#goes w/o saying but like

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 6

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 4] [Pt. 5]

[tiddygame]

i’ve stared at this for so long that i now hate it and think ive lost all concept of how to write so take this and get it out of my google docs

the introduction is rough and the medical depictions (and accuracy/realism) could use some (a lot of) work but whatever! here it is, my vague yet still oddly specific idea of how the face reveal would go in @myriadblvck ’s streamer au:

tw: description of a panic attack? i think?

[this takes place post first irl meet but before they’re officially together]

imagine ghost has a glasgow smile but on one side they carved a little too deep and left some nerve damage. time and surgery helped, after which he could eat unimpeded and talk without a lisp, but there's still some facial nerve damage and/or skin contractures from scarring, specifically around the corner of his mouth.

now, everytime he smiles, be it shit eating grin or a full genuine joy filled smile that not even grumpy mcgrumperson could hold off, it always looks wrong because one corner doesn't raise fully like the other.

everything else is fine, there isn’t any facial paralysis, he just smiles… wrong. especially since only one eye properly squints when he smiles, giving him the look of someone who got stuck mid wink.

if he wants to look “normal” (or as normal as he could get it) he has to manually squint his other eye. still, it always felt weird; you don't realize how much those muscles affect the rest of your face until they're gone.

it's why he learned to always wear the mask.

when his expression is neutral, you don’t really notice it. if you can see his mouth when he talks however, it’s obvious that there’s something wrong. he wouldn’t say he’s necessarily ashamed of the scars and damage itself, but it’s the stares that are the worst. before he started hiding behind it, people would openly gawk or even glare at him as if he was some ne’er-do-well gang member that got what was coming to him.

he still remembers the cosmetic surgeon that had been talking to him about fixing the contractures— the whole appointment was a fucking nightmare. the cuts had healed nicely enough especially considering how bad it could have been; he was lucky to only need a little cosmetic help. the only reason he was there was so he could fucking eat food without struggling to open his mouth.

the doctor spent god knows how long breaking down everything wrong with his face like he was a fucking car mechanic lying about how dirty your filter is. the guy constantly mentioned that while he was under, they could also fix his jawline, do a rhinoplasty, trying to break him down to agree to more work.

he was already fuming my the time the doc brought up how kids would react. asking ghost if he wanted to scare children since “you cant expect the little youngins that are still learning about the world to not get scared by something scary,” and that “even some adults would cringe at the scarring.”

what stuck out most was the condescending smile he had when he said it. as if he was pointing out the obvious and ghost was being stupid and shortsighted by not agreeing.

he declined everything except what was medically necessary. the procedure went fine and after an aggravatingly long recovery period, he could eat solid foods again without issue. but the comments still stuck with him.

…okay, maybe he’s a little ashamed.

scaring kids with your face doesn’t feel good and being reminded of everything you’ve lost when you try to smile can really fuck you up in a way words fail to describe.

so yeah, he hates it. he’s gotten used to the mask, both skull clad balaclava and simple medical mask, being a permanent layer of armor. even now that he’s a bit more comfortable in his own skin it still feels wrong to pull it off.

when he gets close to soap, it still feels like a layer of vulnerability that he’ll never be prepared for.

the first time he let soap see his face, there hadn’t been any grandiose build up, no extravagant planning.

simon had arrived just a few hours earlier. he hated commercial flights with a burning passion but it was always worth it to see johnny.

with soaps twin out of town for the week, he had decided to take leave to spend time with his friend, a friend that he most certainly did NOT have a crush on (a disclaimer roach and gaz heard everytime they started snickering over ghost taking leave.)

johnny had cooked something nice and simple for dinner, saying that simon had spent too long with MREs and deserved real food (ghost only agreed if he was the one washing the dishes, soap had laughed and told him he's not so kind as to let him off the hook for chores).

when they ate, it was always in the living room with johnny taking care to always stay angled away from simon, never trying to catch a glimpse, regardless of how much he wanted to see what was under the mask. the obvious gesture of kindness and respect for his boundaries always left him feeling all weird and fuzzy inside. but, then again, johnny seemed pretty good at triggering that feeling in general.

their finished plates were on the coffee table and johnny was watching whatever dumb movie he had put on. he was pretty sure the man spent more time talking over it and making fun of everything than he did actually watching it (it was simon’s favorite way to watch a movie.)

ghost however, was watching soap. thinking.

in the end, it was an impulsive decision made after a strong three seconds of consideration.

“you uhm— you can look by the way,” ghost stared at the can of soda in his hands, immediately regretting the words.

“what?” soap didn’t fully turn, just shifted slightly to hear him better. a simple gesture to show he was listening without turning to face him. it normally made simon happy to see that johnny was more than willing to accommodate for his boundaries. now though it made him feel stupid for robbing johnny of a normal face to face conversation, a normal human interaction, just over his idiotic insecurities.

“my face, you—,” he felt his heart block his airway and tried clearing his throat before continuing, “you can look if you want,” christ he wanted the ground to swallow him whole. why was he getting so fucked up over this?

“are you sure?” he hadn’t turned yet, but ghost could see his pensive expression from here. this should be nothing. realistically, he knew johnny seeing his scars wouldn’t suddenly make him hate him… right?

“yes.”

but it was more than the fear of hatred, wasn’t it? he was scared that johnny would see him. see more than just the scars, see all of the ugly idiosyncrasies and insecurities laid bare. afraid that johnny would see the truth of how unlovable he was.

jesus he was getting so fucking worked up and dramatic over nothing.

ghost didn’t look up. he made an effort to not focus on his peripheral vision. he heard soap turn, heard the intake of breath. the silence was loud only for a second. then, deafening white noise surrounded him, inescapable, suffocating.

fuck.

he didn’t regret giving permission but god did he regret everything else; the stupid scars, the stupid nerve damage, the stupid way he had managed to fall for someone so fucking good like johnny while he was unequivocally unworthy of his love.

stop being so fucking dramatic. you are not together, never have been and never will be. reality was blatant in front of him but it didn’t stop his heart from foolishly hoping.

he heard soap stand and walk closer. saw from where he was still staring a hole in the can his feet step in front of his. saw johnny’s hands raise. he took a deep breath in, closed his eyes, and with a great deal of effort didn’t flinch when soaps fingers grazed his cheek.

both of his hands came up to cup his face, holding him and ever so slightly tilting his face up, giving him the chance to pull away. he didn’t. he may be a coward but he wasn’t backing down.

ghost eventually opened his eyes to see soap staring at him with wide eyes. he looked away, staring off to some point on the right. he hated not knowing what soap was thinking.

they stayed there for a while before soap broke the silence, muttering, “i fuckin knew you had freckles.”

it was stupid but it shocked a laugh out of ghost. he meant to drop his head, embarrassed that something so dumb made him laugh, but accidentally just pushed himself further into soaps hands making him blush.

he looked up and saw soap staring even harder than before. the chuckle died in his chest.

“do that again.”

ghost just gave him a confused look.

“smile.”

such a simple request, a one word sentence, but it set his face ablaze. his breath caught in his throat, somewhere around where his heart was still trying to choke him.

…he hadn’t thought it was that bad but soaps reaction indicated otherwise. fuck. was his it that awful? he wanted the ground to swallow him whole. this was stupid. he was stupid.

“simon,” of course, one word from johnny and it felt like he could breathe again.

“please?”

fucking goddamn soap and his stupid fucking puppy dog eyes and the way he has ghost wrapped around his fucking finger without even realizing.

ghost smiled. there was no real mirth, more a grimace than anything else. he just wanted to get this over with.

soap was still staring at him, his thumbs tracing his lips, following scars, drawing imaginary lines between freckles… if he wasn't so terrified it might have felt nice.

“Christ,” ghosts heart cracked more, “you weren't lying when you said you were beautiful.”

ghost huffed a laugh and went back to staring off to the right, the fake smile dropping. of course soap would try to lighten the mood with a joke.

his panic fled as quickly as it had consumed him, now just left sitting in soap's living room, face still cradled in caring hands, resigned to his mistakes.

he felt so tired and johnny's hands felt so inviting.

“i wasn't joking,” soap looked…upset? angry? wait— fuck, what’d he do?

ghost stared back at soap, confused and tired. soaps nails felt the grooves of the scar, catching where the skin was raised and lowered.

“you don't have to lie, soap. im a grown man. I'm not fragile. you don't need to coddle me,” ghost said it like it was a joke, hoping soap would laugh along and that this would all just blow over. that tomorrow morning they could forget this ever happened.

“are you calling me a liar?” soap’s brow furrowed. great. instead, he had managed to make everything worse and piss off soap as well.

ghost took in a deep breath, giving himself another shot at calming things down, “no, I'm not. I think you're lying, but you're not a liar,” he stood and stepped to the side, grabbing their dirty plates and walking them to the kitchen sink, “you just don't want to upset me, it's fine. I get it. you're a nice person but you don't have to lie to spare my feelings.”

“I am not fucking lying!” as per usual, all ghost had managed to do was make things worse. there’s a reason he had decided to stick to the battlefield and give up on domesticity.

“well alright then. agree to disagree,” he turned the kitchen tap and started rinsing the dishes, waiting for the water to heat up. just walk away. end it there. let us forget about this stupid blunder and move on. please just leave it. please, please, please—

“no.”

the force behind it damn near made ghost drop the plate he was holding. he managed to set it in the sink carefully and turned to face soap, who was now in the kitchen as well.

“i— I'm not just gonna fucking— simon,” soap took in a deeper breath and went to continue but ghost was faster.

“johnny,” he interrupted, walking forward with his hands up in a gesture of surrender, approaching slowly.

one last chance to not fuck everything up.

“the fact is they're called deformities for a reason. they're not cute. they're not pretty. they're your body’s way of healing what it can and protecting what it can't. it's not meant to look nice, it's just—”

“bullshit they’re not pretty! says fucking who?” the genuine distress in soap’s voice and force behind his words caught him off guard. “simon—”

he huffed and ran his fingers through his hair roughly, pulling slightly at the strands. christ, ghost needs to shut the fuck up. every single time he speaks he just upsets soap more and more.

he needs to retake his hostage negotiations courses. clearly he has forgotten everything about how to diffuse a situation.

johnny takes another second to breathe and collect his thoughts before he speaks.

“simon. I know that— that ‘this’ isn't something that's going to fix itself overnight and I don't expect it to. but, ‘the fact is,’ I think you're pretty.”

ghost opens his mouth to disagree but johnny doesn’t let him.

“no no,” johnny put his hand over simon’s mouth, shocking him into silence. he blinks twice, stupefied.

“i think— no. I know you're pretty. cute even. beautiful is a given but obviously worth mentioning.”

his hand moved to cup simon’s cheek. ghost grabbed his wrist but didn’t stop him, wether it was a warning or encouragement he himself didn’t know.

johnny continued, unperturbed, “you disagreeing doesn't change that, right?”

there was a pause and simon realized he wanted an answer.

“johnny-”

“ah ah!” his hand moved back to cover his mouth, grabbing his face and shaking his head back and forth, over accentuating his words, “you disagreeing doesn't change that, right? yes or no.”

he stopped shaking him and moved his hand back to simon’s cheek. simon sighed, defeated, “yes. you are right.”

johnny looked smug, “good. and what do you say when i give you a compliment you don’t agree with?”

simon sputtered, “wha— i don't fucking know—”

“nothing! you don’t say anything!” soap looked way too proud of himself and he continued, “or thank you if you feel so inclined.”

“that was a trick question,” simon replied eventually.

johnny thumbed over his scars once more, again tracing them, “sure it was. now go take a shower.”

he patted his cheek twice and walked to the hallway.

“wait,” johnny probably shook the few remaining brain cells out of his head. “this whole conversation ends with you telling me that I stink?”

“yes. rancid,” johnny opened the door to the linen closet. simon was still in the kitchen. the tap was still running.

“no dipshit, do you not remember telling me that commercial planes makes you feel gross?” johnny threw a towel at him, which he caught just in time for johnny to hit him with a bath rag.

ghost had mentioned that… ages ago, he thinks. on facetime with each other, discussing the merits of bathrooms on public transport. he had said that enclosed, crowded spaces like commercial planes or buses made him feel, well, gross. how—or why—did he remember that?

“but… I’m supposed to wash the dishes?” a weak argument against the stubbornness he was faced with but simon had officially lost track of his mind and this conversation.

johnny shot him a weird look as he walked back towards the kitchen sink. simon still hadn’t moved.

“did you think i was being serious earlier?”

“yes???” he felt like he had been given a lobotomy.

johnny decided to take pity on him and explained in a soft voice that felt out of place, “i was being sarcastic. i’m not going to make you wash the dishes, simon.”

“but that was the agreement: you cook and i wash the dishes.”

johnny laughed as if he remembered something funny, “yeah, i lied.”

simon still stood there, trying to figure out if he had a stroke. johnny had been angry, completely pissed at him, but now was letting him off the hook and calling him pretty? what the fuck is happening?

johnny turned him and pushed him towards the hallway. simon could have resisted but his resolve always seems to crumble around johnny mactavish.

“now go shower, you beautiful bastard,” soap grabbed one of the plates out of the sink and started washing it with water that had probably heated ages ago.

ghost walked towards the bathroom, feeling like he was on autopilot, limbs disconnected from his brain. his cheek still felt… odd? weird? tingly?

it felt something from where johnny had grabbed it. ghost thinks… he thinks he likes the feeling, whatever it is.

he needs to sleep.

[vimbry]

I'm impressed by how many angles tmbg can approach the theme of 'work sucks' and have it not feel like they're retreading old ground. every single one of them has something new to say, which becomes very depressing if you think about that for too long.

"put your hand inside the puppet head": thinking about a terrible job in hindsight rather than being in the thick of one, and the importance of keeping some perspective instead of falling afoul of romanticising the past, once the bad memories wane with time.

"snowball in hell": the lament of a tedious job that doesn't suit your needs. the past tense makes me think of it as the narrator reflecting on the day after clocking out for the night, and how pretty soon they'll have to face the monotony all over again tomorrow, just to stay afloat.

"someone keeps moving my chair": I dunno how accurate this is, but I've kinda been interpreting this one as illustrating the rigmarole of office politics. all the tasks and busywork and even worse higher-ups to answer to, all new ideas that get brought in and go nowhere - yet somehow, it's the most petty of annoyances that bother mr. horrible.

"hearing aid": there's an almost zen-like attitude towards the managerial pecking order here, which is also alluded to in "puppet head". both narrators mention fleeting sympathy for their awful bosses, knowing they're just as much a victim of a flawed system as they are, but not excusing their actions. I guess it's a vent about not letting the pressure get to you and doing nothing more than your set responsibilities, if even that. real "go out there and give it your 60%" type song from a totally checked-out character.

"minimum wage": a mockery of these types of jobs treating you like a mule (not only from the 'hyah' and whip noise, but the lyric being sung in the style of "mule train"), but oddly playful in a somewhat bitter way. it gives me the same kind of vibe as someone working an early student job they can afford to treat with a bit of levity, because they know they won't be here long enough to care.

"sleeping in the flowers": focuses more on the fantasy of being with a crush than work, but it's in there. the narrator would much sooner ditch their job, regardless of consequences, and spend that time with the woman they're in love with. this is the second song to mention an infatuation with someone working at a copy shop after "snowball in hell"; you could probably theorise that it's the same person.

"memo to human resources": their most serious and haunting song on the matter. the references to an attempt aren't subtle. the lyrics seem to function as both a metaphor of the narrator's state of mind and their plan, and a literal description of the day-to-day tasks that exacerbated their spiral. another double-meaning I like in its title is how it's a report of the incident, as well as a note.

[madcapberry]

Great Frog is such an accurate indie band name. I feel like the writers were trying to come up with a really silly name and maybe it was actually ridiculous for the time but this could be the name of a local band from my midwestern hometown 100%

[rexscanonwife]

Alright guys sorry about the identity crisis but I'm going back to my truest form for a bit because talking/thinking about star wars just feels SO RIGHT for me 🥺🥺 it's my natural state, so be ready for more star wars stuff!!

[mclarenyaoi]

a te mi consacro

[sirlightningpotato]

I’m just thinkin’ about 4.8 and just… Dani, Kyana and VR-LA man… the whole episode is just them showing how much they love and care about eachother.

Kyana’s “Let me fix this on my own so it doesn’t come back to hurt you” and “I’ll leave if it makes you safer” and “What do you mean you want me to stay?”

VR-LA’s “I need everyone safe and then I will make sure everyone is okay” and “I will follow you for as long as I can, and once I can’t I will look for you” and “I will talk to a god to find you, and then I will wait at a bench with my staff as a beacon for you to come home to” and “You are not a burden to me, and I will help you, but we don’t need to get our other friends hurt” and “We will leave if it makes you safer and happier” and “What do you want?”

Dani’s “I’m not letting you get yourself killed in a sick attempt to right past wrongs” and “I need to keep us safe” and “I don’t care if my life isn’t what I wanted, if we’re together” and “You aren’t burdens, you just need to talk to everyone” and “My life’s work is this ship, and you are part of that!”

I just have so many emotions

[kaiju-naut]

pspspsp im gonna take some dca (and maybe deadpool) requests to keep myself busy for a lil while -- if you have anything you wanna see (outfit, expression, whatever!!) feel free to pass it along :) moots esp!!

[synonymroll648]

from a vibes perspective, i totally understand why so many people look at keefe and go ‘this guy would be the male equivalent of a wine aunt when he’s older’. 

but. but. 

taking lore into consideration, in my heart, he’s terrified of alcohol (even if he tries really hard to hide it). because. like. his first exposure is almost guaranteed to be through cassius, and cassius canonically threw a glass extremely close to him at least once when he was, like, 8. maybe cassius wasn’t always extra nasty when he was drunk, but there’s gotta be a correlation in keefe’s brain between risking getting seriously hurt (emotionally or physically) and alcohol consumption that’s really hard for him to shake. 

[francisfelidae]

I made a little ceramic jessie from idletry (@gynandromorph's character) but she kind of looks terrible because well quite frankly i fucked it up. The good news is i realized as i was making her i could just make a jessie out of polymer clay and i could get more detailed/colors more accurate AND it would be easier. But i did it the difficult and stupid way first which seems fitting for jessie, which is why I'm posting her.

...That and im kind of impressed she didnt explode in the kiln; she's solid clay, not hollow.

[luck-of-the-drawings]

TRAINING ARC: START!! BOTHER YOUR GUARDIAN AND EXHIBIT ISSUES. NOW SOLVE THOSE ISSUES BY BOTHERING GUARDIANS. I HAVE FULL FAITH IN OUR HEROS!

[yeonban]

I might be ~quirky~ for this (welcome to my twisted mind and etc) but I genuinely have so much fun with shipping nowadays, ever since I chose to be singleship for each muse. I feel like my adhd has never allowed me to pour even half as much care and attention into a ship as I'd have loved to when I had multiple ones at the same time per muse, so being able to focus on a single romantic dynamic per muse really feels like a weight off my shoulders

[softquietsteadylove]

Hey. Had this idea of Thena being a billionaire and Gil being her private chef on her private little beach house in the Hamptons!

Maybe you can do something with that? 😊

Gil smiled as he plated the perfect omelette, gleaming yellow, nice loose scramble in the middle with a pristine outside. He sprinkled on some green onion for garnish; Thena acted like she didn't care about presentation but he knew she liked it when her food looked nice.

Thena was...interesting. She could be hard to read, maybe. He had been in the private cooking business for a while, and he'd had a variety of clients. But no one like Thena.

Thena had this old family house, basically a castle, way out here in the Hamptons--as antisocial as possible. She was in charge of her family's generational wealth, he was pretty sure they did business with historical...stuff. Or something.

Thena didn't talk much. The first time he interviewed for the position with her in the room he wasn't even sure if she spoke English. But her assistant - a very sweet man named Karun - assured him that 'the Madame' was perfectly nice. Just not to bother her.

But Karun was right: Thena was nice. Sure, she didn't exactly make small talk with him while she was eating or anything. But she had a nice smile, she was prompt with money, both for his pay and for any of the ingredients he needed. He always had transportation home, or he had a room ready for him if he was staying for a whole weekend.

Gil put the plate on a place mat at the opposite counter top. Thena liked eating in the kitchen instead of the cavernous dining room. She ate a a French style omelette, or if she was feeling adventurous, maybe a frittata, or he had even prepared omurice for her once. She liked fresh pressed grapefruit juice with a little natural sweetener in it. And berries picked from the gardens.

And he liked to add a little flower if there were any blooming on the strawberry plants while he was out picking.

Thena came in through the patio. She had already done her morning routine, then. A light workout, a shower, maybe a sauna. Her phone was in her hand but she famously didn't accept anyone speaking to her before 9 in the morning. She smiled and nodded to him as she took her seat.

She was in a good mood.

Gil turned around, carefully transporting the gold rimmed cup with his best cappuccino yet. He had even looked up how to make latte art to make a heart design in it.

Thena blinked, surprised as it slid into her view. She looked up at him.

He just nodded, encouraging her to take a sip.

She raised an eyebrow but did so. Usually he waited for her to ask for a specific coffee, since it could vary largely depending on the morning.

He shrugged; something about how beautiful the sunrise was had told him she would want something fun. It wasn't sunday, so she wouldn't want something as filling as a latte. But she only drank black coffee when she was already in a bad mood. Actually, now that he thought about it he ought to get more vanilla soy milk.

Thena sighed at her first sip, her shoulders lowering as she let the hot beverage soak into her. She really was in a good mood.

Gil just chuckled, keeping his comments to himself. He had come to respect the serenity Thena created for herself in the early mornings. He turned again to clear his dishes and fill the dishwasher.

He had to get soy milk, and a few other general weekend groceries. And he needed to get ingredients for a recipe he saw online, essentially a lemon cake tiramisu. Thena liked zingy, fresh flavours, and she enjoyed having something sweet on hand for if a craving hit her out of nowhere or after a hard day.

"It's perfect."

He tried to conceal the surprise he was feeling. But he couldn't help it; Thena had almost never commented on anything he made her, unless it was a brief line attached in an email. He turned, "y-yeah?"

She nodded.

He pursed his lips faintly. Back to silence--okay, sure. He peeked in the fridge to examine what else they had and what he needed. When he had asked Karun what Thena liked to keep on hand, he had merely stated that Thena was so bad at cooking, and so selective about food, that if left to her own devices she would probably just eat raw fruit forever.

"How did you know?"

He grinned. So, he was making progress! He had tried more actively in the beginning to get her to warm up to him. But he had come to accept that Thena didn't withhold her words deliberately. Still, he liked it when she did talk. "Just thought you'd be in the mood for it."

She raised her eyebrows at him from behind the cup being tipped up to her lips again.

He closed the fridge and moved back to the counter. "It's nice and mild out this morning, so I think you should have slept well. Stocks are looking good and you don't have to travel this weekend, right? I figured you would want something a little fun."

Thena smiled through his explanation. Maybe some of his observations of her would be a little much to some. But she nodded, looking down into her cappuccino, one leg bent and resting on her cushioned stool. "I assumed you would prefer when I travel?"

Gil blinked.

She set the mug down, as if this were a very important business meeting. "If I'm here, you don't get the weekend off. Or at the very least, you have plenty of work to do before hand."

"I don't mind," he shrugged easily. It was part of the job, and as far as clients went, Thena really wasn't all that demanding. She wasn't even that high maintenance, all things considered.

Food was easy to procure, either grown here or paid for out of her pocket. The only real stipulations of what he made was that she had to eat it. Karun was kind of like a worrisome father in that way. He had added specifically that she needed more vegetables, and that meant it was up to Gil to make them in such a way that Thena would actually like them.

"Do you ever think you may be too agreeable?"

"Hm," Gil ran his hand over his chin (he needed to shave). "I think it's more like...part of the job, y'know?"

"Hm."

Gil blinked at the new tone of the sound. She looked back at her breakfast. She sounded almost...disappointed. Disheartened, and now poking at her omelette like a dejected little kid. Gil leaned off the further counter and moved closer to her. "I just...wanted to do something kind of special for you."

She peeked up at him. She was awfully cute for some zillionaire old money type. Her hair was nice and soft from being gently blow dried, she didn't have any makeup on, fresh from the shower. Maybe all rich people were really, really pretty.

"You're not contractually obligated to be thoughtful," she smiled as she said it, but he got the impression that she didn't fully believe in her own joke.

He shrugged again, pushing the little flower closer to her, "call it my signature, then. Every chef has their own style--I like being a little sweet."

Thena smiled at the little white strawberry flower. She even reached out to it, but just barely let her fingers brush its soft petals, as if she would make it burst into flame. "Quite."

Gil inhaled, feeling better now that she was smiling again. She looked up at him, the sun behind her, making her hair glow. He blushed.

"Thank you, Gilgamesh."

He laughed faintly, feeling shy as she turned those siren eyes on him. He leaned back from the counter, sticking his hands in his apron pockets. "Hey, it's my pleasure, really."

"If you have shopping to do, Karun will call for a car for you," she added as he started slowly slipping - stumbling - out of the kitchen.

"Th-Thanks!" Gil squeaked out before reaching the hallway. He pulled his apron off and gripped it on his way to take it to the laundry room.

"You require transport, sir!"

Gil jumped at the sudden appearance of the man in question. "God, man, can't you walk a little louder!"

"My apologies, sir," Karun just chuckled. "The Madame walks lightly--as do I."

Thena walked around like a cat. She was silent, graceful, long legs...

"Sir?"

Fuck. Gil nodded, twisting his apron in his hands. He tilted his head as Karun shuffled closer, even waving him down so he could share something secretive.

"Excellent choice with the cappuccino, sir," he disclosed with glee. "The Madame has been trying to strike up a conversation with you for some time. I believe this was the perfect-"

"Karun!"

"I must go," he waved to Gilgamesh before dashing off to see to Thena's needs.

Gil felt a little stunned. It sounded like Karun was telling him that Thena had been wanting to talk with him. But that didn't seem right. Of all the times he had tried to chat with her, she had never bit, even once. And he didn't really think of her as the shy type.

He sighed, shrugging it off. He had groceries to get, anyway. Maybe he would try talking with her again, later.

[drainbangle]

wait omg i’m curious about your unpopular thoughts about temenos writing wise.. i love when people discuss octopath writing it’s really enriching to see what we all have to say about certain story elements. plus you’re like a temenos representative to me. your thoughts about temenos make me go “so true!”

Aw, thank you! It took a while for me to decide on what to write here, since honestly I could go on for… frankly any aspect of this guy, especially in regards to treatment in fanon. But for now, I'll focus on my thoughts regarding how people treat tragedy in Temenos' story— namely, Crick's death— and why I personally dislike it as a writing decision and why I disagree with the idea that it is necessary.

Note: Goes without saying, but this is my personal opinion. If you believe otherwise, then that's all good. I'm not writing this to say that any one person is wrong, just to talk about an issue I have with the game's writing itself.

To start, I'll say that my main reason for disliking Crick's death in SH route is a matter of practicality. Killing him off causes Temenos to lose the main person that he had a fantastic relationship and banter with, and in my opinion, Temenos works best when he's bouncing off another person; not unlike most under the Sherlock-archetype.

Also, genuinely? It works wonders to keep Crick alive, if just because it provides a fantastic avenue to explore Temenos' institutional trauma. Having a character that's lived a different experience but within the same harmful institution opens up ways to explore the scope of its harm. And yes, this is for Crick specifically; not Ort, not the travelers, but Crick.

I think it really adds something that Temenos was raised by the church while Crick converted as a teenager during a really difficult time in his life. These two are good for each other. Crick sure as hell makes it a lot easier to write Temenos in fic.

(If you have a different experience, again, that's cool. I'm glad for you. I, however, will never fail to take the easy way out.)

(This is a lie, I'm over here making up fantasy church law for fic stuff but that's not related to this answer.)

I won't pretend that disliking Crick's death is an unpopular opinion. I mean, "Stormhail Fix-it" is an entire genre of fic on the OT2 Ao3 tag. What I do feel tends to go unaddressed though, is the fact that the idea that Crick's death is canon, therefore it is necessary, therefore it is the best decision; an idea that I wholeheartedly disagree with.

Within the text itself, Crick is killed off in order to give Temenos a personal reason to pursue Kaldena, thus putting him at odds with Kaldena's motivations being driven by her ideology and worldview that, "because humans committed the massacre, it was the gods' mistake to put us here". I also won't pretend that Kaldena's writing here isn't fucking awful, because Crick's death is also a device to make the player want Kaldena defeated even though she is just as much as a victim of the church; and that's to say nothing of her portrayal as an indigenous and dark-skinned woman.

These decisions are ones I disagree with. Killing Crick off was unnecessary to give Temenos reason to pursue the culprit, because Temenos already had someone close to him killed; and that's Pontiff Jörg. He raised Temenos from infancy, but due to the lack of focus on him outside of banter conversations, it's never relevant to his motivations outside of the desire for truth because a crime was committed. 

We also didn't need to kill Crick off to show that the church was a terrible institution, because Roi already went missing in action. The Sacred Guard is the main body of law within Eastern Solistia, it's not unreasonable to think that the reason why Temenos dislikes them is because they clearly didn't do shit to investigate his disappearance.

However, one thing I really don't agree with is the idea that Crick's death is necessary because Temenos' story is a tragedy. And if you asked me why, I'd ask this in turn: why is death the only form of tragedy? Furthermore, why must a tragedy contain only tragic events? That in mind, what gives anything value in a tragedy, then?

Pretend we cannot completely rewrite Temenos' story. Even then, changing Crick's death to a permanent injury, a coma, or whatever is still a tragic event; and that's nothing to say of living with the consequences. Isn't losing your faith a tragedy? Isn't losing something you worked for years to do a tragedy?

Similarly, I'd still argue that it's more valuable to make Stormhail a near-death experience because not only does it show Temenos succeeding in making someone question the church but also the terror that is feeling like you're doomed to repeat tragedy. Even if you really aren't, it's hard to dismiss that feeling; especially when it has to do with being victimized by institutions.

And before someone says, "but bad things happen to good people in real life", I'm not treating these characters as living, breathing people who are subject to things like gravity, hunger, and exhaustion. I'm treating them as choices, and choices made that I disagree with. 

It's why I make different choices. I choose to make Crick have to deal with chronic pain onwards. I choose to make Temenos realize change is still possible. I choose to let them both leave Stormhail alive. Are these better choices? I don't know. But I'll never stop questioning the ones made by the writers regardless; much less stop disagreeing with them.

So, in summary: I dislike Crick's death. I dislike Temenos having to spend the rest of the story without someone he can talk to so easily because Crick's absence weakens a lot of his scenes in Temenos 4. But more than that, I dislike the idea that tragedy is necessary on top of the idea that it is superior. Tragedy's good, I adore the genre; but written in mindful doses and all that.

[incorrect-ikevamp-quotes]

Arthur, pretending to play doctor: I diagnose you with D I E.

Jeanne: Finally.

[mikansei]

trying to figure out hsr's timeline is just pepesilvia.jpeg

when dates are labeled "AE" does that mean the WHOLE amber era, e.g. 2157 AE is the 2157th amber era, which itself lasted anywhere from 76 to 240 years?

was the swarm disaster in the 1300s AE ~770 whole ass amber eras ago (e.g. 60,000-180,000 years ago) from the present in 2157 AE, because that is an insane length of time?

the xianzhou fleet set sail in search of Yaoshi ~8000 years ago (whose years in what system???), and Yaoshi didn't exist during the swarm disaster, so is there just a huge gap between 60k-180k years ago & 8k years ago?

but the founding of the IPC is listed as occurring btw 1357-1387 AE, involving the same people who were presumably mortal, pre-Yaoshi, and didn't live for thousands of years, so that HAS to be measured as 30 years and not 30 amber eras?

but also the IPC claims one of those people contemporary to the swarm disaster is definitely still alive??? i mean sure they could mean it symbolically or sth, but man

man.

i understand the history fictionologists now. i too am about to start just making shit up