#guess who has a Big Important Project due later this week
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rainbowsandwhumperflies · 1 year ago
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"when do you find the time to write??" I don't actually. every time I have an important assignment due, I black out and then four hours later I wake back up and have two more chapters done
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dashawfrostart · 1 year ago
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This Week In "Time & Again" #3: Gettin' Technical... Again?! And A Little Cynical
Hello again! I must admit... My weekly blog posting schedule has slightly shifted - first, because I posted the Halloween poster a.k.a. The First Teaser a bit later due to the creepy holiday itself, and second - because a bunch of life stuff is happening (yup, don't underestimate me, I do have a life outside artworks! 🤣). Usually everything has been fairly straightforward and gradual in my life, but there's a bit of certain activity going on in it right now, more than usual. And potentially also non-artistic side projects in my life. Because of that, I didn't get a chance to draw as much as I anticipated to during this week (already last week?! wowie!!!.. time flies, indeed!). But nevertheless, I tried my very best to go ahead with "Time & Again", for this is a project of the greatest importance to me. Slower or faster it's reaching its "well done" state - it doesn't matter. As you know, I'm not big on time limits 😁 At this point of time, the product is still very undercooked, so I'll be cooking it until done (even though I absolutely can't stand it when the packages say "cook until done"... because would you PLEASE be more vague?🤣).
To my surprise, I do not have an awful lot to say today. One might even say I'm ruining the format, for the previous posts I made had quite a (relatively) high word count. That said though - and some people close to me know this very well - every time I say I don't have much to say I end up writing twice or thrice as normal. Which leads us to conclusion that, perhaps, I actually do have things to say?!.. Either way, I'm sure you're not yet tired of me rumbling on and on about strange things that only some people - primarily digital artists - understand... Namely my habits of work. I am sure quite methodical in the way I draw, perhaps oddly. So I'll continue being technical for a while, until I run out of techy topics to talk about. And when I do... then I'll just spam more pictures 😁
However... A small demonstration of progress would be good for a wee little "teaser" of sorts:
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(Note the layer names. I often make typos when I rename the layers - and I just don't bother and leave them as is, because it doesn't really matter. Pains me as a languages and grammar nerd, of course, but also entertains me a bit 🤣 Also, the cigarette smoke has been drawn on a separate layer as well, and it humorously states how I feel about this particular habit of this charming dirtymouth individual. Eeeew, Lothar. Not cool.) I do not always do that, but sometimes I start off drawing the outlines of the characters' bodies and end up "wrapping" clothes around them afterwards, like on the screenshots above. I think the reason why I completed the work on Chapter 3 so unbelievably fast last year was due to the fact that on majority of the frames Lothar appeared topless... Because I've noticed that when the characters don't have much clothes on them, it takes significantly less time to draw them. But of course!.. In this case you don't have to draw every single fold and wrinkle on shirts and skirts, extra seams on jeans, or additional stylish detail on any piece of garment that looks far too plain without it... Drawing characters naked - or half-naked - sure saves an artist a TREMENDOUS amount of time and effort. ... I suspect this is also the reason why in a lot of modern comics and mangas - and animated shows, too - the artists tend to include a lot of nudity in their projects... Why yes, isn't it obvious?! Because who, pray tell, wants to spend extra hours drawing all the clothes anyway?! Come on, clothes are overrated! I'm sure of it now.
... That was plenty enough of cynicism and sarcasm for a single post, I guess. Alas! I'm rumbling, again! That was not planned by me! So let's move on to the main part of this post now! Finally, on to the techy stuff, as promised! Yum! 🤤
First of all, I would like to mention a very important change in the way I work on my graphic novel now. One fine day, not long ago, I have discovered something... that turned my digital artist's world upside down. And the name of the phenomena that shattered my whole life was... Krita's weighted smoothing for the brush. (ok, ok... that sounded very exaggerated and pompous. But oh well!)
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The screenshot on the left shows the brush settings I used all the time prior to Chapter 5. I used amazing Krita's Stabilizer smoothing, because I found it quite useful back in the day as I only started to use my Huion graphic monitor. I was so fascinated with it... It truly felt magical after a few years of using "a blind", screenless Wacom drawing tablet (which I will never ever go back to, for, to be honest, I have no idea how I was able to draw anything 🤣... tried using it a couple years ago just to see the difference, and I ended up exclaiming, "How in the ❤❤❤❤ do you even draw on this thing?!", and I set it aside for good... to collect real thicc layers of dust on the shelf 🤣). The right screenshot depicts the current settings I use for the weighted smoothing. Those are the Krita defaults.
An unskilled eye would probably not even notice any remarkable difference between the two as they watch somebody drawing in real time - or if they compare my older works versus the very latest ones. I must admit, the difference is sure very subtle. But to me, there's enough of a difference in how it FEELS when I'm drawing. The lines turn out better overall, somehow it makes me feel as if I'm drawing on paper rather than on a slippery screen. I could say, to me weighted smoothing imitates pencil drawing on paper very well. Which ultimately means... it's easier to draw in general. Thus, the digital artworks look more like my regular artworks on paper. It makes me happy that I can just be me when I'm drawing on both paper and on the graphic monitor. Back in the day, I was very worried about how switching to digital format was gonna impact my peculiar art style. Turns out it hardly does. ... Not that drawing on a graphic monitor has ever been challenging to me, for I learnt pretty fast, and yet, at times something felt a little off. So right now, I ponder, there's gonna be much less "off" and much more "awesome". Which is indeed lovely.
Now I question myself on why I've never used this brush smoothing before, for I truly think it would've made the process of work much faster and the final result a tad nicer. This proves that one needs a perspective, a few types of materials to compare before springing to any sort of conclusions. Seems like back in the day weighted smoothing simply didn't get enough attention and any sufficient "test drive" from me. But I am very happy I discovered this wonderful thing now. And I'm gonna stick to it - quite possibly forever from now on, as I will keep working on the rest of "Time & Again" chapters as well as everything else including random little arts with the other characters that I love to sporadically work on every so often, and the pieces for my online greeting cards store, and such.
... Like I already mentioned in the beginning of this post, as I write - I might get seriously carried away. And I see this post keeps growing bigger and bigger in size, again, so I should better wrap it up and save a little more exciting information for the next post (that I will hopefully try to schedule properly in order to restore more or less consistent posting timeframe, for now it's aaaaaall over the place!.. no promises tho).
I'm afraid, no animated gifs today. But for a nice goodbye, I'll drop a little "teaser" picture - a very rough sketch for some other "Time & Again" artwork that I'm going to finish up shortly (hopefully).
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You will most likely see the end result of this particular artistic torment as a layout element on my social pages.
And for now - doooooodly doot doot! - I wave goodbye and leave the online world for a while to keep working on my obsession... and to eat some peanut butter, too, of course. See ya next time! 👋
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barrenclan · 2 years ago
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Actually wait I do have a legit question but idk if I’m gonna word it right.
How do you manage to balance multiple large projects out like this? Like you already have tds, and now this story, along with other irl things like college and what not I’m assuming. Just asking as someone who is VERY bad at managing multiple things at once, its interesting how you’re able to pull it off well. (Yes I know you’ve just begun this, but clearly you already have some planning already.)
Oh yeah I'm supremely busy right now haha! Classes + honors leading + independent research + generally just Living is on my IRL plate, and for my art projects I'm working on TDS, PATFW, and also my RVB Trek series. Oh, and a few MAPs/MAP parts, too. And I do unrelated artwork sometimes too. And I'm reading the whole ASOIAF series this semester. But I don't have a job right now, so... that's something!
I guess for me, staying balanced involves a lot of organization; like, I use a whiteboard to track out all my assignments & responsibilities with the due-dates so I can see what needs to be done Now and what I can do over the weekend, etc. I have one both for art and for schoolwork. And honestly, I think after working on a comic for multiple years I've just kind of gotten using to sneaking time to draw where I can? I do a lot of it in the evening, or wherever I had a chance to sit down with my tablet. Drawing is my relaxation time, so it's not ever a chore, especially because I watch/listen to things while doing it.
Also, I do a lot of buffer. TDS has about nine pages worth of buffer right now, because I finished a lot of pages in the summer, which translates to almost two months of updating without technically needing to draw another page. (Even though I do draw pages, to stay around that number.) PATFW is also buffered, although not as much since I just started - only a single issue ahead so far.
And I'm not gonna lie, I don't have a very big social life outside of seeing a few friends every week. But I am someone who makes two Warriors OC webcomics, so I'm not terribly inclined to being social anyways. I get enough of what I need to stay sane.
One thing I try my best not to sacrifice is sleep, though. I believe incredibly deeply in the importance of a good night's sleep and I try to never go to bed later than half-past midnight. That takes priority over classes, which take priority over hobbies. It takes a lot of discipline but I guess that's how I've built it!
That was a very long, rambly answer, sorry, but I hope you kind of got what you were looking for out of it anyways.
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delimeful · 4 years ago
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you can’t go back (4)
warnings: mentioned child neglect/bad parenting, mentioned awkward saucy teen flirting, arguing, emotional upset, the dubious ethics of over-excited teenagers
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Roman had been acting strange, lately.
It was perhaps a harsh thing to think about his friend, especially considering he was bound to behave differently when the recent disappearance of his twin was taken into account, but it was also true.
Logan had known Roman for years, long enough that it was an effort to search back through his memories for a point that they hadn’t been together, if perhaps not always in the most amicable of circumstances. They’d gone through the entire gamut of enemies-frenemies-rivals-friends, and Logan liked to think that he had a fair grasp on Roman’s tells by this point.
All of Roman’s tells were currently telling him that the other student was trying to hide something, something big.
It wasn’t just the way that he had stopped sulking whenever something happened that reminded him of his missing brother, or that he was suddenly scrawling what almost seemed like notes in a glitter-covered notebook when he hadn’t had the inspiration to work on anything creative in weeks, or that he had all but given up on the pretense of paying attention in their shared classes.
No, the real sign that something was wrong was the way that Roman had begun to outright neglect his two closest friends.
Logan was hardly affected, of course. He was above the base emotions that so many of his peers were constantly fraught with, and less time with Roman gushing in his ear about whatever had caught his interest or complaining dramatically about those who had wronged him meant more time for Logan to focus on what was important, like his AP classes and many, many extracurriculars.
Of course, that didn’t explain why he was currently trailing after Roman on his walk home, when he really should be at violin practice. No matter how much of a soft spot the teacher had for him, he’d gained his skill through hard work, not skipping practice. Certainly not skipping practice to hound off after his erstwhile classmate.
However, he wasn’t the only one being abandoned in this scenario.
Logan Croft had been forced to sit at a lunch table with an increasingly secretive and distant Roman, and a mournful, kicked-puppy version of Patton Hertz, the most cheerful guy in their grade, if not the entire school.
Roman, stuck in his own thoughts as he clearly was, seemed to not notice the effect his lacking presence had had on Patton, and Logan was just about fed up of watching the slow decay of the half life of their little group.
The secrecy was ridiculous. They’d been there when Roman had been so worked up about the ‘police coverup’ that he’d actually considered trying to break into a government building, they could certainly be here for whatever it was that had him so bizarrely clammed up now!
Logan paused from a distance and watched as Roman hurried in through the front door of his house, counting backwards in his head. It would be a fair challenge to try and break into Roman’s room, particularly with Roman in the house, but if his deductions about the seeds constantly caught on his friend’s pant legs and the odd-colored mud left on the soles of his favorite tennis shoes were correct… There!
Sure enough, only a few moments later, Roman was pushing out through the back door, taking an unusually careful moment to close the screen door behind him before turning and walking determinedly down the path into the rural wilderness that made up half of the grounds his family’s farm sat on.
Logan waited until there was little chance that Roman would double back for something he’d forgotten, and then strode confidently up to the front door, rapping on it twice. Going by the fact that there was a car in the driveway and the door had been unlocked when Roman had gotten home from school, someone else was home to answer.
Mrs. Torres opened the door, looking surprised at the sight of him for a moment, before breaking out into a warm smile. “Logan! It’s so good to see you, are you here for Roman?”
“I’ve been meaning to meet up with him for a project, but he left school before me, so I came here,” Logan said, not above lying through omission to uncover the truth. “Is he home?”
“Oh, he just got back, but I don’t think he’s inside-- ROMAN!” she turned towards the stairs and called up them, frowning when there was no response. “He must be out in the yard again. Come in, come in!”
Logan stepped inside smugly, glancing around. The interior was much the same as the last time he’d been here. If it hadn’t been for the pile of faded missing posters under a mug on the counter and his own prior knowledge of the situation, Logan would have been hard-pressed to guess that this was the home of a recently-vanished child.
“Honestly, I’m just glad he’s not staying cooped up in his room anymore,” Mrs. Torres was saying. The woman speaking casually in front of him only added to the eerie composure of the home, and Logan made his way through the general pleasantries and politely refused any refreshments with an unpleasant feeling in his gut.
“They didn’t even bother printing out new missing posters this time,” he remembered Roman telling them with a quiet, bitter sort of anger. “He dyed his hair, and they won’t even pay to put a recent picture of him up when it could be the difference between someone recognizing him or not!”
On a logical level, Logan can understand something concerning happening over and over, repetition dulling it’s effects until it feels mundane or everyday. Roman has mentioned before how his parents believed that Remus was simply acting out for attention, mostly while thanking Roman for being above that, as though the metaphorical ‘good twin’ wasn’t currently building a career on literally acting for an audience's attention.
What Logan can’t understand is that Remus’s parents are apparently completely uninterested in finding out why Remus is so desperate for attention that he would resort to a maneuver he knows will only get him negative consequences.
Logan himself would certainly like to understand. All queries on the matter had garnered only uncomfortable evasion from Roman, as though his friend might have had an idea but wouldn’t say, likely due to irritating personal feelings that Logan couldn’t parse.
So, he’d reached out to Remus directly, on one of the few days that he’d actually attended classes.
The delinquent had been visibly confused by his approach-- the twins allegedly hadn’t had a mutual friend since the beginning of grade school-- and resistant to Logan’s questioning, which Patton had later informed him was likely far too blunt for the situation. They’d gone in circles for a bit, Remus making outlandish or confusing metaphors while Logan refused to rise to the bait, and then he’d made a simple observation about the hypocrisy of the twins’ parents, and Remus had stared at him with an odd tilt to his head for a moment.
Shortly after, he had made a very confusing comment about something that was anatomically impossible, and when Logan had enquired further, Remus had then hared off with pink cheeks and ditched school for a week. He’d asked Roman about the situation, but his friend had only covered his ears with an agonized look on his face, utterly refusing to explain.
Logan shook the errant thought away, and the odd pang of something like regret that Remus had vanished before he could follow up on the interesting interaction.
He turned his gaze away from the unharried setting. The odd dynamic between the Torres family was not what he was here to investigate, not even remotely.
There was only one Torres he was investigating right now, and he had a strong suspicion that his odd behavior had less to do with family than one might expect.
“Go on ahead, I’m sure he’ll hear you once you get out back,” Mrs. Torres encouraged, picking up a particularly irritated-looking calico cat. “Just have to make sure Lady Macbeth doesn’t escape and disturb your little session. Roman’s been worried about coyotes, so we’ve been keeping her inside.”
Logan nodded, though privately he was a little surprised. Coyotes? He hadn’t thought they would be so bold as to lurk at a farm this close to urban areas. Perhaps there had been sightings near here?
He pushed past the creaky screen door with a striking sense of familiarity, despite the fact that it had been quite a while since the three of them had gone wandering together in the foliage and dirt of the Torres farm. Patton’s allergies could be quite fierce, after all.
As expected, walking into the backyard revealed no signs of Roman, even when Logan cleared his throat and called out. He knew his friend well enough to know that he would have reacted audibly to his unexpected presence, so the only logical conclusion was that he wasn’t nearby.
Clearly, it was time to check the perimeter.
He walked in a careful, orderly line next to the old wooden fence, eyeing the peeling paint and refraining from setting his hand on it. He had more to worry about than potential splinters, such as keeping an eye out for any potential strangeness that could explain Roman’s behavior.
There was little to be found in the brush except a regrettable amount of sandburs catching along the hem of his pants, so when he spotted the barn, he felt a surge of excitement.
And if he indulged in a little bit of sneaking, hoping to catch his quarry unaware, that was his business. Roman was loud enough that he could hear him ranting a good few meters from the barn, anyhow.
He managed to make it all the way to the edge of the barn wall before the rant abruptly cut off, and he stalked forwards hurriedly, pushing the door open before Roman could hide anything incriminating.
He needn’t have worried: the evidence was standing there in the middle of the barn, strapped to a support rafter.
It also wasn’t human.
“What are you doing here?” Roman shrilled, taking a quick step to be in front of the creature. It was an ineffective method of hiding it, seeing as what appeared to be long, spider-like limbs were extending in the air a good few meters in either direction behind him.
Logan had known about Roman’s theory, the one that had been laughed right out of the police station. He’d walked with Roman and scoured the fields for any sign of what Remus had mentioned, though they hadn’t found anything. He knew his friend still believed that his twin’s disappearance had been unnatural, extraterrestrial.
Knowing was quite different from seeing an entire alien right in front of oneself.
Roman was still talking, in that nervous chattering tone that he always took on when he was working himself into a truly incomprehensible explanation, but Logan could hardly be asked to divide his attention at the moment.
Extra anterior eyes, odd shiny patches along the sides of the neck, exterior hinges along the jaw, organic plating that had visibly darkened since his first glance-- there was so much that he needed to understand the purpose of, so many questions he had about their origins. How close by was other life? Which star had they hailed from? How had they gotten here?
He was moving forwards without a second thought, enthralled by the way the legs rose up-- like a bird mantling their wings, and they appeared smooth, not hairy as an actual spider’s would be.
“Incredible,” he breathed, and then there was a hand fisted in the back of his polo and he was being yanked away. Where he’d just stood, all four of the strange limbs stabbed into the ground, their reach longer and their ends sharper than he’d anticipated.
There must have been an extra joint closer to their back, the flexible kind that would allow for such an extension. He itched to circle around and look for himself, to confirm his hypothesis before the limbs retracted, but Roman was still clinging to him like a shrieking barnacle.
“What did I just say?!” he demanded, gearing up for a scolding. “It’s not friendly! Do you want to get stabbed into next week?”
“How long have you been keeping an actual alien life form from the world at large? From scientists at large? From me?” Logan shot back, shaking Roman’s grip loose. “Have you had them strapped upright this entire time? Can they talk? How did this even happen?”
Even as he demanded an explanation, his gaze was drawn back over to the alien, taking in their every twitch with endless curiosity. He wanted to know how to read each motion, from the downturn of their chin to the scrunching of their smaller eyes to the way the flat plates where a mouth should be had seemed to twitch. He wanted to know everything.
“It’s been like a week, I didn’t strap them up they came like that, either they don’t speak English or they’re a really good actor, and they showed up in my barn after Remus was abducted, you do the math!” Roman rushed out, edging closer as though he thought Logan was about to try and get closer to the alien again. “And I didn’t tell you because I knew you would do this!”
“This is hardly the first time I’ve almost been stabbed in the pursuit of science,” Logan retorted, annoyed at the presumption that he wouldn’t risk his life for his goals.
“It’s only a little bit about the near-stabbing!” Roman’s voice cracked, and Logan finally pulled the other half of his attention away from the alien to stare. “This is my only lead on my brother, and you’re going to want to-- to-- to put it in a laboratory or National Geographic Magazine or something!”
“I’d be far more likely to write a thesis paper on the matter,” Logan corrected helpfully. Roman’s hands twitched, the body language possibly indicating that he was barely restraining himself from trying to throttle Logan.
“Whatever! The point is, this isn’t a science experiment to me!” His rival’s face was crumpling slightly at the edges. “You can’t just-- just use the alien I found as a ticket to get into some esteemed college while Remus is left to rot in the far reaches of outer space!”
To Logan’s horror, Roman’s eyes had become suspiciously shiny. He floundered for a moment, wishing Patton was there to smooth things over as he so often did, before firming his shoulders and lifting his chin. He could at least try to explain, and hope it didn’t turn out too badly.
“I’m not going to ‘leave Remus to rot,’” Logan started, remembering the recycled missing posters stacked up on the counter. “If you believe that this alien is key to finding out what happened to him, then that should be-- well, our first priority should always be furthering the advancement of human understanding, especially with a discovery as big as this, but I am an accomplished multitasker, so we can do that while we attempt to locate and recover Remus.”
Roman’s shoulders slowly loosened from their frustrated hunch. “You’re going to help me? Seriously?”
“Do you really think I’d joke?” Logan replied, gesturing to his tie. “The more information we compile on this specimen, the better we’ll understand them, and the closer we’ll be to understanding the motives behind Remus’s abduction.”
“And you aren’t going to tell anyone?” Roman asked, looking more hopeful by the moment.
“Why would I? I work more effectively on projects on my own,” Logan answered, the same sentence that had sparked a loud argument between him and Roman in the middle of Biology two years ago. This time, however, Roman looked excited rather than offended at the response. “We really should figure out something to tell Patton, though.”
“That’s… a good idea,” Roman admitted sheepishly. “There’s no way we can let him around an unknown alien fiend, especially not one so… spider-y. You almost got stabbed, imagine what it might do to poor Patton!”
“You handle our story,” Logan decided, turning to look back at the alien fully. “I’ll see what we can do about those extra limbs. We won’t be able to do any sort of up-close analysis with a constant threat hovering over us.”
He straightened his tie, studying the way the extra limbs in question were vibrating just slightly in the air, drawn in significantly closer to the alien's body than they had been before. Despite the movement of the legs, the alien themself was still as stone, all of their attention locked on Logan.
Through observation and experimentation, he was sure that each little motion of theirs would soon become as readable to him as everyday human body language, and from there, real communication would be in reach.
Communication with an extraterrestrial... This would truly be a project like no other.
Fueled by a thrill of excitement, Logan couldn't help but smile.
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lokiondisneyplus · 4 years ago
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Most Marvel post-credit scenes hint at the future. Loki opted for a blunter approach: the God of Mischief would return in season 2.
Based on the final turn of events, there was really no other choice: Loki (Tom Hiddleston), having journeyed to the furthest point in spacetime with his variant Sylvie (Sophia Di Martino) to meet the founder of the TVA, a scientist-turned-survivor-of-multiversal-war known as He Who Remains (Jonathan Majors), finds himself zapped into a new reality when his lady self slays the omnipresent being. The mind reels!
Creator Michael Waldron takes delight in the endless possibilities of Loki’s core premise. And as a veteran of Rick and Morty, he knows what anchors a mind-bending show, and what will keep Hiddleston’s character hurtling through his chaotic, rewritten future. Below, Polygon talks to Waldron about landing on the key choices of Loki season 1, what to expect from season 2, and a bit on his next project, the wrestling drama Heels, which is set to premiere on Aug. 15.
Did you know there’d be a second season of Loki from the beginning or was that choice made later in the process?
Michael Waldron: We always knew that it was a possibility. We always knew that we wanted to propel Loki and these characters out into the MCU after this, into further stories. But that didn’t really crystallize as a sure thing until we were in production and everything. And as we were really figuring out the finale.
So you were still cracking the ending as you shot the show?
There was a hiatus due to the pandemic. So things were constantly being retooled because of that. I think, by and large, everything with He Who Remains and the Sylvie-Loki conflict was always there. But that cliffhanger was the sort of thing that suddenly became a really appealing opportunity, a chance for that to lead into a second season.
What element of the series helped you crack the macro story of Loki, and made all the other pieces fall into place? Each episode almost feels like a standalone adventure, similar to Rick and Morty, but what helped it all click?
The first couple of weeks in the writers room was just laying out the individual episodes. It was very important to me that each episode stood on its own, and you could say “This is the Lamentis episode,” “This is the apocalypse moon episode,” “This is the Void episode.” I didn’t want it to just be cut up chapters and have one long continuous story. Obviously, we had to figure out the time travel for things to slot into place. I think a big idea for us was the way you get around the TVA by hiding in apocalypses. That felt like such a big, cool, exciting idea that it drove the action of episode 2, episode 3, and in a way it’s like Alioth is the ultimate apocalypse that He Who Remains is hiding behind. That sci-fi idea cracked a lot open for us. I know that after we had that I went home and I slept a little sounder.
Did adding the multiverse to the Marvel Cinematic Universe feel like blowing something up or expanding it, in terms of narrative possibilities?
In the same way that after the first couple Iron Man movies, and with the first Avengers, suddenly these movies were kind of going to space. Then we had Guardians. I think of the multiverse as another version of that. It’s new ground to cover, and particularly interesting because characters meeting other versions of themselves and other versions of people they know is... cool. That’s just a cool sci-fi concept! But I think with anything, as you expand outward, it only works if the humanity remains. It’s exciting to watch characters dealing with big crazy multiversal conflicts because we can see ourselves in them. I think you just have to hold on to the humanity that makes these stories work in the first place.
Did you go back to the Thor movies for Loki? Was there anything to find in the past of Marvel as you were paving the future?
Absolutely. I mean I watched them many times, contrary to what Twitter might think because I did some bits on there saying that I’ve never seen Avengers and I upset some people [laughs]. I have seen it many times. “Confirmed: Loki writer has seen Avengers and saw it before writing Loki show.”
In fact, I was watching all these movies on a loop in the writers’ room. I gleaned so much because you watch the evolution of the character. Avengers was particularly informative because our story picks up Loki right after that, but I also I found a lot of inspiration in Thor: The Dark World, a maybe sometimes maligned movie that I actually really enjoy. I just think there’s great stuff with Loki being tangentially responsible for the death of his mother, how he reacts to that. That is the start of his journey of that version of Loki’s redemption, so I was inspired by that.
What’s propelling the characters into season 2? Where are you headed in basic terms?
In season 1, you saw a lot of characters reckoning with and questioning their own glorious purpose, and that glorious purpose changing, [characters] realizing that that can change. Everybody except for Sylvie. I think she holds onto hers, which is vengeance, and to the detriment of us all, perhaps. And we’ve got a Loki who, at the top of our show, assessed himself as a villain and, I would argue, at the end of our show, has become a little bit of a hero. There’s nothing more heroic to me than fighting for the right thing and losing. You see that washing over him as he’s there back at the TVA, after Sylvie has knocked back there. And then he gets up because that is what heroes do — they keep going. So I think that you’re gonna see a Loki that looks at himself in a different way certainly that at the top of this.
Do you hope to explore more of Sylvie’s backstory in season 2?
I guess we’ll see. We certainly have our own rich backstory for her, stuff that didn’t get to make it into the show. Elissa Karasik, our episode 2 writer, wrote a lot of amazing backstory for Sylvia and everything. So those ideas exist out there.
And her version of Thor?
Tune in.
How did He Who Remains come about? Did you bring the character to Marvel or was that a character Marvel hoped to introduce?
I was pushing and our team was pushing early on in the writers’ room that it should be a version of Kang up in that Citadel, sort of fusing the mythology of He Who Remains with a little bit of the Immortus mythology. And that was a thing we were excited to do. And it became clear that it actually made sense for our story. The only way we were going to do it was if it made sense, but it was like, who had a better argument for creating the TVA to prevent other versions of themselves from existing then a guy as evil as Kang the Conqueror?
You wrote the upcoming Doctor Strange in the Multiverse of Madness — did Marvel hire you for that after Loki? Does the movie feel like a continuation of the show?
Yeah, that opportunity came as we were getting ready to start production on Loki. It was a pleasure. I got to work with Sam Raimi, a hero of mine. I was in London for five months making that movie at the top of this year. We had a blast. I think that it’s a continuation in as much as ever every Marvel movie is to some extent a chapter in an ongoing story, but these things are meant to stand alone and the most important thing about Doctor Strange too is making the most kick ass Doctor Strange movie we could.
Is Loki a two-part show now or are you invested in telling a longer story with future seasons beyond season 2?
Time will tell, but I do my hope is that season 1 stands on its own. We always wanted to tell a complete story there. And in whatever the next chapter may be will stand on its own as well.
Your next show, Heels, is already on the way. We got a big preview out of Comic-Con this year, but I’m curious about the scope of this story. You’re starting with two brothers running an independent wrestling franchise, but you’ve dropped the name “Vince McMahon” a few times — is this about the building of an empire? Would you liken it to The Godfather or Breaking Bad?
I always thought about it a little bit of a Scorsese-sort-of rise, and we’ll see if there’s a fall. Starting from humble beginnings and trying to build some crazy. Wrestling was certainly not always the empire that it is and that’s what’s interesting, to watch the evolution of a family-run wrestling business from something you do in your small towns and perhaps a national, even global empire. That would be a really compelling arc for a show over the course of several seasons. I’d be excited to explore that.
What’s the most dramatically fulfilling wrestling moment you’ve witnessed? What’s the bar for the wrestling drama of Heels?
It’s gotta be Hulk Hogan turning heel in the WCW. There was an invasion storyline, these guys from WWF, Kevin Nash and Scott Hall, came over and they were the bad guys. It was at a Pay-per-view and and they were beating up on the good guys that you love, and here comes Hulk Hogan in the yellow and red and he’s the hero. “The Hulk’s gonna get ‘em! The good guy’s here!” And then the Hulk just leg drops Randy Savage. That was the original Red Wedding. I just think about the boldness of turning him heel. To a little kid... I wasn’t even like a massive Hulk fan, but he was just such a mythological figure. What a chance that Hulk Hogan took as a performer, as a bankable kind of movie star at that point. That was bold, risky storytelling and it set off two years of amazing storytelling with Hogan just playing a craven, cowardly heel and just being so evil. I really respect the hell out of them for doing that. That was a great storyline.
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riathedreamer · 4 years ago
Text
Zero is Null
A discussion of Zero’s love-hate-relationship with RvB and struggling independence; including a hotdog too big for the bun, tragic backstories, a single bow-chicka-bow-wow, and a cookie at the very end.
Welcome to what will be a lot of text. Basically, it will explore why Zero fails as an RvB (with emphasis on RvB) season. I will not be the first one to bring forth some of the points, and I promise to be fair and civil and fun. This isn’t supposed to be a piece of hate – in fact, I’m writing this because I love Red vs. Blue.
Okay, first of all, to increase your fun – take a guess on just how much of Zero is spent on fight scenes. You see, I’ve calculated the exact amount, and I will reveal it later, but for now, take a guess and remember the number. Maybe you are the winner!
Alright, time to share my thoughts. Wait! Since I suffer from anxiety and have this one annoying voice pretending to be all those critical statements my opinion could be met with, let’s give it an actual voice and address the points throughout this review.
“Why would I care about your opinion, Ria?” – I don’t know, you’re the one who clicked Read More.
“Your opinion doesn’t matter!” – Of course, it doesn’t! Geez. Do you think your opinion matters, though? Listen, we’re on Tumblr, the actual equivalent of screaming into the void. And it’s fun, too!
“If you don’t like it, don’t watch!” - *activates Uno Reverse Card* “You can’t talk about something you haven’t watched!”
“You’re just a Hater” – Actually, this is a point I’ll come back to. Like a cliffhanger. Also, at the end of this, there’ll be a cookie. But this will also include me talking about the stuff I like, because, surprise, Zero is not without talent!
“You just don’t like it because the Reds and Blues aren’t in it!” – Actually, that’s a good point, so instead, this review will start with a sole focus on Zero and discuss the problem that lies within that story. Then we can address why the lack of OG cast is understandable and problematic and weird.
But first! Backstory.
When the first 5 second teaser dropped back in spring (you know, when we were young and innocent and the world didn’t feel like an apocalyptic movie yet), I held onto that one image of what I thought (hoped) to be Grif and Simmons in the sunset, hopefully addressing Grif’s hateglue arc, but boy was I wrong because a) that’s not Simmons, that’s Sarge, and b) the image was from a PSA since the Reds are not in Zero.
Actual face-reveal of me below:
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Admittedly, when I heard that the Reds and Blues were not going to be the main characters (or even show up), it felt like a gut punch. However, I actually found myself getting excited due to the creators’ hype. I want to praise them for this. It’s been a while since an RvB season was talked so much ABOUT before its release; it had advertisements, it had creators and voice-actors talking about it. Please. More of that in the future. Their passion rubbed off on me, and that deserves recognition. So it pains me that this was clearly a passion-project, and then when I gave it a try, I didn’t want to touch it again for weeks.
Here’s the thing. I cannot whole-heartedly say that Zero is bad. It’s not gonna melt your eyes. It’s not even so-bad-it’s-good. For me, it’s meh. It’s a Saturday-morning-cartoon aimed for a younger audience with a rushed plot and clichéd characters. The problem is that it calls itself RvB, and with that title comes something to live up to – but more importantly, something to continue.
My main issue is that Zero forces its story into existence by ignoring established content rather than adjusting to it. Let’s call this for the hotdog-too-big-for-the-bun syndrome solely for the sake of the bow-chicka-bow-wow that’s coming now. Bow-chicka-bow-wow. Many of the separate issues I will dive into all add to this hotdog-issue, so I will scream “Hotdog!” whenever this is the case so we can all keep track of my argument.
You can continue the story of Red vs. Blue without the Reds and Blues. While that would personally crush my heart, it can be done. There’s a story of Red vs. Blue that can be continued. The world can be expanded, the previous actions of the Reds and Blues can be explored from another angle.
So.
How does Zero do this? It doesn’t.
I just want to make it clear that new elements can definitely be added when it comes to worldbuilding. That’s literally the point of sequels. But Zero’s settings are presented with so little grace and with no connection to previously established worldbuilding. We get Alliance of Defense and GLASS thrown in our face as very big important organizations – yet we’ve never heard of them before. A big central plot point of RvB is the UNSC and Project Freelancers, and those were introduced naturally with the plot. We already have big established intergalactic organizations. What is AOD’s connection with those? We aren’t told. We are just told they exist and expected to accept it, no questions asked. If this was a whole new world and story – fine. But when you need to build on an already established worldbuilding, you need more grace than this. Chorus was a whole new setting, but it was explained, and it was connected to the previous plot. Same with Iris. Same with Desert Gulch. In Zero, it feels lazy. It feels forced. These organizations are just there because the story is built around them (HOTDOG).
This vagueness when it comes to wordbuilding is also reflected in the settings - we have a desert, a training base, a lab, temples, Tucker’s workplace, and we do not know if all those are set place on the same planet. If that is the case, what is this planet’s relationship with Chorus? Is it Earth? And most importantly, what is the deal with the temples? Why are they connected to Tucker’s sword if it isn’t the same planet. Are they made by the same aliens? Are people okay with this? Why haven’t these temples been explored before? Chorus makes sure to establish this, while Zero doesn’t, adding to a growing amount of confusion.
Okay, so no connection with previous worldbuilding. What about characters? I mean, we got Wash and Carolina and Tucker! So we have RvB characters, it gotta be RvB! Technically – yeah. But it feels dirty. These three characters are not here to be characters. They are here to be props to the new cast. They are not given any development. Their presence isn’t even that important, and if this was a whole new show, they could easily have been replaced with an unknown face. Worst of all, they feel miswritten.
Carolina and Wash are working at a new military organization? Leaving the Reds and Blues behind? To help people? First of all, fucking bad idea, Carolina, the last time you left the Reds and Blues alone, they changed the timeline. But most importantly – Carolina and Wash just joined this new super elite military organization? After being mistreated and manipulated by such an organization in the past?
Carolina is there to introduce the characters. That’s it. We are force-fed their personality by having her literally read out loud their personality. There is no gentle introduction to the new cast. We are not allowed to get to know them naturally. Why show when you can tell, huh? That’s Carolina’s role. That’s why she is there. To introduce the cast and explain their story. That’s it. (HOTDOG).
How about Wash? He is there to get beat up and be a damsel in distress so that the new cast has a reason to explore the plot. Oh, and that brain damage that was the consequence of previous seasons – gone now. The guy who literally has trauma from having an AI explode inside his head is fine with having a computer inserted into it instead. Because that’s needed. To explore his brain damage wouldn’t work now when his role is to be a prop to lure the new cast for one episode and then be put onto the bench for the rest of the runtime (HOTDOG).
And Tucker – he is there to die for a second and have his sword taken from him. That’s literally it. And for the few moments he is there, he feels like old super flirty Tucker, which erases the character development he went through in previous seasons. Okay, so Tucker dies, and then not dies, and then he is put on the bench with Wash where they can sit and talk or whatever (‘cause holy shit, the new cast is not allowed to that), because he isn’t important. The sword is. Tucker is just a prop, even more than his sword is (HOTDOG).
Damn. Wash gets beat up. Tucker gets beat up. Dies. Gets his sword taken away. Almost seems like a Red’s wet dream. Sorry not sorry, Blues, you were done dirty.
So there are miswritten old characters. Even worse is the retconning. The plot needs a “normal” Wash, so, bam, magic computer solution. Never mind Wash’s trauma and character traits. Never mind the logic of the new worldbuilding which also includes a character suffering for years to heal an illness. But the brain damage that was such a big consequence that it became the main part of the plot of the last two seasons – gone. I mean, a gunshot to the head can be healed by CPR. That’s canon. But no one gave Wash CPR so it’s a big thing, okay. It was canonically a big thing, and Zero erased that. This is not me saying that a Cerebral Enhancer couldn’t work in the RvB universe. Imagine it being done right. Wash struggling with the choice of getting used to his disability or accepting the possibility of help - at the cost of reliving his trauma. The struggle between what to choose - what should he choose when he wants to help as many as possible, the sacrifices he thinks he has to make, the way it could have been used as a part of his character growth. But in Zero, the enhancer isn’t a part of Wash’s character. It’s there so the story can work without having to deal with the previous plot’s consequence (HOTDOG).
Same with the sword thing. They sorta explain it by having Tucker flatline, but it’s weak. Honestly, I find it sorta offensive. What about Locus’ sword as well? It’s twisting previous lore to make the new plot work (HOTDOG). (Also, are we not gonna talk about the ultimate power being Spencer Porkensenson’s helmet? Have the writers forgotten Spencer Porkensenson? Have we as a community forgotten Spencer Porkensenson?)
If you have Red vs. Blue in your title, you cannot ignore what you inherit from it. You need to respect the worldbuilding, the established characters, and the previous plot. Zero does not do this.
Let’s talk about the Triplets. No, really, let’s do it. I don’t think I’ve ever talked about them before, because season 14 was a mixed bag for me (that I have now learned to appreciate. Thank you, Zero.) because I have heart at the size of the Grinch and can only love a few characters at a time, and that did not include the Triplets. Can’t even remember their names. Well, I can, but I can’t for the love of me remember which state is which, and my tongue is twisted every time I try to say Ohio, Iowa, and Idaho, and I know it’s on purpose. I know it is. And it got me good. That being said, the fandom actually embraced them really, really well! Seriously, I’ve seen more content for the Triplets than for Zero as a whole.
Why talk about the Triplets? (Was Iowa the lesbian? Or was it Ohio? Fuck.) Because like Zero, they introduced new characters with a story of their own. The Reds and Blues didn’t play a role. But here’s what I feel like the Triplets got right. They didn’t change the settings to force their narrative. They used stuff already established (Project Freelancer), added their own story as a continuation of that. They even included old characters in the beginning (Wash and some other Freelancers) but it felt natural and it didn’t feel like it happened at the expense of the old characters. Wash’s writing felt natural, and his presence wasn’t needed to tell these new character’s stories. He wasn’t a prop to them. He was there to establish the setting and to establish the relationship with these new characters, and then he and the other familiar faces (helmets??) left, and we as the viewers were left with these new characters. And the new characters told their own story by themselves. It felt like, hey, here’s something you know – remember Mother of Invention, and remember Wash’ lower rank, but now, try to imagine being even lower rank than him, aren’t you curious about those fates? Now let’s hear their story! It was new, it was something else, but it didn’t wreck what came before it, and it stayed true to the classic vibes of RvB.
As I said before, the hotdog-issue is my biggest problem with Zero. It infuriates me. I will return to this. But there are more issues, even if we try to look past the title-related problems.
If we try to imagine Zero as its own story and universe (as it should be, in my opinion), it still earns the meh review from me.
These isolated issues include awkwardness, the writing, lack of self-awareness, and pacing. First of all, holy shit, this is a tell, don’t show. Nothing is subtle, nothing is allowed to develop. It’s like the show thinks you are six years old with an attention span of a goldfish. You are not just led by the hand – they have literally pulled off your arm by the end of the show. We are force-fed every bit of information, every bit of personality from these new characters.
The voice-acting is a mixed bag for me. Sometimes it’s pretty good, sometimes it’s not. Some of the problems can definitely be blamed on the dialogue that you can only do so much with. It’s not good. I can’t remember any good jokes (the one joke I really appreciate was the cast on armor, and that was freaking visual humor. That was so RvB. Kudos to that. It was fun. More of that, please.), and RvB is known for having memorably good lines. This is a show built on good, clever, funny dialogue. Zero does not deliver. You have to sit through clichéd lines – “You’re not my dad”, “I trusted you”, “Come with me”, “It can’t be!”, “She’s way too powerful”, and “We have to do this together” – performed unironically. I cringed more than I laughed. Worst thing is that Zero could be a good parody. Sometimes, it feels like it is. One-dimensional characters, a villain wanting ‘the ultimate power’, very overpowered characters, bad one-liners, etc. But Zero takes itself seriously, and I was one of the people rooting for Jax to show up at the end and yell “Cut”. That would have been a funny-as-fuck twist. A spin-off parody. If I can’t have “Sarge the Movie”, I would have taken that and loved it. I would have forgiven everything. “We put so much info into finding that power, but we had no idea what it was” is really a line in the finale, and I cannot believe this is real in a show that somehow still tries to present itself as serious. What a plot.
We have to talk about pacing. God, first of all it should be stated that RvB is a mess when it comes to pacing. I honestly get what they were going for. Sometimes, RvB has come across as a bit boring when you get three episodes stretched over three weeks without much going on. I know season 11 did not have the warmest welcome because it was seen as boring until the finale. But when you see season 11 as a whole, as a movie, as a part of a trilogy, it works so well. Zero is more focused on being episodic. They want something to happen all the time so we will stay tuned. The thing that will happen – a fight. Oh god. The fight scenes.
I have done the math. I have run the numbers. I deserve a freaking cookie for this. Are you ready?
If you put all the episodes together, you have a runtime of 106 minutes. HOWEVER, with the introduction of credits in every episode, you gotta account for this. Removing the credits, this gives us 94 minutes of actual runtime. Out of that, 45 minutes are dedicated to fight scenes. That means 48% of the show is fight scenes.
If I wanted that many fight scenes, I’d watch Death Battle. Except the actual RvB Death Battle episode has a runtime of 20 minutes, and out of that, 5 minutes is dedicated to the actual battle. For the people who hate math – that’s 25% of the actual runtime.
RvB Zero has more fight scenes than a show called Death Battle. Take that in.
The pace suffers from this. Where’s the time to explore the characters? Where’s the time for good dialogue? All I can think of is this:
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I get that RvB is a show that’s literally making fun of itself by acknowledging all their characters do is stand around and talk. I get that you want characters to do more than that. But for the love of Church, would it kill the new characters to stand around and talk? For just a minute? Stop fighting, I am begging you, stop fighting! Am I a pacifist now? Am I purple? Have I joined Doc’s team? What has Zero done to me?!
The good thing though is that fight scenes are very good. They’re entertaining. However, they seem to deconstruct themselves when we need to get a fight scene in every episode. Usually, the few fight scenes in an RvB season were in some of the most climatic episodes. In Zero, I can hardly keep up with the pace because they won’t stop moving. Fight scenes aren’t plot. They aren’t character development. You need more than just fight scenes. They entertain, but there’s a limit to that.
Noël Wiggins, the co-writer, stated the inspiration was a Saturday-morning cartoon. They nailed that vibe. If that was their goal, hurray, they have accomplished something! Because of the poor plot and constant fight scenes, it feels like you could just switch on the TV and drop in at any moment and let yourself be entertained by the cool and colorful soldiers punching and kicking each other. I will admit that the fight scenes entertained me. But they don’t make it a good season.
If I were the six-year-old with the attention span of a goldfish that the show believes I am, I honestly would enjoy it. The stiff dialogue and the constant tell-don’t-show makes you feel like an audience that’s not supposed to do anything else but admire the flashy fight scenes. I miss the cleverness of RvB. I miss the characters I get to connect with as I see them grow.
I miss the tone of RvB. Because this isn’t RvB to me.
It’s not that RvB hasn’t changed its tone before. Holy shit, I sorta do want to experience the absolute shock the RvB fandom went through when s6 aired and they were given new characters and serious plot. I would have loved to experience that, but I was too busy being ten years old. The Freelancers seasons also introduced a new tone and more fight scenes with very talented fighters compared to the Blood Gulch gang, but a balance was kept by having half of the season still revolving around the Reds and Blues. But Zero – Zero is so much change. And it’s on purpose. At least this has been made very clear from the beginning.
They constantly seem to appeal to new fans, rather than be directed towards older fans of the show. If you want an entirely new audience with a season with a new cast, new worldbuilding, and new tone, I’m confused as to why they don’t just make a new show. The hotdog-problem begs for this solution. This story and environment and characters feel so out of touch with the original RvB, that with a few rewrites and lack of Halo-armor, it could just be a new show. Problem solved.
If not this, then present it as a spin-off. In all ways, it feels like a spin-off (again, see everything marked HOTDOG). But the creators refuse to do this, and I don’t understand why. I could forgive many of these issues, had they officially separated themselves from canon.
Ah, what’s the idiom? You can’t both swallow and blow? (You can hear the Bow-chicka-bow-wow in the distance). Something about eating cake and having it. Forgive me, English isn’t my native language. POINT IS why are you calling yourself RvB while actively fighting against the core essence of RvB? In my humble opinion, you can’t be both. Marketing it as a spin-off would have granted it some defense when changing, well, literally everything, and I just, would someone please properly describe why it isn’t a spin-off? Isn’t this season marked by its association with the plot of RvB rather than a continuation of it? Zero presenting itself as not a spinoff feels like a toddler clinging to the hem of its mother’s dress while forcefully running away from her, ripping the dress in the process.
When they do connect with the original RvB, it leaves a bitter taste in my mouth. When they let Carolina, Wash, and Tucker appear for a moment, it feels like luring viewers in with the RvB title. Look at me. Look at me! I’m not saying this is the case. I say that it gives me the annoying vibes of being lured, rather than letting the characters be a part of the show for their own development, rather than having RvB in the title to continue its story. I should not be getting these vibes at all. But I am.
If you want to use RvB in the title, something from the core of RvB needs to be embraced. Things can be changed. They should. Something new should be brought in. But there’s a limit to how much you can change and replace and twist until it would have been better with an original show. As a season of RvB, it should tell the story of Red vs. Blue.
From my perspective, Zero fails to do so.
It pains me that the old cast has been replaced, but as stated earlier, a season could have worked without them. However, I do not like the take that one should be excited about all the new characters. That it isn’t a big thing that the OG cast got replaced. That we should just deal with it. Just, try to imagine another show suddenly replacing the main characters with characters we’ve never met before. Imagine RWBY suddenly only focusing on a new team of huntresses with the previous main characters reduced to an Easter Egg presence, or Camp Camp suddenly being about a new team of campers, no warning given. Can you imagine the outcry? So maybe let’s agree that a replacement of the main cast is a big thing and should be addressed and it’s valid to be upset about this change.
Could Zero have worked? It’s hard to answer this. How can I accept something as RvB if the season actively pushes away the core of RvB aside for an isolated story that could have been told in any other media? As a spinoff, I could have ignored it. To enjoy Zero, I have to fully separate it from RvB in my mind, and then it’s alright. S’not good. But it’s not bad. It’s entertaining enough. I really ended up liking Raymond and Tiny, and there were a few good jokes, and the fight scenes were admirable (but too much) and I love the creators’ passion. But it’s not RvB. I also wish that the new characters had been attached to previous worldbuilding, for example soldiers on Chorus or agents from Project Freelancer. That way we could build on familiar lore which would have decreased the confusion and added a much needed connection with the previous seasons of RvB.
God, the anxious voice is back (by the way, it sounds like Tutter from “Bear in the Blue House”).
“You’re racist” – I hope not. Literally, I do not want to be. Tell me if I’ve ever crossed some lines, because I swear, that is not my intention, I will apologize and most of all, change and do better. I included this because I’ve seen this take thrown around in the big ugly mess that is the fandom clashes regarding Zero. And racism is problem within RT community (this includes AH and RvB, sorry, I just use RT as an umbrella term for the latter), and I’m not saying it hasn’t been a problem with this season. Writers should never be harassed, and never-fucking-ever because of their skin color, and voice actors shouldn’t be treated like they are responsible for the choices of the show. But I was legit nervous to post this review, and I hope it’s been factual without feeling like personal attacks on the creators because that has never been my intention. I was delighted to hear about the diversity behind this project, and Torrian’s passion legit blew me away because it’s been a while since I’ve seen that for an RvB project. I’d hoped for it to be good, and when I feel disappointed, it’s for the reasons stated in this analysis. That said, Zero is made by a diverse cast and it’s made with love, and both of those things are so, so great, but it does not mean that Zero cannot be criticized. It can, and it should. It’s a product, just like all the other seasons, and fans are allowed to discuss it – both what they loved, and both what they found troublesome. And to repeat previous points, and be respectful, always, fuck racists, and never-fucking-ever harass the staff behind a season, what the fuck is wrong with you if you do this.
“Don’t you get it, it’s different because it’s trying something new!” – Hey, remember the philosophical question: if you replace all the parts of a ship one-by-one, is it still the same ship when you’re done? If it doesn’t include the Reds and Blues, if it ignores previous plot, if the old characters feel miswritten, if it values animation over dialogue, if it values fight scenes over comedy, if it wants to be Fast and Furious instead of Red vs. Blue – is it still Red vs. Blue? Because it doesn’t feel like it to me.
“It's been 17 seasons, it’s time to let the Reds and Blues go so someone else can shine!” – I simply do not understand us having been with the Reds and Blues for 17 seasons should be an argument to let them go, rather than be an argument as to why their absence hurt like hell.
“The Reds and Blues ran out of things to do!” – Did- did they, though? I mean, if we were discussing pretty much any other show, I’d probably agree that they were running out of content. But for the Reds and Blues… I think the PSAs nailed it this year! I’m not kidding, I had more fun watching the Reds and Blues discuss how to do laundry than watching Zero. You could literally give me an hour of the Reds and Blues trying to bake a cake or clear a gutter or simply settling down with an ordinary life, and I would trust them to make it worth the watch.
“The flaws were due to the fact it’s only 8 episodes long!” – Look, I can only judge a product the way it’s presented to me. I cannot come up with excuses for it. If they had 8 episodes to work with, they need to come up with a plot that works with this runtime. Seriously, this excuse cannot work when 48% of the season is spent on fight scenes. They could have used more runtime, sure, but the show needs to be able to pace itself and be planned accordingly.
“The OG cast couldn’t be a part of this year, hence Zero!” – That might be true. But. Would one year without RvB kill it? Is Zero necessary? Again, I just can’t judge excuses for the show. But trouble with the cast has been an issue before. Season 15 solves Geoff’s sabbatical by actually making Grif’s absence a part of the plot. Zero’s lack of Reds and Blues just feels like this excuse to tell a story that needn’t be a part of RvB.
Am I a hater? I guess? I greatly dislike Zero for the critique stated above. I do, however, not harass the creators and no one should ever do that. However, I have to admit that I feel there’s been this weird rejection of any critique of Zero where everything’s been brushed off as haters gonna hate, including the critique stated above. And I think that’s a problem because critique, as hard as it can be to hear (and I know this. I’m an author of original works. Weird flex, I know), is valid and necessary and shouldn’t just be shrugged away. As always, both sides of the fandom should always be respectful, but my own opinion is that addressing the flaws of Zero should not be controversial.
Does this super long rant/critique/whatever mean you cannot enjoy Zero? Gods no! I almost envy you if you enjoy this season, but holy shit, feel free to love it and tell the creators that you love it! Me pointing out the issues I have with the season shouldn’t be stopping you. I loved (and still love) s15 when it came out, and it was majorly rejected by the fandom. There were many, many critical posts, people were going on about how RvB should have ended with s13, and it evolved into the writer receiving death threats (me, once again: never ever harass the creators, assholes). But I didn’t tell people to stop being negative. I actually agreed with many of the flaws that were pointed out, and I enjoyed the season despite this, because that is possible. We, as RvB fans, should agree that RvB, is... I mean, it’s not the greatest, most flawless of shows, but we love it nonetheless. So go ahead and love Zero. This is not a stop sign. This is my opinion that you chose to read.
Wait, I promised you a cookie, didn’t I? Well, you’re not getting one. Why? Because I’m a Red and this is my chance to piss off a Blue. As Caboose wisely said: “Well, at least I don't go around... knocking on people's non-doors... and promising them cookies... and then NOT. GIVING. THEM. COOKIES!”
Blue Team sucks.
End speech.
274 notes · View notes
korijime · 4 years ago
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— apaixonar
(verb.) to fall in love with someone or something, the act of falling in love
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shigaraki tomura, boku no hero academia
fluff, modern!college!au, social anxiety, slightly sexual jokes, swearing
wc ; one thousand six hundred and fifty nine words
dt ; @t-amajiki
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riyuu says ; ahh, i don’t know what to say here. i started this last night, but i got the idea a really long time ago in one of our conversations. i was really scared about getting his character right and i hope i did it some justice. big thank you to @tokyoghoose for proof-reading!! i’d have cried if the mistakes you pointed out weren’t fixed sbdubdidjd
this is kinda a part of a series..i guess? there’s two more fics coming, so i guess it’s 1/3 of the fics i wrote for gere and 1/6 of all the gifts i made for them in total.
so yes, happy birthday, gere. i love you to the moon and back and i’d do damn near anything for you. i hope you like your gifts. ♡
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“oi, crusty, look over there.”
the ‘crusty’ in question, a pale-faced young man, cast an annoyed glance in the direction of his partner’s finger. he never once listened to what dabi had to say, yet he knew from the tone in his voice that it would be something that had to do with you. and so he looked, and he didn’t regret listening.
he looked past the window of the chemistry lab, past the other annoyances, and towards you, sitting in the grass with your green-haired friend. he looked at you, sitting in the grass with the late morning sunlight engulfing most of your form, casting a makeshift halo over your head. a well-deserved one, at that. subconsciously resting his face onto his gloved hand, he turned completely towards the window, towards you, his experiment long forgotten.
“okay, jesus christ, stop it. you look like a creep.”
and there goes the moment.
his once ‘softened’ eyes and good mood vanished as soon as dabi spoke up again, his form hunching and his face contorting into annoyance once again.
“no, i don’t. you’re the creep.”
“sure, i was the one who sighed when they smiled for the camera, right?”
“shut up. you’re the creep, i’m right.”
of course that bastard was looking at him while he, in dabi’s words, ‘fawned’ over you.
he didn’t. he just knew how to appreciate good things. it didn’t really matter whether or not his cheeks and ears became heaters whenever you’d look at him, it happens to everyone.
right?
“not right. factually incorrect. you’re a dumbass, go ask them out.”
“i’m the dumbass when you’re the one who blew up our project not even two minutes ago? i’m not a mirror, you easy-bake oven.”
and so on and so forth, until the bell finally rang to signal the end of their day.
tomura shigaraki, never one to listen to anything his ‘best friend’ says, never one to hang around anyone except dabi and a few others, was seen moving methodically and quite swiftly through the halls of u.a academy, heading straight towards the small group of third-years standing at the far end of the corridor.
they’d known him for three years, they knew his mannerisms and the way his mind worked. it was only natural that both toga and twice had to fish out five dollars each to hand to a very smug-looking dabi, who only watched with a shit-eating grin as tomura went up to you.
he could feel his friends’ eyes on his back, but it didn’t register in his mind which was currently screaming at him to get the hell out of this situation what were you thinking because now not only you and your friends but a couple of other students and even teachers in the corridor were gawking at the infamous anti-social boy who was looking at his shoes like they were the love of his life and not you.
his stomach twisted and churned painfully, the nausea he felt was nothing compared to the embarrassment and humiliation he felt, the same embarrassment which was painted bright on his face.
maybe he could just pretend he wanted your notes and call it a day and go home and cry—
“aye, you crusty fuck! don’t chicken out now or you’re doing my homework for the next week!”
fuck that fucking blue haired porcupine ass smug-looking son of a bit-
“ne, shigaraki-kun, did you need something?”
he sent his prayers to whatever god was above for sending an actual angel to be standing in front of him and pull him out of his formerly very quickly approaching spiral.
“are you..areyoufreeafterclasses?”
you furrowed your brows and stepped closer to him, ignoring the way tsuyu tried to pull you back. tomura was your friend, or at the very least, your acquaintance, she had no reason to be so wary.
“what was that? i didn’t catch that.”
the construction of the academy and the location of the institute was quite unfortunate, it would have been better suited in one of the islands near florida so that the bermuda triangle could’ve just swallowed it up so he wouldn’t have to be in this situation where he wanted nothing more than to evaporate into fucking water vapour why are you looking at him like THAT-
“are..you free after classes? i need your help with something.”
“oh! yeah, sure! what do you need help with?”
and apparently that was the director’s cue for everyone to go back to minding their own business. the students’ chatters started up again and the ones that had stopped to watch realised they had better things to do than gawk at the college loner asking the pretty one for help. even your friend group stepped back to let the two of you have some semblance of privacy, and tomura had never felt more relieved.
“you’re, uh, in fine arts, right? i have a project on that and i need to know more about it.”
he made the effort to finally look up and he was glad he did. like really, really glad. because the way you were looking at him with the same smile you’d given the camera, your hands clasped together as you leaned towards him, really just made all the embarrassment and humiliation worth it.
“sure! just let me say bye to my friends and we can get going, i know a good cafe near the campus.”
he only nodded and turned at the same time you did, heading towards the shitheads while you headed for your friends.
“would you look at that, crusty-no-balls finally grew some.”
“nice one, tomura! make sure to get their number!”
“toga-chan, they will be studying together, i doubt they’ll have time for that.”
and the rest was tuned out as he leaned on his locker, looking out towards the gates and back at you. he really did that, didn’t he? worked up the guts to ask you out, even if it was under the guise of a study session. which wasn’t a complete lie, what the hell did ‘fine arts’ mean, anyway?
“visual arts! stuff like painting and architecture and theatre, alongside others. i’m pretty sure poetry and prose are on there too.”
“wait, so you’re taking all of that? how.”
it was late afternoon now, around three or four when he had last checked. time wasn’t really important right now, not when he managed to kill two birds with one stone.
he was getting to spend time with you and do his project, added with you talking about your passions as a bonus.
he stopped typing and reached for his drink, which he did not choose because you told him to, thank you very much and fuck off, dabi.
looking back towards the screen, he realised he was almost done with his project, which was a surprise as he was sure he was paying zero attention to the project itself and hundred percent attention to you instead.
could anyone blame him? no.
no, they couldn’t.
they couldn’t blame him for having his attention on you when you went into the fine details of prose and theatre, using hand gestures to try and get across the point which you couldn’t do so with words. apparently you thought he knew sign language. which he did. it was an option, seemed interesting, nothing more nothing less.
is what he told dabi when he asked. but no, the real reason was the one you knew, which was the fact that the shelter he volunteers at has some people who prefer to use sign language, whatever the reason may be. he knew how it felt to be forced into doing something even though you’re comfortable with something else, but you can’t do that something else because it’s not convenient for others.
so yeah, sign language.
he was pretty sure it earned him some brownie points with you, for which he wasn’t complaining.
what he was complaining about, though, was the fact that you thought it’d be a good idea to steal a bite of his pastry while he was lost in thought.
“hey! thief. stop that.”
“no, it looked tasty.”
“okay, and so do you. you don’t see me biting you.”
..the fuck?
what the FUCK did he just-
run.
take your laptop, and your phone, and your bag, and get the hell out.
his mind kept chanting that over and over, and he was listening to it, his clammy hands reaching to close his laptop as he got up but then. stopped.
you were laughing. at him. you were laughing at his major fuck-up.
“ne, ne, tomura-kun. i had no idea you were into that.”
yes, yes, he knows. he knows it’s weird and that it’s a weird thing to say to someone who he has a crush on and-
“honestly, the last time i made a joke like that, deku combusted and iida looked constipated.”
“wh-what was the joke?”
“i’ll show you later!”
he choked.
“show me!?”
“you sure sound excited, tomura-kun.”
the grin on your face did nothing to calm the hundred-mile marathon that both his heart and mind had been running ever since he said that.
what was even happening anymore.
that was the question which kept running through his mind even as he walked you home, thanking you for your help.
“no worries! i’d love to spend more time with you.”
what was happening.
“oh and, i also have an assignment due, do you think you could help me with it?”
“yeah, sure. same cafe?”
“sounds good! i’ll see you friday, then!”
“mhm.”
what the fuck was happening.
he’d like to say he didn’t care nor did he think about it, but the way you hugged him goodbye with a promise to see him again left the smallest of smiles on his face which didn’t go away for a while.
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tagged ; @t-amajiki @tokyoghoose @kei7ime @inarizsunarin @tsukkiboii @spicyfoodboi @kakiwrites @lcaita @lnarizakis @kuro0luvr @himichii
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thetirisfaltheatretroupe · 4 years ago
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Big Troupe Announcements! Big Troupe Summer!
Hello, everyone! Lord Atos Sunhart here! For those of you who aren’t aware, Fehl had stepped down last year from Troupe related duties due to her own life becoming much more demanding, and so I returned to the director’s seat once again. I’ve been back for about a year, but we’ve kind of laid a little low since my return due to a lot of restructuring and our desire to try a few new ideas out that are coming along slowly but surely!
We have some awesome projects in the works, some of which won’t be ready for some time, and some that we’re excited to bring you much sooner! But we can’t QUITE open the curtains for a peek just yet. Before anything, I’d like to make a series of announcements about some of our projects this Summer, starting with the most important one of all:
The Troupe Is Casting! 
Looking at some of the last posts made on this ye olde tumblr I guess it’s not a surprise that the troupe is indeed casting once more. In the past, it was due to not really having enough active people to pull off a large show with, but now, times have changed a bit, and we’re looking for people to make our shows even better and more frequent than ever!
What we’re looking for;
* Any race/gender/faction! Yes, we hire Alliance as well! In the era of Discord and cross faction RP, there’s no reason we have not to. Though, we are overloaded on elves at the moment and would kinda love a tauren or any Alliance character
* Obviously the character should be a good fit for the group! We’re not really looking for a serial murderer warlock who tries to sacrifice our members to the great Murloc Gods at the first chance they get. We’re not too picky here, but there are some characters that just don’t work terribly well with our concept.
* Available to take part in events during most of our performing days, which tend to be weekends, starting around 6:00 PM server. We base all our event times on server time.
* Someone who, behind the character, is friendly, patient, and above all else, mature. The clear rule of “don’t be an asshole” applies in this guild (and I’ll explain what that means below), and we have a zero drama tolerance policy. We are all adults who pay a monthly subscription to a greedy corporation to play with their toys, I think the last thing we want is to relive middle school in our 20s and 30s.
* Someone with a desire to help make memorable, exciting events for others to enjoy. While we play the part of celebrities, and being in the spotlight is a lot of fun, ultimately we want someone who, behind the character at least, does it for the enjoyment of others and not for personal gain or clout. We’re not clout chasers. We are proud of how long we’ve been performing and how hard we work, but ultimately we do this for our audience’s enjoyment.
* Communication is important! We aren’t a hardcore raiding guild, and thus we won’t be upset if you tell us you have to miss a rehearsal night or have a family emergency.. But if you know ahead of time, we really want someone who will let us know they can’t make it to an event so we can plan around it.
Furthermore, it should be said that while we normally do not require a person leave their guild to join us, this time around we’re looking for more to wear the guild tag above their heads, at least for this recruitment effort. Above all of these, the most important key point is the ‘don’t be an asshole’ policy. In the past I didn’t think it needed to be explained, but things we’ve been through in recent months compels me to explain what I mean by this; no homophobic behavior, racist behavior, transphobic behavior, harassment, pedophilia and other such illegal and morally vile behavior will be tolerated in our guild, period. But I’m sure you’re asking, what’s in it for me? Well, the benefits of working with the Tirisfal Theatre Troupe are, but not limited to;
* Being part of a near decade-old (8 years this October) guild that through thick and thin has stood the test of time!
* Working alongside some extremely talented, fun, humorous, and creative minds!
* Getting to make people smile and be a positive part of the community! 
* Taco Tuesdays. This is a lie, don’t believe me.
* Helping an already fun concept become even better as we grow and adapt to the ever changing nature of this game and its community!
* Adding “Actor/Actress” to your long series of titles in your TRP Profile. Maybe somewhere between “Lord of the Dance” and “Wrecker of your Shit”! Don’t be bashful, we know you have it in there somewhere.
So if you’re interested in being a part of the stage and bringing the uniqueness that is YOU into our ranks, please send an in-game mail to Atos on Wyrmrest Accord server (Hordeside), or show up for the open auditions at the dates, times, and location listed below;
Thursday, June 3rd 6:00 - 8:30 PM Portrait Room - Legion Dalaran
Friday, June 4th 6:00 - 8:30 PM Portrait Room - Legion Dalaran
Saturday, June 5th 6:00 - 8:30 PM Portrait Room - Legion Dalaran
We hope to see you there! And remember, because we’ve had this happen a few times; if you think you aren’t good enough, you’re probably actually amazing and far more talented than you think! 
Anniversary Bash 2021 Officially Planned! With a Twist
Those of you who have followed us for some time are likely aware of our annual celebration we hold on the anniversary of our first major public performance! This has traditionally been held on the third Friday of every October, so that it lines up perfectly with Hallow’s End starting. While we have had on-off years, and even said in the past we would never do it again (Insert I was crazy that time meme here), it’s pretty clear that at least every other year we seem to take to it again with new ideas. Honestly, we LOVE these yearly parties, despite how much stress they put us under, and we’re going to announce it earlier this year just so people know; yes, yes there WILL be a bash this year!
Things are going to be a little different this year, though. This October will actually have 5 Fridays in it due to...well...the calendar! It conspires against us, dammit! Because the third Friday falls in place before the Hallow’s End events are set to start, we will instead be bumping it up one week to the 22nd. So, there you have it! Our Big Bash will be on the 22nd of October! We’ll be making a full announcement about it later this Summer, and honestly, I think folks are going to really like the fun we have planned for it. So if this is something you’re looking forward to early, or you just like making sure your calendar events are always filled out, please make a mark for
October 22nd, 2021! 
Hellsqueal Squeals Again, Plus Winter’s Veil In July?
This Summer we’ll be getting back to our roots and bringing Hellsqueal back for another round. The Trilogy will rise again, and you won’t want to miss it! This time we’ll be performing it for our audiences on both sides of the factional fence and making some revisions to the script, but long time fans needn’t worry! Hellscream is still the same boisterous buffoon he’s always been.
Also, we’re bringing you an interesting new concept no one has EVER thought of before! ...well, okay, that’s a lie, but Greatfather Winter needn’t send me a lump of coal in my in-game mailbox for that one! The TTT will be hosting a Winter’s Veil themed party IN JULY! Don your gaudy sweaters, get ready to meet Greatfather Winter, take part in a sled race, and get ready to watch a completely out of season showing of It’s A Wonderful Unlife! Some lucky attendees may even receive a gift! The date for this and for Hellsqueal’s trilogy are yet to be announced, but they will be unveiled very soon!
Even though we never left, it feels good to be back at full strength again and pushing hard to give everyone the quality entertainment we pride ourselves on! Keep an eye out for our announcements this Summer - we’ll be hitting not only Tumblr when an event is ready to go, but the Blizzard forums and various Discord community servers! So please, have a fantastic day, week, month, even a year! 
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andypantsx3 · 4 years ago
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hi there !! i hope you're doing well :) ever since i started reading ur fics i've just been really impressed with how u keep the quality of ur content very consistent. do u take breaks in between writing each fic? i think u mentioned this in a previous post when u talked about editing fics, but i guess i'm wondering how u keep urself from being burnt out/if u get burnt out! i'm going thru a slump rn so i'd be curious to hear about ur experience!
Omg thank you so much!! That is literally so sweet of you to say, much as I doubt the quality is all actually consistent—I'm looking at you, in cinders chapter two.🖕🖕🖕
Also please excuse how long this got, I have a lot of thoughts on this subject in particular!!
Personally yes, I do get burnt out, and I do find it very necessary to take breaks—from writing overall and from a fic if I'm having difficulties with it. In general, I try to write a little bit every day, but that’s not always possible, and there are times when that’s not the right thing to be doing.
If you were following me late last year, you may vaguely be aware that I disappeared for two months straight between December and February. Like, just let the queue run through and did not answer a single ask, post a single original thought, or even look at my ao3 comments. While I was gone I barely wrote a thing. I think at like 1.5 months into it, I started drafting the outline for subtle, but before that, I didn't do shit except focus on my personal life and hang out with my dog.
At that point I was just tired and I thought I could use a little recharging to get excited about writing again. I read a bunch of books and other people's fics, and reread a bunch of my old fave comfort ship fics. That break from my own work really helped me get inspired again. Since then I've been consciously trying to strike a balance between writing all the time and chilling/consuming the things that keep me inspired to write.
When it comes to taking a break from fics, I do that too. My Hawks fic lay low has been ongoing since December of last year, when I normally finish fics in under a month. I actually really love this fic, but I got a little frustrated with some plot holes and then again with the pressure I was putting on myself to characterize him (like, relax, Andie it's a fuckin fanfic) so that's been on hiatus like multiple times even though we're only three chapters in.
I think it was important, though, for me personally to take a step back from it until I had the energy to address the things that I wanted to, and until I was excited to write it again. I'm actually finally working on chapter 4 (!!!), but it really took a long time to let that bad boy marinate, and I hope the fic will be better for it.
And I did that with statistically significant as well. This was more due to my workload at my job at the time, and I worked on this one over the course of five months when prior to that, I had been finishing fics in 1-2 weeks. But slowing down and writing this fic over like ten times the amount of time it took me to write other fics was a really good learning experience for me. It taught me that it's totally fine to step away from a fic for multiple months, and that you can always come back and finish it later.
I think that's also going to be the case with the new Deku fic, and I'm happy I already know it's completely okay to take my time. I'm sure there will be new wrenches that life throws into my path, and I'll have to get hit by those and figure out how to get back up and learn to duck next time lol.
Anyway, I definitely get where you are coming from, and if I've learned anything in the year and a half I have been writing it’s that it's totally normal to hit slumps, be they long or short, fic-specific or related to writing overall. Burn-out/slumps are actually not a big deal at all if you don't psych yourself out about them.
I feel like every time I'm asked advice on anything I say this (but I mean it!!): listen to yourself. You know best what you need. If you don't feel like you have the brain power for writing right now?? You're definitely right, and you should take some time away to chill, just consume things without producing, or do other stuff in life that makes you feel good.
If you're two months into not writing and you get excited about a project outside of the one you abandoned?? There's probably a reason. Work on that instead, and maybe let your enthusiasm for that project remind you of what you liked about the other one you put down.
And if that enthusiasm doesn't return? Then let the damn thing sit until it does. There are literally writers I follow who stepped away from fics for YEARS, only to come back and post a new chapter like half a decade later. They are always, always better for it.
So literally just listen to what you are telling yourself, and ride out the slump however you need to. Please try your best not to feel guilty for it, or think that it is any reflection on you or your work. They're just a natural part of the process, and honestly you will be the better for having had this experience.
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fuckingdeadbutroyal · 5 years ago
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Jasonette July- Soulmates AU- Part 1
Part 1 - Part 2 - Part 3 - Part 4 - Part 5 - Part 6 -
Marinettes knees were bruised. Again! She was so so careful not to ruin her new summerdress on the way to Ninos 9th birthday-party and now her knees were all red and scratchy. “Not todayy”, the little girl whined while searching for some kind of medicine in her small pink backpack, hoping to ease the pain for her as well as the cause of her suffering: her soulmate, who seemed to have an eagerness to ALWAYS fall on their knees. A few moments and a frustrated huff later, Mari found herself punching her arm for some kind of payback and wincing right after. Why couldn’t she just have a harmless soulmate-bond? Why couldn’t she just dream of them like Nino did or have a tattoo like Chloe? Why was her bond forged through literal PAIN? 
Rounding the corner, little Mari found herself in a field full of green and blue balloons with loads of boys and a few chosen girls surrounding a happy Nino. The boy was currently bouncing like a basketball and grinning from ear to ear, while sneaking longing glances to a table full of presents, as well as various treats from the Dupain-Cheng bakery. Speaking of the Dupain-Chengs, their daughter was spotted by her best friend as she was about to put her present next to the others, which lead to him running to greet her and pulling the girl into a bonecrushing hug. Therefore Mari was left patting Ninos’ back and trying to catch a breath. “You made it! I saw your treats and I know you answered my invitation but I was still worried, this party wouldn’t be the same without you!”, he blubbered in all of his bubbly grace while trying to lift her, even though he wasn’t quite strong enough to succeed yet (which didn’t mean he wouldn’t try again tomorrow, he was now older and stronger than her, after all). 
Mari wriggled her way out of his arms, happy to catch a breath and giggling. A blush was gracing her face, leading to Nino blushing happily in return. “Of course I made it! I didn’t spend all week making you a present for nothing!”, she smiled as Ninos ears grew hot, “You spent a-all week making a present? F-for me?”, he stuttered with a big dopey grin splitting his face. Marinette nodded, another soft giggle escaping her mouth. All the guests were now watching them, holding their breaths. She handed him the pretty red box. Nino sat down on the grass right there in front of her and opened it, hands shaking with eagerness and breath held in anticipation. Mari sat across from him, covering her eyes with her hands, afraid of his judgement. This was her first time gifting someone one of her sewing-projects, after all. 
His delighted gasp led to her parting her fingers slightly, only now noticing all the tiny cuts covering them, no doubt the price she had to pay for still being clumsy at sewing (”even though I have been doing it for a year now, I should be better than that”, she mentally scolded herself). Her thoughts were interrupted by a round of gasps coming from the tiny audience surrounding the best-friends-duo. Marinette focused back on Nino and dropped her hands to her mouth, squeaking in delight. The boy in front of her put on the basecap she made him and was grinning even wider, which she, until then, wasn’t even sure were possible. He hugged her, in a much gentler embrace then the previous time. His fingers were soft, not covered in cuts and red spots, as he pulled away and took her hands in his, not caring about the giggles and ew-s from their audience, nor the blush creeping up Maris’ cheeks. “I love it...so much”, what he meant, though, was “I wish you were my soulmate”.
And Mari couldn’t agree more.
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It was dark, a coffee mug was standing amongst an army of already finished ones and a droopy eyed girl was sitting in front of them, lazily turning a page on the book her english-teacher assigned her to read. She recognized the storyline, knew all the plot-twists and felt connected to the characters as if she’d been there herself. The strange thing about that though, was that she has never laid eyes on it before. Of course that didn’t stop her from reading it. There were assignments she had to fullfill and tests she had to ace, which were connected to that piece of literature and she couldn’t risk getting a bad grade due to a foolish reliance on her instincts. 
Instincs.
Yes that is what they are and of course none of this is connected to her soulmate. 
It couldn’t be, she couldn’t dare dream of it. They died, that’s what that numbness she felt for over six months must have meant. That’s why those scars were now gracing her whole body. Her soulmate could not have survived this. No mortal being could go through so much and still be breathing. 
The new bruises and cuts she was getting now and then? Her Ladybug suit can’t protect her from everything, being thrown over the Saine so may times couldn’t have left her with no traces whatsoever. Yes, that’s the reason. He’s not resurrected, that’s silly...there’s no way.
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“What happened to your lips, milady?”, Ladybugs partner purred as they layed on a roof not far from the eiffel tower, watching the stars, having just finished patrol a few minutes ago. “M-my lips?”, the 16 year old girl stuttered, a tiny voice immediatly occupying her, previously calm, mind with thoughts of her soulmate. They have been acting up lately, not that it was possible. They were gone. 
There’s no way, she must have been hallucinating again. She must have forgotten how she hurt her lip, she must be feeling side-effects from the loss of her soulmate. Her thoughts were spiralling and that tiny voice in her mind was whispering, filling her denial with doubts and cracks and making her heart beat faster. 
“Your lips, they look... different...”, Chat Noirs voice interrupted the turmoil in her head. Ladybug gazed over to him, only to find him closer to her then when they first layed down. His eyes were glistening, seemingly shining even brighter than the Eiffel Tower in it’s nightly glory. A foreign sensation ran through her veins, a weird tingling covering her whole body. It could have been mistaken for goosebumps, if it weren’t for the warm summernight they were currently enjoying. “They do..?” she said, though it came out as nothing more than a whisper, for he was already so so close, even closer than when they are in battle. Their noses were almost touching, his eyes took up all of her view and for once she wouldn’t dare complain. Since when does she like that proximity? Why is his warmth so intriguing? Why does she enjoy the way his arms found their place on both sides of her body? “They look so...red...like your suit...Ladybug re-”, he got interrupted by his lips sealed shut. Shut not with that redness he mentioned, not with that love or attraction and reciprocated admiration Adrien was hoping for. No, it was her red suited hand which covered his mouth to silent him. She felt it before she heard it. An earthquake was rummaging through the streets and handling it was much more important than handling that purring in her best friend.
-------------------------------------------------
Jason was annoyed. His fingers were full of cuts: sure, he was used to that. His hips were bruised from his soulmate constantly closing doors and cupboards with them, at least that’s what he thinks they do to cause such silly bruises: no problem, he didn’t mind dealing with that. His backpains he could deminguish by working out, though he has been thinking of finding them just to tell his significant other to better their fucking posture. But the tiredness? Holy fuck! It’s like he’s sleeping for both of them! Whenever he sat down to read he just... collapsed. Guess he’ll have to dream about it... yeah sure it’s fair, ‘cause after all she treated his wounds for both of them, too. It’s like she had some kind of superpower which made them heal clean, never leaving more than a white line behind. Nontheless, right then he would rather have ugly scars than have to deal with this inhuman tiredness. His grumpy grumbling was interrupted by Red Robin speaking up in his ear.
“Hood where are you? The portal is about to appear, we won’t be able to wait.”
“I’m on my way, give me 2 more minutes.”
“Hurry.”
With that, the line went silent and his mind went back to coordinating his grappling hook and limbs into getting him to the batcave in time. He had planned on finishing at least one of Terry Pratchets and Neil Gaimans novels in preparation for the moviemarathon he and his brothers had planned for the upcoming week. “Good Omens” is a masterpiece but he refused to watch any visualizers nor read the book if he hadn’t read all of the previous works the authors had published. “It’s not just about the continuation, it’s a matter of respect.”, he rememberd telling Stephanie, when she asked him why Alfred was handing him a box filled with a combined number of about a hundred books. He had work to do and reality to escape, but that last part was none of his lovely sisters business. 
Zoning back into reality he noticed he had already reached his destination. “Focus Jason. There’s a whole city just waiting to be pulled out of the ashes.” With that thought in mind, he entered the batcave and went straight for the portal, following his siblings into the destroyed city of love.
----------------------
Adrien was on edge. The fight has been going on for four days, the city was nothing but blood and ashes, the akuma-shelters weren’t enough to protect every citizien who has lost their home to the earthquakes and following akuma attacks. Many people have died, many have volunteered and too many of those have died in the process. It was traumatic, painful and quite honestly felt like the end of the world. They could fix it, of course. But to do so she had to survive and Adrien, or Chat Noir as you will, was not about to leave her unprotected. He didn’t know where she got her power from, why she could go on without taking a break for so long. He has lost count on how many times he saw her helping someone who was about to be crushed by a collapsing building, how many times she was screaming in frustration, torn between following the akuma and guiding a lost civilian to safety. 
It was an incredibly sneaky akuma. It was nearly translucent, consisting mostly of dirt and dust. It could hide in the mess it made, attack you from behind and you wouldn’t be sure whether it was a flying brick or it’s fist hitting your head. It hasn’t officialy announced itself yet, hasn’t given itself a name or shown any forms of weakness. Hawkmoth was definetly trying out a new approach and highly succeeding. The Dustmonster was probably planning on wearing them out until they wouldn’t be strong enough to resist it going for their miraculous.
In the beginning Chat felt like he could trust his Lady to take care of herself, trusted for her to keep the target in mind and think of a plan while he was going to protect her and the citizens around them. It worked, at first. She figured out what the akuma was, aka figured out that it was an akuma in the first place and soon started giving out orders to police and firemen. After a day of trying to get the akuma, in order to stop it before things could go out of hand and failing to do so, no matter which strategy the heroes tried and no matter how many seemingly random Lucky Charms they used, they decided to replan. 
They met on a building not far away from Marinettes home, Chat remembered. They were hoping to come up with a new plan and let Ladybugs Kwami recharge. The recharging was an already practiced routine they came up with, once her fifth Lucky Charm has also failed. They jumped into the water, which was apparently off limits to the akuma, since the dust didn’t settle properly and it wasn’t able to hide (any attempts of getting it wet were blocked by the destruction of another building, which led to the heroes saving the civilans and themselves instead of attacking the enemy.) One of Ladybugs Lucky-Charms straight up covered the Saine, turned up side down boats now gracing the surface. Those boats mobilised possible hiding and resting places for the heroes. 
That time though, they needed more food for Tikki and Plagg and what better place to restock could there be, than the famous Dupain-Cheng bakery?  Ladybug swung in and came back with two baskets. One full of cheese and the other full of cookies. Chat grabbed the smelly one and turned to jump in the direction of the river, when they heard it. 
A grumbling which turned into a roaring and finally morphed into deafening laughter. That was the first time they heard the akumas voice. Instead of shouting the following words, the way it did scream in laughter, it just spoke in an even, eerie and scarily confident voice: “You should stop asking for help, insect. Helping others only leads to you getting hurt. Help won’t save you. Your precious little safety-nets won’t save you.”, the sound was coming out of the dust, echoing off of every destructed creation, seeping into each broken bone and every fractured mind. “You think you can reach out? Think someone is going to pull you away from under the pressure of this worlds eternal suffering? You are wrong. No one came to save me, no one is capable of saving. You.”, the last word came out emotional. The monotone voice the akuma had previously used to preach it’s intents was gone. A shiver ran up Marinettes spine. The dust surrounding the city build up and rose in columns, coming out of every broken source from all over Paris, towering over it, looming dangerously over it’s citizens. Everyone was trying to decipher the meaning of those words, Adrien was the first one to realise. 
“Marinette!”
Ladybug first looked at him in shock, thinking he had figured her out, then she realised what he he had actually meant. Chat was off, jumping on her balcony and screaming her name. 
“No...”
The silence before the storm, the frightening towers of dust and dirt started moving, accompanied by horrified screams of terrorised civilians. The dirt wasn’t meant for them, though. It flew as if it were one. Gigantic snakes with one single target. 
Marinette ran, but the destruction was quicker.
The Dupain-Cheng ceiling collapsed. Marinettes yo-yo missed it’s target as she plummeted to the ground. Her vision was blurry, her mind blank, eyes wide and  breath unconciously held. 
She didn’t recognize the pain as she hit the pavement. 
She didn’t even think as she called out for her seventh Lucky Charm. 
Ladybugs cry echoed through the ruins of Paris as her usualy leather-clad partner fell from the sky, with tears in his eyes and covered in a red and black spotted suit. “Sabine she’s...they’re...”, both of them broke down crying in each others arms. Adrien never knew how great his partners pain actually was, in comparison to his.
---------------------------------
Hi! This is my first try at writing MariBat and my first fanfic in like... 4 years? 
I’ve just recently graduated Highschool so I’m now embracing my free time and trying to get back on my creative track.  
Please comment, I NEED to know what you think of this. Critique and all that is very appreciated, even a simple “YES” is going to absolutely make my day and, honestly, you could comment about dogs and I’d be happy to read it. 
Thanks for reading ^^
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hawkinspostbite · 4 years ago
Text
STRIKE
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Words: 8,116
MASTERLIST
A/N: I do not claim to, nor do I own Stranger Things; the concept, characters, plot, etc.
MONDAY
Joanna stood right outside her locker, Carol, Nancy, and Diana standing around her. “So, strangely enough, I had to leave Billy’s last night. It was honestly embarrassing.” She sighed. “It’s never happened before, but I hit my sex breaking point.”
“Steve is unbelievable.” Di groaned, receiving questionable looks from the others. “Oh, I mean unbelievable in the way that he’s ridiculous. Checking on me every five seconds. I’m fine, just do what you’re doing, Jesus Christ.”
“If only I had your problem, I feel like Billy completely forgets I exist. Absolutely no control, and not a care for me.” Jo sighed.
“If I get within three feet of Tommy, he can’t keep his hands off of me. I can’t stand it.” Carol whined, examining her fingernails.
“Well at least your boyfriend likes you, I couldn’t tell you the last time Jonathan and I slept together.” Nancy counteracted.
“Jesus, we’re quite the mess, aren’t we?” Carol laughed pathetically. A few moments of silence passed.
“What if we went on a sex strike?” Jo spoke. Carol, Nancy, and Di looked at her in shock. “What-“
“That’s honestly not a bad idea.” Nancy said.
“Are you serious? That’s crazy.” Carol shrilled.
“Quiet down!” Jo swatted at her hand. “It’s not that crazy. It’ll be fun to watch them squirm.”
“They won’t even realize anything’s different.” Carol replied.
“One week, maybe not even- One week to prove to them that us and our needs are just as important as their’s.” Jo was becoming desperate to prove to the girls that this was in fact, a great idea. “By Friday, Carol, if Tommy can go without jumping your bones; Di, if Steve stops worrying about you; and Nancy, if Jonathan can’t keep his hand off of you, I win, and I get bragging rights. If not, I will treat you all to a shopping spree at the mall, no limit. And you can all say you told me so.”
“What about you?” Nancy asked.
“What about me?”
“What if you can’t get Billy to tend to you?”
“Then I’ll just look like a fool and continue to suffer.” Jo shrugged. “What do you say?”
“I say we get other girls in on this.” Di spoke up. The others look questioningly at her. “We can’t be the only four girls in Hawkins with bedroom issues. We should spread the word.”
“Damn.” Carol mumbled.
“You’re a genius.” Jo leaned over and kissed Di on the cheek. “Starting now, the female students of Hawkins high school are on a sex strike!” The four girls cheered, drawing the attention of passerby in the hallway. “We have to spread the word. I’ll take art.”
“I can cover gym.” Carol said.
“I have a double-period of English.” Di said.
“I guess I’ll cover science.” Nancy spoke.
The first period bell rang, interrupting their small power-trip. “Meet at lunch?” Jo asked. The others nodded, each of them smirking to themselves. The four girls went their separate ways, going to spread the word of their great idea.
Carol had gym first period. Normally she would stand, grumbling to herself against the bleachers, but today she almost made Mr. Sweeney keel over in shock from her participation in volleyball and her friendliness towards other students.
Nancy had science second period, and luckily for her, they had a group lab that day. Small notes, written in code were passed from female to female in the class.
Di had a double-period of honors English third and fourth, so her friend’s new plan made for interesting conversation between the girls at break.
Jo had art right before lunch, which made it a little more difficult to spread word, due to it being such a quiet class. But most of the work had already been done for her, because within the small whispers of the classroom, she heard talk of her master plan to rule against men.
Jo walked into the cafeteria, where she found Carol sitting with Tommy and Billy at their usual lunch table. “Hey babe.” Billy reached out to her, like he did every day. Jo ignored him, standing at the head of the table and seeing Nancy and Di waiting patiently at an empty table in the corner of the room.
“Carol, did you forget about that project we’re doing?” Jo whipped her head to look at her friend. “The others are waiting.”
“Oh shit! Yeah the project, totally forgot.” She pried herself away from Tommy’s grip, grabbing her bag and standing up.
“Hey, we don’t have a project in any class.” Billy said, his face twisting in confusion.
“Well we do.” Jo shrugged. “Super top-secret. You’re not allowed to know… And we’re pressed for time, sorry, bye.” She dragged Carol by her sleeve away from the table.
“Close one.” Carol sighed, sitting down next to Di.
“Yeah, I didn’t think I would’ve had to track you down though.” Jo rolled her eyes and sat next to Nancy.
“So have you heard the word around town yet?” Di asked proudly.
“Yeah, not much to talk about in a double-period of English is there?” Carol sneered.
“Jesus, must you be such a bitch all the time?” Jo snapped.
“Seriously?” Nancy groaned.
“I think the word is sufficiently spread.”
“I heard some freshman whispering about it in the hallway before third.” Carol smiled. “It’s definitely sufficiently spread.”
“So what’s the next move?” Nancy asked.
“We should have a party.” Jo said.
“I can’t host, my parents literally never leave the house.” Nancy sighed.
“I can’t either, my mom’s still pissed about the hole in the deck from the fourth of July.” Carol frowned.
The girls looked at Di. “Not even in the realm of possibility.”
“Fine, I can host.” Jo groaned. “I’ll just tell my dad to go away for the weekend or something.”
“He would do that?” Carol asked. “Like if you said, “dad just go away for the weekend”, he would?”
“Um, yes?”
“What if we made flyers?” Di asked. “Like maybe wallet-sized or something, so it would be harder for the guys to come across.”
“I could draw one up pretty quickly.” Jo shrugged.
“If we can find a way to make copies somehow, we can each give them out, and make official.”
Jo looked down at her watch. “There’s enough time for me to make a rough copy of the poster if I go now.” She gathered her things, standing from the bench.
“I’ll come with.” Carol grabbed her things as well.
“We can meet at my place after school.” Nancy said. “Mike will probably have his friends there, I’m sure one of them can help us figure out how to make copies of the poster.”
“If Max is there-“
“She would give her life for you Jo.” Di chuckled, making Jo smile.
“Alright, we’ll meet in the parking lot after school, see you then.”
Across the lunchroom, Billy watched as Jo and Carol left the room in a hurry. He had watched as they spent ten minutes talking with Nancy Wheeler and Steve Harrington’s new girlfriend, who he didn’t quite know the name of yet. That, the fact that Jo had left so suddenly last night, and her distance from him all day rubbed him the wrong way. “What do you think of that?” He asked Tommy.
“Those two being weird?”
“Yeah.”
“Well they’re always weird.”
Billy rolled his eyes, unsatisfied with his friend’s response. Hopefully, for both their sakes, Jo would stop being so strange.
In the empty art room, Jo scrambled quickly to find two pieces of poster-board and a marker. “So what’s the game-plan here?” Carol asked, sliding her backpack onto the big wooden table.
“A very rough draft of a sexy, female-empowering poster.” She concentrated on the paper as she scribbled Girls STRIKE at the top of the page, looking over at Carol questioningly.
“Yes, keep going.” Carol smiled.
Next, some random words at the bottom of the page, just to fill in the space. “What do I put in the middle?”
“Lips? Lipstick? The sign for females, you know, the one with the circle-”
“How about this?” Jo quickly drew the silhouette of a girl. “She can wear a dress. Or maybe not?”
“Right now she can just be a stick-figure.”
“But you get the idea?”
“Yeah I get the idea, I think it’s hot.”
“Well then we have our poster.” Jo high-fived Carol and rolled the paper up as the bell rang. The girls made their way to Jo’s locker where they placed the poster into safety.
At the end of the day, Jo retrieved the poster from her locker, meeting the others in the parking lot by Nancy’s car. “Come on, we’ve gotta go before the guys get out here!” Di squealed.
“Sorry! Sorry!” Jo and Carol climbed into the back of the car, leaving Di up front with Nancy and the middle for Mike.
“Hi boys.” Jo smiled at them as they climbed into the car.
“Just two of you today?” Nancy asked.
“Max, Dustin, and Will are coming over in a little bit. Max had to go home first and Steve’s gonna bring them over later. Hey.” Mike replied, suddenly noticing Jo’s appearance.
“We have a project.” Jo replied to Mike’s question he had yet to ask.
“Cool.”
Upon arrival at the Wheeler’s house, the four girls practically sprinted up to Nancy’s room, locking the door behind them. Jo pulled the poster out of her bag, laying it out on Nancy’s bed. “That’s…” Di began.
“Rough.” Nancy said.
“Yes, thank you.”
“But I think we get the picture.” Di smiled.
“So what exactly is the plan for the party? How are we supposed to keep guys from showing up?” Nancy asked.
“Or finding out?” Carol added.
“We aren’t.” Jo replied. “I mean, we’re supposed to try, but you know there’s no way to completely keep it from happening.”
“It’s like Hargrove has a built-in party-detector
“We need to try our best to make sure that other girls keep it as quiet as possible.” Di added.
“We should have a dress-code for the party.” Carole burst out.
“Like…?” Jo asked.
“Black and red.” Carole grinned. “Those are powerful colors.”
“Leather and lace optional?” Jo said, jokingly.
“That’s going on the poster!” Nancy agreed.
The girls continued to work out the details of the party, arrival time, alcohol, music, etcetera, and Jo noticed that Steve had dropped off the other kids. She left Nancy’s room, opening the door to the basement, she was met with immense noise. All six sets of eyes turned to look at her. “Max, can I talk to you upstairs quick?”
Max, confused, followed Jo up the stairs, back to Nancy’s room. Upon seeing the poster on the bed, she stopped dead in her tracks. “What is going on?”
“We need your help.” Nancy said.
“What are you guys doing? Organizing some weird sex strike or something?” Max laughed nervously.
“Actually, yes.” Jo said.
“You’re joking- That was a joke. Are you serious?” Jo nodded. “That’s disgusting, I did not need to know that.”
“Relax Maxine, sex is a part of life-“ Carol smiled.
“Jesus Christ, Carol! The last thing I need is Billy finding out that we gave Max a bootleg sex-ed class in Nancy’s bedroom, oh my god.” Jo snapped at her.
“So what exactly did you need help with?” Max walked up to the bed, further examining the poster.
“We need help making copies of this, to pass out to other girls.” Jo answered.
“We were thinking maybe wallet-sized, or a little bigger?” Di added.
“I know how to copy and print and everything, but we figured that the schools wouldn’t be too happy knowing that we were producing sex-strike posters to hand out on campus.” Nancy shrugged.
“Yeah, I can imagine…” Max sighed.
“But we know you have an in at the library-“ Jo began.
“I work there on weekends, yes.”
“Do you think we could get in this week to make copies?” Jo smiled. “Please Max, I’ll do anything. I’ll take Billy off your case for as long as I can, I’ll even take you and your friends out for pizza and ice cream next week. Literally anything, just please get us twenty minutes in the library copy room.”
Jo was practically on the floor, begging Max. She pursed her lips. “You and Nancy pick me up after school tomorrow. I’ll tell Marissa that I need the copy machine for a school project.”
“Thank you so much Max!” Jo jumped up from the floor, wrapping her arms around the younger girl.
“You owe me so much.”
“I’ve never broken a promise before.” Jo held her pinkie out, locking it with Max’s.
Max left Nancy’s room, still feeling slightly uncomfortable, and she rejoined her friends in the basement. “What did she want?” Will asked.
“Something stupid about my brother.” Max rolled her eyes, playing it off.
“I still don’t understand how they’re together.” Lucas said.
“What do you mean?” Max asked.
“Your brother is like the biggest asshole on planet Earth, and Jo is like-“
“The total opposite!” Dustin interrupted. “She’s into art, and she’s quiet, and she’s nice to us. I don’t get it.”
“I don’t get it either.” Lucas agreed.
“Me either.” Mike said.
“I don’t get it just as much as you guys.” Max shrugged.
Upstairs, Jo had rolled the poster back up, in preparation to leave. “I’ve got to head out before it gets too dark.”
“Prince Bad-ass in his blue chariot isn’t going to come give you a lustrous ride all the way to Trestle road?” Carol snickered.
Jo patted at the poster in her hand. “Nope, it would ruin the plan.”
“He’s gonna be pretty pissed when he finds out you walked home by yourself.”
“So come with me?” Jo raised her eyebrows. “You can spend the night. We’ll stop at your house, you can pick up some clothes.”
Carol sighed. “I suppose I could.” She turned to gather her things. “Your dad home? He gonna let us drink?”
“It’s Wednesday for god’s sake.” Jo rolled her eyes. “Di, you wanna walk?”
“No, I’m gonna hang here until Steve comes for Dustin, but thanks anyway.”
“Be careful.” Nancy waved them goodbye.
“Play it cool, see you tomorrow!” Jo yelled back.
The two girls began their sunset-trek from Maple street to Pine, where they stopped at Carol’s house. Her mother was at the grocery store, and her father had yet to return from work, but her older brother was there. “Hey, we’re gonna need you to get us some supplies for a party Friday.” Carol said, writing a quick note to her parents about her whereabouts.
“Don’t I get an invite?” He asked.
Carol snickered. “Not with that thing hanging between your legs.”
“Sorry, girls only.” Jo shrugged. Carol and Jo retreated into her room briefly, for Carol to pack an overnight bag. Her phone began to ring. “I didn’t know you got your own line?”
“It’s the latest addition.” Carol set her bag down and walked over to the phone. “As you can imagine, only one person really calls it. And I’m sure that’s who this is now- Hello?”
Surely it was Tommy.
“Yeah I’m sleeping over at Jo’s.
I know we were at Nancy’s all night, for that project we told you about at lunch?
“Uh, well- What class is this project for?” She held the receiver to her shoulder, blocking sound from traveling to Tommy.
“Art?” Jo answered, questionably.
“It’s an art project Jo has. She needed us all together but she has to work with us separately. We ran out of time at Nancy’s so we’re going to her house.
Yeah, my mom’s gonna give us a ride.
Okay, I’ll see you tomorrow. Bye.”
“Jesus Christ.” She hung up the phone, and then unplugged it. “I’ll save my folks some grief.”
Carol finished packing her bag as the sun set, and the girls finished their walk, two streets over to Trestle road, where Jo lived. “Hey dad, I’m home, and I brought Carol with me.”
Jo’s dad sat in their small living room, half-asleep as the television lulled in the background. “Hey girls, what are we up to tonight.”
“I have an art project that I need Carol’s help with if that’s okay. She’s gonna spend the night.”
“Fine by me, just make sure you two are up for school in the morning.”
“Thanks dad, love you.”
“There’s pizza in the fridge by the way, and anything else you want, just help yourselves.” Carole smiled at Jo’s dad’s kindness. “By the way, Billy called. He seemed worried, you might wanna call him back.”
Jo rolled her eyes.
Jo and Carol went down the steps, into the basement, which had been fortified as a bedroom for Jo. Quite frankly, it was the best hangout spot any of their friends had. It had a bed, 2 couches, a small television and radio, an attached bathroom, and a pool table, making it the ideal place for drinking, smoking, and sleeping, and now, secretive “art” projects.
Carol unrolled the two posters, laying the scribbled one next to the blank one. Jo picked up the phone connected to the wall, dialing Billy’s number and hoping that whatever god was listening, made him not pick up. Lucky for her, he didn’t, so she proceeded to leave a quick message on his answering machine. “Hey baby, it’s me. Don’t be mad… But Carol and I walked from Nancy’s home after school… C is sleeping over, we’re still working on that project. I’m guessing you’re pretty pissed at me, and you’re probably out drinking or something like that. Be careful. I’ll see you tomorrow. Love you.”
“That was disgustingly cute.” Carol snickered from the floor.
“Yeah, and he won’t suspect a thing. Plus tomorrow we’ll fight about the fact that I walked home, so he won’t even care about the mysterious project anymore.”
Jo gathered her markers and watercolors and sat down next to Carol. “So honestly, you can turn the T.V on, you don’t have to sit and watch me try to perfect this.”
“It’s fine, I like to watch artists work.” She settled herself more comfortably onto the floor, holding a pillow in her lap.
“I am by no means, an “artist”, but I appreciate your enthusiasm. Go put a record on.” Jo hated to make Carol get up after she had gotten comfortable, but she couldn’t work in silence.
“I don’t know how you expect to work with this absolute masterpiece playing in the background, but to each their own…” Of all the records to pick, Carol had chosen Queen’s, “Jazz”.
“You’re totally right, why would you put this on?”
Carol threw herself onto the couch. “Because I don’t want to listen to anything depressing while we’re plotting a sex strike.”
“Right.” Jo nodded her head.
For quite awhile, Jo worked on the poster, while Carol watched over her, quietly humming to the music. Occasionally, they would burst out singing, and laugh, and then return to work.
After three hours, a short pizza break, and only one “maybe we should rethink this whole plan” dilemma, the sun had completely gone down outside, no light peered in from the singular tiny window across the room. The poster was complete. “That’s a keeper, for sure.” Carol admired the artwork laid out on the floor.
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“I’m quite honestly shocked that I did it with such little preparation.” She turned around to look at her friend. “Do you think it’ll get the point across?”
“I mean everyone basically knows from word-of-mouth anyway, this is just a seal-the-deal type of thing. I think it should be fine.”
“Not too much information? I mean, it doesn’t say my house but nobody else lives on this street except for Mrs. Goldson.”
“Yeah, she’s deaf.”
“Exactly-“
“No, I think we’ll be fine. Stop worrying. This is gonna be awesome.” Carol climbed down from the couch, sitting face-to-face with her best friend. “We’re gonna get to watch them sweat. Can you imagine their faces when they realize what’s going on? It’ll be priceless.”
Jo raised her eyebrows. “This isn’t a little cruel?”
“The whole reason we’re doing this is because we need paid attention to! Who gives a shit what they want, it’s time for them to cater to us. We’re women, damn it! Without us, nobody would be here, so they’re gonna start being a little more grateful for our presence.” Carol grinned.
“In the end, we’re gonna win, regardless.”
TUESDAY
After Jo’s pep-talk, and a shot, for an extra boost of courage, the two girls went to bed. The next morning, Jo’s dad drove the two of them to school, the finished poster rolled as small as possible so as to not draw any suspicion. It was hard work, trying to avoid Billy and Tommy, and the rest of their friends on the basketball team, where they usually hung out in the parking lot in the morning. They had to crouch behind a group of freshmen girls to safely get inside the school.
“It should be safe in my locker.” Jo said, hushed. “He doesn’t know my combination- Thank god.” She shoved the poster inside, quickly closing the door and turning to face Carol.
“Ready to face the world?”
Down the hallway, Billy and Tommy came into view, the rest of their friends following behind like groupies.
“Act natural.” The two nodded to each other, making their way towards their boyfriends.
Neither of them suspected anything.
Throughout the day, they tried their best to carry on like normal. Nancy and Di briefly caught up with each of them at lunch, saying that Jonathan and Steve hadn’t expected anything. Speaking of lunch, it was the most difficult period, trying to not to perform excessive PDA on their boyfriends without them suspecting something was harder than they had originally thought. “Strike! You’re on strike!” They had to keep reminding themselves.
At the end of the day, they had to, once again sneak away from the boys. Steve was in the parking lot, waiting with Dustin for Di. Jonathan was with Nancy, standing between their cars. Will, Lucas, and Mike were inside Jonathan’s car. “Hey.” Jo said, walking up to them.
“We’re waiting for Max.” Nancy replied.
“She had to pick up her skateboard from the office.” Will spoke from inside the car.
Jo gave him a questioning look. “She was skating before homeroom and the secretary took it from her.” Lucas answered.
“What a bitch.” Jo rolled her eyes, seeing Max walk into view.
“Sorry, Ms. Leen took my board this morning-“ She grumbled, her board tucked under her arm.
“No worries.” Nancy said, turning to get into her car.
“What’d you tell Billy?” Jo asked, climbing into the passenger seat. They waved goodbye to the boys in the other car.
“Picking up extra hours at work.” Max replied, laying her board down on the floor. “You guys were taking me so you can work on your project.”
“Thank god.” Nancy sighed.
The girls drove to the library. The older girls followed Max inside, waiting for her to convince Marissa to let them use the copy machine. After quite a few minutes of coaxing, she allowed them thirty minutes, after that she’d have to charge them for ink.
Inside the copy room, Max set up the machine, making roughly sixty wallet-sized replicas of the poster Jo painted. Nancy and Jo began to cut them up as Max watched them run through the machine. “Do I want to know the story behind this scheme?”
Nancy and Jo looked at each other. “No.” They said in unison.
“It’s probably better if you didn’t.” Nancy said.
They somehow managed to copy, print, and cut up all the cards within their thirty minute time-slot. Thanking Marissa, they rushed back to Nancy’s car. Nancy took Jo home first, a rationing of cards enough for her and Carol in her grasp. “I’ll get some to Di tonight, they’ll probably come and pick up Will and Dustin.” Nancy said.
“Max, not a word to Billy, right?”
“My lips are sealed.”
“Start trying to find a date that works for everyone to go out for food, okay? See you guys tomorrow.”
Billy had been suspicious of Jo since Monday, when she left him alone with Tommy at lunch. Jo was always sneaky and strange but it wasn’t out of the ordinary. He admired her for her quirks. But this time it wasn’t just one of her quirks, it was more like she was deliberately being weird. It bugged the shit out of him.
Monday and Tuesday he had been fucking up in practice, getting his ass reamed out at home by his dad, and practically slept through the first half of his school schedule. He spent half the night awake, wondering why Jo hadn’t come over at all, and barely let him touch her.
By the time practice ended on Tuesday, he had already reached his breaking point. “Has Carol been acting weird at all this week?” He asked Tommy, as they gathered in the locker room to shower.
“Not really, she’s just been spending a lot of time at Jo’s, why?”
Billy shook his head. “Well Jo has. She hasn’t come over at all. Normally she’s over every damn night.”
“Chicks are weird, man. They go through phases.” Tommy shrugged.
Billy didn’t buy it. Tommy was no help, but he knew who could be, and he was ready to push some buttons.
Billy arrived at Jo’s house, and let himself in. Her dad wasn’t home, so she was alone. Quietly, he passed through the living room and into the kitchen, seeing her standing over the stove, the draw-fan on full-blast, blocking out any background sound. “Ya know, you really shouldn’t leave your door unlocked.”
“Jesus!” She jumped, turning around and clutching a wooden spoon to her chest.
“No, just me.” He smirked, stepping forward to grab her hips. But she twisted out of his grasp, turning back around to stir whatever was in the pot. He narrowed his eyes at her, leaning forward. “What’re you making?”
“Trying to boil noodles for macaroni and cheese.” She mumbled, concentrated at the pot of still water on the stove. “Don’t think I have it hot enough.”
He looked up at the dials, reaching to turn the one for her burner all the way up. “Can’t cook noodles on a simmer.”
“I don’t love cooking. Can you tell?” She laughed as the flames grew underneath the pot. “Wanna do it for me?”
“If you insist…” He rolled his eyes jokingly. “Just as long as you get everything else ready. Think you can manage it?”
“I think I can.” Jo turned to grab a packet of powder off the counter. “It’s Kraft.”
Billy boiled the noodles, and drained them, and Jo mixed the cheese sauce together. The two ate their macaroni, and talked about their days at school. Eventually, they moved down to Jo’s room. They sat on the couch, enjoying the comfortable silence they provided each other. Until Billy had to ruin it.
“You been okay lately?” He whispered, running his hands through her hair.
Her eyebrows furrowed. “Yes… Why?”
“Dunno… Just haven’t seen much of you this week. How’s that project of your’s going?”
He felt her tense up in his lap. “It’s fine. Almost done, gotta hand it in Friday afternoon.”
“Huh, really. How have the other’s been? Helpful?”
“Others? Oh, Nancy, C, and Diana? Yeah, very helpful, probably couldn’t do it without them.”
“When do I get to see this super top-secret, mysterious art project?” He smiled, trying not to make it seem like he suspected anything weird was going on.
“Well…” She sighed. “I don’t know if I’ll be getting it back, it might be going to the art show at the end of the semester.”
Nice cover. He thought.
Billy was currently content with sitting in the quiet and enjoying each other’s company. It was the most physical contact they had had all week. Eventually though, he let his mind wander, and soon his hands, and then Jo found herself in a predicament.
God, it felt nice, having him kiss her, and touch her, but damnit she was supposed to be on a strike. She couldn’t let it go any further.
Billy’s hands traveled under Jo’s shirt. She pulled away from his kiss. “Mm, I’m kinda tired.”
He still didn’t move his hands. “C’mon, this is the most I’ve seen of you all week. Let’s just have some fun.”
He leaned forward, catching her lips in his again. She sighed, once again pulling away. “No- No. I don’t want to, c’mon not tonight.” She wrapped her hands around his wrists, removing his fingers from under her shirt.
Billy groaned, flopping his head against the back of the couch dramatically.
Jo couldn’t help but feel a tiny bit guilty.
She climbed off of his lap. “I’d say you can spend the night, but I don’t trust you won’t somehow talk me into sleeping with you, so I think I’m gonna have to ask you to go home.”
Billy’s jaw dropped. She had never asked him to leave before.
“What has gotten into you lately-“
“Nothing, nothing. My dad’s gonna be home, and we have school tomorrow…”
“That’s never stopped us before.” He grumbled, standing up and fixing his shirt.
“Doesn’t matter, no means no.” She chewed at her lip. “I’m sorry, I just don’t feel like it.”
“Okay, okay, fine.” Billy rolled his eyes, staring at his girlfriend. “Am I at least permitted a kiss before I go?”
Jo smiled softly, leaning up on her tip-toes to kiss him. “Come on, I’ll walk you out.”
Billy was damn sure there was something suspicious going on now.
WEDNESDAY
Wednesday was tough. Carol had skipped school, just to avoid Tommy. Nancy had skipped for a college visit, and Di joined her. So it was just Jo alone all day, with Billy and Tommy, and their idiot friends.
Billy was sure he had become wise to what was going on. Putting the pieces together: Tommy saying Carol was acting weird, Jo not wanting to have sex last night, the secret “art” project. The two of them had created a sex-pact, and the art project had something to do with it. (He hadn’t worked out all of the pieces yet.)
Billy was a born-instigator, so naturally, he made it his mission, to break the pact. And he took out all the stops.
He made sure to wear extra of the cologne she loved on him, only buttoned his shirt up halfway, smiled more often, and was extra sweet to her in the morning.
In their fourth-period gym class, he gave Mr. Sweeney to brilliant idea of having the guys play shirts versus skins during their basketball drills. He, of course volunteered his group for skins, trying his hardest to drive Jo wild. He winked and smiled at her from across the gym, watching repeatedly as her cheeks flushed red in the middle of a conversation with someone.
At lunch he made sure to keep at least one of his hands on her thigh at all times, complimenting her any chance he got. And when he waited for her at his car after school, he made sure he was smoking a cigarette, because although she detested the habit, she thought it was hot.
He greeted her with a kiss and watched as she got into the passenger seat; He followed, in the driver’s seat. He reached across her lap, into the glovebox, grabbing a piece of gum. “Gum?” He asked, slowly breaking the piece in half and sticking it in his mouth.
She practically drooled. “I know what you’re doing. It isn’t going to work.”
“I dunno what you’re talking about princess.” He grinned, starting the car. “Just asking my gorgeous girlfriend if she wants a piece of gum.”
Jo breathed in deeply. “Shut up.” She said through clenched teeth.
Wednesday afternoon was when Steve began to get suspicious. Di hadn’t wanted to do anything but drive around and listen to music since Sunday night. She made no extra effort to be affectionate, physically or verbally, and Steve was beginning to panic. Had he done something wrong? Had he said something wrong? Did he spend too much time with Dustin? Did she not like the music he played? A million questions ran through his mind all day, leading up until the very moment he picked her up from school.
He had told Dustin that morning he was going to have to get a ride with Jonathan, because he desperately needed to talk to Di. Dustin asked no questions, he knew exactly what Steve was going through, he had had his fair share of lady-problems too. Communicating with his girlfriend Suzie in Washington was more often difficult than simple.
When Di got into the car, she greeted him with a kiss, which was not out of the ordinary. They went through their regular routine of asking how each other’s days were, and chit-chatting about the college visit and work at the video store. A few moments of silence passed, and Steve couldn’t control himself anymore. “Are we okay?”
Di turned to look at him suddenly. “What?”
“Are we okay? Am I doing everything okay?”
“Steve-“
“You haven’t really talked to me that much the past few days, and all you’ve wanted to do is drive around, not that I mind, I love spending time with you, but we haven’t just done nothing, or just hung out in awhile and I feel like it’s something I did, or something I said. If it is, please tell me, I’m so sorry, I won’t ever say it again. Whatever it is, I didn’t mean it, it was stupid of me-“
“Steve. Relax.” Di tightened her grip on his hand, where it was placed on her thigh.
“Oh- Sorry. It’s just-“
And then that’s when Di began to panic. “Please take me home.”
Steve slammed on his brakes in the middle of the street, his eyes going wide. He ripped his hand from her thigh, placing it on the gear shift. Di was never confrontational, she wasn’t aggressive. There was nothing wrong with between her and Steve, and she couldn’t come up with a logical excuse for why she wanted to just drive around, so she told him to take her home.
She was already mentally slapping herself.
“I-uh, okay.”
The rest of the drive to Di’s house, Steve said not one word. Neither did Di. He dropped her off, watching longingly as she silently got out of his car, and walked to her house.
Steve spent the entire drive home trying not to cry.
Billy dropped Jo off at her house, watching as she begrudgingly gave him a kiss. “Call me if you need anything… Or anyone.” He winked, watching as she clenched her jaw.
On her front porch she stood, shaking her head and flipping him off as he drove down the street, music blasting at max volume, pleased with the shit he had pulled.
He had definitely cracked the code.
THURSDAY
Jo spent Wednesday night sufficiently frustrated. She was mad at herself, for coming up with such a stupid idea. Who even strikes things anymore? She was mad at Nancy, Diana, and Carol for agreeing to her stupid idea. And most importantly, she was mad at Billy for figuring out what was going on, and making it his life’s mission to tease the shit out of her.
She expressed her frustrations to Carol over the phone after she had been dropped off. “How could we be so dumb?” “Since when did he get so clever?” “What the fuck is wrong with us?” Were just a few of the things she had said to Carol.
Carol was practically glued to her side all day Thursday. “They can’t possibly mess with both of us. We just have to distract each other.” She had said. She was only partially right.
Billy seemed to have let Tommy in on the girls’s little secret, and the two of them were the pair from hell. All day, any opportunity they got, they were doing something to get under their skin. Tiny little movements, whispering in their ears, stupid shit. And of course they got a reaction, because Carol and Jo were nothing if not predictable.
The pair went to Carol’s after school. She left her phone unplugged still.
After practice, Billy ditched Max, telling her to skate home, and drove himself to Steve Harrington’s house. He hated that he even knew where he lived, but he had been at a party there last summer, and he hated to admit it, but Harrington threw a wicked party.
He had barely gotten out of the car when he saw Steve step out his front door, a bouquet of roses in his hand. “I love you. I’m sorry.” He shook his head. “I’m sorry? What the hell am I sorry for?”
“Hey, Harrington!” Billy called, casually walking towards him.
Steve looked up, eyes wide in shock. He flung the flowers behind him, quickly stuffing both of his hands into his pockets. “Hargrove, hey man, what’s up.”
“Those for your girlfriend?” Billy pointed to the discarded bunch of flowers on the ground.
“Oh, these?” Steve turned around, picking them up. “Yeah, they’re for Diana.”
“She been acting weird lately?” Billy chewed at his lower lip. “Because Joanna has, and I know they’re doing a project together, so I was wondering-“
Steve interrupted him. “Joanna is always weird.”
Billy rolled his eyes. “That’s besides the point. Has Diana been acting weird? Jo has been out-of-the-ordinary weird, and I’m wondering if it’s that project they’re doing.”
“Di hasn’t mentioned a project to me…” Steve fiddled with the wrapping on the bouquet.
Billy raised his eyebrows. “Hmm. That’s weird. Jo said she had a project in art. Wheeler, Carol, and your girlfriend have been helping her out with it since Monday. Funny she didn’t mention it. You’ll have to ask her about it… Thanks anyway.”
Billy turned on his heel, walking back towards his car. “Actually, she has been acting a little strange.” Billy grinned, turning back to face Steve. “Every night she just wants to drive around and that’s it, she won’t do anything except hold my hand.”
Billy nodded, motioning to the flowers in Steve’s hand. “You go give her those flowers, I’ll handle the rest.” Billy twirled his keys between his fingers. “I’m gonna figure out why the girls have been acting up, don’t you worry pretty boy.”
Meanwhile, Steve had taken it upon himself to drive over to Diana’s house. She clearly didn’t want to talk to him, so he decided to leave the flowers at her doorstep. He managed to find an sticky note in his glove box, and on it he wrote I love you, I’m sorry. Just as he rehearsed, even though he still didn’t know why he was supposed to be sorry. He rang the doorbell and sprinted back to his car.
On his way home, and throughout the rest of the night he couldn’t stop the thoughts swirling his head. Why was she mad at him? What did he do? What did he say? Did she get the flowers? If she got them, did she like them? Did she see the note? He didn’t sign his name, would she know they were from him?
Steve didn’t sleep much that night.
Upon arriving at home, Billy found the house completely uninhabited. Max’s backpack had been thrown haphazardly inside the front door, almost making him trip over it. He kicked at it, causing it to slump sideways. Normally, he wouldn’t have thought twice about picking it up and taking it to her room, and then yelling at her when she got home about it “Max don’t leave your fucking backpack right inside the door, I almost died!” But a small piece of white paper sticking out of the front pocket caught his eye first.
He bent down, pulling it out of the bag, and when he read it, he almost threw up. It was a tiny, wallet-sized piece of card-stock, Girls STRIKE was painted across the top of it in red ink, but that wasn’t the most disturbing part. “Leather + Lace optional”, was what really got him. What the hell was Max doing with a card that said that on it? Where did she get it? Why did she keep it?
Holding the card between his fingers, he rushed into the kitchen, quickly dialing Tommy’s number on the phone. “Dude, you have got to see this shit. I’ll meet you in ten.” He said, hanging up and going back outside to his car.
He did make it across town to Loch Nora in record time, laying on his horn for Tommy to come outside. He had just planned to sit in the car and show Tommy the card. “Look at what I found in Maxine’s backpack.” Billy sighed, tossing the card into Tommy’s lap.
“Shit, what’s your thirteen-year-old sister doing with this?” Tommy examined it.
“My thoughts exactly.” Billy replied. “But then I remembered that she went to the library with Joanna and Nancy Wheeler on Tuesday after school. And who’s been acting weird this week, but Jo and Carol, and they’ve been working on that stupid art project with Wheeler.”
“So… You think this is the art project?”
“Could be.” Billy lit a cigarette. “I went over to Harrington’s after school. He said his girlfriend has been acting weird too lately.”
“She’s included in that project the girls are doing.”
“Precisely, amigo.”
“So what are we supposed to do about this?” Tommy waved the card in his hand.
“Looks like we’ve got a party to go to.”
Also, over on Isola Road, Nancy was secretly sleeping over at Jonathan’s. Joyce never actually had an issue with Nancy staying over, she trusted both of them, but understood how it might be awkward to asl your mom if your girlfriend can stay over, so she let them continue with their “secret” sleepovers. Nancy was hesitant to say yes Jonathan’s fifth-period offer, “Wanna stay the night?” He asked. Then she figured, maybe she should stay over, and make it a point to mention their issue. After all, her problem was very much different from the other girls’s.
But alas, they never got the chance. When she arrived, they got right to work on studying for an English exam, and then they decided to watch a movie. (A television was the latest and greatest edition to Jonathan’s bedroom) And by the time the movie was over, they were basically half-asleep, so what would be the point in mentioning sex now? Whether it was happening, or not.
They laid in bed, side-by-side, barely touching each other. “Jonathan?” Nancy said, the darkness of the room making her voice seem a lot louder than it actually was.
“Yeah Nance?”
“You know you can touch me, right? Like we can cuddle or whatever, you aren’t gonna break me.”
From beside her, Jonathan chuckled. “Yeah, I know.”
“Okay…” Nancy turned on her side, facing away from him. She was about to fall asleep, feeling completely and utterly defeated, when she felt Jonathan’s arm wrap around her middle. She smiled, feeling slightly accomplished.
Nancy had a good night’s sleep that night.
FRIDAY
Friday was a relatively easy day. Tommy and Billy had decided to keep their distance from their girlfriends, not wanting to draw any extra attention to themselves, or make them wise to the fact that they knew everything that they were scheming.
After Billy had talked to Tommy, he had driven over to Steve’s, tossing the card at him just like he did Tommy. “Told ya I’d figure it out.” Steve was shell-shocked, eyes wide and nodding at everything Billy was saying. He grasped most of the information. “This is why your girl’s been acting weird… Party at Joanna’s on Friday… Better call Byers to let him know…”
Steve did call Jonathan, who had absolutely no clue anything was going on, he had had a big project at the Post throughout the week that had taken most of his focus away from school.
So the plan was set, Billy was going to pick everyone up, and they were crashing the fucking party.
Jo had told her dad to go away for the weekend. “It’s just a little party dad, a couple girls. No boys, I pinky-swear. Please…” She didn’t have to beg much, her dad would probably do anything she asked, almost short of murder if she said please.
Nancy and Di had made sure to have secure alibis with their parents, and bags already packed. Nancy drove them all to Jo’s house, where they finished setting up what Jo had done earlier.
She had cleaned the house the night before, trying to take her frustrations out by tidying up. Carol’s brother dropped off copious amounts of alcohol, and a gram of weed just for an extra treat (He had a soft-spot for Jo). Red lights were strung up around the entire house; the living room, kitchen, all over the basement. The entire kitchen table was covered in drinks, and Carol was on music-duty so it would be nonstop bangers all night.
Nothing could go wrong.
They all got dressed, none of them wore leather or lace, it was more of a joke, but they did wear black and/or red. “We look hot!” Di squealed.
Girls began to arrive as early as seven thirty, to which they were gladly welcomed. Within an hour, the party was in full-swing, music blasting, alcohol flowing; someone had brought glitter and it was everywhere, but nobody cared, because there was not a man in sight.
That was, until, Jo heard the roar of a scarily familiar car engine from outside the house.
She stopped, dead in her tracks, almost spitting out her drink. From across the room, her and Nancy locked eyes. Shit. No, no, it couldn’t be, the boys didn’t know about the party.
Jo walked through the crowd of girls to the front window, staring in shock as Billy stepped out of the Camaro. “Holy shit.” She mumbled.
She set her drink down on the windowsill, rushing to step onto the front porch. Nancy, noticing her panicked stare from across the room, grabbed Di and Carol and they followed her onto the porch. “What the hell are you doing here?” Jo said, trying not to sound as annoyed as she greeted her boyfriend.
“You’re found out sweetheart. We’ve come to crash the party.”
“But- How? How did you find out?”
Billy pulled the wallet-sized card out of his pocket. “Max kept a copy for herself after your little library rendezvous.”
“Well shit.” Jo face-palmed.
“Just give up, give in. You’ve lost.” The four girls stood, shocked at the presence of their boyfriends, who stood smugly in front of them. “C’mon, it was a good effort, but we figured you out. Throw in the towel.”
Not thinking her friends would give up so easily, Jo shook her head. But to her surprise, her friends had actually thrown in the towel. Billy walked forward, pulling her to him by her waist. She couldn’t put up a fight, she had been so strong all week, but she was finally ready to give in. “How I’ve missed you, princess.” Jo pouted as he peppered her face with kisses. “We’ve got some lost time to make up for, come on.”
Jo was a too drunk to form coherent thoughts, let alone form a coherent argument to figure out how or why or when Billy had figured out their plan. When she took Max and her friends out for food this week, she would have to investigate how Max managed to steal a copy of the poster.
From over Billy’s shoulder, she watched as the other girls desperately fell into the arms of their boyfriends. Shit, they had lost. They had lasted the entire week, but the hadn’t been able to keep it a secret.
Defeated, she let Billy drag her to the depths of her bedroom, locking the door, and finally surrendering to him.
MONDAY
On Monday, the girls met outside, next to Nancy’s car.
Nancy was glowing, the winter sun illuminating her face, her cheeks a bright rosy tint. Carol was grinning from ear to ear, clearly exponentially happy. Diana was staring blissfully into the distance. Jo was happy, albeit angry with how her plan failed, she had an extremely euphoric weekend.
“So, ladies, how was your weekend?”
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sideblog-666-thousand · 4 years ago
Text
Samoth and Tyr (ex-Borknagar) Interview, 1999. Ft. Samoth being a massive cunt. Part One.
Originally, I was going to post a much more interesting ‘view of Emperor, but due to the nature of it, and Tumblr’s 250 blocks of text per post cap, I ended up doing this. Hilariously enough, this one ALSO exceeds the max so I’ll have to put it in two parts as well. At least this one is more easily managed, due to the lack of rambling answers.
The last two —and the mythical ‘view that never was— were all in writing, before being scanned, and then eventually typed up by yours truly. This one was actually posted onto the internet back in... I think the early 00s? I found it in class one afternoon, back when I was a high-schooler. It says on the bottom that it was written in 1999 but that might not be the posting date. It’s old though.
So, in other words, I just copy-pasted this mysterious interview onto here with some minor alterations to the format. Full credit goes to the original poster, who I’ll link— they made my job very easy.
To answer the question of “Ft. Samoth being a massive cunt”, I mean... I named all of my interview posts something sarcastic thus far. Of course, going out and calling somebody a ‘massive cunt’ is a little bit harsh, but.... Just read the interview, ok? It’s all tongue in cheek.
I’d also like to suggest a drinking game to pair with this ‘view... Every time Samoth says something a little bit TOO honest, I want you to take a shot of hard liquor. Afterwards, if you do this for whatever reason, I want you to tell me how drunk you got.
As always, any possible commentary is in (parenthesis) and bold. Asterisks below and optional, most of the time they’re just some added context that’s too long to put in the actual text.
Note: The next two interviews posted will be Emperor-related as well. I might post the other interview later tonight, but I’m not sure. The interview after that will be a very short one of Faust, where he rages about how he’s going to enact his revenge on Varg because I think it’s entertaining (but is it particularly insightful though....?). After that, it’ll be back to your regularly scheduled Mayhem programming.
Without further ado:
At the beginning of April 1999, Morbid Angel headlined various "No Mercy Festival" tour gigs throughout Europe, supported by, among others, Emperor, The Crown, Impaled Nazarene and Limbonic Art. After interviewing Morbid Angel and Limbonic Art, there was an opportunity to sit down for a while with Emperor members Samoth and [new bassist] Tyr. We talked with them about a wide variety of things - the Norwegian black metal scene, the early days of Emperor, the church burnings, Noctural Art Productions, a lot of things...
I: About the latest album, "Equilibrium IX"; people already said about the previous album there were a lot of eighties' metal influences on the album and I think it's especially true for the new album - do you agree?
S: Yeah, well, I don't think there is any direct influence, but of course we're all into the eighties' metal, so... Several people say that they can hear Morbid Angel-things and Mercyful Fate stuff in it... and so.
I: About the production - you changed production studios and it had a big influence on the sound... So why did you want to change the sound?
S: Well, we felt like that Grieghallen didn't really have much to offer anymore for us and we weren't that satisfied with the production of the previous album, so we decided to try a new studio and also work more creatively in the studio with the sound. I think the latest releases from Grieghallen weren't that good... I mean they do have some real classics like "De Mysteriis...", "In the Nightside Eclipse" and the Burzum albums, and stuff like that....It's not so much that we want to get rid of the 'standard black metal'-label, but because we want to try a new sound and also, we wanted to use a local studio, because we had booked three months in the studio - it's a small inconvenience if you just can't go home after a day of recording.
I: The bass player, Alver, he left - why was that?
S: Well, eh... I guess we demanded more from him than he could give us... He was also very busy with his job and he couldn't rehearse as often as we wanted him to, so.... he decided... I mean, he would have to really rehearse a lot more to get up to the standard for the new album.. so there are no hard feelings or anything - it was a mutual agreement that it's best that he would leave.
I: So now we have a new bass player*... Introduce yourself and have you been in any previous bands?
T: My name is Tyr - that's the Norse God. In my project band I also use this name - it's my artist's name. I've only played in amateur bands and stuff like that.
I: So, you were friends or anything?
T: No, just eh... there is a Norwegian magazine called "Scream magazine", have you ever heard of it? [Yes - ed]
S: It's the biggest metal magazine in Norway.
T: ...and they had placed an ad. So I auditioned; we played a couple of songs and I got the job, on the spot, so.
I: So how do you like it to play in metal legends Emperor?
T: I love it, yeah!! I come from a different scene, you know... This is the first black metal I have ever played. I am used to playing more progressive stuff - things like Dream Theater and stuff like that. But I must say there are progressive parts in the Emperor material as well... Actually I would like to say, that I am on a Fates Warning tribute album, it's coming out on a label called Planet Circus, a newly started American label - with my project band Morpheus Web and we're playing "The Sorceror" on this one. I think it should be released around May or June [1999].
I: Is there a huge progressive scene? I believe August (former guitarist of Arcturus, member of Tritonis) plays in a progressive band as well?
T: Yeah, Tritonis...They're a really good band.
S: We've played with them as well a couple of times.
T: There are so many good bands...
I: About the record company: Candlelight. I was thinking, you have a very succesful label yourself, why not put Emperor on Nocturnal Art Productions?
S: Well, for starters, we were committed to Candlelight Records, by conference... After "Anthems...", we wanted to change label.. and we were actually trying to get out for a while, but then things really changed with Candlelight - they kicked out the old label manager plus they get both fifty percent of the label and for the new album all has been going pretty well. I don't think we're actually going to stay with them in the long run*, but we're going to do at least one more album for them... because they treat us pretty good and we get good royalty rates and they have done a really good job for the new album. So things really progressed. We have been with Candlelight for so many years now, so we know the guys really well and they treat us... - we are their first priority, so it's cool. But we have got offers from bigger labels like Nuclear Blast and Century Media as well - we are discussing with these labels as well, but we'll see for the future.
I: Don't you think that if you sign to Nuclear Blast you will be 'just another black metal band' on the label?
S: No I think that if they would sign us, they would give us pretty good priorities.
I: ...and Dimmu would just have to step aside...
S: Naah, I think they would still have pretty good priority, I mean they're doing really good as well, so.
I: OK, well how is your label Nocturnal Art going?
S: Yeah, well it's going in the right direction, it's still a small label, but I mean I'm working on it, like, full time and it... everything has been going really well for Limbonic Art for example, so we have signed them for two more albums - it's going to bring the label up to another level. I'm working on it all the time, the label and the band; we rehearse three times a week and I have a lot of work to do for the label - it's getting pretty hectic as the band is getting bigger and the label is getting bigger as well... so I'm looking for somebody to work for me more...
I: Will Choronzon release another record on...
S: I don't think so, I mean, I really like the guy.. he's a really cool guy and he has some cool ideas, but I mean it's impossible to sell this... I mean nobody buys it - it's too weird so people don't understand it.
I: There was some old Thorns material which was released on Moonfog... I think originally it was supposed to be released on Nocturnal Art...
S: You're referring to the Thorns vs Emperor split... we'll we did a cover of Thorns and Thorns did a cover of Emperor and some other more weirder stuff. Yeah, well, I was talking with this Krupp [formerly known as Blackthorne, who was accomplice to the murder on Euronymous - he rang the doorbell, so Varg Vikernes could get in - ed] as he calls himself about doing it through NAP, but he later decided to sign to Moonfog, so...
I: So you had your first producing experience, I believe... How did that work out and can we expect more of you in this field?
S: Yeah, I was in the studio with Mactätus. I wasn't really the complete producer, it was recorded in the same studios as the new Emperor album, so it was the engineer who really did the producing, but I came in the room during the mixing process just as an objective ear to the sound. They we're satisfied...I don't think that I can do a full producer job by myself. I can like... - I've heard so much of this genre, so I know what's good and what's bad and what can be improved and stuff like that... I don't think I am the right person to do it really. I mean I don't have any technical background.
I: Faust, when he get's out of prison, will he go back into Emperor?
S: No, I don't think so, because Trym has been with us like for so many years and he's an important part of the band and I don't think it is fair to just check him out. It works really well with Trym... but maybe we'll do something else with Faust, I don't know... I don't think Faust thinks too much about it himself; he still has three years before he's out. I think he's being paroled at the end of 2002.... so, not that bad.. he's doing pretty good... He has hardly played drums for years, but he had a few leaves and he came up to see us and we were jamming a bit... And he still has it in his body, he just needs some time to get it back in...
I: ... maybe a sequel to Zyklon B...?
S: Maybe....time will tell.
I: About Emperor. What is more important - the music or the philosopical side, the ideas behind the lyrics, that sort of thing?
S: I would say the music.... but with Emperor it's important to have all the talents, you have the whole thing - you have the covers and the lyrics and the music and the whole thing has to be like one artistic expression. But music is the main thing.
I: The word 'Emperor' seems to be more than just the band name - the word comes up in the lyrics every so often...'I am the Emperor..' that sort of thing...
S: Especially in the older lyrics. It symbolizes several things...It can symbolize like eh...the Devil, I guess and it also symbolizes a mighty power ...the whole sound of Emperor is a mighty sound. It's like a matter of interpretation...I think the Emperor lyrics are like - there's a lot up to the listeners to make up their own imaginary world. We don't have a direct thing, like it's like this.
I: What does it mean to you? What does Emperor stand for to you?
S: I would say it means might, something mighty.
I: Do you know anything about the philosophies of the guys from Morbid Angel and what do you think about it?
S: I don't know to much, I think they've changed a bit since David Vincent left. So it's more back to the basic Cthulhu mythology and I don't know to much about that, but it's kind of interesting. He has some quite good ideas, this Azagthoth.
I: Do you prefer the period when David Vincent was still there?
S: Well, I very much like them now - I liked their last album*, but I think they were even better live than on CD. But I mean they are an excellent band.
I: Did you have any contact at all with the Morbid Angel guys? I mean they were really looking forward to being on tour with you...so I thought over a few beers...
S: We didn't party or anything, but we see them every day, so.. They're cool guys who treat us OK - they don't behave like rock stars or anything.
I: Do you listen to any recent black metal stuff yourself, or is it just the old classics?
S: Well, acually I think the new Dimmu Borgir is pretty good. Through my mail order I get almost every new black metal thing so I use to put them on and hear one song out, but there aren't that many albums that touch my feelings. I really like the old stuff like Tormentor as well, but I listen to a lot of different stuff, really, so it's not only black metal. I listen everything from techno and trance to black metal, electronic, ambient and stuff like that to eighties metal, death metal...
I: Do you have a lot of friends in black metal scene?
S: Well, a lot of contacts, but I don't hang out that much... First I live a bit far from the town and I am usually pretty busy with what I am doing, so... But I know all the bands, in Norway, more or less...
I: You decided not to wear corpsepaint because it became a trend, is that true?
S: We just felt like doing our own thing and it wasn't really because it became a trend, but just because we don't want to be like everybody else. When we first started out, we were pretty much like a standard black metal band, but these days, we are... not a standard black metal band so we don't wanna appear to be like just a typical black metal band. But I mean we still use some paint live and stuff and it's still important to have a 'performing image', but the average corpse paint is not so suitable. We just have white faces and look a bit pale.. It's just a show element.
I: Cradle of Filth have expressed their respect for you in the press, more than once and you've toured together a long time ago - are you in touch with those guys and what do you think about them?
S: I've met them a few times and we get along fine, so I mean I don't have any problems with them at all. I think they're, especially Dani of Filth, he's like a media bug, he's always in the media, whatever there is - but that's their thing.
I: Lots of black metal fans say: Oh, CoF - everybody is listening to that so that's..
S: It's very much a black metal thing. I mean bands like Cradle of Filth and Dimmu Borgir are being hated a lot, but actually those bands are professional bands with their own decisions and a lot of people say it just to put them on and that's just crap.
I: Do you think they' re making certain consessions towards their music, doing what the people expect of them...
S: I think they do what they want to do. So I don't think they've just changed their music to become more popular. I mean just listen to the new Dimmu Borgir - I mean a lot of people complain that Dimmu Borgir should sound like their first album, while their first album was really soft and really crap, while their new album is much more brutal. And Cradle of Filth as well, they haven't become any softer either.
I: What do you think is the destinction between confidence and arrogance?
S: [A long silence] You must have confidence in what you do, but I mean eh*...
T:...just don't let it go to your head and stuff like that. I think you can actually spot the difference when people just turn arrogant. I think I myself not being arrogant.
S: I think to a certain extent that some arrogance is also... I mean if you have made something of value in a way you have earned yourself to be, to have a certain like a certain arrogance, maybe, I don't know...
I: To put it a little more in a context: you made a few remarks during interviews that you thinkt the large part of the black metal scene is totally crap. There might be a lot of people around who think that's an arrogant remark.
S: Yeah, probably, but I mean if it's so, then I am arrogant towards some people, but I think a lot of people are crap, not only in the black metal scene and if that makes me arrogant to them, OK, then I am arrogant. But I don't really look on myself as being a complete arrogant person, really.
T: This is obviously a matter of a personal opinion. Everybody has a different taste, so... Of course, those are strong words, but - for a part it's wrong and for a part it's true. The musical aspects and their music is probably not as good as other bands, like Emperor I think.
That’s all for part one! :)
Asterisks in order of their appearances:
*Tyr was only in the band briefly, and didn’t appear on any studio album. He can be heard on “Imperial Live Ceremony”, released in 2000.
*They did, in fact, stay with Candlelight. With the exception of a few, almost every Emperor release to date has been done through Candlelight.
*The album he’s referring to is “Forumlas Fatal to the Flesh”, released in 1998. That said, I’m a big fan of Morbid Angel, and want to get around to translating one of the French interviews...
*When I tell you that I fucking ugly-laughed....
Here is the link to where I got this from: https://www.karsmakers.nl/metal-e-zine/emperor.htm
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abused-sides · 4 years ago
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Could you write maybe a short angst/fluff thing about them discovering each others triggers and talking about them and how to avoid them? (My family and the people around me dont really respect mine so this is kinda just a request for me to project onto 😅 you absolutely dont have to tho)
fuck your family we’re your family now 
Trigger warning: This au follows the sides as abuse survivors. 
Other tws for: Yelling, arguments, passive aggression, non-censored homophobic slur used to talk about oneself, sl*t used in a joking and literally not at all degrading/mean manner also non-censored, drama violence (like reading a script), flashback/panic attack, ableism off screen, throw up mention, allergies mention, glass breaking, lmk if i missed anything! <3 
enjoy the hurt/comfort lol it took me like an hour and a half xD 
Edit: love when it just doesn’t fucking add the read more :) sorry about that guys
Virgil: 
-While Virgil was helping Patton fix dinner, Roman and Logan started an argument at the table. Logan was upset that Roman hadn’t finished his chore list for the week, but Roman insisted that he would finish it and he just needed some extra time to work on commissions. 
-Logan: We all have jobs, Roman, we still manage to get our chores done! This place is a mess half of the time and that’s largely due to you neglecting the list. 
-Roman: Why are you acting like some weekly chore list is worth more than our jobs? Isn’t that why we moved in together, to pursue our passions?
-Logan: How are we meant to do that when we’re living in a mess? 
-Roman: You’re completely overreacting. 
-Logan: Fine. You’re right. I’ll just do everything. Sorry to be a bother. 
-Virgil had slipped away from his job chopping vegetables to glance at the missing items on Roman’s chore list. The first one read sweep and mop the floors. He silently took the broom from its spot between the fridge and the counter, and worked on piling up the mess on the floor. 
-Logan was about to storm out of the room, when he noticed Virgil. 
-Logan: Are you okay? 
-Virgil: Hm? I’m fine. 
-Logan: You’re shaking. 
-Patton: Of course he’s shaking. Would it kill you two to be nicer to each other? 
-Realization dawned on Logan’s face. He bit his lip as he thought, and then turned to Roman. 
-Logan: I don’t like it when you neglect your chore list. I understand you’re busy, but it makes life harder for all of us. 
-Virgil stopped sweeping, looking at Logan in confusion. 
-Roman was just as confused. 
-Roman: I... Yeah, I got that, weirdo. 
-Logan: I want to make sure there’s no confusion. Do you have anything you want to say to me? 
-Roman’s eyes flicked between Virgil- Shaking, gripping the broom, staring at them with wide eyes -and nodded slowly. 
-Roman: Some weeks I can’t complete the entire chore list. Finishing my commissions are more important. The kitchen can be cleaned later. 
-Patton: And I can help! I don’t mind chipping in on chores. 
-Logan: I can live with that. I’m going to my room. 
-After that, there was an unspoken agreement to state things plainly, especially when fighting, and to try and keep the yelling at a minimum. Janus and Remus may have appreciated it even more than Virgil did. 
Patton: 
-Janus and Remus were visiting for a movie night, and they were still setting up. Patton fussed over the organization of the snack table, Roman over who sat where. 
-Remus: I’ve got my seat! 
-He flopped into Janus’ lap, who grunted. 
-Janus: Jesus Christ, babe. 
-Logan: You two are so... 
-Remus: What? Sexy? 
-Logan: No... Not the word I’m looking for. 
-Remus: A cute couple of boys? 
-Logan fought not to laugh. 
-Logan: No... Not that, either. 
-Remus: Just an attractive pair of young faggots? 
-While Logan, Roman, and Janus burst out laughing, Patton choked. He covered his mouth and tried to recover, but the others laughing quickly died down. 
-Virgil: *softly* Patton? Are you okay? 
-Patton: I’m fine. 
-He forced a weak smile. 
-Patton: Are we ready for the movie? 
-Remus: You look like you’re going to be sick. Is it something I said? 
-Patton: It’s not a big deal-
-Janus: Bullshit. Tell us. What, Remus calling us faggots? It’s okay to laugh, we know we are. 
-Patton didn’t take the bait, shakily sitting down. Janus’ grin faded. 
-Patton: I just... I don’t like that word too much, I guess. It, um... 
-Virgil: *quietly* Bad memories? 
-Patton nodded quickly. 
-Remus: Jesus! You should have told me! I’m sorry, Pat-A-Cake! I guess Janny and I have just been calling each other that for so long, I forgot it bothers some people. 
-Janus: Yeah, um, I’m sorry. I shouldn’t have encouraged it, it wasn’t very-
-Patton: Guys, stop. You don’t have to apologize, okay? I’m okay. 
-Roman opened his arms with a soft smile. Patton sighed happily and crawled into his lap, his back against Roman’s chest. 
-Remus: So what can I say instead? Slu-
-Janus slapped his hand over Remus’ mouth. 
-Janus: Why don’t you just try behaving? 
-Patton: *laughing* No, I’m actually pretty used to that one. Roman can’t see a cute boy without calling himself that. 
-Remus: Perfect. Was that the word you were looking for, Logan? Just a bunch of cute little sluts? 
-Logan slapped his hand to his forehead. 
-Logan: *dryly* That’s exactly the word I was looking for. 
Logan: 
-The morning was a busy one. Logan had three projects due that he’d somehow neglected, Roman had two auditions, Patton had an increase in orders to pass out, and Virgil had an interview for an apprenticeship at a tattoo parlour. 
-Everyone raced around the kitchen-- No time for a family breakfast today. Logan banged at the coffee maker as it went painfully slow, Patton trying to carefully package a box of cupcakes. Roman slid between the two of them to get to the fridge, nearly tripping over Logan’s feet. 
-Roman: Hey, watch out! Tryna get out the door here! 
-Logan stiffened. 
-Logan: Apologies, Roman. 
-Roman looked at him in confusion at the formal tone, but shook it off and grabbed his water bottle so he could race out the door. Soon, the apartment was empty, everyone left to their respective tasks. 
-Logan didn’t come home for a while. 
-Patton left a sticky note on Logan’s door to say his dinner was packed up in the fridge for whenever he wanted it, but couldn’t stop feeling worried. He stayed up until 4am on the couch watching cartoons, eventually passing out. 
-When Logan still wasn’t home in the morning, Roman carried Patton to bed and stormed across the hall. 
-He rapped loudly on the door. It swung open a moment later, revealing the tired, angry face of his brother. 
-Remus: What do you want? 
-Roman: Is Logan with you? 
-Remus: Well, I know where he’s not. 
-Roman: I’m not fucking around. Just tell me-- We’re worried about him!
-Remus arched an eyebrow, a sick grin spreading across his face. 
-Remus: *whispering* Are you now? 
-Roman: What’s going on? Is he okay? 
-Remus: *voice still hushed* You would think out of all of us, you and I would know better. You and I would know exactly what to say to make someone feel worthless. The difference is, it’s usually me who says it, and you who avoids it. 
-Roman: I don’t get it. What did I say? Did I hurt him? 
-Remus: He feels like a waste of space in his own home! 
-Roman pushed past Remus into the apartment, finding Logan asleep, Janus curled around him protectively. 
-Roman: Logan! 
-Logan and Janus both startled awake. Janus glared and hissed. 
-Roman: My God, why didn’t you tell anyone you weren’t coming home? We were so worried! Patton stayed up all night waiting for you! Why was your phone off?! 
-Logan frowned in confusion and sat up, self-consciously scooting away from Janus and brushing his arm away. He found his glasses and put them on. 
-Logan: What? I just figured, the apartment seemed cramped lately, people were getting cranky. Janus and Remus offered to let me stay before in the past, so I thought I might give you all some space. 
-Roman shook his head wildly. 
-Roman: Why would you think that? You scared us! Dinner’s still waiting for you in the fridge, and- and you could have at least called us to let us know! 
-Logan fought not to shrink in on himself. He was silent for a while, before he said, quietly, confused, “I thought this was what you wanted.” 
-Roman: No. Where did you-
-Roman paused. 
-He felt so stupid. 
-Roman: No- God, Logan, I’m so... I’m so sorry. I didn’t- I wasn’t thinking. I’m sorry I ran into you, and then... 
-Janus and Remus looked at Logan, waiting his response before reacting. 
-Logan: It’s okay, Roman. I guess I just got confused. Has Patton started on breakfast yet?
-Roman: No, he’s asleep. 
-Logan: I’ll make breakfast. I’ll be there in five minutes.
-Remus gripped Roman’s shoulder. 
-Remus: I’ll show you out. 
Roman: 
-Roman and Remus were in the main four’s living room, scripts in each hand. Roman had asked Remus’ help in reading lines for a scene, and they had both gotten way too into it. 
-Patton: Be careful with my throw pills! My sister stitched those! 
-Remus cackled maniaclly from his position on the couch, a plastic sword held at Roman’s throat. 
-Remus: Now what did I tell you?! 
-Roman, on his knees on the carpet, faked a pained groan. 
-Roman: It’s not true. 
-Remus: Still thinking that, huh? What do I have to do to get it through your head? Beat it out of you?! 
-Remus lurched forward with his fake sword. 
-Roman’s heart stopped, the blood drained from his face, and he threw himself away from Remus’ advance. He fell back, nearly knocking his head against the coffee table they moved, crossing his arms in front of his face. 
-Remus: Roman? *nervous laughter* Come on, I know I’m not that good an actor. Are you... Okay? 
-Roman shakily lowered his arms, staring at Remus with wide, paranoid eyes. He gasped for breath. 
-Patton jumped up from the kitchen table and raced into the living room. Remus caught Patton by the waist as Roman flinched and covered his face again. 
-Patton’s eyes welled up. 
-Patton: Roman? Roman, what’s wrong? 
-Remus: *mumbling* Go sit on the couch, I’ll wave you over. 
-Patton didn’t want to, but he listened. Remus sat on the ground, plenty of space between him and his brother. 
-Remus: Ro? I need you to look around, tell me five things you can see. 
-Roman: Stained- Stained glass. 
-Remus: There’s no stained glass here. Look around, harder. What do you see?
-Roman: Your stupid mustache. 
-Remus: *laughing* Yeah, that’s good. What else? 
-Roman: Um... Um- The- The carpet. 
-Remus: What colour is the carpet? 
-Roman: Green- No. No, it’s beige. 
-Roman ran his fingers along the beige carpet, trying to control his breathing. 
-Remus: That’s good. Three more. 
-Roman: I see Patton. Um, his glasses. There’s flour on his hands. Does that count? 
-Remus: Sounds like five to me. Four things you can touch? 
-Roman: Carpet. Um, my shirt. The table. Y-You? 
-Remus scooted forward slowly and opened his arms for Roman to curl into. Remus held him tight, his chin rested on Roman’s shoulder. 
-Remus: Tell me three things you can hear. 
-Roman: Your heartbeat. Patton crying- Patton, please, love, I’m okay. 
-Patton: I- I know. I’m sorry. I just- I know. 
-Roman: Patton’s voice. 
-Remus: Two things you can smell. 
-Roman: That awful deodorant you use. And Janus, for some reason. 
-Remus: One thing you can taste? 
-Roman: Salt. 
-Remus: You back in the present now? 
-Roman buried his face in Remus’ chest. Remus held him tightly and waved Patton over. Patton staggered to his feet and Remus gently transferred Roman to curl in Patton’s lap, who cooed in his ear and kissed over the side of his face. Remus quietly slipped out of the apartment. 
Remus: 
-Janus: Remus? What’s wrong? 
-Remus didn’t answer, slamming the door shut and headed straight for the bathroom. The water turned on a moment later. 
-Janus looked through Remus’ drawer for his meds and counted them carefully. He’d taken his dosages. He settled against the headboard and waited for Remus to finish showering. 
-About an hour later, Janus was startled awake to a wet pressure on his chest. 
-Janus: *mumbling* Ew. You couldn’t have dried off? Got dressed? 
-Remus looked up at him with wide, teary eyes. Janus raked his fingers through Remus’ hair and kissed his forehead. 
-Remus: It doesn’t matter. 
-Janus: It does. Was it that bitch again? 
-Remus: She is a bitch. 
-Janus: Exactly. What’d she say this time? 
-Remus settled back against Janus’ chest. 
-Remus: *mumbling* It doesn’t matter. She’s right. 
-Janus: I doubt she’s ever been right about anything in her life, especially my Remus. So what did she say? I need to prove her wrong. Proving people wrong is kind of my thing. 
-Remus let out a breathy laugh. 
-Remus: I got upset again. A family told her about their child’s allergy, and she didn’t tell me. I made the dish normally and the girl threw up and had to go home. I started yelling, because I mean I was freaking out, what if I’d killed her? If it was a more severe allergy, she- she couldn’t have been older than seven, it could have killed her just being on the table, and- and- 
-Janus: Hey, baby, take a second to breathe. Just breathe with me for a second, okay? 
-Janus took in a deep breath, his chest raising and lowering Remus gently as he followed the pattern. 
-Remus: She told me to stop worrying about it, that I was delusional. She asked if I remembered my meds. She said I was overreacting. 
-Janus’ hold on Remus tightened as hatred boiled in his stomach. 
-Janus: I’m going to get that bitch fired. 
-Remus: Janus, no, I probably-
-Janus: You did not overreact. She didn’t tell you, and not only could that have killed the girl, it could have ruined your life. We can’t afford a good lawyer, they would pin it on you and shove it under the rug. And you’re not fucking delusional. 
-Remus: I do... Have... Delusions...?
-Janus: That doesn’t have anything to do with this! 
-Remus laughed weakly. 
-Janus: Yeah, you have delusions that the girl on the fifth floor runs a meth lab, and that someone lives in the basement, but that- That was not a delusion. She should be put in jail!
-Remus raised his head and kissed Janus softly. He nuzzled into his neck, and Janus hugged him tight. 
-Janus: I checked your meds. You’re completely caught up. 
-Remus: I know. 
-Janus: And you’re not crazy. 
-Remus: I know. 
-Janus: And I love you. 
-Remus: I know. I love you, too. 
Janus: 
-Janus had snuck into the other apartment to see if Patton had any leftovers from his last orders. The others were asleep, but he knew they wouldn’t care. Patton left notes on the things no one could touch. 
-He found a small plate of assorted cookies with no warning, and settled at the table to eat a few. 
-On his way to put them back, someone on the floor above them screamed a string of curses, and a door slammed. Janus flinched, his shaky hands loosing hold of the plate. His heart dropped as it shattered along the tile. 
-He couldn’t breathe. 
-Clean it up and leave, go, now! 
-Hurry up! Before someone finds you! 
-Don’t worry about clean up, just go! You weren’t here! 
-Logan: Janus? 
-Janus’ head snapped up. He spoke before thinking about the words coming out. 
-Janus: I just got here. I don’t know what happened, I was about to clean it up. It wasn’t me. 
-Logan raised an eyebrow, eyes sleepy. 
-Logan: *flatly* Really? 
-That was the worst lie you’ve ever told in your life. 
-His stomach coiled in embarrassment. He forced up a smile. 
-Janus: I know what it looks like. But I assure you, it wasn’t me. 
-He reached for the broom, but Logan carefully stepped over the glass and grabbed Janus’ wrist. 
-Logan: Janus-
-Janus: *gasping* I’m sorry! It wasn’t me! 
-Logan: Janus. I’m not angry! What’s the matter? 
-Janus hesitantly met Logan’s eyes. Logan’s soft, worried eyes. 
-Logan: You know I would never hurt you. 
-Janus: Of course. 
-Logan: I’ll clean this up. Do you... Want to stay over? 
-Janus’ heart stuttered. 
-Janus: If you want me to, I suppose I could stomach it. 
-Logan smiled a little. 
-Logan: You suppose? 
-Janus: I suppose. 
-Logan: I’ll meet you in there. 
-Janus’ heartrate had slowly gone back to normal as he laid in Logan’s bed. A few minutes later, Logan slipped in behind him, hesitantly resting a hand on Janus’ hip. 
-Janus rolled over and pulled Logan into his arms. Logan sighed in content, nuzzling into his chest. 
-Janus: I didn’t break the plate. 
-Logan: It doesn’t matter who broke the plate. 
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atmilliways · 4 years ago
Text
On the 1st day of Dethmas this writer gives to thee...
Dec 13 - Your favorite holiday tradition... Dethklok style
My mom has these static cling decals in traditional greens and red, and every year I am in charge of using them to decorate the bathroom mirror. At some point ages ago I got bored with doing plain ol’ wreaths all the time. Sometimes I spell out Happy Holidays, sometimes I make green presents with red bows, sometimes it's a garland draped across the mirror, etc. I don't even live there anymore, and she still goes spare if I don't do it.
I just spent an hour trying to find an example picture and failed, so (Facebones voice) use your fuckin’ imaginatiooooooooooooooooon. ... Roll it!
(Oh yeah, and I’m doing a different pairing for each fic this challenge, no repeats. This one is Nategaar.)
~
We Two Kings
~
One trip back to Nathan’s parents’ place for Christmas. That’s all it takes to break Skwisgaar’s long tradition of not bothering to get presents for anyone he’s sleeping with. As soon as they get back, he marches into their manager’s office. 
“You gots to finds this things for me,” he says imperiously, dropping something flat and green on Offdensen’s desk. “Buts in blacks and silvers. Ands with the little red dots whats ams berries.”
Offdensen picks it up gingerly between thumb and forefinger as though he’s concerned it might be some sort of used condom. (He’s only been working for the band a few months now, but it wouldn’t be the first time.) “What, ah, is this exactly?”
“Ams ones of those things for ams puttings on a mirrors.” Skwisgaar fishes around in his back pocket and produces a somewhat bent polaroid, dropping it on the desk next to the green slip of plastic shaped like a cartoon holly leaf. In the picture, two different shades of green leaves make up a Christmas wreath on the mirror, dotted with red berries, all clearly captured by Rose Explosion using an old Sun 660 Autofocus. “Nathans makes this at his parents’ house. Different stuffs every years, never repeats hims-self.”
The photo is given due consideration as well. Offdensen glances up over the edge of his glasses. “And you want to. . . .”
“Wants to haves them for the new house we ams have built,” Skwisgaar confirms. He’s not particularly thinking about why all this feels so important or what that might mean about what was supposed to just be a casual fling. “For next years, whats he can does it at homes, too. Onlies gets more and haves a big fucks-off mirror ins the livings room for thems.”
“I’ll let the contractors know to add it to the plans.”
“Goods.” Skwisgaar starts to leave, but pauses at the door. “And don’t tells no ones. Ams a surprise.”
And the surprise goes pretty well. A few weeks before the next Christmas Skwisgaar takes the almost man-sized box, scrapes the shipping labels off, wraps it (poorly), and leaves it in front of Nathan’s bedroom door. He doesn’t leave a tag saying who it’s from and Nathan never asks, but the guy has to have an idea who it’s from. Who else would know to do this?
A few days later, the living room mirror in the newly christened Mordhaus is decorated with a giant silver skull made out of cartoon holly leaves. It’s layered over the black ones to give the illusions of lines and holes, with a glimmer of red berries sprinkled deep within the eye sockets. Up close it’s crude and a little weird, but from a distance it looks fucking cool. It gives Skwisgaar an unfamiliar warm feeling in his chest to know that he’d helped make that possible. 
The year after that, it’s a crow in flight with a silver fish in its beak, dripping with blood. The year after that, it’s a black and silver present with blood seeping through one corner and a red tag that reads “FROM SATAN.” Between that and the following year’s spider wearing a Santa hat, that’s about as Christmas-y as it ever gets. The rest of the guys think it’s cool but don’t pay enough attention to realize it’s their own bandmate who does it every year. 
Fast forward about a decade. 
It’s well after 4am, early in December. Skwisgaar is lounging on the couch nearest to the mirror, idly playing guitar while Nathan works with his static cling decals and, occasionally, a step stool. Every once in a while the hulking frontman paces around the room to examine his work from different angles and distances, scratch his head, and drink absentmindedly from his current beer bottle. It’s the same brand his dad keeps in the fridge back in Florida. (That one isn’t Skwisgaar’s doing, Nathan arranges for that all on his own every year.)
Just like the unacknowledged understanding that Skwisgaar gave him this new tradition to look forward to, there’s an unspoken rule that Skwisgaar doesn’t look until he’s done. Relationships, it turns out, are mostly a matter of paths trodden so deep into you that you follow them without having to think about it, and it feels good. Comfortable, even. 
Eventually Nathan thumps down on the couch next to him. Skwisgaar stops his absentminded fretting to put the guitar to one side and stretch, getting a few satisfying little pops out of his spine. From the looks of it out the windows, dawn isn’t all that long off. “All dones?”
“I think so,” Nathan grumbles. “I can’t get the fucking lines smooth enough, but whatever.”
“I’s shores it am fines, Misters Porflect,” he replies, and accepts the half finished beer that Nathan hands him. Their fingers brush, and Skwisgaar impulsively transfers the beer to his other hand so he can tangle them together. He’s not particularly thinking about what this impulse might mean about what was supposed to just be a casual fling over ten years ago now, but has endured into . . . something else. “Can I sees it now?”
Nathan seems surprisingly ambivalent; usually he demands that Skwisgaar look and give his opinion immediately upon completion, pressing and wringing to try and get constructive criticism even though they both know he doesn’t always take that the best. This time he just shrugs and says, “Sure, I guess you can, if you want,” with so much forced casualness it’s like he slathered it on with a trowel. Puzzled, Skwisgaar stands and tugs for the other man to come with him as he starts to turn—
His jaw drops as soon as he sees what Nathan has spent the last several hours working on with meticulous attention to detail and laser-like focus. 
“That. Ams mine face,” he says wonderingly, dropping Nathan’s hand and drifting in for a closer look. 
Despite the complaint a moment ago, there aren’t really lines. The entire piece is roughly as tall as he is and mostly silver overlaid with black, like looking at the negative of a photograph. It’s not particularly detailed, but Nathan has captured the contours of his face in black shapes. Eyes, nose, cheekbones, mouth, jaw . . .  even the hollow of his throat, all framed by dark waves of the hair that always hangs down in front of his shoulders. 
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Nathan comes up behind him while he stares, taking the beer back before he has a chance to accidentally drop it, and Skwisgaar rocks back on the heels of his boots and leans against him. “I can’ts believes you dids this. . . .”
“Yeah, well.” He can feel Nathan shrug, and the rumbling in his chest when he speaks. “I didn’t want to do a stupid Christmas tree, and I couldn’t think of anything else.” More of that forced casualness. “It’s not really a big deal, I’m gonna do one of us each year for a while so those other assholes can’t bitch too much about being left out. But . . . yeah. I started with you. What do you think, any good?”
“Ja, goods,” Skwisgaar manages against the sudden big gay lump in his throat. 
He’d been facing away from Nathan the whole time he’d been working on this; it was done from memory. Nathan has memorized his face. And this is a guy who, rather than just imagining he’s singing in armor just to make an album more brutal, actually commissioned a full suit of armor to be made for himself on the grounds that just picturing stuff when you could actually have it was for pussies. 
Fuck. Holiday bullshit hadn’t ever gotten to him before, but he’d made that one, tiny no-gift exception and that had opened the floodgates, hadn’t it? This big lug with his once-a-year art projects has a piece of his heart . . . and now seems to be holding out a piece of his own. 
Skwisgaar turns. It feels like he’s moving in slow motion and his tongue is weighted and heavy with words he has no practice and probably no right to say out loud. So he doesn’t say anything, just winds his long fingers into Nathan’s hair and kisses him like there’s no fucking tomorrow. They’ve been together for so long, that’s all he really needs to do to tell the man I love you back, I love you too. 
It’s going to be a brutally amazing Christmas this year.
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Hidden in Plain Sight (3)- Tom Holland X Reader
A/N: This story is fun to write, but school is taking over little by little so sorry if this gets delayed more than I mean for it to be! Enjoy Chapter Three!
Word Count: 2165
Warnings: Swearing? Maybe? To be honest I can’t remember if I swore or not but knowing me I probably did. But there is mention of a killer moth so if that’s as trigger as it was when it was flying around my room then I’ll mention it here.
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You had the absolute worst day. You were hoping it was going to be a good day since you had put on one of your favorite outfits to wear to work. But as soon as you got to work, everything turned into a shit show. A project you thought was finished didn’t save the last days edits, your boss got on you for something that was your coworker’s responsibility, and someone ate your lunch, which you’re not entirely sure how that happened, but it did. Add to it you have the start of what you think is a migraine, the last thing you want to do is anything work related, but because you’re behind on the project that is due tomorrow, you’ll probably be up all night working on it before going in tomorrow to continue working on it at the office. So heating up some soup to eat while you work, you decide to scroll through Tumblr while you wait for it to heat up. 
The news of Spider-Man, and therefore Tom Holland, staying in the MCU still hasn’t died down, which let’s be honest why should it? It’s fantastic news. Out of all the Spider-Mans, Tom’s portrayal of it is your favorite and you would be so sad to see him taken from Marvel just because Sony, Marvel and Disney couldn’t come to an agreement on things. It’s only been a couple days since it was announced, but you wouldn’t be surprised if this was talked about for weeks at least. You reblog a couple of photos, adding some of your usual hashtags. Honestly, you want to be distracted by asks, but you know that the likelihood that people will respond is low, plus you shouldn’t let yourself be distracted by Tumblr when you have the project due tomorrow. 
Hating seeing notifications, you click on the second icon from the right on the bottom of your screen. You clear off the notifications from reblogs and likes but notices your app is still showing a notification, on the messages side. It’s probably just from one of your friends. You flip over to the other screen and see a message from none other than Tomholland2013, who you’ve been messaging on and off over the past couple of days, ever since you sent him that edit.
You haven’t been super active on tumblr lately. Everything ok?x
Been super busy at work lol. Big deadlines coming up.
You don’t expect to get a message back since you figured from your messages where he mentioned he was in the early hours of the day while you were only in the late afternoon, that he was probably asleep since you got home later from work than you had planned. So you set your phone aside as you pull the broccoli cheddar soup from the microwave. However, you’re pleasantly surprised to see a message waiting for you when you pick your phone back up to head back to your computer to keep working.
Ah, big deadlines. What kind of work do you do, if you don’t mind me asking?x
Hm, this new tumblr friend of yours is awake even though it’s probably the middle of the night for him?
I don’t mind. I work in graphic design. Isn’t it the middle of the night for you? 
It would be if I was at home. I travel a lot for work. I’m currently in New York, so it’s only 9pm.x
But it definitely feels like I should be asleep. I’ve only been in New York for a few days and my mind is still on London time.x
What kind of work do you do? 
You set your phone down and boot your computer back up. You know you have shadows to deal with and layers to add back before even getting to the stuff you were meaning to get on today. This project was going to be the death of you. 
Tom stares at the message. How does he respond to that? He can’t very well tell you he’s an actor. That blows all of this. He likes being able to be open with you and the moment that it comes out that he is actually Tom Holland, well you might not be open with him. Could he tell you he works in the movie field without having to admit who he is? Could he play it off that he’s still a fanboy, because he will be a marvel fanboy until the day he dies, without blowing this whole thing up? There’s just something about you and being able to connect with someone who has no idea who he is that is different. 
Even on your blog today, you shared things from months ago and still reacted like it was your first time seeing them. Your whole blog just radiated positivity, even though your messages sounded like you had a lot on your plate outside of the internet world. He wants to be able to know you without the pressure of having to be, well, him. But you’re not asking him to spill everything about who he is. Just a snip-it. 
Film production. Getting ready to head off to a new project actually.x
Must be fun to travel for it. Anywhere fun?
Cleveland actually. Haven’t been there before, so maybe I’ll find something fun to do outside of the project while I’m there.x
Maybe you’ll run into Tom. He’s supposed to be there shooting a project I think. Especially if you’re also in the film industry, you’d already have more of a way into things than say I would lol 
I don’t know if I’ll have that much time off to look for him.x
Well if you happen to run into him in said little time off, tell him there’s probably half a million if not more tumblr users willing to marry him, should he be in need of a wife, husband, or nonbianary pal.
Would you happen to be one of those said half a million?x
He shouldn’t have sent it. You have been pretty good about responding, but after sending that message, he hasn’t heard from you in over twenty-four hours and he’s beside himself. You also haven’t posted on your blog. Which makes him think you’re avoiding him on the site all together, which is even worse. The flight to Cleveland, wouldn’t have been half bad if he wasn’t worried the whole time about what you might have been sending while his phone was on airplane mode. And of course the one time he would have paid any amount for on flight wi-fi, it was down and no one could use it.
As soon as the plane lands, he’s flipping the switch to connect his phone again. He needs to see if you’ve messaged back. He’s ignoring all the other notifications that pop up, looking for only on apps notifications. And while you haven’t posted again, you have messaged back. Which makes him suddenly feel like he can breathe again. 
I’m not the one who took Tom’s name on here. I feel like you might propose to Tom before I even have a chance to meet him IRL.
I don’t think I’m Tom’s type.X
And what do you think Tom’s type is? 
And it takes everything to not just describe you. It wouldn’t be hard. He had spent a lot of time deep diving through your blog. He had looked through your #me tab on your blog. It was filled with everything from selfies to posts about things you had done. And you were the kind of person that he was into. It wasn’t an only physical attraction thing. It was the things that you found important enough to post about. The little things about your day that you shared about. But instead of typing back you, Tom decides to type something different.
I think he would be into someone down to earth. Someone who is into sharing time with friends and family equally and someone who has a great sense of humor. Oh and they would HAVE to love Tessa. That would be a must.x
Wow you’ve thought a lot about this.
Do you disagree?x
Surprisingly no. But I thought you’d say something more… I don’t know physical I guess.
Why’s that?x
I don’t know. I just did.
What do you think he’d be into?x
He can’t help but ask. He wants to know what you think he’s like. There’s enough speculation out there about what he’s like, but for some reason, knowing what you think about him, it means something to him.
I would say, similar to you- family, friends and Tessa would definitely be at the top. Sense of humor would be important. I also feel like with there being so much he can’t talk about to the public, having someone he can trust with stuff would be important. I also think trust would be important so that he has a space he can just be himself too. 🤷‍♀️
Pretty spot on. All of those are important to him. He wants to ask if those things are all important to you, but asking that would come off weird, so he takes a different approach.
Honestly if I wasn’t such a div when I was making accounts I would have just made a Tessa fan blog. I’m a bigger fan of her than of Tom. x
SO TRUE. How can you not be?! She’s the purest thing in this world (sorry to Tom) and every time he shares more of her with us I melt a little.
Paddy had sent him that picture of Tessa this morning, maybe sharing it would brighten everyone’s days. Especially knowing that you were such a fan of her too. Adding the picture to his Instagram story, with a quick caption of missing this sweet girl, he quickly uploads it.
APPARENTLY TOM CAN READ OUR THOUGHTS?!
What do you mean?x
Cute Tessa content just uploaded to his Insta story. Apparently he’s away from her and missing her 😭
She’s just too pure for this world x
I needed that right now.
Something wrong?x
Work project might kill me. 
It’s due by the end of the day, but photoshop keeps crashing and I might scream. 
I’m sorry love x
I’m restarting my computer for the third time today and it’s not even noon yet. 
You know he’s English so the love thing shouldn’t throw you. Plus he’s a boy on the internet. But for some reason, it feels like something more. So instead of saying anything about it, you just keep messaging like nothing happened. A small part of you is hoping that by not mentioning it though, it might happen again.
Tom spends the rest of the day messaging you when he can. He knows you’re working on a project that has a deadline, so he doesn’t expect you to be at his beck and call. But when he gets a notification at almost eleven o’clock at night his time from your blog, he hopes it’s one of your personal posts to make him laugh. He isn’t let down.
THERE WAS A MOTH FLYING AROUND MY ROOM AND NOW I CAN’T FIND IT IM GOING TO DIE. IF IT EATS ME YOU ALL KNOW WHO THE MURDER IS
#me #killer moth #save me #if i die i leave everything to tom
He can’t help but send you an ask about it.
Tomholland2013 asked: You know moths don’t eat people right?x
Y/T/B: You didn’t see how big this one was. This one was definitely of the people eating variety with how big it was. And now it’s hiding in my room waiting for me to close my eyes and then it will sneak up on me, kill me, and devour me whole. 🖕
Tom laughs at your reply before sending another ask. Sure he could do this in your message thread, but he’s betting the asks are helping distract you from the moth.
Tomholland2013 asked: That’s a quiet defensive response from someone who is going to be eaten. If you want me to come save you from a killer moth, maybe be a bit nicer.x
Y/T/B: If you will race over here, find this moth, and release it into the wild so that it can’t kill me in my sleep I will make you as many Tom edits as it takes in gratitude. 👏😘Just come save me please. I swear I can hear him laughing in the distance. 
Tomholland2013 asked: If he’s laughing in the distance, I’ll be over to take care of him. No one gets to disrespect my favorite blog and get away with it.x
Y/T/B: Thanks darling. I really, really appreciate it. Now I must be off to hunt this moth, before he hunts me.
Tags: @serendipitous-amor​ @im-still-tryin-to-find-it​ @tomfiction4​ @im-deeply-shallow
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zwritestuff · 5 years ago
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Some Things Are Bound To Be (Chapter One) - Kyara
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A/N: Okay, hear me out, I know this ship barely has a week of existing - I’m very aware of it, thank you very much. But this idea wouldn’t stop haunting me, and before I knew it I churned out 2.7K in the span of two days. Obssessions be like that, I guess. With that being said - I’m hoping that this will have between 5-7 chapters, because I can’t deal with long multi-chaps at the moment. A big, massive thank you to @fromthenorthernskies​ for beta-ing this 💓 And to Winter for always being on board with my shit and peer pressuring me to write this.
Summary: When simple office gossip snowballs, Kyne finds herself faking to be Kiara’s girlfriend, the daughter of the owner of the company she works at. Not that she has any complain, though.
***
Kyne had been working a little over a week at Schatzi Co. when she met Kiara, though she had heard rumors and hushed whispers about the only daughter of the owners of the company — some said she was a bitch, others that she was a spoiled brat; to Kyne, she was none of those things.
It might just be because she exchanged a total of four words with her, and Kiara treated her as politely as she could be before going on about her day. Either way, she never participated in the insulting comments some of her co-workers made about Kiara, because she didn’t have any bone to pick with her.
Priyanka, her best friend and the one that got her the job interview in the first place, had wisely suggested she stay out of the office drama, at least during her first weeks. She had been working there for a year now, so she knows what she’s talking about; she doesn’t mind when Kyne asks one too many times what did Kiara Schatzi actually do to earn so much hate from the employees, considering she rarely is at the company.
“I don’t know, existing?” Priyanka offers as an answer, while they’re having lunch together at her office. “She’s set to inherit the company once her father decides to retire, that much I know, but I’m not sure where this hate comes from — probably from something that happened before I worked here, but nobody would tell me.” She shrugs, biting her sandwich.
“Oh, c’mon, she can’t be that bad, can she?” Kyne asks, picking at her Adobo. Priyanka is about to answer when someone knocks at the door, and as soon as she tells whoever it is to come in, they see Julia’s head poke from behind the door.
She tells Priyanka that the head of the construction team needs to speak with her about a mistake in the planes for the new project, using that very nasal voice Kyne has become used to rather quickly, and saying in a pretty non-confrontational tone to not shoot the messenger.
Priyanka groans, excusing herself to Kyne before following Julia, who’s still apologizing on behalf of the contratist, and leaves Kyne alone with her Adobo.
Not even a minute goes by when the door is opened again, but this time, it’s Kiara that interrupts in the room.
“Miss Priyanka?” She says, looking around the room and finding Kyne instead. “Oh, hello. Isn’t this Priyanka Kapoor’s office?” Kiara asks, squinting slightly.
Kyne briefly thinks that the red suit fits her so well it should be illegal, but she just nods curtly.
“She just left with Julia, something about a plane for a project being wrong?” Kyne hesitantly replies, though she heard the conversation very clearly.
Kiara groans, rolling her eyes. “How could that woman outrun me when she’s wearing six inch heels?” She asks aloud, barely holding back a laugh. Kyne chuckles.
“I mean, I’ve been working here for a month and I’ve never seen her not wear six inch heels,” she says, though she’s not sure if Kiara pretended to get an answer from her. 
She feels a weird flutter in her chest when Kiara giggles, shooting a smile her way.
 “Yeah, I guess that’s probably it,” Kiara replies, “What’s your name again?” She asks, lingering at the door.
“It’s Kyne Aguilar, miss Schatzi,” she replies with a genuine smile. Kiara smiles back, and Kyne thinks the smile suits her very well.
“I’ll see you around, Miss Aguilar,” she simply says before leaving, and Kyne’s stare stays glued to the door.
When Priyanka returns, much later and with a very visible frown in her face, Kyne doesn’t mention her encounter with Kiara, because she doesn’t find it relevant when her friend is complaining about her professionalism being questioned by one silly mistake.
When the day is over, Kyne is just making her way to the parking lot to meet Priyanka when she runs into Kiara again. She’s walking with her dad, and it makes Kyne straighten her back and avoid looking directly at him. She mutters a good night sir as she passes by their side instead, and she’d swear neither he nor Kiara listened, but she nods politely and says a have a good night that echoes in the otherwise silent hallway.
She’s not sure why, but she barely pays attention to Priyanka’s rant about her day, answering with non-committal sounds, as her mind drifted off and replayed the brief moment she’d spent with Kiara.
Yeah, Kyne is definitely skeptical about the rumors surrounding Kiara.
***
Kyne quickly gets used to her routine at the company.
She’s always been good at math and numbers, so being an accountant was one of her first options going into college, though she would’ve been as happy getting an overall degree in math and teaching children.
Her job as an accountant isn’t as dull as she would’ve imagined, though; she’s the one that everyone comes for calculating budgets, how much would they earn if they invest on a certain project and all that jazz — all of this means people don’t necessarily see her as interesting, and therefore she never gets involved in any kind of office drama, which she appreciates due to the fact that her friends seem to be a walking target for drama worth of High School girls.
Priyanka was the one that introduced her to Scarlett and Bo, and though Kyne appreciates their friendship, she has to admit they’re a little bit messy. Just a little. Scarlett and Bo know everyone’s business at the office, primarily because Scarlett sleeps around more than they’ll ever admit to, and Bo is able to charm her way through people’s most pettiest complains about other co-workers. Oh, and Priyanka is there to de-escalate situations that come back to bite the pair in the ass.
So, overall, work isn’t monotonous at all; she has her friends that always have some sort of gossip to tell her — and there’s also Kiara.
Kiara started working full-time at the company shortly after she graduated from college, just one year after Kyne. This meant she saw her a lot more frequently, instead of sporadically running into her at the hallways once or twice a week — now, it’d be a pretty weird day if she didn’t see Kiara around, talking to people, collecting reports and having meetings with other important members of the company.
They didn’t talk much, though, only exchanging words when Kiara came to collect reports at Kyne’s office and they did small talk for a moment before Kiara went on with her day. Sometimes they’d greet each other if they happened to bump into the other at the end or beginning of the day. It was a cordial enough relationship.
That was until one day she comes to her office unprompted, asking her to follow the flow if her secretary, Lena, appears by looking for her.
“She’s more of an assistant that a secretary, you know? But she can be a bit too overbearing sometimes, though I’m sure I would have to blame my dad for that, he was the one that hired her for me,” Kiara rants, and Kyne just lets her, looking up from her reports from time to time to let her know she’s listening.
She’s pretty sure that this is the first time she’s exchanged more than a few words with Kiara, and there’s some sort of excitement — and a little bit of intimidation — bubbling up in her stomach.
“I mean, you’re the boss of the boss of my boss; if anything, you could just tell her to chill or you’ll fire her. That should calm her,” Kyne suggests, and she’d like to believe her deadpan delivery is what causes Kiara to giggle. 
She feels a tad of pride in herself for making Kiara laugh.
“I would, but I’m not that mean — and she’d tell my dad, anyway,” she jokes with a shrug, and Kyne chuckles. “I have to go, I have a meeting to attend, but thank you for letting me hide here.” Kiara winks at her, and Kyne tries to ignore the weird flutter of her heart.
“You’re welcome to hide here any time, miss Schatzi,” she says earnestly, smiling up at her. Kiara hesitantly turns to look at her.
“You know what? Just call me Kiara.” She smiles back, and all Kyne can do is nod dumbly.
Kiara leaves and Kyne goes back to work, until it’s time for her lunch break, when Priyanka, Bo and Scarlett barge into her office and oblige her to accompany them to this new restaurant that opened two streets away. 
She passes by Kiara in the hallways, and Lena is talking her ear off. Kyne catches Kiara’s glance and she shoots her a smile, Kiara returns it in the form of an eye roll as she briefly looks towards Lena and then back at her, a sneaky smile creeping on her face.
Kyne snorts, trying to focus on the ongoing conversation between her friends, but, much like the first time they met, Kiara doesn’t leave her mind for the rest of the day.
If her friends notice she’s like a deer in the headlights, they don’t bring it up, choosing to instead poke fun at Scarlett for struggling to get Ilona from Human Resources to text them back.
***
It’s becoming a common occurrence for Kiara to hide in Kyne’s office. Kyne’s not sure if Kiara should do that as often as she does, but she supposes she’s allowed to since she’s the daughter of the owner — Kiara gets away with a lot of things she wouldn’t get away with had she been someone else.
Such as interrupting in Kyne’s office in the middle of the day, because otherwise she’ll snap at the wrong people, and she doesn’t want that. Kyne doesn’t really mind, if anything, she’ll gladly let Kiara crash at her office if it means she’s doing the company a favor. Besides, she enjoys her company. Kiara is funny, kind and interesting in so many ways; there’s also the fact that sometimes Kiara brings her sweets to compensate for using her as a couch therapist, which is definitely a bonus in Kyne’s books.
It all makes her wonder what did Kiara do to not be so well-liked among the employees, because Kyne really likes her — as a friend, obviously.
Her other friends, such as Priyanka, Scarlett and Bo —but mostly Priyanka— are always asking her why does the daughter of their boss spend so much time with her, especially during work hours, and Kyne just shrugs and gives vague excuses. She won’t tell anyone Kiara talks shit about the other CEOs like it’s her actual job, she’s not a snitch.
Scarlett likes to joke that Kiara has a crush on her and Kyne should take advantage of that, seduce her and get all her money. Kyne just doesn’t pay attention to them, and flat out denies such thing being a possibility. Because not even in ten lives Kiara would like her like that for more than obvious reasons.
“You don’t give yourself enough credit, Kyne,” Scarlett says one day, on their way to the parking lot. “Like, your flirting is shit, but you’re not that bad looking,” they tease, earning a few chuckles from the girls and an eye roll from Kyne at that.
“Says the one that still can’t get Ilona Verley to go out with them,” Kyne quips back, intelligently derailing the conversation thanks to Scarlett going on a tangent about how they don’t care if Ilona texts them back or not, and how they’re water under the bridge.
Kyne just brushes off her friends’ constant teasing, and doesn’t really bring it up to Kiara, because why would she? It’s just playful nagging, and she doubts anyone else gives two craps about what Kyne does and not.
Well, so she thought.
Kiara comes to her office one day, and nothing seems strange, not even when she settles a cup of coffee in her desk and offers her a bagel. She figures it’s just Kiara thanking her for never complaining when she comes to her for venting.
“Do you have plans on Saturday?” She asks out of the blue, and Kyne cocks a brow, taking a sip from her coffee. She shakes her head no, and Kiara bites her lower lip. “So, uh, the charity ball is on Saturday, I think you know that. And I’m fairly sure you’ve heard the rumors--”
“Wait, what? What rumors?” Kyne cuts her off, knitting her brows in a frown and staring at Kiara, who looks absolutely mortified.
“Oh, no, you have no idea, do you?” She asks, and Kyne can swear this is the first time she’s seen Kiara blush. She looks cute with her cheeks crimson red, actually; it’s a nice change from the poised woman she’s come to know.
“Of what?” Kyne presses, trying to not get distracted by Kiara.
Kiara proceeds to tell her through gritted teeth how many people at the company think they’re dating — apparently her constant visits to Kyne’s office had caused some eyebrows to raise their way. Kiara never bothered to say anything about those rumors, because as the future owner of the company she shouldn’t dignify cheap office gossip with an answer, but then shit hit the fan when the rumors ended up arriving to her father’s ears, and now he expected Kiara to bring her alleged girlfriend to the charity ball.
Kyne sits still at her chair, owlishly blinking at Kiara for a moment too long. She tilts her head, waiting for Kiara to say it’s all a joke and she just wants her to calculate something for her.
But that doesn’t happen, and Kiara just silently stares back.
“That would explain the looks Susan from customer support gives me when I pass from her office on my way to get lunch,” Kyne muses absentmindedly. In fact, if she thinks about it for more than a second, it makes a whole lot of sense. Now she gets why Jenna from the architecture team went on a tangent about how much she hates people that sleep with their bosses for a raise whenever Kyne was around, raising her voice a tad too loud so everyone would hear.
No wonder why one time Priyanka scolded her for not interacting more with their co-workers, saying she’d benefit by being up to date with the office gossip.
“Have you thought of telling your father it was all a misunderstanding?” She proceeds after a few moments, and Kiara shrugs.
“He was excited that I was finally going out with someone, and I didn’t want to ruin his happiness,” she explains, and Kyne cocks a brow. She always assumed Kiara was constantly dating people — with how gorgeous she is, it didn’t seem that much of a stretch.
Kyne thinks it through for an entire minute, and comes to the conclusion that though it is definitely a bad idea (lies have short legs, they say), there’s something that drives her to say yes. It might just be that she’ll never get to be with a pretty girl like Kiara ever again, fake or not, so she decides to bite the bullet.
“If I don’t get a raise after this, I’m going to work for your rival company and sell them all your corporative secrets,” Kyne deadpans, and it takes Kiara a full minute to understand that is Kyne’s way of accepting to be her fake girlfriend for the charity ball.
Kiara lets out a sigh of relief, slouching in her chair and thanking Kyne profusely, promising to take her shopping on Friday to find a dress for the charity ball. Kyne jokingly says she’ll suck the money out of Kiara’s credit card if given the opportunity.
“As if that was possible, darling.” She winks at her, and something inside Kyne twitches. “I gotta go, but I’ll text you later to sort this out.”
“Wait,” she interrupts her again, before she leaves. “How do you have my number?”
Kiara smiles mischievously, and Kyne mentally goes over what she ate today, because her stomach twitches again.
“I have my ways of finding out things,” Kiara says, winking one last time before she exits Kyne’s office.
Once she’s alone, Kyne wonders out loud what the fuck had she messed herself into.
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