#goda budvytytė

[garadinervi]

Kristupas Sabolius, The Secret Book of Lichens / Slaptoji kerpių knyga, Illustrations by Aistė Ambrazevičiūtė, Kirvarpa Books, 2021 [Neringa Forest Architecture, Nida Art Colony of Vilnius Academy of Arts, Neringa]

Design: Goda Budvytytė Editor: Jurga Daubaraitė Copy-editor and translator: Alexandra Bondarev Proofreader: Gemma Lloyd

Publisher: Kirvarpa Books Printer: Petro ofsetas, Vilnius

English Edition: 500 Lithuanian Edition: 1000

Supported by the Lithuanian Council for Culture

[grafischontwerpgent]

Proficiat!

Iza Maeseele

Tjen Colman

Lore Dhoest

Marie Vermeulen

Emmely Comhaire

Amber Dewaele

Elien Laenen

Stijn Van Renterghem

Lise Leën

Beppe Geerts

Marijke Aeissing

Marte Verhaegen

Ran De Vos

Sam Van Vaerenbergh

Saskia Smith

Marie De keersmaecker

Elise Decottignies

Septian Priyatna

Tatjana Van Overloop

Stan Van Rompaey

Lize Plomteux

Masterjury 2021 - Yohanna My Nguyen, Esther Le Roy, Goda Budvytytė

[praxismatters]

Éliane Radigue

13.09.2020 Event | Centre Pompidou, Paris

For the first time the major Parisian institution dedicates a special event celebrating the work of Éliane Radigue. A pioneer of electro-acoustic experimentation, Radigue has forged a unique and highly influential path in contemporary music, exploring minimal rhythms and changes in harmonies that unfold into complex sonic webs. 

The event was organized on the proposal of Anne Davidian, in collaboration between IRCAM and Musée national d'art moderne, and with support of the Evens Foundation. 

The one-day program highlighted both the electronic and acoustic periods of Radigue’s work, encompassing an ambisonic installation and live concerts, a film screening, and a conversation with the artist. 

A special publication featuring a text by Éliane Radigue, accompanied by her scores and drawings was designed by Goda Budvytytė.

Read the full program here

Caption: Drawing depicting the Île de la Cité, conceived as a wander through time, in the heart of Paris, from Lutetia to the present day. Strongly linked to the intimate geography of Éliane Radigue’s childhood, she submitted it as a prompt for musicians to explore for the realization of Occam Hexa I (2013).