working 12 hours a day, six days a week. This at a time when the ore was worth over $70,000 a gram. [...] In 1998, the Déline Dene Band Uranium Committee released a 160-page [...] report, “They Never Told Us These Things.” In a 2011 article in Maisonneuve, Salverson recounts a community meeting in Deline to discuss the report, “where [non-Dene] lawyers delivered a year’s worth of uranium-impact research from the archives in Ottawa,” revealing that in “the mountain of papers we dug up … there is not one mention of the Dene, your people.”

Text by: Sean Howard. “Canada’s Uranium Highway: Victims and Perpetrators.” Cape Breton Spectator. 7 August 2019.

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EXCLUSIVE: Tom Hiddleston (Thor franchise) and Mark Hamill (Star Wars) are set to star in new Stephen King adaptation The Life Of Chuck, which will be a hot package at the upcoming Cannes market.

Doctor Sleep and The Haunting Of Hill House helmer Mike Flanagan is directing, scripting and producing for Intrepid Pictures alongside fellow producer Trevor Macy.

FilmNation will handle international sales with WME Independent handling domestic.

Based on the short story from King’s 2020 anthology If It Bleeds, The Life of Chuck is three separate stories linked to tell the biography of Charles Krantz in reverse, beginning with his death from a brain tumour at 39 and ending with his childhood in a supposedly haunted house.

The script, which was adapted prior to the WGA strike, has been in the works for several months with Hiddleston set to play the title character and Hamill joining for the role of Albie.

According to the production, the genre project will draw tonally from Stand By Me, The Shawshank Redemption and The Green Mile.

Golden Globe and Olivier winner Hiddleston is best known for Thor, Avengers and TV series The Night Manager, as well as stage projects such as Betrayal and Hamlet for Ken Branagh.

Hamill is best known for his portrayal of Luke Skywalker in the original Star Wars movies and reprised his role in both the sequels as well as the second season of The Mandalorian and season one of The Book of Boba Fett. He recently appeared in Netflix’s Sandman and will star in Intrepid and Netflix’s House Of Usher, which will air later this year.

Stephen King, aka ‘The King Of Horror’, is among the all-time best-selling authors. Among his books and short stories to have been adapted into hit movies are Carrie, The Shining, Pet Sematary, It, Stand By Me, The Running Man, The Shawshank Redemption, and The Green Mile.

This is the latest project to join a bumper Cannes market slate for FilmNation. Also on the lineup are Amy Adams-Paul Rudd comedy The Invite, Dave Bautista action-thriller The Cooler, and Andrew Garfield project Voyagers, among others.

Hiddleston is represented by UTA (US), Hamilton Hodell (UK), and Johnson Shapiro Slewett & Kole; Hamill is represented by Gersh and Kleinberg Lange Cuddy & Carlo; Flanagan, Macy and Intrepid are represented by WME, with VanderKloot Law also representing Flanagan and Reder & Feig handling Macy.

[milkboydotnet]

Friends of the Filipino People in Struggle (FFPS) extends its highest salute to the 10 revolutionaries who were martyred in a sustained military operation by the Armed Forces of the Philippines (AFP) on the island of Panay over the past two weeks. We are deeply saddened to learn about the reports that among the martyred was Concha Araneta, a 73-year-old NDF representative in Panay and NDF peace consultant.

The island of Panay has faced escalating militarization, particularly following Duterte’s Executive Order No. 70, which established the NTF-ELCAC and implemented the “whole-of-nation-approach”, and Memorandum Order No. 32, which increased military deployment in the region. This trend of militarization and the accompanying violence against the masses have continued under the current US-Marcos regime.

The recent International People’s Tribunal (IPT) specifically denounced the Tumandok Massacre in 2020 in Panay as a war crime committed by US imperialism and its local allies, where nine Indigenous Tumandok leaders were extrajudicially killed by AFP forces. Rural communities in Panay, especially the Tumandok, have suffered continuous fascist attacks, including hamletting by the AFP. The AFP’s intensive military operations over the past two weeks have brought further extreme violence and violations of international humanitarian law. Reports by Human Rights organizations indicate that there were attacks on peasants’ livelihoods, withholding of the remains by the AFP and that at least six of the martyred revolutionaries bore injuries which suggest the possibility of torture, cruel treatment, and summary execution.

The AFP’s counterinsurgency operations, falsely dubbed ‘counter-terrorism’, are in fact a terror campaign against the Filipino people who are struggling for liberation from foreign domination, landlord exploitation and a corrupt fascist state. The revolution remains as valid as ever, since these basic problems to Philippine society remain present. 

Why else would thousands of Filipinos answer the call to go to the countryside and serve the masses in an armed revolution, if not because they clearly see the oppressive and exploitative nature of foreign domination and local reaction? The semi-colonial and semi-feudal system holds no viable future for the majority of the Filipino people. Even though the US-Marcos regime likes to pretend and propagate that the Filipino people in struggle are either foolish or brainwashed, those who join the armed struggle are among the bravest, sharpest, and willing to sacrifice their lives in order to serve the people. And their deaths weigh heavier than all the mountains in Panay, as they gave their lives for the liberation of the Filipino people and of all oppressed.

Those of us who met ka Concha when she was overseas to participate in the peace negotiations as NDF consultant, remember her as warm, dedicated and with good humour. She gave her whole life to the revolution, and to all of us from FFPS, she is a shining example of the resilience, compassion and revolutionary spirit of the Filipino people in their struggle for national and social liberation.

As US imperialism and its allies escalate violence, especially against those engaged in national liberation struggles, it is of the utmost urgency for all of us to strengthen our solidarity with oppressed peoples. We know that the Philippine ruling classes and their US imperialist overlords will not relinquish their wealth and power voluntarily. They willingly wage war not only on the Filipino people who resist their rule but on all basic classes of Philippine society. But the Filipino people demonstrate that revolution is the only solution. Sacrifice is an inevitable part of this struggle, and to honor those who have given their lives, we must intensify our own efforts.

For us, the best way to honor the martyrs is to strengthen our commitment, our revolutionary optimism and our all-rounded solidarity to the Philippine revolution. Let us ensure that for every martyr, a hundred solidarity activists take up the work of supporting the Filipino people and their just revolution. As we approach our Global Day of Action on August 26, which would have been ka Concha’s 74th birthday, let us pay tribute to the martyrs of the Philippine revolution with our most extensive global effort, demonstrating our unwavering commitment to support the Philippine revolution. The Filipino people’s revolution still grows stronger and we continue to support it until liberation!

Let us be brave like Ka Concha and all other martyrs, and all the fighting Filipino masses and stir up and spread the flames of solidarity with the Philippine revolution all around the world!