#golly this dashboard is so different from my new one
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bruh it’s been like a year since i logged into this account and i come back to like 87 notes and a -1 like whatever that means?? lmao
#i didn't die i just made a new account LOL#also i ult block b and got7 now im not worthy of this blog lmao#how does one have negative one likes#golly this dashboard is so different from my new one#i thought i had a dead following what are these notes??#also I got married IRL so that's a thing
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Reviewing Star Trek TNG - S4E3 “Brothers”
In retrospect, that title doesn't quite fit the episode. But they already called the last episode "Family," so hindsight is 20/20. Though "Droids From the Same Noid" was still ripe for the taking.
THE PREMISE
After a misguided prank between two young siblings exposes the younger of them to a deadly parasite which they're unable to treat aboard the Enterprise, they're en route to a Starbase where the boy can be treated. Suddenly Data returns to the bridge, sets a new course and triggers a life support alarm, forcing the rest of the senior crew to evacuate the bridge while he locks down the ship.
MY REVIEW
Golly gee, two episodes in a row focusing on family. Vin Diesel must be happier than a pig in shit right now.
Depending on who you ask, Data's complete takeover of the bridge is either pretty effective in showing how intelligent Data is as a character or in showing how crappy the Enterprise's security measures are when one rogue android can take control of the entire ship.
Then again, they were once held hostage by a hologram who couldn't even leave the room projecting him, so I guess it isn't that much of a stretch. Plus I doubt they could've predicted Data using his voice to impersonate Picard.
Wait a minute.
Well, I’ve got egg on my face.
But yeah, Data manages to make his way through the ship without difficulty due to programming a series of force fields to keep the rest of the crew at bay... despite multiple points where I feel like the crew could've gotten to him. Feels weird. But he still manages to beam down to the planet with the Enterprise still on lockdown, and finds himself in the home of that weird old guy from the header image.
Speaking of that weird old guy, he reveals himself to be Doctor Noonien Soong, Data's creator and kind-of father, who is apparently still alive. He's also played by Brent Spiner in layers of old-age makeup which look much better than the series' earlier efforts.
Soong gives some vague exposition about how he somehow survived the crystalline entity which destroyed his colony, as well as disappointment that his "son" joined Starfleet instead of becoming a scientist, pretty standard stuff. But Data at least takes the rare opportunity to ask why Soong created him in the first place. Brent Spiner has a nice conversation with himself as they arrive at the conclusion that it was part of humanity's inherent need for continuity.
Data: I suppose it is a factor in the human desire to procreate.
Soong: So you believe that having children gives humans a sense of immortality?
Sure, what’s the difference? They’re both overrated.
But before I can dish out any more spicy takes, a familiar face (in more ways than one) shows up.
"Looks like we have ourselves a... family reunion."
Golly gee, I sure am glad that attaching that file for a single joke went off without a hitch! I definitely didn't accidentally delete an entire review the last time I tried that!
Yeah, don't be surprised if you see a re-review of "Evolution" on your dashboard in the near future, cuz that review doesn't really exist anymore. Or maybe y'all could hunt down a reblogged version and send it to me. Just saying.
Anyway, yay! Family reunion!
So yeah. Lore is back. After being beamed into space way back in season 1 and being left to drift for two years, he made his way here after being picked up by a Pakled ship. And honestly, that scans. He made his way back through the same homing device that called Data back, and Brent Spiner gets another few days of overtime.
This episode must have been a pain in the ass for him to film. But it’s a testament to his acting prowess when he can make the three of them feel like different characters, even when two of them look exactly the same.
As Brent Spiner warns himself not to trust himself, we get some of that sweet, sweet Soong family drama, with Lore resenting both Soong and Data for how they treated him and almost leaving before Soong reveals to both of them that he's dying. Something which you could probably guess just by looking at him.
Lore: What do you mean you're dying? You look fine!
Sir, he looks like a baked potato.
Dr Soong explains to his favourite son (and Lore) that the reason he summoned Data there was to bestow upon him an emotion chip to allow him to feel the same broad spectrum of emotions that Lore can.
However, Soong arbitrarily decides to rest before the procedure, rather idiotically leaving his two sons unattended. I say so because when he performs the operation later, it turns out that Lore managed to incapacitate and deactivate Data and switch clothes with him (which is exactly what he did last time and exactly why Data tried to warn Soong that Lore couldn't be trusted), and despite Soong's warnings that the chip isn't compatible with him, Lore fatally wounds his creator and beams away.
Wow. Lore went rogue and betrayed them. Whosoever could have predicted this. Certainly not I.
The rest of the crew of course beams down and finds a deactivated Data in another room. They had their own subplot about removing the ship's lockdown and tracking down Data which I chose to ignore.
Still, Data at least gets a nice moment of... grief probably isn't the right word... where he stays with his creator in his final moments.
"Everybody dies, Data. Well... almost everybody. Goodbye, Data..."
"Goodbye... father..."
And that's pretty much it. While the Soong family reunion is interesting, it feels like Rick Berman (in one of his handful of writing credits, despite being a longtime producer on the franchise) didn’t have enough of the runtime to do what he was going for. Which is ironic, considering we apparently had time for an entire damn subplot about two children who we’ll never see again.
Yeah, remember them? The impetus for the episode's entire plot? They were just vibing in sickbay the whole time, taking up way too much screentime trying to resolve their little spat. I haven't mentioned them at all because all their scenes are boring filler.
I mean, they try to justify it by throwing in some last-minute parallels between their relationship and Data’s relationship with Lore, but it ends up feeling pretty forced, even if it is the main source of tension since . But to be honest, I haven't cared so little about a threat to a child's life since I last watched an episode of Caillou. Just remove all the shit about the two brothers and free up more time for the Soong family sitcom.
I think that's my biggest problem with this episode - there's just not enough time for anything meaningful to happen. Data takes almost half the episode to even get down to the planet, then it takes even longer for Lore to appear, and all the while valuable runtime is being eaten up by the Enterprise crew trying to find them and an unrelated subplot which none of us care about.
The whole situation with Lore and Dr Soong feels more interested in setting up a later episode than focusing on its own goddamn story. This script isn't bad, far from it, but it definitely could've used another draft or two to weed out the unnecessary shit and tighten things up. I'm sure we'll see Lore again (you don't set up something like an unstable emotion chip in an already dangerous android without following it up later), but I just wish his appearance here had been more interesting.
Wow. Look at me actually reviewing an episode in a review.
6/10 - Feels like wasted potential.
Previous Episode | TNG Masterpost | Next Episode
#star trek#star trek the next generation#star trek tng#star trek review#captain picard#jean luc picard#star trek data#star trek lore#dr soong#brent spiner#androids#geordi la forge#deanna troi#star trek worf#beverly crusher
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Destination wedding in Cabo San Lucas, Mexico | Kyle Rudolph & Jordan Nine
Destination wedding in Cabo San Lucas, Mexico | Kyle Rudolph & Jordan Nine
I we'd like to welcome everyone the wedding of Jordan and Kyle special thank you to everyone who has traveled near and far especially far what a testament to this couple amazing friends family colleagues to come this far shows a lot of love and just how much you mean to them and they mean to you thank you very very much you Jordan has always been my little girl bringing happiness and joy and love since the day she was born Jordan AKA Jordy bear my girl says the love of my life loving caring considerate honest compassionate giving trusting faithful always thinking of others first I'm so proud of you Kyle aka Rudy big guy loving caring compassionate honest always giving of himself faithful with a heart of gold my new son Jordan first time I heard her name they're like yeah her last name is 9 i'm like nine no no it's not it's on tonight I can't be can't be nine because he's been in love with the number nine since he's in grade school and he's worn the number nine since he was in fifth grade and then I meet you and it's just like oh my god golly there it is it's over locket he'll throw away the key that's your wife Wow soin Kyle proposed I just told everyone we were going out to dinner because it was my sister's last volleyball game we had dinner at a restaurant that overlooks the city and we had a photographer set up there that looked like she was taking pictures of the skyline there was a photographer there but I didn't question it he said they were just taking pictures of the city which I believed one hundred percent dashboard tree what could be we have no man we got no plans to the store then we stood at the Overlook and we were pointing out landmarks and the next thing I knew how I turned around he was down on a knee and the first thing that came out of my mouth was right now I don't think she saw coming she says she didn't so I tried to everything I could to make a resupplies she stay with me forever say you'll be my only we can make it through whatever say you'll be my own I've been Jordan's best friend for about 15 years now Kyle you're one lucky man to be marrying my best friend thank you for making her the happiest girl on the planet you make her eyes light up whenever she sees you and as a best friend I could not ask for anything more everyone I come in contact with the first thing they always say to me Oh Kyle what an amazing football player I correct them every time under this sky I'm so I say amazing football player the shock mando absolute better person now you are truly a nine say you stay with that save me we're facetime so grandma can see the wedding today never say it be hi Kyle I Kyle take you Jordan Thank You Jordan for my lawful for my lawful wedded wife wedded wife to have to have and to hold and talk from this day forward for better for better for worse for richer furniture for poor perform in sickness and sickness and in health and in health until death do us part until death do us part you may...
See more here: https://www.youtube.com/watch?v=lHVsHwlLPOo
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yellin’ at songs, 04.21.2007 + 04.22.2017
the songs that debuted on the billboard chart this week and ten years ago this week. today: songs i... like? that are... good? ???
4.21.2007
7) "What I've Done," Linkin Park
Ah, yes, the era of Sensitive Linkin Park. When Linkin Park replaced the teenage angst with, I guess, adult angst? What do we want to call this? Decidedly non-specific hand-wringing? "I did something bad!" Okay, what did you do? "A bad thing!" Yeah but we've all done bad things? "As long as we don't say what bad thing we did, you can relate your own dark secrets!" Oh okay cool thank you for the opportunity, Chester.
65) "Stolen," Dashboard Confessional
So here's how I justify being a little into this song after giving Big & Rich shit for making a "gosh, I sure love the woman I'm getting married to" song. One, I'm an emokid from way back, and this is that wuss-ass poetry shit I need, even if I wasn't that into it way back when. ("Don't Wait" wasn't really a jam, and it put me off purchasing Dusk & Summer, so.) I'll openly admit I'm predisposed to enjoy this song more. Two, I might be misinterpreting this song as being about a wedding, like I could actually be wrong about my interpretation, so it's more complex than the Big & Rich song where the dude literally says the preacher talked to Jesus. Three, "Lost in This Moment" is just about the moment. We don't know who any of those people are, short of the fact everyone's super into Jesus and the bride and groom love each other. Here, there's a clear setting (wedding reception at the end of summer), there's a small lyric thrown in there that lets you know, even at their own wedding, the couple feels mischievous, so they're more fully-realized people ("crash the best one/of the best ones"), and Dashboard Confessional takes the time to state that there's more to their love than this specific moment, that this is what they've been working for and what they want to be ("our dreams assured and we all/will sleep well, sleep well"). I never realized how into this song until I sat down and thought about it.
81) "Kiss the Girl," Ashley Tisdale
What in the absolute fuck did I just listen to. I don't think I've felt this way about a song since I heard "Pokemon Christmas Bash" for the first time.
83) "Diamonds," Fabolous ft./Young Jeezy
I don't wanna talk about this song, this song kinda blows, can we talk about "Breathe?" Can we talk about "Breathe," Fabolous' 2003 song that far outpaces most of the rest of his catalogue? "Breathe" is a fucking amazing song, and I have no idea where it came from. Does any artist have as glaring an outlier as Fabolous' "Breathe?" I'm struggling to come up with one. I'm just going to listen to "Kiss the Girl" and "Breathe" on repeat for the next few hours, BRB. "Secret Service me with some of that Lewinsky love." Absolutely not! Ugh, that's not even a hack line in 2017, that was hack in 2007, that would've been hack in 2002.
84) "Makes Me Wonder," Maroon 5
Like all Maroon 5 songs, this is acceptable.
91) "Release," Timbaland ft./Justin Timberlake
I didn't have to listen to this. I hadn't heard this song before, but I heard this song a thousand times before I sat down with it. I could have guessed. "This was gonna sound awfully loud and busy, Timbaland was gonna try to rap and bless his little heart, and it would be a party jam that I'm probably not qualified to discuss since I don't party." I could have written that and lied about having listened to this song, but I need to come by this displeasure honestly, for reasons.
94) "Find Out Who Your Friends Are," Tracy Lawrence
Four songs ago I was listening to "Kiss the Girl" and the world was a magical place where love was real. I want to go back. I want to go back to that land of awkward dancing and spunky pop guitar riffs. I hate this world where some fucking dude tells me if my truck breaks down someone, not necessarily him but someone, can fix it. Great. Great, OK. That's useful, I will do something with this information. Forgetting is doing something.
95) "Apologize," Timbaland ft./OneRepublic
I heard the original version of "Apologize" on Alternative Addiction in summer 2006 I think? And I loved that song, and I wanted more people to hear this song, because I thought it was really impressive. ...I don't want to say Monkey's Paw? But this feels like a wish made on a cursed monkey's paw. I didn't want it like this. Why would I ever want it like this. Why would I ever want this song to get big because Timbaland said, "Hey, I think I can add twelve different things to this, really take it over the top." Like, for me, this was the only thing I got between the release of "Apologize" and the release of OneRepublic's debut a year and a half later, was this nonsense, and you can't imagine my disappointment that this was the only new OneRepublic thing I had for a year and a half, especially since it turned out that OneRepublic was OneRepublic.
99) "When I See U," Fantasia
R&B isn't one of my main genres, as I'm sure you can tell, so I've largely missed out on the career arc of the last true American Idol, as it's taken place entirely on that chart. I clearly need to get reacquainted. R&B isn’t something I come to easily. I like songs that go 1000 miles an hour on a path to DIZZYING EMOTIONAL HIGHS and that’s not something R&B really does, it slowly burns until there’s a full-on fire, and the fire crackles gently but still has devastating power, and while I’m not here saying Fantasia did just that with this song, I’m saying there’s enough I love about this song that I’m sure I can find some song in Fantasia’s oeuvre which does the thing, ‘cuz man, this song almost did it for me. (How often do I pull “I’m not saying, I’m just saying” bullshit? I need to see if that’s a tic I should edit out. Fucking own an opinion, dude, jiminy.)
The Top 20 singles of 2007 through this week: 20) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 19) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 18) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 17) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 16) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 15) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 14) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 13) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 12) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 11) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 10) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 9) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 8) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 7) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 6) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 5) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 4) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 3) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 2) "Kiss the Girl," by Ashley Tisdale (4.21.2007) 1) "Kiss the Girl," by Ashley Tisdale (4.21.2007) Some tough cuts -- so long, "Get It Shawty," we knew you well -- but the cuts are only tough since 2007 really stepped up its game, and after next week, it'll have a fairly unfuckwitable Top 20. 2017 better respond well.
4.22.2017
2) "HUMBLE." by Kendrick Lamar
So, relative to the rest of Kendrick Lamar's catalogue, I understand why the Internet would be angry at this song, but relative to the world at large, this is kinda just not a great song? Even setting aside the lyrical content, this song is bleh, something that sounds more like a throwaway than even anything on untitled.unmastered. From a lyrical standpoint, it's misguided and has some bad opinions, but Kodak Black has a legitimate hit record and two other songs debuting this week, and XXXTENTACION is rising in popularity. This is a smart man doing something dumb. I dunno, I'm just not really in the business of punishing a dude for not being woke all the time. Insomnia is a disease, y'know? I don't think this song is worth getting angry at. It's worth a stern lecture, to be sure, but we need to fix the clear and present problems before we set our sights on what is merely problematic. It's a bad song. People make bad songs sometimes.
53) "Craving You," by Thomas Rhett ft./Maren Morris
...I hate how into this I am. I listened to the Static Version. Is that the reason this is such a jam? This is basically the best pop duet in years. (The term 'duet' is being used here loosely. Maren Morris harmonizes and at one point goes "yeah" real loud.) It's so good, I can't even use this as a launching pad for a complaint about bro country, though, of course, the reason it's so good is that it does away with any pretense of being a country song. Like this is bubblegum-ass pop right here. This track would have been right at home on E MO TION Side B. (Not on E MO TION proper, of course, that album is Perfect (and now that opinion is a matter of YAS record), but this kinda reminds me of something that would be on a more dramatic version of Side B.) And I 100% get behind it? I'm behind this! Why the fuck not!
59) "Everybody," by Logic
Y'know what, I said 2017 needed to step its game up, and by golly, here we are, with a Kendrick song (Kendrick's C-game being better than most dude's A-games; to use The Sopranos as a point of comparison, "HUMBLE." is basically Kendrick's "Columbus," not a great song but still a Kendrick song), it had something that came out of nowhere to be among my favorites for the year so far, and we have this, which is just delightful! Evidently, I should have heard of Logic by now, but this seems as good an introduction as any.
60) "You Look Good," by Lady Antebellum
MORE. HORNS. IN. COUNTY. MUSIC. So, okay, first of all, I gotta note, the producer of this song, busbee, once made a song with Girl's Generation, so finally I know of the link between country and K-pop, ok now HORNS. Imagine how unnecessary this track would be without horns, if this were another country song with nothing to say but "it's nice when things are nice!" This gives it a dirty edge, but it somehow never feels skeezy, which is a miracle, considering, y'know, the dudes in Lady Antebellum. It took a little over a year but hey! Someone in the pop/country game listened to Sturgill Simpson! Better late than never!
75) "Tin Man," by Miranda Lambert
it's miranda lambert singing a sad country song with a wizard of oz metaphor, of course i'm into it
81) "Subeme La Radio," by Enrique Iglesias ft./Descemer Bueno, Zion & Lennox
Maybe it's because, of the four so far, this is the only one by an artist I've heard before, but I was less enchanted by this Latin pop song than I have been by the others. Even that Romeo Santos thing had its charm! I disagree with his choice to sound the way he does, but it's a choice he made that I still remember so really how bad a choice could it have been? This doesn't sound like anyone made a choice. It sounded like Enrique Iglesias just heaved a sigh and said, "Guess the fellas upstairs are expecting something. I dunno, people still use radios? Let's make a song about how they should turn the volume up on their radios. I don't know what we'll do for people who listen at max volume, but now at least we have the idea for album song two." According to the only English translation I am going to look up, the lyrics for this song features the line, "Time goes slow/And I'm gonna die." That is so not the vibe I got from this song.
88) "First Day Out," by Tee Grizzley
I really loved the way this song moved, like, the way it would switch it up every half-minute or so but still felt consistent, never felt like a thousand things were happening at once, and I thought the dude kept up with what the track wanted to do quite nicely. I'm. I don't know if he's a good rapper? I mean I won't pretend to know my stuff, again, I am out of my depth just wading into criticism on a technical level, but it sounded like he was talking over a beat for most of the song, and I can't tell if that's a relaxed flow or if the dude was just talking. And I KNOW he's a shit lyricist. He rhymed "blessing" with "happened," and immediately after that rhymed "status" with "castle." Like I'd be down with free verse, I think the world is ready for free verse rap, but then there’s eight consecutive bars end with the n-word? Like man, I think there's a lot to work with, I kinda wanna see where your whole thing goes, but boy, you sure amn't well-worded!
91) "The One," by The Chainsmokers
Please don’t make me listen to The Chainsmokers. I love "Closer" like I love few things in life. I thought "Roses" was fun. I could do without all these other Chainsmokers songs. Stop letting the dude from The Chainsmokers sing. He can't do it! He is unable to do it! He should not be carrying emotional ballads about letting someone go! Please tell me I'm not going to listen to ten other Chainsmokers songs next week. Oh god please tell me I do -- it's bullshit, because I can't take a principled moral stance like I'm about to take with Kodak Black, there is no ethical reason to not listen to the Chainsmokers, I will have to listen to every Chainsmokers song that comes on the chart, and it's BULLSHIT, because somewhere along the line y'all decided "Closer" wasn't an outlier. We all listened to "Closer," and that told the Chainsmokers people liked it when they were sensitive, and now next week, I'm going to have to listen to ten shitty EDM sad boy tracks, and all the good vibes I was feeling for 2017 are out the window because I can't believe the world is going to put me through that. Tell me this is the only cut from the album I have to endure, for the love of whatever gods you worship, tell me that.
93) "Conscience," by Kodak Black ft./Future 94) "Drowning," by A Boogie Wit da Hoodie ft./Kodak Black
As previously stated, I'm not listening to this dude's songs because I think he's a terrible monster and do not wish to support him more than I already have.
96) "Heatstroke," by Calvin Harris ft./Young Thug, Pharrell Williams & Ariana Grande
and now THIS, somehow, is the best pop duet in years? how the fuck does a duet between young thug and ariana grande work. what dark fucking sorcery is this. calvin harris is 2/2 so far this year, and i just, it's so good! i don't get it! it's like when someone told me that peanut butter, sriracha, and green apple made a good sandwich. i didn't believe it, but i still tried it, and HOT DAMN THAT WAS A SANDWICH. there is no way all these people coming together should work, but here we are, it worked and i'm happy.
98) "How Not To," by Dan + Shay
even the music video for this song doesn't wanna listen to this song
100) "Human," by Rag'n'bone Man
So are Rag'n'bone Man and Kaleo gonna have to fight for the title of Gotye 2017? Or does Rag'n'bone Man recognize that having a name one can make sense of precludes him from consideration for Gotye 2017 and is content to let Kaleo ride with that title? I don't mind that there's two Gotyes, though, especially since this one's pretty dope. I knew this was gonna be cool when I saw "Fast Car" pop up in the recommended videos sidebar and it delivered on that promise. Hot damn, though, this was a fun week for 2017. Like, last week, "Swalla" did a second week in the Top 20, and this week, Rag'n'bone Man can't get in. Well met, friend.
Speaking of, I moved some things around in the 2017 Top 20 again because I haven’t had a decade to spend with these songs and figure out my relationship with them, I’m sort of judging what’s good and isn’t good as I go, and sometimes that means bouncing Ed Sheeran from the Top 20, y’know? 20) "Tin Man," by Miranda Lambert (4.22) 19) "Everyday," by Ariana Grande ft./Future (3.4) 18) "Everybody," by Logic (4.22) 17) "Guys My Age," by Hey Violet (2.11) 16) "Heatstroke," by Calvin Harris ft./Young Thug, Pharrell Williams & Ariana Grande (4.22) 15) "Yeah Boy," Kelsea Ballerini (3.4) 14) "You Look Good," by Lady Antebellum (4.22) 13) "Selfish," by Future ft./Rihanna (3.18) 12) "Slide," by Calvin Harris ft./Frank Ocean & Migos (3.18) 11) "Now & Later," by Sage the Gemini (2.25) 10) "It Ain't Me," by Kygo x Selena Gomez (3.4) 9) "Craving You," by Thomas Rhett ft./Maren Morris (4.22) 8) "That's What I Like," by Bruno Mars (3.4) 7) "The Heart Part 4," by Kendrick Lamar (4.15) 6) "Chanel," by Frank Ocean ft./A$AP Rocky (4.1) 5) "Run Up," by Major Lazer ft./PARTYNEXTDOOR & Nicki Minaj (2.18) 4) "Green Light," by Lorde (3.18) 3) "Despacito," by Luis Fonsi ft./Daddy Yankee (2.4) 2) "Issues," by Julia Michaels (2.11) 1) "iSpy," by KYLE ft./Lil Yachty (1.14) Fucking Thomas Rhett in the top ten, this week was amazing and the worst.
WHO WON THE WEEK? 2017 took 2007 to the cleaners. It’s the first time either year has had the best bunch AND best individual song in the same week, and somehow, it’s a Thomas Rhett joint. I like “Stolen” more than I remember and “When I See U” more than I thought, but the top five from 2017 this week, man. Solid group, that. The problem, of course, is that next week, 2007 delivers an unassailable classic and two of my favorite songs from the year. 2017 may win battles, but it’s not quite prepped for war. 2017: 2 2007: 2
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Destination wedding in Cabo San Lucas, Mexico | Kyle Rudolph & Jordan Nine
Destination wedding in Cabo San Lucas, Mexico | Kyle Rudolph & Jordan Nine
I we'd like to welcome everyone the wedding of Jordan and Kyle special thank you to everyone who has traveled near and far especially far what a testament to this couple amazing friends family colleagues to come this far shows a lot of love and just how much you mean to them and they mean to you thank you very very much you Jordan has always been my little girl bringing happiness and joy and love since the day she was born Jordan AKA Jordy bear my girl says the love of my life loving caring considerate honest compassionate giving trusting faithful always thinking of others first I'm so proud of you Kyle aka Rudy big guy loving caring compassionate honest always giving of himself faithful with a heart of gold my new son Jordan first time I heard her name they're like yeah her last name is 9 i'm like nine no no it's not it's on tonight I can't be can't be nine because he's been in love with the number nine since he's in grade school and he's worn the number nine since he was in fifth grade and then I meet you and it's just like oh my god golly there it is it's over locket he'll throw away the key that's your wife Wow soin Kyle proposed I just told everyone we were going out to dinner because it was my sister's last volleyball game we had dinner at a restaurant that overlooks the city and we had a photographer set up there that looked like she was taking pictures of the skyline there was a photographer there but I didn't question it he said they were just taking pictures of the city which I believed one hundred percent dashboard tree what could be we have no man we got no plans to the store then we stood at the Overlook and we were pointing out landmarks and the next thing I knew how I turned around he was down on a knee and the first thing that came out of my mouth was right now I don't think she saw coming she says she didn't so I tried to everything I could to make a resupplies she stay with me forever say you'll be my only we can make it through whatever say you'll be my own I've been Jordan's best friend for about 15 years now Kyle you're one lucky man to be marrying my best friend thank you for making her the happiest girl on the planet you make her eyes light up whenever she sees you and as a best friend I could not ask for anything more everyone I come in contact with the first thing they always say to me Oh Kyle what an amazing football player I correct them every time under this sky I'm so I say amazing football player the shock mando absolute better person now you are truly a nine say you stay with that save me we're facetime so grandma can see the wedding today never say it be hi Kyle I Kyle take you Jordan Thank You Jordan for my lawful for my lawful wedded wife wedded wife to have to have and to hold and talk from this day forward for better for better for worse for richer furniture for poor perform in sickness and sickness and in health and in health until death do us part until death do us part you may...
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