#haha the loser one

[miku-meeku]

haha chat you wont believe what i got myself into haha

[mellosdrawings]

Now I want to see the losers club. :)

Are you referring to the ACTUAL Losers' Club (aka the Stephen King's Losers Club) or my band of completely unlucky morons ? Whichever the case, you're getting more N2 Squad x)

Here's some random doodles I did to try and get their dynamics for an attempt at fanfic.

(With a very self-indulgent side of Jamil & Ruggie)

[bovinaeblogs]

redid my nari and lamb references again (it wont be the last time)

[sadfishkid]

zzs pokemon evolution

[kevindavidday]

i just know neil's ass thinks about his father or riko getting shot from time to time like some grounding memory and ends up with a freakish smile on his face (andrew's sad he's deprived of the visuals he'd have loved to see it too)

[lady-shadow-and-darkness]

I find it interesting how despite Dazai being the suicidal one, most soukoku fics with the major character death tag have Chuuya die. It's incredibly funny because here we have Dazai, a suicidal character, losing everyone (he loves) but himself to death, which he desperately craves, and also loses his reason to live in the process. Ironic, even.

[faeriekit]

Health and Hybrids (XIX)👽👻💚

[I can't remember the original prompt posters  for the life of me but here's a mashup between a cryptid!Danny, presumed-alien!Danny, dp x dc, and the prompt made the one body horror meat grinder fic.]

PART ONE is here PART TWO is here PART THREE is here PART FOUR is here and PART FIVE is here PART SIX is here and PART SEVEN is here PART EIGHT is here PART NINE is here PART TEN is here PART ELEVEN is here PART TWELVE is here PART THIRTEEN is here PART FOURTEEN is here PART FIFTEEN is here PART SIXTEEN is here PART SEVENTEEN is here PART EIGHTEEN is here...nineteen...oy vey.

💚 Ao3 Is here for all parts (now featuring mediocre mouseover translations, only available on a computer)

Where we last left off... THE BART RETURNS! The earth rejoices! 🥳🎉 Physical therapy can be fun, even if it usually isn't!

Trigger warnings for this story:  body horror | gore | post-dissection fic | dehumanization (probably) |  my nonexistent attempts at following DC canon. On with the show.

💚👻👽👻💚

Danny learns a few more words with practice.

Foda is simple. If Danny is hungry, he can ask for foda. It sounds exactly like food, and when he asks, they feed him.

…Or they up his IV. Which. Danny’s tongue might still feel sore and nasty, but the doctors and nurses and millions of minders don’t seem that mad when he sticks his tongue out at them. Sometimes they even laugh.

They don’t even sound all that mean.

It takes Danny a good chunk of waking time for him to realize that he…probably is hooked up to something he doesn’t want to think about, since all the efforts of lifting and moving him haven’t resulted in a single bathroom trip since he woke up here.

Firstly: horrible.

Secondly: his legs are super, absolutely, positively immobilized, and if someone doesn’t give him enough medication quickly enough after it wears off, Danny is very aware that something is deeply wrong with them.

So. Uh. That’s…gross.

He learns bealo just as quickly. He isn’t sure what bealo means, per se, but when he says it, they up his medication until Danny can pretend he doesn’t have any legs again.

God niht is goodnight, unless Danny is feeling snippy, and then it’s just niht.

…The one lady who minds him always says the whole thing, though. Even when Danny’s mean. Like the one time he threw his rocket at someone.

Or the time he started ignoring everyone when they tried to touch him.

…Or the one time he tried to freeze his IV bag, and put everyone on alert because if he’d been human, that would have seriously hurt him.

“Sorry,” Danny’d whispered, even if it wouldn’t mean anything to her.

She’d patted his hand and meant it. Danny’d had to dry his eyes with his wrist. “Eall es wel.”

Anyway.

Danny hates being in the freaking bed every hour of every day. So when his “sitting up” exercises turn into “hey, let’s try the wheelchair” practice, Danny gets so excited-slash-nervous that he kind of feels like he’s going to throw up all the liquids he’s been injected with.

None of the regular people try to lift him. Instead the lady does it herself, scooping Danny up in very strong arms, the golden cuffs on her wrists weirdly warm on Danny’s skin. When Danny’s settled, his legs sticking out real weird and his back kind of sore, he’s…out of bed.

He’s. He’s not in bed anymore.

And. Sure. It’s temporary, but it’s not the bed. Danny can wriggle, and he can sort of palm the wheels underneath him with the heels of his shaky hands, and he can see so much more of himself than he has in ages and ages.

For one. Both of his legs are in casts. That’s. Not good. He can’t feel it right now, but the sight of fully encased legs…

Well. If he can transform that won’t be a problem. If. If he has to escape. But it is…it’s super scary. He mostly remembers being captured, but the…the other people had been focusing more on his thoracic cavity and his face and head.

…So why are his legs so bad? Did something else happen?

(It did, didn’t it?)

(…Didn’t it??)

His hands shake, but there’s something to all that grip training, or else Danny wouldn’t be able to paw at his neckline to look down his own shirt. Or, well, his cloth nightie, anyway.

It’s good that he looks, since, well…his chest is glowing a solid green.

Whatever should probably be scar tissue. Uh. It…isn’t. There’re gouges down his chest and a crater where his heart should be that probably should be healing over, considering, you know, he’s not freaking dead at this exact second (mostly??), but. Instead of, like, healed flesh, or, say, his insides, there’s a transparent green…jelly… holding him together.

He can see how the green bounces with his heart beat.

...Danny drops the neckline of his gown. His breath comes in choking bursts, eyes pressed into his eye sockets—he feels sick.

He is sick. He has been sick.

The humans are keeping him here because he’s a freak of nature and he’s broken from head to toe and the Guys in White carved his flesh out of his body and opened him up like a can of cranberry sauce.

He presses his hands to his chest, to his stomach, just trying to breathe for long enough that he doesn’t throw up his oatmeal and occasional juice and IV nutrition onto the pristine floor of his sickroom. The people around him all make sympathetic noises that don’t help because he doesn’t know what they mean.

And then he feels something weird.

Not all the sensation in his fingers are back. It’s easier for him to feel impediments than it is to feel textures—something that blocks him from moving, rather than anything sensory-specific. He can usually tell when he touches fabric, because when he moves too far, it pulls tight around his hand. He can tell when he’s on something solid when his hand fails to go through it.

There is something solid sticking out of him.

Danny’s heartbeat quickens. It’s not. It’s. There’s something in him.

And it’s not—it’s so solid. When Danny brushes his hands against it, he can feel his skin and his flesh move with it, trying not to dislodge the thing embedded in him. It pulls at his skin. He doesn’t know what it is.

His fingers tremble as he tries to brush over the object through his gown, trying to figure out its shape from faulty touch alone. It’s like waking up to find himself jammed with needles all over again.

People are talking around them. Danny doesn’t try to listen in. He’s scared. He’s so scared. Something’s happened to him, and he didn’t even notice.

Some of it is—hard. There’s a crinkling sound when he moves. Danny manages to pull his gown neckline back again to catch something of a glimpse, and all he sees is plastic.

He doesn’t know what it is.

He doesn’t know who to ask. He can’t understand anyone and he doesn’t know if he trusts them.

They put something in him. There’s something embedded in him.

He thinks he’s going to cry.

Something touches his arm—Danny flinches. His core tightens with stress as he puts a metaphorical hand on the button, ready to run and hide at any notice.

It’s the lady. He knows her.

No, he doesn’t. He doesn’t know her at all. He can’t talk to her in any way that matters. She’s not a doctor. He doesn’t know why she’s here, or why she’s keeping him here.

She’s nice. She fed him. But is that all it takes to trick him? To make him compliant? Pliable?

She stops touching him when he gets scared, her eyes worried. She kneels—closer than Danny would like, probably, but she keeps her hands to herself. Danny’s heart races faster, out of order, starting and stopping and starting again like a bad engine.

“Eow eart wel?” she asks from his left arm rest, a common question, so softly. Danny doesn’t know what it means. “Eall es wel. Ænlic eow, ænlic me. Bruce bræð wið me?”

She takes a big, deep, breath. Her hand rises slightly over her chest, following an exaggerated movement. Don’t panic. Breathe. Breathe like me. One, two, three.

Danny’s breaths are more choked. More panicked.

But when she breathes, he breathes with her—even with every stutter in between.

“Hwæt es woh[O3] ?” the lady asks, so gently it’s almost a whisper. Her pointer finger hovers over his body, but doesn’t touch—and eventually, Danny figures out she probably wants to know where he’s hurting.

But he’s not hurting. He’s scared. There’s something inside him, and he isn’t sure what it is. He presses the heel of his hand to the object. He feels something rigid refuse to bend inside his flesh.

There’s something of recognition in the woman’s face. “Inne cwic tima,” she says, more certain of answers outside the room, and darts away,

Danny wants to bounce his bound leg. He feels awful when anyone is in the room with him, considering how little of them he knows, but, somehow, it’s so much worse when he’s actually alone.

When she comes back, there’s a second person who walks through the double doors with her, in blue scrubs with ducks on them. They wave to Danny.

Danny…blinks. He feels numb. It’s kind of a problem.

They take it in stride, though; in their hands is a blank board and a chunky marker. The cap comes off, the new person scribbles for a minute or so, and then turns the board around so that Danny can see.

It’s a…person. A rudimentary outline person, sure, with some visible bones and organs to fill in the person-shaped outline. Danny can recognize most of them from anatomy class, although those memories are more…personal, now. A little more painful.

The person taps on the board. The person points to Danny.

Danny frowns.

The person turns the board back around and makes some Pew, Pew, Pew! sounds with their mouth, occasionally opening and closing their hand over the board to match the noise. There’s some more scribbling. When the board turns back around, there’s a violent smudge of marker on top of the drawn person’s drawn intestines.

The person takes their covered pinky finger and erases a little neat circle of marker in the intestines, mostly favoring one side. They draw a little arrow from the hole to the general outside-of-the-person blank area. Then another circle, with a thicker circle inside.

Danny recognizes the object jutting out of him. Oh. This is how he got it.

The person—probably a doctor, Danny guesses, or the surgeon who did this to him—do these people even need credentials, actually?—hands the board over to the lady. They hold out ten outstretched fingers, marker under their arm, and make a show of counting every one of the outstretched fingers with the opposite hand. Then they take the board back.

And then, when they write on the board, Danny can actually understand what they say.

Or, well, it’s numbers! The numbers are the same as his—the line and a circle is clearly meant to be a ten, and the little x is a multiplication symbol— they draw a 10, as clearly and a brightly as it could be against a stark white board, and add a little x 7, probably to indicate a week; the result is ten suns times seven, or seventy suns.

Danny feels his heart bounce in his chest. Danny would bet a whole lot of money that the number is meant to be seventy days. There is an end point. It’s not that Danny is free to be subjected to random anatomical whims—there’s a goal here. This was purposeful.

The little circle-within a circle gets erased. The hole is scribbled through as if it was never there, and the person makes a weaving gesture with the marker that Danny is certain is meant to be sewing.

Tears prick at his eyes. The lady gets close by him again, but Danny lets her. His hands aren’t good enough for wiping tears the way he wants to, yet. Help and company are good.

She gives him a tissue from Danny's bedside table. He takes it with a whisper of a grip.

“Seventy?” Danny rasps, tearful. Hopeful. Terrified of hope. He practically jams the tissue into his eye sockets.

The lady’s eyes go wide. “Seventy,” she repeats, marveling.

It’s enough. Nothing is perfect, but it’s enough. And if Danny's allowed to spend so long in front of the space window that he falls asleep in his wheelchair, well. It's not like he was in charge of where they went.

[athina-blaine]

kb/ms is truly transcendental yaoi, spectacular, amazing, 10/10, no notes ... from the perspective of a mithrun enjoyer

as a kabru enjoyer, however...

I'll start off by saying that of course Kabru doesn't want or need a romantic relationship to be fulfilled, especially not with a white man, none of them do, it's all non-canon, Dungeon Meshi isn't about romance or shipping, yes yes yes, but none of us are here for that right now!! We're here to fruitlessly argue why my blorbos kissing makes more sense than your blorbos kissing!! You know it, I know it, none of us are free of cringe!! Clown on clown violence!!

That being said ... 🤡

I just don't see what Kabru gets out of kb/ms. With Mithrun, it makes sense; Kabru has a huge impact on him and ultimately helps him reaffirm his will to live. That's very exquisite drama and excellent character writing. But with Kabru, I just don't feel that Mithrun's character interacts with his personal flaws and would instigate his growth anywhere close to the same degree. I have to imagine most fics involving them focus more on Mithrun's baggage and how Kabru helps him heal from that ... because that's mostly all that happens between them in the main story, lol!

And like, that makes sense, because ultimately chapters 61-62 aren't about Kabru and Mithrun; they're about Kabru working through his conflicted feelings in helping Laios conquer the dungeon. I think it's ironic seeing people complain about kb/ms having Kabru be Mithrun's accessory when, if anything, Mithrun's main narrative purpose, outside of illustrating the danger of the Winged Lion, is to serve as Kabru's obstacle. I'd even argue Mithrun represents Kabru's personal bad ending; Mithrun wants him to kill Laios and surrender the dungeon to the canaries, preventing the short-lived races from ever understanding how dungeons function and returning to the status quo that had gotten Utaya destroyed. It's only when Laios practically forces Kabru, straight up puts his thumbs to the screws, to work past his reticence and be emotionally vulnerable that Kabru finally puts himself on the right path to achieve his goals (it's, uh, still a bit of a bumpy ride, but they get there in the end, lol!). If he'd been this way with Laios from the beginning, he might have understood Laios' intentions from the start and saved himself a lot of pain, but it's only because of Laios' influence that Kabru is able to grow as a character and get his happy ending.

(And even if one were a Mithrun enjoyer, ultimately the main source of Mithrun's life affirmation comes from the canaries. In that final scene, Kabru gets the ball rolling because he's outside of the canary hierarchy, but the scene ends with Mithrun being embraced by the canaries and as far as I'm aware the two don't interact with or reference each other post canon at all. Hell, it's Senshi who really drives the point home. Not that it matters when we're all wearing shipping goggles here, but it felt remiss not to mention it.)

At most, I can see how taking care of Mithrun would force Kabru to reexamine how poorly he takes care of his own body and that could make for some good drama. But even then, that change is ultimately instigated by Laios' influence on him, an extension of how Kabru wants to understand how Laios can see the value in monsters in an attempt to better understand his own trauma. If a person were to get into Dungeon Meshi specifically for Kabru and wanted to ship him with someone in a way that's most interesting for him, I'd be hard-pressed to argue there's a better choice than Laios (although who'd be cringe enough to do something like that haha right guys ... [sweating])

(Side note, though, I really don't vibe with the argument that kb/ms "reduces Kabru to a caretaker role" and that's why it's bad. There's plenty of instances where Kabru shoulders his friends' burdens (helps Kuro learn common tongue, listens to Daya's fiance about his relationship troubles, etc) and, more importantly, is seemingly happy to do so. I think Kabru genuinely enjoys looking after his friends and in the story seems to find plenty of personal satisfaction getting Mithrun to eat. I understand it has the potential to be more troubling considering Kabru is a brown man and Mithrun is a white man, but idk, it just feels on the same level as people trying to discount labru by saying Laios wouldn't take enough of an interest in people to want to start a romantic relationship, when his whole thing is that he does want to connect with people and just feels like he can't. It's not a bone I feel like picking, haha)

I honesty don't mind characters being "mischaracterized" in fandom or fic even to a large degree, I know it bugs a lot of people but I respect that ultimately fandom is little more than picking up the vague outline of a doll and playing with it and mashing their faces together. Besides, if I'm really worked up about it I can just write a fic and set the record straight myself, haha. This post is merely inspired by the supremely annoying subsection of twitter that acts like labru is the ship where it's just two dudes sitting in a room together. I'm just saying, Kabru ends the series whispering into the ear of another man as his day job and it's not Mithrun lmao

[lifenconcepts]

Constantly on the edge of either falling into a pit of spikes (over sharing and being close to others) or falling off a cliff (distancing myself from others and refusing to communicate)

[mazojo]

He is so cringe fail I love him

[twstddream]

I'm gonna spoil an idea I have for a fic, because it may never actually be written.

This idea works from the theory that Skully is actually from the past and might even be a spirit (or ghost) himself that somehow was sucked into the book either when he was alive and 16, and the contents and world as well as time of the book are anamolous. Or that Skully had died years prior, his soul tied itself to the book, and his conciousness was "awakened" with new visitors being sucked into the book that his soul is presumably trapped in.

I re-watched Anohana recently and have recieved visions of Skully acting in the place of Menma. Skully himself is unaware of how much time as actually passed since his arrival in the world ov TNBC, and upon meeting the others assumes they're all from the same time, namely, his time. It would explain why he uses "wagahai" as a self-refferential pronoun (it is unused in modern day and is considered an archaic way of speaking), why he doesn't recognize Malleus' name or who he is, why he doesn't know of the magic stones that mages use now (since it's been said that magic stones weren't always around and had been introduced fairly late into Twisted Wonderland's history) and why his ideas of Halloween are very survival-based, and less leisurely like it is in modern times. Jack Skellington could very well have existed in Twisted Wonderland, but has been forgotten and lost to time. (Probably because his story and very existence deals with alternate worlds)

Anyway. Yuu and co. eventually realize that Skully is not from the same time that they are. This is where my direection for the fic gets a little wonky:

When completing the story of TNBC and the event is over, Skully still lingers. So now it's up to Yuu to grant his wish so he can go to the afterlife and reincarnate.

It is still during the event that Yuu tries to grant Skully's wish, hoping to placate him out of his plans in the process. So now Yuu, Grim, and Jack (essentially the kidnapped trio) attempt to get him to move on from his plans, celebrate Halloween, and get his soul to leave the book.

[lovewingburb]

wolfcat yuri ft jordana and cinder siblingism cinder is the most annoying older brother ever

[hhhhunty]

Vinsmokes (+sanji) body type headanons if anyone cares

[mochiajclayne]

THE WHITE TANK TOP? ARMS AND HANDS THAT COULD DO A LOT OF DISRESPECTFUL SHIT AT THE SAME TIME FUCKING HEAL AND MEND? OH THEY FUCKING KNEW WHAT THEY WERE DOING WHEN THEY POSTED THIS.

Happy birthday, Trafalgar Law. Surgeon of Death. Torao. May your trials end in full bloom.

Credits to @OPcom_info on Twitter for the picture!

[akkivee]

it was about time i typed out my thoughts on grateful cypher lol. i’m still processing it actually!!!! but i actually think this play is not for me lmao!!!! it was a genuinely fantastic play don’t get me wrong, like i was actually taken aback by how the play went down, depicted some of my fav relationship beats at their finest and had lots of banger moments, but the moment it became very tdd centric, i knew this was not the play for the type of fan i am lol

but whatever!!!! i’m used to feeling like sasara and kuukou are side pieces so here’s what i really enjoyed about grateful cypher!!!!!

legends era stage’s funniest song was that rosasa on live tv for how the actors took to that bit and were playing around with everyone lol like they were peak adlibs but i genuinely think ‘Sight-Seeing and Gambling and Partying and Adult’s Only Streets’ is now Thee funniest song hypstage has ever put out LOL

like the title alone was sending me but then the actual song made me laugh so hard, there were literally tears in my eyes and i had to go back to make sure i didn’t miss anything bc i was laughing so hard LOL

like that song literally put the power of music on display, when jyushi and hitoya got separated in tokyo and had their own little adventure bumping into the other divisions trying to find each other, the beat was literally

gendice to some pop dance music: shibuya entertainment~🎶 shibuya entertainment~🎶

jyushi to the beat of really aggressive rock: HITOYA-SAN HELP ME HITOYA-SAAAAAAAAAAAAAAAAAAAAANN 😭😭😭😭😭😭😭😭😭

dohifu to that pop dance music: shinjuku party~🎶 shinjuku party~🎶

hitoya ft that fr aggressive rock: JYUSHI YOU FCKING IDIOT JYUSHI YOU BUFFOON HOW DID YOU GET LOST

LIKE I WAS DYING LMAOOO

and the song was wildin for making rei flirt with jyushi lmao!!!!!!

i wish i knew why but i actually found dice and jyushi’s interactions rly cute lol 🥺🥺🥺 maybe it was how plucky dice was next to how baby jyushi was lol

that rio juto dinner song also made me laugh lmao the moment juto started singing happily after rio’s dinner got wrecked bc he thought he got away with not eating rio’s food was so funny lmao except rio managed to save him a plate anyway 😭😭😭😭

that bat dish was neon coloured!!!!!!! like nahhhh bro run juto run!!!!!! 😭😭😭😭😭

ight so imma try to keep the nitpicking to a minimum as we get into the actual play lol but samatoki and ichiro just slugging sasara and kuukou for trying to break up their fight was actually insane lmao

it wasn’t something i particularly liked in canon, but the stage really highlighted how in the early days of the tdd manga, mcd and nb mirrored tf out of each other, as in, they physically showed their bond in the same way and it was stupid tbh but it was kinda cool to see in that throwback kinda sense lol

*crying* but that remorse ichiro had accidentally hurting kuukou in canon…… even tho it’s lowkey linked to ichiro not wanting to hurt anyone……… and then it was kuukou who instigated the fight bc of his penchant for violence………. uuuuuuuuuuuuu…………..

i am slightly mollified by the two of them being in each other’s faces in order to argue in a very stark contrast to the others lmao

THOSE MFS JUMPED SASARA!!!!!!!!!! THEY ACTUALLY JUMPED SASARA??????

AND THEN PULLED JYUSHI INTO THE BACKSTREETS TO KNOCK HIM OUT WHILE KUUKOU WASNT LOOKING?????

AND STABBED KUUKOU??????????? WHO OFC DIDNT GO DOWN SO THEY BASHED HIS HEAD IN???????

H…..HUH??????????????????????

*applauds* west end mafia everyone!!!! give it up for west end mafia!!!!! some hardcore mfs!!!!!!!

i liked them!!!!! they were scrappy as hell bc they were very aware of their weakness so they compensated in the worst way possible lmao

it was a bit of a missed opportunity to not have kuukou be a part of their final confrontation since he’s all about training to bc he thinks he’s weak but it’s all good lol ichiro’s same hat bro!!!!!

i got ahead of myself tho lol, that tdd confrontation scene after sasara, kuukou and jyushi got taken out was pretty neat actually lol. i am someone who agrees everyone made up a liiiiiiittle too quickly, and i always liked the stage exaggerated conflict so this was nice see lol

like stage ramuda has one hell of a stage presence, he carried that entire scene, from that nonchalance that made rosho accuse him of hurting🎋📿🌙, to his eventual descent into feeling betrayed but accepting bc it was his own actions that caused so much distrust in him

the hama fans were (rightfully) upset there wasn’t a single scene between mtc, and it’s very likely bc if samatoki had been with a single member of his team, much less the both of them, he would not have gotten taken out by west end mafia lmao

and more on hachiouji division!!!!!! ain’t they neat lol????? they’re so interesting, they all want to be praised and validated, like tokuma (kinda), yoshitsune, ranmaru and shion all turned to mahiru for that validation and west end mafia’s ultimate goal was mahiru’s way to gain that validation ITS SICK

and i really liked the way you could kinda tell mahiru and tokuma were like a boss and his right hand man 🥺🥺🥺

west end mafia still reminds me of the pet shop boy’s ‘west end girls’ and i still doubt that song was the inspiration behind their name but it’s a song marred in violence as they build a lasting foundation so it kinda sorta fits hachiouji lol

also mahiru has a uk button on his jacket and the song’s british lol 🤭🤭🤭

that rei and ichiro scene after ichiro lost his bros to hachiouji literally took my breath away lol

rei guiding him to slow down and think and the song was backed by some incredible vocals on rei’s part like bruh 😭😭😭😭

AND 😭😭😭😭😭😭😭 WHEN ICHIRO ASKED HOW REI WASNT WORRIED ABOUT JIRO AND SABURO????

REI: YOU WANT ME TO SAVE THEM?

ICHIRO: NO BUT YOURE STILL—

THE WAY ICHIRO CUTS HIMSELF OFF FROM CALLING HIM THEIR FATHER

AND REI LAUGHS AND AGREES WITH THE UNSPOKEN THAT YEAH HES A DEADBEAT WITH NO RIGHT TO CALL HIMSELF THEIR FATHER

BUT ADMITS THAT IF JIRO AND SABURO ARE HIS KIDS THEN THEY WOULDNT BE TAKEN OUT SO EASILY HYPSTAGE NEVER MISSES WITH THE YAMADA DYNAMIC

i really really liked how by working together, those who were left were actually able to out manoeuvre hachiouji

but they went separate ways, jakurai and ichiro going to the hachiouji base just the two of them and got out manoeuvred by hachiouji’s teamwork like what a banging choice 😭😭😭

i did not like watching jiro and saburo in fear ☹️ it was looking pretty rough for them, thank god the rest of the leaders pulled up lol

ik i shouldn’t lol but i loved the way kuukou made sure to protect jiro and saburo and promised to carry on their rage for them 🥺🥺🥺 it directly mirrors ichiro taking on mahiru’s rage at the world on his back for them but again, i shouldn’t be making those connections lol

kuukou: *does a flying roundhouse kick on an enemy mid verse*

me: THAT WAS COOL SHIT BUT BBY YOU GOT STABBED IN THE BACK AND HAD YOUR HEAD BLUDGEONED CHILL OUT KUUKOU 😭😭😭😭😭😭

the way the beat and music actually stopped at this part was tough bro samatoki needs to share his peak with the rest of the crew bro tf 😭😭😭😭😭

kuukou’s a tsundere in this play btw lol

kuukou in the face of ichiro’s feelings in canon: hey don’t worry about it man!!!! 😅😆😅

kuukou in the face of ichiro’s feelings in gc: EW WHAT WAS THAT??? *turns away pouting*����😳😤

LOL AND WHILE KUUKOU WAS SQUATTING AWAY FROM EVERYONE ELSE SAMATOKI AND ICHIRO DECIDED TO PICK A FIGHT WITH EACH OTHER AND HE LITERALLY LOOKED OVER HIS SHOULDER AT THEM WITH SHEER DISGUST

AND SASARA LITERALLY HAD TO DRAG HIM IN SO THEY COULD STOP THEM BRO WANTED NOTHING TO DO WITH SAMATOKI AND ICHIRO LMAO AND YOU KNOW WHAT???

MOOD

[conflipt]

My contribution of johnnyboy