#had a couple extra paragraphs and I never feel like people are as interested in this one so here ya go friend

[suzukiblu]

just read "match and kon and the time magic made them do it" and now i feel like a dumbass for not reading it in time to know i'd want to request it for this wip wednesday.... so you can either consider this a delayed request if u feel like it or a "omg this is sooooo good i can't wait to see more of it" comment lol

“You are not helping with the orgasm math, Rob,” Thirteen accuses sourly. “You are actually fucking up all the math right now. Physics is gonna break and it'll be your fault.” 

“Well, Match came again after you two fucked the bed into matchsticks–no pun intended, but appropriately enough–and you creamed yourself like a bitch in heat when he spanked your triple-stuffed ass,” Tim reports casual and easy. Thirteen makes a strangled noise. Match rolls his eyes in exasperation. “So the score's five to three, your favor. Unless we’re scoring this more like golf, anyway, in which case you’re getting fucking destroyed here. Again, no pun intended."

“I hate you so much,” Thirteen mutters, fully hiding his face in his hands. It does absolutely nothing to hide the blazingly red flush all over his skin. Match remains entirely unimpressed with everything about him, as usual.

[momowoah]

Okay but I really think that the worst part is that this is season seven. Unless they're planning to turn 9-1-1 into the new Grey's Anatomy the chances of us being already in the final half of the show are huge. I'm not saying that there shouldn't be any drama, but the characters should've started to go forward, and yet nearly all of them feel stuck in the same place they have been for several seasons. Or should I say 2-3 seasons?

tldr: all/most S7 storylines were either useless in the long run or recycles. The only characters who had storylines on the good side of the scale (as in, they helped the characters develop and move to a new place in their lives) were Maddie and Chimney (and maybe Buck but he's on thin ice). All the characters are back to the same place they were in s4/s5. It's probably TM's fault. This shouldn't be happening in a 7th season.

(really long post under the cut but worth it imo)

Bobby and Athena had a whole seven episodes for their storylines and yet it didn't significantly change anything about them or their relationship. The doubts of how they are when they're at peace that were brought up in ep1 ended up not being addressed at all. We started the season with what was supposed to be this huge thing in their relationship and it was just never brought up again! Instead they put bathena through distress again just for the sake of being dramatic. And while I'm extremely glad we got Amir and think there were several high points in his storyline, what difference did it make in the long run? Yes, it brought up interesting things to Bobby's storyline, such as more insight into his childhood and the chance for him to explore another side of the fire he caused, but is it going to change anything? No! Bobby will be reinstated in S8 bc that's just how these things go, and I doubt they'll put any effort to continue the survivors storyline. I'd bet it'll just be ignored in the next seasons.

Hen and Karen have been trying for YEARS AND YEARS to adopt a child and they just can't let them! As a wlw, do you know how awful that is to watch? Seeing them fail time and time again and have their family broken up once again just because??? It was one thing with Nia, she got a happy ending, but that wasn't the case with Mara. The best thing for everyone involved would be for her to stay with Hen and Karen, but they blew it up. I know she's with Madney, but it's not the fucking same. Why do they have to go through this again? Why can't they finally get the family they've spent years fighting for? Why can't the drama be about anything else, why does it have to be about failed adoptions? I've seen this enough times before. Why not let them be able to adopt???? Why? I'm genuinely upset abt this btw, probably more than about anything else that went down.

Buck got to finally come out and it was great but instead of taking it as an opportunity to let him grow into himself they just threw him right back into the hamster wheel of dating people who are either not fully into him or who he's not fully into. (if you like bt probably skip the rest of this paragraph but I'd also be upset about how they're handling them if I liked the ship bc I liked the previous bt and they did something similar to them lol) Tommy's behavior could be explained away at first, but I feel like time and time again the show goes the extra mile to make him uninterested in Buck or just straight up an asshole to him? Instead of taking the small opportunities of portraying them as a healthy happy couple they just consistently screw up their relationship? They're not the couple I support but even then I wanted them to be good together bc I want Buck to be happy, and yet all we get is this?

I don't even have words about Eddie, especially considering what rg has said about him destroying his life and possibly reverting back to military no emotions mode next season. WHY CAN'T HE BE HAPPY? We already saw him break down, WE'VE ALREADY HAD A STORYLINE ABOUT HIM REBUILDING HIS LIFE, but happiness is boring so now he has to ruin his relationship with his son too right? It just pisses me off how they go about his character sometimes. I liked that they were bringing back the Shannon storyline because he was supposed to be able to finally move on, but this wasn't about that. No, it was about retraumatizing Eddie and Chris and splitting them up at a time when they should be leaning on each other and healing, because Chris has also been suffering with the Shannon stuff. We saw it in fucking ep 1. Don't even get me started on the Marisol stuff because idek why she was there at all. Literally don't get it. We had an off-screen breakup anyways. She wasn't relevant at all to anything that happened. Why was she even there? I'm genuinely asking. The only Eddie arc that has some positive potential for next season is him dealing with his relationship with religion (especially if they tie it to the military and the way he lives his life for others' expectations), but tbh I don't trust them not to fuck it up.

Finally, I don't have complaints about madney, except for why tf was Maddie so absent this season? The wedding episode was all about Chimney (who was also maybe kinda missing tbh), and although I love him and his backstory and the opportunity to see Kevin again, I really wanted it to be about their relationship, since it was their wedding, yk. Dispatch was also severely under utilized. We did get the 7x07 Maddie plotline and it might've been bc it was a shortened season but yeah, I'm still not that satisfied.

So, we have all the characters stuck in places they've been before. More specifically, in the place they were in season 4/5. Bathena relationship problems followed by a life threatening situation? Check. Henren struggling with adoption? Check. Buck getting into what was supposed to be a good relationship only for it to end up going really bad? Check. Eddie struggling with relationships and his mental health going to hell? Check. Madney in a good place with a new child and about to have an awful fucking time? Hopefully just check for the first part. And you know which question this makes me ask? It's whether Tim Minear is just reverting everyone to their s4 state out of spite for the seasons he was away. And even if it is a genuine attempt at getting the show back on the track he wanted out of good intentions, it still sucks, because it doesn't change the fact that it is just a repeat of old storylines. I actually complained at this before the show even aired, but (iirc) I ended up deleting my post because I thought that I was just overreacting. Guess what? I fucking wasn't, bc that's EXACTLY what they did.

Now, going back to the start of this post, the reason why all these storylines suck so much is not that they are bad. It's not even that they aren't original. No, it's the fact that we're doing storylines that belong in the fourth or fifth season of a show in its seventh season. Even the Gerrard plotline, which is new to 9-1-1, feels like it came too late, because the split up crew/villain captain storyline tends to happen much sooner in procedurals, and for a reason. Besides the fact that this was never really a big bad type of show and I don't get why they are making it one all of a sudden, and ignoring the fact that Gerrard being brought back as captain, especially to the 118 of all places, makes no fucking sense, that kind of plotline is one that it's obviously always temporary. No one believes he'll still be the captain by the end of 8A, much less by the end of the season. He'll hardly survive the first 3-5 episodes. That's ultimately a filler storyline. It helps the show go on for longer, it might even help in the development of a couple characters, but at the end of the day it doesn't change anything, which appears to be a recurring theme when it comes to 9-1-1 storylines.

The reason I have a problem with this is that we don't need a filler storyline, because no one knows whether the show has the luxury of taking its sweet time. Yeah, it has a huge audience and it is doing good numbers, but it is still a fucking money pit that was already cancelled once and it's unsustainable on the long run. It might not end that soon, but is it honestly going to reach season 14? Does anyone truly think that we've only seen half of it (or less) so far? Because I don't. Not many shows make it that far, and there's a reason for that. We have three huge names who are extremely important to the show. What happens if they get tired? What happens if someone gets a better offer? What happens if we're still revisiting old storylines when that happens? Do we get an incomplete story or a rushed one?

The show should be moving forward, even if there are no plans for it to end soon. We have the drama of the huge disasters 9-1-1 loves. We have the drama of the cases. We have a myriad of new possible dramatic storylines for the characters that show development without being too final. Athena could have so many different job related storylines (from moving up in her career to abandoning it), and her and Bobby's storyline from the beginning of the season about being boring together can be played in a good and dramatic line. Henren and Madney have a whole world of parenting issues that they could go through. Buck and Eddie both still need either an endgame love interest (whether it's each other or not) or to get to the point where they are fine not having one, and we have all of the relationship trouble that comes with that. This show can give us new things, storylines that are good for the characters, without losing the dramatic factor (which, if I'm being honest, would not be a deal breaker for me). Yet, it refuses to, and probably not for a good reason, because it comes down to either Tim wanting to rewrite history or just trying to drag this show for as long as possible (which apparently he only knows how to do by refusing to make the characters happy). And you know what? I'm fucking mad about it, and I think you should be too.

Btw, this is not to say the whole season sucked. We got Madney and Henren together multiple times which was great. We finally got Bi Buck. There were several amazing acting moments for both the main and recurring actors. As a standalone season, it was good. It just doesn't work when you look at the bigger picture.

[my-year-of-game-boy]

Week 6: Pokémon Trading Card Game 2: The Invasion of Team GR!

You know, I had a whole anecdote that went on for three paragraphs about how I got the first Pokémon TCG game, but Tumblr ate it. I don't think it's interesting enough to recount and I'm on a self-imposed deadline. Here's the cliff notes: I had just got a Game Boy, and I wanted this game. My parents pulled a ruse to make me think I didn't have it. I was excited to actually be able to play the Pokémon Trading Card Game with people because everyone at school thought you just smacked down cards with the highest HP and that meant you win. Then I was remiss that they never made a sequel.

Obviously, they did make a sequel. That's why we're here. I hadn't heard about it until I was an adult, as it's pretty obscure as far as Pokémon games go. The game was never released in English and even the Japanese version was published by Creatures instead of Nintendo! Both of those facts make it a bit of an oddity in the grand scheme of things. I'm guessing that it didn't make it oversee more due to timing than anything. By the time it would've released, the GBA was already in full force and the Pokémon series had moved onto to Generation 2, and outside of a couple of promo cards, this game was still stuck with in the Gen 1 era.

I had a funny bit about how I didn't talk about the game for three paragraphs, but it's lost now, like trading cards in the wind...

The key points that separate this game from the one I spent many hours on over the years is the addition of cards from the Team Rocket themed expansion (As well as various promos, original cards, and the vending machine set that didn't leave Japan), a brand new story set after the original game, and the option to play as a boy or a girl. I especially appreciate the last point, even moreso because, again, the story is set after the original game and you play as the same protagonist. So, you know, there's some deep feelings there.

;_; When I first learned about the game, I found the fact that it only had, maybe, a hundred so new cards to be very underwhelming. I likely would have even if it came out in English a bit more contemporarily. However, the addition of a secondary land mass, unique rulesets for many of the fights in the second half of the game, and a drier amount of card drops at the start really do add a whole new feeling for something I was a bit worried would feel more like an expansion pack. That said, I'd still run with the old standbys of Haymaker, Rain Dance, and Charizard decks. Okay, that last one isn't as good, but nostalgia is strong and the AI is still pretty predictable.

Scyther clears everything, it just does, this is peak performance.

The fan translation by Artemis251 is solid and feels more like a proper localization than just a translation. The names of characters match the first game's English version, while pack art and logos are changed to be consistent with that game, as well. Some might argue that this goes against the purity of a translation, but personally, I respect the amount of extra work that went into this and find it very charming. The only real issues I came across was some text getting jumbled after reading it the first time in the Game Corner, and yes, this game has a Game Corner.

Playing the Pokémon Trading Card Game with Pokémon Trading Card Game trading cards!! While the story itself is pretty basic, bad guys show up and steal everyone's cards, you have to get them back, that's not what we're here for. We're hear for more sweet, sweet card games. One of the things I love about the Pokémon TCG video games is how they don't showcase the field as a whole by default. Instead of trying to poorly capture the layout of a typical TCG match on the Game Boy, the games instead focus on just the Active Pokémon, that combined with the menu layout, is very evocative of a traditional Pokémon game's battle screen. This works in spades and makes the series stand out and hold up a lot better than other card sims on the handheld.

Are you seeing this? What are they thinking about? I need to know.

The gorgeous pixel-artification of the already charming Pokémon card art helps with the appeal, as well. Some of these cards in particular exude a powerful energy. I think that's a big part of why the TCG has really preserved for all of these years, even with people who don't play it. It's a shame that we never saw another single-player Pokémon TCG game on, say the GBA, to see what the sprite artists could do on my powerful hardware that still wasn't quite up to snuff to render straight card scans. The pixelated version of Yu-Gi-Oh! cards just hit different.

This is my favorite card and my brother chopped it up when we were kids...

Playing this game was like making up for lost time, trying to squeeze the years without TCG games into this one little cartridge. I put 40 hours into over the last month, completing the main storyline while getting distracted by other card duels along the way. And there was still so much post-game content that I could stick my teeth into. Why didn't I have this game when I was 12? Does this game just represent any other aspect of lost time that I've been haunted by in my adult hood? Or am I just overthinking the fact that it's neat to get to play a sequel to a childhood favorite decades later?

I-is that Voltorb going to be okay?

[doodlestab]

Omgg recently I’ve been obsessing over CQ and deep-diving into a bunch of accounts to find out more stuff about it because there’s just so many characters! The world seems so vivid and alive, with a bunch of interesting concepts that I’m rlly interested in :000

But ahh, I’m still struggling to find out exactly how it came to be and what’s the whole idea behind it and such. If you feel up to it I would absolutely hear your own explanation of it, you as the creator, but only if you can obviously <33

Oh this is a dangerous question to ask me, because I could go on and on forever. I'm gonna write everything under a read-more and come back up top if I can summarize it all in a paragraph afterwards.

Okay I came back up like 6 paragraphs in. there is no way I will be able to summarize this so if you're really interested, prepare for the read.

So the concept of CQ sprouted first when I was probably about 11 or 12. I had nothing to do, I was often sick and stuck in bed at home, all I had was time on my hands. It was all conceptual for a while, until Adventure Time came out in 2010. That really inspired me to start drawing and developing my own universe because I remember being so fascinated with such an expansive world like the Land of Ooo. I was 13 at that point, and started drawing more too, so I had a laptop, a dinky little tablet, and still tons of free time.

The concept started out like this: I love bright colors, I love tons of characters, and I love silly antics. So I'll make a bunch of bright colors into characters, and make them be silly. In my mind they were always stick people, 2D abstractions, cartoony, etc. Those characters are what I call the mimes, which are the pale white skinned, single-color oriented characters you see me post all the time. Since the idea sprouted, they've become more than just 2D cartoons and sort of just their own physical characters.

After I'd curated that concept, I went on to flesh out the world. Made some "main characters" which were really just some of my first attempts at character designs that weren't weird animal creature thingamabobs. Tim, Gary, Samantha, Hannah, and Michael were the ones I believe I made first. That's sort of why Tim especially seems soooooo... bland. The average cis white dude with a silly T shirt. But as basic of a guy as he may be, he still is my guy and I love him so much and he will never not be my guy and also never not be the face of CQ. Even if he adds almost nothing extra to the group (ability wise), he will always be in the story just to be everybody's friend.

This feels like it's getting a little over descriptive, but really the concepts of characters and world building all came together in bits and pieces over the next couple years while I actually figured out a cohesive plot. I knew what I wanted but I wasn't sure how to communicate it, so I wrote out a sort of play-type script for it. I just slapped down dialogue, threw notes in on the side to remind myself what was going on in any given scene, and just went. I rarely looked back while I wrote, and it went on to be about 700 or 800k words of pure mess.

At this point, I was in a voice acting circle with a lot of good friends. So I gave the characters voices too!!! Because it was fun to see the characters come to life and I could tell my friends had a lot of fun with them too. The voices and talking to other people about the characters really helped me flesh them out even more. So I went back and revised the script to make it easier to be acted out.

I also got into animating around that time, too. So all together I was like holy cow. It's all written out, my friends have some awesome voices, I can animate... I could make this a little web series or something!!! And that failed. Cause I was like ambitiously 15 with really flimsy writing and a poor grasp on the flow of animation.

BUT! It was still a very exciting and developmental time for CQ. A lot of characters had been created, the concept of the mimes finally got fully fleshed out. It's much more of a spectrum now because of my love of character design, but at first I'm pretty sure the original mimes were Uppsulka (Red), Foxglove (Orange), Maggie (Yellow), Twiddle Niddle (Green), Holly (Cyan), TyV (Blue), and N & O (Purple).

I made more pretty quickly but those were the ones I'd had in my heart for a couple of years at that point. This was also around the time that my thinking got very very compartmental. As in, my OCD got the better of me. There had to be an be an opposite equal to everything. Not a bad thing, but ultimately something that would just make the world a little too complex for me to handle. Each mime had to have a living counterpart, it just felt like it had to be like that. So for every living person, there was always a new mime being designed alongside it. There was also the mimes concept themselves-- they're the concept of light. So of course, now I have to have a concept of dark, too. Weird creepy shadowy creatures were almost a thing.

Those shadowy beings still actually exist lore wise, but over time I melded that concept into the past of the plot. Light beat dark, dark is no more, influx of light (mimes), efflux of dark (shadowy dudes). It was right around here that I feel like I'd solidified what I really wanted to do with CQ? I think? I mean of course I'm still developing it all even now at 25, but right around then was like. Ah! Okay. Now I have a workable story.

Light beats dark, light rains into the physical land, the people that were already living in the physical land are like wtf get out? But these beings of light are like wtf we JUST got here. And also we're like way stronger and more abstract and creepy than you so *kills you*. And thus a band of heroes has to inevitably rise and resolve this issue.

So now at this point I have like 16 or 17 mimes and living people, so thats like wow over 30 characters. Also not to mention all of the side bit characters I'd made for side plots along the way. I love an expansive world, a huge roster of characters, and diversity in design and interaction... but I really had to settle on a limit for main focus characters. I still struggle with that. I still consider all of the characters you see me draw often as main characters. Now there's just more *mainlier* characters. Or rather, they've gotten their own story and development in groups. But whatever, because this is sort of getting too far from the topic to even be justifiable x_x

Basically the story is about concepts from a different plain of existence come to the physical realm, and everybody scrambles to figure out what the fuck is going on and how to get things back to normal. I don't call it an alien invasion story but it kind of is that. Just like. An accidental invasion that they can't reverse. Woops!!!

I'm not sure how to end this ramble because I know I could still go on for ever... but I'd probably just stray too far from the original question if I did.

Oh yeah also I did have a few attempts at launching projects for CQ. The really old comic from like 2014... an attempted video game... another comic.......... I've just never been happy with how I start it off. And the preferred method for how to tell the story I want keeps changing. Right now I want to animate it. I don't know how far I'll get. But I'll keep working on CQ until I get everything I want out about it out. (...so to those still interested even now, I'm honored that you enjoy the ramblings!)

[ootahime]

analyzing every gojohime moment in the manga p2

part 1 is here :3

this post includes more excruciatingly long paragraphs so grab urself something and enjoy LOL

chapter 40 

i know they’re not interacting in this panel but i still want to bring it up.  i’m gonna give some context to this scene in case someone needs to jog their memory.  so basically, mei’s ability to command crows is what allows the staff to observe the students from afar.  however, gojo notices that there’s lack of footage where yuuji is and asks mei why that’s so.  she tells him that they’re animals at the end of the day so she can’t control what they look at.  he doesn’t believe her so he asks her whose side she’s on (for yuuji’s execution vs against yuuji’s execution) to which she responds with, “whose side?  i’m on the side with money, of course.  there’s no value in something that can’t be bought since you can’t exchange that for money.”  in other words, she’ll always choose the side that offers her more money because she doesn’t care about how morally “correct” or “incorrect” something is.  it’s not worth fighting for a cause that doesn’t benefit her in the long run which is why she views things that are unable to be bought (friendships, relationships, favors) as useless - they can’t be exchanged for money.  it’s clear that gojo knows she’s not on his side because he replies with, “spoken from experience!” or “i wonder how much!” (translation varies).  he says it out loud to perhaps let gakuganji know that he’s onto him.  i find it interesting how utahime is in the panel as well with a “?” to express her confusion at his words.  let’s overthink dissect that.  why is she there in the first place? if the message was to let gakuganji know that gojo is aware of his ulterior motives then a panel with gakuganji and gojo would have sufficed.  why add utahime with a question mark? 

here’s a personal headcanon of mine that makes no absolute sense, but who cares? it makes me happy LOL.  so let’s examine the panel.  gojo’s face is more simplified and cartoonish with a grey background on top and some sort of white bubble surrounding the three characters.  gakuganji is staring at utahime and gojo.  in the official viz translation, he replies to mei with, “i wonder how much!”  

normal and logical explanation: shading the principal by asking out loud how much mei was paid by him to avoid monitoring yuuji.

gojohime brainrot explanation: 

mei: “there’s no value in something that can’t be bought since you can’t exchange that for money”

gojo: (in response) i wonder how much utahime’s love would cost if it did have a price.

utahime: ?

you’re probably thinking i’m delulu (true) BUT HEAR ME OUT.  IT WOULD SOMEWHAT MAKE SENSE IN THIS CONTEXT...

mei’s saying seems to be what she lives by.  relationships, love, friendships, etc. do not matter to her as this is evident when she ultimately abandons everyone in shibuya to escape to malaysia, selling all her stocks before japan’s economy goes down.  she doesn’t care about anyone else.  she even takes advantage of ui ui’s adoration for her.  she contrasts utahime.  utahime is loved by her students.  children, especially teenagers, are picky when it comes to choosing the adults they admire and respect.  while everyone trusts gojo, they do not respect him because of his childishness and overall absurdity.  it’s refreshing to see how they always call him an idiot or have a -_- face when he’s around.  when akutami says everyone absolutely adores utahime-sensei, it says a lot.  we haven’t seen her interact with her students all that much, but she’s obviously close to them because she’s frequently arguing with momo.  even a closed off person like mechamaru wanted to keep her away from danger.  she most certainly expresses a lot of concern and care for her students, and gojo and her students can pick up on this. 

i’ve talked about this in every post LOLOL but there’s a reason why he went to utahime first to help him investigate.  utahime is a loyal person through and through.  she would never do something that harms the students even if she was offered everything in the world.  she values relationships above everything else.  besides her concern for the students, how else was i able to come to this conclusion about her character?  well, she got shoko to stop smoking because she was worried about how it might damage her friend’s health.  from these two details, it’s obvious that she’s the complete opposite of mei.  

maybe that’s why he calls her weak.  she’s too selfless and compassionate in a world where every sorcerer is for themselves.  the world is cruel as a sorcerer.  no matter how hard you try to fight, in the end, you’ll always die alone.  remember his talk with megumi after the baseball game?  after witnessing megumi pull a sacrificial bunt to help his teammates advance, gojo has a talk with megumi about his attitude and potential.  he says that being selfless and caring about others is not a bad thing, but in a world like this, where people always die alone, he is wasting his potential by being concerned with others.  it’s okay to be selfish.  this is why we see fierce independence in a lot of the sorcerers like mei, nanami, and gojo.  they each have their own reasons as to why they work alone, but it’s still a common characteristic.  i feel like utahime doesn’t have a selfish bone in her body.  i speculate that her selflessness is the exact reason why she is being held back.  during her mission to exorcise a grade 1 spirit by herself, the final task before being promoted to grade 1, she likely got distracted trying to help civilians out of danger and failed her mission.  he’s right when he says she doesn’t have the guts to be the traitor, utahime doesn’t have it in her to do something so boldly solely for her own benefit.  

after this long tangent, how does this relate to your headcanon, ootahime?  

as you know, love is not transactional.  you can’t pay someone to love you.  what if gojo is asking himself how much it would cost to buy her love.  hence, her confusion because she is oblivious to what he really means.  it could be probable because gakuganji is observing not only gojo, but utahime as well.  so what gojo says must involve her too, right?  

or she could just be confused because his words seem out of place because she is unaware of what gakuganji is doing behind everyone’s back.  that explanation makes sense for viz’s official translation but it doesn’t make sense when he says, “spoken from experience!” because his words make sense in that context.  he’s basically saying that mei’s beliefs must be based on her past experiences so he understands why she feels this way.  that’s an appropriate response to mei’s statement so i don’t see why utahime would be confused by this.  unless i’m interpreting this whole scene completely wrong.  in that case, whoopsies!  

let me know if you’re confused because i’m willing to clarify.  idk why but i found this really difficult to explain.  maybe because i’m reaching so hard haha

chapter 40

he finds any way he can to tease her.  they seem like a married couple watching a movie or something.  does he take pride in being the only person she doesn’t get along with?  i mean, she says it herself so he is aware she thinks he’s annoying, but he keeps picking on her anyway.  he doesn’t even pick on his enemies this much LMAOOO i think the only other person he likes to make fun of is gakuganji but he does so because he doesn’t agree with his views.  with utahime it’s different.  he trusts her a lot and even looks out for her.  

chapter 44

why are there two separate instances of gakuganji observing utahime and gojo’s interactions from afar?  nah i’m just playing.  he’s just looking because he’s concerned she’ll run into the semi-grade 1 curse he had for yuuji.  OKAY BUT I NOTICED SOMETHING KINDA CUTE?  whenever utahime says something suddenly, he always has those 3 little triangles near his head.  it’s like he’s thinking, “oh!  utahime is speaking, i must listen <3″  look at his face too.  he’s looking at her like :O

this is also an example of her showcasing her concern for the students in front of gojo.  i feel like he questions why she’s so caring because if it were him, he would have left the student to figure it out themselves.  i really wonder how she would react if he answered her truthfully when she asked what he’d do if she were the traitor.  

chapter 45

there’s not much to say here...they’re just cute.  i know it’ll never happen but i’d like to see them fight side by side one day.  i’m aware that gojo works best alone but i just want to see how they’d work together, okay? 😔

chapter 45

see the little triangles on his head again?  UGH SO CUTE.  

chapter 45

IS THIS NOT INTENTIONAL???  they share the same thoughts.  he even finished her thought.  mannnnnnnnnnnnn what is akutami doing?  giving us false hope and stripping it away just for fun?  making them work so well together for what??

chapter 52

cute how he looks out for her.  i have nothing more to say LOL

chapter 53

notice how they’re sitting across from each other?  HEHE

chapter 53

yet another instance of her caring for her students in front of gojo.  in the anime she has the cutest expression when she says she’s glad the students are safe.  i bet gojo saw that too.  i also bet that she looks prettier from his point of view.

extra

from the manga and light novels, gojo and utahime are the ones that talk about sports the most.  he most definitely chose baseball to cheer her up.  it’s not a coincidence people!  

--

i feel like i had a lot more to say but i completely lost my train of thought while writing this, especially with chapter 40. i’m once again writing this at 4 in the morning LOL........  please please please add on or share your thoughts!  thank you for reading and sorry for any mistakes.  

[glassessence]

Elriel Hint and Analysis - includes analysis of Feysand & Nessian (ACOSF Spoilers)

I’m pretty new to the fandom, but I am currently obsessed with Elriel. This is my ship and I will go down with it until the day I die. As a fairly casual reader, I honestly had zero doubts the next book would be Elain’s and that the couple would be Elriel. 

Then I discovered the existence of the extra POV chapters and Azriel’s threw me in for a bit of a loop. Especially with the ending (which I genuinely believe is a red herring. I lean very heavily into the lightsinger Gwyn theory).

However, stalking Tumblr made me come across this again: 

Life and death and rebirth

Sun and moon and dark

Rot and bloom and bones

Hello, sweet thing. Hello, lady of night, princess of decay. Hello, fanged beast and trembling fawn. 

Love me, touch me, sing me.

And then my brain accidentally vomited an essay on the symbolism in each sister’s journey... 

Life and death and rebirth so clearly symbolise Feysand’s journey. Feyre leaves behind her life of poverty for a brand new one with Tamlin. She journeys Under the Mountain for love of him and ultimately succeeds in saving not just him, but all of them. In the process, she dies. Not just in the physical sense, but spiritually too. Feyre the human perishes, giving rise to Feyre the High Fae. In a purely physical sense, this is definitely a rebirth. But it’s stilted, incomplete. She’s the newly born phoenix - young, fragile and yet covered in the ashes of its fiery death. Her spiritual rebirth lags behind her newly changed body. Like a bird in a cage, she is trapped in Tamlin’s realm, unable to finish developing, to spread wings and fly. 

That all changes when she is whisked away to the Night Court. She learns to read and some of the ash falls from her body. She makes friends and some more ash is brushed away by the Inner Circle. The final remnants of ash are blown away by the taste of freedom and the kiss of wind, and Feyre’s rebirth is finally complete. Spiritually and physically, she is changed. She becomes Feyre the High Lady. From life back to life, she is returned through the power of love. Take note that while love is important in all the sisters’ journeys, it is the focal point and highlight of Feyre’s. She is someone who has never been loved in that wholesome, selfless way Rhysand loves her. Tamlin was possessive and abusive; Nesta was barbed and sharp. Elain was fragile and ethereal. Love was something she had never really known and consequently something she desperately, desperately needed. That’s why the phrase that symbolises her is love me.

Sun and moon and dark refers very much to Nessian. Nesta is the sun and she is burning. Has been burning for a long, long time. She is aflame, nothing but ashes inside, and her words are fire. She scalds anyone who dares approach, just as everything melts before the sun. Like Feyre, she has had her physical rebirth, but not her spiritual one. She is trapped in her own head, locked behind her own self-hatred, her own raging inferno that yields to no one. Like Feyre, she is also a phoenix, but one whose fire never stopped. In that sense, she has never died. Her spiritual rebirth is not simply incomplete; it has never happened.

Until she starts training with Cassian. Until she starts befriending Emerie and Gwyn. This is what marks the death of Nesta the human and the emergence of Nesta the High Fae. (I use the term ‘human’ loosely here, mostly as a way of conveying my point about her spiritual journey rather than the state of her physical being). She loses her solar flare, that inner blaze that was killing her and blackening her soul. She mellows from unapproachable sun to a softer moon. It’s here that she stays a while, seeming to progress and regress in her healing journey as the moon waxes and wanes. It’s not until the hiking scene that she finally breaks. She weeps despite Cassian’s expectations to the contrary. Through her tears, she finally extinguishes the long-raging fire and hatred that has been destroying her. No more blazing sun, no more wavering moon. Only darkness to cradle her, and acceptance. Through Cassian’s ceaseless efforts and her friends, her journey reaches its apex. She finally becomes Nesta the Valkyrie. 

Her journey hinges heavily upon the fact that nobody could reach her through the flames. Nobody had kept trying after getting burned again and again. Nobody except Cassian. He reaches out, time after time, even when she hurts him. Even when she burns him. Until he succeeds and touches her soul. That’s why the phrase that symbolises her is touch me.

Of course that leaves only the last line: rot and bloom and bones. I wonder who this could symbolise! Surely not the Archeron sister who is associated with roses and has a complicated romance dilemma with someone from the Autumn Court (rot) and someone else from the Night Court (bones)! Surely not!

Jokes aside, I strongly believe this line reveals Elain’s journey. If we continue thinking of the words as a progression, I think it makes a lot of sense. Keeping in mind the theme of life, death and rebirth, this is how I think of it: 

Life / Rot / stagnation, the start of the journey

Death / Bloom / change, the start of healing

Rebirth / Bones / ascendance and acceptance, the start of the future

There are several interesting things to note about the sentence: 

The word bloom is nestled among rot and bones

Elain’s two potential love interests both have strong associations with those words

I’ll address each point as we delve into Elain’s analysis. 

Let’s start with Elain the human. As previously established, this is when the character is at their worst, blind in the dark before the dawn. I see this as Elain’s forced transformation by the Cauldron. Everything she knows is ripped away from her and her marriage crumbled to dust. She is thrust into a world both unknown and at war. She emerges changed and cursed with powers she cannot control and does not understand. Her life, once a slow-blooming flower, has just rotted into nothing. She is lost, confused and deeply depressed. Her physical rebirth may be complete, but her spiritual rebirth cannot begin until she gathers the shattered pieces of herself back together.

This happens slowly. So slowly, in fact, that it’s hard to notice and easy to dismiss. She befriends Nuala and Cerridwen. Begins gardening again. Talks to the Inner Circle and buys them gifts for Solstice. Slowly, so very slowly, she is starting to piece herself back together. Off-page, she quietly unravels Elain the human and emerges from her cocoon as Elain the High Fae. Like a wilted flower that has dropped its petals, a new season has come, bringing with it new buds. She is blooming, opening herself to new possibilities for companionship, love and for a new self to rise to the surface. But blooms are fragile, newly born things. Elain hasn’t dealt with the full force of her trauma, of her lifelong lack of choice (I’m not going to delve into this as there are so many amazing analyses out there!). She is a trembling fawn, still trying to learn how to walk.

But her spiritual rebirth will remake her. Bones. It’s so different from the previous two words that it really leaves an impact. Blooms rot and fade. Flesh breaks and dies. But bones are strong, the frame that holds up our entire beings. Bones are unyielding and solid, taking no other shape like blood nor bruising like flesh. I see this as Elain standing up for herself, unswayed by external forces that have always governed her life and breaking away from the fragile flower people have always thought she was. By cutting away the rotting flesh, she will reveal the backbone beneath and ascend as Elain the Kingslayer/Seer. 

Of course, closely tied to each sister’s personal growth arc is her love interest. For me, I don’t see it going any other way than Azriel. 

SJM chose rot not only to represent the ‘life’ section of Elain’s personal journey, but also to represent Lucien. He has connections to the Autumn Court, a season that is often associated with decay and rot, but also with harvest and bounty. Highlighting the negative aspects of autumn invokes a strong sense of wrongness. Lucien is not right for her. Not to say anything bad about his character; he’s just not right for Elain. His presence in the books eats away at her newfound boldness; he rots away the path she is trying to carve for herself. 

On the other hand, Azriel is closely tied with death, with blood and bones and shadow. He’s not only Rhys’ spymaster, he’s also his torturer. His association is with bones, a word that invokes a sense of everlasting, of persevering beyond death. Bones is also used to describe the ‘rebirth’ section of Elain’s personal growth arc, the final aspect that leads to ascendance, and acceptance of one’s past and present. Meanwhile, bloom represents Elain herself and the ‘death’ portion of her story, the aspect that heralds change and healing. 

Rot, bloom and bones represent both her personal journey and her love interests. It’s all intrinsically linked. Lucien is ‘life’ and stagnation, Elain is ‘death’ and change, and Azriel is ‘rebirth’ and acceptance. As a progression, this is how I interpret the sentence: 

By rejecting the bond with Lucien, she is stepping into herself and forging something everlasting with Azriel.

Lastly, let’s not forget that the phrase symbolising her is sing me. This didn’t make much sense to me until I read Azriel’s bonus POV. In it, he confesses to Gwyn that he does sing. Why include this if it’s not a subtle callback to this prophetic paragraph in ACOMAF? It feels like a treat to hardcore fans who like finding all the little connections (since they’re the ones most likely to have read the bonus chapters). The fact that Gwyn also sings signals to me there’s an important plot point regarding song. Maybe homegirl Elain will be forced to throw a hardcore metal concert to save Az XD Wouldn’t that be a plot twist HAHAHA. 

I don’t know when SJM started planting seeds for Elriel in any serious capacity, so perhaps I am reading WAY too much into this. Either way, I am super keen for the next book!

Please feel free to comment and let me know your thoughts! I am desperate for Elriel right now hahaha. Thanks for reading! 

OH, BUT ONE MORE THING. 

The greetings are really interesting. Sweet thing obviously refers to Feyre. Lady of night and princess of decay are clearly meant for Nesta. 

Fanged beast and trembling fawn are left for Elain. It’s easy to write this off as being about her LI and herself, respectively, but I don’t know. The sentences build upon each other. A single moniker grows to two - the first separated by a comma, the second expanding to use an and. It’s something you see a lot in poetry, generally used to emphasise a point. I’m not entirely sure what the point is; it might just be a nice writing flourish, but wouldn’t it be interesting if both those statements were referring to Elain herself? Wouldn’t it just be juicy? 

[butteraway]

when time runs out | ii

⋆ summary:  A young girl has fallen deeply ill with an unknown disease in her, so with all her free time spent in an empty hospital room, she spends it online playing video games. That's until she meets her cousins friends, one spiking her interest with his extremely vulgare language.

pairing: bakugou katsuki x reader

word count: 2.1k

warnings: small mentions of suicide (I’ll put a star ‘⋆’ on top and below the paragraph so you can skip over it if your uncomfortable, you won’t miss anything too important so dont worry!)

"Bro, honestly I still can't believe that you of all people made it into the elite, number one hero school in the country."

"Waahh, I'm telling you! I'm the real deal Y/N!"

"So, how's your summer been? School's gonna be starting soon, are you excited?" Denki could only smile and sigh as his character was finally killed off.

Said girl chuckled as she heard Denki's voice rise through her headphones as they continued killing zombies in front of them. She grimaced as a zombie attacked her from behind her character. Geez, I never get a break in this game.

"Well, to be honest, nothing big really happened besides me getting my acceptance letter from U.A. Just me training and hanging with the fam." He laid back in the comfort of his bed, headphones still on in order to hear his cousin.

"Aah, already training, hero boy? That's why you haven't been visiting me lately." Y/N pouted and crossed her arms as her TV screen turned black, returning her to the main page of the game.

"Man, we suck at this game!" Denki laughed out loud as he saw how long they lasted in the last round. Y/N smiled and let out a small giggle of her own as she placed down her controller.

"Yeah, how long have we had this game for? It still feels like it's our first time playing this." Denki cracked a smile, even though Y/N couldn't see him.

"Hey, sorry for not being able to come to the hospital. Getting ready for U.A. is no joke, haha." Denki rubbed the nape of his neck, eyebrows scrunching up with regret. 

"Nah nah, it's fine! I understand that you have things to do. You have big plans for the future." Y/N brushed a strand of her hair away from her face, looking down at the needles that were plunged into her arms. Her eyes were clouded with an emotion she often felt when talking with Denki. She always felt guilty whenever the feeling came around.

"Must be nice to be able to achieve your dreams." Jealousy. She hated the feeling she got every now and then, but you couldn't really blame her. She lost everything in only a couple of months. Silence passed between the two teenagers, Y/N finally realizing what she said.

"Uh s-sorry about that! I didn't mean to say that alou-" Y/N was cut off by Denki's soft voice.

"Y/N, it's... okay to feel like that. I don't understand what you have been going through, but I know that you shouldn't bring yourself down for something you can't control. You're such an amazing person and to be honest. . ." Denki paused as Y/N's eyes began to glaze over.

"I'm doing this for me and you. You always encouraged me to take any opportunity by, as you like to say, the neck. I-I wanna make you proud, y'know? I wanna make it feel like you're a part of this crazy world, even if you're not really here, walking with me through it all."

Y/N’s lips wobbled as she let out a watery laugh. She hunched over, small tears falling down her face. To someone else, this would've boosted their ego, but to Y/N, those words meant the world to her. No one had ever said that to her before. She felt like she had a purpose in this wretched life of hers. She sniffles were heard by Denki

"H-hey! It's okay, p-please don't cry!" Y/N heard shuffling coming from Denki as he reassured her to not cry.

"I mean it. I only wish you could be there though, it would be so much cooler!" Denki smiled, trying to lighten up the mood. Y/N's sniffles slowly quieted down as she let out a soft laugh that made his heart swell with joy. At least he can make her laugh.

"I'm s-sorry, but no one has ever told me t-that." Small hiccups came from the girl as she calmed down, taking deep breaths to slow her heart rate. Won't want doctors to come rushing in just to see her crying over something so small.

⋆

"I-I'm just really happy you said that." Denki's heart clenched at those words, his chin trembling every now and then. He knew that Y/N wasn't happy with where she was. She had even admitted that she had urges to rip out the needles and slowly lose her life from there. Denki spent the rest of that night talking to her after. To say he was concerned was an understatement. He was terrified when she told him.

⋆

"I think us being able to play games together is already enough!" They both laughed and talked for a couple of minutes before deciding to to hang up. 

"Y/N, I mean it when I say I want you to be happy, okay? I hope you feel better tomorrow. Buh-bye!" Y/N said her goodbye to Denki, hanging up and closing the laptop that sat on a movable table. 

Her smile slowly left her face, leaving her staring blankly at the pure white wall and mirror in front of her. When visitors were gone, her window would turn to a mirror so no one would disturb her. Y/N took a good look at herself and only sighed. Despite being as healthy as she could get, she looked a bit on the thin side, this complimenting her skin. Running a hand through her hair, she untangled the little knots that had formed there.

"Geez, what happened to you girl? You look like a zombie." Y/N looked at the zombie game and cringed.

"Literally."  Just then the door to her room opened and shut quickly, the air filter turning on when a female doctor entered. Y/N watched her carefully as she checked the IV that connected to her arm. The protective suit never made Y/N feel better about her condition.

"Are you alright, Ms. L/N?" The light, stern voice rang through her ears as she looked at the woman in front of her. Y/N gave the doctor a grin.

"Never been better."

It had been an hour since the doctors had turned the lights off, but Y/N didn't feel the slightest bit of exhaustion. She had been sitting in the pitch black room for the time being and was really debating on turning on the TV.

"Ahh, fudge it." Instinctively reaching out for the remote, she turned on the TV and winced as the bright light hit her.

Looking back to the screen, she chose the option of going online and waited for other players to join. While waiting, a new character popped up next to her and she could only smirk at their username. Tapping on her mic, she decided to make conversation with them to see if they also had a mic.

"Now, what to play. What to play..." Y/N had settled for playing OverWatch since she didn't feel like playing any story type games. No cliffhangers tonight, Y/N thought. As the game loaded, she laid back and began thinking about cheesecake. When was the last I ate strawberry cheesecake? Great, now I want some. Thinking about eating cheesecake made her excited about the next day.

"Well hello, dear ol' '​​​​​King Explosion Murder_1.' Nice name you got there." Y/N chuckled as she said the name out loud, seeing another player enter.

"Hello 'Tape Dispenser?' What's with the wack name?" The girl’s eyes crinkled as she smiled at their name, hearing the user chuckle through her headphones. '​​​​​​King Explosion Murder' still had yet to reply, but that didn't bother her. They're either using the bathroom or don't have a mic. 

"The name was inspired by my quirk. But what's up with '_DeathGirl_', huh? You good?"  Y/N could only laugh at what he said. She should really send him a friend request.

"I’m honestly great, a little tired, but great! I just gotta make up a name, y'know? But your quirk has to do with tape? I don't know if that's wicked or useless." The boy laughed while Y/N laughed as well, losing her grip on her controller. That was until a gruff voice interrupted their laughing session.

"Shut the fuck up, your annoying ass voices are giving me a damn headache." Finally, after being silent, 'King Explosion Murder_1' spoke up.

"Aah, so you do talk. I don't know why you didn't say anything sooner Mr. Explosion Murder." The other player could only sneer at what she said, hitting his desk with his fist. Another player had joined, Y/N only noticing.

"Ah, hello 'Sleep Deprived Controller!'" Said player made their character wave, making Y/N chuckle. While they had their interaction, 'King Explosion Murder' was shouting at her, now realizing that she wasn't paying attention to what he was saying.

"Hey! Listen to me when I'm fucking talking to you, emo bitch!" Y/N’s eyes widened, soon rolling her eyes, watching the game load as they were placed into a match. What's his damn problem?

"Hey man, no need to go calling people names now." 'Tape Dispenser' nervously chuckled as he heard the other player growl. Y/N sported a shocked face as she heard this. What is he, a dog??? 

"Outta this conversation, extra!" Tape dude could only deadpan at what he was just called. Who calls people extras?? I’m not an extra, in fact I think I’m- 'Sleep Deprived Controller' listened with an annoyed expression on their face, wishing they could shut their shouting teammate up. Damn, wish I actually had a mic.

The game began as all the players separated, going their own way to kill their enemies. Everyone was in the zone, getting items and yelping every now and then if they were attacked. The first to go down was 'Tape Dispenser', then 'Sleep Deprived Controller', leaving both Y/N and 'King Explosion Murder' left on their team. Y/N smirked at their winning team, only one player was left on the other team. Just as the game was going to end, the opposing player shot down 'Explosion Murder', killing him.

"FUUUUUUUUUUUUU-" His mic cut off, causing the two players with mics in a cackling mess. Y/N calmed down, remembering she was still playing, trying to hunt down the last player. Finally, after many curses by a certain player and cheering from another, she located her enemy. 

"You better fucking win this or I'll kill you." Knowing he didn't mean that last part, she only focused on the first part. You better win this. Those words echoed through her head as she stopped aiming for the player. She hated being told what to do.

"Ah, so you're one of those people." Not knowing what she meant, they only watched with wide eyes at what she did. Y/N jumped down next to the enemy, shooting them twice with her weakest gun, signaling them that she was there. Quickly, the other player shot her character down, killing her. They lost the game.

"THE FUCK WAS THAT FOR?! WE COULD'VE FUCKING WON!" Explosion Murder wasn't taking defeat easily like the other two were. Y/N could only give a grunt of disapproval towards the loud player.

"Ha, why did you just give up right there? You could've easily killed him." Tape Dispenser was just as confused as the other two players, slightly disappointed at the loss. Y/N sighed as she rubbed her forehead.

"Sorry not sorry, but this dude really thought he could get away with telling me what to do. I'll make my move when I'm ready, sorry to disappoint you guys." She sighed as she rubbed her neck, ready to hear the disapprovals of her teammate. But what she heard and saw made her smile.

"Nah, it's fine. It can get a tiny bit annoying with Murder yelling in your ear." Tape Dispenser reassured her, with Sleep Deprived's character giving her a thumbs up. Though, the annoyed sigh caught her attention back to him. Her eyebrow twitched. What is it now?

"I'm done with this fucking sappy shit scene. I'm out." Those were Murder's last words before he disconnected, leaving them in an awkward silence before Y/N stifled a giggle.

"I have a feeling that won't be the last time I'm seeing him." Tape Dispenser chuckled while Sleep Deprived's character shook their head, making Y/N softly laugh. After sending friend requests to both people, she bid them both fair well and left.

Y/N turned off her console and tv, putting the controllers on the table near her. She laid down in the comfort of her bed, thinking about her interactions with the people she met. She smiled, closing her eyes and drifting into a dreamless slumber with only one thought in mind. 

King Explosion Murder is such a weird name.

[cybernaght]

The Rebel/叛逆者: A Review of Sorts

After being only semi-invested in the Rebel, I ended up getting so into it in the final weeks of its release, I’ve shelled out on IQIYI premium just to get the final couple of episodes a few days earlier.

That’s right kids, it’s a Review of Sorts. Unfortunately, I could not find a translation of the novella the drama is based on, so will be looking at it as a separate entity. 

Most of this post is spoiler-free, however I have dedicated a few paragraphs at the end of it to discussing the final episode, as there are a few specific things about it I wanted to mention. There is a clear spoiler warning before that part.

If you don’t want to risk it, TL;DR version of this review goes something like this: Rebel is very decent, and positively one of the best things that I have seen to come out of China since I’ve jumped into that particular rabbit hole. It’s pretty well written, it’s very beautifully dressed and shot, and the cast is killing it. I thought it dropped the ball a little in post production, and I did not always love the pacing. Other than that, it’s incredibly decent, and well worth watching, unless communist propaganda really irks you, in which case stay very well away. 

I have been having many conversations with @supernovasimplicity​ all the way through watching this drama, so there are likely to be some thoughts here that are influenced by those. 

The story centers around Lin Nansheng, a struggling servicemen in the Guomingdang party. He has a great analytical mind, and absolutely no emotional capacity for his job. He has trouble handling violence, he is impulsive, he cannot speak to his superiors without bursting into tears, and has nothing even remotely resembling a poker face. And that is what makes this drama as enjoyable as it is. 

I don’t think Lin Nansheng’s journey would have been nearly as exciting had he started it from a place of competence. He botches up everything he touches because his big brain switches off the moment his emotions kick in. And so, when you see him grow in confidence, learn to control himself, learn to fake his smiles and compliments, you can’t help but feel a strange sense of pride. It also makes Lin Nansheng very likeable as a character for reasons other than Zhu Yilong’s ability to look like a bush baby.

It did take me a while to feel fully engaged with his performance - not because there is anything lacking in it, but just because it’s hard to be truly surprised by his choices after the exposure I have given myself to his work. That said, at about a half-way point I got charmed by him anyway, and there were quite a few scenes that were truly mesmerising. There were scenes where he broke out of the familiar mould of big unguarded eyes and fluttering wet eyelashes, and tried something that was not pretty: every time to a great success. I am hoping to see more of that in his future work. 

I really wanted to like the female lead, Zhu Yizhen, but unfortunately both the way she was written and the way she was performed by Tong Yao left me somewhat cold. It did not help of course that the screenplay ended up sidelining her at every turn, leaving her with very little personal agency. She was set up so interestingly, but in the end her sole purpose became being someone for Lin Nansheng to pine over. It is particularly curious from a perspective of meta storytelling: seeing how this is all centered around superiority of communism, which as a whole was, arguably, ahead of its time in the matters of binary gender equality.

The ensemble cast of the drama is stunning. Wang Yang came very close to  stealing the show at several points as Chen Moqun, somehow managing to make his rather unlikeable character interesting. I can say the same thing about Zhu Zhu who absolutely shined as Lin Xinjie, showing an incredible range and imagination in her performance.

The overarching story of the show is engaging, with some incredibly suspenseful elements; every narrative arc including a nice progression through it. As spy thrillers go, it was fairly well plotted. You could if you go looking for a few things that did not pay off in a satisfying way (notably, the Chekhov’s cyanide capsule), but you overall the story really was well told for the most of it. 

I did, however, feel like the pacing started to fall apart in the last quarter of the drama. Last episode in particular really did feel rushed, not just due to its pace, but also in a way it failed to pay off the final mission in any visible way. There will be more on that in the spoiler section of this post.

Important to note that The Rebel is a show made in Communist China in the year 2021. It does not ideologically side-step from the path that was laid out for it by that fact. Which is to say, it is, undeniably, filled with propaganda. Communists are the good guys, and if you think a good guy (or gal) is not a communist, they probably secretly are. With one exception of a friendly character who is not a communist, and whose fate we actually never find out. Curious, that. 

The Rebel is not a kind of a show where censorship-appeasing scenes are shoehorned in. It’s a kind of a show in which the main theme is Sacrifice For the Party.

Aside from the being the moral vector of the show, Mao’s gentle teachings explicitly help get Ling Nansheng out of prolonged depression following his injury, and almost annoyingly, this sat incredibly well with the character, as he was written. Lin Nansheng is conceived as this naive idealist who wants to be on the front line, who needs validation and support of others. His - and I can’t believe I’m saying this - his being disillusioned in his beliefs and choosing to join a party which includes people whom he likes and trusts makes sense. Him finding this one thing that gives him hope and letting it propel him into gaining confidence and competence makes sense. 

In many ways, the Rebel is a story of Lin Nansheng’s failure to become an antagonist within the world of the drama.

I have honestly spent this past couple of weeks pondering whether being well written makes political propaganda better or worse, whether the subtlety of it makes it more or less palatable, whether it’s enough, as a viewer, to be aware of it to shrug it off. Ultimately, this is not something I could or should make moral judgements on, but I do believe that it’s possible to acknowledge the fact that propaganda exists in the drama, and still appreciate it for a good piece of television that it is. 

That said, I am very well aware that me being kind of okay with it stems entirely from my own removal from the culture this is made in, and I am, perhaps, lucky to even have a choice as to whether I want to engage with a product which is, undoubtably, here to dress political ideology in fancy clothes.

I have, on the other hand, also seen many things in Russian media of the “Annexation of Crimea is Good Actually” variety and those make me feel very unwell, so feeling somewhat at ease with blatant political propaganda in Chinese media makes me the biggest hypocrite.

But, I digress.

Before we go into some specific plot-related things, I would like to mention that the Rebel has this weird dichotomy in which the production is sublime, and the post-production… not so much. The show very well shot. Every element of it sits perfectly together, not a single prop out of place, not a single extra underdressed, not a page of script not put to good use. It’s lit to perfection. It’s scored beautifully. So much of this show is just stunning.

And then… there is post-production. 

This is not even about bad CGI (and the CGI is, indeed, bad), it’s just that most of post-production as a whole feels rushed.

Starting with surprisingly imperfect editing, which at times just fails to make the scene flow together. The final line of dialogue would be spoken within a scene, and it would fade to black instantly without a single breath to indicate a full stop. A montage sequence would be created, but every shot within it condensed to a second, making it feel incredibly fast-paced when the effect should be the opposite. There would be a cut away from a speaking character and to the same speaking character from a slightly different angle, making it dynamic without any reason to do so. There are a couple of truly startling jump-cuts.

I did not speed this gif up. This is part of a romantic montage, edited like it’s a goddamn action sequence.

And of course dear old friend slowing down footage shot at 24FPS. Please don’t do this. You think no one notices - but we do.

There are other tell-tale signs of production rushing to the finish line: occasional, but very noticeable ADR glitches, very sloppy job done at sound mixing, which contribute to parts of the show feeling ever so slightly off.

It’s not unforgivable, but it does make me wish the same amount of care and efforts that went into shooting this drama would also go into it after it was all in the can. 

Oh, and just because if you know me you know I have a professional fixation on fights, and I am happy to say most action scenes are toe-curlingly delightful. Hot damn those fights are good. I am absolutely in love with the shot below, for example. Placing an actor behind a piece of set so he can exchange places with the stunt double during a one shot is such an old trick, but the execution, timing and camerawork are just... flawless. This is what perfection looks like.

Now we got all that out of the way...

SPOILERS FOR THE SERIES FINALE BELOW

Here’s the thing. I wanted to love the ending and I found that I could not.

The final mission was presented as important, and honestly the scene in which Zhu Yizhen is sending the vital message out as Lin Nansheng holds his ground in hand to hand fight is incredibly dynamic. Party, this is due to the fight itself being incredibly well choreographed, yes, but it’s also where it sits within the narrative, how high the stakes are for everything surrounding it. 

But then, the tension all but bleeds out. The Important Message is sent, the fight is won, and we are treated to ten minutes of a very slow car chase, problem of which is not even its speed as much as its placing within the story. As in, by this point both of those operatives have lost their cover, and completed their Very Important Mission. It would be very sad if they died, but their survival does not technically contribute to their cause. Moreover, Zhu Yizhen getting mortally injured in order to protect Lin Nansheng as part of her mission read a little empty when the mission is technically over. 

While I personally found Lin Nansheng slow recuperation and his low key ending enjoyable, I think I would have preferred to have seen a more tangible pay-off to all the sacrifices made in the name of “bright communist future”, just a little more justification for every moment of death and despair we witnessed. I would have certainly at the very least preferred to see Wang Shi’an’s death on screen. Considering how many likeable characters martyred themselves on screen, denying us the death of the one antagonist just seemed cruel. 

I really did love the ambiguity of the final few scenes however, if we consider the children choir at the end a fantasy. The idea that Lin Nansheng will live out his life in this hope that Zhu Yizhen is still alive, imagining her just outside of his field of vision, his only joy being in this fantasy of her… now, that is incredibly strong. I equally like the idea of rest being promised to him at the end of his journey, and said rest being painful, and slow and unwelcome.

But it felt like as they chose not to to lean into the “sweet” part of the bitter-sweet tone of the ending and we’re unable not commit to the “bitter” part either, so it lands with a splat which is somewhat lacklustre. 

---

This concludes my thoughts on the Rebel. 

I am more or less out of Zhu Yilong’s filmography to watch, which is probably a good thing at this point. I have just emerged out of several back to back work projects - literally today - and will hopefully once more have time for things I grew to enjoy doing during the lockdown. 

Those things, if you have not guessed, include watching Chinese television and writing things about Chinese television. 

[meichenxi]

Obsession, ‘productivity’ and habits vs routines: starting learning in a healthier way

cw: perfectionism, obsessiveness, allusion to eating disorders, depression, anxiety (very non-explicit) I’m going to be writing a series of posts from some asks I’ve had waiting for me, on how to build a cohesive language learning routine, but I wanted to preface that first with something we talk about less than we should in the language learning community: obsessiveness, perfectionism, recovery from mental health, and how to approach language learning in a better way. If the personal stuff bores you, feel free to skip the first two paragraphs. 

I have been trying to ‘be more productive’ - in healthy ways, and unhealthy ways - since I was about ten. If you don’t fit in, for whatever reason, hobbies - and especially creative or ‘productive’ ones - are a wonderful escape. They make you feel that it’s ok not to have friends; they let you look down on all those other stupid children with all the misplaced arrogance of every single bored, clever pre-teen. When I was twelve, I realised there was no point eating with people that didn’t like me and went to the library instead, because that was ‘dead time’. When I was fourteen, I realised getting the bus was ‘dead time’, and started doing Anki for two hours a day. When I was sixteen, I realised walking was ‘dead time’, and started either listening to podcasts or talking out loud. By the time I was eighteen, I was doing four A-levels in school, an EPQ, teaching myself an extra Latin GCSE, and taught myself the Spanish A-level in 3 months right before the exam. I also worked out for two hours a day - because eating lunch was ‘dead time’, and sleeping was ‘dead time’ - trained martial arts four evenings a week, tutored twice a week, had a part-time job as a waitress, played the flute in a prestigious orchestra, and was 150,000 words deep in the first draft of a very gay, Norse-mythology inspired fantasy novel. 

I had it all under control. My marks were excellent; I was a well-rounded person, musical and sporty and already decently on the way to becoming a polyglot, I was training to be a teacher, and I had plans to publish my novel. My home life was painful, but I was painfully independent with what I now like to call the ‘Elsa complex’. Or, actually, like Zuko: I could look after myself, by myself. It was all under control. 

I guess everyone can see where this is going. School ended, and with it came endless, open days. I fell apart. 

With endless surprise, I can now say that, four years later, I think I’ve come through the worst of it. I still have tendencies to get obsessive, but my anxiety and perfectionism are a lot better, I don’t dissociate, and I have - gasp! shock! - actual interest in life again. I never wrote that novel, but I’m still gay and still love Norse mythology, so I’m slowly finding my way towards writing again. What people don’t tell you about getting better, though, is that trying to define yourself, trying to find yourself, as a person who exists without mental illness, is very, very hard. Many of the things that you used to identify as core components of your personality or important values may have changed, and you may be hesitant about trying to take up hobbies that you used to enjoy because you recognise - and rightly so - that the incessant drive to be doing something, all the time, didn’t necessarily come from anywhere healthy. That those things which you clung to and which protected you may actually have ended up harming you in the end. A lot of figuring out old patterns of unhelpful thoughts involves realising that the things that you defended or framed as helping - weren’t. That’s a hard thought, especially because those mechanisms developed to try and protect you, one that’s immeasurably sad. 

Seperating your reasons for doing something obsessively and your love of it in the first place, before it became unhealthy, is difficult. And it means that when you feel - finally, finally - ready to start tackling something like language learning again, you end up sorting of approaching it sideways, shiftily, as if you’re hoping to trick yourself into it. It’s a delicate thing, like a baby bird, and it’s dangerous too, because if you do everything which you did before - the only thing you know how to do - it’s not going to work. And every time it fails is personal, because being able to do it again represents getting better, and reclaiming parts of your identity mental illness stole, and it hurts.

I’m writing this post because somebody asked me about my approach to creating a successful language learning routine. And I do have a lot of thoughts - but I wanted to preface that post with this one, to say:

If you are reading this to be more productive, if it is becoming obsessive, if you want to fit the most possible language learning into the tightest schedule possible, STOP. Take care of yourself. These tips for ‘productivity’ are for people who want to learn a little bit more about organising their time, and are in the right space to add more learning to their life. If you are only defined by what many hours you get done a day, if that’s what motivates you, these tips are not for you. Look after yourself. 

And on that note, here’s a confession: I don’t have - have never had - a successful language learning routine. Because of what happened, the only way I can keep going and prevent myself from falling into bad habits is if I approach it sideways, if I pretend I’m not taking it seriously, because I know if I don’t things will go wrong. But I want to be honest and upfront because I know a lot of people read my posts for advice and say that this doesn’t work for me. It might not work for you either. I especially know there are a lot of conceptions of successful langblrs with 7, 8, 9 etc languages in the title - that that we spend 5 hours a day on Anki, fall asleep to Glossika, and so on. And it’s especially important to mention now, because I feel like my language learning habits have only started being healthy in the last year or so - essentially since I started actually enjoying Chinese media. I could teach you how to cram every spare second with language learning, or how to successfully pass an A-level in 3 months with no teachers. I was good (and arrogant, and cocky, and needed bringing down a peg or two). But I won’t.

What I do have are succesful language learning habits. Apart from being a generally more flexible appraoch for all learners, the advantage of building successful habits over a fixed routine is that it allows for learning according to different in energy levels, how busy you are, what you find difficult and what else is going on in your life. Most crucially for me is that it is always a much healthier approach, because what I do is not based on number of hours, or number of units a week, or anything quantifiable that allows me to get obsessive again or frustrated that I’m not doing enough. 

Routine is important, especially when it comes to routinising daily tasks. The only thing I have is that sometimes - on good weeks, and once or twice even shockingly on good months - I have a decent Anki streak going. That’s it. I don’t listen every day - I don’t read every day - I certainly don’t do grammar every day. There’s nothing specific I do every day, though I usually rack up a good few hours of immersion or study - to be honest, I fail at Anki probably at least 60% of the time. Everything else - all these tips I have written about - I do as and when. Framing it in such vague terms makes it sound like I must have an extraordinary amount of motivation to keep going, that maybe I’m just lucky to be interested etc, but that’s really not the case. What I have done to keep learning regularly and somewhat successfully (I hope!!) without limiting myself to a routine which I know I will starting obsessing over is tying specific language learning behaviour to certain moods or levels of concentration. 

All routine is just habit. Habit, with a ribbon and packaged nicely. But allowing yourself to adapt your learning to the circumstances gives you more flexibility than any strict routine, and is more sustainable in the long term. What building habits rather than a specific routine does is allow you to learn what works best when, what works when you’re tired, and what is best to do when you have energy, or when you want to watch a show, or talk to people. It puts you at the centre of your language learning, rather than framing language learning as a central part of you. 

So how can we build healthy habits? How can we utilise ‘dead time’ whilst keeping it light, and fun? How can we adapt our language learning for times when we are tired, and stressed? Or what about when we don’t have time to give 100% of our attention or concentration? How can we identify our own strengths, our own weaknesses, and unite these with our personal goals to figure out what to prioritise in active studying, and what to do when we don’t have the energy for that? 

I’ll give my thoughts on all of these over the next couple of weeks, in what I hope will be a comprehensive overview of how best to practice, addressing everything from how to practice speaking to how to start as a complete beginner. If you have any thoughts or interim questions, or if you’d like to add your own experience to anything I have said, please feel free to!

In the mean time - 

chenxi out. 

[akatsuki-shin]

Review: 默读 Mò Dú (Silent Reading)

Notes:

(Very) long post ahead

Contains spoiler

This is my personal review and does not represent the entire audience, you are free to agree or not agree with what I’ve written here

Feel free to reply/send me a message if there are things you want to discuss

Using the Donghua poster because it fits the overall story more than the Audio Drama cover. :'))

Summary:

Yan City is a bright, bustling metropolis filled with all sorts of wonders, all sorts of people. From the richest occupying the city's most prestigious residential areas to the poorest huddling together in rundown slums, from the most fortunate blessed with a life of comfort to the wretched deemed to struggle until their last breath, from the virtuous walking in the path of light to the wicked lurking under the cover of darkness.

There is as much good as there is evil, and days gone by, people coming and going along with the passage of time.

Since their first meeting during a certain case seven years ago, Captain of the City Bureau's Crime Investigation Unit Luo Wenzhou thought he would never see eye to eye with Fei Du, son of a well-known conglomerate who inherited his father's position and wealth after the latter fell into comatose due to a near-fatal accident three years ago.

Words as sharp as knives dyed their bitter exchanges, even their personality was like the heaven and earth; the bold, blunt, and straightforward Luo Wenzhou - and the astute, secretive Fei Du, with his beautiful peach blossom eyes and a smile that is not quite a smile seducing countless people, his very presence seems as if it was covered under layers and layers of deceit.

Every single time they meet, they would always part on bad terms. Yet Luo Wenzhou would never have thought that a seemingly ordinary murder case of an ordinary deliveryman would lead him into the mystery of multiple long forgotten unsolved cases, turning over the Yan City and the City Bureau itself upside down, making him question his faith to those he respected and trust - and along with it, opening a door to the truth of Fei Du's past never once known to others.

STORY: 9/10

At first glance, the overall plot of Silent Reading seems neither extravagant nor exceptional. It's just one of those police drama where the main leads had to wrestle in a battle of wits with the villains looming around them, struggling to outsmart each other and eventually, bringing justice to those who deserve it.

But that is exactly what is so good about it. Silent reading could take all of those cliche and packed them into one nerve-wrecking, enticing journey from start to finish, complete with both intense and amusing interactions, and just the right amount of romance that does not disturb the flow of the main story.

And it actually does have its own uniqueness.

In most police dramas I've ever seen, the enemy is usually either a corrupt high-ranking official committing some hideous criminal acts by abusing their authority, or an individual/group with some very extreme values or obsession. Silent Reading, however, have both of those two most general types of villains in the story and what's more? It pits them against each other, pulling around and forcing the main leads to wreck their brains, slowly unravel the tangled mess until the truth finally comes to light.

The action and suspense, the atmosphere, the analysis, everything was almost impeccable to the point of perfection.

I have to especially give my kudos to how the author (Priest) structured the mystery in such a way, connecting one dots to the other from beginning to end. During the first few cases, I thought the resolution of the case didn't feel very solid, as if there are still some details that have yet to be properly elaborated. Yet halfway through, I realize that there is actually a bigger plot that encompass everything, tying all loose ends together.

And here, I would also like to highlight my two most favorite scene.

The first one is in Chapter 114-115 when Luo Wenzhou finally peeled of Fei Du's defense and for the first time exposed his true feelings, making Fei Du faced and spoke what he truly felt for Luo Wenzhou - that he really, actually did care for him. Their entire interactions and development up to this scene fits so well with these two main characters. There was no nonsense, no sappy crying and needless drama. Luo Wenzhou was as blunt as he was desperate and Fei Du, for once, admitted to the truth straight out with his own mouth.

The second one is in Chapter 157. In this case, one of Fei Du's most trusted men and an extremely important witness (that would later become their ally) were being chased and surrounded by thugs hired by their enemy. At this point of the story, the City Bureau was already in turmoil. Luo Wenzhou was suspended, nobody knows who they could or could not trust. Yet still, his subordinates all set out swiftly under his command and followed him to save the two witnesses, appearing at the most critical time.

It was actually a typical scene that exist in many police action drama, but given the development of the story, the well-built character relationship and interactions, I think it is Luo Wenzhou's coolest scene in the entire story and it makes me admire him a lot as the main lead and a leader figure.

One thing that does not quite sit well with me is Fan Siyuan's obsessiveness towards the late Gu Zhao. His motive for the crime was clear and I understand that he was using Gu Zhao's case as an example of injustice. But his extreme emotions whenever Gu Zhao was mentioned seems strange, even baseless. It makes me think whether he considers Gu Zhao as his own family or he was maybe madly in love with Gu Zhao, whereas in the entire story, unless I'm missing something, I have only ever known that Gu Zhao was Fan Siyuan's student - nothing more, nothing less.

CHARACTERS: 9/10

Silent Reading has a balanced, yet still very much appealing casts, from the major characters to the minor ones. Even the suspects and witnesses each had their own distinguishing features that didn't make them look like they were just there as canon fodders.

The composition of Luo Wenzhou's team itself is ideal; they've got the dependable leader, the smart advisor, the best friend and trustworthy right-hand man, the genius nerd, and the dependable aide.

I especially like Tao Ran (and I think most readers would agree with me). While he looks like the typical good guy type, he really, truly is a very good person. It's hard not to find him lovable. His relationship with Chang Ning was as cliche as it could get, but hey, as long as he's happy. Dude deserve it after everything he's done.

As for the two main leads, they are probably one of the most interesting couple I've found in the past few years.

Individually, Luo Wenzhou is the type of character I always like. He is confident to the point of having a narcissistic streak, but all of those are based on real talents and experiences. He speaks bluntly, but he cares for others through his action. He does not sugarcoat things and speaks the truth for what it is. Everything about him simply screams "reliable" as a leader (and a significant other to a certain someone). He deserves all of the respect and loyalty his subordinates gave to him.

Fei Du at first looks like a complex character whose real self is hidden beneath countless coats of pretense, but at the core, he is just a pitiful young man who does not know how to value himself, does not know how to love and be loved due to the abuse he suffered during childhood in the hands of his sadistic father. Despite his composure, his intelligence, his capability, he is almost like a lost little child, wandering in the darkness, going wherever the flow would take him until Luo Wenzhou pulled him out of that abyss. It is nothing less than commendable that he could restrain himself from succumbing into his father's manipulation, even if he has to correct himself through such extreme means for a long time.

And I'm glad that now he has someone who gives him the love he has long since been bereft of.

With Luo Wenzhou, Fei Du finally has a color in his life, someone to make happy memories with, and someone who genuinely love him for who he is. Likewise, with Fei Du, not only Luo Wenzhou got someone he could genuinely care for, he also finally has a place where he could relax, taking off the strong front he'd been putting before others all day long.

It was just so fulfilling to see two characters growing from "cat and dog" into inseparable lovers. They weren't sickeningly sweet, but just two people who are content with each other and would be each other's strength. I was especially happy when I saw how Fei Du changed his phone's ring tone into the one Luo Wenzhou in the extra chapter.

Now that I've finished reading this story, these two straight up went to the top of my all-time most favorite pairing list. But of course, this is just a personal opinion. Luo Wenzhou and Fei Du simply hits all of my favorite tropes, that's why. 😂

If I really have to point out one mini flaw, I suppose it's that the main villains aren't as appealing as the rest of the casts. They were practically overshadowed, even by some minor characters that only appeared for a short while.

TECHNICAL ASPECTS: 9/10

Just some very minor complaints:

1). When the story first introduced Fei Du in the beginning, it felt kind of abrupt. The narration had only been addressing him with his physical appearance, but suddenly they changed it into "Fei Du" with barely any proper start.

2). The international conference in Yan City (Chapter 2) was supposed to be a background information of the general setting of the first case, yet it was not properly mentioned at the start - rather, one sort paragraph about said conference was simply being slipped in the middle just for the sake to be there.

3). The switching of scenes between characters in the 3rd person POV are sometimes too quick with no signs of incoming transitions beforehand like taking shortcuts.

And by that, I mean that other than those three issues above, everything else was nothing less than perfect.

OVERALL SCORE: 9/10

A realistic story with perfectly balanced action, mystery, suspense, and romance - with a dash of comedy sprinkled at the right time and place.

Reading the novel from start to finish was nothing less than enjoyable. Whenever there needed to be a flashback or explanation, it didn't feel like info dump being thrown in all of a sudden.

I would like to point out a bit about the Zhou Conglomerate Case in Book 3.

Personally speaking, I think this is the most realistic case out of the others, and by that, I don't mean the crazy rich family drama.

The other cases in the books are something that to me feels "faraway"; murders, child trafficking, psychopath, organized criminal gangs. Yet in Book 3, due to the nature of the case, it was posted publicly for all to see, and damn if it didn't bring out the most annoying thing I actually hate in real life.

Clout-chasing media, meddlesome netizens commenting without thinking on the Internet, spreading personal information of the involved individuals without consent, handing down judgment based on rumors and personal opinions even if they have nothing to do with it (and know nothing about it), crashing the website due to mere curiosity, further hindering the police working on the case from doing their job.

They weren't thinking about those actually involved in the case, especially the victim. They don't care, or maybe don't even think that their meddlesome acts could cost a human's life because they see everything as mere passing entertainment. And if something were to happen because of their meddling, the most they would say is, of course, as quoted from Chapter 72:

"I didn't do it on purpose"

"I wasn't doing it to you"

"I didn't expect this to be the outcome"

"From a certain point of view, I'm a victim, too"

Even if I was just reading a fiction, at that moment I truly wished I could shut down the Internet for a bit. 😂

Anyway, amazing story. I might re-read everything from the start again when I have some free time.

[infinite-xerath]

Runeterra Retcons 4: Varus

Unlike the other Champions I’ve covered, Varus’s history is surprisingly straightforward. He was released all the way back in 2012 and, as far as I can recall, was the first Champion to ever receive any sort of major promotional material in the form of a short comic. He’s very straight-forward in both concept and design: a man willing to sell his soul, his very humanity, for revenge on the people who took everything from him. Given that this was before Kalista was added to the game, Varus had little choice but take matters into his own hands by bargaining with a vaguely-defined Eldritch being who would give him the power he needed in exchanged for taking over his body.

Original lore here

Varus’s lore is a very traditional revenge story, albeit with a slightly interesting twist in that he is the maker of his own tragedy. Varus opted to place his duty over the well-being of family and, in the process, was unable to even TRY to protect them while his village was being reduced to burning rubble. Out of grief and rage Varus turned to bargaining with the very entity he fought so hard to keep confined now that he no longer has anything to lose.

I and many others liked Varus’s story, and to be honest, Riot could have honestly just kept him more-or-less the same when they updated him post-retcon. Just remove the mention of the League and maybe better-define what the black flames were, and you’d be good. In fact, Riot technically did the former, as his second lore is basically identical save for removing any mention of the League of Legends.

Now, it’s at this point that things start to get a little more complicated. Now, if you want a more comprehensive breakdown of the Darkin and their history, I advise you go check out the part centered around Aatrox and his long and convoluted history, but tldr: the Darkin were a race of beings of whom only five remained, and it was later confirmed with Rhaast that they’re specifically a race of living weapons with the ability to possess whoever wields them. Now, while Varus was specifically possessed by an ominous black flame called Pallas, many drew parallels between him and the other Darkin characters, especially since Varus’s also seemed to be alive.

Given that the flames were never really elaborated on or given a proper origin story, Riot decided that it would probably be best to just go ahead and retcon Varus into being a Darkin as well, and nobody had any real qualms with this. It was a common fan theory for years, so why not? Just change the story a bit so that the flames were actually just a Darkin bow all along and boom, you’ve pretty-much done all you needed to properly fit Varus into the new post-reboot Runeterra.

Well, apparently Riot did not feel this way, as it was with Varus’s 2017 retcon that they decided to finally give fans a proper origin story for who and what the Darkin were. That origin story goes a little something like this.

Alright, so Varus is now an alien. They decided to make Varus himself the Darkin, rather than the man who would later claim the bow. OK, that’s fine. I mean, the whole alien thing is kinda weird and still very vaguely explained, but again, my full thoughts on the history of the Darkin as a whole can be seen in the Aatrox analysis. What I think is most important here is that Riot made an attempt, however sloppy, to explain who and what the Darkin were and finally give context to why Aatrox and Rhaast are such big threats to the world.

Now, it’s the next change that got a lot of controversy around it. Rather than just change the name of the Ionian guard who let Varus possess him, the guy who lost his family to the Noxian invasion, Riot decided to replace him with a pair of entirely new characters: Valmar and Kai, a duo of gay Ionian hunters.

Now, I’m just gonna get this out of the way: I’ve got no real qualms about gay relationships in media. Hell, we have a few LGBT Champions in the game already, and even some in the broader expanse of the world. My main gripe comes from the introduction of Valmar and Kai themselves, and how they’re just sort of these… Nothing characters. I mean, in the first lore, we knew who Varus was. We may not have known him well, but we could at least get a general sense of his character: he was proud of his skill, committed to the duty given to him even at the risk of his family, but ultimately succumbed to grief and rage when his decision caused him to lose everything he held dear. Varus was a good man warped by the loss of his home and loved ones, and that made him a fairly compelling character.

Valmar and Kai are… Two gay hunters. That’s it. That’s literally all we know about them from the bio alone. I mean, yes, Riot released a comic to further expand on these characters, but if your answer to the questions raised in your story are “go and read this extra supplementary material for context,” that’s… A problem.

On the topic of supplementary material, Riot also released a music video about Varus. It’s… OK. I personally don’t care much for the song but the visuals alone are really well-done. It’s supposed to detail the conflict between Valmar, Kai and Varus, but most of the context behind it is explained in the comic and short story.

Honestly, Varus’s retcon is kind of baffling. I mean, he didn’t receive a visual rework, his kit remained pretty-much the same as it’s always been, and he doesn’t even have any new voice lines in-game to indicate that he’s three different guys all stuck in one body. In fact, people who play him in-game without reading the lore probably wouldn’t ever be able to guess as much. Riot went to so much effort promoting Varus’s lore update with a music video, a new bio, a new color story, and a three-part comic, but they really haven’t changed anything about him in the game itself. They put more effort into him than they do for most ACTUAL Champion VGU’s. So… Why?

Admittedly, this is where I’m going to delve a bit into conspiracy theory territory, but I genuinely believe this is a case of Riot trying to push League’s first openly queer relationship. Seriously, Valmar and Kai are the first time a character in League has been confirmed gay IN THE LORE ITSELF and not just through a random tweet. Now, the word “pandering” gets thrown around a lot these days, and I don’t really like to use it, but it really does feel like Valmar and Kai were added JUST to have a confirmed gay couple in the lore.

The fact that they’re not even acknowledged IN THE GAME ITSELF really makes the whole thing feel like an attempt to just appeal to the LGBT crowd, though I’ve seen plenty of people in that community react… Less than positively to the portrayal. I mean, two gay guys are literally trying to hold back a corruptive, even influence with the power of love. I don’t wanna delve too much into the political side of things here, but that’s honestly about as cliché and stereotypical as you can get. Fans in general were extremely displeased that the man they knew as Varus, this genuinely tragic figure from the original lore, was replaced by two guys who’s only defining character trait is how much they apparently love each other.

Apparently, these complaints came through loud and clear, as Riot would update Varus one final time after deciding to retcon the whole alien plotline. So, let’s have a look at how his current, canon bio handles him.

Alright, well… Riot heard the complaints, but whether or not they fixed him is another matter. It seems like they tried to give Varus back his original origin story, basically making the archer we new from his first bio Shuriman. The problem is that there’s significantly less context for him now; we don’t know anything about his family, we don’t know why the temple he’s guarding is so important, and the story never even explicitly states that his family died!

I guess it’s implied because the Ascended acknowledged his “sacrifice,” though him being rewarded by becoming a demigod doesn’t quite have the same impact as exchanging his life and soul for a shot at revenge. On top of that, Varus seems pretty quick to give up on the whole “sacred duty” thing, despite the story claiming that being the thing he “he held above all else.” It all feels like a botched effort to mix his original bio with the new Ascended lore that Riot tied in with the Darkin.

Then, of course, there’s Valmar and Kai, who are… Still just gay hunters. They haven’t been expanded on at all. They helped drive the Noxians off from their home, Kai was apparently wounded, and Valmar decides that dipping his lover in an ominous pool of evil to save his life is a bad idea. Seriously, the bio states that they “inadvertently” freed Varus, but there was nothing accidental about it! There was no bargain, they weren’t tricked, it was literally just one guy making a stupid decision that got him fused with his lover and an ancient evil being.

Also, can we address the fact that Varus still wants to avenge the destruction of his race? Who does he want to avenge? The other Ascended? The Ascended who literally warred with each other for centuries? The same Ascended that HE FOUGHT AGAINST during the civil war for control of Shurima? Did Riot just… Forget that he’s not an alien anymore in that brief paragraph? They stated earlier that he was a cruel, merciless killer who just went to slaughter whoever he was told to slaughter, so for some reason I don’t feel like he’d care all that much about his “race” being felled. Oh, and there’s also still the unnamed warrior queen, who I THINK is meant to be a precious Aspect of the Sun? It’s never really stated in the bio itself.

Alright, enough ranting. Varus’s current lore suffers from one major fault: it is trying way too hard to tell several stories all at once. It tells the story of Varus as a human, Varus as an Ascended, Varus as a Darkin, the “story” of Valmar and Kai, and how they got fused with Varus. The writers tried way too hard to cram everything into a single bio and, as a result, nothing is elaborated on. Nothing is really explained, we don’t get to know the characters who are involved in the gestalt entities now known as Varus, and reason for his current existence AS a gestalt entity are just kinda silly, if we’re being honest.

So, how can we fix this? I admit: this was a tough one. There were a lot of different directions I could go when rewriting Varus’s lore, but I decided to take the Kayn approach, where the human host in the focus of the bio. Originally, I did have a whole bio written out for Varus and how he became an Ascendant, but I ultimately realized that I was going to run into the same issue Riot did: trying to cram way too much into a single character overview. So, instead, I chose to focus in more on the story of Valmar and Kai, and how the Darkin Bow was freed after ages of confinement. Without any further ado, please enjoy.

For years, the Darkin Bow has remained confined within the Ionian city of Pallas. The bow’s true nature has long been lost to time, though legends say it holds the spirit of an ancient god from a vast desert land. Others claim that the bow itself is something much older and viler than history itself dares to remember. Whatever the truth may be, the people have Pallas have guarded the bow for generations, choosing only their most skilled warriors from the task. Among them, none seemed better-suited for the task than Kai and Valmar.

Kai and Valmar were inseparable since they were children. Kai, a prodigy marksman, was known for his sense of humor and fierce resolve. Though infamous for his pranks, Kai would never hesitate to step in and defend someone in need, no matter how poorly the odds stood in his favor. By contrast, Valmar had trained in the ways of swordsmanship since he was old enough to grip a blade. Diligent and studious, Valmar was what many considered a model samurai in the making, yet he was also unendingly curious about the world and the many wonders it held.

At a glance, Kai and Valmar seemed near-total opposites, yet the two formed an unbreakable bond from the day they met. Kai would often accompany Valmar to explore the surrounding wilderness, only for Valmar to shelter Kai whenever one of his pranks went awry. As each boy matured, mastering the bow and blade respectively, their bond became something deeper than simple friendship. Valmar was a part of Kai, and Kai a part of Valmar. Neither was complete without the other, and so it came as little surprise that when Valmar was chosen to guard the Temple of the Bow, Kai soon followed.

Together, Valmar and Kai drove off many would-be thieves seeking to claim the cursed weapon’s power as their own. The two fought as one, each arrow from Kai’s bow in perfect sync with every swing of Valmar’s blade. Eventually, they came to be known as the Locust and Mantis, for the whirring of Kai’s arrows and the elegance of Valmar’s blade. It was believed that none could stand up to their combined might… Until the Noxians came.

From their post at the temple, Valmar and Kai watched in horror as the invaders stormed their home, setting fires and killing anyone who dared to stand in their way. For the first time, two warriors found themselves at odds; Kai wished to help defend the people of Pallas, but Valmar insisted on protecting the temple. In the end, neither had much choice in the matter, for the Noxians soon had them cornered on the temple steps.

Valmar and Kai fought for hours, their combined might slowly waning against the invaders’ onslaught. Kai’s strength was the first to give out, yet before death could reach him, Valmar stepped in the way to shield his partner from the blow of a Noxian axe. Kai watched in horror as Valmar fell to the ground, lifeless. Enraged, Kai fired all the arrows he had left before taking up Valmar’s sword, slaying the Noxian forces assaulting the temple. Even still, he knew it would not be long before more came, seeking to claim the forbidden bow.

In that moment, Kai heard a voice calling to him from within the temple. It promised him vengeance and the strength to fight back. Driven by rage and grief, the wounded archer let the voice guide him inside, just as more Noxian invaders began their ascent up the temple’s stairs. It was there, in the darkness, that Kai at last set eyes upon the cursed weapon he and Valmar spent years protecting: a bow thrumming with unearthly power. Kai hesitated for only a moment before grasping the bow, letting its power wash over him.

Kai’s mind was filled with images and thoughts not his own: a vast desert empire, a man made a god, betrayal, war, and finally, imprisonment. These were the memories of Varus, an Ascended being who devoted his life to serving Shurima, only to be abandoned in his time of need. His bitterness and hatred had summoned the Darkin Bow, granting Varus the opportunity to seek revenge on those who had wronged him. In the end, Varus was sealed within the bow, becoming one with it… And now, he would become one with Kai as well.

As Varus’s memories filled Kai’s mind, the Darkin’s power corrupted his body. Varus prepared to usurp Kai’s form entirely, but to his surprise, the Ionian’s drive for vengeance matched his own. Kai was prepared to give anything to avenge Valmar, his fallen half, yet he would do so with his own hands rather than entrust the task to a fallen god.

Even as their minds fought, the archers’ new, fused body moved on pure instinct. One by one, the Noxian forces in Pallas were felled by crimson arrows born of pure malice. Seeing the corpses of his kinsmen and the ruins of his home only fueled Kai’s rage, which in-turn empowered the Darkin in his grasp. Finally, the two archers came to an agreement as the Noxians fled: Varus would lend Kai his strength, in exchange for the Ionian’s body once Kai’s vengeance was complete.

Now on borrowed time, Kai has but one objective: to find and kill everyone he holds responsible for the destruction of his home and the death of his partner. To Varus, however, the destruction of Noxus is but the first step toward a much larger goal: revenge against the gods who betrayed him, and the world that sealed him away…

So, that’s my take on Varus’s lore. Now, the first thing you’ll probably notice is that I only have one of the lovers being possessed. Frankly, I felt that this was probably the best direction to go with; Riot still hasn’t updated Varus in any meaningful way to include Valmar and Kai in any of his voice lines, and something tells me that, being owned by a certain Chinese company, they probably never will. Given the circumstances, I figured it was probably best to give him a backstory more befitting of his in-game voice lines, which still portray Varus as a man on borrowed time who’s giving what little he has left in pursuit of vengeance.

Even so, I decided to try my hand at fleshing out Valmar and Kai. The first thing I did was change them from random hunters to trained soldiers tasked with guarding the temple. This not only harkens back to Varus’s original lore, but it also gives them more of a reason to stand their ground against the Noxian invaders. I also wanted to flesh out their personalities a little more, because I’ll be completely honest: I legitimately couldn’t remember which one was which even after skimming back through the comic. I forgot that Kai was the one who was injured in the original story, not Valmar, but quite frankly it matters so little given how poorly their characters are fleshed out.

Now, as for Varus himself… Well, like I said: I did have a whole bio written out for him that ties into the new Darkin lore I introduced in my Aatrox analysis, but I decided to focus the story more on Valmar and Kai and only have that backstory briefly alluded to. A tad disappointing, I know, but hey, it’s still more than what we learned about Rhaast from Kayn’s bio.

So, that was Varus, the Arrow of Retribution, otherwise known as Riot’s botched attempt at LGBT representation. He’s a far cry from what he started out as, and yet, hilariously, he’s really not on account of them still not updating anything about him in-game. In that respect, the Varus you play as in League isn’t really even the same character(s) presented in the lore. While I still firmly believe that his backstory never needed to be changed so drastically in the first place, I least wanted to present the potential that this direction held, and how badly the opportunity was squandered.

Oh well. At least the music video still looks nice.

[sanctuaryforalluniverses]

Hi! I want to start with saying I've been following you for a long time and appreciate this blog! I really hope I'm not coming off as rude by sending this. I noticed a recent post about a NYT article on the source of COVID19, and I'm naturally p skeptical of tumblr posts with just a headline bc of this websites... history. There are a lot of people whose goals are more to turn people against media, especially media associated with the left like NYT, so I thought you might appreciate a fuller look at the article (bc. i have a subscription which not everyone can access lol).

The first few paragraphs explain the headline, but I think it's important to note that it represents both "sides" of the issue, saying it is unlikely that the virus was intentionally created, but experts are looking for more thorough investigations.

Some other relevant information brought up: - Explains Dr. Shi's credentials, as well as cites other scientists praising her work, and cites from her statements multiple times (ex below)

- Explains the WHO's previous investigation and wish for more transparency, as well as other inquires into the lab. (the post stated, or at least heavily implied, that the article was the NYT trying to fit the recent statements from the Wuhan Institute into a sensationalist theory, whereas this article was reporting on the medical community's recent interests into investigation, as referenced below)

All in all I think that post was someone reading a headline without reading the article critically. In many ways it is reporting on people's mistrust and the opposing evidence, not trying to fuel it.

Again, I really hope this isn't obnoxious and if it is, feel free to delete it! I just thought it was relevant to other stuff you've shared, and you might have insight on it.

First, I'm so sorry I'm just now addressing this - I think Tumblr has decided to stop bothering to notify me when I get asks, and because I have ADHD and the memory of a cheese grater I never remember to check.

On the post, though... you do make excellent points, but the truth is that the original poster had a point as well. I spent more than a decade as a journalist (though not for the New York Times, true), and the original headline contained none of the nuance included in the article. I don't necessarily blame the writer - editors often do the headlines, and accurately portraying the story is seen as being far less important than dramatic, attention-grabbing headlines - but on a topic like this the headline is the strongest impression the story is going to give off.

Especially on the platform like the New York Times, which has a ludicrously vigorous paywall. I tried four or five times to screenshot headlines for literally any of the multiple stories (and opinion columns, which conveniently have no need for fact checking), but because I had apparently breathed wrong at some point earlier this month I couldn't even get to the screen that let me see the headline. When you bury the content that thoroughly, your headlines are even more important.

Especially because the New York Times absolutely wouldn't shut up about this for a solid couple of weeks. Now, one of the big secrets of the news industry (though I suppose it's not much of a secret) is that we get bored FAST and have NO SHAME. From what I can gather, there's no real story here - scientists have said "COVID probably DIDN'T come from a Chinese lab, but we don't know that for sure so hey let's spend whatever money we're not pouring into the military on this." That's, at best, one article, but

And I didn't even need to go past page 1. Now, once again I'm not allowed to actually read any of the articles, but a quick look at the headlines and opening lines suggest they're just the same information regurgitated in different formats. I'm sure it gets clicks, but that's not good journalism (also, they're resorting to rumor - the only reason to put "is said" in a headline is if you can't actually back it up and there's a chance you'll get sued).

Especially when you look at the one non-opinion article that popped up in the last month (which is suspicious itself, for the record - if they'd had a scrap of new information, they'd have written 6-8 more articles around it):

This is where it gets really interesting. According to usual headline rules, "Still No Direct Evidence To Support Lab Leak Theory" would be the most obvious headline to use here (or, let's be honest, in literally any of the above articles). And yes, this is an interview, but a Wuhan scientist is not a well-known enough figure in the U.S. to carry the weight of the headline (which is proven by the fact that they had to emphasize she was a virologist in Wuhan). Also, even though extra words are usually death in a headline, they specify that this person isn't just a virologist, they're a Chinese virologist (and therefore their opinion that there was no lab leak is of course naturally suspect). After the punchy, inflammatory list of headlines from above, the fact that this is the first boring one (and still manages to be mildly inflammatory) is suspicious as hell.

So, in short, you were right about that individual article and I in no way blame that poor writer. But the New York Times should be fucking ashamed of themselves.

[mosylufanfic]

You’ve Got Mail

This is for the second day of Killervibe week, the Meet Cute theme! Based on something that happened to a Facebook connection of mine, although as far as I know it didn’t turn out this cute.

You’ve Got Mail

The first note was stuck to Caitlin’s door with a piece of scotch tape. She frowned and unfolded it, wondering if the new neighbor already had a problem with her erratic hours. 

Hi! (read the computer-printed note)

I just moved into 202 and wanted to introduce myself to all my neighbors. I'm Cisco Ramon and I'm starting my Masters' in electrical engineering at the university. Normally I'd knock and say hi but this whole quarantine thing kinda keeps me from doing that. :( 

I speak English and Spanish and a little bit of Klingon. I cook sometimes but mostly get too much takeout so any good restaurant recommendations are welcome! I like tinkering and video games and SF/F books and movies and shows, like you couldn't tell from the Klingon. I have a cat named Buttercup who is a giant butt and I love him. If you see him outside, I’d really appreciate it if you called or texted because he's not an outdoor kitty. 

He'd added a picture of the cat, staring menacingly at the camera as if promising that anyone who tried to pet him would lose a finger. Caitlin smiled in spite of herself. 

Hope you have a great day! Cisco Ramon, Apt 202

He'd also added his phone number.

Caitlin read it through a couple of times before looking across the courtyard and up a floor at 202. It being 11:30 at night, the door was shut tight. There was a muted bluish flicker in one of the windows, like he was watching TV. It would be rude to knock on his door at this time of night. 

Also, they were all practicing social distancing right now.

Caitlin was a champ at social distancing. She could social-distance on Olympic levels.

She went into her apartment, shutting the door behind her.

***

On her way to the hospital the next morning, she left a plastic container full of cookies on the mat of 202. There was a note carefully taped to the top. 

Thank you for your nice note. Here are some cookies to welcome you to the building. They're chocolate chip. If you can't eat them, it's okay to throw them away. I've been baking a lot in quarantine.

She was halfway to the hospital when she realized she hadn't put her name or apartment number on the note. So for all Cisco Ramon knew, some anonymous benefactor had dropped cookies on his doorstep.

She sighed. She really was bad at this, just like Jay had said.

***

There was another note on her door when she got back home, this one hand-written in a sprawling, jagged scrawl.

Hello Cookie Queen!

I hope I'm not creeping you out or anything. I saw you through the window, leaving the cookies this morning, but I didn't want to freak you out by opening up the door right away.

They were delicious. I will happily eat any baked goods that you want to get rid of. That's not a beg, by the way. I can make my own cookies, once I find a good grocery store. (Any recommendations?) Just if you're the kind of person who likes to make entire batches and then has to eat them for the next three weeks, I can help with that. I don't have any allergies or anything.

Anyway I think I've weirded you out enough for one note. 

Cisco

***

Hi Cisco

My name is Caitlin Snow and you already know my apartment number. The grocery store I like is the Safeway at the corner of Livingston and Bellmore because they are very firm about masks and disinfecting right now, much better than the Kroger. Also closer. There's a Taco Galaxy across the street from them that delivers until midnight and I like their chicken taco salad.

She stared at the note for a few minutes, then wondered if he would think she was saying a Mexican place because he was clearly Latino. She crossed out and substituted The Golden Wok on Bellmore delivers, and they do a good sweet and sour chicken.

I am a first-year resident so my hours are kind of strange but please let me know if I can ever help out with anything. 

Caitlin, Apt 106

She chewed her lip for a moment, then added to the last paragraph before the sign-off, I wasn't weirded out.

Then she wrote it out in pen on a clean sheet of paper and found another plastic container to fill with butterscotch oatmeal cookies.

***

Hi Caitlin!

Nice to have a name and stop calling you Cookie Queen. Unless you want me to continue calling you Cookie Queen, that's okay too. Thank you for the second batch! Just as delish.

I took your tip about the grocery store and stocked up. Also got green pepper beef at the Golden Wok. Nom, nom, nom! Any ruling on the Taco Galaxy across from Safeway?

I'm major impressed with the residency thing btw. Are you doing okay? Is your ICU totally packed? I have a sewing machine because I do cosplay but obvi no cons right now, so I've been making masks and stuff too. Do you need any?

Cisco

***

Cisco,

We're doing okay right now. I'm not treating many COVID cases personally because I'm in my first year, but everybody is doing more than they would have normally. If you have extra cloth masks, I know some shelters and the local food bank are distributing them.

I like the chicken taco salad at Taco Galaxy. 

She paused, studying the note. She wanted to continue this conversation. She liked him - his warmth and his humor. Maybe she should start texting him. She had his phone number, after all. Or would that be weird?

She wrote down, Where did you move from?

Caitlin

***

They traded notes back and forth, at least once a day but more often twice. Their correspondence ranged from the mundane - he'd moved from Coast City, she had come here from Gotham - to the personal - neither of them had very good relationships with their families - to the downright philosophical.

I dunno, he wrote one rainy day, I feel like the people who say this is God's punishment or whatever are totally getting God wrong. Like I don't believe in God anymore but if I still did, I don't think I'd believe in that kind of God. 

A virus is a virus, she wrote back. There's debate about whether a virus really counts as alive or not, but it's just doing what all life does. The pandemic is definitely down to human hubris and selfishness and shortsightedness. No need for divine punishment. And I don't believe in that kind of God either.

At work, she would mentally compose parts of her next letter during her rare free moments, and every time something funny or strange or horrible happened at the hospital, she found herself telling him about it. No names, of course, because of HIPAA, but writing them down helped her work them out.

The day he mentioned his most recent ex, she caught her breath, a strange flutter in her stomach.

She did a number on me, I'm telling you. It's weird because I do think she liked me, maybe as much as I liked her. It's just she was in some bad stuff with her brother, and she wasn't really interested in getting out. When I realized that she was using me to help him out, I was done. Probably way after I should've been, but that was the last straw. I'm not saying that breakup was why I picked CCU for grad school and moved here two months early but I'm not NOT saying that.

She lay on her couch reading the note over again. His tone was cheerful, as it usually was, but she could almost feel the regret and self-recrimination behind it. 

Also, did this mean he was single? He hadn't wrapped it up with any other mention of someone else he was dating now. 

I know what that's like, she wrote back. My most recent ex was - 

She lifted her pen and stared at the paper. How to describe Jay?

My breakup with my ex was pretty bad too. You just start to doubt everything that you ever thought or felt. Like, is this real or is this another time bomb he put in your head?

God RIGHT he wrote back. The good exes leave nice little presents for you in your head. You think of them because you see a movie they liked or something they used to wear and it just makes you smile. But the bad ones leave freaking land mines and time bombs.

***

More than once, she arrived home to find a bag of takeout or a tupperware full of some recipe he'd tried out. His tastes were a little more adventurous than hers, but she willingly ate whatever he left. Knowing somebody was thinking about her was as nourishing as the meal. 

And some of it was really good. 

She kept baking, leaving cookies and bread and other treats at his doorstep. Sometimes she experimented, too. 

One day as the first leaves were turning, she left a jar with a note taped to the top. I decided to try something. Let me know if Buttercup likes these.

She got a reply within hours. 

Buttercup would like to formally request to move into your apartment now, because I'm a terrible kitty papa and never thought of making him treats. Also I'm very cruel because I won't let him eat the entire jar no matter how much he yells. You are a genius.

She laughed and wrote back, Obviously you're an excellent kitty papa because you love Buttercup very much. It was a pretty simple recipe. I'll attach it for you so you can make your own. I'm glad he likes them.

She didn't see a reply on her door that night. This wasn't unprecedented, though it was unusual, and she found herself cycling through a few anxious loops of what-if - what if he was sick? what if he had nothing more to say to her? what if it had been just too weird for her to make treats for his cat? what if he was talking to someone else now?

But the next day when she went out to get her mail, she found a note tucked into her screen door. She grabbed it and opened it up. 

Hey I realize this is kind of a weird question since we've been passing notes all this time, but would you be okay with texting? Or FaceTiming or WhatsApp or something? I don't know if you kept my number but here it is again anyway. 

She read the short note through a couple of times, trying to identify the feeling bubbling up in her stomach. 

She did like writing the letters. There was something so calming and old-fashioned about sitting down with paper and pen and writing everything out that was on her mind. And getting a letter back felt like a present. 

But on the other hand, this felt like a step toward something . . . new. Something more. Closer. 

She looked up at 202. A curtain twitched, and she caught her breath. Cisco leaned against the glass, spotted her, and lifted his hand in a wave. 

She waved back. 

She'd seen him a couple of times, leaving something at her door or going to grab his mail. She liked his face and his smile, what she'd seen of them. 

He saw the note in her hand. That much was obvious. Even from here, he looked a little nervous. Or maybe that was her, projecting. 

She pulled her phone from her pocket and tapped in his number. He looked away from the window, reached out to grab something, and lifted his phone to his ear.

"Hi," she said shyly. "It's Caitlin."

His smile spread over his face, big enough to bathe her in warmth from one floor and a whole courtyard away. "Hi, Caitlin," he said. "Cisco here."

She smiled back. "So. How's your day going?"

It would be a long time before they actually got to meet in person, without a mask. But she was looking forward to it.

FINIS

[mywonuderful]

Not So Cold-Hearted Pt.7

Summary: Y/N, a member of a popular newly debut girl group and Wonwoo has what some may call a relationship with emotional ambivalent. Will their relationship remain cold-blooded or will they finally come to an agreement and become something more?

Pairing: Jeon Wonwoo x Reader

masterlist

⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅

“Why’d you take out her wallet?” Wonwoo asked as they headed back to their down. You were in the middle of a conversation with some of the members when Minghao quietly tippy-toed over your bag and took out your wallet to place it under a cushion. He then excused himself to head back to his room when you saw Wonwoo give him a weird look but brushed it aside since your conversation was more interesting. As you were about to leave, Minghao was about to come down when he heard your conversation with Wonwoo as he ran back into his room to grab his jacket before hopping down the stairs to escort you out.  “Guess you found out.” Minghao hummed, making Wonwoo even more confused. “So what’s the reason?” the curious man asked again, waiting for an explanation as Minghao looked up towards the night sky and let out a sigh as he breath condensed into a cloud. “All the members and I know well enough that you didn’t mean to say those things to Y/N. We know you care about her.” Minghao glanced over his shoulder to see that Wonwoo’s expression soften as he started kicking around rocks as they walked. “I have no idea what you’re talking about. That’s how I normally act.” Wonwoo stated when Minghao placed a hand on his shoulder. “Both of you are really dear to me and both of you have a lot of similarities but it’s sad to see that either of you realize or acknowledge it. If this keeps up, one of you guys is going to end up exploding.” 

“What do you mean by expl-” “C’mon, its getting cold.” Minghao cuts Wonwoo off by grabbing his arm, pulling him into their dorm. As everyone headed towards the rooms to rest, Wonwoo was sitting on his bed, back resting against his headboard as he read through his novel when Minghao’s words started circulating his mind making him read the same paragraph for the past couple of minutes. 

“Wo, did Y/N forget her wallet?” Seungcheol picks up your wallet under the cushion. Wonwoo who was watching someone on the TV turns to glance at the wallet before shrugging his shoulder before returning his attention back to the screen. “They just left so you still run out to give it to her.” Seungcheol hands Wonwoo the wallet as he stares at it blankly. “What am I suppose to do with this?” Wonwoo places your wallet on the table, not caring when the rest of the members started gathering around the living room.

“Her and I have similarities? Similarities my ass.” Wonwoo scoff as he mumbled. He lets out a long sigh before placing his book on his nightstand and taking off his glasses.

****

You woke up the next morning, feeling more energetic than usual when your phone started vibrating frantically. You reached over to our nightstand to grab your phone. You turned it on when you saw that you received 10 miss calls from your manager. Shooting up, you quickly called him back. 

“Hello?” “I was about to head up to the dorm to check up on you.” “I just woke up. Is there something wrong?” “Not really... You don’t have any solo activities, right?” “Sadly.” “Hurry and get ready. Meet me at the location I sent you.” You were about to ask your manager what’s with the rush when he ended the call. You pondered about what your manager has in mind for you as you jumped off your bed and excitedly got ready. After cleaning up your face and applying some simple and natural makeup, you hummed as you dancing around in front of your closet, deciding what to wear. You decided to go for something simple yet suitable for the weather so you went for a light washed cropped mom jeans, a loose white blouse and a long brown jacket. You placed on your contacts and slipped on some flat as you headed out the door. As you walked down the stairs of your dorm, you dug inside your bag to find a mask but couldn’t find any. You quickly walked back up the stairs when you got a text message from your manager to hurry up. You inputted the address on the maps and it said that it’ll take around 15 minutes to walk there. Letting out a sigh, you prayed that no one will notice you. 

Fortunately, you got there without too many people recognizing you. Feeling a little disappointed, the scent of coffee beans pushed away your disappointment as you walked down the small street of various cafes. Memories started playing as you remembered your favorite coffee store at the end of the street when you see your manager standing in front of the store. Jogging to your manager with a wide smile on your face, he glances up to your and gives you a double take. “I’ve never seen you smile this widely and naturally in a long time.” He teased as you let out a chuckle and give him a playful punch. You and your members are really close your manager because of our close age, making him quite young compared to other managers. When your group first met him, everyone thought they were mistaken because of how young and good looking he was. Next thing you know, your group started getting attention, but it was for your manager. This brought the connection closer to your manager and the members as you guys would tease him about the past about how everyone mistaken him as an idol. “So what’s the reason we’re here today?” you asked with anticipation. “So I’ve heard the this is your favorite cafe spot.” “Or so you know is what you meant. Remember all those times I told you to help me buy coffee and pastries from here?” You state, admiring the endless trays of pastries displayed alongside the windows. “Yeah, I still can’t believe I’m taking orders from someone younger than me. Plus all those times when I got yelled at for sneaking you pastries when you were dieting.” He teased, making you pout. “Anyways, they’re expecting you so let’s head on in.” He opened to door for you as you entered. The familiar scent of coffee fills your nose as you took a deep breath, closing your eyes from how much memories this brings back.

“Well well if it isn’t Y/N from Eunoia! We’ve been eagerly expecting you!” The cafe manager greets us along with his wife. You smiled and bowed. “Expecting me...?” You mumbled as you scanned around as everything remained the same. “The cafe here was recently hiring new employees and Y/N here so happens to love your cafe so much” my manager places a hand on my shoulder “Ah yes, we’ve heard! Your manager used to buy a bunch of pastries back in the day. You must be the person who he told him to come.” The wife gives our manager a ‘secretive’ wink, when you turned around, giving him a glare before turning back to the couple, chuckling as you felt your cheeks heat up.  “Anyways, we reached out to your manager, to see if their was anyone interested in working here and to our surprise, we’re greeted with the infamous, Y/N! We absolutely love your group.” the husband blushes and smiles are you shook your head, waving your hands as your face started turning more red and red. “No no, that’s too much. I’d love to work here. It’s an honor to be able to work for such a passionate couple who but in so much work.” You smiled widely as the couple bowed as a thank you. “Well then, when can you start working?” The wife’s voice was filled with excitement  “I can start today.” The couple happily nodded as they went to the back to get you a uniform and prepare things.  “I better be getting free pastries and coffee in return.” Your manager bent down and whispers as you turned around to smack his shoulder. He pretended to be hurt before smirking. You bowed to thank him once more before he left to pick up your members from their activities. The wife called you inside to the staff room. Heading on over, you couldn’t wait to tell Minghao about how you finally had something to do.

“This is the only extra uniform we have. I’m sorry if this doesn’t fit you.” the wife hands you a oversized apron. “Is there any dress code I have to follow?” You asked as you tied a knot behind your back. “Hmm... I’ve never been asked that before... I guess whatever you find comfortable and flexible?” The wife laughs as you mentally took note and nodded. She brought you to the locker area where the staff placed their belongings, but it only consist of two lockers. “This will be your locker, dear.” You placed in your purse and closed the locker as you looked at the other locker beside yours. “Oh, that’s just another employee. We don’t normally hire employees so we don’t find the need to have that many lockers.” The wife caught your eyes as she explains. You let out a soft ‘oh’ and nodded along as you brought you to the front. The husband was cleaning the coffee machine as he turned back to see you.

“That apron seems a little too big on you.” He laughs as you smiled in return. “I’ll alter it for you when you finish your shift today.” he started explaining the simple tasks you have to do like restocking pastries, serving methods, wiping down the counters and tables and so forth. “Right, I forgot to ask, do you have any barista or baking experiences?” The wife asks. “I’ve taken a few barista classes in the past. But I’m more confident in my baking.” you explained as the wife pouted and the husband cheered, leaving you confused. “Well, that’ll mean that I can spend more time with her if you think about it because I can teach her.” The wife thinks out loud as her husband shakes his head, making you more confused. “Oh, sorry to confuse you Y/N. I’m a baker and she’s a barista.” The husband explains. “That’s amazing.” you sweetly smiled at their interactions. Seeing them interact so sweetly made you want to live your life with someone like that. As the husband headed back in to start baking pastries for the day, the wife taught you how to make some simple drinks. “Miss, is this correct?” you pointed at the button to click to start the coffee machine. “You can just call me Mrs. Bosa” She patted you on the shoulder. She carried on with her quick teachings until she glanced at the clock, clasping her hands. “Guess, it’s time to open up!” She cheered as she opened the doors and carried out a sign as you started to restock the trays, sniffing the buttery and sweet aroma along the way. “Mrs. Bosa, when does the other staff work?” You asked as you carried the trays back to the kitchen. “The other staff? Hmm I think he should be here anything soon.” She took a look at her watch. “Hopefully the both of you can get along. He’s been working by himself for this whole time so we thought that hiring another staff will allow him to talk more.” She offered you a drink as you told her what you’d like. “That’s nice.” You hummed as you watched her make the drink when the door suddenly chimed, as footsteps were heard. You had your back facing the entrance since you were cleaning up the coffee machine

"Ah, there he is!” The wife exclaimed. Turning around, you bowed to greet the person. “Hello, welcome to Espresso Love Caf-” “Y/N...?” you heard a low husky voice as you looked up and meet a pair of eyes who belonged to no other than Wonwoo “Wonwoo...?” Your eyes widen once you registered who it really was as he had somewhat a surprised expression as well.

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[blackjack-15]

Leavin’ on a Jet Pack — Thoughts on: The Haunting of Castle Malloy (HAU)

Previous Metas: SCK/SCK2, STFD, MHM, TRT, FIN, SSH, DOG, CAR, DDI, SHA, CUR, CLK, TRN, DAN, CRE, ICE, CRY, VEN

Hello and welcome to a Nancy Drew meta series! 30 metas, 30 Nancy Drew Games that I’m comfortable with doing meta about. Hot takes, cold takes, and just Takes will abound, but one thing’s for sure: they’ll all be longer than I mean them to be.

Each meta will have different distinct sections: an Introduction, an exploration of the Title, an explanation of the Mystery, a run-through of the Suspects. Then, I’ll tackle some of my favorite and least favorite things about the game, and finish it off with ideas on how to improve it. Like with all of the Odd Games, there will be a section between The Intro and The Title called The Weird Stuff, where I go into what makes this game stand out as a little strange.

If any game requires an extra section or two, they’ll be listed in the paragraph above, along with links to previous metas.

These metas are not spoiler free, though I’ll list any games/media that they might spoil here: HAU, mention of DAN.

The Intro:

Yup, this is the jetpack banshee game.

Honestly, that’s probably the best introduction to this game. It’s semi-famous among the fandom for just being balls-to-the-wall nuts, and for good reason; while HAU isn’t quite as confused as some of the other Odd games, it’s definitely less organized, and there’s very little story to tell here.

And the story that is there? Well, we’ll cover that in The Weird Stuff.

The Haunting of Castle Malloy falls near the end of the Odd Games, and honestly it more than deserves its place. Sure, we’re in a different, ‘exotic’ location like…well, most of the Odd Games, but it’s not like it really matters, as Nancy sees very little of Ireland. A car drive, a brief interlude outside of a pub, and the weirdest outside interface ever seen in a Nancy Drew game (even being reused in the next game briefly), and for all of that we might as well be in the Florida swamps.

Let’s not even mention the teetotaler pub. The less said about that, the less silly that this game comes off. Everyone in Ireland drinks a tall, frothy cup of Juice when they want to relax.

Sigh. Honestly, HER. Just skip the pub entirely.

HAU is also a game that tries to contextualize itself in Nancy’s past, but doesn’t do a very good job about it. It’s not inside reference-y like Secret of the Old Clock, but it’s also not grounded in character like…well, all of the Nancy games (ASH through SPY). It just springs in the ‘hey remember this character you’ve never heard about nor had referenced because we made her up whole cloth for this game’ little mechanic and tries to whisk the player away with it.

Consider me unwhisked.

And maybe that’s the biggest problem – or rather, the biggest signifier – of The Haunting of Castle Malloy: it relies on whirling the player away in the Sights and Sounds and Juices of Ye Olde Greene Eire, but instead…well, it doesn’t have the power to whirl the player. It doesn’t even have the body to muss the player’s hair when the wind comes around.

HAU is very little like its source material; in fact, really the only thing that the book and game have in common is that they’re both set in Ireland, and that the mystery involves Nancy’s friends. Sure, in the book it’s Bess and George, rather than an obscure, hitherto-unknown exchange student, but since there’s nothing else, we’ll give them points for it.

The majority of this meta (and the majority of this game) falls under the weird stuff designation, so let’s pop on over and talk about what makes HAU truly odd.

The Weird Stuff:

The entire premise of this game isn’t too far off the mark of normal – Nancy’s summoned to help a family friend, which is the case for quite a few Nancy Drew games (more than the opposite, I believe, at this point in the series) — but it does stand out a bit that she’s going to be in a wedding as a maid of honor.

While I could see it for Bess/George, Hannah (which would be fun) or Ned (which is my personal headcanon), it’s a bit odd that this is a character we’ve never heard of who considers Nancy her closest female acquaintance. You’re telling me Kyler got through elementary, middle, high, and University without making a single friend other than the weird little kid she knew while studying in River Heights?

That’s weird enough to get a section by itself, but it’s not even scraping the surface of this game.

Going deeper, our predominant theme/conflict/effery in this game is a convoluted love triangle between the bride, groom, and their best friend (who for some reason isn’t involved with like anything with the wedding, regardless of the fact that he should be doing at least as much as Nancy is doing, and possibly more since he’s an actual friend of the couple), with Kit still being in love with Kyler (for some unimaginable reason) yet friends with Matt. Kit, notably, doesn’t really do anything about it, but just having that plotline being our main thread is a super weird choice, honestly.

This is also a story about marriage troubles; sure, they haven’t officially tied the knot yet, but the fact that Kyler thinks that her fiancé disappearing the night before their wedding is a “classic Matt prank” and not either something deeply worrying or a sign that he’s too immature for a commitment is a Huge Yikes.

Best case scenario and he’s playing a prank…does he think people won’t take this as a bad sign, that early-arriving guests won’t freak out, that this won’t cause any problems?

And worst case, he’s been kidnapped (the truth of course being even dumber than that), and the first 48 hours after a kidnapping are the most crucial, meaning that Kyler’s inaction could result in a death that didn’t have to happen on her watch.

What I think HER really didn’t think about was the implications of this setup. Either way, it doesn’t just look bad for Matt and/or Kyler (to say nothing of Kit), it looks bad for their future.

We have no faith that these two are actually interested in each other, let alone in love and committed to this relationship. Nancy, famously deaf to emotions like this, doesn’t really make any comments about how this bodes ill, but the player is bound to think that something’s not quite right if these two people are so mismatched.

In a slightly less uncommon theme for the Nancy Drew series, this is also a game about unrequited love. Let’s face it, for the majority of the game the only suspect really is Kit, since Donal isn’t big enough to kidnap Matt, and it’s a Nancy Drew game, so Matt definitely isn’t out there playing a very poorly timed prank on his bride to be. Kit even has suspicious documents (the land drawings) and such that add up to him wanting Matt out of the way, even without his unrequited love schtick with Kyler.

Honestly, how two people were in love with that chick is just…it boggles the mind, honestly. What is appealing at all about Kyler? Her weird hair? The fact that it looks like she’s wearing a green dress the whole game only to have it be pants? Her bland personality? Awful voice? The way she looks in the weird photographs in the game?

Sorry for the digression, but I am struggling here.

The last section within this section will talk about the thing that’s by far the oddest conceptionally in this game – the banshee/jetpack storyline. Most of the time when it’s a folk/faerie story in these games, it turns out to be not true, and that’s still the case here. To have it not be a banshee, but instead be a senile, badly mentally damaged old woman flying around on a jetpack from World War II, on the other hand…that stretches the limits of believability to where it would have been better to just have it be a banshee.

Fiona and her backstory and her jetpack are pretty much the oddest pieces, with none of them actually fitting into the larger themes of the story. Our backstory in this game — WWII Ireland and its scientific achievements — isn’t integrated at all with the present day, dethroning previous WWII-focused backstory game Danger by Design for ‘least related backstory’ award, and it’s not justified at all within the story or characters either.

The Title:

As far as titles go, “The Haunting of Castle Malloy” isn’t bad at all; it’s fairly standard, slightly pulpy Nancy Drew fare, and certainly better than the title of its book inspiration (“The Bike Tour Mystery”, so named because Nancy et al go on a bike tour in the book). It tells you the “what” (haunting) and “where” (Castle Malloy), and is fairly evocative.

I really just have a problem with it being the title of this game. Not only is the Castle not really relevant — sure, it’s where the game takes place, but it’s not important to the game outside a conversation or two — within the story, but the game doesn’t really pull off the ‘haunting’ side either. It’s established pretty early on that there are weird lights and sounds, but that’s about it.

If you want to keep the location, “The Banshee of Castle Malloy” I feel like would have been a better choice, as it tells us right away we’re dealing with Irish mythology, and shows it’s supposed to be a Haunting game (no matter how poorly it pulls that off) without any excess fuss. It’s also a little more specific, which is generally a good move to make the title more interesting — like how “The Shadow in the Fog” is better than just “The Shadow” as a title.

HAU’s title seems to be solidly in the middle of Nancy Drew titles, so there’s not much more to say about it. Let’s move on to the mystery it somewhat, but not completely, speaks of.

The Mystery:

Nancy’s been summoned overseas again, but this time it’s for pleasure, rather than business. An exchange student that Nancy and Carson housed for a few months is getting married, and wants Nancy to be her maid of honor.

And no, I have no idea why Carson wasn’t invited. Way to snub the man who fed and housed you, but invite his daughter (who was 14 at the time Kyler knew her) to hold one of the most important places in the wedding.

Anyway, by the time Nancy arrives — the night before the wedding; bad form Nancy — the groom — Matt Simmons — is missing, which Kyler suspects is a practical joke (as Matt has a reputation for pulling pranks) and Donal, the caretaker of the Castle, thinks is a sign of being kidnapped by faeries for the crime of being English and marrying an Irishwoman.

Out of the many crimes of the English, I don’t think this one ranks enough with the Fae to merit a stepping-in, but hey, what do I know about crudely-drawn stereotypes in a HER game. I’m sure they did all of the possible research, talked to experts about Irish mythology, spent about 5 minutes on the Wikipedia article for “banshee”…at least one of those.

The only other person on the Castle grounds is Kit Foley, Matt and Kyler’s friend — and Kyler’s unrequited admirer. A land developer, he’s literally the most suspicious person at the castle by being the only one actually in the castle and by holding the (honestly reasonable) opinion that Matt just got cold feet and left.

Once Nancy finds Matt’s broken glasses and Kyler mentions that he’s blind without them, however, the race is on to find Matt — who definitely couldn’t have broken a spare/fake pair of glasses as part of the prank, shush you — before the wedding the next day. What should have been a grueling search takes an hour or so, and they find out that he accidentally fell in a secret passage and got trapped there, being fed carrots and potatoes by the resident crazy woman like he was a blind, helpless rabbit.

Yeah.

As a mystery…I mean, is this even a mystery??? What honestly went on in the pitch room that day? “We’re gonna write about fidelity, unrequited love, the stress of a wedding, a friendless woman who invites an 18-year-old because she never made any friends…and a crazy old woman with ties to World War II. And a jetpack.”

I don’t even know how I would begin to rate this mystery. Bad? Because that’s honestly the word that comes to mind. I’m never a fan of “oh it was all a Hilarious accident, ho ho ho” endings to mysteries, and this one is worse than most. Nothing follows, the backstory is such a non-entity it really doesn’t bear spelling out, and the characters aren’t even a little likable. This section could delve into each problem with the mystery but, honestly, that sounds exhausting and I’m gonna go over the bigger points below anyway, so let’s get to the clowns that make up this circus.

The Suspects:

Beginning with Kyler Mallory, our bride to be who, for some reason, has her hair and tiara done the night before the wedding — I guess she’s not planning on sleeping? — is searching for her prankster groom to “teach him a lesson” and so he knows that once they’re married, “no more pranks ever”.

Sounds like she loves him dearly and wouldn’t change a thing, huh. If that wasn’t worrying enough, she’s not super fussed that he’s disappeared the night before their wedding, and considers it a “Classic Matt” sort of thing to do.

As a culprit – man that would have been a dark turn, to have her kidnap/hide away Matt to teach him a lesson about not pulling pranks. It, of course, would have made a friendly acquaintance of Nancy’s into a bad guy, and that’s a huge No-No for HER, but it would have been kinda cool all the same.

Kyler’s groom is Matt Simmons, an Englishman who is decidedly unwelcome in Ireland (at least, according to Donal) and who has a strong reputation for being a little too heavy on the pranks — so much so that when he disappears, his own fiancée just thinks it’s another prank. To be fair to her, he did disappear while pulling a very sad little prank on her, so she wasn’t entirely off base.

As a culprit…how would that even work? That would be like FIN’s Maya kidnapping herself for no purpose whatsoever. Matt isn’t really given any character beats other than “prankster” and “fed like a rabbit”, so there’s really not much to speculate on here. I do wonder what Kyler sees in him…but then again, I also wonder what he (and Kit) see in Kyler, so we have that as well.

Next up is the couple’s friend Kit Foley, who’s sporting an enormous shiner to the wedding courtesy of a wayward branch (and a bit of karma) that smacked him while he and Matt were pranking Donal. He’s in love with Kyler (why????) but seems happy enough for his friends, and is of the opinion that Matt simply got cold feet and left.

Not sure why you’d be friends with someone who’d do that, but no one in this game has any character at all, so we’ll blow past it.

A land developer, Kit is basically the only suspect and yet a terrible suspect at the same time. Sure, he’s in love with Kyler (again, why???), but he also doesn’t really gain anything from them not getting married, just like he doesn’t gain anything from them getting married. I never thought I’d see the day where a brooding best friend is so…unaffected by the marriage of his long-time crush, but that just goes to show you how little depth even Kit — who somehow has the most depth of any character — really has.

Finally, Donal Delaney is the caretaker of Castle Malloy, and a firm believer in the Fae. He’s also really the only Irishman in the cast, which isn’t a great look for HER. He thinks that the Fae have taken Matt in return for being in Ireland and sleeping in the old nursery room in the castle, and is easily frightened.

Seriously, that’s his whole character.

As a culprit…as much as Donal is grumpy, he’s not really any sort of entity as a suspect. He hangs out at the pub, drinks fruit juice, and talks about the Fae, and that’s the extent of his involvement in the plot. The most importance he gets is inadvertently being the source of Kit’s black eye, and that’s so tertiary to the plot that it might as well not be there.

The Favorite:

Even though this game is, by all accounts, a ridiculous non-entity, there are a small amount of things that I do like.

I’m actually a fan of the opening sequence; it’s like a better version of CUR’s opening, has Nancy crashing her car (always fun) while telling Ned she’s not gonna crash (even more fun), and she doesn’t show up right away at the castle. Honestly, the first about 10 minutes of the game are actually solid, and more fun than the rest of the game as a whole. So that probably qualifies as my favorite moment in the game, spliced with the revelation that Matt has been subsisting on raw carrots and potatoes, which is just…honestly unimaginably funny.

My favorite puzzle is the seating chart for the wedding. Veterans of this meta series (all 5 of you) will know that my favorite types of puzzles are word and logic puzzles, and this is a great logic puzzle. I honestly could have done an hour of that puzzle and been happy as a clam. It really stands out as, well, the only fun I had during the majority of the game, but it was honest fun.

The Un-Favorite:

And then, on the other hand…

There’s a lot about this game that isn’t great, but almost none of it do I hate; there’s just not enough effort for me to hate it.

Except the background setting.

Having already done WWII as a backstory, HER really should have thought twice about returning to it only five games later. With Brendan Malloy developing fuel for armored vehicles, only stopped by it exploding in his (and everyone’s) faces in 1944…honestly, there’s no reason that this game’s backstory should take place in World War II, other than to have a reasonable chance of Fiona still being alive. It also makes it seem like ‘oh the War really didn’t touch Ireland that much hahahaha” which isn’t a great look either.

Honestly, HER’s treatment of Ireland is pretty ‘un-favorite’ here, but since HER never really does a good job handling any country (or most states outside the Pacific Northwest), it’d be fairly pointless to begin talking about it at length now.

My least favorite moment is probably the reveal of the culprit/mystery at the end; it’ so anti-climactic, honestly, and only comes after much struggle through two very stupid puzzles. It doesn’t give any meaning to the game, no one learns any lessons, and — probably unpopular opinion here — it probably would have been better for everyone involved (including Fiona) if Fiona would have died in that explosion 60+ years ago.

My least favorite puzzle would actually be the two puzzles at the very end — the chemicals and the rocket ship. The chemical puzzle is the worst offender, but both are pointless, do nothing for the story, and really feel like they’re there because Nancy Drew games have to have a puzzle at the very end. Putting something into a game because you ‘have’ to is never good, and this is a prime example of how annoying that obligation can truly be.

The Fix:

So how would I fix The Haunting of Castle Malloy?

The first thing I’d say is that, despite the games in the Nancy Drew series often containing one, I don’t really think the HAU needs a historical backstory. If you must give something to the Castle and the explosion, set it back in World War I, which would at least be something different.

But honestly, it’d be better to just get rid of it entirely. It’s old, it’s a castle, it’s in ruins, move on. The present has enough potential for drama without mucking up the past.

The second thing I would do is to take out Fiona entirely. Sure, still have the legend of the banshee going around the area, but it’s all things that are (mostly) easily explained, like in most haunting games. Figures in the fog? That’s just grounds crew who have been working for months to prep the site for the wedding. Strange lights? Well, yeah, the castle wouldn’t be wired for electricity if it’s been abandoned, so the workers have to bring in their own lights. Screaming noises? That’s just pre-marital jitters. Or something; you get my point.

As in all haunting games, have one or two unexplained things to suggest that the banshee actually was real, mourning the “death” of the last Malloy — because Kyler’s taking Matt’s name, or some other such nonsense. The sad thing is that it doesn’t really matter; anything that adds meat to the story would be an improvement on such a nothingburger of a game.

I would also bring in Alan, the best man, as more than a phone contact. Let’s face it, only having Kit and Donal as suspects (as Matt’s gone and Kyler doesn’t even pretend to count for a second) is really stupid, and this game needs some more detail and at least an hour more of playtime that doesn’t just involve getting lost in the bog.

Bring in Alan who is confused as to why he was chosen as best man, but suspects it’s because Kyler also has feelings for Kit and thus didn’t want Matt to choose him to be the Best Man (in other words, take out the weird social climbing angle). It would take a subtle hand, but I actually wouldn’t mind Alan having a bit of a thing for Matt himself, just to re-emphasize the “love is like an Egyptian painting; everyone is looking at the back of someone’s head” sort of theme we’ve got going on in this game.

The last thing I’d do is to bring Ned in, and have him be in the car with Nancy on their way. Think of it; usually wedding guests get a plus one; it would be a good excuse for Nancy to ask Ned out rather than leaving him behind as per usual, and Ned would probably be able to relate to Kit/Alan better than Nancy can, on account of Ned having actual emotional intelligence.

I wouldn’t say to have him be player-controlled, but I think Ned hanging around the castle, trying to help out with the emotional snarl that the guys have gotten themselves into (with Nancy focusing more on Donal and Kyler) would not only be in character, but would be a great way to make room for some emotional depth — something that Nancy herself, if not the games, usually skirts around or ignores entirely.

Would these changes fix the game completely and make it a winner? No, I don’t think so. I think the game is too structurally weak to really ever rise above mid-level, and possibly not even lower mid-level. But I think, along with some sprucing up of motivations and puzzles, these changes could help make HAU better than it is — and that’s worth it, no matter if it makes it into the Top 10 Nancy Drew Games list or not.

[roc-thoughtblog]

Sense and Sensibility Readthrough Part 9

Chapter 12, Pages 49-54

Previously, Sir Middleton has started the Party Timez and Marianne is flirting it up with mysterious Mr. Charming. Meanwhile, Elinor has a sweet moment with Colonel Brandon where he alludes to a past love-related something, because they are both two lonely people watching a party.

I enjoyed this chapter, because Margaret finally opened her mouth and only gold came out. :D You little scamp, you have vindicated my small obsession with seeing you relevant in any form!

Readthrough below.

Chapter 12

AS ELINOR and Marianne were were walking together the next morning the latter communicated a piece of news to her sister which in spite of all that she knew before of Marianne's imprudence and want of thought, surprised her

Oh? OH? Marianne going to have many thoughts, head full of prudence?

by its extravagant testimony to both.

NOPE! Also, Austenism on first sentence of chapter, nice opening. I most creatively coined that for personal use and now I finally get to use it! Setup into unceremonious, and yet very extra, subversion that turns potential positives upside down. Anyway, Willoughby has given Marianne a horse, which she has accepted with zero thought into the Dashwoods' ability to keep it.

Elinor, has, of course, thought of all the things the family is lacking with regards to horse-keeping, including most prominently, a complete lack of a stable in which to house it. Was boutta ask, good Elinor answered my enquiry most quickly.

I have a friend who is a self-professed horse-girl, and many mutual friends who attest to not desiring to ride with her on account of it being quite dangerous. This isn't directly related to anything, Marianne just invited Elinor to ride her horse and I was suddenly struck by a memory of warring opinions on the risks of horseriding. Horse-girl's testimony to its relative safety was not aided by her own anecdote of having fallen off a horse onto her back once, and not being able to feel her neck for a while, or something similar to that effect (don't worry, she is fine). I imagine Elinor would be horrified.

Marianne brushes off all of Elinor's concerns in... most short-sighted fashion. No Marianne, do not keep a horse in any old shed. This reminds me of when my aunt kept her kittens in the bathroom. Bad. Awful. Don't consider keeping animals if you can't be bothered to house them properly. :(

Of course, Marianne draws the line when Elinor claims she doesn't know Willoughby well enough to receive a horse from the man;

"You are mistaken, Elinor," said she warmly, "in supposing I know very little of Willoughby. I have not known him long indeed, but I am much better acquainted with him, than I am with any other creature in the world, except yourself and mamma. [...] I should hold myself guilty of greater impropriety in accepting a horse from my brother, than from Willoughby. Of John I know very little, though we have lived together for years; but of Willoughby my judgement has long been formed."

Marianne has a great talent for speaking warmly. :'D

Ouch girl you have been hit hard. The infatuation, it speaks through you with a megaphone.

It's really fascinating how big an effect love and infatuation seems to have on apparent closeness. Like at some point it really does cross over the line to being genuinely close, but I feel like I observe a lot of the time, before that point, that people tend to... trick themselves into thinking they are close? Infatuation has a remarkable ability to warp the sense of emotional proximity between people, maybe even just through the firing of emotions on all cylinders.

One memorable conversation I will always return to was when a friend of mine referred to their boyfriend of a few months as their "best friend" in the most casual, natural way. A few months didn't seem like a long enough time, and when I asked them, they did suddenly realise they weren't quite there yet... I find it very interesting how love can so easily dominate social lives.

Anyway, Marianne has jumped to Big Conclusion about how well she knows Willoughby. It's a good thing he's probably a nice guy really, but this is also likely one of the ways predatory relationships can take root so uh, look after your friends I guess. Sometimes when this kinda emotion takes hold they need a second opinion to keep them grounded.

Elinor thought it wisest to touch that point no more. She knew her sister's temper. Opposition on so tender a subject would only attach her the more to her own opinion.

Yeah, Elinor has the right idea. Backfire effect is real, and it's not something you want to mess with when you really need to convince somebody of something. You definitely need to go around with a different approach... which Elinor does, nice! By appealing to Marianne's concern of potentially greatly burdening her mother, who would of course consent enthusiastically to a horse, but also be the most inconvenienced by its maintenance.

Marianne relents most sadly. :(

She tells Willoughby next she sees him that she can't take the horse, because of reasons. Willoughby is disappointed, but tells her that the horse is still hers, once the time arrives that she can keep- he named the horse Queen Mab? Horses. Always with funky names. Is that a historical figure? FAIRY FROM ROMEO AND JULIET! Please Mr. Willoughby! You are every bit the drama queen as Marianne. You are not so star crossed!

O-oh. Elinor overhears everything, and also realises now that they are in fact a couple? By the way Willoughby pronounces Marianne's first name, and the fact that he uses it at all. Oh, that she is now absolutely certain of it, and in no way surprised. Yeah that makes sense.

GASP! MARGARET SPEAKS!

Alright this whole sequence is gold, I dunno how to relate it here but it's a quick and fun read. Reading being generally fun, but quick doesn't usually come naturally to me. Also means I don't take notes.

Margaret thinks the two lovebirds will be married soon and Elinor is hilariously shutting her down for crying wolf about pictures that turned out to be of great-uncles. But this time Margaret has witnessed Willoughby beg for, and acquire, a lock of Marianne's hair, for romantically sentimental reasons I personally do not understand but have witnessed enough to accept without question. Because, y'know, children don't count as witnesses to secret emotional dalliances you don't the adults to see. And the account is specific and detailed enough that it doesn't seem like something a kid would just make up.

And then we go on a hilarious tangent about how Margaret accidentally spilled all the beans on Elinor's love life to Mrs. Jennings for not knowing any better how to respond to questions. :'D The poor girl asks Elinor for permission to say, so now Mrs. Jennings knows somebody exists. And then Marianne drags herself into it to defend Elinor's feelings, but Margaret innocently reminds her that all the speculation was her’s to begin with.

"Margaret," said Marianne with great warmth,

GREAT WARMTH! This is greatest warmth of Marianne yet, I have never seen her so upset, I'm rolling. Poor Margaret is a little out of her depth with all the adults bugging her for gossip, and the more the sisters try to contain her the more slips out. You can't expect so much from a kid. :'D

Thankfully Lady Middleton saves all the Dashwood sisters by abruptly and deliberately changing the topic to the weather, followed by sensitive Colonel Brandon. Nice save, guys! Willoughby, good man, invites Marianne to start playing piano too. Elinor is saved, but still thoroughly shook haha. Poor girl is not of a heart that can deal with this assault.

Chapter concludes with a quick two paragraphs which I guess will set up the next chapter; they organise a party to go party at an estate belonging to Colonel Brandon's brother-in-law, because, Sir Middleton has partied in that place all too much and yet never enough. Party. Sir Middleton: Party man, does whatever a party can. What exactly do landed lords actually do again?

All this arranged with open carriages and sailing, and I assume cold provisions to imply a picnic; "rather a bold undertaking, considering the time of year, and that it had rained every day for the last fortnight -" HA. Well, despite his extensive partying experience, we are given to understand that Sir M. is still a slow learner. Oh well.

... I just realised I found Margaret to be so entertaining I didn't realise the story had like... used her as a connecting factor to completely transition the theme, setting and topic of the chapter halfway through. I feel like this is important to note, as for the most part chapters in this story seem to stick to exploring one specific topic or person. This particular chapter was somewhat all-over-the-place topic-wise (Marillouby confirmed, Elinor's beau’s existence revealed) and the only unifying factor was Margaret shenanigans, which I love, but she isn't relevant to the central plot in the same way the two other pieces are. On top of that, the chapter ends on an otherwise random note that they're going to another party at a place related to Brandon; this isn't something that necessarily needed to cap off this chapter as far as I can tell.

I guess what I'm wondering is, this slightly frankenstinian chapter; is it the result of combining two smaller segments too short to be chapters in their own right, or is it more like... a deliberately transitional chapter? That the chapter lacks a unifyingly plot relevant topic to explore, because it's only concern is for setting up pieces for coming chapters at the new estate party? I guess I'll find out soon.