#gu yong ha

[vergoftowels]

Looking for Hanbok Resources

Hi Tumblr! I'm a clueless white girl who is looking for reputable and accurate clothing resources for hanbok, specifically Joseon-era men's hanbok - from the gat to the shoes. Although I've done some Googling, I'm having trouble finding anything like a clothing encyclopedia that names the different garments and shows their structure.

A resource that has illustrations like this jeogori drawing (sourced from TheKoreanInMe) but for all the different garments would be really helpful!

I mainly want to broaden my knowledge, as I recently rewatched an old Kdrama I fell in love with in college (Sungkyunkwan Scandal) and realized my base understanding of hanbok was very poor. I'd also like to make a doll of my blorbo (it's Gu Yong-ha!), and I want to be as accurate as I can in the medium of crochet. Like a nerd.

Like... how is the manggeon fastened and does it overlap in the back? What kind of outer jacket is the gold garment (I know there are different sleeve lengths, from sleeveless to full sleeves) and is the purple garment the jeogori here? When is it acceptable for the undergarments/undershirt to be visible (if ever)? What about different belts? They do spend a lot of time dressing and undressing in this drama, so maybe I should watch it again lol

I know that drama clothing is not always entirely historically accurate, but I hate not knowing things! Any resources would help, but English-language labeling is a huge plus. If you have book or pattern recommendations, I will definitely take them, even if they are not online free.

[nubreed73]

I LOVE HIMMMMMMMM

A fresh sjk for a fresh morning

[delirious-dove]

the NHS to Xingqiu stan pipeline is so real... tho I started even further back with gu yong ha from sungkyunkwan scandal as my porn-wielding dandy gateway drug 😔

OMG ME TOO? are you me from another dimension or something?

[tavina-writes]

due to answering the ask I just got, I was reminded again of Gu Long's "On Wuxia" essay, translated here on Wuxia Wanderings which is a really fantastic resource by the way!

More specifically, the passage where Gu Long writes about Jin Yong (both of them tremendous greats in the wuxia genre btw) is just so...kind. There's something so wonderful about the way he talks about how he feels about the genre as well as Jin Yong himself.

I was initially reluctant to talk about contemporary wuxia authors, but I can make an exception for Jin Yong. Because his influence on this generation of wuxia fiction is unmatched, and for the past eighteen years or so, no matter what author you take, all of them have been influenced by him to some degree. He merged together the strengths of each major author and school, and not just from wuxia fiction, but also from classical Chinese literature and modern Western literature. in order to create his own unique style that is succinct, tidy, and lively! His novels are tightly plotted, large in scope, yet the endings match up with the openings, and the characters within are lifelike and vividly portrayed.

[....]

Most importantly, he created the current style of wuxia fiction that almost no one has been able to surmount.

[...]

When I myself first began writing wuxia novels, I was basically just imitating Mr. Jin Yong. Ten years of writing later, when I was writing The Sword and Exquisteness and Legendary Siblings, I was still imitating Mr. Jin Yong. I believe there are many wuxia authors in the same situation as me. On this point, Mr. Jin Yong certainly deserves to feel proud.

I'm not entirely sure I have a meta essay about this, just thinking about the way that like, even someone like Gu Long who was also truly one of the wuxia greats of all time, had such admiration for Jin Yong and his work, and how so much of the time in fandom when I've talked about it people don't know his work really well! They might love MDZS or erha or works that have come after, but we all stand on the shoulders of giants in many ways.

I also remember something a friend commented when we were on the thread on spcnet.tv forums mourning Mr. Jin Yong's passing in 2018, that's really stuck with me and that's the line of "I feel like, in [his] stories, the women are always braver." and maybe that's what I was thinking of when looking up this essay due to the ask I just answered.

[nubreed73]

I have not gotten to this episode yet but this is some Liaodong is the last place you're going alone bullshit and I am NOT READY FOR THIS ;;

FUCK

the gays in sungkyunkwan scandal are SOOOOOOOOOOOOO special to me. what if we were boy best friends of ten years. what if i knew that you were the capitols vigilante because of your handwriting and never told you. what if i shoved my attraction for you back into my ribcage because we cant be together. what if i wiped the blood off of your body. its rotten work. etc etc. they make me craaaaaaaazy insane……

[dykealloy]

Rec list please ✍️🏻

(with tropes and just a smidge of reason why the media is recommended <- both very optional of course)

oh boy. okay. Confession time, I've watched a ridiculous number of shows out of east Asia so this is a good opportunity to share some faves from recent memory. If there's going to be one running through-line with these recs it's that I love character-driven narratives which explore interesting interpersonal relationships (socio-cultural commentary is a plus).

In no ranked order, here's my top ten:

Hamster running the emotional gamut wheel (well-written stories about grief, closure and family)

Move to Heaven (2021) Korea, 10 episodes, Netflix Summary: Han Geu-ru is an autistic 20-year-old who works for his father’s business “Move To Heaven”, a company that specializes in crime scene cleanup, where they collect and arrange items left by the deceased and deliver them to the bereaved family. When Geu-ru's father dies, his guardianship passes to his uncle, ex-convict and underground MMA fighter Cho Sang-gu. Per the father's will, Sang-gu must care for and work with Geu-ru for three months to gain full guardianship and claim the inheritance. Eying money, Sang-gu agrees to the conditions and moves in.

This show knows exactly what it is and executes with excellent writing and characterisation. While it does have an overarching narrative, Move to Heaven is structured so that you're exploring a different person's story each episode, so it has a lot of flexibility to explore themes of grief and closure through different lives and relationships, and when I tell you this show can hit emotional beats... (<- may or may not have cried through most episodes on my first watch-through. Emotional terrorism). These stories are really beautifully portrayed and though there are effective comedic beats, there's this clear authenticity in not needing to undercut or distance oneself from the vulnerability of the subject matter.

Geu-ru and his uncle (Sang-gu) add a lot of needed levity, with Geu-ru's need for consistent, structured, methodical routines constantly clashing with Sang-gu's chaotic and combative approach to life. Sang-gu's character arc (though predictable) is just so satisfying. It's kinda hilarious seeing Geu-ru (and his father by extension) inadvertently poke more and more holes in Sang-gu's initial plan of "take the money and run" the deeper he incorporates himself into the space and purpose that his brother once took up, and it's very heartwarming to see these polar opposites slowly develop a respect and appreciation for one another.

Tropes: reluctant to responsible parental figure, tear-jerker

Oh No! Here Comes Trouble (2023) Taiwan, 12 episodes, GTV and iQIYI Summary: Pu Yi-yong was a typical 17-year-old student with a passion for drawing and a hereditary talent for calligraphy. After he wakes up from a bus accident that claimed his father's life and left him in a coma for two years, a 19-year-old Yi-yong must now find his place in the world again. This becomes more complicated when spirits begin approaching him and asking for his help.

This show actually has a lot of similarities to Move to Heaven e.g. exploring different side-stories each episode, focus on victims forgotten by society (the lonely, the homeless, the outcasts and the minorities), themes of grief and closure, polar opposite characters learning to work together, breaking me emotionally at some point. But Oh No! Here Comes Trouble differs in tone (distinct directing style), quirky humour (Taiwanese comedic style is just different and I love it in this show) and presentation (urban fantasy/mystery).

Yi-yong might be one of my all time favourite characters in media. From the outset he presents as this classic, one-dimensional, grumpy delinquent teen (e.g. resting-bitch-face syndrome, scrappy mullet, academically behind, no social grace and a tendency to accidentally hit people in the face with softballs). As fun as that is, the more you watch, the more this show challenges these assumptions. Yi-yong's mum (also an A+ character, god I love her) is a hairdresser, and often uses Yi-yong as her stylistic guinea pig. Yi-yong's not super intelligent, but he's compassionate (albeit at times reluctantly so). He really listens when people talk to him, whether they're trying to comfort him, give him advice, or asking him for assistance (though he often questions and expresses frustrations about his own ability to help other people). There's a humble gentleness to him.

Yi-yong was already struggling to juggle his dreams of becoming a comic artist with the practicalities of his life before he fell into a coma, then he woke up two years later, having completely missed the perceived "pivotal juncture" associated with the transition from youth to adulthood. Time moved on, and so have his peers, leaving an almost 20-year-old Yi-yong lost at sea with no paddle, no map and grieving the loss of his father. And now he has supernatural beings approaching him and insisting that he is the key to settling their unfinished business. To Yi-yong (and to popular east-asian social standards), Yi-yong is a loser. He's academically unintelligent, has no clear aspirations or discipline or future prospects, his family is far from wealthy, he's got zero social status, smarts or rank. Yi-yong is just as much of a forgotten outcast to society as these spirits are.

He does eventually get assistance in the form of Chen Chuying - a junior police officer (helping substantially with the mystery investigation side of things) and Cao Guangyan - former one-sided rival schoolmate and current med student who coincidentally moves next door (initially maintains the outsider perspective of Yi-yong as a hooligan until they get to know each other a little better, by which point Guangyan is already helping Yi-yong get back on his feet) who form a very well-rounded, loveable cast.

I wish I could talk more about this show, I am very fond of it. Please do watch it and if anyone wants to discuss it my dms are open.

Tropes: ragtag trio of idiots, urban fantasy, mystery, tear-jerker, reluctant hero

Get your pussy up get your money up (life is giving lemons and survival is the name of the game)

Honourable mentions here: Yeon Sang-ho popped off with Train to Busan in 2016 and South Korea has been throwing bangers into one of my favourite genre pools ever since. If you're interested in more zombie series I would strongly recommend checking out All of Us are Dead (2022), Happiness (2021), Sweet Home (2020) and Kingdom (2019).

A Shop for Killers (2024) Korea, 8 episodes, Netflix Summary: Jeong Ji-An tragically loses her parents as a young girl. Her reserved and mysterious estranged uncle, Jeong Jinman, acts as her sole guardian and care-taker, raising her with tough love and a survivalist mindset until she leaves for university. One day, Jung Ji-An hears that her uncle has suddenly passed away, and returns home, where she learns the truth behind her uncle's business and by extension, her past.

Ji-An is locked inside a building with no communication with the outside world, nowhere to go, and with assassins after her head (not ideal). Unbeknownst to Ji-An though, her late uncle Jinman prepared a thorough defense system for this very event, setting her up with home-terf advantage and a very dangerous fortress against this army.

Ji-An and Jinman's story is told mainly through flashbacks as Ji-An attempts to survive the raid on their home. Their dynamic is definitely a repeat of the stoic, initially cold father-figure type "I am neither your mum or your dad, and I can never be" to the orphan child that we've been seeing more recently of late. I'm not mad about it. It's a good formula. I won't go into the type of person Jinman is, or the nature of his work/business. Going in blind and slowly figuring this out with Ji-An was a big plus in terms of the viewing experience for me.

Tropes: reluctant parental figure, home alone antics

D.P. (2021) Korea, 12 episodes, Netflix Summary: Ahn Junho is enlisted to serve in the South Korean Army as part of his national service obligations. He eventually goes to the Army's Military Police. While getting used to life in the MP, Junho's street smarts lands him in the D.P. (Deserter Pursuit) unit. Junho is assigned with Corporeal Han Hoyeol to capture deserters, revealing the painful reality endured by each enlistee during their compulsory duty.

imo D.P.'s is at its most enjoyable when Junho and Hoyeol are working as detectives with limited time and resources. Hoyeol's presence especially adds needed levity. He's like the show's own eccentric little court jester (at least until season 2, where he becomes the show's own tortured little court jester). You don't know how much you're missing Hanyeol until he shows up and you're finally given some space to breathe.

This show's gotten a lot of praise for its realistic social commentary around the vicious cycle of bullying, hazing practices, corruption and abuse within the South Korean military. It's well written and fast-paced, and it definitely doesn't pull its punches. I probably wouldn't recommend this show were it not for the quality of its writing, its ability to balance the depressing subject matter with pockets of dark comedy and everyone's favourite dynamic duo Junho and Han Hoyeol. All the content warnings for this one.

Tropes: ptsd, abuse, brotherhood, idk man straight up not having a good time

Weak Hero Class (2022) Korea, 8 episodes, Viki Summary: Straight-A student and loner Yoon Sieun utilizes his wits and tools to defend himself from a boys school full of shit-heads. He slowly warms up to Ahn Sooho, the school's strongest fighter, and Oh Beomseuk, the new transfer Student.

Sieun is here to answer the age-old philosophical question: "Aren't you tired of being nice? Don't you just want to go apeshit?" Even though Sieun is physically lacking, he's very capable of baring his teeth and using his smarts to fight like hell. It's so cathartic to finally see a short, weak, bullied protagonist willing to go violently feral upon provocation.

This show's tone can get pretty dark and surprisingly violent. The true core behind why a lot of people love this show is Sieun and Sooho's friendship. Sieun starts off as a grumpy, glaring, withdrawn hermit with no interest in anything that isn't studying (honestly idk how Sieun keeps finding himself in these situations like. All the kid ever wanted was to hit the books). I won't spoil too much, but watching as Sooho slowly peels away that protective shell Sieun encases around himself is a thing of beauty. I strongly recommend you give the first episode a go (free on youtube).

Tropes: angst, bromance, badass bookworm, adults are useless, abusive parents

Detectives smashing you over the head repeatedly with gay subtext (not explicitly gay but if you have a brain and any semblance of a gaydar that thing is going to be going off like a geiger counter next to the elephant foot)

The Devil judge (2021) Korea, 16 episodes, Netflix and Viki Summary: Set in a dystopian version of present-day South Korea, the world is bereft of law and order and the court justice process has become like a reality tv show. Head Trial Judge Kang Yohan mercilessly punishes the guilty and corrupt, earning him the "Devil Judge" monicker. As bitter rivalry takes shape between Yohan and the highly ambitious Jung Sun-ah, who has risen from poverty to become a corporate social responsibility foundation director. Into this turbulent world enter two childhood friends on a mission for true justice and determined to discover the secret Yohan is hiding: rookie judge Kim Gaon and detective Yoon Su-hyun.

The Devil Judge tackles the concept of the anti-hero (battling evil with evil) and questions why these figures are idolized by the public. It also challenges the naive faith in the rule of law and whether or not the established systems should be upheld or not. The screenwriter has however made it very clear that he focused way more on the relationship between the characters than conveying his own message and boy oh boy is that reflected in whatever Yohan and Gaon have got going on (serious come-hither eyes, gratuitous physical touch, themes of power, justice and corruption, Yohan pressing Gaon up against the nearest hard surface on at least four separate occasions, etc.).

Kang Yohan, the titular anti-hero/main protagonist operates within a failed state and a corrupted judiciary. To a certain extent he knows the self-destructive path he walks is doomed to fail, but to right the system and take revenge, he's on the lookout for a someone that can out him as the Devil and become the messiah that Yohan himself cannot be. It does come off as very "anime" at times (theatrical presentation, tragic backstories, bad writing when it comes to women, naive characters and overly dramatic tone) but hey, if you have very few qualms with that, chances are you're going to have a blast.

Also the OST for this show absolutely fucks. It has no right being this good. Jung Se Rin really popped off. I have Enemy of Truth as a staple in a lot of my playlists.

Tropes: idealist vs jerkass pragmatist, anti-hero/vigilante, whump

The Worst of Evil (2023) Korea, 12 episodes Summary: Set in the 1990s, a former DJ starts selling a new powerful drug. Since the police know little about its origin, rural police officer Park Junmo is assigned to go undercover and infiltrate the criminal empire responsible for the drug trade between Korea, Japan, and China. Junmo later discovers that his wife, Yoo Euijung, also a detective, has volunteered to participate in this dangerous mission and seems to have a past with the underground drug king (and Junmo's boss), Jung Gicheul. The deeper Junmo entrenches himself as Gicheul's subordinate, the more unrecognisable he becomes to those closest to him.

Junmo could have let Gicheul die or slip away like several times in a row, indicates he has zero idea why he does this, then says the line verbatim "I look up to him and I like him and my body follows my heart". What am I supposed to take away from this. This show has everything. Early 90s homoerotic cigarette lighting, sodomy, incredible cinematography, betrayal, close-ups of Junmo's bloody face squished up against Gicheul's thigh. There's some scenes where Junmo is looking at both his wife and Gicheul framed in the same shot like the goddamn camera is daring you to question who he is more jealous of. My biggest complaint is that there was quite literally no need for a wife-stealing plot - the most compelling, messiest gay situationship was right there for the taking.

In episode 9 post-gang war hallway-slaughter, a blood-soaked Junmo hops up onto a table on all fours with a knife between his teeth, locks eyes with Gicheul then proceeds to slash a man's achilles tendon and if you listen closely enough you'll hear me in the background screaming YOU HAVE BECOME HIS DOG. 10/10 watch this show.

Tropes: mafia, undercover, bodyguard, make him worse, devotion and loyalty gone bad gone nuclear, maybe if they fucked nasty about it we wouldnt be in this mess

Beyond evil (2021) would also go here and has similar vibes to the above two, but I personally don't have much to say about it. Unhinged slutty old man, gay stuff going on over there, etc, etc. Citrinekay sums it up nicely here. Guardian (2018) would probably also go here. Definitely check these out if you enjoy/like the sound of these shows.

Lighthearted fun romance (I am not escaping the lesbian fujoshi accusations)

Cherry Magic (2020) Japan, 12 episodes Summary: Adachi is a salaryman with low confidence and a tendency for self-deprecation, resulting in him often acting awkward around others, not being sure how to assert himself in the workplace, and constantly comparing himself to the company's golden boy - Kurosawa. Things become further complicated when Adachi finds out after his thirtieth birthday that he has suddenly gained the magical power to hear people's thoughts if he touches them. Adachi struggles with his newfound touch telepathy when he accidentally discovers Kurosawa is in love with him.

Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? (Yes that is the full title, Japan you are killing me) is very sweet and wholesome and the humour hits and I believe in Kurosawa Yuichi supremacy. I know self-deprecating characters can be a downer for some people but Adachi comes off as very relatable and seeing him slowly gain more confidence in himself and his abilities is heartwarming. Great serotonin-booster. If you find this show's premise interesting there's a high likelihood you will enjoy it.

I didn't care so much for the second couple but if you're like me it's easy to skip through these scenes (you won't be missing anything).

Tropes: office romance, telepathy, pining

Semantic Error (2022) Korea, 8 episodes, Viki and Netflix (region-dependent) Summary: Cho Sangwoo is the epitome of an inflexible and strict rule-abiding person. When talented graphic design major Jaeyoung discovers Sangwoo is the cause for his delayed university graduation, he sets out to take revenge (by becoming Sangwoo's biggest, brightest daily annoyance). Jaeyoung finds himself in hot water when he inadvertently develops a crush, and junior computer science major Sangwoo is about to encounter some serious errors in his usual programming.

This is a classic polar opposites attract story, with Jaeyoung the loud, extroverted, brash foil to Sangwoo's reserved, withdrawn, morally black-and-white, logic-first persona. As much fun as it is to see Sangwoo's ordered world thrown into chaos, it's equally enjoyable to witness Jaeyoung jump from being obsessively committed to annoying Sangwoo, to being whipped for him (and the subsequent difficulties this causes for Jaeyoung - a popular, attractive, talented, bi artist used to getting his way - in trying to pursue a highly irritated and emotionally closed-off Sangwoo, who is being challenged with a side of himself he hasn't had to grapple with up until now). Also Jaeyoung has an incredibly hot lesbian best friend which was great. for me specifically.

An entertaining, cohesive story with great actors who have fantastic chemistry. What more can you ask for?

Tropes: enemies to lovers, opposites attract, university, pulling pigtails

Old Fashion Cupcake (2022) Japan, 5 episodes Summary: At the critical juncture of a mid-life crisis, Nozue, a 39-year-old office worker, is stuck in the dull, mundane grind of wake, work, sleep. But due to his age, he's convinced he's well past the point he can take risks by trying something new. As such, he continues to decline promotions at his job and romantic advances from potential partners. He confides one day in his 29-year-old subordinate, Togawa, making an off-hand comment about a desire to be like a young girl - capable of feeling excitement and joy in life again. In an attempt to inspire him to move forward, Togawa suggests an "anti-aging experiment" and the two of them go on a journey together to help Nozue feel young again.

First things first - a large portion of Togawa's proposed "ant-aging technique" involves frequenting dessert cafes and restaurants that are catered towards a younger female demographic and fuck me the food in this show always looks so goddamn good.

The boss/employee thing might turn people away from giving this a shot but what I really love about this show is that despite being Nozue's subordinate (and younger than him - which is a bigger deal in Japan), Togawa is extremely blunt and unafraid to tell Nozue exactly what he thinks (so long as Togawa believes it will ultimately benefit Nozue in the long run), and it's very clear that he does this because he has a strong sense of respect for Nozue (and because spoilers - Togawa is so down bad for his boss like okay boy DAMN. Go get your esoteric old man). This show is also great at conveying emotion and inner conflict without dialogue (I've enjoyed coming back for a re-watch and picking up on little nuisances in Togawa and Nozue's behaviour that I missed the first time around).

Overall this is a very cute, very wholesome coming of age/queerness story that reminds you that it's never too late to pursue what interests you, try something new, and enjoy life while you're at it.

Tropes: fingers in his mouth friday, pining, age gap, office romance, food as a love language

That's it! If you want more recs from a genre hit up my inbox, I had a fun time pulling this together and have many more in the chamber where that came from.

[theresattrpgforthat]

Hi! This request was easier to search for, so I see you’ve recommended Hearts of Wulin and Ten Thousand Days for the Sword. Do you have any other wuxia or xianxia game recs?

Have a good day!

THEME: Wuxia Games.

Hello friend, I'm certainly not an expert, but after reaching out to some more knowledgeable folks, I think I have a few!

Jiangshi: Blood in the Banquet Hall, by Wet Ink Games.

This is a collaborative, storytelling RPG about a Chinese family making their living by running a restaurant in one of America’s Chinatowns, circa 1920. Despite societal backlash and anti-Chinese laws, they have turned a profit and their quality of life has recently improved.

Night, however, brings a new terror.

Players take on the roles of members of the Chinese family (mostly from Guangdong province), spanning three generations, who face threats of jiangshi (hopping vampires) at night and racism by day. It has players balancing the responsibility of maintaining their family business with protecting themselves and their community from the dreaded Jiangshi. This is primarily a game about storytelling. Combat is limited, but horror, drama and sometimes comedy are the primary vehicles for driving the game forward.

This game draws quite a bit from boardgaming elements, so I think this one is best played around a physical table, especially since it requires a custom deck of cards. You’ll use these cards to represent the demands of running a restaurant in the day, as well as fighting of a vampire at night. This game is probably on the borders of what I think is considered wuxia, but if you have a horror lover in your group, this might be worth checking out.

Exalted, by Onyx Path Games.

This is the tale of a forgotten age before the seas were bent, when the world was flat and floated atop a sea of chaos. This is the tale of a decadent empire raised up on the bones of the fallen Golden Age, whose splendor it faintly echoed but could not match. This is a tale of primal frontiers, of the restless dead, of jeweled cities ruled openly by spirits in defiance of Heaven’s law. This is a tale of glorious heroes blessed by the gods, and of their passions and the wars they waged in the final era of legends.

Exalted has a number of different sources, only one of which feels close to wuxia, but the stories are certainly expected to give you long, sweeping epics and larger-than-life characters. There are many different kinds of Exalted, including Solars, Lunars, and Dragon-Blooded. Since I’m not a wuxia connoisseur myself, I’m not entirely sure how close Exalted comes to hitting the mark - I’m mostly recommending it because it came up connected to some other wuxia fantasy games when I was doing some searching.

Jiang Hu, by wum1ng.

Jiang Hu is a role-playing game for the wuxia genre. Drawing inspiration from wuxia novels written by luminaries such as Jin Yong and Gu Long, the Feng Yun comics from Ma Rong Chen and the multitude of wuxia movies and television series, this game brings the world of dashing swordsmen, warrior monks, brawling beggars and high-flying stunts to your tabletop. 

Players take on the role of Martial Artists fighting against various threats to the lands of Jiang Hu, ranging from evil sect leaders who have mastered forbidden secret martial arts techniques to megalomaniacs seeking to take over the Imperial Throne by force and the blood of countless innocents.

The Worlds Without Number series by Kevin Crawford has its praises sung by many people, especially folks in the OSR scene, and that is the bones that this game is built on. Your character is built from quite a list of skills, which are differentiated between Combat and Non-Combat. You also have a number of secondary attributes, for things such as Armour Class, Evasion, and Luck, as well as a dedicated space on your character sheet for weapons and martial arts. Expect combat to to take up a bulk of your time!

When you roll for your character background, you also get a significant life event that is expected to shape your character’s past, such as having a loved one murdered, or falling into serious debt. Out of all of the games listed here, I think this game is the closest to D&D, what with the “packages” of skills, items and abilities attached to each background.

The Oath, by brushmen.

"We seek not to be born on the same day, but hope to die on the same day." And with such an oath, Yong, Li, and Ming swore loyalty to each other.

When earthly desires tempt them, and devotions threaten to tear them apart, with or without a hand from uncaring fate…

will their oath endure?

The Oath is a collaborative storytelling game for one Game Moderator and three players.

This is meant to be a one-shot, which borrows the Entanglements system from Hearts of Wulin and the character Keys and Tags from Lady Blackbird. Since this game comes with characters already pre-written, it would probably be very good for groups who have very little time, or who want an easy on-ramp to games or the wuxia genre. I like the fact that the Keys give you prompts and directions for your character’s behaviour; it’s strong statement on how the author interprets the genre, but it still gives you, the player, a choice on what elements of your character will be emphasized, and what elements will take up the background.

brushmen also has another wuxia Lady Blackbird hack called The Escort, about recovering from a violent robbery, this one for four players and one GM.

Four Swords, by ehronlime.

This is a tabletop roleplaying game about being young heroes in a wuxia story, made for the #AsianMartialArtsJam.

You start with your First Sword, which you use to challenge other heroes and villains and strive for mastery.

You will then gain three more Swords: the Second a sword of great pride and regret, the Third a sword of mastery and expression, and the Fourth a sword which is no sword.

You will also struggle between the obligations put upon your by others and what you truly desire from the life of a wandering hero.

Four Swords really zeroes in on the combat mastery part of wuxia fantasy. Your characters will grow into mastery, and battle with rigid codes and rules that structure the world you live in. The game is very descriptive, leaving you with only 4 abilities that are meant to broadly encompass what you are able to do. The game encourages characters to interfere with each-other using a mechanic called Vows, and levelling up gives you access to different techniques, which reinforce the competence of your characters as well as the rigid guidelines by which they might improve.

This game was made for the Asian Martial Arts by Asian Creators Game Jam, so you might find some more wuxi-themed games there!

Blades of the Immortals, by Jagganoth.

Blades of the Immortals is a tabletop roleplaying game inspired by xiānxiá. It uses the Forged in the Dark rules engine developed by John Harper, as seen in games like Blades in the Dark and Beam Saber.

In Blades of the Immortals, you will take on the roles of cultivators, striving for your own ambitions, for the glory of your sect, and for the ultimate prize —  immortality. You'll viciously struggle for scarce resources, compete for the patronage of powerful and influential teachers, gather allies to your banner, and scheme against your enemies. Your cultivators will wield mystical treasures and supernatural spell-arts, mastering the very laws of the cosmos as their weapons, as they become entangled in centuries-long vendettas between deathless wizard-kings.

This game is solidly focused on supernatural abilities and grand increases in strength. You choose from one of 9 different playbooks, and collaboratively create a faction that binds you all together. The sources listed as inspirations for this game include (but are not limited to) Grandmaster of Demonic Cultivation, Forge of Destiny, Aspiring to the Immortal Path, and Journey to the West.

Compared to other Blades hacks, this game reduces the standard number of action ratings, ties character growth to a change in your character’s beliefs, and separates your gear from your playbook. Characters can also level up through Realms, which increases your effectiveness and upgrades your inventory.

Mist-Robed Gate, by Shreyas & Elizabeth Sampat.

There are some things that we value more than life.

There are things we're willing to scheme and cry and fight and die for.

That's what wuxia cinema is about— fighting and dying for the things we care about. That's what Mist-Robed Gate is about.

Mist-Robed Gate comes with a full list of movie recommendations, but includes Crouching Tiger, Hidden Dragon and House of Flying Daggers as key influences. I really like the fact that a key mechanic of this game includes stabbing your character sheet with a knife.

Players create factions first, and then take turns creating characters that represent those factions, with elements that represent the hero’s distinctive personality and style. Players also create the different locations that will serve as the stage for your scenes. Play happens over a series of scenes, as their characters push and pull against each-other, sometimes even making terrible demands (which is where the Knife comes in). If you want a game that has a lot of politics in the terms of actions having large ramifications over big groups of people, and if you want a game that is extremely dramatic, you might want to check out Mist-Robed Gate.

[asksythe]

MXTX Interview with Risa Wataya for Subaru Magazine P.7

Which creative works influence you: 

Risa: Please tell us which creative works influence you. 

Moxiang: Professor Jin Yong's wuxia novels (*)! Professor Jin Yong is my number one teacher in the craft of writing. His skill in crafting wuxia stories, his artistic palate, the sheer intellectual depth and philosophical complexity of his stories and characters. Professor Jin Yong's wuxia novels have a profound and immeasurable influence on all modern Asian creative professionals. 

(*: the legendary late professor Jin Yong. He's not as well-known in English-speaking spheres due to the complexity of his works being very difficult to translate to languages outside of the Sino-Tibetan language family. But in Asia, he's a literature titan. He's comparable to Tolkien in that he laid the foundation and codified the tropes of wuxia as a modern genre (alongside Gu Long and Liang Yusheng) and brought about the first and subsequent wuxia waves, and that there's also university courses and entire research field on Jin-Yong-ology. However, he's a much more prolific writer, having produced 15 wuxia series, among which 14 are of comparable length or longer than the Lord of the Rings and The Hobbit combined. 

It would be no lie to say there's not a single creative professional in Asia that is not influenced by Jin Yong in some way, shape, or form. 

One of Jin Yong's trademarks is the overwhelming, often obsessive, sometimes destructive love that his characters exhibit. There's not one work of his that is not threaded through with larger-than-life romance, not just among the protagonists, but also among the villain characters. The trend of modern Chinese literature, especially wuxia and xianxia, to portray larger-than-life romance can be traced directly to Jin Yong's influence. 

Interestingly, he's also credited as having accidentally created the proto icon of danmei as a genre. 

I'm sorry. I'm so excited I want to cry. Professor Jin Yong is also my first teacher in the craft of writing. It turns out we all step in the footsteps of the giant, huh, Moxiang?) 

I also watch a lot of 90s Hongkong movies. Do you know "Shaolin Soccer'?  

Risa: I do know! 

Moxiang: Stephen Chow's comedy movies, Tsui Hark's wuxia, and fantasy horror movies. Lam Ching-ying's walking corpse movies. I love all of these. 

Risa: That's closer to jiangshi (*) than modern zombies.

(*: a type of Chinese walking corpse. The name literally translates to stiff corpse. Jiangshi is typically translated into Chinese hopping vampire in English due to their similarity to Western vampires. They are the dead that comes back to life. They suck yang energy from living people. They fear the smell of garlic. Etc... Jiangshi has real-life basis in an extinct profession in China: the corpse walker, i.e., people who made a living out of 'walking' corpses back to their home provinces in times of war and chaos. Corpse walkers are mentioned in Liao Yiwu's historical book 'The Corpse Walker') 

Moxiang: That's right. That's right. A hopping jiangshi. I watch a lot of such movies. Some movies are from before I was born, such as 'A Chinese Ghost Story' and 'Sword Man' (*). I have watched them more than ten times! If I meet someone who has never watched those movies before, I will enthusiastically drag them along while saying, "Let's watch them together!" My novel bears obvious and immense influence from these movies... For example, the funny scenes in my story are very close to the atmosphere of comedy scenes from Hongkong cinema. Or the walking corpses in my story. My inspiration came from these undead corpses. In the novel, I mentioned using glutinous rice as a cure for corpse powder. This knowledge came from the movie "Professor Jiangshi" (named 'Mr. Vampire' in English in the Wikipedia).

(*: Both of these movies are Tsui Hark's movies and are counted among the top 100 best movies of Asian cinema. They are known for their fantasy elements, eroticism, and homoeroticism. These movies came from a time where Asian cinema was pushing boundaries left, right, and center. Swordsman and its spin-off were adapted from Professor Jin Yong's The Smiling Proud Wander. The very same work in which he accidentally created the proto-icon of danmei. I wrote an essay about this as part of danmei history last year. I will make a separate post after this.)

Risa: To be honest, when I reached the part where glutinous rice was used to cure corpse powder in 'Mo Dao Zu Shi,' I was moved.

Moxiang: Ah? A Japanese author saw the glutinous rice scene in my novel and linked it to jiangshi movies... That is so surprising! 

Risa: When I was young, I watched a lot of jiangshi movies. I love them! 

Moxiang: I feel increasingly close to Ms. Risa now. As for other foreign literature, Emily Bronte's 'Wuthering Heights' greatly influences me. When I read it during elementary school, I was shaking from excitement. Perhaps because of the influence of Wuthering Heights, that whenever I see complex, intertwining love-hate situations, I feel such joy and nostalgia in my heart. 

There's also my favorite childhood mangaka Rumiko Takahashi! This kind of light-hearted, rowdy atmosphere where characters argue and rib each other is so cute! I especially like 'Ranma 1/2'. I think it's the best comedy manga. Other than that, 'Inuyasha' can only be described by the word romantic. Romantic! To this day, Kikyo is still a goddess in my heart. 

Risa: Although 'Ranma 1/2' is a work that features China in it, what do Chinese people think about it? 

Moxiang: The first thought that comes to my head is 'charming!' After that is probably fond familiarity. This work (Ranma 1/2) features many Chinese elements. I feel that the distance between our hearts is lessened.   

To be Continued (The next part will be the last) 

Translator: Sythe / NPD Khanh    

[thegreymoon]

The Story of Minglan

I am so upset about Buwei's death but very curious about what is coming next. Since this is a c-drama and they can't have an immoral Emperor on the throne as an endgame, I suppose that the Yong family is going down one way or another. Let's hope they take the Qi household with them, especially Princess Pingning.

Team Prince Yan!

***

Yawn.

My lack of sympathy for this woman and her whole family cannot be overstated.

***

Did any of you care whether other people lived or died?

Fuck you both.

And the best part is that his stupid ass thought that if he was to whine in front of the Emperor about Minglan, this useless man would grant him the marriage 🤣🤣

***

He has already forgotten that she beat Buwei to death because of him, smh, and they are back to business as usual.

Human lives literally mean nothing to either of them. I wouldn't be able to forgive her if she murdered a pet hamster to hurt me, let alone a whole human being 😡😡

***

Hopefully, he will be lucky enough not to meet you in his next life.

***

Oh, boo-hoo.

How terrible for your mother and you that your delusions of grandeur are just that. Delusions. Classism is hell of a drug.

I hope you get squashed.

***

Do it!! Please! Make my day!!

***

LMAO, WHAT HARMONIOUS RELATIONSHIP?

You have literally had people raped and kidnapped, and very likely murdered. And here you are, threatening to murder more. The cognitive dissonance, I cannot 🤣🤣

***

Oh, yes, your daughter is going to be so happy in this marriage 🙄

Sooooooo happy!! Everything a loving parent would want for their child 🙄🙄

They are all literally insane. Unlimited power and wealth have rotted their brains.

***

That this needs to be spelled out for him is just 🤯🤯

And, like, we don't even go as far as Consort Yong. His own shitty mother could and would do this if he was to somehow elope with Minglan. This is also why there is absolutely no chance the Sheng family would allow this marriage to happen without the Duke and Duchess of Qi fully onboard and Minglan would never do anything that would jeopardise her entire family, such as run off with him without their permission.

***

MTE, Qi Heng, I fully agree with you on this.

Why anyone would bother to even cross the street for your worthless ass, let alone bloody their hands to get you, is very much beyond me.

***

LMAO, YOU ARE A USELESS MOTHER!

He is not a "thing", he is a whole human and you are talking about marriage here, an entwining of lives. How happy is she going to be, married to a man who resents her? Who married her only because you threatened to kill his parents and the woman he loves? Are you serious? OK, I can buy that an endlessly indulged princess will have the brain power and impulse control of a toddler and may not be able to see the full consequences of this, but what is your excuse? Moreover, what is your husband's excuse? All of you have worms for brains.

***

I'VE BEEN SAYING!!

Why must you make me agree with Qi Heng, smh?

Anyway, I can't wait to watch Zhu Yilong in something else. No love for this particular character but he's really fantastic, very subtle and very expressive.

***

Oh, thank god.

Hopefully, now Minglan can let him go and go back to being her usual intelligent self. This doomed side ship has been getting on my last nerve.

***

What the absolute fuck are you talking about, Gu Tingye? I thought you were supposed to be smart and looking out for Minglan!

Yes, please kidnap a fucking Imperial princess and see how well that works out both for the House of Qi and Sheng!

Why is everyone stupid all of a sudden?

***

How is Yuanruo the one speaking common sense all of a sudden?

Gu Tingye, what the fuck is wrong with you?

[mydaylight]

The thing that I appreciate the most about Story of Minglan is how pro-active its female characters are. It’s not just a show meant to highlight the exploitation and vulnerability of women in the context of the Song Dynasty society (although we certainly get to witness that); but one that lets their fierceness and determination and agency shine. It’s so remarkable that the majority of the plots in the show are centred around women and resolved by women. Even when it comes to the case of antagonists like Lin Qinshuang, Xiao Qin-shi, Old Madam Wang, the empress dowager etc, they are imposing figures with complex motivations that contribute to all the important developments. When little Minglan gets orphaned, it’s Hualan’s advice to Wang Ruofu that appeases the Wei family and Old Madam Sheng who steps up to take Minglan under her wing when her own father wouldn’t. When Molan has an affair, it’s up to Wang Ruofu and Old Madam Sheng to take the initiative to speak to the Liang family about a possible marriage. When Gu Tingye proposes marriage to Yu Yanhong, it’s her mother the one who needs to give the final approval and in the end cuts him off. When Qi Heng gets threatened, again it’s Princess Consort Yong pulling the strings. Consort Rong decides to murder the Yong Family (the family of the prince about to inherit the nation, mind you) to get revenge for the rape and death of her younger sister. Shulan’s divorce is negotiated by her own mother and grandmother, and not her father. When Auntie Kang is killed, it’s Old Madam Wang the one going to imperial palace to scheme against Tingye. Minglan gives up on ever expecting her father to give her justice so she steps up and takes extreme measures to get revenge for her mother’s death, and her contribution is what helps Yanran, Shulan, Kang Zhao’er, Zhang Guifen, and finally Old Madam when she gets poisoned. Even Concubine Wei, who always insisted on keeping a low profile, was ready to go to the Kaifeng Court to prove Xiao Die's innocence (so you see where Minglan gets it from). And Lady Bai was ready to divorce her husband and walk away with her children after finding out how she was used. Even that small moment of Mingyue asking to have her family’s slave contracts returned to them so she can escape being forced to become a concubine to a man she doesn’t like is so satisfying to see. It’s just so great to get a show like that that’s not just trying to make a point about the suffering of women, but actually lets its female characters be active participants in their own stories and take control of their lives instead of being subservient to male character, or reducing them to the role of the love interest or a passive sufferer.

[the-monkey-ruler]

Sun Wukong vs. Red Boy (2021) 孙悟空大战红孩儿

Director: Qian Yong Screenwriter: Qi Ling Tong / Six Ling Tong Starring: Eleven Lingtong / Yao Baiqing / Ying Linfeng Genre: Opera Country/Region of Production: Mainland China Language: Mandarin Chinese Date: 2021 (Mainland China) Duration: 86 minutes (Mainland China) Type: Retelling

Summary:

Shaoju "Sun Wukong vs. Red Boy" is adapted from the story of the classic novel "Journey to the West". It was originally a play in the full version of Shaoju "Journey to the West". It was previously edited and performed by Qilingtong and Liulingtong. In 1979, famous Zhejiang playwrights Gu Xidong, Shuang Ge, Bei Geng and others adapted the old version and put it on stage again by the Zhejiang Shaoju Troupe. It has been performed more than a thousand times and has won praise from the audience and drama colleagues.

Plot summary: Tang Monk and his disciples went west to obtain Buddhist scriptures and were blocked by the 800-mile Flame Mountain. Red Boy, the owner of the "Fire Cloud Cave", intercepted Tang Monk and his disciples with his trick of spitting out "Samadhi Divine Fire". Sun Wukong, who was sworn brothers with Red Boy's father, Bull Demon King, could not bear to hurt his life, so he used a clever trick to subdue Red Boy to the side of Guanyin Bodhisattva.

Source: https://movie.douban.com/subject/36714293/

Link Trailor: https://tv.cctv.com/2021/09/21/VIDET6hF1M9CVm8AajIjgWxv210921.shtml

[open-hearth-rpg]

Hearts of Wulin Now at Age of Ravens

Hearts of Wulin, a PbtA game of wuxia romance and melodrama is now at Age of Ravens Games. Written by Joyce Ch*ng and Lowell Francis (me). This game and its expansion, Hearts of Wulin Worlds, offers a range of playstyles by focusing on the powerful heroes trapped by a web of obligations and personal desires. 

It’s pretty awesome IMHO. It draws on the literature of writers like Jin Yong and Gu Long, in particular adaptations of those stories in dozens and dozens of TV series (Laughing in the Wind, The Proud Twins). It also works to include things like more recent web novels and their adaptations, with rules for xianxia and the fantastic. The core book includes ideas for various genres, narrating fight scenes, building entanglements, and handling historical/courtly games. 

Hearts of Wulin: Worlds includes several settings: 

Shadow of Joseon, set during the Korean Joseon Dynasty. (Yeonsoo Julian Kim)

1905: San Francisco, presents a Chinatown just emerging from the shadow of the Chinese Exclusion Act. (Banana Chan)

Cour de l'Eppee transports Hearts of Wulin to swashbuckling France. (Cat Evans)

Academy of the Blade offers a dueling academy inspired by Revolutionary Girl Utena. (Alison Tam)

Fight Me IRL is a unique take on cyberpunk. (James Mendez Hodes) 

Silk & Steam gives you a wondrous silkpunk setting. (Kienna Shaw)

It also includes two major rules add-ons:

The Villain, a new playbook. Not all wulin "Heroes" are heroes with a capital H. Some start in a darker place... 

Numberless Secrets, a new set of rules for telling mystery/investigation stories in Hearts of Wulin. 

These can be found on Drivethrurpg– both are part of the ongoing GMs Day sale happening right now. 

Personally I’m really excited about the future for Hearts of Wulin. Though I never learned the print run, I do know that the last of the physical copies recently sold out at Indie Press Revolution. I have a short list of things I’m hoping to accomplish. 

Get it up on itch.io. I know some folks prefer to get their ttrpg pdfs via that site. 

Figure out how to get Print-on-Demand versions up on Drivethru. I’ve been told this is a challenging process to get right, so I’m hoping to talk to some folks who have done it before. 

Publish the Names & Entanglements deck. This was a self-print add-on for Hearts of Wulin. It's a useful resource for character creation and I’m hoping to have physical copy available for sale. 

I’ve always said folks should feel free to hack and rework Hearts of Wulin as they wish. But I’d like to get a clear Creative Commons license out there for everyone and encourage folks to play around with the system.

Eventually I might do a 1.5 version bringing some of the HoW: Worlds material over into the main book, as well as a couple of rules updates.

I want to publish a collection of Numberless Secrets mysteries along with guidance for running detective wuxia games. I love the series Ancient Detective and this is the best way I get to play out those kinds of stories. 

Get an online keeper which has easy to use set ups for all of the expansion worlds. We have a solid one– newly automated thanks to Agatha– but it doesn’t have all the expansions. 

Some folks have done from amazing things with HoW so far (inspired by media like Scott Pilgrim, Cobra Kai, Star Wars and beyond). It would be great if I could assemble a collection of new hacks and settings, maybe with some additional play options.

Finalize the one translation agreement I’ve been offered. 

I want to thank everyone who has read and/or played Hearts of Wulin. It remains a game I love to run and it would be amazing to have more people try it out.

[kdramaqween]

To finish off the year, here's my TOP 23 Ships from dramas I watched in 2023

1. Kim Doo Shik ♥ Lee Mi Hyun

Moving

2. Cha Jin Woo ♥ Jung Mo Eun

Tell Me That You Love Me

3. Seo Do Guk ♥ Han Yi Joo

Perfect Marriage Revenge

4. Xin Qi ♥ Min Hui

The Love You Give Me (C-Drama)

5. Choi Kang Ho ♥ Lee Mi Joo

The Good Bad Mother

6. Dongfang Qincang ♥ Xiao Lanhua

Love Between Fairy and Devil (C-Drama)

7. Jung Ki Ho ♥ Seo Mok Ha

Castaway Diva

8. Moon Jang Yeol ♥ Bong Ye Bun

Behind Your Touch

9. Gu Won ♥ Cheon Sa Rang

King the Land

10. Cho Yong Pil ♥ Cho Sam Dal

Welcome to Samdalri

11. Yoo So Joon ♥ Song Ma Rin

Tomorrow With You

12. Kang Hee Shik ♥ Kang Nam Soon

Strong Girl Namsoon

13. Dong Go Yun ♥ Jung Da Eun

Daily Dose of Sunshine

14. Gong Tae Gyeong ♥ Oh Yeon Doo

The Real Has Come

15. Jang Seon Gyeol ♥ Gil Oh Sol

Clean With Passion for Now

16. Cha Min ♥ Cho Se Yeon

Abyss

17. Heo Joon Jae ♥ Shim Cheong

Legend of the Blue Sea

18. Kim Tae Hee ♥ Baek Dong Joo

May I Help You

19. Jung Gu Won ♥ Do Do Hee

My Demon

20. Nam Si Heon ♥ Han Jun Hee

A Time Called You

21. Jang Tae Sang ♥ Yoon Chae Ok

Gyeongseong Creature

22. Lee Kang ♥ Moon Cha Young

Chocolate

23. Cha Eun Ho ♥ Kang Dan Hee

Romance is a Bonus Book

[lokisasylum]

(Top Star News Reporter Hwang Seon-yong) BTS Jimin's fandom is expressing dissatisfaction with his agency. They have been pointing out problems with their agency for a long time, but since there is no feedback, they say they can no longer tolerate it. DC Inside BTS's Jimin Gallery and Twitter's Jimin General Team have been holding truck demonstrations since November 13th in front of Hive Co., Ltd.'s headquarters in Yongsan-gu, Seoul, securities companies, and broadcasting companies.

On the truck, “Is Hive the agency of BTS Jimin?”, “Hive is neglecting his duties by not renewing his contract”, “Please explain that Like Crazy did not receive RIAA platinum certification”, “Billboard top-selling song Nomi, please explain for ignoring request to restock single CD”, It contains phrases such as “Sue malicious comments and anti-gallery comments and protect the artist.”

In addition to the truck protest, fans' passionate comments are amplifying by issuing statements on Twitter.

The BTS Jimin Fan Association stated, "The title song 'Like Crazy' from Jimin's first mini-album 'FACE' was based on RIAA platinum certification for selling 1 million units in the U.S. last August, but has not yet been certified due to the agency's inadequate response. They are requesting RIAA Platinum certification for Like Crazy, saying, “We are not receiving the certification.”

“RIAA certification signifies the success of an album or single in the music industry, and the certification itself serves as a marketing tool to help drive sales and streaming. It can lead to more lucrative licensing deals, and as a certified hit, you are more likely to perform well. It allows for high fees and provides several advantages that strengthen the artist's profile. Unlike Japan's RIAJ, America's RIAA requires agency response in the form of paying a certain amount of money and receiving certification. In addition, ' Even though 'Like Crazy' was the first Korean solo artist to be nominated in the Top Selling Song category at the 2023 Billboard Music Awards, the agency did not provide any support during the counting period, as local fans in the United States did not meet their demands for a single CD restock even after the first sold out. “It appears,” he said, raising his voice.

He also said, "The agency's helpless response to malicious comments and anti-sexual posts has also been pointed out. Due to these various problems, it can be said that Hive has revealed a lack of artist management ability, lack of marketing ability, and major loopholes in career management."

Through statements and truck demonstrations, he is demanding improved management and professional artist care, and is strongly calling for an official apology, explanation, and communication from those responsible. The fandom has been going through a difficult time due to the lack of management and poor care from the agency, so they are predicting a long-term battle, saying, ‘This time, we will go to the end.’ Attention is being paid to what kind of answer the agency will provide.

Below is the full statement from the BTS Jimin Fan Association: BTS Jimin Fan Association is your company, HYBE Co. We have raised the following issues with (Hive Co., Ltd.) for a long time, but have not received any feedback, so we are issuing this statement and strongly request your company's active and sincere implementation as soon as possible.

Like Crazy will be certified RIAA Platinum. "Jimin's first mini-album title song 'Like Crazy' last August became the first song by a KPOP solo artist released in 2023 to exceed 1 million units sold in the United States. Nevertheless, to this day, 'Like Crazy' RIAA Platinum certification for RIAA Platinum certification has not been submitted and is therefore unlisted. RIAA certification helps boost an artist's profile in the music industry and can provide a variety of benefits that can lead to lucrative licensing deals. Therefore, it is a worthy certification. “I ask for it.”

The separation of streaming totals for the Korean and English versions of Like Crazy Spotify will be explained. "On March 26, 2023, the title song 'Like Crazy' of Jimin's first mini album ranked first on Spotify's global chart. Afterwards, for unknown reasons, along with errors such as the song's credits being suddenly modified, The two versions of streaming have been separated. This will inevitably be detrimental to Spotify's global charts, Spotify's charts in each country, and year-end cumulative streaming statistics. Spotify said that this phenomenon occurred at the request of the agency. , we need an explanation from your company that fans can understand about this.

Explain and apologize for not restocking the Like Crazy US single CD. “The 'Like Crazy' single CD in the US has not been restocked after the first sale was sold out. This song was repeatedly predicted to be a candidate for the BBMA (Bill Board Music Awards) Top Selling Song category, and in fact became the first Korean solo artist to be nominated in that category. However, there was no support from your company to win the main award during the counting period, and local fans in the United States also continued to request resale, but your company did not even respond to this. “We demand an explanation and apology for this so that something like this never happens again.”

Take measures to protect artists. "It is the company's natural duty to protect its artists. We strongly demand that your company take aggressive legal action against the spread of false information and personal information leaks about Jimin in domestic online communities, SNS, YouTube, etc. In particular, DC Inside. The situation, which has not been resolved even though fans have been providing information about malicious comments made on , Nateboard, etc. for several years, is unbearable and difficult to understand. There is a high possibility that this problem will be exploited maliciously. Considering the impact this may have on the artist and fandom, we demand a strict response to this issue.”

We request your company's quick action and feedback regarding the above. 2023. 11. 12 All members of BTS Jimin’s fan union.

Source: Top Star News (https://www.topstarnews.net)

[candont]

Xu Haofeng's first novel was published the following year, in 2007  : "A Taoist Monk Comes Down from His Mountain" ( 《道士下山》 ) . We then spoke of the “hard current” of the wuxia novel (硬派武侠小说) . The story is, however, full of humor: at the beginning of the Republic, a little Taoist monk who can no longer bear solitude comes down secretly from his mountain and returns to the world. Result: he finds himself in a country in chaos, and 　

“A Taoist monk comes down from his mountain” ( 《道士下山》)

has a series of strange, fantastic encounters that transform his existence.

It is a novel with multiple characters constructed a bit like “At the Water's Edge” ( 《水浒传》) which is the implicit reference . The book was a bestseller.

In October 2008 , the publication of his third novel, “The National School of Guoshu ” (  《国术馆》 ) [6] , met with the same success: it was placed in the list of the ten best sellers of the year and was even praised by Mo Yan (莫言) . Xu Haofeng asserts his style there.

Unlike Jin Yong or Gu Long, who describe the tricks found by their martial arts masters to win their fights, Xu Haofeng focuses on depicting the way in which his characters comply with very strict training. On the other hand, what is interesting about him is that he often diverges from his narrative line to insert reflections on subjects like calligraphy, painting, food, or antiques, which give depth and diversity to the story. his stories. But above all the story is treated in the style of fantastic realism (魔幻写实主义) that Xu Haofeng knows well: he wrote an essay on Borgès, “The Eye of Borgès” ( 《博尔赫斯的眼睛》). 　

“The National Kung Fu School” ( 《国术馆》)

The main character is a young man who believes he was director of the school of the title in Nanking in the 1920s. He is described with great humor, continuing to apply rules from another age, like a a sort of Don Quixote embarked on an absurd and tragic journey. He preserves his values ​​and his personal esteem, but is condemned to failure, symbol of a world itself condemned by modernity.                                                                           

At the same time as his style asserts itself, his thinking becomes more complex. His short story “Survive” ( 《劫活》 ) takes place around a go board in the 1920s. The story is that of battles between Chinese and Japanese players, kung-fu masters, spies and Buddhist monks.

The complexity of the parallelism with the game of Go is illustrated by the title, which is a Go term, in fact. The whole game is based on a principle of life and death: circled pieces are 'dead', captured and eliminated from the game; one must capture (劫jié ) to survive (活huó ) , a vital principle of the Warring States period which saw the development of the game. 　

Xu Haofeng's latest novel returns to the theme of the game of go, but coupling it with a Buddhist theme. Published in November 2010 , it is titled “The Mandala of Enlightenment” ( 《大日坛城》 ) . The title refers to the s ū tra Maha Vairocana ( 《大日经》) , one of the two essential sutras of the Tibetan and Japanese tantric schools ; arriving in China at the very beginning of the 8th century , it was translated in 724-25, and the translation then reached Japan. The Sanskrit original having disappeared, it is this Chinese version which is the oldest.  　

“The mandala of enlightenment”

( 《大日坛城》)

the mandala of the Maha Vairocana sutra 　

According to this tradition, when the Buddha had achieved enlightenment, he remained in the form of Vairocana for seven days during which he transmitted his teaching to Vajrapani and other bodhisattvas , an obviously symbolic transmission. However, it is the game of go that is at the center of the story, because the main character was a master in China in the 1940s, at the time of the Sino-Japanese War. Go competitions, likened to martial arts competitions, reflect the struggle between the two countries, but inverted: while the Japanese run from victory to victory, the go master remains invincible...   

　

The three elements, esoteric Buddhism, martial arts and the game of go, are linked in the novel by

convergent symbols; Xu Haofeng seems to make them the three components of a “way” ( “道”) of salvation.   

-https://www-chinese--shortstories-com.translate.goog/Auteurs_de_a_z_XuHaofeng.htm?_x_tr_sch=http&_x_tr_sl=fr&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=sc