#going to reduce my muses to two a game this time lmao

[sins-of-the-sea]

Josep slow claps. "Congratulations again, Lord Malik. I think. I can't keep track anymore."

"At least Abena made it to third place. So she, Phi, and Rashid are rerolled for the next games?"

"Not this time around. I think third place is pretty close enough to qualify 'winning' a game to be allowed to be excluded in the next game."

"Ah. So just Rashid and Phoebus? Or are you putting in me and Guy again? Or-?"

"Phoebus and Guy. And only them."

"WHAT?!"

"Oh, that's going to be fun. Can't wait for the brothers to hear this when they get back."

[twewy-comix]

the big one-oh - let’s watch twewy

only two more after this!!!

LAST TIME: EVERYTHING SUCKS

“neku wake up! you fucked up big time” “beat”

they decide to go check out where they can get with their keypin. also a dude walks through neku and he hears his twitter feed

it’s indeed become homogenous - once known for being full of all sorts of individuals with their own viewpoints, it has been reduced to a wasteland of people shuffling about like zombies. not a single unique thought to be found. the same phrases, repeating endlessly, mindlessly...

...and that’s just what twitter was like BEFORE the replies meme amirite (canned laughter) (wild applause)

「えっ、ハネコマってハネコマ？」kawaii

and if there’s one person we can always trust, it’s joshua

anyway they continue their search for konishi

love this cat

thot detected

murder!

thot detected

after doing some murder and awkwardly-timed feelings jams, neku and beat find a wall that’s all fucky. i wonder who could possibly have done this

kawaii

they go through to udagawa, where the air is thick with space cat powder. the source seems to be the weird sigil sho drew, so neku tries taking pictures of the past to figure out wtf happened. he doesnt explain how it works to beat because “there’s no time,” which im sure won’t bite him in the ass later

(happy birthday tsudaken)

oh hey it’s our pals kariya and uzuki im sure they know what happened here

jk it’s a boss fight

the anime’s weirdly inconsistent about when it shows blood or not, huh

beat manages to knock uzuki’s red skull pin off, which im not sure was a thing in the game?

they realize they can reverse the brainwashing this way and remove kariya’s pin too, thus avoiding any senseless murder

honestly i didnt rly like how this scene was the last we see uzuki and kariya in the game*, so if the anime is changing that im fine with it. Let Them Live

(i mean theyre in neo twewy so we know they live) (but i thought they were double-dead for nine years, dammit)

*(but the last time i talked about that ppl got mad at me lmao)

haha... sure u are ;)

THE WHOLE BUILDING’S FUCKED UP (AND NOBODY NOTICED???)

oh ok. in the game beat just grabs the camera and uses up all the photos and they find something useful by pure luck lol

oh shit they found his catnip stash

hey havent we seen that design on an evil sky laser recently

yeah from an evil sky laser

oh. that too

anyway there’s a gold key pin in the envelope and a letter that says “try not to get killed by konishi”

wasnt he trying to help joshua get into the river? yet he had this keypin all along?? what gives??? you have to watch the secret reports OVA to find out

oh no

yeah and the weird art installation’s in the way too

male gaze

OH COME ON THEYRE DOING THIS ON PURPOSE 

nope, nothing to see here, move along

murder accusation #2...

...ignored

(he doesn’t say megs/megu-chan here. fascinating)

OH. UH. OKAY

some context: here’s the game’s version of this scene:

nine years ago i drew this comic based on that scene (which i re-uploaded earlier today):

but i hadnt read the secret reports yet back then, and on my second or third playthrough i thought “oh maybe he actually meant hanekoma here”

also earlier today i was musing on that and thinking “nah, probably not, but given how the anime framed his resurrection it’d be really funny if he was” because hanekoma was RIGHT BEHIND HIM

but here we are. he really was looking for hanekoma, who was right behind him. that answers that!!!

but i guess the question here is: is hanekoma the composer? or rather, does sho think hanekoma is the composer?

(i know the answer ofc. probably.)

anyway yeah it’s funny. and also way funnier after i said “nah probably not, he couldnt POSSIBLY be THAT much of a dumbass”

no, dude, you cant tap him on the screen or he’ll just teleport all over the goddamn place. you gotta aim your shots through him, like the guy you really wanna hit is standing behind this asshole

unfortunately not everyone can be a super awesome gamer like me so they get their asses kicked. and--wait what

day six....? in the game they were on the last day, right? what do they need an extra day for?? and by they i mean the writers

bunp

NEXT TIME: THE END EXCEPT NOT BECAUSE THERE’S TWO EPISODES LEFT BUT IT LOOKS LIKE THEYRE GONNA DO ALMOST EVERYTHING IN THE NEXT ONE AND IDK HOW THEYLL HAVE ENOUGH TO FILL THE LAST

[flying-elliska]

The transformation of Lucas Lallemant pt 1 : Hell Week.

Skam OG S3  can be more or less divided in three acts, and this is even more obvious in Skam France, which has a more...dramatic style of storytelling, let’s say. Act I : Lucas meets Eliott, struggles with his internalized homophobia, develops feelings, ends with Eliott’s apparent betrayal. Act II : Lucas is isolated, struggles, finally comes out to his friends and to the world, Eliott and Lucas reunite. Act III is what’s yet to come, the revelation of Eliott’s MI, possibly elements related to Lucas’ parents and religion, and the resolution. 

I want to take a look at Act II as a unit and the essential character developpment that takes place within it, starting from the disastrous party scene at the end of Vendredi 19h21 and ending with the paint scene in Vendredi 18h34, because this is really where we can see Lucas’s arc pivot, as he is left alone to confront himself, and the nuance with which it was done is incredible in terms of storytelling. 

Fair warning, it’s going to be a long one. 

Vendredi 19h21 : Fête de trop 

It has been pointed out by many that, whereas Isak and Martino punched into bushes and garbage cans during this scene, Lucas hurts himself until his knuckles are bloody. He’s angry at the world for sure, getting in a fight with his friends, but it’s ultimately himself he blames - for having feelings, for caring, for thinking he had a chance with Eliott, for being attracted to a boy, for wanting a family that supports him, for wanting to be loved. Chloe possibly outing him by yelling Lucas is gay in a crowd, Arthur joking about his family, Eliott kissing a girl - it brings all his worst pains and fears to a head, and things he’s been repressing for the longest time just boil over, in the shape of rage and inarticulate despair. He punches his hand into the wall because he cannot speak, cannot think, cannot do anything else. It’s violence and self-harm as a symptom of powerlessness. The look on his face at the end I read as him being totally overwhelmed.

 In the background the song talks about partying to pretend to be alright - but emptiness and chaos catch on eventually. It’s ironic in a sense because the singer is talking about glitter and kissing boys in public, things Lucas very much shies away from, but in the end the result is the same, loneliness and alienation. The association of the two brings up very old themes in queer culture, specifically things gay men have had to deal with - feeling adrift, disconnected from family and people and feelings, internalized hatred, self-harm, feeling like you have nowhere to go, putting on a happy face even when you’re spiralling out, partying as a substitute for connection, and what happens when the facade breaks. At the same time, the drop after excess can have a revelatory effect. 

Even if it’s painful, this scene is necessary and kickstarts the part of his journey where he is facing his fears on his own. The hurt is a recognition of what is happening to him and how important it is. 

Lundi 08h52 : Scared but doing it anyway

That's the definition of courage.  With his bandaged hand and the slow opening, as he puts his hoodie up, he looks like a boxer stepping into the ring. Lighting is at its most overcast, blue-tinted, dark and depressing. This clip is heartbreaking, bringing Lucas's worst fears to the light. Being mocked and ostracized, turned into a vulgar joke, having been played for a fool. 

Fear number one. He sees his friends laughing at him. Lucas is a character with huge abandonment issues, understandably. As his familial situation went sideways and his sense of self was put in turmoil, he’s relied on the normalcy of his friendgroup to keep him afloat, going to great lengths to preserve their view of him - even declaring love to a girl he feels nothing for. Them laughing would feel like the ground disappearing under his feet. 

Fear number two. We can see Alex mimicking a blowjob. Through his rant to Mika about dick shaped confetti or his reaction to “Krindr” dick picks, we can see that he seems to be uneasy when it comes to the overly sexual way the gay community is often presented. And homophobic jokes and behavior tends to be overly sexual too, reducing gayness to a series of sexual acts presented as disgusting, instead of the whole love, identity and culture aspects (not that there is anything wrong with gay sexuality in itself, but when it’s reduced to only that, it would be understandable he has issues with it, especially for a teenager who’s just discovering things, belying the cliché that all men are naturally horndogs.) He's afraid of his intimate feelings and process of discovery becoming a vulgar joke, that’s very understandable. 

Fear number three. Eliott looking at him smugly. Basically confirming that he’s a player,  that this very special connection they had, something that allowed Lucas to open up and be vulnerable and artistic and bold, and muse about alternate universes and play the piano and feel comfortable enough to be happy kissing another boy - was a lie. Eliott doesn’t care and now he’s able to be on the side of the bullies because to him - like the cliché “bisexuality” Lucas had in mind talking to the girls - his attraction to boys is just a fun side piece, he can just go back to his girlfriend afterwards, whereas Lucas can’t. He’s “stuck being gay” and he’s failed at maintaing a straight façade. 

To close it off, there’s Chloé, fulfilling the narrative purpose of a ticking clock and a reminder of Lucas’ failure at straightness and imminent outing. This of course, is not really happening, but this paranoia is very typical of being a closeted queer person, of constantly having to wonder who is going to love you anyway and who is going to reject you because even when your people are mostly liberal and tolerant, there is no way to really know because of how deep homophobia is rooted in our society (see my meta about French humor). It really is Schodinger’s unconditional love. 

And then there’s Daphné. This is the first of several ‘tonal breaks’ in this arc, in which the angst is cut with moments of levity, randomness and wacky jokes that seem a little out of place but do serve a purpose narratively and in terms of themes. In this one, she goes out of her way to praise Lucas’ masculinity. It wouldn’t surprise me she already heard rumors, going from the alarmed look on her face, and wants to reassure Lucas he is still a man in her eyes. Daphné is an interesting character to do this. Because she has little brain to mouth filter, she tends to say stupid things and offend people, but at the same time, she can break through people’s walls and isolation - the foyer, meant to bring different people together, is a symbol of this. She’s a key representative of Skam’s central theme of people being flawed, able to learn, and of -trying and reaching out, even with mixed results, being a super important thing. Therefore, it’s interesting she’s the first to reach Lucas in this difficult phase, and this will happen again later. At the same time her words about defenseless women needing a strong man is a reminder of the overwhelming clichés about gender roles that make Lucas’ life so difficult. 

Lundi 14h03 : Ennemies and Allies

Chloe's threat of outing Lucas whenever she wants gives the whole episode a feeling of urgency. She is extremely hurt and he can’t catch her, either physically or symbolically. She’s a loose cannon, and her holding Lucas’ outing hostage as revenge feels very violent. It's not clear that anybody knows yet, but she could take Lucas's choice from him any time now. His harsh and terrified words (”I’m not a f*g”) illustrate the level of denial he is trying to stay in as it’s slipping away from him, the powerlessness he feels. The scene taking place in PE class with people throwing balls at one person standing in a goal reinforces the overal symbolism of being put on the spot. 

On the opposite side, Yann's reminder of support sets up what happens later. He wants to be there for Lucas, but he’s also been hurt by his silence. He doesn’t want the squad to be Lucas’ punching ball if he can’t verbalize. 

Mardi 13h08 : Miscommunication. 

Eliott is trying to make a joke about the time they met and he couldn’t chose what to get from the vending machine ; Lucas interprets it as him saying he wants both Lucas and his gf, and he responds harshly. Lucas is pretty much standing up for himself here, as painful as it is. He signals to Eliott he's not game to just forgive and forget, to do as if what happens didn't matter. Him alluding to a choice that Eliott needs to make - there's still a sliver of hope there though, as agonizing as it seems.

Lucas not finding a place to sit and leaving the canteen represents his worst fears about coming out - being left alone. It’s a classic high school story trope, not knowing at which table to sit, eg. not fitting in anywhere, so he chooses not to feed himself. (Again, hurting himself). 

Mercredi 13h37 : Sorting through your old shit

This moment of levity after the heavy angst serves as a reminder that life, whether you are ready for it or not, goes on. It’s also the second time that the show subverts horror tropes - first in the first kiss scene for romantic purposes, here for comedic purposes with the creepy dolls everywhere and the guy with an axe. The theme is that things that look scary at first often aren’t, and can even bring unexpected gifts. The overall scene doesn’t have much impact on the plot, but it can symbolize several things - the need to do away with the messy things of the past (like all the shit in the shop and internalized homophobia), giving things that are still useful a new place where they can be better appreciated (the couch is a metaphor for Lucas being gay lmao), the difficulty of dealing with grief and your baggage alone and the need for outside help (like the shopkeeper who can’t get rid of his brother’s things), the importance of playfulness and unexpected gifts (table football). 

The girls opening up about their dating woes puts Lucas’ struggles in the larger context of teenage boys being trash, normalizing what he goes through. On the other hand, again, Daphne’s comments and Imane’s joke show that the girl squad have their own problems with gender clichés. Manon denouncing them marks her as a safe place for Lucas, as well as her going through the deeper kind of turmoil of love troubles. 

Lundi 01h48 : In the abyss

The scene is dark and drenched in blue light, giving it an oceanic, almost submarine vibe. This is Skam taking full advantage of its real time format, showing the story at a time where viewers are very likely to be in the same state of exhaustion and half-consciousness as the characters. 

Even though he doesn't show it much, Lucas is a deeply caring character. He's just been extremely burned out, possibly by his family situation, and what happened with Eliott. And yet, it's still there. We can see it here in how he comforts Manon, trying to be stoic, but it's getting to him in the end. Compassion is often much easier to extend to others than to yourself. He might punish himself for feeling too much, but he would never do that to Manon. 

This scene is, to me, the most pivotal moment of the season yet along with the piano scene : they're moments where we see Lucas's soul come to the surface. And as vulnerability is key to the plot, those moments of openness really move things along. The piano scene was Lucas letting out his more passionate, artistic, sensitive side ; this moment is more raw and ugly, about what lies beneath the anger, the despair of caring too much. And yet there is beauty and relief in owning it. In this particular context the shell of anger Lucas protects himself with is meaningless - it’s just the utter loneliness of the night and two people who are broken and lost. Manon is also from a broken home of sorts, she’s also been given a lot of reasons to give up on love. The fact that they’re able to share this intimacy of letting themselves feel like that, at a moment where words are beyond them, is however a sign that they’re not giving up. They’re feeling the feelings, as painful as it is, and they have a witness. It’s beautiful. 

Vendredi 09h14 : Exhaustion

Lucas's body is basically close to giving up on him. He can front all he wants, but he's still only human. So he goes to see the school nurse for insomnia. He thinks maybe if he can solve the physical problem, maybe get pills, he can go back to being tough and pretending nothing is wrong. The nurse’s answer - not exposing himself to any screens or blue light before sleeping - is laughably unadapted to his problems, which in turn makes the idea that Lucas can solve his problems this way ridiculous as well.

The nurse is a mess - is she cheating on her actual husband there ? Why is she talking about her (murder)fantasies to a student ? Teacher’s back acne ? She illustrates that adults still have problems (again, normalizing what Lucas goes through) and that life in general is messy and you need people on your side who can be there even though you are going through ugly, difficult things. Lucas cannot talk to her, they’re not on the same wavelength at all, but there’s still someone he can talk to. The medecine is not pills, it’s human support and trust. 

Vendredi 17h05 : Trust issues 

This clip is very painful to watch. 

First Eliott’s drawing. At this point in the story it feels like a cruel joke. This guy played him, and now he’s talking about destiny ? Lucas really bought into the whole Polaris thing, we could see he was starving for a real connection, and maybe he thinks Eliott is using that against him, tugging on the heartstrings like a true artsy fuckboi. At the same time, the loneliness that emanates from the drawing is heartbreaking for us, who know what’s up with Eliott. 

Lucas decides to go talk to Yann. That’s his destiny. I thought he was going to walk up to Eliott for a moment, the filming is deliberately ambiguous, but no. In a way, he’s choosing himself, deciding to bring stability to his life by opening up to the guy who’s been his main support system for years : Yann. And he lays it all on the table - his problems with his family, his insomnia, the mess with Chloe, the difficulty talking, having a crush of sorts for Yann, falling in love with Eliott. He’s so brave. He banks on his ability to trust Yann, he wants to believe he’ll be there for him. He’s finally coming out to someone on his own terms, with clear words. 

It doesn’t work. Now, I never believed Yann was homophobic - his face only shuts down when Lucas starts talking about all the people who already know. But after Lucas’ slow, painful journey towards opening up, it feels like a bucket of ice water in the face. However, it is thematically appropriate. 

This story arc tries to balance two concepts very delicately : on one side, as a teenager it’s important to realize that you’re not as alone as you think, not alone struggling. On the other hand, both internalized homophobia and French culture’s latent homophobia (that makes people do shitty things even though they’re not homophobic at heart, without realizing it) make this process of teenage alienation vs self discovery and acceptance, a thousand times more painful than it needs to be. Ending the episode on this note signifies that the struggle is real, that however brave you might be, sometimes the world is going to try and slap you down anyway. Thankfully, the story doesn’t end there, but for Lucas, this is the bottom of the pit. As his instagram post says ‘god needs your lifeboat as an ashtray’. Sometimes your best efforts mean nothing. This seems like a very pessimistic and cruel conclusion but I believe it’s an important beat in the story, recognizing that sometimes things go wrong through no fault of your own. It’s the system that is to blame, that has not given the tools to Yann to react properly and for the both of them to communicate better and for Lucas to accept who he is and not hurt people around him in order to hide. They’ve gone the road of validation over comfort and I think it’s a very interesting choice. (Even though I can also understand people who needed a more positive message and were hurt by this). But like a lot of queer people, I’ve had my share of half-botched coming outs and it’s important to show how you come back from that. 

...

So in a nutshell : this week, we bear witness to the slow death of Lucas’ tough, uncaring, player straight guy facade. His feelings have reached a boiling point, and he can’t ignore them any longer, it’s taking a toll on his body and isolating him from his friends. The moments of levity serve to dedramatize and normalize what Lucas goes through, encouraging him to reach out, while at the same time, the show takes his pain and fear seriously, by showing the minute toll it takes on his health and the less than ideal reaction of the people around him. However, through it all, he finds the courage to keep facing his feelings and opening up. He is staring his worst fears in the face - abandonment, ostracization, having his feelings used against him - and he still manages to choose trust. Eliott might have been a catalyst, but in the end he chooses to do what’s right for himself. He talks, even though it’s almost a moment of symbolic death, but the transformation can take root from there. Honesty is grueling sometimes, but it’s still necessary.  It’s better than letting the lie ruin your health and your relationship, better than hurting yourself in an attempt to push down the truth, better than violent powerlessness or night time devastation. Lucas is so good at wearing a mask, but how he reacts in this crisis is revelatory of his own deepest need for change and love. 

In short, I love this character with the intensity of a thousand suns and even though it's super painful I love that we got to go on this journey with him.

Thank you for reading this monster of a post, and see you next time for pt 2 : Acceptance ! 

[bloodfcst-a]

Hey, y’all. Tumblr’s been setting off my anxiety in the last few days, thus the reason I’ve been away. I’ll give you a full explanation under the cut for those who are interested (though I’d really appreciate it if you all read it anyway), and provide some contact information for places you can find me.

Discord: conjure. ☆#6443 Twitch: ninabeanxo Twitter: mishtadelet

I’ve been kind of quiet on Discord lately & I’m the most active on Twitter. I also announce when I’m streaming on Twitter, so... yeah. Sorry about this.

I want to be here. I really do. But there’s something about the summers on Tumblr that are really hard on me. I also think people’s attitudes change & idk why, but people seem to treat me pretty rudely? I try so hard to be approachable, to be kind and positive and supportive, but the amount that people try to take advantage of me or are just plain rude to me is?? So wild. So for those reasons, I’ve just kind of been isolating myself lately, and I may seem a little distant/less approachable/not talking much about myself because tbh... some of y’all are just haphazardly setting off my anxiety / panic attacks and I seriously can’t do it. I already have PTSD, so it’s a fucking nightmare lmao.

There is no gentle way of saying this, but it really needs to be stated. Please respect my triggers, or I will not talk to you. Please respect if I ask you not to mention something or someone to me.

and this is a really big one....

Please respect my boundaries.

If I have mentioned to you that I am not vibing with someone, do not send me media of them / that includes them, do not ask me about ships with them, do not tag me in posts of / with them, and please stop asking me about group verses / affiliated servers. In my time on tumblr, I’ve dealt with theft, bullying, emotional abuse, sexual harassment & solicitation. I’m constantly asking myself ‘ Why me? ’ but more than that, I’m really trying to avoid further situations from happening. I haven’t found an answer. I’m guessing it’s ‘cause I’m soft / nice? idk. Stop ruining a good thing. Y’all are gonna make me bitter, dang. 

When I made this blog, I was explicit that I do not want to be in mainstream FF fandom. When I promo this blog, I even say primarily fandomless & canon-divergent. There is way too much messiness in the fandom, extremely toxic people & tendencies there, and I just don’t like fandom discussion. Regardless of my reasons, the point is that I’m not interested, so please stop trying to entice me to go back. It’s so blatantly rude & shows you think your interests & wishes are more important than my comfort level, and I don’t appreciate that sentiment in the slightest.

That being said, I know Yufi reads differently. That’s why I put so much work into her metas. I even have two tags for all the content. At some point I’ll even have a less minimalistic blog & with more links so it’s super accessible ( in the off chances searching for the ‘  meta ’ and ‘ kisaragi ‘ tags don’t work ). But in the meantime... ask questions. Read. Join a stream. I’ve literally streamed games & movies for folks privately & occasionally stream now. I actually started a new file of VII not too long ago and just got Yuffie, so I could literally have a gameplay stream where we go through canon together. I’m like... nearly begging. Don’t make assumptions.

Again, there are so many resources. There’s wikis, there’s the tags, there’s the inbox ( just ask! ), there’s streams, there’s gameplay & commentary videos, there’s stuff. If you are confused or unsure, I would much rather you reach out. This is regardless of how long I’ve known you, ‘cause some of us have known me for a while and still don’t know anything about me or my portrayal or how to interact, in- or out-of-character.

On the topic of assumptions (because it really is that important, so many issues stem from assumptions & you continuously making the wrong assumptions will leave me less inclined to speak with you, nevermind interact), let’s address some.

I do not write a hyper-sexualized muse. I know this is fanon because of her choice in clothes... however, clothes are a fashion choice, and do not reflect a person’s... existence? I don’t know if it’s the masculinity or the rape culture or what but... what she’s wearing does not mean she deserves any hypersexual treatment... and also as an extension, myself ( bc this happens way too frequently-- please stop seeing my muse and then approaching me about your personal sexual fantasies. It is extremely uncomfortable, as someone who is sex-neutral & demiromantic, to be randomly selected to talk about sex? with me personally? via my muse? Or about my muse when we have zero chemistry? Why do y’all think this is okay??). When I do choose to write sexual / nsfw content, it’s always after conversations ( plural!! ) with my writing partner & after I feel comfortable with the topic and with them. But even if I had her hoein’ it up on the dash, that doesn’t mean to make assumptions about her character (bc maybe there’s character motivations I need to write a meta for & it’s part of her background) or me (the mun is not the muse!! say it with me!!).

I do not write a kleptomanic. Again, this is entirely fanon, because Yuffie says in literally everything she’s mentioned in that she does not steal without a purpose-- and the highest purpose is that she’s stealing items that would restore the power and glory of Wutai or for her personal safety. However, I very rarely write theft... I try really hard to steer clear of the topic because I’m aware that it’s like the #1 thing she’s reduced to. She’s a thief class, yes, but that is not the only dimension to her. I could go on, but I think that’s enough.

Just because our characters share canon does not mean they’re going to have chemistry. I am canon-divergent. But not only that... Yuffie just doesn’t vibe with most people as a canon fact. She is an outsider to like... 99% of people, exclusion being Godo ( Wutai ) & the Turks & the WRO. She doesn’t even claim herself as a member of AVALANCHE. Not only this, but the dynamic she has with one Reeve or Cloud does not represent every duplicate-- that comes with plotting and with chemistry. We will have to plot & work together to figure out exactly how our versions of characters mesh. This is a collaborative hobby.... so the collaborating shouldn’t be that much of a surprise. 

If you come guns-a-blazin’ without clearly having read anything about my portrayal, with completely inaccurate characterizations & just assume because we’re friendly out-of-character I’m gonna be pleased with it.... you’re dead wrong. I’m actually just... a very kind and nice person. I may just gently offer you some suggestions or corrections. But if you repeatedly come with your assumptions &  pre-conceived notions and it’s clear you’re not paying literally any attention to me or my ideas about my portrayal...  I’ll probably just recommend you to another duplicate. I know one who stole a ton of my content & former friends, so you’ll be in good hands. 

If you’re here, I assume that you want to write with me, not the idea of me. I’m a person with feelings & interests too, y’know ?? I feel like somehow that’s easy to forget with me for some reason, given how often people feel inclined to overstep my boundaries & act so disrespectful to me. Which is... fucking wild, honestly !! I’ve even had a person deadass say to my face “ I didn’t think/know you’d want to be treated with appreciation and respect. ” What the actual fuck does that mean? What kind of dominant abuser mentality ??????? Y’all on this site stress me out!!

The last two weeks have been legit stupid stressful on me, and I’ve had some interpersonal changes with folks in the last month (mainly in private) all regarding these subjects. About people here feeling entitled to be rude to me & finding all sorts of justifications for it (I’ve heard everything from “my grandma was sick” to “work’s hard”-- what’s that gotta do with you curb stomping me & my ideas/feelings, and telling me my emotions aren’t relevant in comparison to yours? It doesn’t). And it’s just been weighing down on me a lot. I don’t usually go on main here to discuss issues like this, but because it’s been OVERWHELMING in the last few weeks (and also, bc being nice to everyone is kinda common sense ? and idk why folks here seem to think I’m excluded from the ‘everyone’???), it just seemed like now, while I’m isolating a bit in an attempt to focus on some self-healing, would be a great time to discuss things.

I know this was a long post... but there’s been a lot of injustices done to me on here & in life, so....... if it burdens you to read all this, imagine how shitty it feels to have to experience it. Yeah. It’s rough, pals.

I don’t know how to really end this post godhsaohof. I’m hoping this will kind of open someone’s eyes & like... maybe things will change. I’ve stated before, but I have chronic illness so I really can’t handle stress or, for lack of a better term, a lot of bullshit tbh. If you wouldn’t say it to someone with a dying illness or cancer or a soft sweet grandma, don’t say it to me. Because that’s literally me! I’ve got an illness I’m dying from & I’ve had cancer & I’m soft and sweet! tl;dr, stop being so mean to me dang. I didn’t do anything to deserve this.

[gruntadminloch]

((a thought i had today

I'm absolutely coming back at some point. Probably around when swsh drops. Maybe sooner because i'd'e probably been back sooner already but i've been off my meds for like two or three weeks and i've felt aeful as a result icve gotten nothing done and haven't felt like talking to anybody like at all i've had maybe 10 conversations this past few weeks and they haven't all been full conversations

But anyway what to do with loch because i'm absolutely bringing him back

(and ghetsis and zossie's been kinda noisy lately too in my head ad i've got one or two new muses. . . .)

But like. I think it's been.two? Three years since i played loch consistently. Like i think he's fuckin 30 now i have to double check his age but.

Loch is a muse who was meant to grow over time and develop with the assistance and interaction of other muses. To a certain degree who loch becomes is meant tp be a reflection of who he spends time with and his influences--most of which have encouraged him to develop thoughts, feelings, interests, and curiosities of his own and do things he's interested in and wants to.

But with my having had been away so long he hasn't had the opportunity to do that.

Nd loch is kind of region locked to a degree--i can certainly create reasons why he'd be elsewhere(because when a new region is introduced there tends to be a shift to characters being in there or around there where the party's at) and so on. And i have ideas already. But what the fuck was he up to in this whole gap.

I don't know how much of his developments and things i remember. He's certainly eager to be out and about again and i remember lots of things, but at the same time I worry i'm not remembering much at all. And yeah he could have easily changed a lot in two~three years.

Part of me is thinking of the ways i could proceed. I always have a separate verse for the actual canon ending of team skull but usually stick to one where skull doesn't end or comes back together after a while. Whichever one people default to varies but i default to the latter.

We were given a canonical reason everyone in the world is in Pasio--one that can be used to ignore time boundaries even which is cool.

But what am i gonna do with my boy lol

I'm thinking that. . .he got back into pokemon daycare stuff. Because that's what he loves to do--cross-breeding and training and teaching and stuff. And with a new mechanic that i've heard is coming to swsh i kinda like the idea of him taking up behavioral training--being somebody who can change your Pokémon's nature basically. His passion is in variations and crossbreeds(and team skull) as usual but y'know gotta do something on the side for the bills and all.

And maybe use that as a 'going to Galar' excuse--maybe he got a breeding commission or something or he's just studying new breeds and variants since the pokemon league committee or whoever's finally allowing people to visit galar more freely(that's usually my reasoning for 'this is a "new" region and these are "newly discovered"--it's a league matter that deals with pokemon habitat conservation and stuff, trying to reduce invasive species and disease and smuggling and the like.) And he scrounged up enough cash to make a whole trip to Galar(Raehela--whose name I may rescript as Lahela but ultimately her name remains a sort of Hawaiian variant of 'Rachel'--ofc is pissy because 'why spend web could just fly/teleport myself???') and now he's there

But. Idk. Ofc that says nothing of the usual 'team skull still exists' verse but that just becomes a matter of 'we're here for team skull reasons' or 'master guzma/big sister went so i'm going too' or whatever and is a bit easier to work over. . . .

Oh i'm really kinda eager to be back but. It'll happen when it happens. For now thank you for your patience and continued interest! (Because i still get new followers and i'm just like thank lmao)

But! Yeah!! Just know that!!! You are all in my thoughts and what i'm gonna do when i get back is in my thoughts and things are still shitty on my end but!!!!!! I still wanna be here!!!!!! So you'll see me back someday!!!!

In the meantime i'm still in otome game hell lol. . . .