#good job Murphy

[foo0lish]

Shoutout to Murphy

[murphysiblings]

does anyone have pictures of what the set design was for connor's bedroom in the movie? i can't find anything online

[nerdle-turdle]

[lilmeowmeowsagelesath]

so apparently the person continuing potv is anna, author of rott…… i’m not sure how i feel about this

[evidence-of-the-unknown]

[ID: Chapter 2, page 9 of Evidence of the Unknown. It is in greyscale with yellow spot color. Panel 1: A wide shot showing Murphy’s living room in disarray. Light pours in from the window and cleaning products are scattered around. She is still wet and in her boxers, standing with her back to the viewer. She narrates, “The… Accidental destruction of one of the alien capsules has brought something to light.” Panel 2: Close up on Murphy’s face. She looks downward, eyes half-lidded. She continues, “I’m exhausted. And that’s dangerous.” Panel 3: Medium close, we see Murphy sealing the broken canister inside a tupperware container with a click. Narration continues, “I lost one of only two samples due to my carelessness. And after getting a lungful of unknown alien aerosols, I may need to rethink how I approach my investigations going forward.” Panel 4: Wide shot, Murphy’s bedroom. It is sparse, with a dresser, a simple bed, and some posters and papers pinned to the walls. She sets the tupperware on her dresser. Narration continues, “I must now focus on figuring out what is in these capsules. It could be anything from poison to interplanetary spray-paint. Investigation will resume-” Panel 5: Same view. Murphy falls onto her bed with a loud ‘FWUMP.’ Panel 6: Narration concludes, “After a short rest.” She is shown laying in bed, already asleep in the background. In the foreground, we a see a close up of the broken canister inside the clear tupperware. It is bent, but the inside of the popped off lid is now visible. There is a stylized DNA symbol on it. End ID.]

[kcrabb88]

Finished watching Halston, and Ewan McGregor continues to be, at different points, either the most picturesque crier, all glassy-eyed and stunning, OR he’s sobbing so hard that you want to rip your own heart out. If there was an award for best crier, he would always win.

[burntoutvtmikii]

Ive been feeling really tired from drawing because of my several incomplete animatic ideas…

Like it’s so vivid in my head but the execution has been so draining and now I don’t want to draw my animatics anymore and take a break😭😭

So in lieu of my suffering - If anyone’s interested in doing an art trade, doodle requests or commission, let me know!

Any tips for artistic burn out are very welcomed 🫶😭

[elmleif]

The dozens of baby and labor books that Saoirse read never could have prepared her for how nerve racking and painful her labor would be. Saoirse opted for a home birth as it was very important to her that her first birth be an intimate moment between just her and Cillian with no outside stressors, although she did have a midwife on call to monitor her and the baby. Cillian was a heartbroken mess watching his wife writhing in pain, and he stayed by her side every last second desperately doing anything and everything to make her as comfortable as possible. Thankfully Saoirse’s time in labor didn’t go past the 24 hour mark, and in the early morning hours they welcomed their healthy baby girl into the world.

[femme-foucault]

Award Season Guesses - late December 2024

Alright, well I still haven't seen The Brutalist (or Nickel Boys) because it's not releasing outside NYC and LA until sometime in January and I have no intention of seeing A Complete Unknown precisely because I am a Bob Dylan fan. So I haven't really updated my list of predictions from about a month ago or so. I am tempted to include The Substance but it is a sliiiiiim possibility given how the Oscars snubs work in horror. So here are my predictions as of late December 2024.

Above the Line Awards:

Alphabetical order as usual. My suspected winners in bold and runner-ups/potential "upsets in italics.

Best Picture:

Anora*

The Brutalist

A Complete Unknown

Conclave

Dune Pt 2

Emilia Perez

Nickel Boys

A Real Pain

Sing Sing

The Substance (????)

Wicked Pt 1

I am going on a limb and guessing The Substance does get in even though I think it is reeeeally a stretch. The Academy snubs horror films all the time, especially in acting (see Toni Collette in Hereditary and Mia Goth in Pearl). But the GG noms made me reconsider even though the GG is a critics/journalism awards show and the Oscars are an industry awards show and like any "election," demographic patterns vary. But actually if anything I think critics are snobbier about horror than industry people so that's a good sign. No idea what will win -- which is fun! 2024 was not nearly as good as 2023, which was an unusually packed year for great movies. But in a way, that makes Awards Season more fun because there isn't a clear front runner. I am leaning Anora right now for BP like I have been all year, but I would NOT underestimate either Wicked or Emilia Perez. I don't like the latter movie very much and while I did really enjoy Wicked I wouldn't say it was the best of the year. But don't underestimate the Oscars leaning populist because all three of the last BP winners in awards season were very much "crowd pleasers" over more "artsy" choices like Power of the Dog or Poor Things. (It feels odd to call Oppenheimer a "crowd pleaser" as that movie is so bleak, but technically, it counts in the sense that many people saw it and both general audiences and industry people liked it. So I'd put it next to EEAO and CODA as a "crowd-pleaser" Best Picture winner and a "populist" choice due to it making so much money because of Barbeheimer despite being, technically, a kinda weird movie when you dissect it. So don't underestimate Wicked!).

Best Director: Sean Baker (Anora), Edward Berger (Conclave), Brady Corbet (The Brutalist), maaaaybe Coralie Fargeat, but ONLY if The Substance gets into Best Picture. I have taken Denis Villeneuve (Dune Pt 2) out of my predictions even though he deserves it because Dune Pt 2 was better than the first one. But until I see The Brutalist, I can't evaluate it. I wouldn't be surprised if we got a rare Best Picture and Best Director split.

Best Actress in A Lead Role: Cynthia Erivo (Wicked), Karla Sofía Gascón (Emilia Perez), Angelina Jolie (Maria), Mikkey Madison (Anora).....and if and only if The Substance The Substance gets into picture, maaaaaybe Demi Moore. She probably deserves it (I haven't seen The Substance because I'm squeamish), but the Academy is awful about nominating horror performances (see Toni Collette for Hereditary). The alternative might be Nicole Kidman for Babygirl.

Best Actor in a Lead Role: Adrian Brody (The Brutalist), Timothee Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave).

I am leaning Brody based on trailers alone (the Academy loves an accent and a WWII-post Holcaust drama) but even if Chalamet is mid -- and apparently he is quite good -- the Academy isn't above rewarding lame music biopics. See Austin Butler's nomination for Elvis and Rami Malek winning for Bohemian Rhapsody. ACU is apparently good -- I really hate that kind of biopic so I am not there for it -- so all Chalamet has to do to be decent for the boomer crowd who likes Dylan to vote for him.

Best Supporting Actress: Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldana (Emilia Perez), Margaret Qualley (The Substance).

Still leaning Saldana but Grande is not to be underestimated (the Academy are more likely to award comedic performances in supporting -- see Ryan Gosling's nom last year. He might have won if RDJ didn't have The Narrative). I am putting Rosselini in there now that she got into GG and if I am going to lean towards The Substance, maybe Qualley. Felicity Jones isn't doing well in critics circles but I think if The Brutlaist is popular, she could be the Emily Blunt of the season (the person who gets nominated for being in a popular movie and tags along but doesn't win anything, which is what happened with Emily Blunt last year because Oppenheimer was so popular with the industry and critics that she got a lot of "tag along" noms but no real wins).

Best Supporting Actor: Kieran Culkin (A Real Pain), Clarence Maclin (Sing Sing), Guy Pearce (The Brutalist), Denzel Washington (Gladiator II)...and someone else. Idk maybe one of the Anora guys (Yura Borisov (Igor?). I don't see the supporting performances from Conclave aside from Rosselini getting in because while everyone was good...that is part of the problem. No one but her really stood out because everyone in the supporting cast was so solid and I think Anora is a bit similar in that regard except that Borisov's character sticks out as having a sliver of decency. It's weird to think that the sentence "Oscar winner Kieran Culkin" might be a thing. As much as I like Culkin from Succession, my actual vote would be Maclin. But no one saw that movie :( I am including Washington even though Gladiator II got poor to mixed reviews because he's Denzel. He is such a great actor who was snubbed for his best performances that now they nominate him all the time to make up for it, and it's such a weak year in this category that I'm not complaining.

Original Screenplay: Idk what is original and adapted, but I think Anora wins Screenplay, especially if it doesn't win Best Picture. The recent trend is sometimes to throw a movie that won't be awarded anywhere else a screenplay award (see last year with both American Fiction and Anatomy of A Fall). The other possibility might be A Real Pain if they decide to award it.

Other than Anora, I think: The Brutalist, A Real Pain, The Substance, and maybe September 5 if they follow the Globes (which they don't always do because the Golden Globes are a press/critics award and the Oscars are industry so different voting demographics).

Adapted Screenplay: No idea what is even in this category. The distinction between Original and Adapted is pretty arbitrary at times (see: Barbie in Adapted last year). My guesses are A Complete Unknown (based on a specific Dylan bio apparently), Conclave (based on a novel), Emilia Perez (I think inspired by something?), Sing Sing (loosely based on a true story) and idk what the fifth slot is.

Who I think will win in the tech categories:

Best Production Design: Wicked. Dune Pt 2 might be an upset.

Costume: Obviously Wicked.

Special Effects: Probably Dune Pt 2 but it could be something I haven't heard of that the effects branch likes, because that happens often.

Hair and Make Up: If The Substance gets in, maaaybe. This is the one category that horror is recognized so I wouldn't be surprised if The Substance and maybe even Nosferatu gets in. But it might be Wicked if the Academy does what it often does and people outside the nominating branches just vote for the movie they like more, in which case it would be Wicked. Dune Pt 2 should get at least a nomination for Rebecca Ferguson's possessed henna.

Cinematography: Either Conclave or Anora. It really depends how 1) Anora does in general and 2) if it does well, if there is a "share the love" vibe. The Academy doesn't do the massive Titanic/Lord of the Rings sweeps anymore (and I'm fine with that) -- see last year giving Zone of Interest the Sound award and American Fiction got Adapted Screenplay when a lot of people thought Oppenheimer was a lock for both because it was the BP frontrunner and, if this was the 2000s, probably would have taken them by default. In the EEAAO year, an Edward Berger film (All Quiet on the Western Front) won cinematography over EEAAO in an upset, so it wouldn't be unprecedented if that happened again with Conclave.I hope it's not Emilia Perez. That movie is very flashy but I don't like the cinematography much. It's all flash no style. Dune Pt 2 will definitely be nominated but I feel like its spring release hurt it.

Score: It'd be cool if Challengers got nominated but I don't see it, unfortunately. The score branch is not that cool and prefers instrumental scores over tech/synth music, even though Trent has been nominated before. I don't know what will win, since Dune 2 is not even eligible.

Sound Design: It better be Dune Pt 2. I think Wicked and probably A Complete Unknown will get nominated because of the music mixing (which, in Wicked, was very subtle and well done and apparently ACU sounds great too). But I really don't like biopics about musicians so I'd rather it not. I wouldn't mind a Wicked nom here, but Dune Pt 2 is so inventive in its sound design that I am rooting for it.

[beachedsandcastles]

new obsession unlocked: whatever the hell peter murphy's photographs are

[sususupern0va]

Watched girl interrupted again tonight I’m normal

[anarchoarchie]

anyways very much a movie that will make me nauseous the rest of the night but then kind of forget about.

[primordialruin]

I feel sad we don't use YOLO anymore because it's actually a very good way to live your life. Life's short. We'll die one day. Why complicate life with thoughts of consequences? Good or bad, they'll get to us anyway. Go ask that person out. Call your boss mom/dad. Eat a kibble from your dog's bowl. Who gives a shit! A simple life starts within your mind.

[its--ali]

oh for FUCKS SAKE

[cecilstedmansbabydaddy]

oppenheimer is such a pathetic lil meow meow

[starkwlkr]

you are my love | cillian murphy

barbenheimer series

“My beautiful boy, my little beautiful boy.” Y/n kissed her baby boy’s cheek repeatedly, earning a giggle from the boy. “My lovely beautiful boy, all mine.”

“Don’t forget me.” Cillian chuckled as he rolled over to face Y/n and Alexander. It was Christmas morning and the Murphy household didn’t have any big plans.

“We can’t forget about daddy. You two are my beautiful boys.” Y/n whispered, holding Alex close to her. “Good mornin’ my love.”

“It’s always a good morning with you two.” Cillian replied, pressing kisses to both Y/n and the baby.

Baby Alex giggled more and tried get his father to carry him. It was truly amazing seeing how Alex was growing everyday, but it made both parents sad. They wanted their little boy to stay little forever.

“Come on then, let’s go make mammy some breakfast then we can open some presents.” Cillian stood up from the bed, putting on his slippers and grabbing Alex from Y/n’s arms.

“I think Alex said he wanted waffles for breakfast.” Y/n smiled cheekily at Cillian. She copied Cillian’s actions and soon the Murphy family was in the kitchen getting breakfast ready.

Y/n picked out a record and placed it on the record player. She had a tradition of always playing the Charlie Brown Christmas album so of course that’s the one she chose to play. When Alex heard the first few notes of the opening song, he smiled at his mother.

“Someone’s a Peanuts fan.” Y/n smiled back at her baby boy. “We could go into town, maybe take Alex to see the lights.” She suggested as she started getting out orange juice from the fridge.

“I think he’ll be mesmerized by them. My mam told me I used to stare at the lights on the tree as if they were the most interesting thing in the world.” Cillian explained.

“You’d like that, right?” Y/n walked towards Cillian and Baby Alex. She grabbed his tiny hand and lightly kissed it repeatedly, Alex bursting out into giggles.

After spending the day listening to Christmas music, opening presents and watching Christmas films, Alexander was exhausted. He was out like a light the second his mother put him down in his crib. Thankfully Alexander was an angel when it came time to go to sleep. After adjusting the baby monitor to the proper settings and leaving the night light on, Y/n walked back to the kitchen to help Cillian clean up.

“I can’t get enough of those little snores! I want him to stay a baby forever.” Y/n started picking up wrapping paper and tossing it into the bin.

“Change diapers forever? I’m not too fond of that,” Cillian teased, continuing with the dishes. “I can already picture you crying when Alex starts his first day of primary school.”

“Like you won’t sob at the sight of him with his school bag and his school uniform. Oh god, he’s going to be so cute in those little uniforms! Thanks for putting that image in my head! Now I’m going to cry even worse when that day finally comes.” Y/n playfully slapped Cillian’s arm.

“You won’t be the only one.” Cillian softly chuckled. Once he was done with the dishes, he dried his hands on the dish towel.

“Speaking of the future . . . I got offered a role. But I haven’t confirmed anything. It’s for DC comics.” Y/n said. It had been a while since she was back on a film set. She couldn’t even remember when her last day filming was.

“If you think I’m going to talk you out, you’re crazy,” Cillian turned to face her. “What role?”

“Harley Quinn. A Suicide Squad movie is being made. I got a script and the complete filming schedule. If I say yes to the role then I would start filming in April next year in Ontario.” Y/n explained.

“That’s great. But by the sound of it, you don’t seem convinced.” Cillian took notice of her facial expression. Y/n did want to return to her job, but the thought of leaving Alexander scared her. If she did say yes then it would be a disaster since Cillian and her would be away filming.

“Alexander needs me.” Y/n sighed. “I feel like I’m a bad mother if I go back to work. He’s just so little! Some mothers wait until their child is entering primary school and then they go back to work! What kind of mother will that make me?”

His expression softened, his hands coming to rest gently on her arms. “A mother who loves her son and her career. A mother who’s allowed to have both.”

She looked down, biting her lip. “But what if it doesn’t work? What if it’s too hard?”

“Then we figure it out,” he said simply. “Together.”

Y/N exhaled shakily, her fingers curling around the fabric of his sweater. “I don’t want this to hurt us. What if it’s too much—being apart, both of us working? What if—”

“Hey,” he interrupted softly, tucking a strand of hair behind her ear. “Nothing is going to make me walk away from this—from us.” He let his hand rest against her cheek, thumb grazing her skin. “We’ll make it work, no matter what. If you take the role, I’ll support you. If you decide to stay home, I’ll support you. You have me either way.”

Her eyes glistened, the weight of her worries easing just a little. “You really think we can do this?”

He smiled, pressing a soft kiss to her forehead. “I know we can. We’ve gotten through everything else, haven’t we? We’ll get through this too—together. Because you’re my love.”

As if on cue, Alexander’s cries coming from the baby monitor on the counter interrupted them.

“I love you and Alex so much.” Cillian placed a kiss on her lips before leaving to comfort the crying child.

Maybe it wouldn’t be easy. Maybe it would be messy and complicated. But with Cillian by her side, she knew they’d make it work.

TAGLIST

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