#grishkoff

[newdirge]

When I was waiting for the album to go live, I worked on a little teaser for it and was never able to finish it. I did a quick run to finish it now that I had the time and I'll just post it anyway.

Nearly all of the footage is by Grisha Grishkoff.

[voidqueenbyers]

Best Music Blogs To Submit Your Music

Getting media inclusion as an autonomous music craftsman goes a little something like this: go through hours discovering online journals that will pay attention to your music, spend more hours discovering email addresses for their scholars, then, at that point, much more hours creating the ideal pitch.

What's more, we haven't gotten to the part where you need to develop a real relationship before they'll begin expounding on your stuff.

Before you begin pitching, there's a couple of things you need to remember. The first is expected ingenuity. Ensure the music you're pitching is applicable to them. You need to discover the journalists/editors/writes whose melodic inclination lines up with what you are making.

Refine your email pitch to show that you put in the energy by referring to a comparable delivery they upheld prior, and composing an email that is customized, succinct and forthright.

"Journalists and editors can be difficult to begin a discussion with; they get a huge load of messages, work on cutoff times, and likely get hit up for a great deal of favors," says the editors behind music blog The FADER. "To set up a relationship of trust, make it your objective to discover where they like to compare, and regard their security."

Prepared to light pitching your new fire track? We accumulated the very best music web journals to present your music to as a free craftsman. Before you click send, read our aide for making the ideal EPK (Electronic Press Kit) to join to your pitch here.

Best Music Blogs To Submit Your Music

Dispatched in the last part of the 2000s by Montrey Whittaker, Blake Edwards and Eric DeFazio, Earmilk is an internet based music distribution based out of the United States and Canada. The site covers pretty much every class, except centers around dance, hip-operation, non mainstream, electronic and pop specialists. Earmilk utilizes the SubmitHub stage for music entries, so in the event that you don't get a hit back from their editors, you ought to present your music there for audit.

Site: earmilk.com

Cougar Microbes is a Londbon based music blog that expounds on both British and worldwide music craftsmen and new deliveries. The site has a program of patrons from around the world, including Los Angeles, Tel Aviv and Milan. The Cougar Microbes group takes music entries through an assistance called MusoSoup.

Site: cougarmicrobes.com

Established by Jason Grishkoff, additionally the organizer and CEO of SubmitHub, Indie Shuffle is a spot to find new music and playlists across each classification, with an emphasis on independent stone, hip jump and electronic. Want to submit to Indie Shuffle? Hit up one of their staff authors [contact subtleties here] or use SubmitHub to send your track in for survey.

Site: indieshuffle.com

indieshuffle

Stoney Roads

Established in 2007, Stoney Roads is a music blog based out of Australia, interfacing music darlings with music producers in the electronic music space. This site is your go-to for arising Australian makers and DJs across house, techno, test electro and stacks more. Specialists can present a melody for blog and Spotify playlist thought here.

Site: stoneyroads.com

stoneyroads

Skope Mag

Dispatched in 2001, Skope Mag is a Boston-based music blog that covers music news across a wide assortment of classifications. With highlights on cutting-edge autonomous demonstrations getting situation adjacent to standard specialists, Skope Mag is an extraordinary stage to get your independent music heard.

Site: skopemag.com

skopemag

AMNPLIFY

Regardless of whether you're a craftsman, a fan, a photographic artist, an author, a music setting or an advertiser, AMNPLIFY is a music stage committed to supporting exceptional creatives in the music scene. The site distributes interviews with specialists, photographs from gigs, news about the business, and music surveys. They additionally clergyman two Spotify playlists, "dynamite" and "Find" which they update day by day.

Site: amnplify.com.au

enhance

Companion Music

Companion Music is a music blog and electronic music devoted record mark with an affinity for Indie and Nu Disco. Their curation group is continually searching for new music to add to their blog and Spotify Playlists. In the event that you have a track, another delivery or an EP that is ideally suited for them, you can contribute your delivery straightforwardly the accommodation structure on the Playlists page.

Site: companion music.com

companion

Thissongissick

Thissongissick is a music blog devoted to exhibiting specialists that haven't exactly broken at this point, giving them the push that they need to begin making whiz around their craftsman project. They expound on specialists across all sorts, from electronic, to hip-jump, independent and elective, and have a worldwide crowd of millions of music sweethearts in more than 110 nations. These folks acknowledge music entries from anybody, simply finish up the accommodation structure here.

Site: thissongissick.com

thingsongissick

The FADER

The FADER is somewhat more "major" than a portion of its non mainstream music blog peers, however they actually tackle their job to help cutting-edge craftsmen en route. They have an enormous reach, and might be more diligently to break through to, however it's as yet worth contacting get on their radar. They cover lets out of a wide assortment of music classifications, just as debuts, news and cool work in the craftsmanship/culture scene and even have a record name.

FADER Label is the current home to quickly rising artist/musician Clairo, Detroit local Charlie Burg, multi-capable 20-year-old Zachary Knowles, lively Platinum affirmed couple Matt and Kim, electronic DJ/Producer Super Duper, and alt-electro craftsman Fractures.

These legends likewise composed a point by point manual for pitching music to sites which you can peruse here. Submitting music? Send it here.

[seotorank-blog]

The Definitive Guide to SubmitHub with Site Creator Jason Grishkoff

The Definitive Guide to SubmitHub with Site Creator Jason Grishkoff

Listen to “When We Were Young” on Spotify:

I want to play drums on your record:

Download free drum tracks:

This is the definitive guide to SubmitHub, the only video you need to watch if you want to succeed at getting your song picked up by blogs, influencers, and Spotify playlisters through their platform.

I recently connected with the site’s creator, Jason Grishkoff, via Skype, and he…

[daniellrusso]

Coolest brush ever? 🤔 #paintbrush #handmadebrush #grishkoff

[shallowtrend]

Photos by Caio / Grisha Grishkoff 202207111600

[samvea]

Sources for my video

https://www.helpguide.org/articles/mental-health/social-media-and-mental-health.htm#:~:text=The%20negative%20aspects%20of%20social%20media&text=However%2C%20multiple%20studies%20have%20found,about%20your%20life%20or%20appearance.

Video of static https://www.pexels.com/@andrea-1560893

Cassette sound 

Programming on computer https://www.pexels.com/@andrea-1560893

Matrix

Computer https://www.pexels.com/@andrea-1560893

People https://www.pexels.com/@andrea-1560893

Phone https://www.pexels.com/@andrea-1560893

Kid b phone Video by Grisha Grishkoff from Pexels

Kid playing on phone Video by Grisha Grishkoff from Pexels

Girl with lip stick Video by Grisha Grishkoff from Pexels

Hacker Video by Pavel Danilyuk from Pexels

Education Video by Pavel Danilyuk from Pexels

Education on grass Video by Pavel Danilyuk from Pexels

Online store Video by Pavel Danilyuk from Pexels

Google Video by John Guccione www.advergroup.com from Pexels

Kid on phone Video by Ivan Samkov from Pexels

Instagram Video by Ivan Samkov from Pexels

Tinder Video by cottonbro from Pexels

Isolation Video by cottonbro from Pexels

Line of peopl Video by fauxels from Pexels

Education on bed Video by fauxels from Pexels

Lyin on bed Video by fauxels from Pexels

Girl communicating Video by Julia M Cameron from Pexels

Skype Video by Julia M Cameron from Pexels  

Fire Video by GamOl from Pexels

Teenager Video by Pavel Danilyuk from Pexels

Gamer girl Video by Tima Miroshnichenko from Pexels

North korea Video by Alexander Lutkov from Pexels

China town Video by George Morina from Pexels

Chinese man Video by Kelly Lacy from Pexels

Advertising Video by Kelly Lacy from Pexels

Typing Video by Pavel Danilyuk from Pexels

Anxiety Video by RODNAE Productions from Pexels

Girl at party Video by RODNAE Productions from Pexels

[desertislandcloud]

Katmaz is a Brooklyn based songwriter, producer, and multi-instrumentalist that approaches music visually, resulting in a cinematic quality to his sound. Born in Buffalo, NY, Katmaz found his passion for music at a very young age. 

At one point he was both a classically trained pianist and an amateur boxer but it’s difficult to play piano with swollen knuckles. After moving around the midwest and touring with the alternative act, Debussi,  Katmaz settled in New York City in 2014.  With the help of fellow producers Braden Blair and Matt Cody (SZA, Ro James), Katmaz created WaveCave studios.

In April of 2016, Katmaz gave a sample of his emotive, soulful strain of music with his first solo release "Nautical Things".  Jason Grishkoff (Indie Shuffle) called it "beautiful enough to put me into a stupor" and placed it in their "Best Folk of 2016." In 2018 he released the EP “Tremolo Love” in which the Wild Honey Pie called it “a soulful piece of folk orchestration that could fill a stadium packed with awestruck fans.” Katmaz is currently producing and songwriting for several artists in his studio, and throws a monthly party called the “WaveCave Sessions” showcasing some of these artists.  He plans on releasing several singles by the end of 2019.

Links he Katmaz Website AFTR ERTH Twitter Instagram Facebook Spotify  Tour Youtube

[yonort-blog]

Yon Ort are good. Real good. Fronted by Eric Wilson (formerly of Wild Cub), their new song "What You Feel" doesn't try to do anything fancy -- it just sticks to a straight-forward and enjoyable style. In doing so, it comes across as easy to approach and easy to repeat. - Jason Grishkoff

[mrmichaelchadler]

half•alive - arrow

Sounds like: Capital Cities, Joywave, Absofacto

What's so good?

So half•alive is back with another really good music video that comes with an equally really good song to boot. I first heard of the trio when they released their highly praised previous single "still feel" (Jason Grishkoff wrote about the song here).  "arrow" is a fun and vibrant track that reminds a lot of Capital Cities, especially during the chorus and that's not a bad thing. I really like this song but I have to admit that it is not as good as it's predecessor. However, that won't stop me from enjoying this indie synth pop rock of a vibe.

1. Original post: half•alive - arrow

2. Find more music on Indie Shuffle's Indie Music Blog.

from Indie Shuffle - New Songs http://bit.ly/2FUJWvZ

[dawcast]

191 – How to Use SubmitHub Effectively – with Founder Jason Grishkoff

191 – How to Use SubmitHub Effectively – with Founder Jason Grishkoff

How do you get coverage for your new release? How do you get your music into the hands of bloggers, playlisters, YouTubers and more?

In this episode of The New Music Industry Podcast, I chat with SubmitHub and Indie Shuffle founder Jason Grishkoff.

He shares how to approach your relationship with SubmitHub as an artist, how it came to be, how artists can use it as part of their marketing mix and…

[jessicakmatt]

SubmitHub Founder Jason Grishkoff Talks Blogs, DIY Promotion and Artist Discovery

SubmitHub Founder Jason Grishkoff Talks Blogs, DIY Promotion and Artist Discovery: via LANDR Blog

Promoting your music effectively on a DIY basis is tricky.

Watching big artists pour thousands into massive campaigns can make the limitations of a low budget seem hopeless.

But there are some tried and true techniques that all artists can take advantage without breaking the bank.

One of the most effective is submitting your music to playlists and blogs to share with their audience.

Reaching out to them properly used to be a big job in its own right. That’s why Indie Shuffle founder Jason Grishkoff created SubmitHub to streamline the process.

We sat down with Jason to talk to about the blogosphere, DIY music promotion and the future of artist discovery.f

Q: Hi Jason. Like many musicians, I have vivid memories of sending hundreds of cold emails to music blogs hoping for a post or review. It was difficult, tedious and I barely ever got a response.

SubmitHub seems to have eliminated all that while simultaneously rescuing curators from the endless pileup of pitches in their inbox.

When did you realize the blog submissions model was broken?

I started my music blog Indie Shuffle back in 2008-2009.

At the beginning I was just finding songs I liked on BitTorrent websites and I really had no idea there was a blog culture.

But I quickly found myself on Elbo.ws, which was kind of the precursor to Hypem.

There was a really nice community of other blogs there and we’d exchange tips on how to generate more traffic and get more awareness.

When Hypem took off and Indie Shuffle got added I started to get emails from musicians, managers, publicists and record labels.

When Hypem took off and Indie Shuffle got added I started to get emails from musicians, managers, publicists and record labels.

And I thought, “hey this is cool, they’re just sending me music to put up on my website.”

But a couple years later it got out of hand. I was receiving hundreds of emails a day.

And so I set up a fake submissions address and just said I can’t deal with it anymore. It’s all rubbish, nothing’s personalized and everything was getting lost in the BCC lists.

It was clear that people didn’t want to build a relationship. They just wanted to use me to get on Indie Shuffle. And I wasn’t even really making any money as a blogger. Not enough to do it full time.

That was 2013. 2015 was when I started SubmitHub. I think the idea was spurred by the fact that Indie

Shuffle was no longer a viable business for me to be employed by and I had to come up with a different idea.

I was playing around with all kinds of different business ideas that weren’t very inspiring and I was still faced with this problem of a completely overflowing inbox.

So I decided to try to tackle that with a smooth blog submission system.

Q: One reason blogs became as influential as they did is the success of aggregators like Hype Machine. How do you view the legacy of Hype Machine in formalizing the blog system?

Don’t get me wrong, Hype Machine was great for blogs. I don’t think Indie Shuffle would be where it was without it.

And it was incredibly influential for a time. I definitely heard stories of record labels where every Friday they would sit around to discuss the popular chart on Hype machine.

But in my mind a lot of of its success was due to the fact that you could game it. If you were a publicist you got pretty good at figuring out the formulas and how to get ahead on it.

And since the blogs had stopped paying attention to their submissions, they just started watching what other bloggers were posting on Hypem.

And from there it just became a rehash of the same music. Even when I wanted to find new music, I would go to Hype Machine. As a blogger on Hype Machine! It’s kind of ironic.

A couple of my writers were still responding to publicists, but in general small independent acts rarely got a chance to get any sort of coverage.

A couple of my writers were still responding to publicists, but in general small independent acts rarely got a chance to get any sort of coverage.

When I enabled SubmitHub and starting paying attention to submissions again I thought, “wow this is back to the origins of why I was music blogging in the first place.”

With SubmitHub you finally have the bloggers actually listening to everyone’s music. It doesn’t matter if you are represented by a massive major label or if this is your first ever single.

Your song has just as good a shot as anyone else’s. What that means is that the bloggers aren’t paying attention to what any other blogs are posting nor are they paying attention to what hype machine’s posting.

They’re all just focused on the fact that they’re all getting 20-50 submissions per day in their feed, and that’s what they’re paying attention to.

Q: SubmitHub does an amazing job of balancing the needs of both curators AND artists. Did the ideas behind the platform come more from the perspective of one side or the other?

It was a natural progression for sure. It’s been about three and a half years since I kicked off SubmitHub and what’s cool is that I’m the only developer.

It’s been about three and a half years since I kicked off SubmitHub and what’s cool is that I’m the only developer.

Our team is still really small. As the guy who does all the customer support and all the development I can see exactly where people’s pain points are what the users’ issues are.

For example, a very common complaint that would come up is that the genres didn’t match well.

People would say, “I sent this person a hip-hop track but they’ve never posted hip-hop, why are you telling me to send to them?”

And I would say well, I’m not telling you to send to them—they said they like hip-hop and it’s your decision ultimately.

Ok so that’s a bit of a problem, People are obviously frustrated so I’ll try to solve it.

So I’d go in and ask well how much do they like hip-hop? Sometimes even if these blogs have hip-hop enabled you probably shouldn’t send them that, but here’s a blog who totally loves hip-hop based on their history.

Taking this kind of information and trying to solve the pain points for the artists was definitely part of that progression.

Q: Music promotion platforms that rely on paid transactions from artists are sometimes viewed with suspicion. How do you balance bloggers’ and artists’ expectations with a sustainable business model?

As they should be! [laughs] This actually gets to something about SubmitHub that I feel like has been taken out of context in the past.

People have asked me why bloggers like SubmitHub and I say besides the fact that it makes their lives a lot easier, they use it because of the money!

People jump on that but it’s part of the reason that I rolled out the monetization component.

If SubmitHub existed without any sort of premium and I was a blogger on there getting 50 submissions a day, I would have almost no incentive to actually check them.

My only incentive would be that there’s potentially good music here that I could share with my audience. But for 99% of these curators, that audience isn’t generating them any money.

So premium credits are really a way of keeping bloggers engaged, active and feeling like it’s actually worth their time to spend 2 hours everyday going through these submissions.

The money is a small amount. It’s anywhere between $0.50 and $1.50 USD for each submission.

SubmitHub keeps what’s left and at the end of the day if you’re going to argue that $0.50 is payola well…[laughs]…it’s hard for me to counter that if you’re really stuck on the idea that it is.

But that’s the basic rule of the platform. Anyone on SubmitHub absolutely cannot have any form of payola. They get kicked off if we catch them and we’re always running sting operations.

Q: SubmitHub offers connections to everything from traditional music blogs to Twitch streamers. What are your insights on which channels will become the most important for DIY promotion?

Well everyone is still talking about independent playlists.

I still get Indie Shuffle emails and they’ll email me asking to be on my Spotify playlist. And I’m like, “hey I’m an OG blog! And you want to be on my Spotify playlist?”

But I think it’s becoming increasingly hard for them to stay relevant because of how many fake playlisters are out there.

For myself I still really see the value in a Hype machine campaign. I would filter SubmitHub to hit every single Hypem blog I could and start out with a premiere request.

Even if your goal is to get on Spotify playlists the blogs still matter because the Spotify editors pay a lot of attention to them, especially Hypem blogs.

In the end though there’s no one clear path to success. To reference Chris Hillard’s recent quote from a piece on Pigeons and Planes, there still isn’t a formula that can find an artist before the formula does.

If you’re doing a promo campaign today SubmitHub can help but you still need to tell your friends, your family and hit it from as many angles as you can.

All I can say is that if someone offers you placement for money, turn the other way. No matter what, even if it looks good.

All I can say is that if someone offers you placement for money, turn the other way. No matter what, even if it looks good.

There’s a reason that’s illegal in the radio industry!

Q: Any other advice for artists promoting their own music aside from using SubmitHub?

Not being an artist myself, you’ll have to take this with a grain of salt, but today’s state of music allows listeners to dive into their specific niche.

Your strategy should be to find a niche of listeners people who care about your music and are focused on that, rather than looking for some runaway success.

What is my music? Is it ambient drone? Is it christian soundtrack music? Whatever. You can get in on that and really focus on that.

Q: What’s next for SubmitHub?

We’re working on multi-language support which is incredibly exciting. I’ve got a translation system I’m working on that will help me get the whole entire site into 10 or 20 different languages, which could open things up a lot.

There’s also the Hot or Not section. It’s a feature for artists to rate other artists. I coded it just for fun over christmas and it’s totally taken off.

We’re up to 3000-4000 ratings a day, so I’ll be giving that a bit more attention to see it where it goes.

It’s like a whole different product within SubmitHub, but people really like it!

The post SubmitHub Founder Jason Grishkoff Talks Blogs, DIY Promotion and Artist Discovery appeared first on LANDR Blog.

from LANDR Blog https://blog.landr.com/submithub-interview-jason-grishkoff/ via https://www.youtube.com/user/corporatethief/playlists from Steve Hart https://stevehartcom.tumblr.com/post/186053321819

[danielrobertkelly]

Glenn Grishkoff https://flic.kr/p/MfE3Cc https://ift.tt/2dH0WqY

[robotswriter-blog]

Beck's bright, upbeat new album Colors is coming out next month, ... And even though he doesn't appear in the “Up All Night” clip, it lives up to

Listen to and download Beck - Up All Night.By Jason Grishkoff on Jul 15, 2017 | Back in May, UK band The Vaccines released their third

Beck has shared a new video for “Up All Night,” a track from his forthcoming album Colors. It was created by Director Canada and stars actress

Beck has released a video for “Up All Night,” a disco-like, Top-40-pursuant single he first released last year, and which will be included on his ...

Beck is releasing his 13th studio album, Colors, October 13th, and today he's whetted appetites with the release of a surrealistic, fun video for 

Click Here Watch Online

Click Here Watch Online

Click Here Watch Online

[desertislandcloud]

Katmaz is a Brooklyn based songwriter, producer, and multi-instrumentalist that approaches music visually, resulting in a cinematic quality to his sound.  Born in Buffalo, NY, Katmaz found his passion for music at a very young age.  At one point he was both a classically trained pianist and an amateur boxer but it’s difficult to play piano with swollen knuckles. After moving around the midwest and touring with the alternative act, Debussi,  Katmaz settled in New York City in 2014.  With the help of fellow producers Braden Blair and Matt Cody (SZA, Ro James), Katmaz created WaveCave studios.

In April of 2016, Katmaz gave a sample of his emotive, soulful strain of music with his first solo release "Nautical Things".  Jason Grishkoff (Indie Shuffle) called it "beautiful enough to put me into a stupor" and placed it in their "Best Folk of 2016." In 2018 he released the EP “Tremolo Love” in which the Wild Honey Pie called it “a soulful piece of folk orchestration that could fill a stadium packed with awestruck fans.

”Katmaz is currently producing and songwriting for several artists in his studio, and throws a monthly party called the “WaveCave Sessions” showcasing some of these artists.  He is releasing several more singles by the end of 2019.

LInks https://soundcloud.com/katmaz https://twitter.com/katmazmusic https://www.instagram.com/katmazmusic https://open.spotify.com

[mrmichaelchadler]

Nick Dorian - Yawn (Prod. by Shibo)

Sounds like: Still Woozy, Kid Bloom

Song: Nick Dorian - Yawn (Prod. by Shibo)

What's so good?

We're raised to believe that everyone is a winner. In fact, that's not true, and it also degrades what it means to actually win. This week, Jason won. The Indie Shuffle timeline is just covered with good music he's dug up. What Mr. Grishkoff probably isn't aware of is that quantity ain't everything (he's still won though), and that it's quality that holds real weight. Lucky for him he's found a balance between the two. Lucky for us this one finally gets to go up!�� I present to you, Nick Dorian with "Yawn." (completely unnecessary, that last line)

1. Original post: Nick Dorian - Yawn (Prod. by Shibo)

2. Find more music on Indie Shuffle's Indie Music Blog.

from Indie Shuffle - New Songs https://ift.tt/2HygB9C

[kiev-maydan]

grishkoff: #Joinup #grishkoff #buddabar #srilanka #iloveiknow — September 30, 2014 at 07:21PM