#guest: res

[cemetegee]

Dying as a Skill Issue

I just made a post about Ianthe's "Dying is for suckers." quote and now I realized that "Dying as a skill issue/dying as failure" is actually an essential part of her character.

In the psychogram story The Unwanted Guest she talks about it even more. She presents several deaths of known characters to Palamedes and tells him why they have died in her opinion:

Ortus did not die because Crux was an asshole and killed him, but because he was too sad.

Abigail did not die because Cytherea murdered them, but because she brought her husband to Canaan House as her cav. (This point is especially random. As if Cytherea wouldn't have slaughtered Babs as well...)

(It's by the way interesting that she doesn't mention Jeannemary and Isaac here. Maybe even she knows that that would be hella tasteless. Ooorrrr she has a different reason.)

Dying is for suckers in her opinion and dead people died because of a lack of skill.

That even partly explains why she wants to become a Lyctor (and likely a God or even more than a God) so much: Dying would be a personal failure to her.

[preathuswnt]

yay!!!

christens slightly smoky eye and tobins top 😩

[see-arcane]

The trains go only so quick

The weather’s only so calm

For the people are all out

For celebration’s a balm

Our good friend sighs in shelter

Barred from revelry and fear

A storied local greets him

As a thunderhead draws near

Preface: For maximum effect, give, “Dracula’s Guest,” a read before proceeding.

The PDF version of the preview is here.

2

Walpurgisnacht

Munich held onto him longer than he would have liked. Had he been marooned in the place as a mere visitor he would never have opted to haunt the station rather than milling around through the celebrating streets. There was as much reveling as reverence at work due to the holiday. The far end of it, anyway. Jonathan had tucked a note on it in his schedule. Celebration meant delays even in the most sedate locales and there was every chance that this one’s might postpone his conveyance. He smiled tiredly at the shorthand, if only so he did not torture himself with looking at his watch for the third time in as many minutes.

‘Walpurgisnacht. Walpurgis Night. A holy day held in respect to Saint Walpurga, the 8th century abbess who warred with illness, pestilence, witchcraft and grim spirits. A time of grave superstition by dark and relieved gaiety by sunup with the witches and the dead all banished. The date has a predecessor in the form of the May Day festivals of old, making the time one of bonfires and fear, beauty and feasting.’ And apparently keeping the trains held up so that any wandering spirits cannot flee too far from the cemeteries.

Jonathan tucked the note away with the rest and battled with himself over whether he dared to stray from the platform or not. His train was meant to arrive at seven o’ clock, which meant that for safety’s sake he ought to be ready and waiting by six, even if the train was more likely to appear closer to eight. But the hour was now half-past five and he had taken his lunch early that day. He was down to rationing mints from their tin lest he give in to hunger and try to elbow his way through the crowded streets to find a restaurant. One that he would not even have time to truly enjoy, needing to eat speedily and flee back to the tracks. His stomach pinched him in protest. He held a fist against it to muffle a growl.

“You can wait.” He could. If there was no dining on the train, he would still make time for breakfast in Vienna. Or if not breakfast, lunch in Klausenburgh. Or… “Or I could just break and get a room for the night.” The words were a sigh. He had spied a hotel sitting in a picturesque spot near a spread of wild greenery that bled into woodlands. What was the name? “Quatre Saisons, I think,” he said under his breath. This, like the rest of his murmured commentary, was meant for no ears but his own. The festivities had left the station remarkably barren. Everyone who had traveled to or from the area wouldn’t be packing up until at least the next morning. So it came as a surprise when he heard a voice behind his head:

“You are an Englishman?”

Jonathan turned to see a man almost as young as himself peering down at him. A cluster of wild roses at his breast was the only flourish to his apparel. His expression was unreadable apart from an angle of suspicion to the brows.

“I am,” Jonathan allowed, grateful that he didn’t need to strain his tongue or the man’s ears with his fragmented German.

“You have come from the Quatre Saisons?” The suspecting angle deepened.

“No, but I was thinking I may have to book a room if the train comes too late.”

The man’s face softened at this, his posture relaxing an increment as he insisted, “The train will come late. Not too late, but still late. You must not bother with the Quatre Saisons either way.”

“Is it full?”

“Most rooms always fill in advance of these days. Inns and hotels shall all be swarmed from now until the seventh of May. But Herr Delbrück’s Quatre Saisons must not be tried. The place is not well this time of year.”

“I do not quite follow,” Jonathan said, his nose just catching the whiff of past toasts to the date on his companion’s breath. “How is it not well?”

“The land it sits with. It is bad to be near it, even after Walpurgisnacht has been and gone. There are…” the man seemed to catch himself on a word before pressing on, “…wild dogs that roam the forest and its valley. Strange souls who would take after the devils of last night, even as we light the fires against them. No, you must not stay there until at least the thick of summer. Better to try in the city’s heart if you must have a room.”

The rooms that were full of visitors already, according to the young man himself. Either way it still relied on Jonathan potentially spoiling the entirety of the client’s route as laid out and paid for from his own account. The idea of taking a room and gambling on a morning train was only a daydream. Jonathan almost said as much.

Instead, “I do not need a room, really. I can hardly risk missing the evening’s train by a minute. But I thank you for the advice, sir.” The young man frowned at Jonathan then, his eyes roaming the length of him in a searching way. “Are you waiting on the train as well?”

“I just purchased my ticket for the morning. It is better to travel by day. And to eat by it too.” He nodded at Jonathan. “You have not been in the city itself? You have partaken of nothing?”

“Sadly no. If I were here on my own account I should have liked to see more, but—,”

“The train will not come any earlier if you sit and starve.”

“Likely not. But I cannot risk wandering too far.” He regarded his luggage drearily. No, he dared not even risk a restaurant. Even the next stop would allow him only a glimpse of the city as he rushed from one point to the next. Perhaps he could find some time to wander when he reached the hotel, but not before. He clenched his belly against another snarl and popped another mint in his mouth. Only three left, but, “Would you care for one?”

The young man whispered something in his homeland’s tongue—it sounded to Jonathan like, “Better to have the leaves,”—but in English said, “I would. Thank you.” He laid it on his tongue as if it were a medicine pill. “But it is still not a supper. Take yourself away for a meal at least, Herr Englishman.”

So saying, the young man departed, perhaps for his own plate or hotel. Jonathan swallowed a sigh and put the tin away. Looking around he saw he really was the last one on the platform apart from one dozing woman playing chaperone to her family’s luggage. Her husband had taken the two sulking children back out into the streets to burn off some energy. With the surly toddlers and the brief conversationalist departed, the space felt oddly like an island. Even the clamor that leaked in from the mouth of the tracks was muted. Jonathan tried to bury himself in a book, but gave up as the text swam before his eyes.

What rest he had gotten was as thin as his last meal was distant. If he could only lay down and sleep through the hunger he might be satisfied, but that risked drowsing through the train whistle itself. He tucked the book away and took himself to the closest opening which showed the beginnings of twilight oozing over the tracks. His hand went again to the neglected journal at his heart and thought another apology at its pages. So far he’d only managed to jot his name within the cover.

“I am sorry,” he told the air. “My head is in no state for you yet.”

A sudden cold gust blew his words back. There was a rise of distraught voices from outside as the breeze whipped through. In the next moment there was a shift in the palette of the sky as a weighty cloud rolled over the last of the sun, plunging the outdoors into early dusk. After that came the pattering of hail. The last festive sounds turned to a disgruntled din before their noise was drowned entirely by the hammering on the station’s roof. Jonathan pulled his coat tight around him and wished luck out to the revelers.

Between one blink and the next, one of the latter manifested at the threshold below. She wore what would have been an immaculate costume of a bygone age if not for the burns that had assailed the fine old dress. Though perhaps that was merely a desired effect. She was likely going around as some witch or spirit who had escaped the bonfires’ efforts during the night. Between the platform’s glow and the outdoors’ new gloom she certainly possessed the half-lit look of a ghost.

The sort of ghost meant for a stage, he added to himself. She has an actress’ face.

Yes, an actress powdered and dressed to be a dead beauty. Her mouth was a full and somber curl of red against a carcass’ pallor. She carved it into a smile as she stared up at him, seemingly oblivious to the cold and hail at her back.

“Are you alright?” he asked in his stilted German. The woman only kept her faded eyes upon him. They had a pull to them that Jonathan couldn’t place. He found himself approaching the tracks’ edge before he realized his feet were moving. “Do you need help?” he added, wondering if the trouble was just a matter of shelter. The tracks were set deep and it would be a hassle to hoist oneself up to the platform’s edge.

“He tries again,” said the woman on the tracks. Possibly. Her German was almost as fractured as his own, albeit with a different inflection. “Another sent for. Another to travel with. Fast, fast, fast.” The sky growled at her words. A stage’s effects could do no better. With the thought in mind, he wondered:

Is this a performance?

Before he could ask, his stomach spoke for him. It was mortifyingly loud and the thunder’s next peal did not do enough to cover it. The woman’s expression cracked on a wider smile. She recited:

“Help, Heaven, help! who knows the Father

Knows surely that he loves his child:

The bread and wine from the hand divine

Shall make thy tempered grief less wild.”

Jonathan smiled back, glad to recall the verse. He and Mina had gone over it in the original text and the English for practice and preference’s sake. Lenore’s lines fell from him:

“Oh! mother dear mother! the wine and the bread

Will not soften the anguish that bows down my head;

For bread and for wine it will yet be as late

That his cold corpse creeps from the grim grave’s gate.”  

The woman’s grin now bared teeth. They were brilliantly white against the crimson of her lips.

“Are you meant to be Lenore?” Jonathan asked.

“Lenore sought her lover. I sought only death.” Her hand rose toward him. “Will you help me find it?”

Thunder boomed as a new wind rolled through the station like a howl. The woman’s ruined dress and hanging hair danced wildly on her, though she seemed not to notice. Jonathan went toward her, deciding whatever act she adhered to would be better performed out of the elements’ reach. His hand reached down to hers. There was a moment when their fingers brushed and Jonathan felt sick at how frozen she felt even through his glove.

In the same instant he saw the dancing of lightning without. The bolts seemed almost like a great weaving animal, snapping in closer and closer bolts along the blackened sky. Intuition tightened in his chest. Suspicion leapt to certainty. There was no time to speak—

Get off get off the tracks it’s going to—

—only to grab for her hand.

But not fast enough. Another gale of wind rushed through, this time angled in such a way that it seized and flung him back against the floor. Lightning struck in the same instant. Noise blasted his ears. It was a nigh deafening din made from the crackle of electricity dancing on the tracks and the rattling roar of a thunderclap. Under it, he swore he heard the woman scream.

God oh God oh God hospital what is the word for hospital I need the dictionary I need—

He scrambled to his feet and back to the platform’s edge. His breath stayed trapped in his chest until he looked down.

And saw nothing.

There was no woman, alive or dead. He gawped for almost a minute at the bare tracks. The hail thinned away as he stared and the thunder softened to a grumble.

How..?

“You are hurt?”

Jonathan looked up and found the dozing mother had left her heap of baggage to check on him.

“No, no, not hurt. But there was someone…” He gestured at the tracks and limped through a few lines of German before she shooed his words away with her hand, switching briskly to English. He explained the scene in full and the mother nodded with something between grave intensity and a sprightly eagerness.

“Yes, there would still be some who wander late. Walpurgisnacht is night and day. Probably she is drifting back to her tomb, sulking that she did not get company for her bier. If you had your gloves off and showed your ring she may have not bothered. Lovers who die before the wedding day, they are the greediest souls on these nights.”

This she said with great authority and Jonathan had no desire to mention that he wore no ring as yet. No more than he had any urge to voice his suspicion that the woman had been very much alive and somehow made it away from the station’s threshold before the lightning could do any damage.

The other explanation is that the woman was, in fact, a roaming ghost come to collect a new member for the graveyard. It is the time of year for such things.  

A call from the other end of the station turned the mother’s head. Father and children had come in from the storm, as had a smattering of other travelers. The train whistle bayed not long after. Jonathan looked to the tracks again as if the woman might suddenly rematerialize in the locomotive’s path. The only body that he could see was the outline of some animal at the edge of the platform’s glow. It looked like a large dog posed beside the tracks, tail still and eyes lambent. Jonathan held its stare for a moment. Then it was gone, loping off into the night.  

This. This is worth writing about.

And it was. At least once his seat had him in it and a wonderfully dense meal sat in him. He brought out his stationery pages for the cause, jotting the entirety of his time in the station up to the arrival of the train. These loose sheets were reserved specifically for storytelling and recipe preservation, the better to possibly be scrapbooked away at home. The journal still drowsed in his pocket.

Hold out for the hotel room. Almost there.

Jonathan cupped a hand to his eyes to keep out the glare as he watched the world go by in the window. The storm was left behind now and the sky was all stars above rooftops and treetops alike. A brilliant wedge of a moon shined out at him. He was still admiring the view when the steward came along to tap his shoulder. There was a smile on his face but a glimmer of anxiety in his eye.

“Herr Harker, yes?”

“Yes,” Jonathan managed before the steward produced a telegram.

“For you. Will you have another drink?”

“No, thank you.” But the glass was already stolen away and refilled before he could finish the sentence. The steward vanished in nearly the same instant, looking as if he meant to finish the bottle himself. Jonathan puzzled over this a moment before turning his attention to the telegram.

BISTRITZ.

My friend, I send all apologies to you on account of the trains and the time. We arranged our meeting during the heart of much fervor, and such will always meddle with travel. I send this in anticipation of your own frustrations with the hindered hours and my gratitude for your steadfastness. I hope it shall please you to know that the Hotel Royale has its finest suite reserved and waiting for you, and so too for the Golden Krone of Bistritz after them. May their hospitality be a balm against the troubles of a passenger at the mercy of fickle clocks. —Dracula

Jonathan marveled at the message. It was a rarity in itself to have a client who made no fuss when it came to snags that the firm had no control over. To have one who foresaw said snags and went out of his way to apologize to the solicitor himself was unheard of. And from a noble?

He added the telegram to his memoranda with a smile. 

[vaguely-concerned]

...the 'almond room' thing in the unwanted guest IS a reference to/play on words on amygdala, right? (amygdala comes from the greek word for almond!) I didn't read that wrong? it is stupid sexy Ianthe coyly inviting Palamedes into a different chamber of her brain, as it were?

(also the pieces of meat -- the feeding or kissing, it's hard to say which of it all -- being present right from the beginning... ianthe DOES know exactly what has happened to her, doesn't she. palamedes is just cutting his way through her layers of denial and repression all merciless and scalpel-like to get her to admit it. or, she knows subconsciously at least -- each person comes in and feeds her something that she's helpless to stop from becoming a part of her even in her coffin, with bloody kisses. oh baby love is feeding me bad meat and I have no choice but to swallow it down. like yeah I suspect that is how human contact can feel when your sense of self and boundaries developed to be a specific kind of Fucked Up lol. that shit could make a person dream of being a diamond in a glass of wine; perfect, inviolable, untouchable, eternally separate and safe. In the words of Andrea Gibson in Prism:

They say the womb is where we learn love is knowing the cord that feeds you could at any moment wrap around your neck

that is quite literally ianthe's first introduction to love -- her sister, a cord around her neck. Corona is Ianthe's other self, a second soul running around outside of her body, and she seems to consider herself as responsible for (and entitled to) the preservation of Corona's soul as her own. the way this mirrors that growing up, Ianthe had to be two necromancers in one body to let them stay together. (twins and ghosts all the way down I guess.) she's still just trying to do the same thing, I think, she's simply put on some bigger boots about it. the central problem of lyctorhood, self vs. connection/love, rears its head once again -- Ianthe existentially wants total self-contained self-sufficiency, perfect control, sovereign sway and masterdom over her soul... but she wants that at the same time as being in uninterrupted (uninterruptible!), eternal and indelible intimacy with her sister, whose soul also cannot be allowed to change. which, you know. freedom and love don't coexist the way you want them to, Ianthe, no matter how clever you are there won't be a way to get what you want. (especially not with a sister whose idea of what love is seems to go more towards being consumed, made one, by whatever violence necessary -- 'she could have taken me'.) man. Ianthe is a spectacular and ongoing piece of work, but sometimes it's hard to see how she could ever have turned out otherwise considering the conditions she was born and raised under haha.

the two-way street of the horror of digestion, whether you're the devourer or the devouree. part of you in me, part of me in you, whether either of us likes it or not we're both changed by this. bad news: you can't get out of interconnectedness by finding the cleverest loophole around it, ianthe. nice try, though)

[marzipanandminutiae]

get in loser we're trying to figure out the original layout of the 1890s house I live in (based primarily on real estate listing photos, for the other unit)

[leveloneandup]

re—inc Guess the Guest of Episode 2 👀🌊🐠

[sun-e-chips]

Are there any flotation devices people can lay on? What happens if kids fall asleep on them?

Yes there are complementary tubes for guest at the waterpark but besides the big waterslide multi person tube they don’t really have much else lounging wise. Also external floatation devices can only be used in the main pools for safety reasons. (Arm floaties and swim vests are of course the exception) :)

If a kid falls asleep anywhere in the park staff will see to it that they are reunited with their parents (your park band will give you a buzz if an animatronic is currently trying to reach you)

Children will be well looked after until one of their parents arrives (don’t want anyone getting sunburned ;)

[re-dracula]

Coming to patrons this Halloween (and to everyone else sometime next year), our rendition of Dracula's Guest!

Listen to a clip from this bonus episode (it's a free post on our patreon) at the link above! Join our patreon to hear it in full on 10/31!

[softpawpup]

from ducky ;; i rlly wuv these colors !!! they r so pretty !!! aren't they??? i just wuv em !!!!! pink is my fav.... but pastel turquoise is good too :3 !!!

(x) (x) (x)

(x) (x) (x)

(x) (x) (x)

[omnybus]

Beat our guest, beat our guest, Slam a bat into their chest

Stuff a rock into a sock and turn their face into a mess

Poke their eyes, hit their nose, drop a hammer on their toes

Hack their hand off with a hatchet

Or just grab a brick and smash it

Break their arms, break their face, pop a socket out of place

unleash all the hidden fury you’ve suppressed!

They’ll find it hard to plead, when they profusely bleed

all down their vest-

I don’t jest!

They’re too toothless to protest!

Beat our guest, beat our guest, beat our guest!

[tenspontaneite]

Art from Assembly, chapter 1.

Drawn on my train yesterday.

[preathuswnt]

last guess the guest because christen is tired of coming up with them by herself haha

[see-arcane]

I must have been asleep, for certainly if I had been fully awake I must have noticed the approach of such a remarkable place.

Oh. Oh, hell. This is the first time I've caught this.

We already saw how Dracula was driving the caleche around the same route at first--biding time for midnight and likely trying to throw off Jonathan's direction--but this? If Jonathan is telling the truth, that he really did nod off in order to miss their arrival at the castle?

I'd put my money on Dracula having willed him down into a trance sleep.

So he wouldn't know how one is meant to get to and from the castle.

[how-do-i-do-words]

to the dracula daily/re:dracula people (and everyone else as well, i guess):

[lazyasriel]

Woke up from a dream in which Dracula welcomed Jonathan with a rendition of Be Our Guest from Beauty and the Beast. So glad I wrote it down:

My Dearest Jonathan

It is with deepest pride and greatest pleasure that I welcome you here tonight

Now I invite you to relax, please pull up a chair

As Count Dracula proudly presents,

My castle…

Be my guest

Be my guest

Put my service to the test

Come still in the library with me

Tonight there’ll be no rest!

I’ll depart

Before the dawn

You’ll find doors locked in the morn

There’s no servants and no mirrors

Down your back there runs a shiver

I can clean, i can cook

Just relax, sir, read a book

And ignore my lizard-climbing up the walls

Come on and try my dinner

And feel free to linger

As my guest

Don’t be stressed

You’re my guest!

You can’t leave

You can’t shave

Don’t be dumb and misbehave

Mina will learn to move on soon

So don’t bother being brave

You’re not alone,

Don’t be scared,

Coz my fangs are not yet bared

Vampire women in a mania

Look around it’s Transylvania

We suck blood out of your neck

The nearest town is quite a trek

And you know there’s wolves out howling in the dark

You’ll come to know my past

I’ll see England at last

Coz I’m obsessed

Don’t contest

You’re my guest

[leveloneandup]

re—inc A brand new episode of The RE—CAP Show is dropping tomorrow ✨ Who will be our guest? Tobin Heath has your clue 🏄‍♀️