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hannieehaee · 6 months ago

Text

LOST IN STEREO

18+ / mdi

summary: after kicking you out of your own band to seek success with the band on his own, vernon finds his plans falling through, all the while you'd reached success on your own. now leading your own label, vernon finds himself having to earn your forgiveness, not realizing how badly he'd hurt you years back.

content: friends2enemies2lovers!vernon, band!au, drummer!vernon, guitarist!reader, unrequited crush (kinda), pining, vernon kicks you out of your band bc ur a girl (asshole, ik), really incorrect music industry terminology (i know nothing about music oops), afab reader, reader becomes a producer after being kicked from vernon's band, seokmin, chan, hannie and kwannie are in the band, smut, penetrative sex, dry humping, fingering, etc.

wc: 8.8k

a/n: i know the summary and content are all over the place, but i promise the story in itself is coherent</3

masterlist | kofi/patreon

"Fuck! Jesus Christ, what are you doing here?"

He winced at the sudden sight of you upon turning a corner in the huge building he was currently exploring, never having expected to bump into you there.

"I work here, Vernon. I would've expected you to do some research on the labels you're auditioning for."

"W-wait. What do you mean you work here?"

"I'm a producer here. What? Surprised?"

"N-no!" he spluttered.

Fuck, you looked good. No, scratch that. You looked beautiful beyond belief.

How long had it been? Three? Four years?

He still felt horribly about it. You know, that whole situation in which he threw you under the bus for his own benefit – only for everything to come crashing down on him immediately after. Not only did he feel like an asshole, but also like a huge idiot. Letting go of a friendship just for a failed attempt at success would go down as the dumbest thing Vernon ever engaged in.

In his defense, he was a teenager at the time. Okay, maybe he was freshly 19, but it felt like the same thing back then. He had been an idiot who dumped his best friend and crush just for a chance in the music industry. What he had thought that to be the smartest move to make for the future of your shared band ended up becoming his greatest mistake. To this day, he still thought back on it with shame.

What sucked the most was how talented he knew you were. That, and the knowledge that he had been the sole person to blame for taking this opportunity away from you – from taking your own band away from you.

He quickly came to realize that it had been a horrible mistake, but it was too late by then. Contractually speaking, you had never really existed within the group. Your friendship had also crumbled soon after, despite your reassurance that all you wanted was the best for the band, even if that meant they'd continue on without you.

At the time, you had been the band's sole music producer, and song writer, and engineer, and you were the one who had a macbook with garage band on it, and–

"Vernon!"

Fuck. Had he been in his head this whole time?

You looked annoyed. Also way more grown and mature than when he last saw you at 19 years old. Fuck, did he mention you looked insanely hot?

"Sorry, I, uh, as I was saying," he cleared his throat, "Of course I'm not surprised. You're the most talented person I've ever known."

And Vernon truly meant his words. As teenagers, your dream to become a successful guitarist had been what inspired him to dust off his drums and go on this adventure with you, employing a few of your other friends to join your wannabe pop-punk band.

You weren't just a dreamer, like Vernon. Vernon knew you weren't just all talk. If anyone could walk the walk, it was you. With your innate ability with not only the guitar, but a myriad of other instruments, Vernon always admired you for your natural talent with music. The insane confidence you carried also did not help matters. It sure did not help the irrevocable crush he'd had on you since he met you. The air of security you always carried with you was something Vernon looked up to and was insanely attracted to. Sometimes it'd make it difficult to be around you without revealing his crush, as he would constantly swoon over your mere presence.

His feelings for you not only as a childhood friend, but also as his unrequited crush, only made the whole situation worse. At first, he dumbly thought that you understood why he had to ask you to leave the band, but it was obvious to him within only a few weeks that what his decision had done irreparable damage to your friendship.

Thinking back to it, he realized how stupid it was for him to even consider joining a label that denied your entrance simply due to your gender. Attempting to create the image the label had wanted to force on them should've been the first red flag. Taking Vernon aside to talk him into kicking you out should've been more than enough for Vernon to break out and whisk you away from a label that clearly didn't deserve you.

Sadly, Vernon had been too invested in making it big at the time. He truly would've given anything to find success as a musician as soon as possible – and apparently you should've taken those words literally.

It had been about a year since you first started the band at that point. Your very low budget garage band consisted of you, Vernon, and a few of your friends. Vernon was on drums, you on guitar, Hannie was bass, Kwan main vocals, Seokmin keyboard, and Chan second guitar. It was the perfect setup, if Vernon had anything to say about it.

The entire composition of the band had been yet another thing that formed all thanks to you. As much as Vernon insisted on saying it had been a shared effort, he now knew better. He needed to give credit where it was due. If it wasn't for you, Vernon never even would've met the guys he now considered his best friends, as you had been the one to take charge of recruiting more members into the group.

Despite that, you allowed Vernon to have the role of co-leader in the band with you. The way you had rationalized it was that you didn't believe in a monarchy; you much more wanted to have a democracy, so you believed that being co-leaders beat a singular leader by far.

This also demonstrated the intense trust you had on Vernon. Except Vernon's greedy mentality at the time did not respect this vision.

Surprisingly, even to his younger self, it didn't take much convincing for the recruiting manager of the label to convince Vernon into kicking you out. Just one signature from him, and all the male members of the group would be secure under a semi-established label that would guarantee them the exposure he'd been wanting, oh so badly, for the past year of being in the band. All he thought of was his future success, completely ignoring that his best friend would be left behind in the process. Simultaneously, he ignored the protests of his members, believing this to be for the greater good for the band.

In your usual supportive fashion, you were a trooper through it all. Your initial reaction was one of confusion and hurt, but it was quickly wiped away under the facade of being happy for your friends. If you couldn't find success with them, you were glad they'd be able to make it big without you.

Vernon made the mistake of believing these words, not realizing that he had just broken all your trust, and along with it your heart.

Then came the other end of the stick.

To no one's surprise, the record deal fell through. Kicking you out before agreeing to sign the group should've made alarms go off in Vernon's head on its own, but everything that came after was somehow worse.

The label had attempted to poke at every single detail about the band, trying to form them into something they could never see themselves becoming. Their looks changed, their sound changed, and fuck, Vernon just could not stop thinking about you throughout it all.

Before it all completely fell apart, they had been able to perform a few shows. Though they were nothing too big, they were far more than the small pubs in which you guys had performed before sighing the contract. Vernon was completely unable to enjoy any of this, though. The blank space on stage kept his mind uneasy. He constantly wondered about you and reminisced about your beginnings together.

This arrangement only lasted a few months. That was when everything truly went to hell. With lack of cooperation both from him and the rest of the guys, it wasn't too hard to get the label to drop them.

It just wasn't a match. Vernon would be the first to admit that greed got the best of him. Taking the very first signing offer that they got had been too naive of him, leading the band to be labeless and without a lead guitar and female vocal. And also leaving Vernon without a best friend.

A few years were spent attempting to break out once more, only achieving certain virality online through the first year of trying. It wasn't until recent times that Vernon and his band really blew up through some original work of Vernon's they had posted online. That's what actually led to Vernon's current position – touring one of the best labels for people in his genre after having established a solid fanbase online as an independent band.

Since Vernon had lost contact with you soon after kicking you out of the band, he eventually gave up on finding you (though memories of you would still haunt him). Not having kept up with your individual career, he never knew you actually made it out and into the big leagues on your own. You being a renown producer under an artistic name made sense to him, though. It explained why he had not heard of your name during all that time, and it also made sense with your past experience making music when you were in the band. Hell, you were the one who taught Vernon everything he knew about producing.

Despite being incredibly glad that his mistake hadn't made you lose your love for music, Vernon still felt disheartened at seeing you. In another life, the two of you would've made it here together, hand by hand and as the best friends you'd always been (hopefully even more by now). But now you were here, successful but at completely different rates, and with you feeling clear disdain towards Vernon's mere existence.

You simply scoffed at his compliment, rolling your eyes.

"I don't need your praise, Vernon."

Well, it seemed like he couldn't really win regardless. It also didn't help that he felt like a total loser standing in front of you, now aware that you had made a name for yourself.

He had heard your artistic name before, but since you apparently stuck to being a producer rather than be on stage, he never put a face to the name.

"I, uh, are you one of the producers we're auditioning for?"

"Yeah. Good luck with that, Vernon," you seemed far too pleased with yourself. There was venom in your eyes Vernon had never seen before in all those years he knew you.

"Listen, I-"

"Whatever you're going to say about our past, you can save it. Nothing you can say can make up for what happened. I won't get in your way during your meeting with the label. Only because I still love the rest of the guys," you softened a bit, before getting that serious look in your eye again, "But I also won't do you any favors."

Gulping, he responded, "Yeah, I, uh, okay. I understand."

Without any further comments, you bumped into his shoulder as you walked away, leaving a breathless Vernon behind.

He was well aware that you hated him, and with good reason too. Yet he couldn't help the rapid beating of his heart throughout every second of your interaction. With the passing of years, he had thought he was fully over his crush, but it all just came crashing down on him all at once upon your first meeting.

Now he really needed to get into this label. Not only for his career, but to somehow get you back.

"Dude! Did you see Y/N? She stopped by the studio earlier to say hi. Man, I told you you shouldn't have gone off on your own. I can't believe you missed her."

As much as Vernon wished Seokmin had been right about Vernon missing you altogether, he did wish your first encounter with him had been around other witnesses. Maybe that way your words to him would've had a little less venom in them.

"Nope. Bumped into her in the hallway while I was looking around."

"Shit ...", said Chan, "How was it?"

"Brutal. She hates my ass."

"Completely understandable, you know, considering," chimed in Seungkwan, sitting on the couch of the conference room's waiting room.

After a short tour of the building the label was homed in, the group was directed to wait in the waiting room as the execs arranged the paperwork necessary to sign them – should they come to an agreement. Vernon had made the dumb mistake of asking if he could explore the place a bit on his own, never having imagined he'd bump into you on the way. At least now he knew you'd be one of the higher ups waiting for him on the other side of that door.

"Dude, stop. I've been feeling like a dick ever since it happened", Vernon groaned into his hands, suddenly snapping up to look to his members, "Did you guys know she was working here? Did you know she was the Hissfit?"

"We didn't really keep contact," Seokmin shook his head.

"Yeah. I knew of Hissfit, but I never would've guessed it was her. Damn, that's kinda hot of her," said Jeonghan.

Jeonghan's comment peeved off Vernon a bit, but he had bigger things to worry about at the moment.

"Do you think she hates all of us, or is it just me-"

They all varied in their response, but the consensus was that Vernon was the only member you still saw with venom in your eyes.

"Yeah, man. It's just you," confirmed Chan, "I thought she'd hate me for taking over lead guitar after she left, but she was pretty nice to me just now."

Vernon was about to air out his endless concerns and frustrations at the stupid acts of his 19-year-old self, but had to close his mouth back up when the door to the conference room suddenly opened, revealing you and two other men close to your age.

"Come on in, guys," said one with shaggy hair and a strong build, gesturing at the boys to come in.

All five of them took a seat on one side of the gigantic table that took up most of the space in the room while you and the two men took a seat on the opposite side.

You looked so put together and professional, looking over the papers sitting in front of you while Vernon stared and stared, hoping you'd look his way.

"Okay, first of all, I wanna welcome you guys. I know one of our producers, Soonyoung, already gave you guys a quick tour of the place, but I wanted to give you a formal welcome," began the taller guy of the two, "My name is Seungcheol, but you probably know me as S.Coups."

"I'm Jihoon, but you must know me as Woozi," said the shaggy-haired man.

Then it was your turn.

"I'm Y/N. Also known as Hissfit."

Vernon winced when all his members woo'd at you, dapping you up with all confidence in the world despite not having kept in contact with you for the past few years. He wanted to join in, but you seemed too genuinely appreciative of it for him to want to dampen your mood by reminding you of his existence.

"We are the owners and cofounders of Universe Factory Records," added Jihoon.

"We're well aware you guys know our friend Y/N here," Seungcheol patted your back, rubbing it afterwards in a soothing manner, – completely unnecessary in Vernon's eyes, but okay – "but for business' sake, we will put a pin on that at the moment."

"We don't want any good or bad blood getting in the way of business, so we thought it'd be best to not discuss those matters here today," continued Jihoon, "All we care about is giving a passionate group such as your own and opportunity to join us. I can speak for all three of us when I say that you truly fit the core message of our label, and we'd love to sign you."

You nodded along to it all, even holding Vernon's eyes in yours for a few seconds before looking away.

"We'd love that, Woozi-Nim," intercepted Seokmin, bowing his head a bit at Jihoon.

"We just have a few contractual points to get to and then we can get to business, okay?", Seungcheol clapped his hands decisively.

A few moments later, your HR guys, Jun and Minghao came in to oversee the contract with the eight of you, making sure both parties understood everything written on the fine print. This took about thirty minutes, but ended very amicably.

"Is there a leader to the group who'd like to speak for any modifications you'd like to make to the contract?", asked Seungcheol just moments before the papers were about to be signed by everyone present.

"No, we're more of a democracy," said Vernon, not realizing the irony of his words fast enough.

You scoffed loudly at that, giving Vernon a sarcastic smile.

"Are you sure about that? Any other member who can confirm this fact?", you turned to the rest of the members in mock curiosity.

"Y/N, I-"

"Sorry, it's my bad. I shouldn't have asked," Seungcheol chuckled awkwardly, gesturing to the papers once more, "You can all sign whenever you're ready."

With some hesitation, Vernon signed.

He knew it was the right decision. That this way he would not only get to live his dream with his best friends while being housed under such a successful label, but that he'd also get another chance with you.

It'd just take a lot of work.

One of Vernon's favorite parts about the contract with Universe Factory was the luxury dorms that came along with it.

Being housed in a penthouse with all his friends seemed like one of the most unachievable dreams, yet here he was.

And the best part was that you owned a penthouse of your own right upstairs.

As far as he understood, this was a business owned building, housing any artists who wished to live at close proximity to the label's main headquarters. Vernon's group chose to agree to this form of housing without a second doubt, having always had the dream of living in the capital of the music industry – Los Angeles.

It had been about a month since the signing, and Vernon had caught sights of you far more times than he would've thought thus far. Unfortunately, none of them had gone well for him.

You seemed to be more than happy rekindling your friendship with the rest of the members, but always refused to spend any time with Vernon one-on-one. If at any moment you were left alone with Vernon, you'd scoff and walk out, even if Vernon attempted to call you out on it.

And Vernon's crush only got worse with the time he spent with you (albeit it always was while other people were around). Seeing you so relaxed in your loungewear when you'd spontaneously stop by the dorms to see Jeonghan or Chan (or literally anyone but him) as you laughed and joked around with them was messing with Vernon's head.

You were just so pretty and perfect and put together.

There came a point where Vernon was quite loud about his crush, constantly whining to his members about how much you still hated him. You were the only person to be unaware of it. Hell, even Jihoon and Seungcheol knew, always giving Vernon looks when he'd stare at you a little too long.

Except you never looked his way.

The only times you ever looked at Vernon were to curse him out or blatantly distance yourself from him whenever you got fed up of his presence.

Even now, as you huddled into a corner of the couch when the rest of the guys conveniently (re: at Vernon's request) left the two of you alone halfway through the movie you'd all been watching.

Attempting to be as casual as possible (he wasn't), Vernon slid from sitting on the arm of the couch to try and scoot closer to you, eyes glued to the TV in fear of you leaving if he dared look your way.

"Vernon-"

"Wait! Don't leave! Just stay sitting. I- I won't bother you, okay?," he was quick to apologize, sensing that you'd either scold him or tell him to fuck off.

You nodded, expressionless as you turned your bead back to the TV again, seemingly not too bothered by him.

It was rare for you to not use his exasperation as a reason to tell him off, so Vernon went against his own words and spoke again.

"Will we ever talk again?"

"What?"

He sighed, turning to you, "Will things ever go back to normal? I- Is there any chance you'll ever forgive me?"

"I don't wanna talk about this with you," you went to get up, only to be stopped by Vernon as he got up also, lightly grabbing your arm.

"Please. You have no idea how much I've regretted it since then. At least let me apologize," he pleaded with you.

"It doesn't matter if you regret it, Vernon. You still did it."

Wincing, he tried to come up with an answer that might satisfy you, but the truth was that there was no way for him to reason his actions at that time.

"I'll never not regret it. I .. I wish you were still out there with us, not just producing behind the scenes."

"Vernon-"

"Do you ... do you still play?"

"What?", you appeared annoyed at his interest.

"Do you still play? At any shows? For fun? You were always the best guitarist I'd known. Chan's nothing compared to you," he joked.

You looked down in what seemed to be shyness, "Chan's pretty good. He's gotten so much better since I last saw him."

"It wasn't the same- It's not the same. You were supposed to be there. I love Channie, but the dynamic completely changed when you left- when you-"

"When you kicked me out," you corrected.

He took a few steps towards you, both hands encompassing your arms in order to get you to look at him.

"I kicked you out, and it was the worst mistake I'd ever made. I lost my bandmate and I lost my best friend. I miss you every day. Every time I perform and I look to the front and you're not there, I remember what an idiot I was. You made this. You made the band, you got all the members. Fuck, you taught Channie everything you knew and all I did to repay you was throw you away," his eyes never left yours as he spoke, despite how guilty he felt at seeing the sudden sadness in yours, "Please tell me you at least still play. Please tell me I didn't take that away from you."

"I ... After you kicked me out, I couldn't trust anyone else. If my own best friend was willing to get rid of me like that ... If all my friends stood by and did nothing, then I couldn't trust that someone else wouldn't do it again."

"Y/n, I-"

You stepped away from his hold, creating some distance.

"I didn't want to play anymore, so I started selling my music. That's how I met Jihoon And Seungcheol. They were already on the process of founding Universe Factory. They saw something in me and took me in. We were equals," you explained, "So, no. I haven't played since then, Vernon. I'm a producer now."

It made Vernon miserable to know that the girl he once knew had changed. He understood why, specially having been part of the cause, but he felt even more regretful at knowing that he had damaged your ability to trust so badly. Ever since he knew you, you loved nothing more than to play for people. From talent shows to small shows at local pubs with only twenty people in the audience, you'd always happily sign up if it meant a chance to play for anyone willing to listen. Now you didn't have that in you anymore. All because Vernon had broken your trust.

Vernon chose not to bother you anymore after that. You seemed happy with your new life. Vernon seemed to be the only source of negativity in your life, so he chose to step aside and let you live your life. He would no longer try and see if there was any space for him there anymore. If that's what made you happy, then so be it.

It had taken a while, but after four months of being signed into Universe Factory, Vernon's band had finally released their new album.

The rollout consisted of 12 original songs, with a deluxe version including three extra songs coming a few months later. It hadn't been fully fleshed out yet, but the album itself had been a success by all means.

Throughout the process, Vernon had unfortunately not made much progress with you. Things seemed to be a bit more peaceful now that he had decided to leave you alone, but you never once tried to seek him out, so he assumed that this was the end of it. You were happy to ignore him and keep him out of your life, and as much as Vernon wad pained by it, he felt too remorseful by his previous actions to try and bother you anymore.

Vernon was happy to spend time with you whenever studio sessions came up. As one of the main producers of the company, you had been thoroughly involved in the album, which meant that you spent a grand majority of your time in the studio with Vernon and the rest of the band. Though you would rarely engage with him directly, you didn't outwardly ignore him. You remained professional and respectful towards him. He wasn't sure if that was better or worse.

After the grueling process of finishing up the album and releasing it, there was a small lull in the group's timeline. The album did amazingly well, specially with all the promo your label did for them. A tour had even been announced for later in the year, but for now things were quiet. The fruits of their labor were paying off and now everyone got a bit of time to rest before preparations for tour began.

Despite being done with work for a few weeks before getting to rehearsals for tour, Vernon still liked to come around the company and play around with the studios the label had available for their artists. He liked to mess around and try to experiment with new stuff to develop his skills. During the album-making period, he had observed you intently, learning from you without your knowledge.

Today was one of the many times in which Vernon had decided to come around the studios, in search of the one his group used throughout the process of making their album.

That was when he noticed the half-closed door, with the soft strumming of a guitar coming from the inside. He was about to turn around and leave, assuming that someone else had taken up that studio for a bit, but then he heard a melodious voice accompanying the guitar in perfect harmony. It was you.

Even during the recording process, Vernon was yet to hear you sing or play any music. The demos were usually recorded by Jihoon, even when you had vast participation in them. The most he had heard your voice during that time had been when you'd direct the members on how to enunciate a line or two – and even then, Vernon felt enamored. Now here Vernon was, peeking from the small opening of the door as he witnessed you sing what seemed to be an original song.

Your back was facing him as you sat on the floor, simply facing the wall in front of you. Your voice was low, as was your strumming. It was likely you didn't want anyone to hear you. Almost as if you were hiding your skill, not wanting anyone to be aware of it.

Vernon couldn't help but think that this was the consequence of his actions. Did you think you weren't made to perform anymore? Not even in private? Had his betrayal caused this in you? The thought made him sick, knowing how much you loved music.

His thoughts were promptly interrupted by a sudden halt in your playing, hearing your voice speak up.

"I know you're there, Vernon," you said without even needing to turn around to face him.

"I- How did you-"

You began to get up, putting your guitar away, "I heard the door squeak a bit, and you're the only person who would be interested enough in hearing me play to stay and watch."

He knew you hadn't meant it in a self-deprecating way, but the thought of you believing that there wasn't a crowd of people who'd die to hear you perform felt like a punch in the gut.

"You still sound amazing. You got even better, somehow."

"Vernon, stop. You don't have to-"

"Please. Let me at least compliment you. I mean it. You're amazing. It's a huge disservice to the world that you're not out there performing your own music," he chuckled humorlessly by the end, attempting to appeal to you somehow.

Surprisingly to him, you chuckled back in a similar manner, choosing to recline against one of the tables in the room rather than leave now that Vernon was speaking to you – something you'd usually do if you were ever in a room alone with him.

"I've never been much of a soloist. You know that."

Taking a leap, Vernon chose to lean against the table too, taking a seat close to you.

"I'm sure people would be lining up for a chance to work with you, c'mon."

"Not, you, though. Right?"

He groaned, throwing his head back in frustration, "Listen ..."

"I'm kidding, Vernon, relax."

That surprised him. Maybe the time had allowed you to feel comfortable enough to tease Vernon about it. Fuck. You were speaking to him. That in itself was more progress than he'd had in years.

Usually, he would've responded with a joke back, but he decided to drive his point home instead.

"I'd kill for you to even consider playing with me again."

Your mood visibly shifted at that, squirming a bit and looking down at his words.

"Yeah, I'm sure."

This time your sarcasm didn't deter him. He had an opening. You were talking to him, after months of only doing polite small talk with him whenever you were forced to. Maybe it was time he was a bit stern too.

Standing up, he stood directly in front of you, towering over you a bit more than usual since you were leaning against the table.

"Listen. I know I hurt you. I know I did the worst thing I could've done to the person I loved most, okay? I think about it every day. I thought about it every single day after you cut me out of your life – which you had every right to do," he winced at the thought, "Seeing you again, knowing you made it big and that you're still making music made me so glad. So glad that even though I wasn't ever going to be part of your journey anymore, you still had music by your side. I ... I wish I had done things differently. I wish I hadn't acted so stupidly and been so easy to convince to leave you behind just for a taste of success. I deserve every bit of your hate for it, but- fuck ... but I will always keep doing everything I can to see if maybe one day you might forgive me."

"Vernon, I-"

"Wait, I'm not done," he interrupted you with a finger in the air, "I tried looking for you, you know? After you disappeared, I tried to get you back somehow. When we got dropped from the label just a few months later, I tried to find you, but you were nowhere. I wanted you back from the moment I made that stupid decision. I'd do anything for you to be up there with us on that tour, for your name to be on that album cover. Somehow we ended up making music together again, just with all this baggage in between."

"Vernon."

"What? I- Honestly I don't know what you could say to all my word vomit. I already know you hate me. Nothing I do will ever change it," he looked down with a sad look on his face.

"I don't ... I don't hate you."

His head snapped up to look at you.

"You- What?"

"I don't hate you," you repeated, "I don't think I ever did. I never left music completely, I just ... I felt so disposable. I didn't want to work with anyone who wasn't you, and you saw me as a replaceable asset. I didn't even feel like your friend at that point. I mean, it was so easy for Chan to go from second guitar to lead and just completely erase my existence from the band ... Erase it from your life."

"N-no. You have it all wrong," he got closer to you, grabbing onto your shoulders to make you look at him, "Nothing was ever the same. That's why it all failed. I couldn't function without you."

"Hah," your eyes wandered away from his in an avoidant manner, "I would've killed to hear that from you back then."

You took a breath, appearing to ponder whether or not to say your next statement, ultimately deciding on the former.

"I used to like you so much back then. Did you know?," you laughed at yourself, "It was, uh, one of the reasons why I left. I felt like I got rejected in every way. As a friend, as a bandmate, as ... as the girl who liked you."

Fuck.

It had been worse for you than Vernon ever imagined.

The same way he felt dejected at your disappearance, having been practically in love with you at the time, you must've felt that pain a hundred times over. The guy you liked threw you away so easily, of course you were going to assume Vernon would never return your feelings under those circumstances.

But you had it all wrong. Oh, so horribly wrong.

If you had ever given Vernon any indication of you liking him, he would've dropped everything for you. He knew that he should've done so regardless, specially considering you were best friends, but he was extremely immature and dumb at the time. His mind did not reason what effect his actions would have. At the time, your claims about being okay with leaving the band as long as it was for the best of its future were completely taken at face value by Vernon. Never would he have guessed that you had just said that to appease to him just because you liked him.

His prolonged silence allowed you to speak up once again.

"I really did want to try and root for you after you signed that contract, but seeing the guy I was so head over heels for throw me aside so easily settled on my mind after a few days. I realized there was no point either way. We would never be bandmates again, and you would never like me back."

"I didn't- I ... I had no idea. Fuck," he breathed a heavy breath, furrowing his eyebrows, "I was so in love with you. I'm ... I'm so incredibly in love with you."

He knew he fucked up in saying it, specially going by the shocked expression on your face. Your eyes were wide and your mouth agape.

"I'm sorry. Fuck, I'm so sorry. I know this isn't what you want to hear. I- I shouldn't have said anything, but I can't help myself anymore. I've loved you for years. I've been miserable thinking about how badly you hate me when you haven't left my mind for a single day. I love you. I'm sorry, I just ... I love you."

"Vernon ..."

He threw his hands up in frustration, "Don't. Fuck, I already know what you're going to say, just ... just don't-"

"Vernon, shut up!", you grabbed onto his head, making him lower himself down to you a bit and look into your eyes.

Vernon wasn't quite sure what your original plan was, but he saw you open and close your mouth a few times to speak, ultimately giving up to do something that would break Vernon's mind for the upcoming future.

Your lips against his own was something he thought of an embarrassing amount of times during his teens (and even now during his 20's), but it was always something he was certain would never happen. He had never actually planned for what he would do if you ever actually granted his wish. And so he remained limp against you for a few moments too long, making you pull away at the lack of reciprocation.

This was something he just couldn't have. In no world could he ever allow you to ever feel like he didn't want you. Never again. Before you could fully pull away, his arms wrapped around your waist, bringing you to your tip toes so that he could kiss you properly. When your feet flattened on the ground, his lips chased after yours, leaning down to keep himself connected to you.

The kiss was soft and delicate. There were some breathy sighs that were making Vernon's head feel fuzzy, but the kiss was innocent otherwise.

Or at least that was how it started.

Vernon wasn't sure who licked their way into the other's mouth first, but that bit of information didn't matter too much. What mattered was that gorgeous moan you let out when his tongue suckled on yours. What mattered was the way you let your body become limp against his touch, letting him back you up against the table and sit you on it. What mattered were your hands pulling at his hair in sheer desperation for more.

You weren't the only culprit, though. Vernon was equally, if not more, desperate for you. His mind and his body were in a battle, with one wanting to pull away and discuss what your current feelings for him where, and the other fighting the urge to flip you around and bend you over the table.

Thankfully, you made the decision for him.

Your hands snuck under his shirt, delicate fingers gracing the skin of his stomach before allowing your hands to freely feel up his abs and chest. Shuddering, he became lightheaded at the simple contact, having been in such constant want for your touch all these years that even the simplest of contact had him losing his sanity. Unlike you, his hands were not as daring as yours in fear of scaring you away somehow. They remained rubbing your clothed waist and hips, far too shy to do what they really yearned to.

Images flashed in his head of every nasty thing he wanted to do to you. Every single night in which you'd somehow invade his mind with a fog of lust came running back, a myriad of ideas making it all the harder to hold back. He wanted you to have control. As hard as it was to just sit there and will his already prominent boner into staying still, Vernon could not act on any desire. You had to be the one to initiate it.

And thank fucking god you did.

Within some short moments, your hands threw off Vernon's shirt, pulling him closer to you as you became even more shameless in how you felt him up. Seeing his hands remain stagnant on your waist, you disconnected his lips, staring into his own with a blissed out look on your face.

Fuck.

You were already fucked up. Your eyes had nothing but lust in them. They had a hard time not making their way to his lips, which were still dangerously close to your own. He couldn't blame you. Despite being out of breath from kissing all this time, his own lips were already aching to encompass your own again.

Before he could kiss you again with a petulant whine, your hands guided his own to your clothed breasts, pressing them up against his palms with a delicious little whine that made Vernon press his cock against the table under you.

"Touch me? Feel me up? Fuck ... want your hands all over me," you breathed between sensual licks at his open mouth.

Fuck.

Oh, fuck.

How was he supposed to do this?

You sounded so pretty for him ... so horny and needy and just so fucking desperate for him.

You were the prettiest fucking thing he had ever seen – and you were begging for Vernon to feel you up? You were already begging and he hadn't even had the chance to actually touch you yet? Vernon had no idea how he was going to survive you, but he'd just have to will his body into doing so.

He didn't need any further instruction, his hands immediately following the task of rubbing and squeezing at every inch of skin. Every clothed curve was victim to his grabby hands, touching you and pressing you up against him like he'd die if he didn't. Your breathy little moans at his touch only made him feel like even more of a depraved animal.

You kissed and kissed and kissed. It was the nastiest mess of tongues and saliva, but Vernon couldn't help but feel extremely turned on by it. You were so ... so fucking desperate for him. Shameless in your actions, you licked and sucked at his tongue, holding his jaw in place so you could do as you pleased with his tongue. And when he couldn't match your pace due to how foggy his mind was? You stopped him, breathing against his lips that you'd show him how you liked to be kissed just before licking sensually into his mouth yet again.

Having been far too into the kiss, Vernon didn't even notice when you started undoing his belt, hands teasing his cock occasionally by gracing it through his pants and immediately coming back up when his hips tried to chase your touch.

"Baby ... Need you so bad," you moaned at him after a while.

'Baby'? He was 'baby' now?

Vernon couldn't even take a minute to process the lustful voice in which you had called him baby before his poor, weak, lust-ridden brain got distracted by you pulling your own shirt off.

It was almost comical the way in which Vernon froze at the sight. The two gorgeous mounds staring at him, pretty bralette encompassing them as you grabbed his hands and put them on your tits, begging him to touch you there. And Vernon wasn't an idiot. He touched you to his heart's contentment, groaning against your mouth every time you'd arch your back and press your chest up against his hands even more.

You were an entirely different version from the one he'd always known. You were so needy and soft and sensitive, completely unlike the stubborn and cold side of you you had shown him these past months. But Vernon wasn't about to complain when he had you so pliant for him, so whiny as you pleaded for him to touch you more.

His hands tugged and pinched at your nipples, lips swallowing every single cry of pleasure you let out. Your own hands scratched at his chest, with harsher marks being left behind every time he pinched at your tits relatively hard.

Growing easily frustrated, you separated his hands from your breasts, throwing off your bra before beginning to grind against him, encouraging him to push up his hips against your own.

Vernon was already painfully hard at just the privilege of feeling you up, so he was somewhat scared that he might end up cumming in his pants if you kept this up for so long. All it took was one single bump of your cunt against his cock for him to throw that concern aside and grind into your awaiting cunt as the two of you continued to kiss.

Breathless, he pulled away, finally getting to have a view of your nude breasts. That's when he lost control of himself.

He groaned and moaned and made every inhumane noise you could think of as he made love to your tits with his tongue. Never had he ever put so much dedication into anything as he did into making out with your tits. And fuck was it worth it. Your hips sped up against his own, hands burying in his hair as you pressed his head against your tit and cried his name in the prettiest of sighs.

There was no way in hell Vernon was going to last. He needed a saving grace.

Mustering all his willpower, Vernon disconnected himself from you completely, grabbing your hand and walking you over to the couch in the studio. On his way there, he kicked off his already loose pants and threw off his shoes. His original plan was to lay you down on it, crawl over you as he kissed every inch of your body and then worship his way into fucking you missionary, – so he could see and kiss you all throughout, just in the way he always imagined – but you stopped him in his tracks.

Pushing him onto the couch, you sat him down before shuffling your sweats off and straddling him, putting your hands on his shoulders.

"I wanna ride you. Can I?", you asked, getting straight to the point.

"You- you wanna .."

"I've been thinking about this since high school. And ... you kinda owe me, you know, after kicking me out of my own band," you joked.

"If letting you ride me is payback, then I take it back. I regret nothing," this granted him a frown and a slap on his chest, but he took it as a champ, enjoying the familiar banter he once shared with you.

Placing his large hands on your hips, he somehow got you even closer to him, "Ride me? Hmm, baby?", he kissed up your neck, taking advantage of the clear desire he knew you felt for him.

"I, ah ... Nonnie ... Please. Want your cock, it's so big," you sighed, neck tilting so he could have more space to kiss.

"Gotta prep you first, baby."

You shook your head, huffing, "'m already so wet, Nonnie. Wanna feel?"

With no warning, you snuck your hand under the tiny little excuse for panties you were wearing, gathering some tasty nectar for him to taste. He let out a gruttal groan at your taste, feeling lightheaded at the thought of someday having the privilege to eat your cunt until you begged and sobbed for him to stop.

But that would come some other day. Now, he needed to sit you down on his cock before he lost his mind. If you thought you were wet enough, and you were desperate enough to beg for him repeatedly, then who was he to deny you?

Helping you awkwardly remove your panties while he shoved his boxers down as much as he could while sitting, he helped you lift yourself up a bit to line him up, throwing his head back when you instead chose to drag his tip up and down your cunt.

"Baby ... If you don't sit on me, I'm going to fucking cum before I even get to feel you, and I don't wanna embarrass myself like that. So, please let me have it," he begged for a change, eyes squeezed shut as he attempted to make his body hold back as much as possible.

Taking pity on him (or likely just equally as horny), you finally sat down on him, showing very small signs of struggle at his size.

"F-fuck ... Nonnie, it's so big, it's so- Oh ... fuck."

"Nonnie! Feels so good ... Oh, it's so good, Nonnie."

"Baby, need more ... Need you to fuck me. Please? Cock's so fucking good."

"Want it in my mouth, Nonnie. It's so thick n so fucking big. Looks so, fuck, so delicious. Wanna choke on it so bad ..."

These were only some of the filthy expletives you cried out as you bounced on his cock like a depraved girl. You desire for him alone was enough to make Vernon want to give up and dedicate his body to your pleasure, knowing that your gorgeous body would always give him the same, if not more, pleasure in return.

It got so bad for him that at some point, he simply couldn't hold back anymore, his feet settling firmly on the ground before tightening his grip on your hips and beginning to bounce you up and down his cock while his hips canted up with inmensurable speed.

"Cunt's so tight, baby. Never letting you go again. 's all for me, right? Get to have you every day now," he mumbled against your chest, lips chasing your tits every now and then.

"Y-yes, Nonnie. All for you! Missed you so much, Nonnie. Thought of you every day," you hiccuped, back arching to give him better access to your tits, "I was so heartbroken over you ... Never letting you go now. You're mine. Right, Nonnie?"

He nodded and cried at your words, heartbroken just at the thought of your own heartbreak. He had to remind himself that none of that mattered anymore. Now he finally had you. The dam had finally broken and allowed the two of you to end your prolonged animosity and give you a chance to finally be his. Just how he had been yours all these years.

Your love making (if you could even call it that considering the animalistic nature of it) could only last so long before Vernon finally burst, which meant he had to take matters into his own hands and make sure you found your end with him. Reaching between you, his hand searched for your clit, finding it in only a few seconds. Disconnecting his head from your chest, he went back to kissing your neck, reaching your ear so he could talk you through your orgasm.

"Need you to cum for me, okay, baby? Love you so much ... Need to cum together, pretty, yeah?",

"L-love you! So much, Nonnie ... Never stopped."

Those were the last words you managed to let out before your orgasm took over you, whining the prettiest cries Vernon had ever heard. The tightening of your cunt finally allowed Vernon to let go, joining you in your high as neither of your hips halted their movements.

Holding you all throughout, Vernon had never felt as close to anyone else as he did to you in this moment. If you needed to hate him in order to protect yourself from his betrayal, then Vernon fully accepted it. No part of him blamed you for keeping him at an arm's length at all times. Specially if this was the final outcome. Now that he finally had you, he didn't care what journey he had to live through to get here. All he cared about was the gorgeous girl of his dreams crying in his arms as pleasure overtook her.

Your orgasms had been so incredibly intense that you needed some moments to catch your breaths before speaking up. That, and all the emotions that must've been going through your minds.

Holding each other despite the silence, you stayed like that for a few minutes, simply nuzzling against each other as a demonstration of love for one another. Vernon's mind still couldn't believe the reciprocation of your feelings. His heart was still beating far too loud under your touch, but he felt at ease.

"I really do love you," he spoke against your neck, "And I'll never stop regretting what I did to you."

You created a small distance between you to look at him, caressing his cheek in your hand as you spoke.

"I'll never be okay with what you did, but I love you. You were young, and you made a mistake. I can't stand hating you anymore."

He smiled, turning his head to kiss the palm you had against his cheek.

"You can hate me, as long as you love me too," he said. He knew it made no sense, but he also knew you understood.

"I love you," you said again with a smile.

"I love you."

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content: smut, afab reader, comfort sex, face riding, penetrative sex, etc.

wc: 714 (teaser); 2379 (full drabble)

sneak peak:

"Isn't it unprofessional for you to ask an ex member to join the band again just cause you're sleeping together?", asked Chan as he tuned his guitar absentmindedly.

"For the last time, that's not why I'm asking her. I've wanted her back for years, you guys know this. I'm just rectifying a mistake."

You giggled from your seat on the couch, enjoying that the guys still gave Vernon a hard time for what he had done all those years back.

The news of your relationship had come as a surprise only to a few people. Most of your friends had seen it coming from miles. The sexual tension was just too high, or at least that's what Jeonghan had said when you first broke the news, Seungkwan nodding in agreement.

After that day in the studio, you and Vernon entered an annoyingly disgusting honeymoon phase. Unfortunately for everyone else, this phase seemed to be endless. Two months in, and you were still attached to the hip, unable to keep your hands or eyes away from each other.

Your newfound revelation of love for Vernon also brought back up old dynamics between the two of you. With his encouragement, you began occasionally playing with the guys, sometimes joining in as second guitar on stage, standing at the back, right next to Vernon and his drums. Your relationship was a point of conversation for fans, but you still kept it private among the people in the company.

Currently, Vernon had made the executive decision that he wanted you to officially be featured in a remixed version of one of their most successful songs from their debut album. The plan had already been there, but Vernon's suggestion of having you on the track rather than anyone else had surprised some people at the company, especially when they found out you agreed.

Vernon had been incredibly busy all week, leaving this as the first time he'd been able to see all of you together to briefly discuss the future plans for the track. His plan was to make a quick stop and then finally rest in your arms back at your apartment.

"Anyways, you should never forget that she was lead guitar before you ever were. We could always just send you to the back again," interrupted Seungkwan, giving Chan an unserious yet pointed look.

Chan raised his hands in defense, "Hey! I'm not the one who kicked her out!"

Groaning, Vernon walked over to you and buried his face in your neck, tired features clear in his face as he wrapped his arms around your waist, "Make them stop. Please."

Giggling again, you opted for a better option, taking the clearly tired boy by the hand and leaving the studio, bidding your goodbyes to the guys.

You had only stopped by to say hi to your friends while on your way to your apartment, knowing Vernon was tired from a long day of recording for various other activities he had recently embarked in as a new face in the industry. They were already aware you'd be recording a song with them, but simply enjoyed giving Vernon a hard time. Maybe even more than you did.

On the ride home, Vernon had fallen asleep, absentmindedly cuddling against you on the back of the car. Vernon had naturally taken on the role of the main face of the group, which also came with endless work and promotions he sometimes had to do solo, just like today. You were more fortunate in that area, making most of your money off royalties and not needing to make public appearances at any point.

When you finally arrived home, you continued dragging Vernon along with you, who would only groan occasionally at the thought of even stepping foot into the elevator. Making it all the way to your suite had taken a while due to the size of the building, but when you made it, Vernon immediately threw off his shirt and stripped down to his boxers, letting himself fall face first into the bed, groaning at the mattress cushioning his fall.

You stared for a few moments, thinking of what you could do to help your tired boyfriend relax after a tiresome week of work. Then the idea suddenly came to you.

...

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1K notes · View notes

yuqiyu · 2 years ago

Text

Guitar Lessons (Eddie Munson x F!Reader)

♡ part 2

Summary: During one of your hangouts at Eddie's trailer, he offers to give you some guitar lessons.

Word Count: 6.6k

Tags: NSFW, sexual content, cunnilingus, face riding, making out, eating out, fluff, friends to lovers (kinda), slight angst, dramatic reader, no use of y/n

｡☆✼★━━━━━━━━━━━━★✼☆｡

“How long have you played?” you ask as you graze your fingers over the body of the guitar. It’s smooth and cold, the design fitting right in with Eddie’s aesthetic.

He’s looking at you cutely, leaning back on his forearms against the bed. There’s a sparkle in his doe eyes as he shifts a bit.

“So I see you’ve met the lady of the house,” he says, a slight lilt to his voice. “Go on, take her down.”

As you carefully step over a messy pile of cassette tapes beside another pile of clothes, Eddie makes a grabbing motion and mumbles a That’s right, come to papa. You stifle a laugh, releasing a snort in the process. He shoots a look at you, fully defensive.

Once the guitar (or the love of his life, as he’d say) is in his hands, it fits perfectly like a puzzle piece on his body. His neck is slightly craned over it. You think he’s looking at the strings, but as you move closer, his eyes are closed.

He starts plucking out a couple chords, a sweet melody completely contradicting the visuals you are being fed. You begin to close your eyes as well, allowing the music to flow through the both of you. It sounds beautiful despite not being hooked up to an amp.

It has been only a couple of months since you first met Eddie in the hallway between classes. You recall a head full of messy curls hanging over what you thought were interesting choices in an outfit. Girls were avoiding him left and right as he picked up the remnants of his stuff off the ground after a couple jocks had so kindly knocked them out of his hands.

When you had picked up a notebook that had fallen behind him, a few loose papers with unfamiliar charts and symbols fell out. You plucked them up for a closer study.

“Just getting ready for the Satanic rituals this Thursday,” he mused. You looked up in surprise.

He was a very pretty man, his hair framing his slim face surprisingly well. His large eyes bore into you, and you swore you could get lost in the dark abyss behind them.

“What?”

“Sorry, bad joke.” He looked at you sheepishly, then to the notebook in your hands.

“Right, sorry.” Even after you quickly handed it back to him, he continued staring at you, amused.

“Are you new?”

You shuffled your feet, feeling even more awkward than you already were.

“Yeah.” And the rest was history.

You open your eyes when the music stops. Eddie is staring at you with a crooked grin, inches away from your face.

“Jeez, you’re so creepy,” you laugh as you push him off. Ever the drama queen he is, he falls backward onto the bed limply, the guitar following suit. His hands are clutched over his heart as his face fakes a wounded expression.

“I just gave you the best serenade you will ever hear in your life, and this is how you repay me?” He all but shrieks at you as you continue slapping at his arm.

“ Ever? That’s such a loaded statement, Eddie. You haven’t even answered my question.”

He jumps back up, then pauses for a beat. “I don’t know, my whole life I guess,” he shrugs.

You stare back at the guitar, still being held snugly in his arms. There was no way to stop the idea of you being there instead, but you shake yourself out of it.

“That’s pretty cool, though. I don’t know how to play any instruments.” You copy his pose from earlier, supporting yourself up by your forearms. He twists his neck towards you, that beautiful damn smile beaming a hundred miles per hour your way.

“Really,” he questions, dragging out the word playfully. “How about I, the greatest guitarist ever, teach you some new things.”

“Again, such a loaded statement, but okay. Hit me.”

The next hour or so is not exactly what you were expecting. He has an old acoustic guitar hiding somewhere in his closet (which he searches for with difficulty, under more piles of items) and has you test the waters on it. With the pleasant surprise of Eddie literally wrapping your back with his arms, moving your fingers to the right formations, you are basically floating on cloud nine.

He is a demonstrations type of guy, not an I-will-show-you-first-then-you-play kind of way, but in an I-will-wrap-my-gorgeous-hands-around-yours kind of way. This shouldn’t have shocked you, ever since he cupped his hands over yours just to help you roll some dice when you hesitated during a campaign, at least. You often took sneaky glances at his fingers after that day, how could you help it? The day he finds out about your secret hand fetish will be the day you change your identity, because not only would it feed his already inflated ego, he would never let you live it down. He already has so much ammo against you, and you dread that only one more will put you six feet under.

Eddie was exceedingly patient with you in teaching the strings and the chords, even though you had trouble memorizing where to place your fingers. You wish you could say the same about previous teachers, who were truly wicked demons compared to him.

You let yourself falter and lean backwards, just enough for Eddie to notice. He suddenly peels your fingers off the instrument and gives little kisses to them.

You yank your hand back in surprise and squeak out, “Eddie!”

His stupid antics always make it hard for you not to fall for him. It sometimes feels like he does it on purpose, like he means to fuel your feelings even more.

“Just thought they needed some healing kissies ,” he replies, his pitch increasing at the end to mock you.

“Kissies are only for couples,” you snapped, unable to process anything but the imprint of his soft lips on your hands. You hope you don’t look as dazed as you feel right now.

He simply ignores you and strokes the neck of the guitar, still wrapped comfortably around you. “You’re a natural at this, y’know? Maybe you should get some real lessons.”

“Yeah, right. It sure doesn’t feel like it.” You give your hands a good shake, loosening all the muscles as you sighed in relief. Dark, red lines were etched deep into your fingertips. Looking at them only made the pain feel even more real.

He grabs them again, gripping them tightly. “Hey—hey, careful! These hands have unknown potential! You could be a god with these.”

“‘Thought you said you were the best out there,” you smile, nudging him in the ribs. He feigns offense.

“I am, but if there’s gonna be someone better out there, I’d rather it be you!”

You can only roll your eyes at him as he drops his chin on your shoulder. He must be bored out of his mind right now, so you push for a new topic.

“Why are you being so touchy today,” you tease, turning to look at his face. It is much easier now to admire his features now that he is sitting so close to you. His eyes are glazed over. “Wait a minute—were you high this whole time?”

He gives you a guilty look.

You aren’t sure if you should be impressed that he was able to teach you so well under the influence, or if you should be disappointed. His affections to you often occurred under one and only one circumstance, and that was when he was ridiculously high. He must’ve smoked more than usual. The thought hits you like a crushing weight, smashing through your heart and sinking down to your stomach in just under five seconds. You want to throw your head into your palms and cringe at how hopeful you were, even though you’re already used to the reality of this godforsaken friendship. But then the sinking feeling falls even deeper into your pit when you realized something might’ve happened to make him reach for his stash like this.

“Did something happen today?” You don’t mean to probe, but even stoner Eddie has his limits for most of the time. Sometimes the overcompensation is a little too obvious, even for your obliviousness.

His head is still lolling on your shoulder, though this time there’s a faraway look in his eyes. There’s a silence that hangs thick for what felt like forever, until you feel his chin shift, trying to find a more comfortable spot to sulk in.

“Don’t tell me it’s girl troubles,” you huff out. The thought of it already has the heat rising to your cheeks. It’s one thing to have an unrequited crush, but to see said crush pining for another person was simply soul-crushing.

He must notice your expression, because he looks at you amusingly. “Why? Would you be jealous?”

When you shoot him a deadly look, he only giggles and reassures you. You’ve heard this speech about a million times already: you’re his best girl-friend and no one can ever beat you. To be honest, it’s hard to be beat when you’re his only girl-friend, but hey, it’s still a win. If he has to constantly remind you, though, maybe you’re being too obvious. You remind yourself to tone it down around him.

Eddie suddenly jumps off the bed with renewed vigor and swipes the guitar from your arms before laying it carefully somewhere in the closet, then plops back down beside you. His face is serious, the playful energy lasting only for a few seconds.

You ease yourself down slowly, lying on your side as you soak in the sight before you. His arms are tucked under his head, ankles crossed at the edge of the bed.

“I only ask because I—”

“ Because you care. I know.”

You give him a minute. There are only the sounds of your breaths mingling with each other, and if you relaxed enough, you swear you’d be able to hear his heartbeat. You’d usually miss the peace you had prior to meeting Eddie, but now, when there is no sound of his annoying voice or music or anything , it makes you nervous. Because a vulnerable Eddie is a sad Eddie. There was no easy way to learn this.

“I heard you went on a date with Harrington,” he starts. His hands fly in the air as he continues. You can’t help but stare at the glint his rings give off in the different angles. “Went to the mall and everything.”

It’s your turn to look amused. When he catches it, he presses a finger to your lips, which only causes you to snicker. “How could you ignore me for some jock. Is that why you didn’t pick up my calls that day?” He has such an intense expression, backed up by the furrowing of his brows now hiding under his bangs. He seems so distressed, although you can’t help but smile at him in silence.

“Is that all you have to say to me?” He’s practically begging for response at this point.

“First of all, Munson,” you emphasize as he winces at the demotion of his name. It was easy to tell when you don’t feel like humoring him. Ever since the beginning, it had always been Eddie . When you had tried calling him anything else, it just didn’t feel right in those moments. And it still doesn’t. “It wasn’t a date. It was a double date!”

His jaw drops as he rubs a hand over his face, having expected you to at least try to comfort him, like you usually would. It was shameful, honestly, the way you would scramble to mend his sorrow every single time. You pause for a second, letting the moment really sink in before continuing again. This is payback , you thought. “It was Nancy, Steve, Robin, and me. It wasn’t really a date, Eddie. I don’t know why you’d even care.”

There’s a slight quiver in your voice when you articulate the last line, but you hope he doesn’t notice. However, it seems like that’s the only thing he noticed.

“I don’t know what you’re thinking, missy, but I care a whole lot when my only friend in the whole wide world goes missing when I need her most.” The glazed look in his eyes hasn’t faded, but the seriousness is still there. You almost wish you aren’t still having this conversation because it only breaks your heart further the more he opens his goddamn mouth about friendship this, friendship that. But your love and concern for him overshadows it all, and you want to smack yourself over the head for that.

You take a deep breath, inhaling all the different scents of Eddie (if that was even humanly possible) and ponder your thoughts. You like to do it because It keeps him on his toes, you remember, as if he’s always hanging onto your every word, inching closer and closer to the edge of the cliff.

You allow your eyes to wander across his walls, taking in the various band posters, and then back onto the guitar. It’s so easy to get sidetracked in the confines of anything related to him, but the more you learn about him, the more you realize he’s just a huge dork who plays fantasy games and the guitar in his free time. He does a great job at keeping the air of mystery around him, though, and you wonder if people actually realized who he truly was, maybe they’d bully him a tiny bit less. That is, if they weren’t so scared of being sacrificed by him. He shakes you out of your conscious slumber with a couple snaps of his fingers in front of your face.

“Hey—are you even listening to me?”

His hand continues waving in your face for a few more seconds before you swat it away. You’re looking at him with as much sincerity as you could possibly muster. He’s doing the same, though you notice the way the corners of his mouth tug down, like how they usually do whenever you reject one of his hugs.

“Can I level with you?” you ask.

He looks at you strangely, eyebrows raise in question. There’s some clarity to his eyes now, and you feel yourself getting sucked in temporarily. His Adam’s apple bobs as he gulps thickly. He nods.

“I couldn’t give less of a shit about your love life and who you choose to date, so why should you? ” The words come out with more venom than you mean to, but you couldn’t—no, wouldn’t , take back what you said. Even though you’re lying, it feels good knowing that he at least doesn’t know you have a massive one-sided crush on him. It gives the illusion that you’re in control, and you’d like to keep it that way.

Eddie’s features soften. He looks so hurt, and you can’t bear to look at him for more than two seconds. The room is silent again, though it’s lacking the comfort that usually comes with it. You slowly sit up, and start grabbing your things. Before you leave, he pulls your wrist back. His eyes are pleading.

“It’s still early,” he begins. “If you want to stay longer.” You look sparingly at his face, mostly darting to his bedsheets or the walls. His grip tightens.

“I—um, I’ve got some overdue homework I need to work on.”

He knows you well enough to know that if there was one person he knew that always had their shit together and done on time, it was you. But he lets go, and your heart stumbles because if he had asked you one more time, you would’ve stayed. You guess some things are just not written in the stars, and tonight was one of those things.

He only purses his lips and exhales, “Alright.”

He doesn’t walk you out the door today.

The next time you see him ends up being the following night. He had called the morning of, asking if you wanted to come over for more “guitar lessons.” When you didn’t reply quickly enough for his liking, he simply said, “See you at eight. Sharp, okay, sweetheart?”

Your heart twinges, so you agree.

Eight sneaks up on you before you know it. The night air engulfs you as you rap your knuckles against the Munsons’ trailer door. It rattles violently, so you stop, fearing that one more would completely knock it off the hinges. You hear a familiar voice ring out, welcoming you in.

When you’re inside, you spot Eddie running around chaotically in the small kitchen. Various snacks are being crushed by his arms clutching them close to his chest, and he nearly slams into a table (not without cursing) while tossing them over onto the couch.

He finally sits down among the mess, accidentally on a bag of chips, and it crunches. He makes a butt-shaped hole with the snacks next to himself, then affectionately pats the area and looks at you.

You scooch around and pop open a bag of gummy bears. “We’re starting the movie early today, huh?”

“You gotta return it tomorrow. We can’t have any more distractions now, can we?” He fiddles with the remote, pressing buttons here and there. There’s only static on the TV. He groans and gives it a good few smacks.

“Wow,” you drawl. “Eddie Munson himself, actually remembering due dates, and not even his responsibility? That’s new.” He turns around to retaliate, but is hit by a gummy bear straight to the face. “Bullseye,” you laugh.

He only sighs and walks towards the kitchen. His hand squeezes your thigh on the way and, with an exasperated voice, says, “Be good ‘til I get back.”

The movie ends without another hitch, and it’s not long after that both of you are back in his bedroom.

“So,” he says as he claps his hands together dramatically. “It’s time for lessons by Mr. Munson himself.” He picks up the acoustic guitar and seats himself down next to you on the bed. “Wanna show me what you’ve learned so far?”

“To be honest, not much. Sorry to disappoint, Mr. Munson,” you shrug, taking over and strumming out a few test chords. He wets his lips absentmindedly.

“Well, you seem to remember the C chord, at least,” he nods. “But—” He cups your fingers and shifts them downward. “You’re a bit too high there, sweetheart.”

The touch burns through your skin and sets your mind, body, and heart aflame. It takes you a second to answer. A second too long, is what Eddie thinks.

“Okay…what about my G?” you ask quietly, not trusting yourself to breathe.

“Your G what? G-string or G chord?”

You blink.

He winks.

And your body is at war. The rope inside you tugs between choosing violence or letting yourself melt in his arms. It’s close to betraying you, until you choose fight-or-flight’s third sibling: freeze.

Eddie cackles as he shakes you awake. You feel your consciousness slam back into your body with full force. Your mind is going insane. What did he mean? Does he want to do something? Does he want me ? You’re about to open your mouth, to say Yes! Yes, Eddie, I want you!

“Bad joke. Sorry.”

You wish the moon would become unlatched from whatever science-y, physics-y thing that’s keeping it in orbit and hurl towards Earth and just crush you to death right then and there. How does one recover from this?

Except you do. He spends the next thirty minutes teaching you an easy song that includes the whopping four chords you’ve learned. It goes as smoothly as you hope, until the heat radiating off of Eddie and wafting onto your back is making you uncomfortably sticky.

When you had left the house earlier, you wore tank top with a denim jacket to cover your arms. It wasn’t your best look, but you weren’t trying to impress anyone (more of a self-persuasion, but who’s really checking?). The decision feels like a huge mistake now, because you are definitely not comfortable enough at the moment to let him see your skin like that.

Each touch, each movement, and each breath of Eddie’s fanning over your neck so deliciously gives you more and more confidence as the night moves on. He’s pressing all the right buttons, as if knowingly, and your barrier begins to crack.

You carry on with full composure, as you always have . He gives you a simple task: play at least halfway into the song perfectly. When you do, he leans in, lips slightly brushing your earlobe, and whispers, “Good girl.”

Your face begins to heat up at a rapid rate. Your body, on the other hand, isn’t sure whether it should tense up or relax. Eddie notices and places his hands on your shoulders, giving you quick squeezes sympathetically. It only makes it worse.

Not sure how you did it, but you were able to get the guitar safely on the bed before jumping off of it entirely.

“Wow,” he exhales and simpers. “I just wanted to see if you had a praise kink or so—”

He’s cut short by your glossy eyes and trembling lips. His mouth opens, but nothing comes out, so he waves his hands uselessly.

“What, so I’m just a joke to you?” Your voice betrays you, as much as you attempt to conceal your vulnerability. It sports a matching look on your face. This is it , you think. You lasted only a couple of months after making your first friend at this stupid school, and thinking about it makes you feel ashamed. Somehow, this feels worse than a real break-up.

“I’m—Hey, look at me, please. I’m so sorry.” He’s scrambling to fix his mistake, hands all over you, and eyes frantically searching you for a hint of forgiveness, even if he knows it’s futile.

“Eddie, I need to go. It’s fi—”

“No!” he cries, causing you to flinch. His grip softens on your shoulders, but is still unwaveringly attached. “It’s not fine.”

Even through the thick material of your jacket, the knowledge that he’s still touching you has you squirming painfully. “God, please , stop touching me.”

Now, Eddie’s heart is breaking into a million pieces, and you know it well. Since the first day you met him, you could tell what his love language was. From the way he’d ruffle your hair affectionately after a campaign win, or how he’d pull you into a bone-smashing hug whenever you brought his favorite snack to school, to simply the way his eyes would twinkle right before giving you a first bump every time you parted ways. In a sense, this was a real break-up to him.

His arm slowly slides off of you, with a pained look on his face. He then stares at you expectantly. When you make a move to the side, he reaches out towards you, though not close enough to touch.

“Please don’t go yet. Just—” He closes his eyes and groans against his palms, and you’re sober enough to know it’s not directed at you. If you hadn't felt so terrible, you’d laugh at the way he was repenting. You stare slack-faced at him, and while it’s not the reaction he was hoping for, he takes it as a second chance. “I don’t know why I said that.”

“Like how you don’t know why you said, ‘g-string’ or why you just messed with me all night?” you nearly shouted. It takes a lot of energy to force the sass through your pain, but it shows enough to cause Eddie to shrink within himself. You can’t even feel bad anymore. Maybe this was an overreaction on your part. He’s always been like this, so what is different now? In a way, there is still a part of you that actually does feel bad, but only because you let yourself waste away in your feelings without ever bringing it up to him. There is no way for him to really know how you feel about him without communicating it. Even then, normal friendships aren’t like this. Friends don’t whisper dirty things into each other’s ears. Friends don’t playfully flirt with real sexual tension. So it’s not fair that you have to endure this while he’s the only one having fun.

Eddie, on the other hand, wants to stuff his mouth with his fist. He wants to pull his hair out, he wants to scream into his pillow, but most of all, he wants to hold you and apologize over and over until he’s completely lost his voice. For you, he would grovel as much as you want him to, and to him, that would be nothing if it meant you’d take him back.

His voice cracks when he manages to find the courage to speak again. “I’m sorry I made you uncomfortable with my behavior.” He looks at you intently, eyes roaming your face, searching— begging .

You look away, and it scares him. He’s never seen you cry like this, and it’s even worse since he’s the reason why. His arms twitch, and he realizes that that was the last time he’ll ever be that close to you again.

After a million years (according to Eddie), you sigh, “That’s not the issue.” There’s a fierceness to you now, surprising the both of you. You jab a finger at his chest viciously. “My issue with you is that you keep taking my feelings lightly.” His brows furrow, and it only pisses you off even more.

“I like you, you asshole!” There was no point of return. All of that was out the window the moment he crossed a line. Instead of feeling scared or sad, like you thought you would, you were instead enraged with an addicting fury. “And you .” You make a point to jab him especially hard for emphasis. “You have the nerve to mess with me all night long—not to mention even whining about how I should spend every waking moment with you when I already do…and you know what the kicker in all of this was? I did wish I was at the mall with you! I did wish I was on a date with you!”

His forehead is creasing, eyes wide, and mouth pursing. When it finally opens, he breathes out an Oh. And he suddenly he knows how to make things right.

In your complete, utter mess of a breakdown, you don’t realize that you had balled your hands tightly into a fist until you let go, and the searing pain from your nails digging into your palms lets up.

Maybe you were okay with destroying this friendship before, you try to convince yourself, but the regret starts pooling into your belly along with nausea. You’re too ashamed to look at him, yet you also don’t have the courage to move from your spot. So once again, the room is just filled with the sounds of labored breathing and bated breath, both standing in a face-off.

And then you will your legs to move, to run far, far away. But Eddie catches you first, and his face is sloppily smashed against yours as he pulls your lips into his own. Certainly, this is bold, the boldest thing he’s ever done, he’d argue. Still, he’s unable to withdraw because once he has you—your scent, your soft skin, and your gasps keeps him wanting more and more.

It only ends when both of you come up for air, foreheads still glued together as you laugh mirthlessly. “This whole time?” you murmured.

You can feel the smug grin on his lips as he attacks the junction of your neck. You melt against him. “Yeah.” He continues down to your shoulder after pulling your jacket off, his mouth never leaving you. “So, was I right?”

“Hmm?” You couldn’t trust yourself to speak anymore. Somehow, Eddie has gotten you back to his bed, and you feel his necklace glide across your chest coldly, sending little shivers along your spine.

“‘Bout you having a praise kink,” he mumbles. He’s taking his time on a particular spot near your collarbone, making sure to really mark you well.

You’re too embarrassed to reply, so you hope he moves on from it. He doesn’t—worse, he stops. He’s holding himself up with his arms, caging you in, and looks at you mischievously. “Sweetheart, I asked you a question. Don’t go shy on me now. ”

You reach up to press a kiss against him, but he easily flicks you back down like a fly. His brow arches, though he’s still grinning arrogantly.

“Fine, yes, yes, yes, I do.”

“That’s my girl.”

You moan into him when he’s back on your mouth, tongues slow dancing. You still feel hot, but it’s different this time around. It’s more freeing—like you’ve let something go, and now you’re finally able to enjoy it.

Eddie is a much better kisser than you imagined. You’ve thought about how he’d taste and how it’d go, oh absolutely, but this is real . You memorize the way his tongue darts around as if mapping out every part of you, mixed in with the faint smell of cigarettes and pure testosterone.

He’s gripping your chest as he makes his way down and massages it to Hell and back. You can’t help but love how primal you’ve got him, which only turns you on even more.

“I’ve wanted to do many…many… many, ” he accents each word with a wet kiss down your arms. “...unholy things to you since I laid my eyes on you.”

You strip off your top and bra, tossing them to the side with urgency. He only chuckles at your brazenness before giving both of your breasts a firm squeeze. You push him onto the bed and straddle him. “C’mon, Eddie, your turn.” He looks at you incredulously, then his stare turns dark after a blink of an eye. His hands run up and down the sides of your waist, leaving little goosebumps in their wake.

“My, my, who knew you were so forward? All of that innocence…just an act.” He reaches out and captures your chin, firmly holding on as he angles your face around. The cold air drifts against your chest, causing your nipples to perk up. You release a shaky breath and close your eyes, suddenly feeling timid. “No, no, open them for me, sweetheart.”

When you do, you feel him twitch under you, provoking you to ground back down on him. Your eyes are half-lidded, hips rolling. A guttural groan expels from his throat, and he grips you to a standstill.

“Get—ugh, take it off already!” you whine, clawing at his t-shirt.

He’s looking at you with so much lust, yet it’s filled with tenderness; his hands rubbing circles into your own only reaffirming that. After a moment of silence (in which Eddie is aggressively admiring your beauty), he licks his lips and speaks.

“I want you to know that if we continue, this won’t be the last time. There will never— ever be ‘going back to being friends’ or ‘acting normal.’ Because to be frank with you, princess, I can’t do that.” His eyes take in your silhouette, wandering slowly and deeply, because he’s so afraid. So afraid that this will be the last time you let him see you again. He wants to memorize as much of you as possible in case it gets taken away. He takes a deep breath. “So, if we do this. I want more of you—not just the sex, but I want to take you out. And… I won’t do this if you don’t want that. I don’t want this to be a one-and-done deal. Got it?”

You’re unsure whether it’s the adrenaline running through your veins or the sexual tension you feel for him snapping, but you run your hands under his shirt and over his bare chest. For whatever reason, his thoughtfulness turns you on even more than you thought you could be. You ache for his touch, and the desire builds into a searing pain. He wants to stop you, but he can’t; you’re too mesmerizing.

“Eddie,” you moan out. He whimpers under your touch, and he bucks up into you. The muscles in his hand flex against your hip, fighting against his vices. Who knew having a pretty girl on top of him would have him become such a mess?

“Sweetheart,” he breathes out. “You’re not helping me here. I need you to tell me you—” He flips you under him, knee wedged conveniently between your legs, pushing barely enough against your core. He’s frustrated in more ways than one. His eyes implore of you, with the addition of his voice being much deeper. He lets you rub against his thigh for a moment before pulling back. He pins your hands above your head and hovers closely over you just enough for you to hear his harsh whisper. “Now, now, you’re not being very good, are you? Tell me you understand.”

“I understand,” you beg.

“Understand what?”

“Fuck, Eddie, I want you to be mine. My boyfriend, my heart, my soul, and—” You slide your fingers down his body. “Your cock .”

“Shit,” he grins cheekily. “Why didn’t you say so earlier?” He moves to unbutton your jeans as his tongue sticks out in concentration. You don’t understand how he could still be so cute during an activity as sinful as this. Once the garment is off your legs, you return the favor, nearly ripping his shirt off his back.

He quickly pulls you back onto his lap. You continue running your hands down his chest as one of his fingers hook into the hem of your underwear, rubbing the skin of your hips with the pads of his fingers. His other hand swipes teasingly down your cunt through the fabric, causing the thick wet line to fully soak your panties immediately upon contact. You rut against him, despising the barrier that is his jeans. You need to feel him now .

“Patience, sweetheart,” he says hoarsely, right before pulling your underwear off completely. “There’s something I wanna try first.” He pulls your hips up to his face roughly, and your hands land on the wall above him for support. You giggle.

“Sounds like you’re the one who needs to put on the reigns.” Your heat is right above his mouth; you can feel his hot breath fluttering across, making you drip even more. His soft lips target your core, making sure to run his tongue over your clit from time to time. In the meantime, his hands continue roaming your body, starting from the bend in your knees to your quite indulgent thighs, all the way up to your chest. As you’re stuck in his maze of pleasure, he catches you off guard and pulls on your nipple. You yelp in surprise and arousal, the electricity of it aiding you in the roll of your hips against his face. He smiles against you, easily lapping up any juices that come out.

It causes you to release your most lewd sound of the night so far, and this man is soaking it all up. He loves that he’s the one to make you feel this way and no one else.

“Bet Harrington couldn’t make you moan like that for him.”

You roll your eyes. “Shut up, I wouldn’t have even let him.”

“Careful with those eyes, I don’t want them rolling to the back of your head unless you’re bouncing on my cock.” He continues suckling at your clit and your eyes squeeze shut, enjoying the sensation. You’ve played with yourself before, but it was never like this. You could only get so far with just your fingers rubbing idly as your mind sneaks off somewhere else. Just the way his tongue moves around you so languidly has you close to your climax already.

He abruptly palms both your ass cheeks and pushes you deeper down into his face, to the point where you’re terrified you’re going to smother him—but he keeps it there, firm and steady, and darts his tongue in deep .

Now, you’ve seen this man’s tongue countless times before. Whenever pure concentration is necessary, that one time he provoked Jason Carver in the cafeteria, and the many periods of time when he merely wanted to make funny faces at you to cheer you up, like a child. Have you thought about what they’d feel in your mouth and inside of you? Naturally. But what you failed to understand was the sheer strength and length of each thrust. When you look down at him, you expect to see multiple appendages because there is no way he could work on so much of you all at once. Oh, it is so much better than you thought.

The thin sheen of sweat on his skin has his bangs sticking to his forehead. The rest of his hair falls nicely around him, like a halo under your thighs. The tip of his nose is bumping wonderfully against your button, bringing you closer and closer to your release. He’s looking straight at you, cheeks slightly hollowed out from the sucking motion. He squeezes your ass and gives a single slap. Your arms fall from the wall and land on the sheets next to him. Unable to hold back any longer, you start tweaking at your nipples. The sight has Eddie groaning into you, sending heavy vibrations straight to your folds.

“ Fuck , Eddie.” You want to scream, but you’re afraid that the neighbors might hear. You stifle a few more moans to the depths of your soul, until you feel your climax inching towards you. He answers incoherently into your pussy, but you know what he wants. His hands grip you tighter, helping you grind against his face. With one more hard suck around your nub, your orgasm comes crashing down on you. Your center pulses with each high, and you swear you’re seeing stars. You topple over, body limp beside Eddie as he licks his lips. His face is drenched with your cum.

“Was it that good, princess? I didn’t even get to finger you yet.” He waves his fingers humorously in front of your face. He’s leaning on one arm, admiring the work he’s made of you. Your chest is still heaving from the intensity, and you fan yourself.

“God, yes, it was so—I don’t even—have you done this before?”

“Oh, but of course,” he replies without missing a beat. You looked at him in surprise, then at the mess he made out of you. “What, do I seem like a virgin?” Your eyes are half-lidded, and you feel the embrace of sleep coming over you, but you’re able to muster out a yes and a few chortles for good measure.

Eddie had gotten up in the meantime and wiped his face with a towel, then used another to wipe you down. You croak out a “ Thanks” as he places a kiss on your forehead. He’s about to pull his covers over you, but you grab his hand with a frightful ferocity, alarming the poor man before you. He looks at you in question.

You fight the sleep in your eyes, and yank on his belt loop. He falls over you, quickly catching himself with an arm next to your head. He chuckles. “What is it, sweetheart? Haven’t had enough?”

You palm him over the jeans, and he hisses, but keeps steady. It was the most overwhelming orgasm you had ever experienced in your life, and as a result, your body’s energy levels are depleted. You feel guilty, wanting to return the favor, especially since he still has a hard-on, but it was getting more difficult each second that passes by. He notices and moves to the side of the bed.

“Maybe next time,” he says.

“Next time,” you whisper.

And the world fades to black.

#stranger things smut #stranger things #eddie munson smut #eddie munson x reader #eddie munson x you #eddie munson x y/n #smut #eddie munson

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turnstileskyline · 11 months ago

Text

The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

#long post #lke. VERY long post #fall out boy #fob #take this to your grave #tttyg #patrick stump #pete wentz #joe trohman #andy hurley #if theres any typos lmk and i'll fix em this. hust took fucking forever to transcribe.

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the-hottest-band-tournament · 3 months ago

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Round 8 of The Hottest 80s Band Tournament

Guns N’Roses

Defeated opponents: ZZ Top, Pantera, A-Ha, The Go Go’s, Fleetwood Mac, Mötley Crüe, Hanoi Rocks

Formed in: 1985

Genres: Hard rock

Lineup: Axl Rose- vocals

Slash- lead guitar

Izzy Stradlin- rhythmic guitar

Duff McKagan- bass

Steven Adler- drums

Albums from the 80s:

Appetite for destruction (1987)

G N’ R Lies (1988)

Propaganda: “The sluttiest a man can do is be in the Guns’N Roses’s original lineup”

“Watch this video and tell me slash doesn't have pretty boy babygirl swag”

youtube

“Whoo! Time for more Guns N’ Roses propaganda (and by that I mean an excuse to gush about Steven Adler, one of my favorite drummers/people ever)

First off, look at him. This is, and so cannot stress this enough, one of the cutest people I’ve ever seen. Ever. Look at him! (And also, he’s a drummer so he’s fun-size - he is 5’7 at most and at least some of you reading could pick him up)

And he’s one of the greatest and most fun drummers to ever live. I’ve heard maybe 3 other drummers who are as fun to listen to and who have as good of a feel for matching the actual emotion of a song (harder to explain with drumming, but even though they’re both love songs, wouldn’t do the same solos for Patience and Sweet Child o Mine - it’s the same deal here). The demo for Back Off Bitch runs laps around the full version and half of that is because of him.

Izzy Stradlin himself has said that he gave early Guns N’ Roses their feel and that things got weird and “nothing worked” without him (I swear to god that’s a direct quote). You know how hard it is to get a guitarist or singer to recognize and actually admit that? And he’s never made a bad song or sounded boring, and that’s really rare for 80s-era hard rock drummers. Even Tommy Lee’s had his weird songs and I can’t say the same here.

And some bonus propaganda before I write another five paragraphs”

youtube

Queen

Defeated opponents: Green Day, Earth, Wind & Fire, The Psychedelic Furs, R.E.M., Duran Duran, INXS, Depeche Mode

Formed in: 1970

Genres: rock, glam-rock, hard rock, pop-rock, pop, disco

Lineup: Freddie Mercury- vocals

Brian May- guitar

John Deacon- bass

Roger Taylor- drums

Albums from the 80s:

The Game (1980)

Hot Space (1982)

Flash Gordon (1982)

The Works (1984)

A Kind Of Magic (1986)

The Miracle (1989)

Propaganda: “HAVE YOU SEEEEN THEMMMM???? these men never lost their looks as they aged. smoking hot 20 somethings to smoking hot 40 somethings. in their own words, "we was glam" and "we were all stunning". all four had impeccable style choices 99% of the time, from leather jackets and wraps to monochrome to undone blazers and ties to brightly coloured /everything/. Deacon changed his hair style every few years and even in just tshirts and booty shorts, never missed. Roger had a sleazy mullet and sunglasses for what felt like forever, hot Persian dad, did not miss. Brian forgot how to fully button shirts. bell bottoms. same hair for 50 years. no misses. even after Freddie got sick and started wearing makeup and had to grow a beard to cover up, MAN NEVER FUCKIN MISSED. he was beautiful to the day he died. and thats not even touching on the leather daddy look from the early 80s.king shit. we love wrinkles and laugh lines in this gd house. if they don't sweep I’m blowing this whole website up we was glam”

“a few years back i was obsessed with these guys and i would find it hard to not have a crush on all of them. in the 80s especially Brian was GORGEOUS.. BEAUTIFUL”

Visual propaganda for Guns N’Roses:

Additional propaganda here and here

Visual propaganda for Queen:

#Round 8 #the finals #guns n roses #queen #axl rose #slash gnr #slash #saul hudson #izzy stradlin #duff mckagan #steven adler #freddie mercury #brian may #john deacon #roger taylor #the hottest 80s band tournament #the hottest 80s band tourney

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stars-and-the-min · 8 months ago

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☆ the wrong way to hard launch (3) | OP81

summary : oscar's girlfriend is a walking pr problem for literally everyone (including herself) social media au

pairing : oscar piastri x zhou!fem!singer!oc

a/n some band dynamics and a mini reunion in toyko

masterlist | last part | part 3 | next part

INSTAGRAM

emptybottlesbar

liked by cameliazzz and 99,284 others

emptybottlesbar Hey! Our awesome lead guitarist turned 23 today AND it's on the first night in Jakarta 🫨 Be sure to give our boy some love! P.S. we couldn't find old birthday photos without Lina (1: Kas' 23rd birthday, 2: Kas' 17th birthday, 3: Kas' 14th birthday) tagged: emptybottles_official, lukaszhang and selinabui

selinabui i'm sorry i was like his only friend growing up?

28kaslina24 kaslina 🩷❤️🩷❤️

emptybottles_official Beach City International Stadium

liked by lukaszhang and 299,726 others

emptybottles_official Snaps from Jakarta, you guys were an amazing crowd, we hope you had as much fun as we did 📸 📸 next stop: Tokyo, Japan

cameliazzz kas and aid both need haircuts why did i not notice this ↳ selinabui @ cameliazzz maybe bc ur behind them all the time

TWITTER

lila💚 @kasdanrights · 2h in honour of the next stop of the 'twelve more days' tour being tokyo, here's the best thing to come out of the 'overtime' tour (before it got cancelled):

↳ lila💚 @kasdanrights · 2h look at kas serving in that polka-dotted scarf

↳ lila💚 @kasdanrights · 2h the greatest discovery was that kas and aid shared rooms the whole tour

↳ 🕯️manifesting EB3 🕯️@ linabelles · 2h did we ever find out about the sushi train thing? ↳ lina bui x2 grammy winner @urdaisea · 2h lina and cami went to an all-you-can-eat sushi train and almost missed night 2 because they were throwing up backstage ↳ li(n)a @meliabelrose · 1h why is this giving "pam and i feed off each others energy..." "she said that?" energy 😭😭 ↳ abby <3 @devilvows · 1h can't believe this was 4 years ago???

INSTAGRAM

oscarpiastri

liked by landonorris and 109,182 others

oscarpiastri Still not over this weekend

selinabui see you soon stranger 💖 ↳ pastry81 HUH LINA WDYM SEE YOU SOON???

zhouguanyu24 the last picture 👀

landonorris great to be home, eh?

emptybottlos papaya stuff, papaya stuff, papaya- lina??? ↳ piastri_lina @emptybottlos gagged us all WHERE'S THAT COMMENT THAT SAID OSC DIDN'T CARE FOR HER

logansargeant "I did great at my home race" "the fans were amazing" "also I got to watch my girlfriend's sold-out tour's opening show" ↳ oliviafufu @ logansargeant OPENING SHOW??? HE WENT ON THURSDAY AS WELL?

selinabui Tokyo, Japan

liked by eb_jonno and 118,972 others

selinabui in the daytime (and early evening)

oscarpiastri Well, that's a completely flattering angle of me, thanks :D ↳ selinabui @ oscarpiastri omg i think so too 🥰

jemma.wren lina as linabell oh she's so cute <3333

2cami4lina serious question here, does he wear anything other than orange? ↳ cameliazzz @2cami4lina from when i've seen him? no

aidan_ebass Who won billiards? ↳ selinabui @aidan_ebass ur kidding right? don't you know how amazing i am? (kas did) ↳ 28kaslina24 @ selinabui kas was there? oooh osc*lina never beating the pr relationship allegations 🤭

oscarpiastri just posted to their story

TWITTER

pookie piastri @op81ln4 · 17h OSCAR PIASTRI WHAT THE HELL??? ↳ pookie piastri @op81ln4 · 17h i need to know what he said pls what did he say for her to react like that ↳ june @linafesting · 17h "mr piastri why are you wilding rn" HAD HER USING PROPER 'YOU'S??? ↳ pookie piastri @op81ln4 · 17h "Wdym 😇" he's sick for that now we all want to know what he meant

kayla @luna_apocolypse · 2d if my math is right... we could get lina supporting oscar in suzuka ↳ kayla @luna_apocolypse · 2d last tokyo show: friday, april 5th suzuka gp: friday, april 5th to sunday, april 7th first sk show: friday, april 12th BONUS: osc's birthday is april 6th 🥸

conNUH @chickenbirch · 39m idk what world im living in anymore ↳ conNUH @chickenbirch · 38m lina pls... he's just another pasty white guy i--

↳ lina !!! @EB_selina · 18m oh shit im realising my 'im totes interested' face is lacking ↳ president linami @ linaminami · 16m AHHH??? ↳ lila💚 @kasdanrights · 1h HELP i didn't realise she was totally blanking out as kas was yapping ↳ june @linafesting · 1h she truly looks like she'd rather be anywhere else ↳ camilina gfs fr @ drummergf · 2h kaslina stans realising the new kaslina content is this 🤡 ↳ lila💚 @kasdanrights · 1h first pic is the exact same way i look at my brother (sheer 'stfu' energy)

BONUS : the unedited insta dm

✧･ﾟ: ✧･ﾟ:✧･ﾟ: ✧･ﾟ:✧･ﾟ: ✧･ﾟ:

taglist @ririyulife @ashy-kit @fionaschicken @namgification

#f1 #oscar piastri #oscar piastri x oc #oscar piastri x reader #oscar piastri fanfic #oscar piastri imagine #oscar piastri smau #formula 1 fanfic #formula 1 smau #f1 fic #f1 smau #f1 imagine #f1 social media au

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aishnico · 11 months ago

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#𝙎𝙇𝘼𝙎𝙃: 𝘭𝘢𝘥𝘺 𝘴𝘵𝘳𝘢𝘯𝘨𝘦

» summary: the famous guitarist of guns n’ roses is not sure what he feels towards you

» word count: 3.2k (wOOOOO)

» warnings: cringey stuff (help 🙄🙄), alchohol, drugs, not cheating but you might take it personally (?) suggestive content, he’s a bitch until the last parts, fluff at the end (?), grammar issues (as always)

“so, what’s up with that girl in that music shop?” duff asked his curly-haired friend while drinking his vodka.

his friend yawned. “huh, who?”

“the girl in the music shop, you even invited her to our last concert. izzy said he saw you two on outside.”

he blinked a few times. then realization hit him. “ooh, you’re talking about miss fortune,” he then started to laugh like an idiot. “be ready to hear what will come.”

he didn't care about you, at first. he just thought you were a cute girl who was in charge of one of his favorite music stores when sometimes the owner, your dad, wasn't around. you would look at him impressed and with adoration whenever he played one of the greatest guitar solos. your reaction would cause him to chuckle and boost his ego.

you wondered since when he was playing and how many hours he was practicing a day. of course, your mouth was wide open when you heard the answer. you acted like you weren't believing him, but deep down, you knew it was mostly true.

after some time, he asked you to attend one of his band's shows to see more of his guitar capabilities. and it's not like a famous rock star asks you this every day. so you accepted his offer.

the show was crazy; his bandmates were also crazy and flirtatious as fuck, but they killed the show. you were looking for him after the show. then saw his friends taking drugs while a couple of half-naked chicks were sitting by their sides. you assumed he was going to join them, but you saw him outside trying to light his cigarette. but you grabbed it from his hands with a sly smile. he furrowed his eyebrows.

"c'mon, girl, give it back."

"there are better things to do than this. what are you doing here?"

"just went for some fresh air. the atmosphere inside is making my head hurt today. guess i'm not in the mood."

"this," you pointed his lighter. "doesn't make fresh air. also, won't this make your head hurt more?"

he rolled his eyes at you. "and what are you suggesting?"

that was the first moment when he thought you were, strange. more strange and different than the girls he has ever met. he never thought you would bring him to a chinese tea shop. and he wasn't expecting you to pay for both of you. he had never tried this type of tea before. hell, when was the last time he even drank tea?

the waiters even offered both of you fortune cookies. he thought they were nothing but bullshit. who would even believe in them? of course, you would.

"how can you even believe in these?" he asked, furrowing his eyebrows at the cookie.

"well, i don't know about you, but for me, most of them are true!"

"i've never eaten this before."

"come on! how about the fortune cards? have you tried them before?"

"no. like i said, they are all bullshit." he said with a strict tone.

"at least eat the cookie."

he did as you said and broke the cookie in half. he didn't even look at the mini-paper and wrinkled it. then saw your sad puppy eyes looking at him. he sighed and straightened the paper without showing it to you.

'the thing you might be looking for is nearer than you think.'

what does that even mean? he furrowed his eyebrows again. "what does it say?" you asked him excitedly, and he wrinkled the paper and put it in his pocket.

"you're no fun." you muttered.

"and you are the most hilarious person i've ever met. it's getting late. let's go."

"would you accompany me?" you asked with a teasing tone.

usually, when he would go on his 'dates', he would call a cab for them. he doesn't remember when he accompanied them on a walk or when he agreed to accompany you now.

he listened to your beliefs about those fortune things he found bullshit, how tea is better than coffee and country music is actually nice to listen to, which he disagrees with on both. you two didn't have any common things at all. but he found it amusing to argue about things about which you didn't have the same opinion as him.

you were now standing before your house. you smiled at him. "thank you for the company."

he shrugged. "i mean, you asked me to do it so..."

"yeah yeah, good night, saul." you planted a kiss on his cheek before entering your house. he stood there for a couple of seconds. then started to walk fast to the street to find a cab. he had already lost a lot of time.

"she then kissed my cheek, and she probably thinks we're dating or something." the guitarist laughed at his sentence with duff. he took another roll of cocaine.

"i think she did that because she wanted to tease you?" duff asked.

"tease me? man, i don't even have eyes on her. she's weird. not in a bad way, though."

"don't tease her himself. girls like her may think you're in love with her or something."

"trust me, she's like the last person to fall in love with."

that was what he has been telling himself since your little 'date'. he didn't bother to contact you, neither did you. he thought you were just acting indifferent.

he almost forgot you while he was on tour. every day traveling to another city, playing the same songs, meeting with new chicks, and sometimes making out with them...

it has been almost a month and a half since you saw each other. they were in los angeles again, working on a new album. one day, he received a phone call from the owner of his favorite music shop. the shopkeeper told him that there were new pedals and equipments for electric guitars at the shop. he got excited and went on his way to the shop.

he spent about an hour there, testing new guitars and equipments on them. however, he decided he didn't need them for now. he thanked the shopkeeper, and before leaving, he saw a familiar picture of a woman behind the cash point.

what he did not expect was that the woman in the picture, you, was the shopkeeper's daughter.

"haven't you met with my daughter yet? strange... i remember that she told me that a famous guitarist would come here often while i had something to do."

"i... don't remember her."

"hm, i don't think you can see her often here from now on. she's in college, so she doesn't have much time for her dad anymore, I guess." he coughed.

"what's her major?"

"english literature, i believe"

"cool... anyway, take care." the guitarist answered when he was about to leave the shop. before he could pull the door, somebody else pulled. you.

both his and your eyes wide open. you smiled at him sincerely. "what a pleasing surprise! we met again." you chuckled.

"oh? isn't that our little miss fortune?" he seemed to remember now.

"miss fortune? that's not the best way to describe me but okay. i'm in a hurry, but i'd like to meet you tonight at the tea shop where we went about a month ago. bye!" you rushed inside without saying anything else.

"hey! when should i come?"

your father grinned at him and the guitarist left the shop.

why did i say that..? the man thought to himself. i probably sounded desperate to see her or something. ugh...

he made his way towards the local bar where he and his bandmates would usually hang out. maybe he could kill some time before heading to the tea shop. he just wanted to lay on a couch for a while but couldn't say no to a pretty lady who wanted to share her bottle of jack daniels with him.

"waiting for someone, handsome?"

"i'm waiting for someone, actually."

"hm, unpunctual people are not up to good."

"actually, i don't know why am i waiting."

"are you waiting for a date?"

"i don't think it's a date, just a hangout."

"well, i don't think you should wait too long for a hangout. you have nothing to do better?"

"guess no"

"well, i think there is." the lady smirked at him before attacking his neck with kisses and bites. the man threw his head back and inhaled. he gave her more permission to attack. eventually, he got turned on, pulled her head off, and connected their lips before heading to the nearest toilet.

it was almost 9 p.m. and only now did he remember he needed to go after washing his face. his head was exploding. he still didn't know why he was heading there. he certainly did not have feelings for you. he didn't find you super attractive, and he didn't find a reason to hang out with you often.

were you friends? he also didn't think so. maybe you would complain about him to his father like a little girl, and then your father would forbid him to come to his shop? that thought was hilarious to him.

after about half an hour, he was standing before the tea shop. when he looked through the window, he saw no one there except a ginger employee. he then hesitated but entered inside.

"i'm sorry sir, but we're closing here after ten minutes." the ginger woman told him before going to the personal room to change her clothes.

he huffed at himself. it was just a waste of time for him. why did he even bother? he asked this question to himself for the nth time.

he made his way to the door but stopped once he heard a door opening sound from behind. he returned his face to the sound and saw you with a shocked expression, but it turned into a relaxing small smile.

"you came..."

"you called."

then your ginger friend got out of personal room and tapped your shoulder. "we're closing in ten minutes. make your last order, then close the shop, alright?"

you nodded. "good night!"

"good night!"

you both watched her leave, then looked at each other awkwardly. "i thought you wouldn't show up."

"i planned to come here earlier, but..."

"but..." you repeated after him and got closer to him. your happy face dropped off. you looked at his neck full of hickies. "guess mosquitoes nagged you." you gave him a small smile.

"oh, is that much visible? my friends will tease the shit out of me."

you didn't reply and made your way toward the cash point. "what can i make for you?"

he looked at the tea chart for a couple of seconds. "you know what? make the tea we both drank when we were here."

"i don't remember which we drank."

"then make your favorite. make two cups of them."

"oh? you seem pretty thirsty." you teased him.

"nah, that's for you. you treated me that time. now i want to repay."

you nodded. "oh, so that's why you came here. to repay me."

this thought never passed through his mind but he chose to lie. "yeah, pretty much." you didn't look up to him but nodded.

after a couple of minutes, you put two cups of tea on the tray and went to where he was sitting. you placed his tea in front of him. "thank you."

you sat next to him. admiring people from afar. a lady and her boyfriend were clinging to each other to get warm. an old lady was struggling with her walker and her son (or someone else) was trying to help her. three children running on pavements while laughing (why were they outside at this hour?)

but he could care less about the outside. he was admiring you. he was admiring how soft your expression was. how you looked cute when you're puffing the steam from tea. how slowly you're drinking it, but it is still hot, and you manage to burn the tip of your tongue a little bit. he chuckled at himself.

"what's funny?" you pouted at him.

"you. you're funny."

you rolled your eyes at him. "you're annoying, mind your business."

"what happened to your lovey-dovey attitude? i still remember that kiss." he teased you.

"ugh, don't remind me. i cringe every time i remember this. god knows what was i thinking... besides, i know that meant nothing to you."

"ooh, how do you know that?"

"because you would try to contact me, at least passing by that music shop. but you never did these for the past month. you just chased some mosquitoes, and they chase you back."

he laughed at this. "why do i feel like we're arguing like we're actually a couple?"

you didn't know how to reply, so you continued to sip your tea. you didn't talk until you finished your tea. you looked at his side and saw that his cup was full.

"you didn't even take a sip."

"i waited for it to be cold."

"trust me, it is now. but i have to close the shop. drink it or give it to me." you said while reaching your hand to him. but he quickly grabbed the cup and drank it all at once.

your mouth was wide open. you blinked a few times. "this is not some tequila okay?! you can't just one-shot it!"

"who says?" he replied while heading to the cash point. you followed him there and finished your cleaning and checking the last things before heading door with him.

after locking the door you looked at him. you thought he wanted to say something so you waited patiently.

"thank you." was all he said. you lowered your head, and smiled at yourself. "i shall thank you. for the free tea."

"i forgot to thank you at that time. and i thank you now for your kindness."

he would never thought these words would actually leave his mouth. like, he was a completely different person now.

"you're welcome, i hope you enjoyed your tea."

"trust me, i did."

"well, i'm glad." you looked at him now. after a brief moment of silence, you coughed. "i should get going. you should too. don't drink too much at this hour. huh, why would you listen to me?" you lowered your voice at the end but he heard it anyway.

"i already drank today. and i have no desire to drink again. not now, but surely tomorrow."

"alright, good night saul. take care."

you smiled again and started to walk on your way. "wait!" you heard him calling you so you stopped. he immediately came next to you.

"would you want me to company you?"

you chuckled at yourself. "i do not want to waste your time."

"trust me, you won't."

what was that again? what did he just say? he completely agreed that he was just someone else right now. but his stomach got hurt so much when you sincerely smiled again. it wasn't pain, it was something else. it feels like something quivers in his stomach and the breath from his lungs is leaving.

he feels exhilaration.

"are you okay? you're trembling," you asked him worriedly, caressing both of his arms.

he feels like he is about to explode.

"the weather- yes, the weather is... getting cold. we should get going."

"look, you don't have to come with me. my house isn't far from here anyway. you're shaking. just find a cab and head to your home. you won't be happy when you get sick and you have to be at the studio at that moment."

oh how sincere you were in your words and how caring you were towards him.

"i'm gonna be fine," he smirked and you both started to walk next to each other.

both of you didn't talk. although the silence wasn't disturbing. it was a comfortable one. million thoughts were flying inside his head right now. he was mainly thinking about your current situation. what you two were? what you were to him? was this feeling temporary? was this feeling gonna hunt him constantly? he didn't know.

the only thing he knew was that he had to find a reason to hang out with you again.

he wanted to know more about you. wanted to hear about your college life and lessons. want to know about your family and friends. wanted to know your favorite color, food, animal, movie, and more. he wanted to learn about you more.

"are you feeling warm yet?" you broke the long silence. but it seemed like he was in his deep thoughts.

"saul?" you called him. he then came back to reality and looked at you. "

"huh? excuse me, i was thinking about something."

"i asked if you're feeling warm yet."

"oh, yeah. pretty much."

"good."

a silence occurred between you once again. this time, he broke it. with saying something unexpected.

"although i would feel completely warm if you make me a soup."

you laughed hysterically. "i bet those chicks make hella delicious soups."

"nah, i don't think so. i want to try your meals someday."

he didn't care about it anymore. he didn't care anymore if he was being someone else. he liked it

"someday... someday seems cool."

"your behavior did really change. i would lie if i say i don't miss the old lovey-dovey miss fortune [name]."

"h-huh? don't call me miss fortune. i'm not interested in that stuff that much now. besides, unlike you, i love this saul."

"oh? you don't like my old me?"

"he was salty, but he was okay. i would still hang out with him."

he couldn't hide his smile but managed to hide his slightly flushed cheeks. even if he was being like this, or normal himself, you would still be next to him.

finally, you both were standing in front of your house. you inhaled and looked at him. "thank you for your accompany."

he just shrugged, couldn't find anything to say. so you cleaned your throat. "good night, saul. take care."

"you too, good night."

you smiled and before you pulled the door he called you by your name. you turned your head at him.

"no good night kisses?" he asked with a cheeky tone. you just rolled your eyes at him playfully. "don't tease me, boy, now go and get some sleep."

"woah woah woah woah- you know what it feels like to me? like i just skipped a big part of a romance novel." duff laid on the couch, almost going to sleep right there.

"i know it happened in one night but, i'm telling you. this time, wasn't like the first time. the first time i really wanted to walk away from there. but this time, i didn't want it to end."

"congratulations on your new hook-up then. just know, i'm gonna make it shorter by saying she's the last person to fall in love with."

"hey, mind your own business!"

"fine fine..." the bassist yawned loudly before slowly drifting off.

they didn't talk for a few minutes since saul was lost in his thoughts again. then something clicked in his mind.

there weren't two versions of him. there wasn't this cheeky and normal saul. there was only one. and that only one have…

he broke the silence.

"dude, i think i've fallen in love with her for real."

the bassist woke up and dropped his bottle of vodka to the floor. "you what?!"

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