#god this was. so fun to write

[umblrspectrum]

i love learning cursive just to write text for exactly one character

[lucabyte]

monologue

[choccy-milky]

how seb and clora get together in my fic 💕bc what better time and place to confess and share your first kiss than around a bunch of inferi + the dead body of a man you just killed?? 🥰💖

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[mediumgayitalian]

“Oh, fuck.”

The clatter of her practice sword on the ground is almost louder than the crunch that rings out from his wrist. He inhales sharply, biting back a shout — no matter how many times it’s happened, he will never get used to breaking a bone. That shit hurts.

“Fuck, fuck fuck. Fuck, Seaweed Brain, is it broken?”

“Think so,” Percy grits out. He tries for a smile, and Annabeth matches it, small and worried. He leans into the hand she cups over his cheek. “Not too bad, though. If I just dump my water bottle on it —”

“Absolutely not. Water healing leaves you achey when it rains, you know that.” Shifting to wrap her arm around his waist, she helps him stand, shouldering some of his weight like it’s his ankle that’s broken. He lets her, reaching down to squeeze the hand resting on his hip — I’m fine. We’re good. She turns her hand to wrap clasp their hands together — Okay. If you’re sure.

They walk together to the infirmary, taking their time. Aside from the pain pulsing from his arm, it’s not too bad — camp is as balmy as usual, and the spring break energy is practically visible, it’s so potent. The Demeter cabin has plants growing everywhere, flowers and fruit trees blooming as bright as a box of new crayons, and the air is filled with shouts of laughter and teasing. Annabeth’s steps fall in time with his, and she’s a comfortable warmth at his side, pressed from shoulder to hip.

“You still okay?”

“Yep.” He catches her eye, smiling crookedly at her. “Doesn’t even make my top fifty.”

She rolls her eyes, hipchecking him. “Don’t I know it, ya klutz.”

“Not sure I would call being flung from the St. Louis Arch being a klutz. Or exploded in a volcano. Or crushed under the sky. Or slashed by giants. Or chased by —”

“You’re talking, but all I’m hearing is Annabeth, please, please pinch me, as hard as you can —”

“Hey! Get those claws off me, gods you’re worse than an empousai —”

“— and when you’re done pinching me please put me in the tightest headlock you can manage —”

“I am injured! You are beating up an injured person right now!”

“— and then please just bite a chunk out of my shoulder —”

“Cut it out or I’m telling Mom!”

“Wimp,” she taunts, finally releasing him. “I don’t go running to Sally every time I lose a fight.”

“Wha — you do so!”

She ducks through the infirmary door, smirking like she can’t hear him.

“You literally — you snitched on me last week! I got grounded for two days!”

“And you deserved it,” she says primly.

He gapes. “I did not!”

“Anytime you two are done,” Kayla drawls, shoving a clipboard at them. They accept it with matching sheepish grins, cowed at her perfectly arched eyebrow and slowly tapping foot. “I got patients to deal with and older brothers to harass. Let’s get this moving.”

She is shockingly good at humbling people for a thirteen year old. The two of them turn to their clipboard, chagrined, letting her stomp away with an exasperated He’ll be with you soon! Don’t set off the sprinklers again!

“That was one time,” Percy mumbles, ears reddening.

Annabeth pats him on the back. “There, there,” she says mockingly. “The fact that it was one time definitely negates the fact that you flooded the entire Big House because you got jumpscared by a child.”

“Harley can be sneaky, okay. Let me live.”

“Literally no.”

Annabeth does most of the paperwork for him, ‘cause she’s a nerd because his wrist is far too swollen for him to write properly, so it takes maybe half the time it normally would. The infirmary is crowded as Hell, though (he knows, he’s been), so they settle in for the wait, amusing themselves by tearing little pieces off of a blank form, balling them up, and tossing them in increasingly harder places. Percy is winning 7-4, although Annabeth might just pull through if she manages to toss her paper ball into Travis’ wide-open snoring mouth.

“Hey, guys. Sorry for the wait.”

Aw. She missed. Percy was looking forward to that.

“Hey, Will.”

He drags his attention away from the son of Hermes to greet his friend, but frowns before he can open his mouth.

“Woah, dude, you good? You look exhausted.”

Will snorts. “Welcome to spring break, man.” He holds his hand out for the clipboard, scanning it briefly. “Sparring injury? Oh, thank the gods. I could use a break. Here, face me.”

He climbs up onto the minimal left over space on the cot, tucking his legs under his thighs. Percy turns to mirror him, hesitantly sticking out his arm — A break? he mouths to Annabeth, meeting her eyes over Will’s head.

She shrugs.

“Just spent four hours putting Jake’s nose back on his face,” Will mumbles, placing a careful hand on his fingertips and his forearm. Percy flinches — his skin is blisteringly hot. Like someone just dropped a hot stone onto him. “I never want to sing a skin cell hymn again in my life.” He prods at Percy’s wrist for a moment, gentle enough not to hurt. “Okay, hold still, I’m gonna fix ya right up.”

Healing hymns are familiar, by now, but Percy will never get tired of them.

The cool thing about ambrosia and nectar is that as pleasure food for the gods, it’s pleasant. It’s whatever taste you want, whatever you need to have most, you get it. But healing hymns are intentional the way nectar and ambrosia aren’t. Ambrosia and nectar happen to be healing for demigods — healing hymns were constructed to knit you back together, like you mother smoothing a bandaid over a skinned knee. They’re warm and sweet and deeply, endlessly comforting in a way most things simply cannot claim to be. They don’t feel like a medical procedure or a hasty patch job, they feel like someone gripping you tightly and promising you’ll be okay. They feel like getting carried to bed when you fall asleep on the couch. They feel like sitting down after hours of standing, like a drink of water when your throat is drier than sand. Healing hymns draw the pain and sick and ache from your body, and they feel like relief.

But this time, Percy can’t focus on it.

With every word, Will seems to get a little duller. Nothing like the horrible ash-grey he went in the war, dragging the poison from Annabeth’s body, but like his usual sunny disposition was dialed down a few notches. Enough that Annabeth frowns in concern, drumming her hands on her thighs, watching him closely.

“There,” Will says, pulling away. Percy turns his now-healed wrist, noticing the slight pant to Will’s breath, the strain to his smile. The shake of his blistered fingertips.

“You look overworked,” Annabeth says quietly.

Will holds his hands up in a what can you do gesture. “Spring break.”

“You said.”

“It’s just busy, is all.”

“Yeah, but —”

“Guys,” he interrupts, smiling tiredly, “there are two hundred ADHD demigods at this camp right now who have been trapped in a classroom for six months. There are three of us. I’m going to be a little drained; we’re all a little drained. But I’m fine, okay?” He gives them a second to scrutinize his expression, eyebrows raised in amusement. “I have been running my infirmary for years. I know how to pace myself, and I certainly know how to make sure my siblings are pacing themselves. If something goes really wrong, Chiron is a whistle away. I can go longer than you guys without sleep, anyway. Apollo kid health.”

“If you say so,” Percy says reluctantly. “I just — I can wear a wrist brace, man. Not every injury needs to be handled when it happens. You can tell people no.”

“I appreciate that, Percy, and I’ll keep it in mind. Anyways, I’ve got more patients. Stay off that wrist for the rest of the day, okay? It might be tender for a bit.”

Percy turns to Annabeth as Will leaves, frowning. He’s has never noticed the so-called spring break stress before (his camp spring breaks are usually a blast, but now that he’s thinking about it, he can’t think of a single spring break where he spent any time at all with Will, which is odd), but it can’t be good for him. There’s gotta be something they can do to ease some of the bruising under their friend’s eyes.

“I could set off the fire alarms again,” Percy suggests. “That’ll certainly get this place cleared out.”

Annabeth snorts. “I think that’ll cause more harm than good, Seaweed Brain. It’ll just fall in him to clean it all up, after.”

“Shoot.”

Percy counts nine of the forty cots currently unused. Will, Kayla, and Austin are rushing from cot to cot, handing out nectar, wrapping bandages, rattling off hymns at light speed. All three of them look exhausted, squeezing shoulders when they pass each other, knocking hips, exchanging tired smiles. This is so clearly something they’re used to.

Annabeth’s head rests on his shoulder.

“It wasn’t always like this,” she whispers. “When it was fully staffed…”

Percy exhales heavily. Yeah. He remembers. There was a lot less complication, once upon a time. The most chaotic the infirmary would get was when Lee would challenge his siblings to Hymn Karaoke — trying to heal with pop songs. There was a lot more laughter, at one point. A lot more people.

Percy sighs, squeezing his eyes shut. It never does well to dwell, but he — gods, he wish they all had more time. To sit with it, to acknowledge…everything. Siblings. Friends. A camp that’s smaller than it’s supposed to be.

Annabeth squeezes his hand again, and he squeezes back, resting his head on top of hers.

“Hey,” she murmurs after a moment, pursing her lips at the front door. “Look.”

Slinking through the entrance like a criminal is Nico, in all his dork ass black camp shirt glory. He looks around shiftily, like he’s trying to make sure no one sees him, and when his gaze lands on Percy and Annabeth his eyes widen. Annabeth smiles at him, but it does nothing to ease the spooked look to his face, back arched like a startled cat. He turns to leave, but before he can slip back out the door —

“Nico!”

The son of Hades whips back around so quickly he brains himself on the doorframe. Percy ducks his head and bites his lip, hard, because he can feel Nico’s glare at the side of his head like the press of hot coal, and if he laughs as badly as he wants to then the infirmary is about to look like a Spirit Halloween.

Will turns back to his patient, squeezing his eyes shut and rattling a hymn off so quickly it makes a burst of light pop from his whole body, and rushes over to where Nico’s standing. He only trips over two things, which is remarkable for him. Percy would be proud if he wasn’t a little embarrassed on his behalf.

“Nico! Hi!”

“He-ey, Will,” Nico says, voice cracking badly on every vowel. Annabeth shoves her face into Percy’s shoulder, body shaking.

“I didn’t know you were coming! I thought you were in the arena all day.”

Nico shrugs, shoes scuffing the floor. “I am. I just — uh, I got hurt? So. Came to see you.”

Will’s beam is so bright it hurts to look at, a little. Percy squints and realises that’s not just the excitement, actually — he really is glowing, faintly. His hands flap slightly at his sides.

“Well, you’re in the right place, then.”

“Yeah.”

Neither of them say anything for a minute, rocking back on their heels. Will watches Nico closely, biting his lip. Nico looks resolutely at the floor.

“We weren’t this bad,” Annabeth whispers, “were we?”

Percy shakes his head. “Nah, there’s no way.”

“Gods. It’s so — I don’t know whether to smile or take a dip in the Lethe. It’s embarrassing and endearing at the same time.”

“Painful to watch, but I can’t stop looking,” Percy agrees.

“What’d you hurt?” Will asks, finally. “Did you pull your shoulder again?”

A look of panic flits briefly across Nico’s face until he smooths it to something neutral, aloof.

“Yep. Totally. During — sword fighting, I swung — I did this really big thrust, actually. Just — hugely powerful, training dummy exploded on impact.” He clears his throat. “Some might say too powerful. If you can imagine.”

Percy cradles his head in his hands. “Oh my gods — ”

“Don’t laugh don’t laugh don’t laugh,” Annabeth chants, “oh my gods, don’t laugh —”

A light flush dusts Will’s cheeks. He brushes a strand of hair behind his ear, fiddling with his earrings. “Woah, really? I’ve never heard of that before.”

Nico smirks, standing up a little straighter. “Well, it’s not the first time. I tend to go pretty hard.” Remembering his supposedly hurt shoulder, he exaggerates a wince. “Too hard sometimes, I guess. Could you do the — the energy thing?”

“Oh — gods, yeah, sorry. Hold on.” He stares at Nico’s shoulder, hesitating. “It, um, works better with skin-to-skin contact.”

“I have seen crystal vases less transparent,” Annabeth says, aghast. “In two years he’s going to remember this and try to drown himself.”

“I will be counting down the days,” Percy says gleefully.

On rare, rare occasions, the gods answer his prayers. Clearly, both Nemesis and Aphrodite are looking at him kindly today. Percy makes a note to scrape some of the good stuff off his plate for them both today. Hell, maybe he’ll skip the portioning and toss them an entire roast chicken each. Or something. They deserve it.

Will places both hands — interesting, Percy notes, his wrist was snapped cleanly in two and he only needed one hand, wonder why that was — on Nico’s shoulder and closes his eyes, screwing up his face in concentration.

“Huh. I’m not feeling much damage. You said it was your right shoulder?”

“I heal quick,” Nico says loudly. “I mean, some of the damage might have — um.” He clears his throat. His face glows a faint crimson. He clears his throat again. “Y’know?”

Will’s face is a similar shade.

“Right, right. Yeah. Um, brace yourself.”

Instead of starting to sing, Will closes his eyes, holding completely still. After a moment, the tips of his fingers begin to glow; soft, ambery yellow, flickering like lit candles. He opens his eyes again and focuses intently on Nico’s bare skin, tracing patterns around every defined muscle, leaving a trail of light behind. He lingers, for a moment, when he connects the last string of light, waiting until it has faded entirely from Nico’s skin to remove his hands and shove them in the pockets of his coat.

“That better?” he asks softly.

Nico swallows. “Yeah.”

“Good. I’m glad, Nico. It means a lot that you — came to me. When you needed it.”

“I trust you, I guess.” Nico looks away. “You know what you’re doing.”

“I think I just threw up in my mouth a little,” Percy says thoughtfully.

Annabeth laughs, shoving his shoulder. “Don’t be mean.” She pauses. “Me too.”

With a sigh that can only be described as besotted, Will steps reluctantly away.

“I have patients,” he says, in the same tone of voice Percy usually says I have midterms. “So I gotta…”

“Yeah, no, go. Do your —” Nico gestures vaguely. “Doctor thing.”

“Right. Yeah. I’m gonna — go.” He turns, walking back towards a group of Hephaestus kids who appear to be tightly entangled in some kind of net. After a few steps, though, he pauses, biting his lip, then darts back over to Nico, pressing a lightning-fast kiss to his cheek — “Um, bye. Thank you for visiting. Bye,” — and then runs back over to his siblings, shy smile on his face.

Nico’s jaw is brushing the floor of his father’s palace. He stands, still as a statue, for four entire minutes.

“I think he just died,” Annabeth observes, eyebrows climbing higher and higher up her forehead with every passing second “Damn. Survived so much only to literally die because a cute boy kissed his cheek. A true hero’s end.”

Percy, because he is a kind, concerned friend, clears his throat loudly.

“Yo, di Angelo, you alive?”

Nico startles so violently he falls right over. Percy shoves his fist in his mouth to keep from cackling.

“Shut the fuck up,” Nico hisses venomously, scrambling upright. “Both of you, shut the — not a word —”

Percy and Annabeth make the mistake of looking at each other and simply erupt. Percy can’t feel his stomach. His lungs have abandoned ship. He’s glad as hell he’s in the infirmary because he is heaving for breath, tears streaming down his face, entire body convulsing. Nico stands in front of them literally shaking with rage, entire body redder than one of Apollo’s sacred cows, trying and failing to string together a threat that will ease any and all of his suffering. Annabeth screeches, almost falling off the bed as she cackles. Percy cannot even find the strength to catch her, his muscles are so weak.

“I fucking — I hate you! Both of you! You’re dead to me!”

“Your face!” Percy shrieks.

“Percy Jackson, I am going to turn you to fucking dark matter! I despise your very essence! I —” He stomps his foot. “I’m leaving, and I’m going to leave a rotting corpse in your cabin! Screw you!”

“Oh my gods,” Annabeth wheezes, digging her nails into his arm. “Oh my gods, that was —”

Percy wipes a tear from his eye. “I love being alive. I love being alive so much.”

“It really is great.” Composing herself, and biting back the leftover giggles that keep bubbling out, Annabeth looks back towards Will. He stands much straighter, now, smile back to full brightness. His siblings, too, look rejuvenated, snickering to each other and making kissy faces behind Will’s back. “So many beautiful things to witness. I’ve never seen his face go that red.”

Percy sighs. “This is genuinely going to carry me through the semester. I think his soul died a little. And Will just — gods, that kid is bold.”

“Oh says you, Mr. Do I Get A Good Luck Kiss.”

“Hey, I earned that.”

Annabeth grins, punching him in the shoulder. He grabs her wrist and tugs her towards him, chasing the curve of her smile. She laughs into his mouth and it taste like strawberries and freedom, and he presses a kiss to her cheek, to her jaw, and the side of her neck, resting there, breathing against her skin. After a moment her hands come up and slide in his hair, gently untangling the knotted mess.

“He is one thousand percent going to put a zombie in your bed, you know,” she says after a moment.

Percy snorts. “Yeah, I know.” He smiles. “Worth it.”

[artuurle]

Okay so about those headcanons-

I believe ascending to god-hood in Great God Grove is heavily Tied to a persons mental health, whole post is under read-more for the sake of everyone, poorly written ramblings by someone that struggles to write out thoughts below with some doodles (obviously spoilers too!) :

Aka dumb idiots who girl-rot (/silly) and don't handle their internal issues end up ascended in the realms hours to DAYS after the event instead of immediately after like in the case of King. In my headcanon this is because a gods new form is tied to who they are, and if you hate yourself, don't know who you are, or think you're nothing, it'll effect how you turn out, fighting with other aspects of how you see yourself for dominance. The harder the struggle to create a form, the more of a recoup period for said god to actually start being able to do things- think about it like recovering from exertion or from being sick.

This of course can lead to some problems for the said gods with more problems than others, like Inspekta:

He fears being nobody, dying, leaving nothing behind, and being forgotten- and when he ascended he quite literally lost his whole torso and his tail popped off! hands possibly representin' the others that propped him up! Finally waking up after ascending I'd take it he took his form rather poorly and actually needed extra time to recover *emotionally* before anything on top of the time needed to pop into full existence as a god. I believe when the other gods saw his entrance into the realm, it was quite literally him dropping in from a long ways up with a thud for the jacket and his head bouncing away (really silly, like a ball). while being able to put it together for the other gods he ended up really struggling about what he'd become in private.

Another god i believe may have had issues with ascending is not surprisingly, Click Clack. A god i feel in his human life spent making himself palatable and burying editing out how he felt about things and being unnoticed. Also wouldn't be surprising some of the burying editing came in during the time between him and Thespius ascended, his lover was above them now, after all! I actually drew how i envisioned his entrance to the god realm, because i'm biased.

like a sudden ink spill appeared after a while and he crawled out, exhausted.

anyway i've rambled incoherently enough hope u enjoyed my nonsense and the doodles [explodes]

[queenie-ofthe-void]

A follow-up to my Hanahaki Platonic Stobin drabble

Platonic Stobin, Steddie, past Stancy || rating: T || wc: 2.7k || tags: dialogue heavy, VERY excessive use of italics, fluff and flirting and humor, no beta

~~~

His sides are ripped to shreds, insides only kept inside because of the torn, dirty scrap of sweater Nancy wrapped around him. Steve’s been downplaying it as much as possible, mostly to keep Munson calm, but Robin knows better.

What’s wrong with your back?

Steve sighs, trying to mute his thoughts into a scramble like they’ve practiced so well over the past nine months, but the scorching pain on his shoulder blades, feet, and arms makes it rather difficult.

Don’t you dare ignore me Steve Harrington.

She glares back at him from her spot next to Nancy. They’ve been walking for miles, every rock and crack in the ground digging into his feet with every step. Munson’s next him, going on about something like bats, or metal music. Steve’s not sure, he’s having a hell of a time focusing.

But the guy crowds into Steve’s space, dipping in and out of orbit like he can’t help being as close as possible. Eddie keeps looking at him. Steve’s never been great with eye contact, but can’t help it when Eddie starts saying things like “the kid worships you, dude” and “insists on the matter, in fact.”

Told you the kid loves you even though he has another older adult male friend.

Steve can practically hear her giggling, but she’s just balancing her out-loud conversation with their mind-reading conversation. She’s better at it than he is, talking to two people at once. Hell, sometimes Steve has a hard enough time keeping track of just one conversation.

Their new super powers had been a learning curve, to say the least. It’d taken them months to learn how to tune each other out when needed, which was more often than not. Working Family Video shed a new light on how absolutely down-bad horny Steve was for almost every mildly attractive woman who walked through the front door. Including Joyce Byers, to Robin’s horror.

Steve was cursed with Robin’s almost near-constant thoughts about her newest crush, Vickie. He’s never met her before, doesn’t remember her from school, but could describe what she looks like down to the small, rust colored freckle on the corner of her left eye, just below the lash line. 

But even with the extensive learning curve, they discovered some severe consequences of their powers almost immediately. 

The first day Robin came over, bloodied and crying, with him no better off, Steve was so shaky he’d dropped a mug, slicing his hand as he scooped up the pieces. She rushed over, said she heard his pain more than felt it, like loud static. 

So, no sharing physical sensations, just mind-reading. Which is great for me, considering how slutty you are. She’d laughed when he lightly knocked her on the shoulder, but she’d thought it with such fondness that he couldn’t be mad if he tried.

The worst of their situation came to light when Robin’s parents called her home, said a weekend away after Star Court was more than enough. So she’d left him alone in that big, empty house, suffering from a severe concussion and dizzy spells.

Which only grew worse the longer they were apart.

Steve didn’t have anywhere to go, now jobless with the mall gone, and none of the kids came to visit. So he’d holed himself up in his room. The headaches grew worse, handfuls of pills doing nothing to help.

By the fifth day, he was vomiting again, shaking and crying, head throbbing, nose bleeding into the toilet bowl all over again when there was a knock on the door. The knock might as well have been inside his skull, but he couldn’t move, could barely see past the haze clouding his periphery like it had after his fight with Billy. He cried as the knocking grew louder, more persistent, until it finally stopped.

He slumped forward, pressed his head into the cool porcelain. Lifting his hand to flush, he noticed a small, vibrant white petal floating amidst the red and black water, all of which, presumably, came out of him.

–can’t find it. Must be… rock. The mat?

Robin?

There was a click, then the sound of his front door opening. Slow, heavy footsteps up the stairs.

Dingus where the hell are you? Not in the bedroom… Please, Steve, I need help.

That got his attention, but as he’d gone to move, the bathroom door opened to a bloodstained Robin, eyes rimmed red, hair a mess, pale and gaunt like a ghost. She dropped to the ground next to him, practically draped herself over his back. And just like before, the pain receded so violently he vomited one last time. A full, yet slightly crumpled, flower floated amidst the yuck inside the toilet. 

It was a daisy.

“Daisies are my favorite,” Robin whispered. She held out her hand to him, dirty and covered in the same green stains as the ones on her shirt, and handed him a very small, miniature sunflower. “So I’m guessing–”

My favorite.

Eventually they’d figured out what works and what doesn’t. Talking on the phone everyday never helped, back to throwing up flowers after only a week. He’d started to pull the daisies out to dry, which Robin said was gross. She took them home with her anyways. 

But he’d borrowed Robin a sweatshirt that she took home with her, and by the fourth day, she was in better shape than he was, only a slight headache instead of Steve’s encroaching migraine. So they started exchanging clothes and quickly learned it wasn’t necessarily their clothes or possessions, but their scents. 

You smell kind of like sunflowers

“Robin, sunflowers don’t have a smell.”

She was face first in his pillow, day seventeen after a two-week family vacation to Key West, returning his comforter, and a myriad of t-shirts. They’d both gotten migraines, but no vomit-soaked flowers or bloody noses. So it was an improvement, overall.

I know they don’t. It’s more like, I don’t know, sunshine. Or fresh grass. A warm rain… like summer.

He’d jumped on her then, smothered her into his mattress until she was tickling him to get off her.

“What do I smell like?” she’d asked, casual but not quite casual enough. He smiled.

Like daisies. An open field full of wildflowers. A new song, or driving with the windows down. 

She smiled back at him, wide and genuine, packed full of love. And he knew, in that moment, he was happy to spend the rest of his life with her.

“Harrington,” Eddie cuts through his reminiscing. The guy looks like he’s trying not to be annoyed, which makes sense considering he’s attempting to be nice and Steve’s completely zoned out. 

Do you have another concussion? Is it rabies?

He sighs, quiet enough that hopefully Eddie doesn’t assume it’s aimed at him. No, Robs. Just a normal dingus-where-did-you-go zone out. Relax.

She shoots him another glare over her shoulder, but ultimately lets it go.

“Harrington, you still with us?” Eddie laughs it off like a joke, but his eyes are wide, and he’s pressing in close again.

He’s warm, and without thinking, Steve finds himself leaning towards him, too– like magnets.

What magnets?

Never mind, Robs, shut up.

“Yeah Munson, I’m still here.” Steve chuckles, and Eddie relaxes a tad. “Can’t get rid of me that easy. I’ve dealt with worse.”

“Worse than an under-water tentacle monster dragging you through hell on your bare-back and almost choking you to death?”

When Eddie puts it like that, Steve really does have to think about it. “What about throwing fireworks at a giant, mind-controlling flesh monster and getting tortured under Star Court by Russian spies who shot me and Robin up with mystery drugs?”

DINGUS! If we haven’t told the Party about our super powers you can’t tell a goddamn stranger like Munson!

Eddie’s eyes are wide and dark again. He chuckles a little too loud, almost deranged. “Yeah, you know what, Harrington, that might be worse.”

They continue to walk in silence. Well, Steve’s silent. He lets Eddie ramble, talking about Dustin, something called a Munson doctrine. He calls Steve a ‘good dude’ at which Steve hopes the sky is dark enough to hide his embarrassed flush.

Eddie says something about the girls jumping in to save him, but he leans in again when he says it, and all Steve can think about is how close he is, the light brush of Eddie’s knuckles against the back of his hand–

What…?

– and the comfort that settles over Steve when he catches Eddie smiling at him. They stop in unison, Eddie leans in close to whisper like it’s a secret.

“But Wheeler, right there, she didn’t waste a second. Not one second. She just dove right in.”

Eddie’s barely shorter than him, just enough that he looks up at Steve through his dark lashes, big, brown, puppy-dog eyes hooked onto his own. He knows guys can be handsome, but he thinks Eddie might be more pretty than handsome.

I’m sorry? What the fuck is happening back there!

“Now, I don’t know what happened between you two,” Eddie says, low and slow. His voice full of honey that soaks into Steve’s brain, the actual words lost in the overwhelming sweetness of everything that is Eddie. “But if I were you, I would get her back. ‘Cause that was as unambiguous a sign of true love as these cynical eyes have ever seen.”

Steve can’t stop staring at his lips. They’re so pink and fluffy and biteable, so he leans in, like instinct tells him. Eddie looks surprised, but brushes his finger tips against Steve’s own. He whispers, “Steve…?” like it’s more revelation than question. Eddie’s so close that Steve just–

“Are you fucking kidding me, Steven?” Robin shouts, incredulous and much too loud. Eddie flinches away from him, hides behind his hair like a turtle shrinking back into its shell. Steve’s shoulders droop in disappointment.

Disappointment? Wait. Did I almost just kiss–

“Eddie Munson?” Robin finishes his not-out-loud sentence.

“Buckley?” Eddie asks, nervous as the girl marches towards them, her eyes locked on Steve.

“Yes, Dingus!” Robin completely ignores Eddie’s response in favor of barreling up to Steve, finger so close to his face he goes cross-eyed. “Yes, you were, and oh my god I can’t believe you!”

Robs, I’m kind of freaking out right now. Can you please relax?

“You’re freaking out?” she shouts. Nancy shushes her, but it goes unnoticed. “I’m freaking out! After all this time, after Tammy fucking Thompson, this is happening right now? With– with– ” Robin wildly gestures to Munson. “Goddamn, Steve, you reek of sunflowers right now, oh my god! Just like when Joyce came into the store.”

It’s as dark as it always is, but a flash of red lighting illuminates the red painted across Eddie’s cheeks as he bites on his lip, looking nervous yet almost bashful as he pulls another larger strand of hair across his face.

“Sunflowers? What’s happening right now,” he whispers to Nancy, who shrugs. She answers with a casual, “I’m not sure, they do this a lot.”

“That’s not fair!” Steve quietly shouts back at her. “What’s wrong with–” he glances at Eddie, who flushes again. He’s so pale I bet he’s red down to his…

“Shut up, shut up, shut up!” Robin throws her hands over her ears and pinches her eyes closed.

Steve forces a smile to cover his gay panic. Shit, am I gay?

“No!” Robin slaps both her hands on either side of his head, mushing his cheeks together. “You’re not g–” she mushes her mouth shut, catching her slip-up just before it tumbled out of her. “And that’s not what that kind of panic means, so don’t call it that.”

“Panic?” Eddie asks, stepping towards them. His eyes are trained on Steve, flashing down to his lips, then back up to catch his gaze. Steve sees something like hope buried beneath Eddie’s tough guy demeanor. “But I thought–” he glances at Nancy before quickly looking away.

Robin rolls her eyes at him, and Eddie backs off a bit. Except his look doesn’t go unnoticed.

“Me?” Nancy asks. “What about me?”

Robin, don’t–

But it’s too late, because at that question, everyone turns to look at Steve.

Over the past few months, Steve’s started growing out his hair. It’s not really in style, but he’s seen a few guys with long hair, and they looked really good. Right now, he wishes it was long enough so he could hide behind it like Eddie. But, then again, he’d also tried growing a mustache, since Freddy Mercury had amazing style– Steve’s always like Queen.

Except my mustache never looked as good as his, so I bet long hair wouldn’t either. Maybe the short hair helps highlight it, like his cheekbones.

Jesus Christ, you’re so obvious. I can crack Russian spy code phrases enough to break into an underground military base but apparently I can’t spot a bisexual within five feet of me.

Steve sighs, dragging his hands down his face at Robin’s inside-mind rambling. Nancy, however, takes it to mean something much different. “Oh, Steve, no.” Her voice is pitying and too nice and it reminds him painfully of the last few months of their relationship. Like she’s talking to a child. “Steve, I’m so sorry, but– I still love Jonathan.”

“I know, Nance, that’s not–”

“Are you kidding me, Wheeler?” Eddie screeches. Steve really doesn’t understand how they’re so lucky that they haven’t been hunted down and eaten by now. 

Eddie’s thrown his hands up in the air, all theatrics as he gawks at her. She backs off, surprised, but quickly recovers and squints her eyes at him, crossing her arms as he continues to ramble. 

“After everything that’s happened? Steve ripping off his sweater, jumping out of the boat and beating a bat to death, then biting its head off, all while soaking wet. I mean, the way he spit that blood out.” Nancy cringes, and yeah, Steve feels the same way, knows he'll be tasting that black sludge in his nightmares. 

Now that’s gay panic.

I thought that’s not what that means, Rob

Ugh, I regret teaching you things.

Eddie’s still on a roll. “He was so… I mean,” Eddie throws his arms out towards Steve, showing him off like he’s a prized cow, “look at him, Wheeler! And you’re picking Byers?”

To Steve’s surprise, the glowering ferocity in Nancy’s face morphs into a coy smile, eyebrows raised in question to an answer she’s already figured out. Because that’s how Nancy Wheeler, journalist extraordinaire, gets her story. She reads people.

Before Eddie well and truly freaks out at the turn in Nancy’s demeanor, she winks at Steve out of the corner of her eye. “Joyce Byers?” She giggles and rolls her eyes. 

Then, in a mortifying turn of events, Nancy pulls a strand of her brown, curly hair in front of her face, forces her eyes open, doe-eyed and almost brown under the dark sky, looking up at him through her lashes, then darts her gaze to Eddie. 

Ha! You have a type! Wait, how did Nancy clock you faster than–

“Okay!” It bursts from Steve’s chest, loud enough it shocks the rest of them. They stand quiet, listening to the mundane noises around them, and breathe a sigh of relief at the resounding silence. “This has been fun, really, but why don’t we all just keep going so we can get the hell out of here and go find my– I mean our– no, the little shits.”

This is why they call you mom.

“I’m not a goddamn mom, Robin, how many damn times do I have to tell you guys that?”

“If you’re mommy, does that mean I’m daddy?” The words slip through Eddie’s mouth and, unfortunately, bury themselves into Steve’s brain. Now Steve’s not sure who’s blush is hotter, his or Eddie’s. He’d guess maybe Eddie’s, judging by the way the man grabs Nancy’s arm and hauls her away at a half sprint. 

She laughs at him, lighthearted, and slings her arm through his as they walk side by side. Steve watches as she leans her head towards Eddie’s whispering something into his ear that finally has the man’s shoulder’s relaxing. He bumps his shoulder against hers, and she returns the gesture.

Robin turns to look at Steve, really look, with sad, concerned eyes and a twist to her mouth.

I’m sorry. I shouldn’t have freaked out like that. It just caught me off guard I guess.

Steve places a light kiss on her dirty forehead. She smiles, grabs his hand in hers, and squeezes once.

“I love you too, Rob.”

[kizzer55555]

Little Artist

So I saw this

and had an idea for Danny X Damian. Where Danny likes making various stories he publishes online. Everyone said he needed a hobby and he can’t be an astronount (or join a sport since it would be more suspicious if he left in the middle of a game or practice for a ghost attack) and Ghost Writer got him to try writing, saying it’s relaxing. And honestly? It was. Danny enjoyed making stories. Sometimes he would just type what crazy thing happened to him that day while tweaking names and a few details to not give away his identity. Sometimes he made fanfiction of some stories he liked. And sometimes he tested out making original stories, taking and first hand knowledge from various ghosts and cultures to make his writing more authentic. And after much encouragement from Jazz, he posted some of his work online.

Cue Damian coming across one of his brother’s laptops. He didn’t mean to look for long but he thought the file was for a case and wanted to know more about it. ….then he got invested.

There was an author on this sight who wrote amazing stories. The emotions captured were so vivid, and he even fact checked a few historical facts and languages used. Everything from the dialogue, to the accent, and culture. Each new story completely enraptured him.

It made his fingers twitch for a piece of paper. Some paint, perhaps charcoal?

Damian started putting heavy encryption on his computer and search history. And locked his art room up. Then came a story that truly resonated with him. An original work about a boy from a different place, trying to fit into his new reality and the new rules and expectations placed on him…worried if his family would accept him. It sounded so much like when Damian first came to Wayne Manor. And it sparked his inspiration. He spent days working on his newest piece. Trying different angles and lighting, mixing colors. It looked like a collage between charcoal and watercolor, showing someone leaving a world of darkness into the light, yet this new world was unstable and strange compared to the rigid structure of his old one. When it was finally done, Damian felt like he was both looking at himself and a stranger. The character from the story brought to life.

It felt both freeing and settling, like he finally had a name for what he had been feeling. AstroBoi13’s fics always had that affect on him.

And for the first time, Damian did something he thought he’d never do. He snapped a picture of his masterpiece and sent it to the author. Quickly so he didn’t lose his nerve.

It was fine. It’s just one picture. It’s not like this would be a repeat occurrence.

[liauditore]

Equally Invalid

[mblue-art]

this man. ..

(inspo) (og meme)

[mamawasatesttube]

something i like to think about sometimes is that. man. you could really create some kind of perfect storm with the combo of tim's post-infinite crisis fear of losing kon again + kon's intense, but generally passive, suicidality. guy who was so convinced he had to die a hero that when it happened he didn't even seem bothered by it (because he can't be traumatized by his own death if it was what he was literally made for, right?) x guy who has developed a whole new type of mental illness out of the survivor's guilt 100x combo. put them both through the wringer at the same time with one easy trick (make tim think kon will try to sacrifice himself for something) (and kon very well might!)

[sciderman]

the mcrib is back

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[campbenji]

the delusion... it's coming back. it's coming back strong

[marysdonuts]

Tom and Jerry

school clown!Hoshi x top student!reader

Synopsis: After transferring schools the attention seeker Soonyoung keeps getting on your nerves. Fortunately it is way too easy to make fun of his somewhat lacking intellect. One day you take your snarky comments too far and Hoshi is all fun and games, until he wasn't

Warnings: smut, enemies to lovers, high IQ (f.) x low IQ (m.), slight angst, school setting, classmates, public sex, revenge sex, dirty talk, crack, spanking, fingering, penetration, inferiority complex, questionable fashion choices

WC: 1.4K

Status: part 1 (ongoing), part 2

a/n: join my taglist to get notified about new chapters

Changing schools was easier than you thought it would be. You were halfway through your senior year of high school at the crisp age of 17. The family had to move to different city for work. Making new friends was effortless - you were intelligent, good looking and fun to be around. Of course, big part of your popularity was thanks to the charm of the next new thing which always attracted many admirers. You were getting straight A's, enjoyed busy social life, everything seemed perfect.

Well, almost perfect.

If it wasn't for Hoshi Kwon. The school's appointed clown, now pushing 19 years old, he failed his senior year twice. Pathetic, how could somebody be so stupid? You hated him the moment he showed up on the first day of school - in purple suit, tiger print on the collar with matching hat. Cane in hand. Kicking the door open while singing Sherlock from Shinee he danced can-can. His legs flying up to the rhythm of - I'm so curious yeah! Everybody loved the performance. Everybody except you. The fuck? Where did he even get that ugly ass outfit and apparently his real name was not Hoshi but Soonyoung. Who the hell calls themselves Hoshi? Does he think he is a celebrity? Stupid ass name.

After the teacher assigned him as your desk-mate he made it his mission to annoy you. Teacher's reasoning being - he might calm down sitting next to the top student. Such a nonsense. Isn't it their job to know how to control the kids? You weren't getting paid enough for this. In fact, weren't getting paid at all!!

//

On Friday he arrived to class more excited than usual.

"Look at my fit!" kicking his foot proudly on the wooden desk in front of you. Before you had time to push him off he continued

"Do you like my new shoes?" expecting compliments

"I haven't seen uglier shoes in my entire life." you responded with no emotions what so ever

"What do you mean ugly" his already small eyes squinting into straight lines, eyebrows frowning comically

You couldn't help but laugh. He looked like cartoon character

"Now you laughing at me too?!" Stomping the foot that was still resting on your desk " They are Balenciaga!" still stomping

"They look like boats," lazily resting your chin on the top of you hand "if refugees used these," pointing at the monstrosity "instead of those tiny motor boats, their survival rate would be 100%"

You could hear an audible *gasp* leaving his mouth and muffled laughs from the classmates sitting behind you.

"You are the worst!" he cried out "Do you even know how expensive they were.." tear forming at the corner of his cartoony eyes

"Probably as expensive as the donations your parents must be sending to the school each year to keep you studying here" your voice full of disdain

"wow a kick under the belt now, huh?" you could see the wheels in his little hamster brain spinning at full speed

"You will regret this" was all he could come up with in the moment

"I don't think so" smirk on your face beamed with satisfaction but the sudden dark shadow crossing Soonyoung's usually friendly face put a knot in your stomach

//

Much later that day, after your extra-curricular classes finished, you are standing in the dimly lit locker room reorganising the mess compiled after busy week. School was already empty and you loved the silence. The long halls full of lockers did look a bit spooky now but it wasn't your first time being there alone.

Squeeky steps approaching from behind you. Sounded like one of those Crocs.

"Anybody there?" you were sure it was just your imagination, simply asking the ghosts a rhetorical question

"What if there is.." vibrations of low growl echoed thru your ear sending shivers down the spine

"The hell..?" catching a glimpse of Hoshi in your peripheral vision. Why is he here this late? You knew damn well he ain't taking any extra classes.

"I was waiting for you..." his voice even closer now, hot breath touching the exposed skin of your neck. He was so close to you. You could hear his heart beating. Du dum. Du dum. Du dum. Stable. Confident. In control. Yours on the other hand reaching high frequency of dudududududum.

"What do you think you are doing, Kwon?" forced annoyance in your tone trying to mask something that was hiding a bit deeper. Panic perhaps?

"You tell me," he laughed but it sounded more like a threat "aren't you the one who knows it all?" Pressing the weight of his athletic body on yours, something hard forcing itself against your bottom made you gasp

"h-hey what's your problem.." you tried to sound intimidating, voice betraying you suddenly, only producing shattered whine

"You" not waisting one more second Soonyoung licked the curve of your neck completely sandwiching you between his throbbing heat and your cold locker. Kissing your sensitive skin as if he was waiting for it for so long. Wet kisses quickly becoming possessive bites leaving marks as his signature.

"oh fu-" was all that managed to escape your quivering lips as his hand spanked your ass with such force, it took your breathe away. You didn't want to admit it, but this situation? It was making you so incredibly wet.

Yes, you did hate him. Yes, he was annoying and loud. Always wanting to be the centre of attention. Apart from that you couldn't deny how good looking he actually was. Only person in school who could pull off blond hair and those horrendous outfits.Oh and how the lean muscles played on his body during P.E. class..? Except for his personality, he was 10/10

"You don't have any smart comeback now, do you?" Slapping you once more. Making you loose your breath - again.

"You look much nicer like this" the hand on your bottom started to move lower. Pushing your legs apart with his knee, making a way for his long fingers. Lightly tracing the center of your soaked panties

"stupid uniform-" you cursed. Why the hell did boys wear trousers but they made girls wear skirts? The last line of defence has been crossed.

"Oh?" rubbing the wet fabric "you are dripping all over your pretty panties" the strokes becoming spirals, combining your folds and the textile into unified mess

"I-I'm not..!" knees weakening into his skilful movements

"Mmm, I thought top students are not allowed to lie" forcing two fingers inside of you without warning. Deliciously thrusting into your pool of need.

"shut up-" already moaning. What the fuck am I doing? Now pushing your ass to meet his motion.

"If you are going to fuck me, at least do it right" another push against him "or are you too stupid even for that?" you mocked him, taking at least a bit of your power back

All you could hear was Hoshi's sinful laugh and clinking of metal as his jeans came undone collapsing on the tiled floor. His throbbing member now on your clit soaking in the wetness you produced. Gliding teasingly over it

"What if I don't want to?" rubbing in painfully slow rhythm, making you see stars

Hoshi was very much enjoying this moment. Moment of having upper hand on somebody he couldn't challenge intellectually, on somebody who always knew what to say, somebody who was making him feel and look small. Crushing his ego on everyday basis. Fortunately you were just his type.

"P-please..?" heard yourself saying. Almost as surprised as he was. But fuck it, his dick felt so good on you pussy and it was long time since you had any intimacy. It made you uncharacteristically needy. What's wrong with little steamy sex in the locker room? Nothing. Yeah.

"Please Soonyoung, I want to feel you inside of me. I can't take it anymore. You win."

Grin from ear to ear Hoshi finally entered you with such an enthusiasm like a kid getting the toy he really wanted.

Holding you by the wrists you were hanging off in empty air. Slapping the balls against your needy pussy he was pounding you mercilessly. Waves of pleasure running thru every inch of your body. You didn't notice it before but now you could feel it clearly. His dick had a curve to it and it felt fucking good. On every thrust the tip hitting you exactly where you wanted. You were full of him.

Why is it always these good for nothing guys who fuck the best? Or maybe you were just too harsh on him? You pondered as the following thrust almost took you over the edge, making your head fall forward.

And down there between your trembling legs pair of hideous Balenciaga sneakers

[kiaxet]

HOW ABOUT THAT @somerandomdudelmao DISASTER TWIN REUNION, HUH

Went a little feral to the tune of 2.2K words of self-indulgence. What else is new?

~~~~~~~

Donnie can't sleep. More accurately, he won't sleep. Not until he's done. He'd never been one to leave a project unfinished; death and resurrection hadn't changed that.

He taps incessantly, repetitively, on a keyboard and screen, the motions long since past inputting data and now only serving to keep him awake. The repetition is soothing, easy, and - counterintuitively - he finds his head drooping forward into sleep-

And he snaps back upright. No. Not until he can confirm Leo is okay.

Leo is behind him, he knows. Breathing. In bed. Asleep. Very much alive. And-

He jumps and whips around as a thud sounds behind him. "What the-"

Leo is on the floor.

Well, that answers the question as to whether his twin is awake.

For a fraction of a second, part of him wavers uncertainly. He loves his idiot twin. The question he hasn't been able to answer is whether his reaction to Leo waking up will fall on love or idiot twin-

"Leo!"

He can hear the exasperation in his voice, and yep, it's the latter. He takes a knee next to Leo and hauls him into his arms, lecturing him all the while, and if he can hear the annoyance in his voice then Leo sure as hell can. Sleep deprivation for the purposes of keeping his brother's soul alight had done nothing for his temper. "I swear to God, all you had to do was make a sound! Why are you such a difficult patient?"

He deposits Leo carefully on the bed - "Sit still!" - and checks him over, running every scan he can think of and making sure his brother's new body really is in good working order, spouting increasingly irritated commentary all the while. Of course the fall didn't hurt him - Leo is tougher than that, and Donnie does better work than that - but he still can't help the rising anxiety in his throat.

This almost didn't happen.

"-stupid, stupid selfless idiot!"

Donnie almost couldn't save him.

"Grrhh-"

Leo nearly died for real. Permanently beyond Donnie's reach. Well and truly gone-

"Do you have any idea how close you were to having nothing left to save?"

And now here Leo is, in perfect health, sitting on Donnie's bed with a big dopey grin on his face as Donnie chokes on his anxiety and damn near shakes himself apart-

Oh for fuck's sake.

"Hey. Are you even listening?"

Leo speaks up for the first time since he's woken up, voice shaky from disuse. "D-Donnie?"

And that is not a goddamn answer to anything Donnie has been saying, because of course it isn't. It's Leo. He's always had his own priorities. "Yeah. No. You're not fucking listening." Donnie heaves a long-suffering sigh, sinking back into the routine comfort that irritation at his twin provides. "At least you're talking." Small favors. "Although I'm surprised you're not throwing your stupid jokes at me." Even smaller favors.

He stops short as Leo's hand closes around his wrist, drawing Donnie's arm to Leo's plastron. "You're real," his brother breathes, looking from Donnie's hand to Donnie himself with tears streaming down his face. "You're real!"

And then, in the space of a thought, Leo's joy breaks, his smile turning desperate. "Are you?"

For a moment, Donnie stares at his twin, wondering at the sudden change in expression. He takes a breath-

And the part of him that had lain dormant for so long after he'd woken up - the part of him that had been screaming for his twin's safety ever since they'd recovered the few scattered embers of Leo's soul - gasps to life, blooming like a time-lapse video of a flower and reaching to the edges of Donnie's soul. Leo had called it their twin sense, and Donnie hadn't had it in him to argue after a while. Whatever it is, it's back, connected to Leo's renewed presence, and-

Donnie's heart floods with emotions. Relief and joy sprout quickly and are nearly swept away in a tide of exhaustionanxietyfearfearfearfearFEAR-

But down beneath it all, steady against the rising wall of terror, is the little blue spark of hope that his brother always carried. His core. The thing that let him continue on in the face of insurmountable odds, and lent that same strength to everyone around him. A ninja's greatest weapon.

It's Leo. It's Leo-

And Donnie can't leave him alone in his fear. Not when there's no need for it. Not when they're safe.

He lets that breath out, and sits next to Leo on the bed. "Mhm. I'm alive. And you're alive. We're safe. The Krang are gone." That's all the news that's fit to print, or at least the most important parts. What else does he have to say?

Oh.

"I'm sorry I..uh…"

He's sorry he what? Died? Left a mess for Leo to deal with? Didn't do enough while he was alive to keep everyone else alive in turn after he was gone? Kept his brother's soul in a fucking mug, because that was the only way he could ensure he wouldn't break it while Leo was still fragile? All of the above?

…yeah, it's all of the above.

He owes Leo one hell of an apology, and he's never been good at any of this, so instead he shrugs haplessly and leans forward, pulling Leo into his arms and hanging on tight.

It's a matter of moments before Leo has him flat on his shell on the bed and is sobbing into his arms. Normally he'd hate seeing his twin cry, but it's proof of life - proof that Leo made it, that his soul is intact enough for him to still be Leo, that he's alive and awake and here - and Donnie will take it.

And if he's squeezing Leo back pretty hard himself, well, that's fine too. Nobody else needs to know.

~~~~~~~

Donnie is yelling at him.

Donnie is strong enough to have picked Leo up off the ground, well enough to be on his feet without support, running tests and reading Leo the riot act over his latest boneheaded maneuver - in this case, forgetting he was missing an arm and falling out of bed.

Donnie is yelling at him, because Donnie is here to yell at him.

And Leo is smiling, because he couldn't be happier. He lets the words wash over him, draping over his shoulders like a favorite cozy blanket that he'd lost so many years ago, and he basks in the warmth that is his brother's voice and smiles.

It's enough to interrupt the yelling for a question, though he doesn't really hear it - just keeps smiling, and says Donnie's name, and it's so nice to be able to say it with a smile now, because Donnie is here-

-he is, right? This isn't just a dying hallucination on Leo's part, right?

(It couldn't be- he remembers his death, remembers breathing his last, remembers being trapped- but this-)

He reaches out, taking Donnie's wrist in hand, and pulls his brother closer to him. "You're…real…" It certainly feels real - skin and scales, softer than his own, and his fingers barely fit all the way around the wrist instead of encircling them with room to spare - and he stares down at it, tears rolling down his face as he finally looks back up at his twin. "You're real!"

The Krang show you what you want to see.

The thought strikes him unbidden, turning his joy and relief to ice. It's a well-known fact: a Krang infection can show its host what they want to see, visions of comfort and family and home, and extract intel from the host's reactions. He knows that- he knows that, and-

And he'd died surrounded by Krang- and even if he couldn't see or hear or feel, he knows he'd been held captive-

But it's Donnie- he wants this to be real- he needs this to be real- he wants his twin back so badly he can't think, and the idea that this could be a Krang hallucination is almost too much to bear-

"Are you?" He can hear how choked the words are as they leave his lips, but he needs to know-

And Donnie stops, and sits down next to him, and tells him everything he wants to hear - everything he could've ever wished for. They're alive. They're safe. The Krang are gone. It all sounds too good to be true.

And then Donnie offers him an apology and a sad half-smile, pulling him into a strong hug-

And the ice in Leo's mind shatters in a flood of warmth as his twin sense opens for the first time since Donnie's death. He feels his twin's irritation, and deep-seated exhaustion, and a choking wave of guiltguiltguiltguiltguilt-

And beneath it all, steady and strong as ever, the thrum of unending determination, powered by an unfathomably deep well of love. It's the backbeat to the melody of Leo's life, the point-counterpoint to his own heartbeat- it's something he'd never had to live without until he did, but it's back, rushing in to fill the silence he'd known with the strength to go on and the knowledge that he is loved loved loved, strong and overwhelming and all-encompassing in the way only Donnie can love-

It's something the Krang could never imitate.

This is real. This is all real-

He throws himself against his twin, toppling them both over on the bed as he clings to Donnie, unable to stand even a fraction of an inch of space between them, as though he could push their hearts together through their plastrons, and he cries, sobbing out worry and terror and grief and the slow, crushing exhaustion of a losing battle finally lost. He cries as though the world was ending - and it had, once when the Krang had invaded and again every time he'd lost a member of his family, over and over until he'd sent his last hope through a portal that had cost his littlest brother his life and succumbed to death himself.

And now he's alive. Here, wherever here is, with Donnie. Clinging to his twin, and being held in turn as Donnie gently sits them both up, never letting go as Leo cries himself out.

It takes a while - long enough for Leo's gaze to settle into a stare and his thoughts to settle into a comfortable static. He's alive, Donnie is alive, and he has no fucking idea what else is going on, but he's just going to be okay with that for now.

His thoughts rouse enough to inform him of something wrong - the line of tension Donnie is carrying down his neck and over his shoulders. That won't do. Leo could try to massage it out with one hand, maybe try to get Donnie to talk about it, but Donnie never likes to talk about it, and Leo isn't one for slowly soothing away tension when he can just take an axe to the release valve instead. Plus, it gives him something definite to focus on, instead of…this whole situation. Whatever 'this whole situation' actually is.

Donnie had mentioned his stupid jokes, right?

"H-hey Dee?" His voice wavers from disuse, thick with tears, but he pushes through. "Why did- why did the tree buy a camera?"

"What?" Oh, Donnie is not going to see this coming. Excellent.

"To do a photosynthesis." It's nowhere near the level of pizazz he normally uses for a punchline delivery - he's still too tired and frazzled and clinging to Donnie entirely too hard for that - but that beautiful pause of a terrible joke sinking in tells him it had hit home nonetheless. Donnie moves - he can hear the telltale slap of face meeting palm - and then breaks down into helpless laughter, smacking the back of Leo's shell as the tension Leo had felt in his twin's shoulders abruptly relaxes. Good. It worked.

"This is so fucking stupid," is all Donnie manages as his laughter fades, and he slumps fully against Leo with a murmur. That's...abrupt. Sure, Leo had felt Donnie's exhaustion, but he hadn't realized it'd been that bad. He takes hold of Donnie, gently laying him down on the bed to rest-

Remember what happened last time Donnie fell asleep next to you.

He gasps sharply at the thought - not again NEVER again - and keeps his hand steady as he moves, laying both fingers gently against Donnie's neck and feeling for his pulse. It's easy to find, strong and steady and even, like it had been before the infection had taken Donnie's vitality and then his life.

But he's alive, and healthy, and sleeping. He's okay. And Leo-

Leo moves his hand to the side of his own neck. His pulse is also easy to find, quickened with the adrenaline of an unknown situation and multiple consecutive shocks to his system.

Okay. Take stock. Assess. Figure out a plan from there.

He's alive. Donnie's alive. The Krang are gone. And everything else…is a big fat question mark, with no easy answers and no indication as to where to begin looking for them.

Well.

Uh.

"What the fuck," Leo whispers to the room at large, as though the walls could answer.

~~~~~~~

(A world away and still very close, a younger pair of twins cling to one another the way a drowning man clings to driftwood: desperately, clutching tight, as though letting go will spell their doom. Neither of them know where the emotions came from, or why; all they know is that each of them are damn glad the other is alive, and they'll do everything they can to make sure that continues to be the case.)

(What the fuck, indeed.)