#guys can we just imagine that Joni Mitchell is on this playlist?

[remus-poopin]

Lily Evans’ groovy playlist for independent witches

Mostly 70s/60s pop rock, soft rock, and folk pop!

Track list:

1. I Feel the Earth Move - Carole King

2. Queen Jane Approximately - Bob Dylan

3. That’s The Way I’ve Always Heard It Should Be - Carly Simon

4. Move Over - Janis Joplin

5. With My Face On The Floor - Emitt Rhodes

6. Love Calls You By It’s Name - Leonard Cohen

7. In My Life - The Beatles

8. Keep It Warm - Flo & Eddie

9. All Things Must Pass - George Harrison

10. Lily of the Valley - Queen

Other playlists:

Bill Weasley, Nymphadora Tonks, James Potter, Ginny Weasley, Neville Longbottom, Fred and George Weasley, Sirius Black, Ron Weasley, Hermione Granger, Luna Lovegood, Severus Snape

Cover art link + Tumblr:

@ceooftrash

[kissinginkitchens]

You Bring Me Home — Chapter One: Flightless Bird, American Mouth

a/n: I've been working on this story for mooonths now and I'm so excited to finally share it with the world! It's heavily inspired by Harry's Behind the Album mini doc, except I changed the setting to Hawai'i because I've personally spent some time there and as they say, write what you know! YBMH takes place in the period between One Direction's hiatus and Harry's first album/tour, but with that being said, this is entirely a work of fiction and some events don't follow the true timeline. Thank you so much for taking the time to read my little story, I hope you love it as much as I do! It will be updated every Friday at 5 PM PST. My inbox is open, so feel free to talk to me once you've finished reading! I'd love to hear from you :) Much love, Mel <3

Pairing: Hawai'i!Harry x Original Character

Warnings: swearing

Word Count: 5.5k

May, 2016

Harry watches LAX get smaller through the airplane window and visualizes all of his worries stuck at the terminal gate, their magnitude also diminishing as he takes flight. He sinks lower in his seat and skims through playlists on his phone when a nagging feeling at the back of his mind pulls his attention away from the screen. Looking up from the song choices, he spots a cell phone quickly lowered from his line of vision and a girl with flushed cheeks who quickly averts her gaze. Harry shoots a tight-lipped smile in her direction and goes back to his phone with a sigh. The days when he could roam the streets freely without fear of recognition—or worse, harassment—feel like an entirely different lifetime. He sometimes imagines that he’ll wake up back in his childhood bed as if the past five years had all been a dream, but he never does. In fact, his privacy and anonymity seem to dwindle with each minute of radio play that One Direction receives. It’s a bittersweet pill to swallow, but one he hopes will go down easier with some time in the Hawaiian sun.

His close friend and new manager, Jeff Azoff, had suggested the vacation as soon as the band privately agreed to take a hiatus.

“You’ll go home for a few weeks,” his voice had crackled through the speakers of Harry’s phone. “Visit your mom and Gem, lay low for a while until the smoke blows over,”

Harry mulled it over in his mind, eyes flickering over the rolling landscape outside of the tour bus window.

“Then what?”

“Then you go for a little vacation. The label offered to cover a house in Hawaii so you can start working on the album,”

“Alone?”

Jeff chuckled lightly on the other end before responding. “I mean, if that’s what you want,”

“No,” Harry corrected. “You and Tom should come. Mitch and Bhasker, too,”

“The dream team,”

“And there’ll be a studio there?”

“Yes,” Jeff started, almost hesitant. “But I don’t want you to think about that too much,”

“But you said the label—"

“I also said vacation. Look, Rob said ‘it will all happen in due time,' did he not?”

Harry twisted the rose ring around his finger, tracing over the silver petals and thinking back to his conversation with the CEO of Sony Music, Rob Stringer. Upon the proposal of his debut solo album, Rob had told him that the most important ingredient for a successful debut would be patience. The singer had agreed in the moment, but every day not spent in the studio felt like a test he hadn’t studied hard enough for.

“Yeah.”

“So you take the free vacation,” Jeff suggested. “You go out, live, get some writing material. Maybe mess around with some tunes. And then we come back to L.A. and get to work. But until then, I just want you to focus on taking it easy.”

So take it easy he had. Or at least he had tried to when he was back home in England. Harry quickly grew restless after what felt like the millionth awkward conversation with past friends and acquaintances, all of which eventually led to the topic of One Direction and it’s unexpected hiatus. After one month at home, his mind and journal were full of ideas for songs, things that he wanted to say before he lost his nerve. One night as he tossed and turned in bed, he shot Jeff a text, just two words that would kick off a three month getaway to the Big Island of Hawai'i:

I’m ready.

********

“Sounds great, I'll go put in your order.” Alani offers sweetly, trying not to overdo it with the customer service voice. After waiting on the family at her designated table, she heads back to the kitchen and finds her younger sister, Pua, crouched in the corner taking what appears to be a serious phone call.

“I don’t know, I just saw it!” Her sister cries in a hushed tone. “Where do you think he’s going?”

“Is everything okay?” Alani cuts in with concern.

Pua whispers into the speaker before bringing the phone to her shoulder.

“Harry Styles was just spotted on a plane this morning,”

“Who?”

“The guy from One Direction,” her sister explains with a hint of irritation in her voice. “The band who sings that song you secretly like, ‘Fireproof,'”

Alani vaguely recalls the melody, but she waits expectantly for Pua to elaborate. “And this is news because…”

“Because the band just broke up, so where could he possibly be going?”

"The unemployment office?”

Pua rolls her eyes and returns to her phone call while Alani envelops her in a tight hug.

“I’m just kidding!” Alani apologizes, squeezing tighter despite her sister’s attempts to break free. “I’m sure he’ll be living off of royalty checks until he’s, like, eighty,”

“Get off me, freak!” Pua cries out, finally breaking the embrace.

Alani clutches her chest and pulls out an invisible knife. “Ouch. I’m telling Harry you said that,”

“This is exactly why I don’t tell you things.” the younger sister huffs, storming out of the kitchen through the employee entrance where Alani’s best friend, Maleah, has just arrived.

“Looks like someone forgot to eat their Cheerios today,” she remarks, tying her curls into a high ponytail.

Alani shrugs and leans against the counter. “She’s going through something. Just discovered that boys in pop bands are, in fact, just regular boys.”

“Poor thing,” Maleah frowns. “We all have to learn eventually.”

********

The sky is a blend of cotton candy pink and burnt orange when Alani returns home from the café with a strawberry smoothie in tow. She empties the mailbox and sorts through the various bills and advertisements, but her stomach drops when she sees a familiar return address label. After a quick greeting to her excited dog who waits at the door, Alani bolts up the stairs and quietly shuts the bedroom door behind her. Breathe, she reminds herself before tearing into the envelope and discarding it onto the wooden floor.

Dear Ms. Hale,

We are very grateful to have received your submission to Rolling Stone magazine. However, we regret to inform you—

She doesn’t read the rest, slumping to the floor in defeat. The sixth rejection letter from Rolling Stone lies crumpled at Alani’s feet and she kicks it across the room with a frustrated grunt. She had worked for over two months perfecting her analysis of Joni Mitchell’s Big Yellow Taxi and its allusions to the environmental impact of urban development in Hawaii. As part of her initial research, Alani had even traveled to both the Royal Hawaiian hotel in Honolulu, which is the famous Pink Hotel mentioned in the song, and Foster Botanical Garden that Mitchell referred to as “the tree museum.” She was certain that her effort and persistence would result in at least a consideration. The second third time's the charm! Maleah had joked watching Alani submit the piece. Six articles in the span of two years, each one facing the same rejection despite the increased effort Alani had put in over time. The fact that the rejection letter hadn’t changed over the course of the two years brings an incredulous smile to her face, and her stomach turns when she considers that the editors probably hadn’t even read her work, anyway. All that effort, she thinks to herself, all that time, for nothing.

“It will take time,” her favorite professor, Dr. Hudson, had reassured her three months after the Joni Mitchell article was submitted. “Every great writer faced countless rejection until that one piece. Yours will come. Keep your eyes open and your pen ready.”

Alani sighs and lifts herself off the floor, choosing to crawl into her unmade bed instead of slumping onto the hardwood. She hears a soft scratching at the door before her King Charles Spaniel, Freddie, pads into the room.

“Come here, bubs,” Alani whispers. He obeys and burrows into the duvet, giving her temple a gentle lick before nuzzling into the nape of her neck.

“You still love me, right?” she asks, voice cracking. “Even if I’m a failure?”

Freddie sniffs her ear in response.

********

“Right,” Harry says, his tongue peeking from the corner of his mouth as he reads the map. “No, left, sorry,”

“Do you actually know how to read a map?” Jeff teases, correcting the turn.

Harry pouts in response, his brows furrowing. “In my defense, we’re literally in the middle of fucking nowhere,”

“There are worse places to be,” Mitch pipes up from the back seat. “England, for example, where they say things like ‘litchrally’,”

“Very well said, Mitchell,” Jeff Bhasker adds with a fake British accent of his own.

Harry turns to his friends in the back seat with a finger pointed like an agitated mother. “If you lot don’t shut up, I’m gonna lead us to a volcano and push you in,”

“Where are we even going? I forgot,” Tom complains.

“To get food,” his manager responds from the driver’s seat. “I think,”

“Why can’t we just stop there?” Mitch asks pointing to a café pulling up on their right.

Jeff merges into the turning lane quickly without a second thought. “Good enough for me, I’m starving.”

“Sorry, H.” Mitch pats his friend on the shoulder.

Harry scoffs. “You’re the one who wanted poke.”

The Aloha Nui Loa Café is much more spacious than the exterior suggests, yet it still feels cozy. The walls are painted sage green and adorned with various local art pieces, as described by the plaques that accompany them. A skylight fills the center of the room with plenty of warm lighting, leaving the space along the walls in a bit more shade for an intimate feel. In one corner, a hanging disco ball leaves freckles of sparkling light along the walls where the sunlight hits, making the whole image very idyllic in Harry’s mind. As if he couldn’t enjoy the setting more, he hears the beginning of an Otis Redding song that he’s had stuck in his head drift through the restaurant speakers.

“Welcome in!” a voice calls, which pulls him from his survey of the room. His head whips to the source—a girl around his age with wavy, dark hair and honey skin. “For here or to go?”

Harry takes a hesitant step up to the counter. “For here,”

She smiles warmly and pulls some menus from under the counter. “How many in your party?”

“Five.”

“Great, follow me.”

Harry and his friends follow the waitress to the corner of the room under the disco ball and take their seats at the round table.

“My name is Alani,” she introduces herself, setting the menus down. “I’ll be serving you today. Can I get you started with some drinks?”

Harry continues scanning the restaurant while his group orders. His eyes land on the shirt that Alani is wearing, a white tee with the words “Enjoy Health, Eat Your Honey” in blue lettering that surrounds a picture of a cartoon bee.

“Harry,” Jeff says gently, catching his drifting attention.

The singer turns to his manager, who nods to Alani waiting with a pen pressed to her notepad. Harry feels a rush of embarrassment creep across his cheeks and he clears his throat to cover it.

“Just water,” he says, eyes glued to the menu. “Thanks.”

“You got it.” Alani nods, flashing a toothy grin at the rest of the group before turning back to the kitchen. Harry. Her mind repeats, finding a hint of familiarity, though she doesn’t know why.

When Alani arrives at the drink station, she finds her sister staring at her, mouth agape, while Maleah unsuccessfully conceals her laughter.

“What?” she questions, checking herself for any embarrassing stains or smells.

“You were—and he—” Pua stammers. “He was—and then he—”

“That’s Harry Styles,” Maleah translates, her voice hushed as she peers over her friend's shoulder.

Alani turns to steal a glance at the table she just seated, but Pua and Maleah latch onto her and shake their heads frantically.

“Don’t look!” her sister hisses.

Alani smirks, amused at their reactions. “No shit. That’s One Direction?”

Maleah snorts, clasping a hand over her mouth as Pua huffs. “No, dumbass! It’s just Harry. I don’t know who the other guys are,”

“But the blonde guy? That’s not—?”

“No!” Pua and Maleah giggle in unison.

“Okay, geez,” Alani relents. She manages to steal a quick glance at the table over her shoulder, immediately searching for Harry. Her eyes scan over the long, curly hair kept out of his face by a pair of white sunglasses that she had seen on Kurt Cobain once. All of his features are sharp and striking, from his pointed nose and defined jawline to the bright blue eyes. Or maybe they were grey? Alani wonders, trying to remember the exact shade. He doesn’t look anything like the fresh-faced teeny bopper she’d had in mind, the one from a music video her sister had shown her a long time ago. She would have never guessed that the What Makes You Beautiful singer had so much dark ink trailing down his bicep and forearm, though her knowledge of One Direction was very limited.

“What did he order?” Pua questions, her eyes wide.

Alani quickly snaps back to reality and resumes filling the drinks. “A water,”

“Oh my god,” Maleah swoons. “I’m never drinking anything else ever again,”

“I didn’t even know you liked him,” Alani teases with an eyebrow raised.

Maleah sneaks another peek at the table and catches her lower lip between her teeth. “I mean, I didn’t really think so either but look at him. What a fucking dream,”

Harry was objectively handsome, this Alani could admit, but she personally didn’t see the appeal and had a strong feeling that he was just like every other male celebrity. The fact that he hadn’t even bothered to make eye contact with her only served as further proof of what she knew to be true.

“Okay, well, your dreamboat is waiting for his water. So excuse me,” Alani winks, making her way back to the table.

The singer spots Alani returning out of the corner of his eye and the sight of her causes a strange flutter in the pit of his stomach that makes him want to duck for cover. Instead, he pulls his phone from his back pocket and pretends to be occupied with something on the screen.

“Okay,” she greets, setting the drink tray down. “I have a Blue Hawaii, a Mango Mama, two Loco Cocos, and a water,”

The group graciously accepts their drinks with a chorus of “thank you," but the only one under Alani’s scrutiny is Harry. He still doesn’t meet her almond eyes, and though she figured he wouldn’t, she can’t help the inkling of disappointment that washes over her. After taking their meal orders, Alani heads back to the kitchen, checking on her other customers along the way. Harry’s eyes follow her and he observes the way customers light up at her presence, indulging her conversation with laughter. He watches as she lingers by the jukebox in one corner of the room, a detail he had missed in his initial scan, and waits anxiously to see what song she chooses. Baby I’m-a Want You begins softly and Harry feels the corner of his lip curl ever so slightly. Good choice, he thinks.

********

“He’s still here,” Pua muses, peering through the tiny window in the kitchen door. It had been nearly two hours and the five men were still seated around their table cracking jokes and doing a lot of talking with their hands.

Alani doesn’t look up from her bowl of sliced kiwis, offering a hum in response. “And what do you want me to do about that?”

“Nothing,” Pua shoots back. “Don’t bother him,”

“What kind of girls do you think he’s into?” Maleah asks, attempting to peek through the window.

Alani shrugs, bored of the conversation and of thinking about Harry. “I don’t know, but I’ll bet he’s a real sucker for the ones who stalk him while he’s eating,”

“How does he make eating a salad look hot?”

“Can we talk about something else now?” Alani whines, poking holes in a lone kiwi with her fork.

Pua tosses a wet dish rag in her sister’s direction and cheers when it lands in her face. “Go see if he wants more water, he looks thirsty.”

“I already refilled it,” Alani defends. “Twenty minutes ago. I’ve refilled it a hundred times, I’m surprised he hasn’t peed his pants.”

I’m gonna piss myself. Harry thinks, his right leg bouncing to distract himself. He really wasn’t all that thirsty, but he couldn’t stop himself from finishing each glass of water that Alani placed in front of him. He really wasn’t all that thirsty, but he couldn’t stop himself from finishing each glass of water that Alani placed in front of him. Like clockwork, she would return to fill his glass almost as soon as the last drop had been drained, and so what began as a little experiment slowly turned into a bladder hazard. But if the trend was to be trusted, she would be back any minute and he wasn’t going to miss it; afterall, there were only so many ways to casually linger in a small café without making it weird. Unable to bear it any longer, he heads to the restroom and hopes that Alani doesn’t clear their table before he has a chance to see her again.

Harry pads down the back hallway with his eyes cast down at the floor, which proves to be a mistake when he walks directly into another person.

“Sorry!” they both apologize quickly, Harry’s palm taking purchase on the other person’s upper arm.

“I wasn’t paying attention,” he offers, finally meeting the dark, mocha eyes already looking back at him.

Alani presses her lips into a tight smile. “Me either,”

Harry’s heartbeat picks up when he realizes it’s her, and he isn’t aware of how close they’re standing until he detects the faint scent of kiwi on her breath. He takes a step back and rakes a hand through his hair.

“So I guess I’ll just—”

“Yeah, sure.”

Green. Alani notes to herself. His eyes are green.

********

Shortly after Harry returned from the restroom, him and his friends settled their bill and headed out. Alani cleared their table and her eyes nearly fell out of her head when she saw the hefty tip left behind. The word mahalo was also left behind on the receipt, underlined twice, and she wondered if it was his handwriting.

Later that night, she settled into bed with her laptop and hesitantly typed his name into Google. As she expected, countless articles about the split of One Direction emerged, most of them speculating what was next for each member. To her surprise, however, Harry’s name seemed to be mentioned more than his fellow bandmates as various sources labeled him “the next Justin Timberlake” and rising star of the group. Upon further investigation, she learned that the demand for information about the elusive Harry Styles was high, especially concerning any possible solo music. No news had yet been confirmed by Styles himself, nor anyone claiming to represent him, but she still wondered if his presence in Hawaii had anything to do with a possible solo project. Almost as soon as she thought it, Alani dismissed the theory in favor of the idea that he was most likely just taking a vacation. And from the buzz that she saw surrounding the news about One Direction, she couldn’t blame him.

The more Alani read, the more she wanted to know, and something deep down told her that his was a story worth telling. Of course, the only problem was that she had hardly talked to him, and there were only so many things she could say about the fifteen glasses of water he downed. There was no way of knowing if she would ever see him again, either, or if he was merely stopping in Hilo on his way to another island or somewhere else entirely. Alani sighed, thinking back to her most recent rejection from Rolling Stone. She knew that there was no possible way she would ever see or talk to Harry ever again, and even if she did, why would he bare his entire soul to a stranger? Still, she let her mind wander through the possibility.

Dear Ms. Hale, the letter would read, we are very grateful to have received your submission to Rolling Stone magazine and are pleased to inform you that your piece on Harry Styles will be featured in next month’s issue. Additionally, we would be honored to have you on staff, effective immediately.

It was far-fetched, Alani knew this, but she dozed off that night with endless ideas swimming in her head.

********

By the third day after his visit, the only trace of Harry is in Alani’s search history. She would have completely forgotten about him if it weren’t for her sister’s constant reminiscing and multiple attempts to rename the house salad to the “Harry Special.” As a result, a part of Alani’s thoughts periodically linger back to that day and the subsequent hours spent on Google that she’d rationalized as research instead of stalking. Somehow the knowledge that she’ll never see him again only adds fuel to the questions still burning in her mind, but a customer clearing their throat while she sorts menus below the hostess podium interrupts her thoughts.

“Welcome in!” She calls, standing. “What can I—”

She stops in her tracks, unable to believe her eyes. Harry blinks and waits for her to continue.

“What can I get started for you?” Alani tries again, hoping that he hadn’t noticed her shock. Luckily for her, Harry had been too focused on choosing his next words to register her mistake.

“What’s in the Honu smoothie?” he asks, mentally kicking himself for asking such a stupid question when the menu just inches above her head clearly spells it out.

Alani hums, thinking back to the times she had made the smoothie herself. “Kiwis, spinach, mango, avocado, and a hint of lime,”

“I’ll take one of those,” Harry says, reaching for his wallet.

Alani punches in the order with trembling fingers and nods. “For here or to go?”

“To go,”

Disappointment fills her chest. Sure, she hadn’t planned on seeing him ever again, but the fact that she did felt like a sign. If she wanted to take the chance, she’d have to do it fast.

“Anything else?” she asks, weighing her options while he skims the menu.

“No thanks.”

Alani makes the smoothie quickly, head spinning. She had spent most of the night after their initial meeting planning out exactly the type of questions she hoped to ask him and what kind of article she would write. She was used to writing about what she knew—artists and music she’d admired for years— but she figured that starting fresh with someone she hardly knew would be a good challenge. Not to mention that it seemed like just the thing Rolling Stone would jump for. Alani finally works up the courage as she finishes his smoothie, but when she returns to hand it to him and hopefully strike up a conversation, his ear is pressed to his cell phone. She holds out the drink and he graciously accepts, giving her a small nod as a “thank you” and rushing out of the restaurant.

Two days later he returns and is seated at the counter, typing away on his phone. Alani feels both a rush of optimism and annoyance at the universe for dangling his presence so unexpectedly. She starts heading over to him, but Maleah cuts in.

“Trade me?” she proposes, eyes wide.

Alani blinks. “Oh, I would but I—”

“Please,” her best friend pouts. “I’m leaving to see my grandparents in stupid California for two months. Who knows when I’ll get the chance to see him again?”

Alani sighs, but gives in, reluctantly exchanging Harry for the family of four seated by the window. A strange feeling settles into the pit of his stomach when he sees that she heads in the opposite direction after a hushed conversation with another waitress. He doesn’t know why she traded him for a different customer, but he takes the hint.

A week goes by without another sighting of Harry and Alani has permanently taken on the role of greeting hostess in hopes of seeing him again. Her heartbeat temporarily speeds up when she sees a long haired customer approach the door, but her spirits quickly fall when the face doesn’t match his.

Another week brings another disappointing realization that Harry might be gone for good. One rainy morning when the restaurant is quiet and only two customers huddle together in a booth near the back, Alani hunches over the hostess podium and doodles on a stray receipt— a sunflower, a crescent moon, and two hearts. The bell above the door jingles but she doesn’t look up, too absorbed in her scribbles.

“Do you serve coffee?”

The familiar accented voice stops Alani’s pen dead in its tracks. She lifts her eyes first to confirm, and then straightens up when she sees that her ears haven’t deceived her.

“Yes,” she swallows.

“Great. I’ll take it to go,”

She slightly deflates, but Harry thinks he’s reading too much into it.

“Actually,” he corrects anyway, just in case he isn’t. “I think I’ll stay for a while,”

Alani flashes a warm smile and nods in the direction of the counter. “Right this way,”

Harry sheds his windbreaker onto the back of the seat, revealing a black and white Rolling Stones t-shirt that makes Alani’s blood pressure rise. A sign, she thinks.

“What do you want in your coffee?” she questions carefully.

“Nothing,” he responds, shaking out his damp hair gently. “Or actually, uh, butter...if you have some,”

Alani blinks, not sure if she’d heard correctly or if there had been some transatlantic miscommunication.

“Butter?”

“Yeah,”

“Like the—”

“Spread, yeah,” Harry confirms. “It’s weird, I know,”

She lets out a light-hearted laugh and nods. “It’s a...unique request,”

“I thought the same thing at first,” Harry confides. “It’s not bad, actually. But maybe I’ve just been in L.A. for too long.”

“I’ll take your word for it.”

She offers a polite smile and heads to the kitchen where the cook and two other waiters talk amongst each other. Alani is grateful that the restaurant is slow this morning because she knows that it means minimal interruptions to her time with Harry. To ensure this, though, she asks one of the other waiters to cover the podium and returns to Harry with his coffee.

“One butter coffee, free of judgement,” the waitress announces, setting it down.

Harry grins softly, stirring the drink with the spoon Alani provided. “You can judge, it’s alright,”

“I just wanna know why,”

The coffee had been part of a fad diet while on tour in order to boost Harry’s energy on stage and stay trim for the hundreds of photo-ops he would be a part of. He doesn’t know how to communicate all of this to Alani, however, not sure how much she knows about that part of him, so he shrugs and tells a simplified version of the truth.

“I read about this trend a while back, it's called bulletproof coffee. Supposed to get your energy up and I needed it for my job,”

“Which is…” Alani trails off, downplaying the knowledge that she had acquired from Google.

“I make music,” is all Harry says and he takes a sip of the drink to avoid elaborating.

“Anything I would have heard?”

He swallows hard and listens to the faint rumbling of thunder outside before replying. “Possibly,”

“Try me,” Alani challenges.

He narrows his eyes and takes another sip of coffee. “Why don’t you tell me something about yourself first?”

“What do you wanna know?”

Everything, Harry responds internally, though he reigns it in. “How you got into waitressing,”

Alani sighs, resting her elbows on the counter across from him. “There’s not much to tell, it’s a family business. What I really wanna do is write,”

“Music?”

“Articles. I’m studying Journalism at UH,”

Harry hums in response, filing the detail away in the back of his mind. “Sounds interesting. You ever publish anything?”

“Not yet,” Alani shakes her head gently, toying with the sleeves of her green University of Hawaii crewneck. “Hopefully soon, though,”

Harry racks his brain for something else to say, but before he can, Alani speaks up again.

“Is it my turn to ask something now?”

He offers a curt nod and stirs his coffee.

“What kind of music do you write?”

Harry chooses to be vague again. “Different stuff. Pop, usually. Been messing with some classic rock, though,”

“Explains the shirt,”

He peers down at the design on his tee and agrees. “Yeah, I guess so,”

“Do you like it?” Alani asks, her eyes begging to make contact with his again. “Writing music, I mean,”

“Yeah,” Harry confirms, tapping his spoon against the rim of the mug. “I really do,”

Alani’s heart pounds. This is her chance, a moment to finally secure her breakthrough piece. She doesn’t know how to approach it, so she opts to dive right in without looking back. The worst he can say is no.

“Can I ask you something else?”

“That’s cheating,” Harry teases lightly. “It's my turn,”

She pouts playfully, but obliges. “Fire away,”

Harry doesn’t know which question to ask first, but when he glances down at the crescent moon inked on her wrist, he decides to start there.

“What’s with the moon tattoo?”

Alani isn’t sure what she expected him to ask and wonders what purpose such a detail could possibly serve him, but she answers anyway.

“Oh, well,” she begins, tracing her index finger over the outline. “It’s kinda the meaning of my full name. It’s Mahealani, Hawaiian for ‘heavenly moon,'”

Fitting, Harry comments to himself. Every detail he learns about her makes him want to learn that much more, from her favorite foods to the last thing she thinks about before falling asleep. Studying her expectant eyes, he suddenly remembers that it’s his turn to respond.

“That’s cool,” is all he says.

Alani doesn’t know what to make of the faraway look in his eye, but she decides to pose her most burning question while he appears to be in good spirits.

“I know this is gonna sound totally out of the blue,” she starts, working past the lump in her throat. “But when you mentioned how you write music, I was just reminded of this assignment I’m working on in my class,”

Harry waits for her to continue, nursing his now lukewarm coffee.

“I’m supposed to write a piece about someone who I don’t know that well,” she continues. “You know, to practice our interviewing skills. And, well, I was just kind of wondering if you might be interested in helping me out—being the subject, I mean,”

Alani had every intention of telling Harry the truth, about how she really planned to submit the article to Rolling Stone in hopes of securing an internship before her college graduation next Spring. But as she started speaking, she quickly realized how it would come off: a complete stranger asking for personal information to submit to a well-known publication. She knew that there was a chance he would shut down and never return, so she lowered the stakes and hoped that this route would be less risky. Was it ethical? Alani hadn’t decided yet, but she would work out the details later. After six failed articles and two years of rejection, she saw a ray of hope and wasn’t going to let it slip away.

Harry ponders her offer for a moment, which confirms that she had recognized him. Normally he would be off-put by such a request, and to a certain extent he is, but there is something sincere in her voice that he trusts deep down. Before he agrees, however, he decides to fish around a bit to test her reaction.

“You know who I am,” he says gently. “Don’t you?”

Alani’s heart drops into the pit of her stomach, not sure what to say next. She hopes with every fiber of her being that she hasn’t upset him, or worse, ruined her chances, so she decides to offer some truth to throw him off her scent.

“My sister recognized you,” she explains. “That day you came in with your friends. I thought they were your bandmates at first,”

This lets Harry know that she isn’t a total stalker, which is comforting, but he wouldn’t have been minded if she were a fan simply engaging in conversation.

“Oh,” he laughs weakly.

“I totally understand if you say no,” Alani offers quickly, trying to smooth things over. “I just thought it was worth a shot. And that it might be more interesting than interviewing our produce guy,”

Harry decides to give her one last scan for any sign of insincerity. He’d always felt that his gut instinct was strong and it hadn’t led him astray thus far.

“An interview?” he clarifies.

“Just one,” Alani promises. “An hour, tops. And you can proofread all of it once I’ve finished, too.”

Harry waits a beat, already knowing his reply, but he wants to see how she will react to his silence. She doesn’t budge, almond eyes set and determined.

“Okay.”

next chapter

[reversecreek]

hi it’s me... clicks across the linoleum of the dash wearing high heels w a spray tan like i’m a member of jersey shore suddenly..... best summary of willa is that she got moira rose as her #1 chara on a What Character Are You Most Like personality test out of thousands of options.... says so much. u can find her pinterest here n her playlist here 😋 like this or hmu fr plots!!

* ashley moore, cis female + she/her  | you know willa deneurve, right? they’re twenty-four, and they’ve lived in irving for, like, most of her life, on and off? well, their spotify wrapped says they listened to watch me by the pom poms like, a million times this year, which makes sense ‘cause they’ve got that whole sticking gold stars over old polaroids until you can barely see faces, dressing as marie antoinette at your high school prom & delivering fake laughter to a bratz doll you’re pretending is a talkshow host thing going on. i just checked and their birthday is august 1st, so they’re a leo, which is unsurprising, all things considered. ( nai, 24, gmt, she/her )

HISTORY:

willa ws born to honestly like….. the perfect family not to honk my own tit bt……………. they were jst rly quite wholesome. her mum celeste was this larger than life person who could never b contained by the four walls of any room she was in. she hd the presence of a gold glitter chess piece on an otherwise mundane wooden board. her dad marlon used to always joke that he had absolutely NO idea how he landed her bc he was just this like. rly average guy by all accounts n purposes….. blended into the sea in high skl……. had a few close friends but was never rly Notable or made a proper impression anywhere…… he always retold it as him coasting thru life until he met her in college. kind of like he’d been half awake before. they just Clicked n no-one cld believe she’d chosen him bt she was jst. completely head over heels n didn’t care what anyone had to say bc that was That

willa always very much took after celeste…… there’s this one quote i remember reading that goes vaguely like “my mom and i would sit and listen to leonard cohen and joni mitchell lyrics together. from a young age i remember her being like "i’m playing this song and when it’s done i want u to tell me what’s happening in it” n she would give me a fake glass of wine when i was 8 and i would listen and b like. i think there was an affair.” which so much summarises their dynamic…… she ws just so like. dramatic n fun n always encouraged that in willa too. her mum was like. everything she aspired to be…… got scouted by a modelling agency in college n shot one campaign before blowing it off simply bc she was bored. starred lead in a play. spent a few weeks travelling asia selling handmade candles shaped like koi fish or curled up foxes or elegantly stretched hands. dated a parisian movie star during a break she and her father took n was featured in tabloids on his arm at the premiere. sm fun n exotic stories willa literally cldn’t get enough. whenever she’d tell them to willa as a kid her dad wld roll his eyes like ohhhhh here she goes again but it’d all b playful n he’d smile bc he honestly cldn’t get enough either. the stuff dreams are made of luv (lizzie mcguire stans rise)

(car accident & death tw) so u know when ur walking down a flight of stairs n then out of nowhere u miss a step n u get that lurch in ur stomach like ur in free fall? yeah. i won’t go into it too much but one night they were driving back from getting frozen yogurt and then suddenly they weren’t. she doesn’t rly remember much about it except for completely ignoring the doctors trying to give her the news and just saying “dad chose pecan. who chooses pecan?” n repeating that over n over n over until it didn’t rly register in her ears as english any more.

willa was uprooted from irving at 11 to go n live w her aunt in NY. this was like. a huge adjustment honestly….. her aunt blanche hd always been a little unconventional bt extremely glamorous. she lived in an old defunct theatre she’d bought out n came from a lot of money. willa’s mum’s side of the family hd always been well off bt celeste opted to live a little more Ordinarily shall we say after settling whereas blanche ws jst balls to the walls dripping w eccentric excess…. wld say she was never naked bc she ws always wearing black opium by yves saint laurent…… probably the living embodiment of la vie boheme….. she’d been admitted a yr early to a rly prestigious parisian design school n is an AMAZING seamstress. a corset she stitched a broadway star into got commissioned fr an actress’ red carpet walk at an indie film festival. rly just lived such a life rich w lots of stories n lots of talent too…… had that star quality essence tht her mum had n that was smthn willa found quite comforting everything considered.

(grief tw) u would think maybe a situation like this (one involving so much sudden change) wld cause a kid of tht age to withdraw into her shell bt willa only came out of her shell MORE. she coped w her situation by spinning it into a celebrity origin story inside her head. the tear jerker tale someone tells during their x factor audition to get the judges rooting for them. mentally streamlining things. repackaging all that hurt as a surefire ticket to success bc it had to be useful for something right? there had to b a point to it right? willa decided the point was she’s a star. KFHSGKFHGFKHGKJSFHG. get it girl….. she ws literally just like ok well clearly i’m destined to be famous n i’m the main character of this story. this story called earth. it’s all about me.

rly heavily immersed herself in her high skl theatre scene……. loved experimenting w fashion n literally wore the most outlandish things like. she treated the hallways like her milan f/w debut every new school yr…… a lot of the things she wore were actual like. costumes frm her aunt’s collection…… she has a multi-story closet u have to climb ladders to reach things in like a very rustic library…. it rly wasn’t uncommon for willa to turn up one day corsetted like a pirate with billowing sleeves or sporting the baby blue gingham of a swedish milk maid. it’s like she literally jst…… became a role. always. every day. the world ws her stage. the cameras were always rolling. her aunt only encouraged this tbh n honestly? icon. we love to see it. willa partied a bunch n rly lived a lax lifestyle where responsibility was concerned…. her aunt ws her best friend…… made rly gd friends with performers in the drag club scene n loved the glitz of that….. lots of wild nights turned grossly bright mornings

snagged an agent fresh into her first yr of college (she gt accepted to a pretty competitive theatre program at [redacted] in NY bc i haven’t looked into what that wld be yet <3 i’m merely a helpless british lass <3) n booked a few commercials n things….. when i say willa wld enter audition rooms like she owned the place i’m rly not exaggerating…. once she turned up to a casting call for MEN n just walked right to the front of the line scraping a random chair along the way n then took a seat w her legs crossed popping a bubble in her gum as they all glared at her like wtf is literally going on who are u. she received several complaints n she was just like “ur all acting so jealous of me….”

i feel like she got a pretty big role in a theatre production in her last yr at school. haven’t decided what yet. maybe smthn rocky horror or even mimi in rent. this was meant to b some like huge moment for willa like yes girl finally making it ur on ur way this is what u wanted n she WAS happy abt it but once it was wrapped she jst had this strange like Huh feeling in her chest……. n a la celeste w all her exciting stories was just like well i’ve done that so what’s next? i think she’d graduate n then jst suddenly decide to move to irving in a fit of impulse. to all her college friends she’d be like “ugh a beach retreat is so necessary honestly the city is sooooooooo toxic this place cld literally enlarge my pores if i wasn’t so rigorous with my skincare routine” bt like 🤔 what u seeking girl? results pending.

SO basically i feel like she finally moved back to irving little over a yr ago. she hd a brief stint starring on a reality tv show tht filmed in one of the larger beach houses where her dog gained a handful of fan accounts dedicated to him……. u maybe will see why in the first bullet point of her personality section………… FKGHKSHFGGKFSHKHG. honestly she ws received pretty well too (mostly bc she’s so fking dramatic n like a caricature of a person) bt it wasn’t anything to warrant actual Fame (despite what willa herself might think). she’s mostly jst like. chilling honestly. accepting scripts n flying out fr auditions still. she’ll nab the occasional part bt she’s looking for that One Thing that rly feels like her big moment….. otherwise i cn just imagine her treating irving like a little dollhouse compared to the roaring mansion of NYC n having fun playing around in it. strikes a pose w a hand on my hip…. and now to personality.

PERSONALITY:

got a very large n lithe greyhound n named him marlene dietrich bc she was a black n white hollywood starlet famously known for her affairs n “bedroom eyes”. willa was like ugh. icon status instantly. didn’t rly foresee the responsibilities tht came w owning a dog tht loves exercise n complains abt him being like “ugh he wants to run soooooooooo much 🙄 like where are u literally going”. having said tht loves him dearly n he can often be seen wearing little clothes. a baby’s bonnet. a quilted leather waistcoat. a custom dog boa. he’s very glamorous. willa calls him a gay icon despite no evidence to support this theory. she also says he can sniff out evil in ppl so she brings him sometimes when she’s first introduced to a friend’s new bf n if his nose quivers a certain way she’s like “marlene has spoken. it’s done”. her friends r like omg? what’s done? willa gets up n walks away without elaborating. marlene’s little paws clicking along the floor w attitude.

literally dressed as marie antoinette for her high skl prom even tho there was no theme pertaining to this. jst loves the spotlight. can fake cry and WILL to get out of a parking ticket or teach someone to watch their tone or even simply for the theatrics of it all. the Most dramatic………….. rly fits being an actress like when people find out what she does it’s very like oh that makes sense.

says she doesn’t get hangovers. she’s just like “i revoked that it doesn’t happen to me”. alludes tht this is bc she’s an all powerful deity that was Chosen to be Blessed bt really she’s jst great at bouncing back n acting fine even w a blistering headache. it’s about believing the performance so much that u even convince urself.

has an extremely elevated sense of self importance bc this is kind of the equivalent of several layers of bubble wrap to cushion her frm the world. strives to b extraordinary bc ordinary honestly feels like a death sentence n there’s nothing she’d want to b seen as less. despite this weight she puts on that she rly doesn’t tend to let ppl’s opinions affect fr the most part like she’s quite firmly set in this I’m Literally The Most Gorgeous And Beautiful Angel Star Creature To Walk This Narsty Little Earth view

probably an incredibly big fan of dramatic short lived love affairs. she wants the glamour of it all. the scandal. the randomly breaking up w someone in a public place n sliding on sunglasses after delivering the words over a freshly ordered coffee (tht she’ll leave without drinking bc that’s star power babey she waits fr no man or no hot beverage)…….. has no preference gets w any n all regardless of gender……… romanticises things so they hv a better spin or story in her head n doesn’t rly take things seriously like jst has fun in her fantasy world…. she’s like ugh chuck i know u wanted to marry me but i’m a beautiful bird in a cage n u literally need to undo the latch n set me free……. the guy’s like……. my name’s chase n we’ve only been on two dates….. willa’s like…… please don’t take this so hard i can tell ur besides urself but people r starting to stare……. gets up n leaves. no-one was staring. chase is confused n honestly probably semi concerned fr her welfare.

always has to b the hottest n most glamorous person in a grocery store…. probably goes to them when she doesn’t even need anything jst holding a basket nonchalantly over her forearm glancing over at a cashier in her wizard of oz corset seamed interpretation on a dorothy dress thinking he wants me soooo bad it’s not even funny….. seduces him over the check out counter jst for him to ask her to come back to his so she can lean back scandalised n cry “IS THAT THE KIND OF WOMAN U THINK I AM, PAUL?! YOU’RE A GHASTLY LITTLE MAN, YOU ARE….” with all the gusto of a telenovela. attracts the shocked glances of all surrounding elderly.

speaks fluent french. probably on her brief stint on tht reality show i mentioned earlier was like “ugh can you believe Deneurve of this guy?” n in her head was like this catchphrase is sensational it’ll catch on fast the twittersphere is abt to implode but it didn’t become a thing except for in a small isolated community. despite this she’s like “yeah it went viral….. go figure. just another day in the life.”

honestly like a lot of fun bt also a huge handful at the same time. keeps her real Serious emotions in a locked box bt is always overflowing w melodramatics n rly giving her all at the drop of a hat where Performing is concerned. probably Loves parties n sees them as another form of production in which she wants to b the lead. rly just. loves herself. except does she? 🤔 lifts my hand up like rihanna n winks. find out next time. lucky by britney plays as i slowly disintegrate in spiderman rp…..

WANTED CONNECTIONS

unrequited flame: willa burns thru people like matches. bright n fast. honestly i feel like she struggles to take romance seriously so it cld be fun to play around with someone who’s been singed by that in the past…. mayb they hd actual feelings whereas willa was just messing around n having fun…. living la vida loca so to speak…….. we can discuss a time frame or specifics to expand upon this but. sexy angst perhaps.

those she knew from childhood: willa moved to NY at 11 n i feel like it was very sudden n soon after the accident. maybe she didn’t even say goodbye. maybe they were rly close n all of a sudden she didn’t show up to school the next day n when they rode past her house on their bike the sign said sold and that was that. honestly very dramatic of her even at a young age. we love a disappearing act. houdini who?

acting rival: honestly jst feel like this cld be funny. willa’s so dramatic she’d be like i literally want them dead they’re a despicable little gremlin fr trying to steal my spotlight. cld be as simple as having auditioned a few times fr the same parts or something.

childhood sweetheart: i think it cld be rly cute n sad if there was someone that kind of echoed the dynamic her mum n dad had except she was the celeste n they were the marlon…. (open to any gender)…….. so like. willa was always very larger than life commanding attention in a room n they were more to the sidelines but they just kind of got each other n brought out the best in one another. added angst to the fact tht willa wld maybe want to avoid them as much as possible now bc it dredges up feelings she doesn’t want to confront where her parents r concerned n also in a way any possibility of them winding up together feels like sellotaping an expiration date to both of their foreheads in willa’s brain

someone who was either a fan of or also on the reality show willa was: i imagine it like a reinvention of the hills honestly except based in these irving beach houses…. probably didn’t run that long bt there was a bunch of drama on it mostly staged…… maybe they were willa’s love interest bt it was all fake fr the cameras…… it wasn’t like. a huge deal n didn’t rly catch flight so much where popularity’s concerned bt. cld be fun to play with <3

patti frands: jogs in high knees to translate that into party friends as i adjust my spectacles. willa’s very sociable bt she’s also like kind of full of herself n obnoxious so do with that what u will. KFHGKSHGKGHFSKG. she knows hw to have a gd time tho like growing up she was rly into the gay club scene n the drag scene in NY so like. let’s hear it fr the gays who know how to do it right <3

someone equally over the top: i luv the idea of willa having someone who just like runs with made up scenarios n roles she makes up on the spot n them hanging out is like a 24/7 improv session tht they reel random surrounding strangers just fr the fun thrill

the other woman: willa is quite detached n selfish so she wld easily be the other woman in a relationship n not care about it n this cld make for good spice <3

[hlupdate]

So what does a young superstar spend his time thinking about? Classic rock, mostly, along with the occasional movie or TV show. Harry Styles has always been a voracious scholar of pop history — the kind of guy who obsesses over John and Yoko album covers and Fleetwood Mac deep cuts. “We’re all just fans,” he says. “I’m just a music fan who happens to make some.” These are just a few of Harry’s favorite things — some influences, some inspirations, some heroes.

Listen along to our Harry Styles playlist here.

Van Morrison The Irish blues bard was down and out in Boston when he wrote his brooding 1968 song cycle Astral Weeks. “It’s my favorite album ever,” Harry says. “Completely perfect.” Harry recently posed with his idol for a backstage photo — inspiring Van to smile, which doesn’t happen too often. The grin is so out of character for Van, Harry jokes, “I was tickling him behind his back.” (He’s kidding, obviously.) On his first tour, before going onstage, he played “Madame George” over the speakers — the epic ballad of a Belfast drag queen. “‘Madame George’ is one of my favorites — nine minutes. I’ve got some long songs but not my nine-minute one — it hasn’t quite come through yet.”

Joni Mitchell Harry got so obsessed with her 1971 classic Blue, he went on a quest. “I was in a big Joni hole,” he says. “I kept hearing the dulcimer all over Blue. So I tracked down the lady who built Joni’s dulcimers in the Sixties. She still lives around here.” He not only found her, she invited him over. “I went to her house and she gave me a little lesson — we sat around and played dulcimers.” She built the dulcimer Harry plays on his new album. “Blue and Astral Weeks, that’s just the ultimate in terms of songwriting. Melody-wise, they’re in their own lane. Joni and Van, their freedom with melodies — it’s never quite what you thought was coming, yet it’s always so great.”

Etta James The hard-living R&B legend could do it all, from raw Chess blues to pop-soul torch ballads. Harry is a devotee of her 1960 debut album At Last! “This whole album is perfect. On that record you have ‘I Just Want to Make Love to You’ going right into ‘At Last,’ which has to be one of the greatest one-twos ever. Her ad libs are so intense. It’s like, ‘Come on, Etta — tell us how you really feel.’”

Wings Paul McCartney’s 1970s band left behind a slew of shaggy art-pop oddities. Harry swears by London Town and Back to the Egg. “While I was in Tokyo I used to go to a vinyl bar, but the bartender didn’t have Wings records. So I brought him Back to the Egg. ‘Arrow Through Me,’ that was the song I had to hear every day when I was in Japan.” The 1971 suite Ram was divisive for Beatles fans at the time, but for Harry it was a psychedelic experience: while making the album, he and his band enjoyed it while lying out in the sunshine on mushrooms. “I love Ram so much — I used to think it was a mixed bag, but that’s part of its beauty. And the one that’s just called McCartney, with the cherries on the cover and ‘The Lovely Linda’ on it.”

John & Yoko: Above Us Only Sky Documentary A deep dive into the world of John Lennon and Yoko Ono, during the making of Imagine. “I watched Above Us Only Sky on Netflix,” Harry says. “Seeing him play ‘Imagine’ on piano made me want to take piano lessons.” One of his favorite Lennon songs: “Jealous Guy,” especially the Donnie Hathaway cover. “Have you ever heard the original version of ‘Jealous Guy’? It was called ‘Child of Nature.’ Every time I play ‘Jealous Guy,’ I can’t help singing ‘Child of Nature.’ I really like Mind Games too. My favorite-ever album cover is the John and Yoko Live Peace in Toronto. So beautiful: it’s blue sky with one cloud, and that’s it.”

Carole King For a playback of his new music, Harry arranges to listen at Henson Studios in Hollywood, which used to be the old A&M Studios, in Studio B. Why? “It’s the room where Carole King recorded Tapestry.” Obsessive pop scholar that he is, Harry reveres King as both a singer and songwriter. His favorite: “So Far Away.” “How do people make shit like this?”

Crosby, Stills and Nash These three hippie balladeers summed up the mellow West Coast soft-rock vibe, despite their chemical wreckage. (For the full story, see the great new band bio by Rolling Stone’s David Browne.) “Those harmonies, man,” Harry says. “‘Helplessly Hoping’ is the song I would play if I had three minutes to live. It’s one of my ‘one more time before I go’–type songs.”

The Other Two TV Series He’s a big fan of the Comedy Central series. “It’s a brother and a sister — they’re the Two — and their younger brother becomes a viral YouTube sensation. He’s a Justin Bieber–type thing. He’s 13, and it’s basically those two dealing with that. It’s really funny.” (He’s got a thing for absurdist pop scenes like this — he also recommends the documentary When the Screaming Stops, about a bizarre reunion gig from the Eighties twin-brother duo Bros.)

Paul Simon “50 Ways to Leave Your Lover,’ that’s the greatest verse melody ever written, in my opinion,” Harry says. “So minimal, but so good — that drum roll. ‘The Boxer’ is a perfect lyric, especially that first verse.” Paul Simon was one of his childhood soundtracks, with or without Art Garfunkel. “I grew up in a pub for a few years when I was a kid and Simon and Garfunkel were just constantly playing, always. Every time ‘Cecilia’ started, I’d be like, ‘I think I’ve heard this a hundred times today.’”

Hall and Oates “For my 21st birthday, I had a big party, and I convinced myself I really wanted Hall and Oates to play. I knew it wasn’t going to happen — I just had to ask. But just a few months before, they went into the Rock and Roll Hall of Fame, so whatever it was, it was now three times as much as it used to be. Their rate just tripled — ah, fuck.”

Peter Gabriel, “Sledgehammer” Video “The greatest music video ever. I also love that Eighties synth pan-whistle sound — it basically just exists in this song and ‘My Heart Will Go On.’”

Elvis Presley “The first music I ever heard was Elvis Presley. When I was little, we got a karaoke machine and I sang Elvis, because that’s what my grandparents listened to. I made my grandfather a tape of me doing Elvis songs on one side and all Eminem on the other side. Unfortunately, I accidentally played him the wrong side.”

Harry Nilsson The legendary L.A. eccentric could croon middle-of-the-road hit ballads like “Without You,” but also a crazed weirdo who caroused with John Lennon and pursued his own lunatic pop fantasies. In other words, Harry Styles’ type of guy. “I think of all the great songwriters I love — but they all had their pop songs. Joni Mitchell with ‘Help Me,’ Paul Simon with ‘You Can Call Me Al,’ Harry Nilsson with ‘Coconut.’ You have to conquer the fear of pop.”

Stevie Nicks The Gold Dust Woman and her “little muse” are everybody’s favorite rock friendship. At the Hall of Fame ceremony in March, the sight of Harry dropping to one knee as he hands the award to a radiant Stevie — one of the iconic cross-generational images of our time. They first sang together in L.A. two years ago, when she made a surprise guest appearance at one of his first solo shows. “One of my favorite-ever musical memories. We sang ‘Landslide’ as a soundcheck, and that was even cooler for me than the show — just me and her, in an empty Troubadour.”

They just sang “Landslide” at a Gucci event in Rome, with Harry hitting impossible high notes on the final “snooooow-covered hills.” “We practiced in the dressing room,” he says. He’s got the rehearsal footage on his phone — when he hits that note, guitarist Waddy Wachtel is too stunned to keep playing. “That’s my favorite bit,” Harry says. “Practicing the song together. Just the two of us.”

[aion-rsa]

Dash & Lily Review (Spoiler-Free)

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This Dash & Lily review contains no spoilers.

With a big, beating heart and a surprising amount of insight, Netflix’s series Dash & Lily is here to remind us of the world outside and the magical feeling of falling in love in the “before-time.” Based on the young adult book series Dash & Lily’s Book of Dares from Rachel Cohn and David Levithan (who wrote Nick & Norah’s Infinite Playlist) Dash & Lily continues in the proud tradition of Netflix romcoms and Netflix holiday fare of small-scale stories with warmth. 

Lily (Midori Francis of Good Boys, Ocean’s 8), a shy teenager who’s sick of being the only one without a partner, optimistically puts a red moleskin notebook in New York’s famous Strand bookstore among some of her favorite books (Salinger) for a fellow bookworm to find. Inside the book is a puzzle and a dare, which heartbroken loner Dash (Austin Abrams of Euphoria, The Walking Dead) finds and is eager to solve. That sets off a series of back and forth challenges and an ongoing conversation via the notebook, which travels throughout the city, as the two fall for one another and try to convince each other that their view of Christmas (Lily is firmly pro, Dash is surrounded by Christmas breakups and therefore anti) is the correct one. 

The lead performances make a huge difference here – it’s not hard to imagine a version of the show where Dash never stops being a sad, pedantic quart-life crisis Gen Z Kevin McAllister. Luckily, Austin Abrams quickly brings charm and vulnerability to the role and does his damndest to give Chris Evans a run for his cable-knit money. Midori Francis has a quiet, grounded internal strength as a performer that commands attention. Lily’s great-aunt Mrs. Basil E (Jodi Long, Sullivan & Son), the show’s version of a fairy godmother and possibly the only useful adult in the series, is an excellent addition who gets just the right amount of screen time. Dash’s best friend Boomer (Dante Brown) brings a fun spoiler-y element. 

Netflix is a thoughtful step above the Christmas competitors in a few ways. Small surprises and red herrings make the viewing experience genuinely delightful, especially for a genre that’s expected to be predictable, and the presence of genuine character arcs can’t be oversold. Diversity informs the story in a number of aspects that might seem small to some but will make others feel seen. While other channels struggle with inclusion in their Christmas offerings, Netflix effortlessly incorporates Lily’s heritage and has a Hanukkah episode, still a rarity for the genre. Several LGBTQ characters populate the story, in addition to Lily’s brother Langston (Troy Iwata, Be More Chill on Broadway), his romantic interest Benny (Diego Guevara, Strapped for Danger), and their shot at romance.

The writers also flex their muscles when it comes to character development. Lily actually has real reasons for being shy that move the story forward, rather than having “shy pretty girl” as her entire personality. Dash says he dislikes Christmas because of a breakup, but it doesn’t take long to see that there’s more under the surface there. Dash & Lily benefits from the longer runtime of a show versus a movie, but wisely keeps it moving with eight brisk episodes that clock in at roughly 22 minutes each. 

Well aware of the legacy it steps into, Dash & Lily plays with elements of You’ve Got Mail and Sleepless and Seattle, where the protagonists spend much of the film apart, managing to pack in plenty of genuine romance and butterfly-level chemistry in spite of that constraint. A scene with the leads unknowingly listening to Fairytale of New York from The Pogues in split screen feels like a knowing ode to When Harry Met Sally’s scene with the leads watching Casablanca together but apart, over the phone. 

As with most book adaptations, the world of Dash and Lily’s version of New York feels lived in, helped along by filming on location. The running gag of Collation, the fake Pixar movie about a stapler and a stack of papers who fall in love, is one of the better details. Unlike Holidate, Dash & Lily has a sweeter, more magical worldview that puts it squarely in the young adult category, and also makes it just right for escaping real-world anxiety at the most magical time of the year. Like Nick & Norah before it, Dash & Lily features and underground music show, a bookish girl trying to come out of her shell, a lanky guy pursuing her, and a stellar soundtrack.

The soundtrack to Netflix movies is often memorable, like Something Great and Let it Snow, and here it’s a mix of classics and fresh picks. Joni Mitchell’s River plays a key role in the story, serving as a touchpoint that we revisit from different characters’ perspectives. The Waitress’s offbeat favorite Christmas Wrapping is a spiritual cool aunt to Dash & Lily. Audiences of any age will hear at least one tune they’ll want to add to their Christmas mix. 

There’s not much to dislike here, other than the overall flavor. YA Christmas romance is likely too saccharine for some, but that should be clear from the preview. One cameo goes so far beyond stunt casting that it threatens to grind the entire proceeding to a halt. Truly the only way to get over it is to simply pretend it never happened, so the show does, and I recommend you do as well. Both leads have other potential love interests, and while Dash’s is handled with surprising maturity, the script can’t seem to decide what to do with Lily’s, leaving him halfway between jerk and the lead. 

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Similar to To All the Boys I’ve Loved Before in tone and Juliet Naked for the way it can make you want to fall back in love with someone through the written word, Dash & Lily is worth a watch even as a non-Christmas show. The highest praise for a show in the year 2020 is that it actually made me forget COVID while watching, rather than constantly wishing they were wearing masks or worrying that people weren’t sitting far enough apart. If you’re hoping to lose yourself in some bonafide Christmas magic, Dash & Lily has you covered.

The post Dash & Lily Review (Spoiler-Free) appeared first on Den of Geek.

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[thesnhuup]

Pop Picks – June 15, 2020

What I’m reading: 

I am almost in despair for the way the pandemic has reduced my reading time, some combination of longer days, lack of plane time, and mental distraction, I think. However, I just finished Marguerite Yourcenar’s magisterial Memoirs of Hadrian, a historical novel, though I hesitate to call it that because A) she would likely reject the term, B) it is so much more, and C) it stands among the towering pieces of mid-century literature for so many. It’s that last point about which I feel so sheepish. As a reasonably well-read person, how did I miss this one? It is a work of stunning achievement (don’t miss her exhaustive bibliography or end notes), highly refined style, and as much philosophy as anything else. It won’t be for everyone and you have to power through the first chapter, but it is a remarkable book. I’m intrigued to use it as a reading on leadership.

What I’m watching:

When I can finally turn off the computer screen, I find myself drawn to the television screen for its less demanding passivity. Pat and I absolutely reveled in the ten-minute installments of State of the Union (Sundance Channel), written by Nick Hornby, one of my favorite writers. It is stunningly good – witty, smart, warm, painful, and powered by the chemistry of its two utterly charming leads, Rosamund Pike and Chris O’Dowd. It’s just two people – funny and smart – trying to salvage their marriage and talking, in ten-minute snippets, in a pub and no one writes dialogue like Hornby. We devoured it. If you asked me to watch two people talk about their marriage for 100 minutes, I’d have said ���no thanks.” But this was sheer, unequivocal delight. And because all great comedy is closely related to tragedy, there is more substance and depth and complexity here than sheer delight might suggest.  

I don’t usually do two recommendations in my categories, but we also watched Spike Lee’s Da 5 Bloods. It is long, flawed, and uneven – but Spike Lee remains one of our most brilliant directors and Delroy Lindo already has my vote for Best Male Actor for his Shakespearian performance as one of the four buddies who go back to Vietnam to reclaim treasure, find the remains of their friend, and address the trauma of the war they fought then and the war fought against them as Black men in America. Even flawed Spike Lee is better than 95% of what makes it onto the screen and while made before George Floyd’s death, it feels so well suited for the time. Powerful.

What I’m listening to: 

Protest music. Chronological and cleaned up for listening at home (if we could include the f-word, it would be a lot longer (see Nipsey Hussle or Kendrick Lamar), Pat put it together and you can find the playlist here: https://open.spotify.com/playlist/3z1W5Dbfcn7F9LBFcayTqa?si=u2oxkMTkSFef7_sQy3cNXw

Archive 

April 1, 2020

What I’m listening to: 

Out of nowhere and 8 years since his last recording, Bob Dylan last Thursday dropped a new single, the 17-minute (the longest Dylan song ever) “Murder Most Foul.” It’s ostensibly about the murder of President John F. Kennedy, but it’s bigger, more incisive, and elegiac than that alone. The music is gorgeous, his singing is lovely (a phrase rarely used for Dylan even in his prime), and he shows why he was deserving of his 2016 Nobel Prize in Literature. It’s worth listening to again and again. The man is a cultural treasure and as relevant as ever.

What I’m reading: 

The Milkman by Anna Burns, the 2018 Booker Prize winner, felt like slow going for the first bit, a leisurely stream of consciousness (not my favorite thing) first person tale of an adolescent girl during “the troubles” in 1970’s Northern Ireland. And then enough plot emerges to pull the reader along and tie the frequent and increasingly delightful digressions into the psychology of terror, sexual threat, adolescence, and a community (and world) that will create your narrative and your identity no matter what you know and believe about yourself. It’s layered, full of black humor, and powerful. It also somehow resonates for our times, where we navigate a newfound dread. It’s way more enjoyable than I just made it sound. One of my favorite reads of this young year.

What I’m watching:

I escaped back in time and started re-watching the first season of The West Wing. It is a vision – nostalgic, romantic, perhaps never true – of political leadership driven by higher purpose, American ideals, and moral intelligence. It does not pretend that politics can’t be craven, self-serving, and transactional, but the good guys mostly win in The West Wing, the acting is delightful, and Sorkin’s dialogue zings back and forth in the way of classic Hollywood movies of the 50s – smart, quick, funny. It reminds me – as has often happened during our current crisis – that most people are good and want their community to be a better place. When we appeal to our ideals instead of our fears, we are capable of great things. It’s a nice escape.

February 3, 2020

What I’m listening to: 

Spending 21 hours on airplanes (Singapore to Tokyo to Boston) provides lots of time for listening and in an airport shop I picked up a Rolling Stones magazine that listed the top ten albums of the last ten years. I’ve been systematically working through them, starting with Kanye West’s My Beautiful Dark Twisted Fantasy. I just don’t know enough about hip hop and rap to offer any intelligent analysis of the music, and I have always thought of Kanye as kind of crazy (that may still be true), but the music is layered and extravagant and genre-bending. The lyrics seem fascinating and self-reflective, especially around fame and excess and Kanye’s specialty, self-promoting aggrandizement. Too many people I know remain stuck in the music of their youth and while I love those songs too, it feels important to listen to today’s music and what it has to tell us about life and lives far different than our own. And in a case like Twisted Fantasy, it’s just great music and that’s its own justification.

What I’m reading: 

I went back to an old favorite, Richard Russo’s Straight Man. If you work in academia, this is a must-read and while written 22 years ago, it still rings true and current. The “hero” of the novel is William Henry Devereaux Jr., the chair of the English Department in a second-tier public university in small-town Pennsylvania. The book is laugh aloud funny (the opening chapter and story about old Red puts me in hysterics every time I read it) and like the best comedy, it taps into the complexity and pains of life in very substantial ways. Devereaux is insufferable in most ways and yet we root for him, mostly because A) he is so damn funny and B) is self-deprecating. But there is also a big heartedness in Russo’s writing and a recognition that everyone is the protagonist of their own story, and life’s essential dramas play out fully in the most modest of places and for the most ordinary of people. 

What I’m watching:

I can’t pretend to have an abiding interest in cheerleading, but I devoured the six-episode Netflix series Cheer, about the cheerleading squad at Navarro College, a small two-year college in rural Texas that is a cheerleading powerhouse, winning the National Championship 14 times under the direction of Coach Monica Aldama, the Bill Belichick of cheering. I have a new respect and admiration for the athleticism and demands of cheering (and wonder about the cavalier handling of injuries), but the series is about so much more. It’s about team, about love, about grit and perseverance, bravery, trust, about kids and growing up and loss, and…well, it’s about almost everything and it will make you laugh and cry and exult. It is just terrific.

January 2, 2020

What I’m listening to: 

I was never really an Amy Winehouse fan and I don’t listen to much jazz or blue-eyed soul. Recently, eight years after she died at only 27, I heard her single Tears Dry On Their Own and I was hooked (the song was on someone’s “ten things I’d want on a deserted island” list). Since then, I’ve been playing her almost every day. I started the documentary about her, Amy, and stopped. I didn’t much like her. Or, more accurately, I didn’t much like the signals of her own eventual destruction that were evident early on. I think it was D. H. Lawrence that once said “Trust the art, not the artist.” Sometimes it is better not to know too much and just relish the sheer artistry of the work. Winehouse’s Back to Black, which was named one of the best albums of 2007, is as fresh and painful and amazing 13 years later.

What I’m reading: 

Alan Bennett’s lovely novella An Uncommon Reader is a what-if tale, wondering what it would mean if Queen Elizabeth II suddenly became a reader. Because of a lucked upon book mobile on palace grounds, she becomes just that, much to the consternation of her staff and with all kinds of delicious consequences, including curiosity, imagination, self-awareness, and growing disregard for pomp. With an ill-framed suggestion, reading becomes writing and provides a surprise ending. For all of us who love books, this is a finely wrought and delightful love poem to the power of books for readers and writers alike. Imagine if all our leaders were readers (sigh).

What I’m watching:

I’m a huge fan of many things – The National, Boston sports teams, BMW motorcycles, Pho – but there is a stage of life, typically adolescence, when fandom changes the universe, provides a lens to finally understand the world and, more importantly, yourself, in profound ways. My wife Pat would say Joni Mitchell did that for her. Gurinder Chadha’s wonderful film Blinded By The Light captures the power of discovery when Javed, the son of struggling Pakistani immigrants in a dead end place during a dead end time (the Thatcher period, from which Britain has never recovered: see Brexit), hears Springsteen and is forever changed. The movie, sometimes musical, sometimes comedy, and often bubbling with energy, has more heft than it might seem at first. There is pain in a father struggling to retain his dignity while he fails to provide, the father and son tension in so many immigrant families (I lived some of that), and what it means to be an outsider in the only culture you actually have ever known. 

November 25, 2019

My pop picks are usually a combination of three things: what I am listening to, reading, and watching. But last week I happily combined all three. That is, I went to NYC last week and saw two shows. The first was Cyrano, starring Game of Thrones superstar Peter Dinklage in the title role, with Jasmine Cephas Jones as Roxanne. She was Peggy in the original Hamilton cast and has an amazing voice. The music was written by Aaron and Bryce Dessner, two members of my favorite band, The National, with lyrics by lead singer Matt Berninger and his wife Carin Besser. Erica Schmidt, Dinklage’s wife, directs. Edmond Rostand’s 1897 play is light, dated, and melodramatic, but this production was delightful. Dinklage owns the stage, a master, and his deep bass voice, not all that great for singing, but commanding in the delivery of every line, was somehow a plaintive and resonant counterpoint to Cephas Jones’ soaring voice. In the original Cyrano, the title character’s large nose marks him as outsider and ”other,” but Dinklage was born with achondroplasia, the cause of his dwarfism, and there is a kind of resonance in his performance that feels like pain not acted, but known. Deeply. It takes this rather lightweight play and gives it depth. Even if it didn’t, not everything has to be deep and profound – there is joy in seeing something executed so darn well. Cyrano was delightfully satisfying.

The other show was the much lauded Aaron Sorkin rendition of To Kill a Mockingbird, starring another actor at the very top of his game, Ed Harris. This is a Mockingbird for our times, one in which iconic Atticus Finch’s idealistic “you have to live in someone else’s skin” feels naive in the face of hateful racism and anti-Semitism. The Black characters in the play get more voice, if not agency, in the stage play than they do in the book, especially housekeeper Calpurnia, who voices incredulity at Finch’s faith in his neighbors and reminds us that he does not pay the price of his patience. She does. And Tom Robinson, the Black man falsely accused of rape – “convicted at the moment he was accused,” Whatever West Wing was for Sorkin – and I dearly loved that show – this is a play for a broken United States, where racism abounds and does so with sanction by those in power. As our daughter said, “I think Trump broke Aaron Sorkin.” It was as powerful a thing I’ve seen on stage in years.  

With both plays, I was reminded of the magic that is live theater. 

October 31, 2019

What I’m listening to: 

It drove his critics crazy that Obama was the coolest president we ever had and his summer 2019 playlist on Spotify simply confirms that reality. It has been on repeat for me. From Drake to Lizzo (God I love her) to Steely Dan to Raphael Saadiq to Sinatra (who I skip every time – I’m not buying the nostalgia), his carefully curated list reflects not only his infinite coolness, but the breadth of his interests and generosity of taste. I love the music, but I love even more the image of Michelle and him rocking out somewhere far from Washington’s madness, as much as I miss them both.

What I’m reading: 

I struggled with Christy Lefteri’s The Beekeeper of Aleppo for the first 50 pages, worried that she’d drag out every tired trope of Mid-Eastern society, but I fell for her main characters and their journey as refugees from Syria to England. Parts of this book were hard to read and very dark, because that is the plight of so many refugees and she doesn’t shy away from those realities and the enormous toll they take on displaced people. It’s a hard read, but there is light too – in resilience, in love, in friendships, the small tender gestures of people tossed together in a heartless world. Lefteri volunteered in Greek refugee programs, spent a lot of interviewing people, and the book feels true, and importantly, heartfelt.

What I’m watching:

Soap opera meets Shakespeare, deliciously malevolent and operatic, Succession has been our favorite series this season. Loosely based on the Murdochs and their media empire (don’t believe the denials), this was our must watch television on Sunday nights, filling the void left by Game of Thrones. The acting is over-the-top good, the frequent comedy dark, the writing brilliant, and the music superb. We found ourselves quoting lines after every episode. Like the hilarious; “You don’t hear much about syphilis these days. Very much the Myspace of STDs.” Watch it so we can talk about that season 2 finale.

August 30, 2019

What I’m listening to: 

I usually go to music here, but the New York Times new 1619 podcast is just terrific, as is the whole project, which observes the sale of the first enslaved human beings on our shores 400 years ago. The first episode, “The Fight for a True Democracy” is a remarkable overview (in a mere 44 minutes) of the centrality of racism and slavery in the American story over those 400 years. It should be mandatory listening in every high school in the country. I’m eager for the next episodes. Side note: I am addicted to The Daily podcast, which gives more color and detail to the NY Times stories I read in print (yes, print), and reminds me of how smart and thoughtful are those journalists who give us real news. We need them now more than ever.

What I’m reading: 

Colson Whitehead has done it again. The Nickel Boys, his new novel, is a worthy successor to his masterpiece The Underground Railroad, and because it is closer to our time, based on the real-life horrors of a Florida reform school, and written a time of resurgent White Supremacy, it hits even harder and with more urgency than its predecessor. Maybe because we can read Underground Railroad with a sense of “that was history,” but one can’t read Nickel Boys without the lurking feeling that such horrors persist today and the monsters that perpetrate such horrors walk among us. They often hold press conferences.

What I’m watching:

Queer Eye, the Netflix remake of the original Queer Eye for the Straight Guy some ten years later, is wondrously entertaining, but it also feels adroitly aligned with our dysfunctional times. Episode three has a conversation with Karamo Brown, one of the fab five, and a Georgia small town cop (and Trump supporter) that feels unscripted and unexpected and reminds us of how little actual conversation seems to be taking place in our divided country. Oh, for more car rides such as the one they take in that moment, when a chasm is bridged, if only for a few minutes. Set in the South, it is often a refreshing and affirming response to what it means to be male at a time of toxic masculinity and the overdue catharsis and pain of the #MeToo movement. Did I mention? It’s really fun.

July 1, 2019

What I’m listening to: 

The National remains my favorite band and probably 50% of my listening time is a National album or playlist. Their new album I Am Easy To Find feels like a turning point record for the band, going from the moody, outsider introspection and doubt of lead singer Matt Berninger to something that feels more adult, sophisticated, and wiser. I might have titled it Women Help The Band Grow Up. Matt is no longer the center of The National’s universe and he frequently cedes the mic to the many women who accompany and often lead on the long, their longest, album. They include Gail Ann Dorsey (who sang with Bowie for a long time), who is amazing, and a number of the songs were written by Carin Besser, Berninger’s wife. I especially love the Brooklyn Youth Chorus, the arrangements, and the sheer complexity and coherence of the work. It still amazes me when I meet someone who does not know The National. My heart breaks for them just a little.

What I’m reading: 

Pat Barker’s The Silence of the Girls is a retelling of Homer’s Iliad through the lens of a captive Trojan queen, Briseis. As a reviewer in The Atlantic writes, it answers the question “What does war mean to women?” We know the answer and it has always been true, whether it is the casual and assumed rape of captive women in this ancient war story or the use of rape in modern day Congo, Syria, or any other conflict zone. Yet literature almost never gives voice to the women – almost always minor characters at best — and their unspeakable suffering. Barker does it here for Briseis, for Hector’s wife Andromache, and for the other women who understand that the death of their men is tragedy, but what they then endure is worse. Think of it ancient literature having its own #MeToo moment. The NY Times’ Geraldine Brooks did not much like the novel. I did. Very much.

What I’m watching: 

The BBC-HBO limited series Years and Years is breathtaking, scary, and absolutely familiar. It’s as if Black Mirrorand Children of Men had a baby and it precisely captures the zeitgeist, the current sense that the world is spinning out of control and things are coming at us too fast. It is a near future (Trump has been re-elected and Brexit has occurred finally)…not dystopia exactly, but damn close. The closing scene of last week’s first episode (there are 6 episodes and it’s on every Monday) shows nuclear war breaking out between China and the U.S. Yikes! The scope of this show is wide and there is a big, baggy feel to it – but I love the ambition even if I’m not looking forward to the nightmares.

May 19, 2019

What I’m listening to: 

I usually go to music here, but I was really moved by this podcast of a Davis Brooks talk at the Commonwealth Club in Silicon Valley: https://www.commonwealthclub.org/events/archive/podcast/david-brooks-quest-moral-life.  While I have long found myself distant from his political stance, he has come through a dark night of the soul and emerged with a wonderful clarity about calling, community, and not happiness (that most superficial of goals), but fulfillment and meaning, found in community and human kinship of many kinds. I immediately sent it to my kids.

What I’m reading: 

Susan Orlean’s wonderful The Library Book, a love song to libraries told through the story of the LA Central Library.  It brought back cherished memories of my many hours in beloved libraries — as a kid in the Waltham Public Library, a high schooler in the Farber Library at Brandeis (Lil Farber years later became a mentor of mine), and the cathedral-like Bapst Library at BC when I was a graduate student. Yes, I was a nerd. This is a love song to books certainly, but a reminder that libraries are so, so much more.  It is a reminder that libraries are less about a place or being a repository of information and, like America at its best, an idea and ideal. By the way, oh to write like her.

What I’m watching: 

What else? Game of Thrones, like any sensible human being. This last season is disappointing in many ways and the drop off in the writing post George R.R. Martin is as clear as was the drop off in the post-Sorkin West Wing. I would be willing to bet that if Martin has been writing the last season, Sansa and Tyrion would have committed suicide in the crypt. That said, we fans are deeply invested and even the flaws are giving us so much to discuss and debate. In that sense, the real gift of this last season is the enjoyment between episodes, like the old pre-streaming days when we all arrived at work after the latest episode of the Sopranos to discuss what we had all seen the night before. I will say this, the last two episodes — full of battle and gore – have been visually stunning. Whether the torches of the Dothraki being extinguished in the distance or Arya riding through rubble and flame on a white horse, rarely has the series ascended to such visual grandeur.

March 28, 2019

What I’m listening to: 

There is a lovely piece played in a scene from A Place Called Home that I tracked down. It’s Erik Satie’s 3 Gymnopédies: Gymnopédie No. 1, played by the wonderful pianist Klára Körmendi. Satie composed this piece in 1888 and it was considered avant-garde and anti-Romantic. It’s minimalism and bit of dissonance sound fresh and contemporary to my ears and while not a huge Classical music fan, I’ve fallen in love with the Körmendi playlist on Spotify. When you need an alternative to hours of Cardi B.

What I’m reading: 

Just finished Esi Edugyan’s 2018 novel Washington Black. Starting on a slave plantation in Barbados, it is a picaresque novel that has elements of Jules Verne, Moby Dick, Frankenstein, and Colson Whitehead’s Underground Railroad. Yes, it strains credulity and there are moments of “huh?”, but I loved it (disclosure: I was in the minority among my fellow book club members) and the first third is a searing depiction of slavery. It’s audacious, sprawling (from Barbados to the Arctic to London to Africa), and the writing, especially about nature, luminous. 

What I’m watching: 

A soap opera. Yes, I’d like to pretend it’s something else, but we are 31 episodes into the Australian drama A Place Called Home and we are so, so addicted. Like “It’s  AM, but can’t we watch just one more episode?” addicted. Despite all the secrets, cliff hangers, intrigue, and “did that just happen?” moments, the core ingredients of any good soap opera, APCH has superb acting, real heft in terms of subject matter (including homophobia, anti-Semitism, sexual assault, and class), touches of our beloved Downton Abbey, and great cars. Beware. If you start, you won’t stop.

February 11, 2019

What I’m listening to:

Raphael Saadiq has been around for quite a while, as a musician, writer, and producer. He’s new to me and I love his old school R&B sound. Like Leon Bridges, he brings a contemporary freshness to the genre, sounding like a young Stevie Wonder (listen to “You’re The One That I Like”). Rock and Roll may be largely dead, but R&B persists – maybe because the former was derivative of the latter and never as good (and I say that as a Rock and Roll fan). I’m embarrassed to only have discovered Saadiq so late in his career, but it’s a delight to have done so.

What I’m reading:

Just finished Marilynne Robinson’s Home, part of her trilogy that includes the Pulitzer Prize winning first novel, Gilead, and the book after Home, Lila. Robinson is often described as a Christian writer, but not in a conventional sense. In this case, she gives us a modern version of the prodigal son and tells the story of what comes after he is welcomed back home. It’s not pretty. Robinson is a self-described Calvinist, thus character begets fate in Robinson’s world view and redemption is at best a question. There is something of Faulkner in her work (I am much taken with his famous “The past is never past�� quote after a week in the deep South), her style is masterful, and like Faulkner, she builds with these three novels a whole universe in the small town of Gilead. Start with Gilead to better enjoy Home.

What I’m watching:

Sex Education was the most fun series we’ve seen in ages and we binged watched it on Netflix. A British homage to John Hughes films like The Breakfast Club, Ferris Bueller’s Day Off, and Pretty in Pink, it feels like a mash up of American and British high schools. Focusing on the relationship of Maeve, the smart bad girl, and Otis, the virginal and awkward son of a sex therapist (played with brilliance by Gillian Anderson), it is laugh aloud funny and also evolves into more substance and depth (the abortion episode is genius). The sex scenes are somehow raunchy and charming and inoffensive at the same time and while ostensibly about teenagers (it feels like it is explaining contemporary teens to adults in many ways), the adults are compelling in their good and bad ways. It has been renewed for a second season, which is a gift.

January 3, 2019

What I’m listening to:

My listening choices usually refer to music, but this time I’m going with Malcolm Gladwell’s Revisionist History podcast on genius and the song Hallelujah. It tells the story of Leonard Cohen’s much-covered song Hallelujah and uses it as a lens on kinds of genius and creativity. Along the way, he brings in Picasso and Cézanne, Elvis Costello, and more. Gladwell is a good storyteller and if you love pop music, as I do, and Hallelujah, as I do (and you should), you’ll enjoy this podcast. We tend to celebrate the genius who seems inspired in the moment, creating new work like lightning strikes, but this podcast has me appreciating incremental creativity in a new way. It’s compelling and fun at the same time.

What I’m reading:

Just read Clay Christensen’s new book, The Prosperity Paradox: How Innovation Can Lift Nations Out of Poverty. This was an advance copy, so soon available. Clay is an old friend and a huge influence on how we have grown SNHU and our approach to innovation. This book is so compelling, because we know attempts at development have so often been a failure and it is often puzzling to understand why some countries with desperate poverty and huge challenges somehow come to thrive (think S. Korea, Singapore, 19th C. America), while others languish. Clay offers a fresh way of thinking about development through the lens of his research on innovation and it is compelling. I bet this book gets a lot of attention, as most of his work does. I also suspect that many in the development community will hate it, as it calls into question the approach and enormous investments we have made in an attempt to lift countries out of poverty. A provocative read and, as always, Clay is a good storyteller.

What I’m watching:

Just watched Leave No Trace and should have guessed that it was directed by Debra Granik. She did Winter’s Bone, the extraordinary movie that launched Jennifer Lawrence’s career. Similarly, this movie features an amazing young actor, Thomasin McKenzie, and visits lives lived on the margins. In this case, a veteran suffering PTSD, and his 13-year-old daughter. The movie is patient, is visually lush, and justly earned 100% on Rotten Tomatoes (I have a rule to never watch anything under 82%). Everything in this film is under control and beautifully understated (aside from the visuals) – confident acting, confident directing, and so humane. I love the lack of flashbacks, the lack of sensationalism – the movie trusts the viewer, rare in this age of bombast. A lovely film.

December 4, 2018

What I’m listening to:

Spending a week in New Zealand, we had endless laughs listening to the Kiwi band, Flight of the Conchords. Lots of comedic bands are funny, but the music is only okay or worse. These guys are funny – hysterical really – and the music is great. They have an uncanny ability to parody almost any style. In both New Zealand and Australia, we found a wry sense of humor that was just delightful and no better captured than with this duo. You don’t have to be in New Zealand to enjoy them.

What I’m reading:

I don’t often reread. For two reasons: A) I have so many books on my “still to be read” pile that it seems daunting to also rereadbooks I loved before, and B) it’s because I loved them once that I’m a little afraid to read them again. That said, I was recently asked to list my favorite book of all time and I answered Leo Tolstoy’s Anna Karenina. But I don’t really know if that’s still true (and it’s an impossible question anyway – favorite book? On what day? In what mood?), so I’m rereading it and it feels like being with an old friend. It has one of my very favorite scenes ever: the card game between Levin and Kitty that leads to the proposal and his joyous walking the streets all night.

What I’m watching:

Blindspotting is billed as a buddy-comedy. Wow does that undersell it and the drama is often gripping. I loved Daveed Diggs in Hamilton, didn’t like his character in Black-ish, and think he is transcendent in this film he co-wrote with Rafael Casal, his co-star.  The film is a love song to Oakland in many ways, but also a gut-wrenching indictment of police brutality, systemic racism and bias, and gentrification. The film has the freshness and raw visceral impact of Spike Lee’s Do the Right Thing. A great soundtrack, genre mixing, and energy make it one of my favorite movies of 2018.

October 15, 2018 

What I’m listening to:

We had the opportunity to see our favorite band, The National, live in Dallas two weeks ago. Just after watching Mistaken for Strangers, the documentary sort of about the band. So we’ve spent a lot of time going back into their earlier work, listening to songs we don’t know well, and reaffirming that their musicality, smarts, and sound are both original and astoundingly good. They did not disappoint in concert and it is a good thing their tour ended, as we might just spend all of our time and money following them around. Matt Berninger is a genius and his lead vocals kill me (and because they are in my range, I can actually sing along!). Their arrangements are profoundly good and go right to whatever brain/heart wiring that pulls one in and doesn’t let them go.

What I’m reading:

Who is Richard Powers and why have I only discovered him now, with his 12th book? Overstory is profoundly good, a book that is essential and powerful and makes me look at my everyday world in new ways. In short, a dizzying example of how powerful can be narrative in the hands of a master storyteller. I hesitate to say it’s the best environmental novel I’ve ever read (it is), because that would put this book in a category. It is surely about the natural world, but it is as much about we humans. It’s monumental and elegiac and wondrous at all once. Cancel your day’s schedule and read it now. Then plant a tree. A lot of them.

What I’m watching:

Bo Burnham wrote and directed Eighth Grade and Elsie Fisher is nothing less than amazing as its star (what’s with these new child actors; see Florida Project). It’s funny and painful and touching. It’s also the single best film treatment that I have seen of what it means to grow up in a social media shaped world. It’s a reminder that growing up is hard. Maybe harder now in a world of relentless, layered digital pressure to curate perfect lives that are far removed from the natural messy worlds and selves we actually inhabit. It’s a well-deserved 98% on Rotten Tomatoes and I wonder who dinged it for the missing 2%.

September 7, 2018

What I’m listening to:

With a cover pointing back to the Beastie Boys’ 1986 Licensed to Ill, Eminem’s quietly released Kamikaze is not my usual taste, but I’ve always admired him for his “all out there” willingness to be personal, to call people out, and his sheer genius with language. I thought Daveed Diggs could rap fast, but Eminem is supersonic at moments, and still finds room for melody. Love that he includes Joyner Lucas, whose “I’m Not Racist” gets added to the growing list of simply amazing music videos commenting on race in America. There are endless reasons why I am the least likely Eminem fan, but when no one is around to make fun of me, I’ll put it on again.

What I’m reading:

Lesley Blume’s Everyone Behaves Badly, which is the story behind Hemingway’s The Sun Also Rises and his time in 1920s Paris (oh, what a time – see Midnight in Paris if you haven’t already). Of course, Blume disabuses my romantic ideas of that time and place and everyone is sort of (or profoundly so) a jerk, especially…no spoiler here…Hemingway. That said, it is a compelling read and coming off the Henry James inspired prose of Mrs. Osmond, it made me appreciate more how groundbreaking was Hemingway’s modern prose style. Like his contemporary Picasso, he reinvented the art and it can be easy to forget, these decades later, how profound was the change and its impact. And it has bullfights.

What I’m watching:

Chloé Zhao’s The Rider is just exceptional. It’s filmed on the Pine Ridge Reservation, which provides a stunning landscape, and it feels like a classic western reinvented for our times. The main characters are played by the real-life people who inspired this narrative (but feels like a documentary) film. Brady Jandreau, playing himself really, owns the screen. It’s about manhood, honor codes, loss, and resilience – rendered in sensitive, nuanced, and heartfelt ways. It feels like it could be about large swaths of America today. Really powerful.

August 16, 2018

What I’m listening to:

In my Spotify Daily Mix was Percy Sledge’s When A Man Loves A Woman, one of the world’s greatest love songs. Go online and read the story of how the song was discovered and recorded. There are competing accounts, but Sledge said he improvised it after a bad breakup. It has that kind of aching spontaneity. It is another hit from Muscle Shoals, Alabama, one of the GREAT music hotbeds, along with Detroit, Nashville, and Memphis. Our February Board meeting is in Alabama and I may finally have to do the pilgrimage road trip to Muscle Shoals and then Memphis, dropping in for Sunday services at the church where Rev. Al Green still preaches and sings. If the music is all like this, I will be saved.

What I’m reading:

John Banville’s Mrs. Osmond, his homage to literary idol Henry James and an imagined sequel to James’ 1881 masterpiece Portrait of a Lady. Go online and read the first paragraph of Chapter 25. He is…profoundly good. Makes me want to never write again, since anything I attempt will feel like some other, lowly activity in comparison to his mastery of language, image, syntax. This is slow reading, every sentence to be savored.

What I’m watching:

I’ve always respected Supreme Court Justice Ruth Bader Ginsburg, but we just watched the documentary RGB. It is over-the-top great and she is now one of my heroes. A superwoman in many ways and the documentary is really well done. There are lots of scenes of her speaking to crowds and the way young women, especially law students, look at her is touching.  And you can’t help but fall in love with her now late husband Marty. See this movie and be reminded of how important is the Law.

July 23, 2018

What I’m listening to:

Spotify’s Summer Acoustic playlist has been on repeat quite a lot. What a fun way to listen to artists new to me, including The Paper Kites, Hollow Coves, and Fleet Foxes, as well as old favorites like Leon Bridges and Jose Gonzalez. Pretty chill when dialing back to a summer pace, dining on the screen porch or reading a book.

What I’m reading:

Bryan Stevenson’s Just Mercy. Founder of the Equal Justice Initiative, Stevenson tells of the racial injustice (and the war on the poor our judicial system perpetuates as well) that he discovered as a young graduate from Harvard Law School and his fight to address it. It is in turn heartbreaking, enraging, and inspiring. It is also about mercy and empathy and justice that reads like a novel. Brilliant.

What I’m watching:

Fauda. We watched season one of this Israeli thriller. It was much discussed in Israel because while it focuses on an ex-special agent who comes out of retirement to track down a Palestinian terrorist, it was willing to reveal the complexity, richness, and emotions of Palestinian lives. And the occasional brutality of the Israelis. Pretty controversial stuff in Israel. Lior Raz plays Doron, the main character, and is compelling and tough and often hard to like. He’s a mess. As is the world in which he has to operate. We really liked it, and also felt guilty because while it may have been brave in its treatment of Palestinians within the Israeli context, it falls back into some tired tropes and ultimately falls short on this front.

June 11, 2018

What I’m listening to:

Like everyone else, I’m listening to Pusha T drop the mic on Drake. Okay, not really, but do I get some points for even knowing that? We all walk around with songs that immediately bring us back to a time or a place. Songs are time machines. We are coming up on Father’s Day. My own dad passed away on Father’s Day back in 1994 and I remembering dutifully getting through the wake and funeral and being strong throughout. Then, sitting alone in our kitchen, Don Henley’s The End of the Innocence came on and I lost it. When you lose a parent for the first time (most of us have two after all) we lose our innocence and in that passage, we suddenly feel adult in a new way (no matter how old we are), a longing for our own childhood, and a need to forgive and be forgiven. Listen to the lyrics and you’ll understand. As Wordsworth reminds us in In Memoriam, there are seasons to our grief and, all these years later, this song no longer hits me in the gut, but does transport me back with loving memories of my father. I’ll play it Father’s Day.

What I’m reading:

The Fifth Season, by N. K. Jemisin. I am not a reader of fantasy or sci-fi, though I understand they can be powerful vehicles for addressing the very real challenges of the world in which we actually live. I’m not sure I know of a more vivid and gripping illustration of that fact than N. K. Jemisin’s Hugo Award winning novel The Fifth Season, first in her Broken Earth trilogy. It is astounding. It is the fantasy parallel to The Underground Railroad, my favorite recent read, a depiction of subjugation, power, casual violence, and a broken world in which our hero(s) struggle, suffer mightily, and still, somehow, give us hope. It is a tour de force book. How can someone be this good a writer? The first 30 pages pained me (always with this genre, one must learn a new, constructed world, and all of its operating physics and systems of order), and then I could not put it down. I panicked as I neared the end, not wanting to finish the book, and quickly ordered the Obelisk Gate, the second novel in the trilogy, and I can tell you now that I’ll be spending some goodly portion of my weekend in Jemisin’s other world.

What I’m watching:

The NBA Finals and perhaps the best basketball player of this generation. I’ve come to deeply respect LeBron James as a person, a force for social good, and now as an extraordinary player at the peak of his powers. His superhuman play during the NBA playoffs now ranks with the all-time greats, Larry Bird, Magic Johnson, MJ, Kobe, and the demi-god that was Bill Russell. That his Cavs lost in a 4-game sweep is no surprise. It was a mediocre team being carried on the wide shoulders of James (and matched against one of the greatest teams ever, the Warriors, and the Harry Potter of basketball, Steph Curry) and, in some strange way, his greatness is amplified by the contrast with the rest of his team. It was a great run.

May 24, 2018

What I’m listening to:

I’ve always liked Alicia Keys and admired her social activism, but I am hooked on her last album Here. This feels like an album finally commensurate with her anger, activism, hope, and grit. More R&B and Hip Hop than is typical for her, I think this album moves into an echelon inhabited by a Marvin Gaye’s What’s Going On or Beyonce’s Formation. Social activism and outrage rarely make great novels, but they often fuel great popular music. Here is a terrific example.

What I’m reading:

Colson Whitehead’s Underground Railroad may be close to a flawless novel. Winner of the 2017 Pulitzer, it chronicles the lives of two runaway slaves, Cora and Caeser, as they try to escape the hell of plantation life in Georgia.  It is an often searing novel and Cora is one of the great heroes of American literature. I would make this mandatory reading in every high school in America, especially in light of the absurd revisionist narratives of “happy and well cared for” slaves. This is a genuinely great novel, one of the best I’ve read, the magical realism and conflating of time periods lifts it to another realm of social commentary, relevance, and a blazing indictment of America’s Original Sin, for which we remain unabsolved.

What I’m watching:

I thought I knew about The Pentagon Papers, but The Post, a real-life political thriller from Steven Spielberg taught me a lot, features some of our greatest actors, and is so timely given the assault on our democratic institutions and with a presidency out of control. It is a reminder that a free and fearless press is a powerful part of our democracy, always among the first targets of despots everywhere. The story revolves around the legendary Post owner and D.C. doyenne, Katharine Graham. I had the opportunity to see her son, Don Graham, right after he saw the film, and he raved about Meryl Streep’s portrayal of his mother. Liked it a lot more than I expected.

April 27, 2018

What I’m listening to:

I mentioned John Prine in a recent post and then on the heels of that mention, he has released a new album, The Tree of Forgiveness, his first new album in ten years. Prine is beloved by other singer songwriters and often praised by the inscrutable God that is Bob Dylan.  Indeed, Prine was frequently said to be the “next Bob Dylan” in the early part of his career, though he instead carved out his own respectable career and voice, if never with the dizzying success of Dylan. The new album reflects a man in his 70s, a cancer survivor, who reflects on life and its end, but with the good humor and empathy that are hallmarks of Prine’s music. “When I Get To Heaven” is a rollicking, fun vision of what comes next and a pure delight. A charming, warm, and often terrific album.

What I’m reading:

I recently read Min Jin Lee’s Pachinko, on many people’s Top Ten lists for last year and for good reason. It is sprawling, multi-generational, and based in the world of Japanese occupied Korea and then in the Korean immigrant’s world of Oaska, so our key characters become “tweeners,” accepted in neither world. It’s often unspeakably sad, and yet there is resiliency and love. There is also intimacy, despite the time and geographic span of the novel. It’s breathtakingly good and like all good novels, transporting.

What I’m watching:

I adore Guillermo del Toro’s 2006 film, Pan’s Labyrinth, and while I’m not sure his Shape of Water is better, it is a worthy follow up to the earlier masterpiece (and more of a commercial success). Lots of critics dislike the film, but I’m okay with a simple retelling of a Beauty and the Beast love story, as predictable as it might be. The acting is terrific, it is visually stunning, and there are layers of pain as well as social and political commentary (the setting is the US during the Cold War) and, no real spoiler here, the real monsters are humans, the military officer who sees over the captured aquatic creature. It is hauntingly beautiful and its depiction of hatred to those who are different or “other” is painfully resonant with the time in which we live. Put this on your “must see” list.

March 18, 2018

What I’m listening to:

Sitting on a plane for hours (and many more to go; geez, Australia is far away) is a great opportunity to listen to new music and to revisit old favorites. This time, it is Lucy Dacus and her album Historians, the new sophomore release from a 22-year old indie artist that writes with relatable, real-life lyrics. Just on a second listen and while she insists this isn’t a break up record (as we know, 50% of all great songs are break up songs), it is full of loss and pain. Worth the listen so far. For the way back machine, it’s John Prine and In Spite of Ourselves (that title track is one of the great love songs of all time), a collection of duets with some of his “favorite girl singers” as he once described them. I have a crush on Iris Dement (for a really righteously angry song try her Wasteland of the Free), but there is also EmmyLou Harris, the incomparable Dolores Keane, and Lucinda Williams. Very different albums, both wonderful.

What I’m reading:

Jane Mayer’s New Yorker piece on Christopher Steele presents little that is new, but she pulls it together in a terrific and coherent whole that is illuminating and troubling at the same time. Not only for what is happening, but for the complicity of the far right in trying to discredit that which should be setting off alarm bells everywhere. Bob Mueller may be the most important defender of the democracy at this time. A must read.

What I’m watching:

Homeland is killing it this season and is prescient, hauntingly so. Russian election interference, a Bannon-style hate radio demagogue, alienated and gun toting militia types, and a president out of control. It’s fabulous, even if it feels awfully close to the evening news. 

March 8, 2018

What I’m listening to:

We have a family challenge to compile our Top 100 songs. It is painful. Only 100? No more than three songs by one artist? Wait, why is M.I.A.’s “Paper Planes” on my list? Should it just be The Clash from whom she samples? Can I admit to guilty pleasure songs? Hey, it’s my list and I can put anything I want on it. So I’m listening to the list while I work and the song playing right now is Tom Petty’s “The Wild One, Forever,” a B-side single that was never a hit and that remains my favorite Petty song. Also, “Evangeline” by Los Lobos. It evokes a night many years ago, with friends at Pearl Street in Northampton, MA, when everyone danced well past 1AM in a hot, sweaty, packed club and the band was a revelation. Maybe the best music night of our lives and a reminder that one’s 100 Favorite Songs list is as much about what you were doing and where you were in your life when those songs were playing as it is about the music. It’s not a list. It’s a soundtrack for this journey.

What I’m reading:

Patricia Lockwood’s Priestdaddy was in the NY Times top ten books of 2017 list and it is easy to see why. Lockwood brings remarkable and often surprising imagery, metaphor, and language to her prose memoir and it actually threw me off at first. It then all became clear when someone told me she is a poet. The book is laugh aloud funny, which masks (or makes safer anyway) some pretty dark territory. Anyone who grew up Catholic, whether lapsed or not, will resonate with her story. She can’t resist a bawdy anecdote and her family provides some of the most memorable characters possible, especially her father, her sister, and her mother, who I came to adore. Best thing I’ve read in ages.

What I’m watching:

The Florida Project, a profoundly good movie on so many levels. Start with the central character, six-year old (at the time of the filming) Brooklynn Prince, who owns – I mean really owns – the screen. This is pure acting genius and at that age? Astounding. Almost as astounding is Bria Vinaite, who plays her mother. She was discovered on Instagram and had never acted before this role, which she did with just three weeks of acting lessons. She is utterly convincing and the tension between the child’s absolute wonder and joy in the world with her mother’s struggle to provide, to be a mother, is heartwarming and heartbreaking all at once. Willem Dafoe rightly received an Oscar nomination for his supporting role. This is a terrific movie.

February 12, 2018

What I’m listening to:

So, I have a lot of friends of age (I know you’re thinking 40s, but I just turned 60) who are frozen in whatever era of music they enjoyed in college or maybe even in their thirties. There are lots of times when I reach back into the catalog, since music is one of those really powerful and transporting senses that can take you through time (smell is the other one, though often underappreciated for that power). Hell, I just bought a turntable and now spending time in vintage vinyl shops. But I’m trying to take a lesson from Pat, who revels in new music and can as easily talk about North African rap music and the latest National album as Meet the Beatles, her first ever album. So, I’ve been listening to Kendrick Lamar’s Grammy winning Damn. While it may not be the first thing I’ll reach for on a winter night in Maine, by the fire, I was taken with it. It’s layered, political, and weirdly sensitive and misogynist at the same time, and it feels fresh and authentic and smart at the same time, with music that often pulled me from what I was doing. In short, everything music should do. I’m not a bit cooler for listening to Damn, but when I followed it with Steely Dan, I felt like I was listening to Lawrence Welk. A good sign, I think.

What I’m reading:

I am reading Walter Isaacson’s new biography of Leonardo da Vinci. I’m not usually a reader of biographies, but I’ve always been taken with Leonardo. Isaacson does not disappoint (does he ever?), and his subject is at once more human and accessible and more awe-inspiring in Isaacson’s capable hands. Gay, left-handed, vegetarian, incapable of finishing things, a wonderful conversationalist, kind, and perhaps the most relentlessly curious human being who has ever lived. Like his biographies of Steve Jobs and Albert Einstein, Isaacson’s project here is to show that genius lives at the intersection of science and art, of rationality and creativity. Highly recommend it.

What I’m watching:

We watched the This Is Us post-Super Bowl episode, the one where Jack finally buys the farm. I really want to hate this show. It is melodramatic and manipulative, with characters that mostly never change or grow, and it hooks me every damn time we watch it. The episode last Sunday was a tear jerker, a double whammy intended to render into a blubbering, tissue-crumbling pathetic mess anyone who has lost a parent or who is a parent. Sterling K. Brown, Ron Cephas Jones, the surprising Mandy Moore, and Milo Ventimiglia are hard not to love and last season’s episode that had only Brown and Cephas going to Memphis was the show at its best (they are by far the two best actors). Last week was the show at its best worst. In other words, I want to hate it, but I love it. If you haven’t seen it, don’t binge watch it. You’ll need therapy and insulin.

January 15, 2018

What I’m listening to:

Drive-By Truckers. Chris Stapleton has me on an unusual (for me) country theme and I discovered these guys to my great delight. They’ve been around, with some 11 albums, but the newest one is fascinating. It’s a deep dive into Southern alienation and the white working-class world often associated with our current president. I admire the willingness to lay bare, in kick ass rock songs, the complexities and pain at work among people we too quickly place into overly simple categories. These guys are brave, bold, and thoughtful as hell, while producing songs I didn’t expect to like, but that I keep playing. And they are coming to NH.

What I’m reading:

A textual analog to Drive-By Truckers by Chris Stapleton in many ways is Tony Horowitz’s 1998 Pulitzer Prize winning Confederates in the Attic. Ostensibly about the Civil War and the South’s ongoing attachment to it, it is prescient and speaks eloquently to the times in which we live (where every southern state but Virginia voted for President Trump). Often hilarious, it too surfaces complexities and nuance that escape a more recent, and widely acclaimed, book like Hillbilly Elegy. As a Civil War fan, it was also astonishing in many instances, especially when it blows apart long-held “truths” about the war, such as the degree to which Sherman burned down the south (he did not). Like D-B Truckers, Horowitz loves the South and the people he encounters, even as he grapples with its myths of victimhood and exceptionalism (and racism, which may be no more than the racism in the north, but of a different kind). Everyone should read this book and I’m embarrassed I’m so late to it.

What I’m watching:

David Letterman has a new Netflix show called “My Next Guest Needs No Introduction” and we watched the first episode, in which Letterman interviewed Barack Obama. It was extraordinary (if you don’t have Netflix, get it just to watch this show); not only because we were reminded of Obama’s smarts, grace, and humanity (and humor), but because we saw a side of Letterman we didn’t know existed. His personal reflections on Selma were raw and powerful, almost painful. He will do five more episodes with “extraordinary individuals” and if they are anything like the first, this might be the very best work of his career and one of the best things on television.

December 22, 2017

What I’m reading:

Just finished Sunjeev Sahota’s Year of the Runaways, a painful inside look at the plight of illegal Indian immigrant workers in Britain. It was shortlisted for 2015 Man Booker Prize and its transporting, often to a dark and painful universe, and it is impossible not to think about the American version of this story and the terrible way we treat the undocumented in our own country, especially now.

What I’m watching:

Season II of The Crown is even better than Season I. Elizabeth’s character is becoming more three-dimensional, the modern world is catching up with tradition-bound Britain, and Cold War politics offer more context and tension than we saw in Season I. Claire Foy, in her last season, is just terrific – one arched eye brow can send a message.

What I’m listening to:

A lot of Christmas music, but needing a break from the schmaltz, I’ve discovered Over the Rhine and their Christmas album, Snow Angels. God, these guys are good.

November 14, 2017

What I’m watching:

Guiltily, I watch the Patriots play every weekend, often building my schedule and plans around seeing the game. Why the guilt? I don’t know how morally defensible is football anymore, as we now know the severe damage it does to the players. We can’t pretend it’s all okay anymore. Is this our version of late decadent Rome, watching mostly young Black men take a terrible toll on each other for our mere entertainment?

What I’m reading:

Recently finished J.G. Ballard’s 2000 novel Super-Cannes, a powerful depiction of a corporate-tech ex-pat community taken over by a kind of psychopathology, in which all social norms and responsibilities are surrendered to residents of the new world community. Kept thinking about Silicon Valley when reading it. Pretty dark, dystopian view of the modern world and centered around a mass killing, troublingly prescient.

What I’m listening to:

Was never really a Lorde fan, only knowing her catchy (and smarter than you might first guess) pop hit “Royals” from her debut album. But her new album, Melodrama, is terrific and it doesn’t feel quite right to call this “pop.” There is something way more substantial going on with Lorde and I can see why many critics put this album at the top of their Best in 2017 list. Count me in as a huge fan.

November 3, 2017

What I’m reading: Just finished Celeste Ng’s Little Fires Everywhere, her breathtakingly good second novel. How is someone so young so wise? Her writing is near perfection and I read the book in two days, setting my alarm for 4:30AM so I could finish it before work.

What I’m watching: We just binge watched season two of Stranger Things and it was worth it just to watch Millie Bobbie Brown, the transcendent young actor who plays Eleven. The series is a delightful mash up of every great eighties horror genre you can imagine and while pretty dark, an absolute joy to watch.

What I’m listening to: I’m not a lover of country music (to say the least), but I love Chris Stapleton. His “The Last Thing I Needed, First Thing This Morning” is heartbreakingly good and reminds me of the old school country that played in my house as a kid. He has a new album and I can’t wait, but his From A Room: Volume 1 is on repeat for now.

September 26, 2017

What I’m reading:

Just finished George Saunder’s Lincoln in the Bardo. It took me a while to accept its cadence and sheer weirdness, but loved it in the end. A painful meditation on loss and grief, and a genuinely beautiful exploration of the intersection of life and death, the difficulty of letting go of what was, good and bad, and what never came to be.

What I’m watching:

HBO’s The Deuce. Times Square and the beginning of the porn industry in the 1970s, the setting made me wonder if this was really something I’d want to see. But David Simon is the writer and I’d read a menu if he wrote it. It does not disappoint so far and there is nothing prurient about it.

What I’m listening to:

The National’s new album Sleep Well Beast. I love this band. The opening piano notes of the first song, “Nobody Else Will Be There,” seize me & I’m reminded that no one else in music today matches their arrangement & musicianship. I’m adding “Born to Beg,” “Slow Show,” “I Need My Girl,” and “Runaway” to my list of favorite love songs.

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[thesnhuup]

Pop Picks – January 2, 2020

What I’m listening to: 

I was never really an Amy Winehouse fan and I don’t listen to much jazz or blue-eyed soul. Recently, eight years after she died at only 27, I heard her single Tears Dry On Their Own and I was hooked (the song was on someone’s “ten things I’d want on a deserted island” list). Since then, I’ve been playing her almost every day. I started the documentary about her, Amy, and stopped. I didn’t much like her. Or, more accurately, I didn’t much like the signals of her own eventual destruction that were evident early on. I think it was D. H. Lawrence that once said “Trust the art, not the artist.” Sometimes it is better not to know too much and just relish the sheer artistry of the work. Winehouse’s Back to Black, which was named one of the best albums of 2007, is as fresh and painful and amazing 13 years later.

What I’m reading: 

Alan Bennett’s lovely novella An Uncommon Reader is a what-if tale, wondering what it would mean if Queen Elizabeth II suddenly became a reader. Because of a lucked upon book mobile on palace grounds, she becomes just that, much to the consternation of her staff and with all kinds of delicious consequences, including curiosity, imagination, self-awareness, and growing disregard for pomp. With an ill-framed suggestion, reading becomes writing and provides a surprise ending. For all of us who love books, this is a finely wrought and delightful love poem to the power of books for readers and writers alike. Imagine if all our leaders were readers (sigh).

What I’m watching:

I’m a huge fan of many things – The National, Boston sports teams, BMW motorcycles, Pho – but there is a stage of life, typically adolescence, when fandom changes the universe, provides a lens to finally understand the world and, more importantly, yourself, in profound ways. My wife Pat would say Joni Mitchell did that for her. Gurinder Chadha’s wonderful film Blinded By The Light captures the power of discovery when Javed, the son of struggling Pakistani immigrants in a dead end place during a dead end time (the Thatcher period, from which Britain has never recovered: see Brexit), hears Springsteen and is forever changed. The movie, sometimes musical, sometimes comedy, and often bubbling with energy, has more heft than it might seem at first. There is pain in a father struggling to retain his dignity while he fails to provide, the father and son tension in so many immigrant families (I lived some of that), and what it means to be an outsider in the only culture you actually have ever known. 

Archive 

Posted on November 25, 2019

My pop picks are usually a combination of three things: what I am listening to, reading, and watching. But last week I happily combined all three. That is, I went to NYC last week and saw two shows. The first was Cyrano, starring Game of Thrones superstar Peter Dinklage in the title role, with Jasmine Cephas Jones as Roxanne. She was Peggy in the original Hamilton cast and has an amazing voice. The music was written by Aaron and Bryce Dessner, two members of my favorite band, The National, with lyrics by lead singer Matt Berninger and his wife Carin Besser. Erica Schmidt, Dinklage’s wife, directs. Edmond Rostand’s 1897 play is light, dated, and melodramatic, but this production was delightful. Dinklage owns the stage, a master, and his deep bass voice, not all that great for singing, but commanding in the delivery of every line, was somehow a plaintive and resonant counterpoint to Cephas Jones’ soaring voice. In the original Cyrano, the title character’s large nose marks him as outsider and ”other,” but Dinklage was born with achondroplasia, the cause of his dwarfism, and there is a kind of resonance in his performance that feels like pain not acted, but known. Deeply. It takes this rather lightweight play and gives it depth. Even if it didn’t, not everything has to be deep and profound – there is joy in seeing something executed so darn well. Cyrano was delightfully satisfying.

The other show was the much lauded Aaron Sorkin rendition of To Kill a Mockingbird, starring another actor at the very top of his game, Ed Harris. This is a Mockingbird for our times, one in which iconic Atticus Finch’s idealistic “you have to live in someone else’s skin” feels naive in the face of hateful racism and anti-Semitism. The Black characters in the play get more voice, if not agency, in the stage play than they do in the book, especially housekeeper Calpurnia, who voices incredulity at Finch’s faith in his neighbors and reminds us that he does not pay the price of his patience. She does. And Tom Robinson, the Black man falsely accused of rape – “convicted at the moment he was accused,” Whatever West Wing was for Sorkin – and I dearly loved that show – this is a play for a broken United States, where racism abounds and does so with sanction by those in power. As our daughter said, “I think Trump broke Aaron Sorkin.” It was as powerful a thing I’ve seen on stage in years.  

With both plays, I was reminded of the magic that is live theater. 

October 31, 2019

What I’m listening to: 

It drove his critics crazy that Obama was the coolest president we ever had and his summer 2019 playlist on Spotify simply confirms that reality. It has been on repeat for me. From Drake to Lizzo (God I love her) to Steely Dan to Raphael Saadiq to Sinatra (who I skip every time – I’m not buying the nostalgia), his carefully curated list reflects not only his infinite coolness, but the breadth of his interests and generosity of taste. I love the music, but I love even more the image of Michelle and him rocking out somewhere far from Washington’s madness, as much as I miss them both.

What I’m reading: 

I struggled with Christy Lefteri’s The Beekeeper of Aleppo for the first 50 pages, worried that she’d drag out every tired trope of Mid-Eastern society, but I fell for her main characters and their journey as refugees from Syria to England. Parts of this book were hard to read and very dark, because that is the plight of so many refugees and she doesn’t shy away from those realities and the enormous toll they take on displaced people. It’s a hard read, but there is light too – in resilience, in love, in friendships, the small tender gestures of people tossed together in a heartless world. Lefteri volunteered in Greek refugee programs, spent a lot of interviewing people, and the book feels true, and importantly, heartfelt.

What I’m watching:

Soap opera meets Shakespeare, deliciously malevolent and operatic, Succession has been our favorite series this season. Loosely based on the Murdochs and their media empire (don’t believe the denials), this was our must watch television on Sunday nights, filling the void left by Game of Thrones. The acting is over-the-top good, the frequent comedy dark, the writing brilliant, and the music superb. We found ourselves quoting lines after every episode. Like the hilarious; “You don’t hear much about syphilis these days. Very much the Myspace of STDs.” Watch it so we can talk about that season 2 finale.

August 30, 2019

What I’m listening to: 

I usually go to music here, but the New York Times new 1619 podcast is just terrific, as is the whole project, which observes the sale of the first enslaved human beings on our shores 400 years ago. The first episode, “The Fight for a True Democracy” is a remarkable overview (in a mere 44 minutes) of the centrality of racism and slavery in the American story over those 400 years. It should be mandatory listening in every high school in the country. I’m eager for the next episodes. Side note: I am addicted to The Daily podcast, which gives more color and detail to the NY Times stories I read in print (yes, print), and reminds me of how smart and thoughtful are those journalists who give us real news. We need them now more than ever.

What I’m reading: 

Colson Whitehead has done it again. The Nickel Boys, his new novel, is a worthy successor to his masterpiece The Underground Railroad, and because it is closer to our time, based on the real-life horrors of a Florida reform school, and written a time of resurgent White Supremacy, it hits even harder and with more urgency than its predecessor. Maybe because we can read Underground Railroad with a sense of “that was history,” but one can’t read Nickel Boys without the lurking feeling that such horrors persist today and the monsters that perpetrate such horrors walk among us. They often hold press conferences.

What I’m watching:

Queer Eye, the Netflix remake of the original Queer Eye for the Straight Guy some ten years later, is wondrously entertaining, but it also feels adroitly aligned with our dysfunctional times. Episode three has a conversation with Karamo Brown, one of the fab five, and a Georgia small town cop (and Trump supporter) that feels unscripted and unexpected and reminds us of how little actual conversation seems to be taking place in our divided country. Oh, for more car rides such as the one they take in that moment, when a chasm is bridged, if only for a few minutes. Set in the South, it is often a refreshing and affirming response to what it means to be male at a time of toxic masculinity and the overdue catharsis and pain of the #MeToo movement. Did I mention? It’s really fun.

July 1, 2019

What I’m listening to: 

The National remains my favorite band and probably 50% of my listening time is a National album or playlist. Their new album I Am Easy To Find feels like a turning point record for the band, going from the moody, outsider introspection and doubt of lead singer Matt Berninger to something that feels more adult, sophisticated, and wiser. I might have titled it Women Help The Band Grow Up. Matt is no longer the center of The National’s universe and he frequently cedes the mic to the many women who accompany and often lead on the long, their longest, album. They include Gail Ann Dorsey (who sang with Bowie for a long time), who is amazing, and a number of the songs were written by Carin Besser, Berninger’s wife. I especially love the Brooklyn Youth Chorus, the arrangements, and the sheer complexity and coherence of the work. It still amazes me when I meet someone who does not know The National. My heart breaks for them just a little.

What I’m reading: 

Pat Barker’s The Silence of the Girls is a retelling of Homer’s Iliad through the lens of a captive Trojan queen, Briseis. As a reviewer in The Atlantic writes, it answers the question “What does war mean to women?” We know the answer and it has always been true, whether it is the casual and assumed rape of captive women in this ancient war story or the use of rape in modern day Congo, Syria, or any other conflict zone. Yet literature almost never gives voice to the women – almost always minor characters at best — and their unspeakable suffering. Barker does it here for Briseis, for Hector’s wife Andromache, and for the other women who understand that the death of their men is tragedy, but what they then endure is worse. Think of it ancient literature having its own #MeToo moment. The NY Times’ Geraldine Brooks did not much like the novel. I did. Very much.

What I’m watching: 

The BBC-HBO limited series Years and Years is breathtaking, scary, and absolutely familiar. It’s as if Black Mirrorand Children of Men had a baby and it precisely captures the zeitgeist, the current sense that the world is spinning out of control and things are coming at us too fast. It is a near future (Trump has been re-elected and Brexit has occurred finally)…not dystopia exactly, but damn close. The closing scene of last week’s first episode (there are 6 episodes and it’s on every Monday) shows nuclear war breaking out between China and the U.S. Yikes! The scope of this show is wide and there is a big, baggy feel to it – but I love the ambition even if I’m not looking forward to the nightmares.

May 19, 2019

What I’m listening to: 

I usually go to music here, but I was really moved by this podcast of a Davis Brooks talk at the Commonwealth Club in Silicon Valley: https://www.commonwealthclub.org/events/archive/podcast/david-brooks-quest-moral-life.  While I have long found myself distant from his political stance, he has come through a dark night of the soul and emerged with a wonderful clarity about calling, community, and not happiness (that most superficial of goals), but fulfillment and meaning, found in community and human kinship of many kinds. I immediately sent it to my kids.

What I’m reading: 

Susan Orlean’s wonderful The Library Book, a love song to libraries told through the story of the LA Central Library.  It brought back cherished memories of my many hours in beloved libraries — as a kid in the Waltham Public Library, a high schooler in the Farber Library at Brandeis (Lil Farber years later became a mentor of mine), and the cathedral-like Bapst Library at BC when I was a graduate student. Yes, I was a nerd. This is a love song to books certainly, but a reminder that libraries are so, so much more.  It is a reminder that libraries are less about a place or being a repository of information and, like America at its best, an idea and ideal. By the way, oh to write like her.

What I’m watching: 

What else? Game of Thrones, like any sensible human being. This last season is disappointing in many ways and the drop off in the writing post George R.R. Martin is as clear as was the drop off in the post-Sorkin West Wing. I would be willing to bet that if Martin has been writing the last season, Sansa and Tyrion would have committed suicide in the crypt. That said, we fans are deeply invested and even the flaws are giving us so much to discuss and debate. In that sense, the real gift of this last season is the enjoyment between episodes, like the old pre-streaming days when we all arrived at work after the latest episode of the Sopranos to discuss what we had all seen the night before. I will say this, the last two episodes — full of battle and gore – have been visually stunning. Whether the torches of the Dothraki being extinguished in the distance or Arya riding through rubble and flame on a white horse, rarely has the series ascended to such visual grandeur.

March 28, 2019

What I’m listening to: 

There is a lovely piece played in a scene from A Place Called Home that I tracked down. It’s Erik Satie’s 3 Gymnopédies: Gymnopédie No. 1, played by the wonderful pianist Klára Körmendi. Satie composed this piece in 1888 and it was considered avant-garde and anti-Romantic. It’s minimalism and bit of dissonance sound fresh and contemporary to my ears and while not a huge Classical music fan, I’ve fallen in love with the Körmendi playlist on Spotify. When you need an alternative to hours of Cardi B.

What I’m reading: 

Just finished Esi Edugyan’s 2018 novel Washington Black. Starting on a slave plantation in Barbados, it is a picaresque novel that has elements of Jules Verne, Moby Dick, Frankenstein, and Colson Whitehead’s Underground Railroad. Yes, it strains credulity and there are moments of “huh?”, but I loved it (disclosure: I was in the minority among my fellow book club members) and the first third is a searing depiction of slavery. It’s audacious, sprawling (from Barbados to the Arctic to London to Africa), and the writing, especially about nature, luminous. 

What I’m watching: 

A soap opera. Yes, I’d like to pretend it’s something else, but we are 31 episodes into the Australian drama A Place Called Home and we are so, so addicted. Like “It’s  AM, but can’t we watch just one more episode?” addicted. Despite all the secrets, cliff hangers, intrigue, and “did that just happen?” moments, the core ingredients of any good soap opera, APCH has superb acting, real heft in terms of subject matter (including homophobia, anti-Semitism, sexual assault, and class), touches of our beloved Downton Abbey, and great cars. Beware. If you start, you won’t stop.

February 11, 2019

What I’m listening to:

Raphael Saadiq has been around for quite a while, as a musician, writer, and producer. He’s new to me and I love his old school R&B sound. Like Leon Bridges, he brings a contemporary freshness to the genre, sounding like a young Stevie Wonder (listen to “You’re The One That I Like”). Rock and Roll may be largely dead, but R&B persists – maybe because the former was derivative of the latter and never as good (and I say that as a Rock and Roll fan). I’m embarrassed to only have discovered Saadiq so late in his career, but it’s a delight to have done so.

What I’m reading:

Just finished Marilynne Robinson’s Home, part of her trilogy that includes the Pulitzer Prize winning first novel, Gilead, and the book after Home, Lila. Robinson is often described as a Christian writer, but not in a conventional sense. In this case, she gives us a modern version of the prodigal son and tells the story of what comes after he is welcomed back home. It’s not pretty. Robinson is a self-described Calvinist, thus character begets fate in Robinson’s world view and redemption is at best a question. There is something of Faulkner in her work (I am much taken with his famous “The past is never past” quote after a week in the deep South), her style is masterful, and like Faulkner, she builds with these three novels a whole universe in the small town of Gilead. Start with Gilead to better enjoy Home.

What I’m watching:

Sex Education was the most fun series we’ve seen in ages and we binged watched it on Netflix. A British homage to John Hughes films like The Breakfast Club, Ferris Bueller’s Day Off, and Pretty in Pink, it feels like a mash up of American and British high schools. Focusing on the relationship of Maeve, the smart bad girl, and Otis, the virginal and awkward son of a sex therapist (played with brilliance by Gillian Anderson), it is laugh aloud funny and also evolves into more substance and depth (the abortion episode is genius). The sex scenes are somehow raunchy and charming and inoffensive at the same time and while ostensibly about teenagers (it feels like it is explaining contemporary teens to adults in many ways), the adults are compelling in their good and bad ways. It has been renewed for a second season, which is a gift.

January 3, 2019

What I’m listening to:

My listening choices usually refer to music, but this time I’m going with Malcolm Gladwell’s Revisionist History podcast on genius and the song Hallelujah. It tells the story of Leonard Cohen’s much-covered song Hallelujah and uses it as a lens on kinds of genius and creativity. Along the way, he brings in Picasso and Cézanne, Elvis Costello, and more. Gladwell is a good storyteller and if you love pop music, as I do, and Hallelujah, as I do (and you should), you’ll enjoy this podcast. We tend to celebrate the genius who seems inspired in the moment, creating new work like lightning strikes, but this podcast has me appreciating incremental creativity in a new way. It’s compelling and fun at the same time.

What I’m reading:

Just read Clay Christensen’s new book, The Prosperity Paradox: How Innovation Can Lift Nations Out of Poverty. This was an advance copy, so soon available. Clay is an old friend and a huge influence on how we have grown SNHU and our approach to innovation. This book is so compelling, because we know attempts at development have so often been a failure and it is often puzzling to understand why some countries with desperate poverty and huge challenges somehow come to thrive (think S. Korea, Singapore, 19th C. America), while others languish. Clay offers a fresh way of thinking about development through the lens of his research on innovation and it is compelling. I bet this book gets a lot of attention, as most of his work does. I also suspect that many in the development community will hate it, as it calls into question the approach and enormous investments we have made in an attempt to lift countries out of poverty. A provocative read and, as always, Clay is a good storyteller.

What I’m watching:

Just watched Leave No Trace and should have guessed that it was directed by Debra Granik. She did Winter’s Bone, the extraordinary movie that launched Jennifer Lawrence’s career. Similarly, this movie features an amazing young actor, Thomasin McKenzie, and visits lives lived on the margins. In this case, a veteran suffering PTSD, and his 13-year-old daughter. The movie is patient, is visually lush, and justly earned 100% on Rotten Tomatoes (I have a rule to never watch anything under 82%). Everything in this film is under control and beautifully understated (aside from the visuals) – confident acting, confident directing, and so humane. I love the lack of flashbacks, the lack of sensationalism – the movie trusts the viewer, rare in this age of bombast. A lovely film.

December 4, 2018

What I’m listening to:

Spending a week in New Zealand, we had endless laughs listening to the Kiwi band, Flight of the Conchords. Lots of comedic bands are funny, but the music is only okay or worse. These guys are funny – hysterical really – and the music is great. They have an uncanny ability to parody almost any style. In both New Zealand and Australia, we found a wry sense of humor that was just delightful and no better captured than with this duo. You don’t have to be in New Zealand to enjoy them.

What I’m reading:

I don’t often reread. For two reasons: A) I have so many books on my “still to be read” pile that it seems daunting to also rereadbooks I loved before, and B) it’s because I loved them once that I’m a little afraid to read them again. That said, I was recently asked to list my favorite book of all time and I answered Leo Tolstoy’s Anna Karenina. But I don’t really know if that’s still true (and it’s an impossible question anyway – favorite book? On what day? In what mood?), so I’m rereading it and it feels like being with an old friend. It has one of my very favorite scenes ever: the card game between Levin and Kitty that leads to the proposal and his joyous walking the streets all night.

What I’m watching:

Blindspotting is billed as a buddy-comedy. Wow does that undersell it and the drama is often gripping. I loved Daveed Diggs in Hamilton, didn’t like his character in Black-ish, and think he is transcendent in this film he co-wrote with Rafael Casal, his co-star.  The film is a love song to Oakland in many ways, but also a gut-wrenching indictment of police brutality, systemic racism and bias, and gentrification. The film has the freshness and raw visceral impact of Spike Lee’s Do the Right Thing. A great soundtrack, genre mixing, and energy make it one of my favorite movies of 2018.

October 15, 2018 

What I’m listening to:

We had the opportunity to see our favorite band, The National, live in Dallas two weeks ago. Just after watching Mistaken for Strangers, the documentary sort of about the band. So we’ve spent a lot of time going back into their earlier work, listening to songs we don’t know well, and reaffirming that their musicality, smarts, and sound are both original and astoundingly good. They did not disappoint in concert and it is a good thing their tour ended, as we might just spend all of our time and money following them around. Matt Berninger is a genius and his lead vocals kill me (and because they are in my range, I can actually sing along!). Their arrangements are profoundly good and go right to whatever brain/heart wiring that pulls one in and doesn’t let them go.

What I’m reading:

Who is Richard Powers and why have I only discovered him now, with his 12th book? Overstory is profoundly good, a book that is essential and powerful and makes me look at my everyday world in new ways. In short, a dizzying example of how powerful can be narrative in the hands of a master storyteller. I hesitate to say it’s the best environmental novel I’ve ever read (it is), because that would put this book in a category. It is surely about the natural world, but it is as much about we humans. It’s monumental and elegiac and wondrous at all once. Cancel your day’s schedule and read it now. Then plant a tree. A lot of them.

What I’m watching:

Bo Burnham wrote and directed Eighth Grade and Elsie Fisher is nothing less than amazing as its star (what’s with these new child actors; see Florida Project). It’s funny and painful and touching. It’s also the single best film treatment that I have seen of what it means to grow up in a social media shaped world. It’s a reminder that growing up is hard. Maybe harder now in a world of relentless, layered digital pressure to curate perfect lives that are far removed from the natural messy worlds and selves we actually inhabit. It’s a well-deserved 98% on Rotten Tomatoes and I wonder who dinged it for the missing 2%.

September 7, 2018

What I’m listening to:

With a cover pointing back to the Beastie Boys’ 1986 Licensed to Ill, Eminem’s quietly released Kamikaze is not my usual taste, but I’ve always admired him for his “all out there” willingness to be personal, to call people out, and his sheer genius with language. I thought Daveed Diggs could rap fast, but Eminem is supersonic at moments, and still finds room for melody. Love that he includes Joyner Lucas, whose “I’m Not Racist” gets added to the growing list of simply amazing music videos commenting on race in America. There are endless reasons why I am the least likely Eminem fan, but when no one is around to make fun of me, I’ll put it on again.

What I’m reading:

Lesley Blume’s Everyone Behaves Badly, which is the story behind Hemingway’s The Sun Also Rises and his time in 1920s Paris (oh, what a time – see Midnight in Paris if you haven’t already). Of course, Blume disabuses my romantic ideas of that time and place and everyone is sort of (or profoundly so) a jerk, especially…no spoiler here…Hemingway. That said, it is a compelling read and coming off the Henry James inspired prose of Mrs. Osmond, it made me appreciate more how groundbreaking was Hemingway’s modern prose style. Like his contemporary Picasso, he reinvented the art and it can be easy to forget, these decades later, how profound was the change and its impact. And it has bullfights.

What I’m watching:

Chloé Zhao’s The Rider is just exceptional. It’s filmed on the Pine Ridge Reservation, which provides a stunning landscape, and it feels like a classic western reinvented for our times. The main characters are played by the real-life people who inspired this narrative (but feels like a documentary) film. Brady Jandreau, playing himself really, owns the screen. It’s about manhood, honor codes, loss, and resilience – rendered in sensitive, nuanced, and heartfelt ways. It feels like it could be about large swaths of America today. Really powerful.

August 16, 2018

What I’m listening to:

In my Spotify Daily Mix was Percy Sledge’s When A Man Loves A Woman, one of the world’s greatest love songs. Go online and read the story of how the song was discovered and recorded. There are competing accounts, but Sledge said he improvised it after a bad breakup. It has that kind of aching spontaneity. It is another hit from Muscle Shoals, Alabama, one of the GREAT music hotbeds, along with Detroit, Nashville, and Memphis. Our February Board meeting is in Alabama and I may finally have to do the pilgrimage road trip to Muscle Shoals and then Memphis, dropping in for Sunday services at the church where Rev. Al Green still preaches and sings. If the music is all like this, I will be saved.

What I’m reading:

John Banville’s Mrs. Osmond, his homage to literary idol Henry James and an imagined sequel to James’ 1881 masterpiece Portrait of a Lady. Go online and read the first paragraph of Chapter 25. He is…profoundly good. Makes me want to never write again, since anything I attempt will feel like some other, lowly activity in comparison to his mastery of language, image, syntax. This is slow reading, every sentence to be savored.

What I’m watching:

I’ve always respected Supreme Court Justice Ruth Bader Ginsburg, but we just watched the documentary RGB. It is over-the-top great and she is now one of my heroes. A superwoman in many ways and the documentary is really well done. There are lots of scenes of her speaking to crowds and the way young women, especially law students, look at her is touching.  And you can’t help but fall in love with her now late husband Marty. See this movie and be reminded of how important is the Law.

July 23, 2018

What I’m listening to:

Spotify’s Summer Acoustic playlist has been on repeat quite a lot. What a fun way to listen to artists new to me, including The Paper Kites, Hollow Coves, and Fleet Foxes, as well as old favorites like Leon Bridges and Jose Gonzalez. Pretty chill when dialing back to a summer pace, dining on the screen porch or reading a book.

What I’m reading:

Bryan Stevenson’s Just Mercy. Founder of the Equal Justice Initiative, Stevenson tells of the racial injustice (and the war on the poor our judicial system perpetuates as well) that he discovered as a young graduate from Harvard Law School and his fight to address it. It is in turn heartbreaking, enraging, and inspiring. It is also about mercy and empathy and justice that reads like a novel. Brilliant.

What I’m watching:

Fauda. We watched season one of this Israeli thriller. It was much discussed in Israel because while it focuses on an ex-special agent who comes out of retirement to track down a Palestinian terrorist, it was willing to reveal the complexity, richness, and emotions of Palestinian lives. And the occasional brutality of the Israelis. Pretty controversial stuff in Israel. Lior Raz plays Doron, the main character, and is compelling and tough and often hard to like. He’s a mess. As is the world in which he has to operate. We really liked it, and also felt guilty because while it may have been brave in its treatment of Palestinians within the Israeli context, it falls back into some tired tropes and ultimately falls short on this front.

June 11, 2018

What I’m listening to:

Like everyone else, I’m listening to Pusha T drop the mic on Drake. Okay, not really, but do I get some points for even knowing that? We all walk around with songs that immediately bring us back to a time or a place. Songs are time machines. We are coming up on Father’s Day. My own dad passed away on Father’s Day back in 1994 and I remembering dutifully getting through the wake and funeral and being strong throughout. Then, sitting alone in our kitchen, Don Henley’s The End of the Innocence came on and I lost it. When you lose a parent for the first time (most of us have two after all) we lose our innocence and in that passage, we suddenly feel adult in a new way (no matter how old we are), a longing for our own childhood, and a need to forgive and be forgiven. Listen to the lyrics and you’ll understand. As Wordsworth reminds us in In Memoriam, there are seasons to our grief and, all these years later, this song no longer hits me in the gut, but does transport me back with loving memories of my father. I’ll play it Father’s Day.

What I’m reading:

The Fifth Season, by N. K. Jemisin. I am not a reader of fantasy or sci-fi, though I understand they can be powerful vehicles for addressing the very real challenges of the world in which we actually live. I’m not sure I know of a more vivid and gripping illustration of that fact than N. K. Jemisin’s Hugo Award winning novel The Fifth Season, first in her Broken Earth trilogy. It is astounding. It is the fantasy parallel to The Underground Railroad, my favorite recent read, a depiction of subjugation, power, casual violence, and a broken world in which our hero(s) struggle, suffer mightily, and still, somehow, give us hope. It is a tour de force book. How can someone be this good a writer? The first 30 pages pained me (always with this genre, one must learn a new, constructed world, and all of its operating physics and systems of order), and then I could not put it down. I panicked as I neared the end, not wanting to finish the book, and quickly ordered the Obelisk Gate, the second novel in the trilogy, and I can tell you now that I’ll be spending some goodly portion of my weekend in Jemisin’s other world.

What I’m watching:

The NBA Finals and perhaps the best basketball player of this generation. I’ve come to deeply respect LeBron James as a person, a force for social good, and now as an extraordinary player at the peak of his powers. His superhuman play during the NBA playoffs now ranks with the all-time greats, Larry Bird, Magic Johnson, MJ, Kobe, and the demi-god that was Bill Russell. That his Cavs lost in a 4-game sweep is no surprise. It was a mediocre team being carried on the wide shoulders of James (and matched against one of the greatest teams ever, the Warriors, and the Harry Potter of basketball, Steph Curry) and, in some strange way, his greatness is amplified by the contrast with the rest of his team. It was a great run.

May 24, 2018

What I’m listening to:

I’ve always liked Alicia Keys and admired her social activism, but I am hooked on her last album Here. This feels like an album finally commensurate with her anger, activism, hope, and grit. More R&B and Hip Hop than is typical for her, I think this album moves into an echelon inhabited by a Marvin Gaye’s What’s Going On or Beyonce’s Formation. Social activism and outrage rarely make great novels, but they often fuel great popular music. Here is a terrific example.

What I’m reading:

Colson Whitehead’s Underground Railroad may be close to a flawless novel. Winner of the 2017 Pulitzer, it chronicles the lives of two runaway slaves, Cora and Caeser, as they try to escape the hell of plantation life in Georgia.  It is an often searing novel and Cora is one of the great heroes of American literature. I would make this mandatory reading in every high school in America, especially in light of the absurd revisionist narratives of “happy and well cared for” slaves. This is a genuinely great novel, one of the best I’ve read, the magical realism and conflating of time periods lifts it to another realm of social commentary, relevance, and a blazing indictment of America’s Original Sin, for which we remain unabsolved.

What I’m watching:

I thought I knew about The Pentagon Papers, but The Post, a real-life political thriller from Steven Spielberg taught me a lot, features some of our greatest actors, and is so timely given the assault on our democratic institutions and with a presidency out of control. It is a reminder that a free and fearless press is a powerful part of our democracy, always among the first targets of despots everywhere. The story revolves around the legendary Post owner and D.C. doyenne, Katharine Graham. I had the opportunity to see her son, Don Graham, right after he saw the film, and he raved about Meryl Streep’s portrayal of his mother. Liked it a lot more than I expected.

April 27, 2018

What I’m listening to:

I mentioned John Prine in a recent post and then on the heels of that mention, he has released a new album, The Tree of Forgiveness, his first new album in ten years. Prine is beloved by other singer songwriters and often praised by the inscrutable God that is Bob Dylan.  Indeed, Prine was frequently said to be the “next Bob Dylan” in the early part of his career, though he instead carved out his own respectable career and voice, if never with the dizzying success of Dylan. The new album reflects a man in his 70s, a cancer survivor, who reflects on life and its end, but with the good humor and empathy that are hallmarks of Prine’s music. “When I Get To Heaven” is a rollicking, fun vision of what comes next and a pure delight. A charming, warm, and often terrific album.

What I’m reading:

I recently read Min Jin Lee’s Pachinko, on many people’s Top Ten lists for last year and for good reason. It is sprawling, multi-generational, and based in the world of Japanese occupied Korea and then in the Korean immigrant’s world of Oaska, so our key characters become “tweeners,” accepted in neither world. It’s often unspeakably sad, and yet there is resiliency and love. There is also intimacy, despite the time and geographic span of the novel. It’s breathtakingly good and like all good novels, transporting.

What I’m watching:

I adore Guillermo del Toro’s 2006 film, Pan’s Labyrinth, and while I’m not sure his Shape of Water is better, it is a worthy follow up to the earlier masterpiece (and more of a commercial success). Lots of critics dislike the film, but I’m okay with a simple retelling of a Beauty and the Beast love story, as predictable as it might be. The acting is terrific, it is visually stunning, and there are layers of pain as well as social and political commentary (the setting is the US during the Cold War) and, no real spoiler here, the real monsters are humans, the military officer who sees over the captured aquatic creature. It is hauntingly beautiful and its depiction of hatred to those who are different or “other” is painfully resonant with the time in which we live. Put this on your “must see” list.

March 18, 2018

What I’m listening to:

Sitting on a plane for hours (and many more to go; geez, Australia is far away) is a great opportunity to listen to new music and to revisit old favorites. This time, it is Lucy Dacus and her album Historians, the new sophomore release from a 22-year old indie artist that writes with relatable, real-life lyrics. Just on a second listen and while she insists this isn’t a break up record (as we know, 50% of all great songs are break up songs), it is full of loss and pain. Worth the listen so far. For the way back machine, it’s John Prine and In Spite of Ourselves (that title track is one of the great love songs of all time), a collection of duets with some of his “favorite girl singers” as he once described them. I have a crush on Iris Dement (for a really righteously angry song try her Wasteland of the Free), but there is also EmmyLou Harris, the incomparable Dolores Keane, and Lucinda Williams. Very different albums, both wonderful.

What I’m reading:

Jane Mayer’s New Yorker piece on Christopher Steele presents little that is new, but she pulls it together in a terrific and coherent whole that is illuminating and troubling at the same time. Not only for what is happening, but for the complicity of the far right in trying to discredit that which should be setting off alarm bells everywhere. Bob Mueller may be the most important defender of the democracy at this time. A must read.

What I’m watching:

Homeland is killing it this season and is prescient, hauntingly so. Russian election interference, a Bannon-style hate radio demagogue, alienated and gun toting militia types, and a president out of control. It’s fabulous, even if it feels awfully close to the evening news. 

March 8, 2018

What I’m listening to:

We have a family challenge to compile our Top 100 songs. It is painful. Only 100? No more than three songs by one artist? Wait, why is M.I.A.’s “Paper Planes” on my list? Should it just be The Clash from whom she samples? Can I admit to guilty pleasure songs? Hey, it’s my list and I can put anything I want on it. So I’m listening to the list while I work and the song playing right now is Tom Petty’s “The Wild One, Forever,” a B-side single that was never a hit and that remains my favorite Petty song. Also, “Evangeline” by Los Lobos. It evokes a night many years ago, with friends at Pearl Street in Northampton, MA, when everyone danced well past 1AM in a hot, sweaty, packed club and the band was a revelation. Maybe the best music night of our lives and a reminder that one’s 100 Favorite Songs list is as much about what you were doing and where you were in your life when those songs were playing as it is about the music. It’s not a list. It’s a soundtrack for this journey.

What I’m reading:

Patricia Lockwood’s Priestdaddy was in the NY Times top ten books of 2017 list and it is easy to see why. Lockwood brings remarkable and often surprising imagery, metaphor, and language to her prose memoir and it actually threw me off at first. It then all became clear when someone told me she is a poet. The book is laugh aloud funny, which masks (or makes safer anyway) some pretty dark territory. Anyone who grew up Catholic, whether lapsed or not, will resonate with her story. She can’t resist a bawdy anecdote and her family provides some of the most memorable characters possible, especially her father, her sister, and her mother, who I came to adore. Best thing I’ve read in ages.

What I’m watching:

The Florida Project, a profoundly good movie on so many levels. Start with the central character, six-year old (at the time of the filming) Brooklynn Prince, who owns – I mean really owns – the screen. This is pure acting genius and at that age? Astounding. Almost as astounding is Bria Vinaite, who plays her mother. She was discovered on Instagram and had never acted before this role, which she did with just three weeks of acting lessons. She is utterly convincing and the tension between the child’s absolute wonder and joy in the world with her mother’s struggle to provide, to be a mother, is heartwarming and heartbreaking all at once. Willem Dafoe rightly received an Oscar nomination for his supporting role. This is a terrific movie.

February 12, 2018

What I’m listening to:

So, I have a lot of friends of age (I know you’re thinking 40s, but I just turned 60) who are frozen in whatever era of music they enjoyed in college or maybe even in their thirties. There are lots of times when I reach back into the catalog, since music is one of those really powerful and transporting senses that can take you through time (smell is the other one, though often underappreciated for that power). Hell, I just bought a turntable and now spending time in vintage vinyl shops. But I’m trying to take a lesson from Pat, who revels in new music and can as easily talk about North African rap music and the latest National album as Meet the Beatles, her first ever album. So, I’ve been listening to Kendrick Lamar’s Grammy winning Damn. While it may not be the first thing I’ll reach for on a winter night in Maine, by the fire, I was taken with it. It’s layered, political, and weirdly sensitive and misogynist at the same time, and it feels fresh and authentic and smart at the same time, with music that often pulled me from what I was doing. In short, everything music should do. I’m not a bit cooler for listening to Damn, but when I followed it with Steely Dan, I felt like I was listening to Lawrence Welk. A good sign, I think.

What I’m reading:

I am reading Walter Isaacson’s new biography of Leonardo da Vinci. I’m not usually a reader of biographies, but I’ve always been taken with Leonardo. Isaacson does not disappoint (does he ever?), and his subject is at once more human and accessible and more awe-inspiring in Isaacson’s capable hands. Gay, left-handed, vegetarian, incapable of finishing things, a wonderful conversationalist, kind, and perhaps the most relentlessly curious human being who has ever lived. Like his biographies of Steve Jobs and Albert Einstein, Isaacson’s project here is to show that genius lives at the intersection of science and art, of rationality and creativity. Highly recommend it.

What I’m watching:

We watched the This Is Us post-Super Bowl episode, the one where Jack finally buys the farm. I really want to hate this show. It is melodramatic and manipulative, with characters that mostly never change or grow, and it hooks me every damn time we watch it. The episode last Sunday was a tear jerker, a double whammy intended to render into a blubbering, tissue-crumbling pathetic mess anyone who has lost a parent or who is a parent. Sterling K. Brown, Ron Cephas Jones, the surprising Mandy Moore, and Milo Ventimiglia are hard not to love and last season’s episode that had only Brown and Cephas going to Memphis was the show at its best (they are by far the two best actors). Last week was the show at its best worst. In other words, I want to hate it, but I love it. If you haven’t seen it, don’t binge watch it. You’ll need therapy and insulin.

January 15, 2018

What I’m listening to:

Drive-By Truckers. Chris Stapleton has me on an unusual (for me) country theme and I discovered these guys to my great delight. They’ve been around, with some 11 albums, but the newest one is fascinating. It’s a deep dive into Southern alienation and the white working-class world often associated with our current president. I admire the willingness to lay bare, in kick ass rock songs, the complexities and pain at work among people we too quickly place into overly simple categories. These guys are brave, bold, and thoughtful as hell, while producing songs I didn’t expect to like, but that I keep playing. And they are coming to NH.

What I’m reading:

A textual analog to Drive-By Truckers by Chris Stapleton in many ways is Tony Horowitz’s 1998 Pulitzer Prize winning Confederates in the Attic. Ostensibly about the Civil War and the South’s ongoing attachment to it, it is prescient and speaks eloquently to the times in which we live (where every southern state but Virginia voted for President Trump). Often hilarious, it too surfaces complexities and nuance that escape a more recent, and widely acclaimed, book like Hillbilly Elegy. As a Civil War fan, it was also astonishing in many instances, especially when it blows apart long-held “truths” about the war, such as the degree to which Sherman burned down the south (he did not). Like D-B Truckers, Horowitz loves the South and the people he encounters, even as he grapples with its myths of victimhood and exceptionalism (and racism, which may be no more than the racism in the north, but of a different kind). Everyone should read this book and I’m embarrassed I’m so late to it.

What I’m watching:

David Letterman has a new Netflix show called “My Next Guest Needs No Introduction” and we watched the first episode, in which Letterman interviewed Barack Obama. It was extraordinary (if you don’t have Netflix, get it just to watch this show); not only because we were reminded of Obama’s smarts, grace, and humanity (and humor), but because we saw a side of Letterman we didn’t know existed. His personal reflections on Selma were raw and powerful, almost painful. He will do five more episodes with “extraordinary individuals” and if they are anything like the first, this might be the very best work of his career and one of the best things on television.

December 22, 2017

What I’m reading:

Just finished Sunjeev Sahota’s Year of the Runaways, a painful inside look at the plight of illegal Indian immigrant workers in Britain. It was shortlisted for 2015 Man Booker Prize and its transporting, often to a dark and painful universe, and it is impossible not to think about the American version of this story and the terrible way we treat the undocumented in our own country, especially now.

What I’m watching:

Season II of The Crown is even better than Season I. Elizabeth’s character is becoming more three-dimensional, the modern world is catching up with tradition-bound Britain, and Cold War politics offer more context and tension than we saw in Season I. Claire Foy, in her last season, is just terrific – one arched eye brow can send a message.

What I’m listening to:

A lot of Christmas music, but needing a break from the schmaltz, I’ve discovered Over the Rhine and their Christmas album, Snow Angels. God, these guys are good.

November 14, 2017

What I’m watching:

Guiltily, I watch the Patriots play every weekend, often building my schedule and plans around seeing the game. Why the guilt? I don’t know how morally defensible is football anymore, as we now know the severe damage it does to the players. We can’t pretend it’s all okay anymore. Is this our version of late decadent Rome, watching mostly young Black men take a terrible toll on each other for our mere entertainment?

What I’m reading:

Recently finished J.G. Ballard’s 2000 novel Super-Cannes, a powerful depiction of a corporate-tech ex-pat community taken over by a kind of psychopathology, in which all social norms and responsibilities are surrendered to residents of the new world community. Kept thinking about Silicon Valley when reading it. Pretty dark, dystopian view of the modern world and centered around a mass killing, troublingly prescient.

What I’m listening to:

Was never really a Lorde fan, only knowing her catchy (and smarter than you might first guess) pop hit “Royals” from her debut album. But her new album, Melodrama, is terrific and it doesn’t feel quite right to call this “pop.” There is something way more substantial going on with Lorde and I can see why many critics put this album at the top of their Best in 2017 list. Count me in as a huge fan.

November 3, 2017

What I’m reading: Just finished Celeste Ng’s Little Fires Everywhere, her breathtakingly good second novel. How is someone so young so wise? Her writing is near perfection and I read the book in two days, setting my alarm for 4:30AM so I could finish it before work.

What I’m watching: We just binge watched season two of Stranger Things and it was worth it just to watch Millie Bobbie Brown, the transcendent young actor who plays Eleven. The series is a delightful mash up of every great eighties horror genre you can imagine and while pretty dark, an absolute joy to watch.

What I’m listening to: I’m not a lover of country music (to say the least), but I love Chris Stapleton. His “The Last Thing I Needed, First Thing This Morning” is heartbreakingly good and reminds me of the old school country that played in my house as a kid. He has a new album and I can’t wait, but his From A Room: Volume 1 is on repeat for now.

September 26, 2017

What I’m reading:

Just finished George Saunder’s Lincoln in the Bardo. It took me a while to accept its cadence and sheer weirdness, but loved it in the end. A painful meditation on loss and grief, and a genuinely beautiful exploration of the intersection of life and death, the difficulty of letting go of what was, good and bad, and what never came to be.

What I’m watching:

HBO’s The Deuce. Times Square and the beginning of the porn industry in the 1970s, the setting made me wonder if this was really something I’d want to see. But David Simon is the writer and I’d read a menu if he wrote it. It does not disappoint so far and there is nothing prurient about it.

What I’m listening to:

The National’s new album Sleep Well Beast. I love this band. The opening piano notes of the first song, “Nobody Else Will Be There,” seize me & I’m reminded that no one else in music today matches their arrangement & musicianship. I’m adding “Born to Beg,” “Slow Show,” “I Need My Girl,” and “Runaway” to my list of favorite love songs.

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