#god i fuckin love the mariana trench

[anguilliforme]

Silly Game Time: WRONG ANSWERS ONLY! What's at the bottom of the Mariana Trench?

me🕴️

[monstraduplicia]

daddy's little girl he broke in thirty: a dean winchester mix

1. abuse me - silverchair 2. adam raised a cain - bruce springsteen 3. alcohol - sisyphus 4. alibis - marianas trench 5. animals - nickelback 6. anyone who knows what love is (will understand) - irma thomas 7. black-eyed - placebo 8. blown wide open - big wreck 9. blunt force concussion - the dirty nil 10. break me - mcfly 11. burn & shine - the posies 12. call of the playground - shudder to think 13. carry that weight - the beatles 14. christian brothers - heatmiser, elliott smith 15. colossus - idles 16. coward's son - the ballroom thieves 17. daddy - korn 18. daddy's daughter - merricat crellin 19. damage control - the dirty nil 20. degenerate - the jesus and the mary chain 21. the devil you know (god is a man) - face to face 22. discipline - nine inch nails 23. don't let the sun catch you cryin' - jeff buckley 24. the drowners - suede 25. father - the front bottoms 26. father and son - cat stevens 27. father figure - george michael 28. father of mine - everclear 29. feel the pain - dinosaur jr 30. fiddle about - the who 31. forgiven - alanis morissette 32. fortunate son - creedence clearwater revival 33. freak - silverchair 34. friends in the sky - the dirty nil 35. fuckin' up young - the dirty nil 36. ghost - sky ferreira 37. girls - the dare 38. good boy - patriarchy 39. hang yer moon - the dirty nil 40. hard times - ethel cain 41. he needs me - shelley duvall 42. i burn - toadies 43. i know it's over - the smiths 44. i'm with you - avril lavigne 45. i need somebody - the stooges 46. infra-red - placebo 47. i woke up in a strange place - jeff buckley 48. judge yr'self - manic street preachers 49. last night i dreamt that somebody loved me - the smiths 50. life becoming a landslide - manic street preachers 51. lightsabre cocksucking blues - mclusky 52. loverboy - you me at six 53. low self opinion - rollins band 54. monster side - addict 55. moodswing whiskey - jeff buckley 56. mr. self destruct - nine inch nails 57. nancy boy - placebo 58. o death - rhiannon giddens, francesco turris 59. oh comely - neutral milk hotel 60. pain - four star mary 61. papa was a rodeo - the magnetic fields 62. please hurt me - the crystals 63. please please please let me get what i want - the smiths 64. prayer - big wreck 65. pretension//repulsion - manic street preachers 66. renegade - styx 67. runnin' with the devil - van halen 68. samarians - idles 69. send the pain below - chevelle 70. sex and violence - the exploited 71. the shining - badly drawn boy 72. simple man - deftones 73. slab - silverchair 74. song against sex - neutral milk hotel 75. story of isaac - leonard cohen 76. (they long to be) close to you - carpenters 77. thoroughfare - ethel cain 78. a trophy fathers trophy son - sleeping with sirens 79. two-headed boy - neutral milk hotel 80. two-headed boy pt. 2 - neutral milk hotel 81. unloveable - the smiths 82. wanted man - ratt 83. the weight - the band 84. western nights - ethel cain 85. what will you say - jeff buckley 86. whipping post - allman brothers band 87. you are a runner and i am my father's son - wolf parade 88. you can't always get what you want - the rolling stones 89. your flesh is so nice - jeff buckley 90. youth gone wild - skid row

[patchdotexe]

jesus fuckin christ dubs . uhhhhh im gonna just grab my absolute Beast of a playlist and hope for the best

..since when was disappearance of miku on here. no seriously when did i add that. hello

uuuhhh . @animal-lord24 @craftlands @vhscrow @magsinthe honestly anybody that wants to do this, i usually dont do tag games but i like it when music

Got @'ed about this by @sometimesraven so I guess I'm doing this as well. Gonna shoot this at @dusty21134, @oxyoxspring, @lyinginbedmon, @yarrowtheplant & @helianthian

Put your music library on shuffle, then list the first five songs that come up in a poll to let people vote for which one they like the most!

[socketz]

Spencer Reid x Reader 

Talking To The Moon.

Inspired by the Bruno Mars song, because it’s the one I listen to when I come up with my Spencer Reid fantasies😃.

Type : Angst (It’s just so fuckin’ sad, man)

Warnings : A LOT. Detailed mentions of r*pe / sexual assault, child m*lestation / assault / r*pe, physical abuse, physical fighting, broken bones, dislocated joints (Replacing them! Which is so disgusting, the thought makes me cringe), trauma, the usual Criminal Minds terminology (in terms of describing an UnSub), emotional breakdown, a lot of Death Talk™️ (which could somehow be perceived as suicidal, I guess?), and actual death, there is one (1) kiss. It is a PECK, crude language (profanity), and I think that’s it.

Word Count : 16.3K (this was NOT supposed to be that long, ohmygod)

Request : Not Requested. (This idea came to me in a really horrifying dream that I had, a few weeks ago. I always document my dreams, and this was... Well, it was more of a nightmare. I won’t share, but from the tone of the Fanfic I’m sure you can gather the terror that it endured.)

Summary : There’s a lot of plot for this one. The reader takes on a case (an unauthorised case, you understand), that she relates to on a very personal level. Determined to take on this UnSub, after observing his crimes within the media, and finding thelselves enraged by the Police’s futile attempts to make progress in his arrest, they search for him themselves, and they happen to forget every ounce of Federal Safety training they have ever experienced. Uh, Oh! Do I smell kidnapping? Yes, I do! The reader is kidnapped by the Unsub, and tortured for four days straight. The team are searching for them, but are they fast enough? Either way, Spencer will never forgive himself, and the reader isn’t sure they’ll make it out the other side, alive.

Authors Note : First of all, Baby Spence🥺🤚 the way he was RIDDLED with trauma?? PLEASE?? Got me out here trying to shift realities just to give this man a hug- like he really needs some love, y’know? I have other one shots in the works where he IS receiving his well deserved affection, but it’s not really this one (though he is comforting the reader. Well deserved, methinks)😭 this is perhaps the most graphic and depressing one shot I have ever written😃 I mean, enjoy??? I don’t know if that is the right word. Make sure you read the warning, man, the topics at hand are dealt with in depth and I do not want to trigger anyone!!!!!

Talking To The Moon, Spencer Reid x Reader

They say that the barrel of a gun is cold; that it seeps into the precipitation of your complexion, and the steel aches a circular coolness. They say that your life flashes before your eyes, and that your fight, flight, or freeze, kicks in, when the initial shock of fatality flashes, and blinds you for a defining split second. They say that in your final moments, you show who you truly are. 

They are wrong. 

The metal is warm, upon my forehead, as I blink slowly, a thousand thoughts - words, and probabilities; numbers, and statistics, and the thumping of my heart (thump, thump, thump; thump, thump, thump) everything, and anything; anything, and nothing - all find themselves meandering their way throughout my congested conscience. I think not of my childhood, the warm touch of my mother’s embrace, and neither the pride in my chest as I received my first ‘100%’, with a wonky smiley face, feedback for my very first official essay in school; not the swarm of flying insects, rampant within my stomach, as I first walked into the Behavioural Analysis Unit, of the Federal Investigations Bureau. I think not of Spencer, not of Morgan, or Penelope, Hotch, and Emily. I am… I am not… 

The barrel of the gun is warm.

I blink slowly.

A sheen of smeared colour - like the pretense of a dull oil painting, perceived too close to the canvas - washes over my vision, steals the breath from my aching throat - thump, thump, thump, my heart cries; lodged beneath my tongue, thump, thump, thump - I swallow it back. Thickly, like treacle, and I… There- There is-

The barrel of the gun is warm. 

I blink slowly. 

I collect myself, in my throat, and I gulp with a softness that simply does not suffice. The flavour of something- of something burned, something charred, lies upon the dry thrum of my tongue, and I allow myself to taste it. Just for a- just for a moment. Just for a moment, I taste it, and it is charred- charred and metallic. The burned flavour of my chest, thumping iambically beneath my heavy-set jaw, wafts up, up, up, throughout my trachea, and it coils between my teeth. From the back, to the front, around, and around, does it crawl, and my heart thunders on in my thoughts; thump-thump-thump, thump-thump-thump. 

The barrel of the gun is warm.

I blink slowly. 

The same ache rolls around my motionless joints; it burrows beneath my stained complexion, and I do not flinch as something pop’s, and another bone crack’s. It is not- I am warm. An uncomfortable sense of warmth, that settles upon my grimy skin, and collects itself among my wounded figure, and- and it’s- and it’s hot. It’s hot, and it aches- 

But the barrel of the gun is warm, and I blink slowly. 

I blink slowly, and the barrel of the gun is warm. 

I yearn to think, to obtain coherency, but the barrel of the gun is warm, and it hurts. Oh, it aches, and I- a shuddered breath falls from my unnaturally moistened mouth, tainted by the spill of internally displaced fluid, and I force my eyes to peel open. To unveil beneath their thick hoods, to dismiss the burning heat that flares from my slow blinking, to show him no weakness. I force my eyes to peel open, because, by God, if it’s the last thing I’ll ever do, I will look him in the eyes, and I will silently congratulate myself on my victory. I will not lose; I will not surrender.

And so I peel back my lids, and I ignore the sweltering ache that rushes upon my discoloured, broken, cheek, and I observe him with a gaze of (what I pray to be) great indifference. I slack my features, and I spare myself the wince, as the temptation of heat, licking away the wet droop of my bruised face, engulfs the structure of my poised, blank, expression. Dark, dark, circles; the kind of spherical matter that the mariana trench may find envy within, roam me. Thoughtlessly. Not a thing behind those eyes - no feeling, no rage, no pain. There is no tremble to his digits, as he holds the trigger of the sleek revolver, cherry-wood-handled, and there is no twitch within the muscular construction of his nonchalance, as it fades between four-a-piece, and a regular, blurred, arrangement. 

This is it, I think, at last, and the silence between my irrevocably untelling orbs infiltrates its way through my subconscious. Soon - a mere matter of seconds, that spirals to the incoherent detailing of a slurry construct - there is nought but the mulling tone of my heart, thumping endlessly beneath my burning sternum, and I force myself to breathe evenly. In, my chest rises softly, and out, I exhale something shaken through my nostrils.

By God, I think; this really is it. 

And the barrel of the gun is warm, as I blink up at him slowly, and I do not regard the noiseless sobbing of the child, to the darkest corner of the room. 

This is it. It pounds within my ears, morphed upon the rhythm of my steady heartbeat; this is it, this is it, this is it. 

This is it, and the barrel of the gun is warm, and I blink up at him slowly, and the breath on my tongue tastes like the charred meat of my steadily thumping heart, and I think of nothing. Nothing, nothing, nothing, at all - nothing but the silent shake of a tear-stricken expression, caught beneath the dim lighting, as her circular, little, face, enlarges. Enlarges, and morphes, by shadows, and yellow light; approaching. I do not regard her, as she nears in my peripheral, and the curve of her small, fragile, shoulders tremble, and the flush of her moistened cheeks glimmer among the bulb’s reflection, but the burned flavour on my tongue ceases its subtlety, and there is a taught capture about the breath in my lungs. It is reeled back, and stored deeply beneath my broken bones.

And, suddenly, my heartbeat lurches into my throat.

I miss the warmth of the metal, as it flinches away from my bloodied forehead, and I miss the dark discs of his thoughtless eyes, as they leave me, and the ache of my tongue dissipates to a resolve of bitter dryness. 

There she stands, beneath the weight of the revolver, with a violent shake to her thin figure, and a harsh, bruised, red, to her cheeks; puffy eyed, and traumatized. She breathes not a word, she expresses not a sound, and still his finger curls. Curls subtly, ever-so-gently, and my heart tumbles into my mouth, before I can drag it back down. “Coward.” It spits, unbearably rasped upon the echo of my dry, naked, throat; like wood upon sandpaper, it grits, and it grits, and the shavings collapse in my lungs, as they heave; in, I rasp; and out. “You’ll-” I gather my cheek between my jaw, and I nibble it tearsly, a deep, seering, heat erupting- erupting, and sprouting; multiplying, between my very cells. “You’re gonna shoot a- a little-” Another pained, hollow, heave; I clamber for steady footing. “Shoot a little girl?” Dark, dark, circles… no feeling, no rage, no pain. They catch within the light, and never before have I observed a shadow exposed by the sun, and still obtaining its darkness. But there they are, as they gaze unto my own, and I level our stare with ease. “Impotent son of a bitch.” I murmur, a mere breath upon the quiet. 

Antagonize him, my conscious crows; rile him up, give him reason for distraction.

 “That is-” I stutter in my respiration, and the wheeze of a wet cough finds the depth of my chest. It rumbles through the rasp of my throat, and a slick, metallic, moisture coils upon the flesh of my lower lip. The coppery taste ravishes my mouth, and I allow the liquid to spit between my words. “That is why you do it, isn’t it?” I say, no more than a whisper, gargled by the congestion of the red fluid pool, congregated about my tongue. “You couldn’t-” Another ragged breath, “Couldn’t perform. Not for the-” I swallow the metallic, warm, liquid, and it burns my aching throat. “Not for the pretty women. Hm?” He regards me, motionlessly, and the discs of irrevocable blackness roam my hot, burning, features. “So you too-” I gulp back the rise of blood in my throat, unsettled and naturally rejected. “So you took to little girls, instead, didn’t-” A softer, shallower, inhale, “Didn’t you?” 

Silence. The iambic thrum of my heartbeat interrupts the depth of the quiet, but I push it down - down, down, down, beneath the crushing weight of my charred sternum, and I force myself to continue. 

“Yeah.” I say, quietly, “You did.” I harden my gaze. “You do.” You take them, their vulnerable, defenseless, innocent, selves, and you steal their childhood; you steal their youth like the dawn to the night, and you rip the world from beneath their fucking feet. “They’re small.” I rasp. “Young.” I try not to think of the dry red, that - the dry, dark, blood, that stains her little thighs, and I try not to picture the tears on her cheeks, and the seeping crimson that cakes the lower quarter of her sweet, white, dress. I try not to entangle her contorted features with a familiar reflection, try to ignore the burning ache of my sweltering chest, as it burns, and it binds, and contracts so ferociously, and I swallow back the lump, riddled with- with- with something. (Bile, blood, bitten down sobs, does it matter? Does it matter?). 

There she stands, with a violent shake to her thin figure, and a harsh, bruised, red, to her cheeks; puffy eyed, and traumatized.

“They’re small enough to-” I nibble my inner cheek, and the rasp engulfing my tone threatens to tinge with a bespoken darkness. “They’re small enough to feel you, aren’t they?” I say, and there’s something- there’s something that flashes, be it only a split moment, behind those unforgiving holes he deems the window to his soul. Black, and inhumane. Fitting. “They feel you enough to react.” The muscle to the corner of his left eye contracts, a mere millimeter, or so, but I catch it. Oh, do I catch it. “They cry.” I say, softly, and I hope that the girl holds any kind of oblivion she once may have obtained. “They scream. They bleed.” They die. “But, hey,” I murmur, “any liquid is liquid, right?”

It burns, and it aches, and I nibble the eroded flesh of my inner cheek, and I blink up at him slowly, but at least he is here. At least he is here, at least her blood is dry, at least she can walk. At least I can buy her some extent of recovery time. “You’re sick.” I spit, tone lowered significantly, but still strong. Somehow, I obtain my strength, and I continue. “You’re twisted, and you’re useless.” I say. “You’re nothing but a freak, a shrimpy coward with no sexual capability.” Twitch, twitch; the muscle of his left eye contracts, once more, with more force; more concealed rage, bubbling away beneath the surface. “Pathetic.” I continue, a mere grumble upon the thickening silence. “You couldn’t satisfy a woman if you tried-” The barrel of the gun is colder, now, as he forcefully presses it’s rim upon my forehead, but the steel soon begins to warm. I blink up at him slowly, and I prod. I prod, and I prod, and I wait for the sleeping lion to snap and bite. A breathy chuckle falls from my dry tongue. “There it is.” I whisper. “There it is- you’re an embarrassment, aren’t you?” I mock, tone thick with some kind of congealed, faux, amusement. I swallow back the uprising liquid, lodged thickly amongst my throat, and I offer him a blank, condescending, smile. Bloody-toothed, and bitter. “Tell me, Ben, can you even get it up, properly, anymore?” 

SMACK.

I hear it, and then- then I feel it, and before I know what has hit me, he has. The tang of warm liquid, filling my mouth, is entirely indifferent to the coppery flavour I have grown to know, as of late, and I bite back the bubbling groan, a flare of burning heat traveling through the very cells in my ruptured cheekbone. Bruised, and tender; the flourish of agonizing heat pulsates, like the steady beat of my burning chest, and I regain my sturdy posture, gazing back unto the deep, dark, discs. Lifeless, enraged. I ignore the pulse in my features, and the thump of my circulation, gushing rampantly through my senses, as I adjust my blaring joints, and I maneuver my strung limbs. Wrists confined to the sufficient, tight, expertise of Benjamin’s personal experience, they hang perpendicular to my sides; expanded, outstretched, like the span of a bird in flight. 

I hang from them, there, upon the wall, and I ignore the raging fire, engulfing my (dislocated) damaged shoulders. Slumped upon my knees, bruised and discoloured for all their worth, I tilt my head up, and I blink at him slowly. My eyes water, a natural reaction, and the sting in my cheekbone echoes with the afterthought of his gun, freshly stricken, throbbing. But still, I bore my gaze unto his own, and I force my jaw to loosen. “Touchy.” I grumble, bitterly. “What’s the-” I swallow the consistently uprising clump of blood, and of rejected bile, and I try again. “What’s the matter, Benny?” I press. “You insecure?” I say. “Ashamed?” Of course he isn’t, he’s furious. It doesn’t matter. It doesn’t matter. “Challenged?” The muscle of his left eye twitches, again, and I force a crooked, toothy, smile. “Yeah.” I say, “That’s it. You’re afraid.” Another twitch. “Out of your dep- out of your depth.” 

“Shut up.” He snaps, “Shut up.” 

My eyebrows raise, and I allow another breathy, rasped, chuckle to fall from my cracked mouth. “Raping little girls is one thing,” I continue, “But kidnapping, and torturing an Official Officer?” Another fleeting, thin, laugh. “Jesus. Who knows what they’ll do to you in there?” 

“They worship Pig killers in that place.” Benjamin snarls, and, for once, I find myself smiling with an unmissable genuinity. 

“Yeah.” I say, with a grin. “They do.” And I allow my humour to dance within my gaze, as I motion the man closer, with a subtle toss of my head. He follows, nose aligned with the warm barrel of the revolver, and I ignore the throb of my cheek, and the iambic scream of my heart. “But, see, Benny-Boy,” I whisper, my breath fanning his thin lips, “I ain’t no Pig.” I tongue the soft mutilation of my inner cheek. “I’m a Federal Fucking Agent.” 

The breeze is not calming, as it brushes upon my face, and I throw myself forward, crashing my forehead upon the smooth curve of his foolishly close expression. A barbaric crack rips though the disturbed quiet, and the sudden splat of warm liquid dignifies itself upon my sopping complexion, as the muffled tumble of retreating, unsteady, footsteps echo clumsily around the room. I think I got his nose, as I fall back against the wall, arms useless, and I connect with the concrete behind me, dragging my bruised and bloodied limbs out, as they abandon their position of lying beneath me. I sit aloft the ground, and my legs roar with a thousand shallow wounds; pins and needles scattering hoarsely about the flesh of my weak anatomy. “Fuck,” I murmur, as I ignore the dizzying, blurred, contortion that warps my unsturdy vision. From a multiple of four, to adjacent and blurred, but singular, Ben scurries to his feet, displaced to an enclosing distance. 

Thump-thump-thump, my heart cries in my ears, and the white noise of the blurred silence seems to hum along to it’s rhythm, thump-thump-thump, but I can’t leave her behind. I cannot bring myself to let her down - not again. Not again. Not again. 

I can’t let her down - thump-thump-thump, thump-thump-thump - as the pins run up my limbs, and the needles pivot their course around, and around the flesh of my legs. Thump-thump-thump, thump-thump-thump, he draws closer. One stumbled step at a time; one step, two steps, three steps, four, I use the wall and bend my knees, groaning beneath the weight of my fucking agony, and I tear myself from the concrete ground, allowing the yell to rip from my moistened, raspy, throat. Thump-thump-thump, thump-thump-thump, he tumbles; closer, closer, closer, closer. 

The cry that rips from my throat, as I throw my leg to his side, it bounces upon the thick walls. It mocks me, in my dizzy breathing, and it laughs along with his soft, quiet, grunt. I strike at his chest, with the ball of my foot, and I pray that my quivering muscles suffice. Ignoring the ambush of sweltering heat, coursing throughout my ankle, and the damaged joint of my knee, I tear up to his throat (his frame hunched, and breathless) with the inner curve of my ankle. SLAM. I revel in the slap of skin, upon skin, as his betrayed choking engulfs my rugged, teary, silence. Oh, how it burns, it aches, and I cry- I cry with such volume, as I draw down upon his cheek, as he falls to the ground, and I crush it beneath my aching heel. 

His parted lips heave with an airy groan, and I force myself to repeat. To repeat, to repeat, to repeat, until the blood beneath my throbbing heel all but retracts my complexion’s grip. The flesh of my foot slips upon his motionless expression, the curl of his digits slowly unravelling, and I slam my limb down upon his broken, bloodied, face, again, and again, and I ignore the warmth of the tears upon my cheek, as they dribble their way down. I notice the first, and then the rest seem to follow, uncontainable and relentless, and still I pummel the structure.

Bruised, and toughened, the sopping entrapment of my wounded heel draws down upon his fractured features, and I release a withheld, shuddered, breath. It is warm, as it fans my chin, and I allow my legs to feather themselves unstably upon the ground. I stop. I pause, and I gather myself with brief collection. The tight stinging behind my eyes seems to worsen, as I force the lump in my throat to dissect, and to surrender to the flames of my burning, charred, sternum, but I swallow it all back, and I shake my legs loose, slowly dropping my frame back down upon the concrete below. 

There he lies; still, and unmoving. Not dead, but not quite alive. 

The girl. It rings in my ears, as my heartbeat settles to something familiar; the girl, the girl, the girl. The girl who’s name I have yet to learn, the girl I have failed to protect - the girl I must save. The girl I refuse to let down, again. “Hey,” I call, quietly, and I soften my tone with significance, just enough (I hope) to eliminate the threat of the glimmering, red, blood, that begins to dry upon my body. “Hey, sweetheart.” I shake back my hair, and I turn to face her, ignoring the glassy shein that warps upon my vision, as my body entraps in a wave of unforgiving warmth, and the hot, burning, sensation engulfes my entirety; running up, and down, from left, to right, in and out of my limbs, from my eye sockets, to the tips of my bloodied toes. It aches, and it burns, and I plaster on a kind, gentle, smile, and I observe the tears upon her scarlet cheeks. “What’s your-” I nibble the ruined flesh of my inner cheek, as a flare of something (something like agony) curls around the joint of my displaced shoulder, and runs sharply through my arm, “What’s your name?” I ask, quietly, and I try to bereft the strain from my tone. 

But, oh, it aches, and oh, it burns. 

“Alyssa.” She replies, quietly. 

“Alyssa?” I try the name on my tongue. “Alyssa, Okay.” I say. “Alyssa, I need you to do something for me.” I tell her, “I need you to do something for me, is that Okay?” Her nimble, sad, face, nods, and I feel something shift in my chest. The burning increases, and the blood on my tongue tastes more like heartache, than of copper. “Okay.” I say, “Can you try to untie these ropes?” I nod gently to the strong grip of my wrists, entrapped within the beige confinement, and I hope - oh, how I hope - that her little fingers are good for something. 

“Okay.” Alyssa says, softly, as she teeters a step closer, and she approaches the still figure of the bloodied, unconscious, man. “Is it-” She steps over his arm, “Is it painful?” 

She reaches up to the knot, be it just above her head, and she works at the painfully tightened enigma. I hiss, softly, at a gentle jolt of my shoulder, and I ignore the loud pop of its agonizing displacement, pulsating with heat, as I murmur my quiet reply. “Only a little.” I lie. “Are you feeling okay?” I ask, tenderly, “Does anything hurt, down-” Another hiss, I swallow it back audibly, “down there?” 

“Only a little.” She mimics, not at all unkindly, as she works at the knot, and she straightens her small, tear-slick, mouth. There is mulled silence, for a passing moment, and I tongue the rough complexion of my inner cheek. “I didn’t cry.” She admits, as though I should be one to offer my congratulations. “I didn’t fight him.” She says. “I’m a good girl.” I swallow the lump in my throat, and I blink slowly, as to diminish the sting of my eyes, and I allow my breath to fall shaky, and uneven, as I regard the girl with a furrow to my brow. I didn’t cry. I didn’t fight him. I’m a good girl. 

“Alyssa, I-” I meet the sharp blue of her cerulean, glossy, gaze, and I observe the seeking ache behind them - the dull rim that seeps upon the light’s reflection. “Alyssa,” I whisper, “listen to me.” Her hands work at the knot, and the curl of it all begins to shuffle loose. “That man is a bad man.” I say. “He’s a monster. You know the kind you read about? In- In the- In the books?” She nods, softly, and I reciprocate her action. “Well, he’s one of ‘em.” I say, and her gentle expression of repressed agony crumples; dissolves to the pinch of a furrow.

“He looks normal to me.” She says. 

“They always do.” I reply, with something like sympathy curled among my smile. “The monster lives inside them.”

“Like a house?”

“Sure.” I say, “Like a house.” 

“I don’t like that house.” She whispers, hardly that of a breath upon the laboured quiet, and I feel the subtle breeze of freedom beginning to slither around my aching wrist. 

The strong simmer behind my eyes seems to ignite a stronger burn, and the blur of colours coaxing my vision adheres to engulfing my senses entirely, a clamp in my jaw to withhold the overwhelming urge to burst out with some kind of vocal sob. I bite it back, gnawing softly upon the mauled flesh of my inner cheek, and I offer Alyssa a gentle, toothy, smile. “Good.” I say. “Good. You don’t have to worry-” A scream tears from my throat, and the barricade of blurring moisture spills over with ease. “Fuck!” I hiss, “Fuck- Shit-” My arm audibly slaps down upon my side, the wrist an awkwardly angled bend, as it cracks aloft the harsh concrete below, and the mocking double-act-popping makes its merry way through, the joint finding itself inverted and ajar, and, oh, it aches, it burns. It fucking burns, and I- “Do the other one.” I murmur, strained by the bite of irrevocable pain, as a teary eyed Alyssa forces herself to overstep Benjamin’s right arm, and to meet the limp hang of my dislodged limb, and her nimble little fingers get to work on the opposing knot. 

I try to grind my teeth, try to swallow back the uprising sob that teeters thickly among my taught throat, and I try to focus solely upon the unmoving man upon the floor, as my arm hangs loosely at my side, and the pulsating ache rivets throughout my entirety; it swirls behind my eyes, and up, up, up, up around the iambic thrum of my cold, incandescent, mind, and down to the very tips of my sharp collarbones; to the steady rise of my chest; in, and out, in, and out, and I listen to the thump of my heartbeat, as it sings it’s hellish chorus in my ears, and it rings true for yet another second - thump, thump, thump; thump, thump, thump - and I pay attention to the melody, the sporadic pulse, the rhythmic reminder that: Here I Am. Living. Breathing (Barely?). With The Life Of A Little Girl In My Hands. There it is. There it is. The truth. There it is. And I listen to it, again. I listen to it again, and I look at her. 

I look at Alyssa, with a violent shake to her thin figure, and a harsh, bruised, red, to her cheeks; puffy eyed, and traumatized, as she works at the knot, and she sniffles to herself quietly. I look at Alyssa, and she isn’t crying. I didn’t cry. I didn’t fight him. I’m a good girl. She is a good girl. I look at Alyssa, and I see nothing but a girl that deserves the world, and I know that she is a good girl, but why should she have to learn her worth in such an earth-shattering way? I nibble my inner cheek, and I digest the uprising urge to allow my eyes to water (excessively, for they have already washed the blood of my bruised, and broken, features, and they lay wet upon my cheeks), as I call out to her gently, and I watch her glimmering gaze remove itself from her concentrated scowl.

“Lissy?” I call, softly, with a furrow to my eyebrows. I meet her cerulean stare, and I observe the reserved redness that circles her glassy orbs, as she draws back her own impulse to cry, and I speak again. Quietly. Always quietly. “Can I call you Lissy?” I ask.

Alyssa nods. “Mommy calls me Lissy Doll.” She says, and the burning flavour flares up, again, upon the back of my dry tongue. I concentrate on it, as the heat of my dislocated shoulder begins to fade, and I suppose that the taste of charred flesh is better than the agony of broken bones. 

I offer her a smile, though I feel it comes across more as a grimace than that of any reassurance, and I nod gingerly. “Alright.” I say. “Lissy, it is.” There is something like heartache, and like the dullness of doubt, that clouds the brightness of her young, infantile, orbs, and I force my lower limbs to shuffle, to face the readily repressing girl before me, as she holds back her upcoming wave of cries, and she swallows back her sorrow. “It’s Okay to cry, you know.” I say, gently, and she shifts her gaze to engulf my warm, piercing, stare, within her own, and the glassy shein begins to thicken. “It doesn’t make you weak.” I whisper. “I know it-” I force down the uprising lump in my throat, a sudden lodge beneath the muscle of my tongue, and I try again, with a tone somehow softer than before. “I know that it hurts, Lissy.” I say, “I know that you want to be strong, and that you- that you want to be a good girl,” A shaken exhale falls from my lips, “but, sweetheart, you don’t need to go through something like that to prove it.” 

She nods, softly, and she purses her lips together, trembling and shaken by her trauma. 

“Lissy, if you can-” I swallow back an audible groan, as I shuffle my injured frame, and the pulse of reconciling heat flares violently within the loose hinge of my displaced shoulder. “If you can untie me, Okay, we can get out of here.” I assure, attempting to convey something like promise with the stern stare of my unwavering eyes. I pray that Alyssa does not notice the tremble of my limbs, or the shudder in my ribs, as something crawls, and winds, its way between my shattered bones, and I pray that she does not notice the exhaustion behind my determination, that she does not catch wind of my growing fatigue, and the difficulty I face in trying to suppress my growing agony. 

“Okay.” She murmurs, and I find myself deflating with a soft exhale, shoulders falling, and dismissing the grave pulsation of fiery heat that depicts its bitter eruption throughout the damaged nerves of my bloody anatomy.

“Okay.” I nod, attempting to compile any form of reassurance, as I tilt my head back, gentle as I can possibly muster, and I let the crown loll back upon the brickwork. It aches, and it burns, but we’re almost there. By God, we are almost there. “Alright.” I repeat, breathless in my movement, as her small digits begin to unwind the tight knotting of the rope. “I need you to-” A subtle jolt, as the rope loosens, sends a great flare of agonized heat throughout my limb, and the rumble of a deep-routed groan falls from the hollow of my throat; low, and honest. “Fuck.” I murmur, softly, as Alyssa wraps her grip upon the burning ache of my wrist, and she removes the restraint entirely, supporting the arm with minimal (though violently painful) adjustment. A roar of unavoidable flames engulfs the limb, as she lowers it gently, and she drapes the limp wrist upon the concrete. I suppress the bubbling hiss that threatens to fall from between my gritted teeth, and I gulp back the wave of nausea that grips me suddenly. 

A swirl of something bitter, something terrible, begins its sultry dance among my stomach - empty, by a four day solitude - and I feel the burl of air, and of ingested blood, of salivation, gargle nastily toward the very pit of my protesting stomach. Still, I ignore it. 

“Lissy, you need to-” I swallow the uprising concoction, warm and smooth in my throat, and I try again, forcing my words through a clenched jaw. “I need you to fix my arm, Okay?” I need you to re-locate my fucking shoulder, and I need you to do it now, before Benjamin wakes up. If he wakes up, I suppose. The slow, unstable, rise and fall of his darkly clothed back is difficult to judge, among my dizzied vision, and the blurred contortion of the world. I do not dwell on this. I do not have to tear my eyes away, they drift naturally, and there she stands; wide-eyed, traumatized, silently begging me to let out a sudden laugh, and to declare my insinuation a practical joke. “Now, Alyssa.” I say, with a sternness that I suppose she is not used to. Not from me, at least, as the glossy depiction of her wide orbs returns, and, again, I find myself unable to dwell on it, as I turn to where her hands hesitantly hover about my sagging limb. “Just-” I exhale a shuddered breath, because, Jesus, this was never in the job description, and I allow my head to fall back upon the wall behind it, as my eyes flutter shut, and I open my mouth to continue. “Just grab onto it - gently, for the love of God - at the upper- at the upper arm.” A small hand wraps around my bicep, and I flinch involuntarily. Oh Fuck, my mind chants, pulsing throughout my body; Oh Fuck, Oh Fuck, Oh Fuck. “Put your other hand-” I swallow back the bile concoction, “Put your other hand next to my shoulde- Shit!” She rips away the palm of her small hand, explicit with a short cry, as I yell out my curse, and the pulse of agony spreads upon the damn wound she placed pressure upon. Be specific, Y/N, my conscience scolds; she’s a fucking child. 

It’s not her fault - not her fault, not her fault - but fuck, if that didn’t hurt. I let out a shaky breath, and I force the erratic respiration of my rising chest to calm the fuck down; in, and out, in, and out, and I offer her a tight-lipped grimace, as she regards me with wide, cautious, eyes. 

“Sorry.” I breathe. “I didn’t-” Another groan; the pulse of my pain continues to mock me, to taunt me violently within the unsteady strum of my gushing ears. Thump, thump, thump, it cries; Oh Fuck, Oh Fuck, Oh Fuck. “I didn’t mean to yell at you.” I say, softly. “It just, uh-” I bite back another cry. “It hurts. That’s all.” She nods, timidly, and I observe the aggressive tremble of her hand, as she begins to re-insinuate her previous positioning. “Not there!” I splutter, abruptly, and she halts in her movement, “Not there, Lissy,” I murmur, as my head rolls back against the brickwork behind me, and I tilt it away from her. “Closer to my- closer to my neck, alright? Not on the shoulder, itself.” She murmurs a noise that sounds similar to some kind of agreement, and I clench my jaw. I clench my jaw, and the nausea bubbling within my stomach seems to heighten. Fuck. And I-

Oh Fuck. It pulses around my aching body; Oh Fuck, Oh Fuck, Oh Fuck, Oh Fuck, Oh- “FUCK!” 

A loud, excruciating, crack, snaps out within the laboured silence, and I am submerged in (what feels like) the damned flames of Hell, licking and biting upon the sore flesh of my battered body, devouring my arm in sharp, agonized, nibbles; ripping chunks of my consciousness with them. “Jesu- Fuck. Holy fuck.” I murmur, slurred and messy, as a hot bout of drunken agony spouts throughout that damned joint. Up, and down, does it stumble; here, there, and everywhere, and I find myself unable to bite back the wave of tears, as they force themselves to grapple my attention, and to erode the bloodied concoction of fresh coating about my features, and I can hardly process the weight of their thickening moisture, as it gathers upon my cheeks, because - Oh, God, holy fuck - oh, I can hardly- It burns. It aches, and it burns, and it devours my limb entirely. 

“Do the other one.” I demand, lowly, tone riddled with a rasp of violent agony, as the heat springs forth to my complexion in a tuft of dampening precipitation, and the salty layer begins to seep the red wash of my skin. “Alyssa.” I say, with a grave harshness to my tone, as she remains unmoving (sobbing silently, to herself) beside me. “Do the other one.” I do not dwell on her quiet crying, as she makes her way before me, and she nestles down at my opposing side, and I do not dwell on the ever-burning fire that seems to corrupt every living cell within me, swirling, biting, licking, ruining, me; running circles upon my exhausted frame. Exhausted. It paints the inner lids of my eyes, and the thought of rest seems so entirely delightful, that I have to peel them open. Exhausted. Exhausted. Exhausted. Exhausted. I resent myself for protesting my bodily wishes, and I heave the silent cry of my sobbing frame, denatured and entirely unaware. Unaware. Oblivious. Unfeeling, as another riveting POP echoes throughout the subtly disturbed volume of the room.

I feel it. 

Oh, do I feel it. 

But it does not register. 

I am so alight, I am so wholly consumed, as the flames lick, and they engulf my frame; they wind brutally throughout the broken possession of my bone marrow, and they curve within the bruise of my jutting spine, my fractured rib; they grapple the cranium of my mind so violently, that I feel my slow blinking may rupture me an explosive head, at any given moment; they rip, and they tear, at the flesh of my muscles, running laps around, and around, my pain threshold; daring me, taunting me. Still think you’re winning? They laugh. Still think you’re winning?

But Alyssa is still here. Alyssa is still here, and Benjamin is still unmoving, at my feet, and I am still breathing. Alyssa is still here, and I am still breathing, and- 

And soft, small, fingers wind through the matted knots of my bloodied, stained, hair, at the base of my neck. 

I shift my watery gaze upon the girl beside me, stricken with a glaze of unforgettable, lurching, fear, as her blue eyes blubber silently, and she cries, and she cries, and she does her best to offer me comfort. She does her best to offer me comfort, and she smiles with closed, tear-tousled, lips, as I furrow my eyebrows, and I find myself bubbling with a warm determination. 

Still winning, my heart thuds, still winning, still winning, still winning. Still winning, and I force my limbs to shift. To move an inch, or perhaps a mere centimeter, as that damned fire engulfs my arms, and it wraps them up, up, up; up, and down, spiraling throughout the system of my nerves. From the depth of the crook in my elbow, to the muscles hung loosely amongst my shoulders. Around, and around, but still, I try. “Come here,” I whisper, softly, and I motion with a nod of the head for Lissy to approach. She follows, a stumble or so trodden, and then she stands before me. I lift my arm - jaw clenched, swallowing back the rise of that bile concoction, and ignoring the violent flare of heat that deems eruption amongst the joint of my fucking shoulder - and I run my thumb along the red flush of her tear-stricken cheek. Trembling, though it is, I hold her face with soft assertion. “We’re gonna be just fine,” I say, almost inaudible beneath my bitten down cries, and I offer her a tight-lipped smile. “I promise, Lissy.” I say. “I promise.”

Alyssa doesn’t nod, she doesn’t offer me one of those (non)comforting, teary, smiles, that find my chest clenching with some sort of heartache, rather than warmth, and, instead, the girl furrows her eyebrows. “Does it hurt?” She asks, again, and I know that she is looking for honesty. That she wants the truth, despite her youth; that her innocence is gone. That whatever spark she once attained no longer resides within her cerulean orbs, and that they are darker beneath the dim yellow lighting. That they are darker beneath her trauma. 

“Yeah.” I say, softly. “It does.” 

“Can you move?” 

No. “Yeah.” I smile, nodding gently, as I lower my arm, and I open my mouth to offer another white lie. “Just a little sore, that’s all.” I say. “Why don’t you-” I swallow the uprising bile that congregates within the over-salivation of my glands, and it scratches upon the ache of my tired throat. “Uh, why don’t you check- Check that, uhm-” I gulp back down my words, rearranging them upon my tongue, as the flaring pulse throughout my entirety finds itself momentarily blinding. Still think you’re winning? Still think you’re winning? “Check the door, Okay?” I say, quietly, and I do not dwell upon the observational quirk of her eyebrow, as Alyssa regards me cautiously, and she retreats her silent footwork. “Try and open it.” I offer her a reassuring (?) kind of smile, crooked, and bloody, but she does not seem to acknowledge it - not anymore - as she approaches the darkened corner of the room; the shadow of the great, steel, door. “Can you do it?” I call, tone impossibly rasped upon the echoing silence around. 

There is the distinct sound of struggling metal, as the door jutts back and forth, stuck strictly within its positioning; locked. “It won’t open.” Alyssa says, quietly, and I wonder just how the little girl remains so consistently composed. Of course, her cheeks are littered with unforgiving layers of drying, and thickly moistened, tears, and her eyes are red raw, wide, and traumatized, but not yet has she… broken. Still, she speaks calmly; still, she bites back her loud sobs, and she contains the shudder of her frame. I can only assume that this gravely resolve will crack very suddenly, one day, and, much the same as the floodgates to an overflowing river, everything will come crashing down upon her city of composure. I do not allow myself to dwell upon this thought, however, as the pressing matter of escaping (preferably before Benjamin regains consciousness) thumps iambically throughout my bodily matter. 

“Try the bolts.” I offer. “Are there any bolts?” 

“No.” She says, distantly, with subtle strain, as though she is poised upon the tips of her toes, attempting to grapple the top of the door frame. “Nothing.” She says. 

“Is there a keyhole?” I try, again, as I bite back a subtle groan. Fire. Fire. Heat, coursing throughout my motionless frame. Can you move? No. No. I cannot. I can hardly breathe, and I-

“Yeah.” She hums. “Right here.” 

In, and out. In, and out. “Okay.” I say, “Keys in the door?”

“No.”

Fuck. There is no need for an IQ of 187 to figure out quite where the missing puzzle piece resides. Benjamin’s belt. The very same belt that he rather enjoyed wrapping around my throat, and observing the silent purple that flared upon the taint of my bloodied, fractured, face, just the evening before. Perhaps it was not evening - the concept of time has evaded me entirely, and I rely solely upon the scent of his breath, to know which meal he has likely devoured, before roaming his way within the… the room. Coffee, and something else particularly sweet (often a pastry, I like to believe) linger upon his words when he speaks, some days, and I know that it is morning. Sometimes the scent of seafood, or a cold sandwich filling, wafts upon my face, and the potent stench of a carbonated drink, with the distant flavour of a cheap beer, and I know that it is midday, or just after the fact. Warm, meaty, scents, with cheap red wine tend to find him delighted, by the time that dinner rolls around, and, I realise, that must mean that it is currently night. 

Hours have since passed, from when he first entered the room, smelling strongly of a meat pie, and a three quarter bottle of cheap, red, wine, and, now, around twenty-five (or so) minutes have slipped through my fingers. Time flies when you’re in agony. Abiding by my own, personally devised, day clock, I might assume that I have been submerged within this room for four days. Almost five, I do suppose, should we not escape before the morning sun rises. Not that we may find out when that is, of course. There are no windows. 

My capture had been no fault other than my own. The ‘case’ (Benjamin Fackle, a serial Child Molester, and Rapist, whom the media deemed the ‘Baby Raper’, and a creature the Police Department have been desperately searching for, for many a month) was not official. His name had not crossed my desk. The team knew of him - of course we did, he was a monster in disguise, and we ached for an invitation to work on the case - but, alas, our company was not beckoned for. I spoke to no one of my private research, my geographical profile, and neither my personal profile, but, with the aid of an unsuspecting Garcia (whom did not know the details of my expertly worded, and secretive, request) I had delved upon the narrowed depiction of three addresses. 

The first, an Orphanage, which had since been demolished, and held not a single occupant, was futile. An easy occupation to discard from my list. And, then, came the second. In possession of my gun (and only my gun, my naivety be damned), with no vest, and no back-up-protection, I entered the grounds. That, among a conundrum of other things, was my first mistake. 

There, waiting for me, among the looming shadows of night, was Benjamin Fackle. Crouched behind the door of an easily concealable blind-spot, I disregarded my Federal training, and I dismissed that damned corner. Always check your blindspots, Agent. I could hear the drilling tone bouncing around my mind, mocking me, much the same as that pulsating heat that continued to rivet around my conscience. You don’t check your blindspots, you’re as good as dead. You hear me? I heard him, alright, but that doesn’t matter, now. Not when it didn’t fall into practice, and I failed to do so when it mattered the most. 

But I simply couldn’t resist it. Not this case. Not this kind of UnSub. 

Not when he has been ripping the innocence from seventy-nine children (and counting), and disregarding them so heart wrenchingly. Not when he has been putting them through the same damned trauma I experienced, as a child. Not this case. Not this UnSub. 

And so I force myself back, upon the brickwork behind me, and I ignore my burning frame with a foolish ignorance, engulfing the movement with stuttered fluidity, as the fragile joint of my wounded, bruised, knees, bend, and they shakingly heave my weakening body from the cold compress of the concrete floor. Up, and down, do the sharp pins flow; around, and around, do the needles pivot, but still, I force myself to stand. I force myself to stand, and my arms hang loosely at my sides; not dislodged, but still not quite intact, still burning violently, still thickly riddled with agony.

I stand, and I rest back upon the brickwork, and I heave my ragged breaths. In, and out, I stutter; in, and out. In, and out, but it aches, and it burns, and I blink slowly. I blink slowly, and I swallow back the protest of my uneasy stomach, that crawls within the salivation of my tight throat, and I force my stuttering frame to take a stumbled step forth. 

Pushing from the wall, I tumble with heavy feet. Mulling within my agony; sharp, shallow, wounds, find themselves imprinting mercilessly about the trembling flesh, inflicting detrimentally upon the complexion, and I almost wish - just for a moment, just for a passing second - that I could halt my breathing. As my legs give out beneath me, and I crumble beside the shallow respire of Benjamin’s still frame, and I swallow down the loud cry that threatens to break through the tight catch of my teeth, as I bite down upon my lips, and I force it down - down, down, down - and I blink back the wave of tears (slowly), and I ignore the heat - God, the fucking heat - that dances, and grips, my aching muscles with piercing ferocity.

I crumble beside Benjamin, and I reach, with trembling, not quite numb, and paling, limbs, for his belt. The clink of the metal upon the stone seems to- it seems to- Alyssa. She lets out a quiet sob, from the corner, and I know what the indication sounds like, as a lump forms in my throat, and I can’t swallow it down, and I fumble with the buckle, and I hope, oh, I pray, that I can find those fucking keys, and I-

Jingle. I drag the metal back, and- Jingle, Jingle. 

A soft, breathy, laugh falls from my mouth, as it contorts to the prologue of a violent sob, and I contort my features, I pinch them as tightly as I suppose that they may allow, and I hold it back- I hold it back, and I swallow the lump, and I press the cool metal of the keys to my chest, and I allow it to vibrate with the shudder of a hollow, dishonest, laugh. A laugh, to fulfil the urge of overwhelming moroseness, and exhaustion, that grapples me so aggressively, I find it difficult to breathe, with my head tipped back, and a glassy shein to my eyes, and I force myself to pull it together. I collect myself, there, upon the concrete, and I call out to the crying girl in the corner. 

“Lissy.” I say, all too quietly for my liking. “Lissy, I’ve-” I swallow my words, as they threaten to exit in a jumbled mess. Oh Fuck, my heart thrums, with lesser the all-consuming fear, and more of the elation, the adrenaline, as the burning heat begins to dissipate, and I suppose that the adrenaline will not last forever. Oh Fuck, Oh Fuck, Oh Fuck. “I’ve got them.” I whisper. “Lissy, I’ve- They’re here, look, I’ve got them-” I stumble to my feet, riddled with the deafening thump of my heart, Oh Fuck, Oh Fuck, Oh Fuck, as it laughs within my ears, and it mocks my auditory joy. It doesn’t burn. It doesn’t ache. I can’t feel a damned thing - nothing but the dizzying beat of my heart, that pumps wildly in my ears. It won’t last long, I think, as I stumble unsteadily on my footing, and I make my way to Alyssa.

It won’t last long.

It won’t last long.

It won’t last long. 

And so I do not bother to comfort the girl, as she cradles her head in her hands, and she ducks it between her bent knees, curled desperately upon the ground, beneath the door, and I do not bother to grow frustrated, as I try the first key of four, and it doesn’t fit. I try the second, and it jams within the lock - not that one - and then the third. The third - oh, the beautiful third - that twists, with jutted prosperity, and it signals the sequence of unlocking metal. 

It doesn’t burn. It doesn’t ache. I can’t feel a damned thing, as I lower myself with unsteadying speed, and I scoop the light girl, trembling, and sobbing, within my arms. My bruised, broken, mangled limbs, and I clutch her to my chest. It doesn’t burn. It doesn’t ache. I can’t feel a damned thing, but I’m winning.

I’m winning. 

I’m winning.

I’m winning. 

I’m winning, as I stumble incoherently through the doorway, and I disregard the nauseating crack, when something collides with the steel of the door, as it chases me through, and I’m winning as I find myself shoving the damned key in the lock, and twisting, and twisting, and leaving it there to rot, and I trap that bastard within those damned, yellow-lit, walls, and I’m winning as I am tumbling through the misleading path of the unfamiliar home. Unfamiliar corners, unfamiliar rooms, unfamiliar sights. But I’m winning. I’m winning. By God, am I winning. 

And I am still winning, as I collide with the front door, and I throw it open, thoughtless for the dutiful ache that is silenced by the thudding in my ears, and I make my way upon the pavement, concealed by the evading darkness that is night, and I begin to stutter my rugged footsteps - bare feet bloodied, and slapping down upon the walkway beneath me - and I hold the girl to my chest. I hold her, and I hold her, and I hold her, and I open my mouth to speak. 

“We’re free, Lissy.” I say, quietly. “Look,” I point above her head, as I glance down upon her whimpering expression, “Look at the stars, baby.” I whisper. “We’re free.” And I know that we are not truly free, that, should my adrenaline, thrumming throughout my entirety, and consuming my conscience in a consistent hum of evading hope, ware off, should the pain settle back in, and the wind stop cooling the persistent burning that peppers moisture aloft my forehead, should everything fall to nothing, and should the morning sun mark the fifth day of my absence, we will not be free. That we will be, perhaps, as good as dead - Always check your blindspots, Agent - within the confinement of unfamiliar roads, and unfamiliar geography, and a town full of unfamiliar people. 

After Benjamin had struck me over the head, a wound that soon sobered up, when he first began the beatings, he had locked me within the boot of his car. I was unconscious for most of the journey, and the back tail light seemed too difficult to kick through, at the time. He had weakened me, considerably, and I found myself unsure as to whereabouts it was that we were going. And, thus, I do not know our current location, either. 

The low hang of the moon does little to console me, as the gush of my blood within my ears begins to slowly dwindle - thump-thump-thump; thump, thump; thump-thump-thump - but, with her cheek rested softly aloft my weightless chest, Alyssa stares up at it; bleary eyed, and consumed. Her stare of wonder gives little away, and I find myself praying, with whatever religion I have left in me, that she may recover. That this traumatic experience may dissipate beneath the life she has yet to live, and that, when the time comes, she will be able to face her trauma, and heal the wound indefinitely. That, one day, she may look up at the moon, and she may not be reminded of what Benjamin Fackle has done to her, and that she may capture the light of the stars within her blue stare, again. That she will regain a form of innocence, and that recovery comes quickly. 

I know that it does not. I know that the pain never truly leaves you, but one can hope. One can hope, and while I am breathing, I hold on to that. 

Just as I hold on to the girl, cradled to my chest, as the thinning beat within my ears begins to fade, and, with every passing second, I find my footing faltering ever-so-slightly. A dreadful kind of suspense begins to well in the pit of my stomach, as a creeping fire begins to erupt, deep within the soles of my bloody feet. It begins in my toes; travels up, up, up, to the uneasy curl of my ankle, the joint bitter in its inevitable damage, and I clench my jaw. I clench my jaw tightly, because I- because I knew that it wouldn’t last long, I knew that it wouldn’t last long, and still, I find myself surprised, frustrated, that the adrenaline is wearing. That, soon enough, I will find myself imobile, constricted by the worst level of pain I will ever endure. Bone, upon bone; fracture, upon fracture; the make-up of my anatomy begs for more adrenaline. 

I push forth. Through the dim lighting of the streetlight - contorting to that of my aggressive dizziness, as the scene frame binds back and forth between the figure of four, and the singular, blurred, picture - I am able to… I can see a-

I sway in my footing, caught by the ferocious burn as it runs up, and it runs down, the joint of my knee; echoing around like the mocking laugh of my slow, steady, heartbeat. Still think you’re winning? It taunts, diving from one ear, circling my head, and protruding through the other, with a sickening giggle to warp it all in between. I grit my teeth, and I ignore it, inhaling shakily through my nostrils. In, I try, and out. But the burning ache has returned, and it drawls its slow, merciless, crawl, up, and up, and up, and up, my entirety; locking in the very cells of my biology, and taunting a dangerous song. 

Oh, how it burns, I swallow thickly; how it aches. 

It burns, and it aches, and I blink slowly, and I raise my foot - up, up, up - and I force it forward. A gentle connection with the floor holds no matter, I comprehend, as a thousand pins scatter about the marrow of my damaged skeleton, and a thousand needles pierce the tranquil complexion of a broken cohesion. It burns, and it aches, but I parry on. I parry on, and I delve myself yet another great number of unsteady stumbles; one foot, then the next, and then another few. I catch myself roughly as I groan out aloud, because, oh, it aches, and oh, it burns, and I blink slowly, and I entice myself to breathe, as I pause. In, my throat rasps upon the cool temperature of the night, and out. 

“Alyssa.” I murmur, gently, as it fills the light air that surrounds us. The girl adjusts her attention, shuffling softly among my grip, and I am unable to swallow the cry that forces its way out, as she regards me with wide, watering, eyes, and I lower her (incautiously) to the ground. She lands with a thud, as her bare feet slap the concrete, and a subtle stumble, as I bend my frame, slightly, and I adhere to an unsteady lumber; contorted by the sheer ferocity of the flames, engulfing my arms with an unforgiving depiction. “Fuck,” I whisper, moreso for the expression, than for any natural effect, and I attempt to regain my posture. In, I rise to my full height, and I ignore the blasphemous heat that licks upon every morsel, every joint, and out. In, I ignore the blissful call of exhaustion’s lesion, as it beckons me slowly, and I flutter my eyes shut, arms hung limp at my sides, and out.  I breathe, and I breathe, and I remain swaying in my place, silently wishing that the damned payphone was not fifteen feet away. 

Still think you’re winning?

Fuck you, am I losing, I spit, internally, and I’m not quite sure who I am fighting, anymore. Benjamin Fackle? My pain? Myself? My exhaustion? Death? It doesn’t matter. It doesn’t matter. 

I take another step, and I force myself to contain my expression of pain. I swallow it back, as the salivating gland to the inner corner of my throat begins to over-work, and the sleek bile concoction begins to trail its way up, up, up, through my esophagus, once more, and I feel it beginning to crawl through the burn of my throat. But the payphone is ten feet away, and fuck you, am I losing. 

A rough swallow, and a softly hidden gip; I trudge another few feet upon the cold pathway bellow me, and I pledge my attention solely upon the approaching, smooth, steel of the payphone, enlarging, and imposing, as it draws nearer, and nearer, and nearer; one step, two steps, three steps, four, do I stumble, stuttering gracelessly in my stride as I go, and, oh, the phone is almost here. I reach for it, the sweet, sweet, plastic of bitter salvation, and a gentle cry escapes my mouth as I curl my digits upon it. I’ve got it. I’ve got it. I’ve got it. I’ve got it. 

I’ve got it, and I draw it up, ignoring the flaring heat that roars throughout my entirety, and I allow my trembling grip to pale upon the device; gripping it, gripping it, gripping it, because Holy Fuck, I’ve got it. I’ve got it, but I- I swallow thickly, and I drag my burning frame that little bit closer. I’ve got the phone, and there’s- I check the credit, faintly projected beneath the dim light of the street, and another breathless laugh falls from my mouth, perhaps the first genuine smile gracing my lips, as an unnoticed trail of warm tears track their salty trace down my cheeks. 

One Call Remaining. 

One call remaining, I hover my hand above the metal keypad. I only know one number. I only know one number, but, as I smile, and I sniffle gently to myself, I know that it’s the only number I need, and I dial it - with shaking, aching, fingers, I dial the number, and I clutch upon the rim of the metal compartment with a wavering grip. 

It rings once, twice, three times, and I pray, oh, to any God that may here me, do I pray that he picks up, as the echo of the ringing begins to sound less like the bells of a church, and more like the mocking laugh of someone poking me, prodding: Still think you’re winning? Still think you’re winning? Come on, pick up. Pick up. Pick up. Pick u- 

“Hello?” There he is. Tone thick with sleep, groggy, and deep - down, I notice, but it doesn’t matter. It doesn’t matter. It doesn’t matter. He picked up. He picked up. “Hello?” 

“Spence.” I breathe, as another humourless, teary, laugh trickles from my throat. “Oh, my God, Spencer.” 

There is immediate shuffling, across the line, and I can only assume that he is sitting upright, frowning into the dark before him. Perhaps he has switched on his bedside lamp. It doesn’t matter. It doesn’t matter. “Y/N?” He rasps, softly, with such a gentleness, I fear that something else hides behind his tone. “Is that you?”

I pause, for a moment, as my expression pinches, and the crumble of agony descends upon my shoulders like the tide upon the shore, and the edge of my eroded cliff begins to fall. “It’s me, Pretty Boy.” I whisper, tone riddled by the repressed lather of edging tears; the misery that threatens to spill. I bite it back, and I relax my contorted expression. I hold it down, and my chest begins to burn, again. It burns, and it aches, and my body is on fire. But he’s here - my Spencer, my Pretty Boy - he’s here, and I am still breathing, and Alyssa is still here, and Benjamin Fackle is not.

I blink slowly, and I swallow down my silent cries, as the warm moisture of irrevocable tears fall solemnly upon my cheeks, and I sniffle it back, as the shuffling continues through the rough auditory of the responding end. 

“Where are you?” He asks, a certain heaviness to his tone that has not been invoked by the influence of exhaustion. He sniffles, and I wipe my moistened mouth with the back of my wrist, ignoring the sudden flare of pain that engulfs my arm, my body, as a soft sound falls from my lips. I could hope that he did not hear it, that my quiet whimper slipped through the cracks of the terrible connection, but I know Spencer. Oh, do I know him, and so, when he gulps audibly, and he stutters over his words, I know that he is entirely aware of my pain. “I- I couldn’t, I’m-” He takes a shaken, deep, breath, and he tries again. “Where, uh- where are you, Y/N?” He asks, quietly, as the explicit ruffle of a breeze picks up on his end, and the distant slam of a door alerts me that he is on the move. I almost smile. Almost, if it were not for the grave buck of my knee, as it gives out, and I half-collapse, and an audible yell falls from my lips, the phone slipping from my weak grip, and tumbling to clatter with the metal of the side panel. 

The sudden glare of invading heat, rupturing between this cell, and that cell, and every damned muscle in between, catches my body in a crampating hold; forcing me down upon a half-crouch, half-bend, as a forty-five degree angle courses through my hot, hot, agonized, frame. “Fuck,” I groan, as I slowly - oh-so-slowly, with a hiss here, and a quiet moan there - drag myself back up, and I place the phone back to my ear. Fuck. The incessant flourish of heat warps my limbs, carries them upon a throne of daggers, and of bruising pellets, and I find myself stifling back a sob, as he immediately interrupts my discomforted quiet. 

“Y/N?” Spencer calls, no less a shout, than an urgent call. “Y/N, what’s going on?” He pleads, not quite bothering to mask the teary tone that he displays. I suppose that Spencer has always been like that - with me, at least - whereby his emotions are so raw, so pretty, that one cannot help being entirely enamoured by the way his tone thickens, and his lower lip trembles, as he forces back his tears, and I cannot help but allow my eyes to flutter shut; to envision his large, brown, eyes, so pretty beneath the glassy shein, and, for the second time, tonight, I allow a thumping thought to re-iterate itself among my pulse. 

This is it, it says, and I am not sure if I am winning, anymore. 

It just- Oh, Oh it hurts, and it aches, and it burns, and I- and I can’t tell if the moisture on my cheeks is from my silent tears, or the precipitation from my hot sweat, but it doesn’t seem to matter. It doesn’t seem to matter, because the urgent calls of Spencer’s thickening concern seem to fade - drifting, drifting, drifting away - and I lose myself within that certain void of semi-consciousness. Slumped upright, against the payphone booth, it pulses in my ears, and it aches, and it burns, and it hurts, and this is it. This is it. This is it. This is how I die, and I’m not sure if I am winning anymore, and I can’t hear my Pretty Boy, and I can’t picture his pretty brown eyes, or his pretty little face, or the soft embrace I could dare to call home, and I can’t think of anything. I can’t- it won’t- it aches, and it burns, and it hurts, and this is it. This is it. This is it. This is it. And I’m not winning anymore. I’m not losing, I’ve gained some sort of victory, along the way, but I can’t see the finish line, and I’m slowing down. I’m slowing down. I’m slowing down. I’m slowing down, and this is it. This is it. This is it. This is it. 

This is it, and small, nimble, fingers, approach my peripheral. Like that slow-motion scene, with distant classical music echoing from the depth of another, airy, room; I watch it take ahold of the phone; watch it disappear, again, and the muffled tone of a child - Lissy Doll, little, little, Lissy Doll - soaks within my senses, devoured like the sweet scent of honey to a sore throat. I hear her, as I slide down the metal of the payphone, and I succumb to the desperate flames; I hear her, but I cannot bring myself to listen. Not as she speaks, with tears - I assume this is what I notice, glimmering upon her pink cheeks, as she cries beneath the moonlight - trailing her face, and she sniffles, and stutters, and she tries to reply as informatively to Spencer as she possibly can. I want to call out to her - want to inform her that this is why she is a good girl, that her unrelenting ability to do the right thing is what makes her good, not her lack of protest, and neither her silence, or her previously dry cheeks. I want to tell her that I am proud of her, as I lower my cranium upon the cold pathway below me, but I am tired.

I am tired, and this is it. 

This is it. This is it. This is it. 

This is it, and I know that Spencer will save her, now. That, although I am not winning, although I have not won, Alyssa is safe. Alyssa will grow to learn her recovery, and she will regain her aforementioned youth. And, as I roll upon my back, my body aroar with flames that ache, and that burn, and that taunt me desperately within my ear, that thank me, profusely, for my sacrifice, I stare up at the sky, and I smile, softly. Benjamin Fackle will be caught, should he catch his breath, and regain his consciousness, and Alyssa will recover. Her mother will hold her little Lissy Doll, once more, and she will be able to watch her child grow old, and she will know that in my death, her daughter found life. I suppose that death is not quite as morbid, when I think of it like this. 

When I ignore the persistent nagging, in the forefront of my mind, as my eyelids droop, and exhaustion overwhelms me, and I pretend that in dying, I would not tear Spencer apart. I pretend, and I pretend, as I attempt to count the stars above me, for I know that I would shred him, limb from limb, and he would never recover. I am not so arrogant as to believe that I hold such power over any other, but Spencer is not just ‘any other’. Spencer - my Spencer - devotes himself, entirely, to the concept of love. He has never told me this - not in words - but- but I know. Love is not something you should ever find yourself questioning, and, if you are, it is not true love. I have never found myself questioning Spencer’s muse of adoration, despite his reluctance to openly admit it (all those months ago), and I know that I am lucky. That Spencer has known far too much pain for someone of such a golden declaration, and that his soul must be woven of the finest silk. There is not a single part of me - not a fraction, not a section - that does not know this, is not consumed by this. But here, as I lie upon the concrete, and Alyssa’s quiet crying forms a background serenade for my slow, painful, death, I wonder if my Pretty Boy would be alright. 

I wonder if Spencer would recover, in time, much the same as Alyssa will, and I wonder if he will accept that it was my fault. That, ultimately, had I not imposed myself upon this unofficial case, and attempted to take matters into my own, foolish, hands, I would not be here, at this moment, dying. And he would not be awoken in the middle of the night, to an Unknown Number, and he would not be met with the pained cry of his tortured partner - a tortured partner that stares up to the stars, as they lay dying, and smiles because they are beneath the same sky as the love of their life, and, well, nothing seems to matter, anymore. 

My body tingles - the kind of tingle that curls, and crawls, throughout your broken skeleton - and I let it dance, drunkenly, through the course of my very being. For when I remain motionless, it doesn’t quite hurt, anymore. Quite, because I am unsure as to whether the tingling is a symptom of forthcoming death - if I am numb, and unable to feel anything, anymore, but it doesn’t matter. 

This is it, and it doesn’t matter, as I stare up at the night sky, and I sketch my Pretty Boy’s face among the stars, and I know that he fits right in, up there, with his soft chocolate hair, that swoops upon the right side of his face, and curls behind his ear; with his perfect little nose, that buttons, and finds itself entirely symmetrical, and the round, gently crinkled, expression of adoration within his wonderfully dark eyes - creased to the edge, as he smiles at me, and I lose myself in his adoration. And I think that if I am to die tonight, beneath the stars, with the vision of Spencer glancing down upon me with nothing but pure love, and affectionate warmth, I think that I am to die happy. 

“Lissy,” I call, softly, and I hear her murmur something to my Spencer. I am unsure as to how long the credit will remain, though I assume it will not be forever, as Alyssa turns to face me, and I offer her a genuine, toothy, smile. “Can I speak to him?” I ask, quietly, and I can hardly recognize my own voice, beneath the rasp of my naked throat, and the relief that courses through my frame from the numbness that dying provides. “Please?” Please, may I bid my farewell?

Alyssa doesn’t say anything, with yet another sniffle, and she speaks another bundle of words that I do not quite catch, as she lowers herself to kneel beside me, the chord of the phone almost entirely outstretched, and she places the receiver to my ear, and the speaker to my chapped, smiling, lips. “Y/N?” I hear, as I see him amongst the stars, and my eyes crinkle at the notion, bewitched by a toothy, genuine, grin. The phone is cold, and I blink slowly up at the sky. 

“Hey, Pretty Boy.” I say, quietly. “I miss you.”

There is hardly a pause, though I notice that the wind is no longer present upon the static of his end. “I don’t- I’m-” He catches his words, and he rearranges them. He doesn’t know what to say, but I let him take his time. “Why would you do that?” He hisses, softly, after a moment and there is a returning thickness that bubbles in his throat. I hear him swallow, but it doesn’t quite seem to do anything, at all, as he continues, and he sniffles back his tears, slightly. “Why wouldn’t you tell anyone?” He asks. Not scolding, not angrily, more of the bitter mourning, and the grief, that wraps upon his tone, and I find myself swallowing my honesty, for the moment. 

“Can you see the sky, Spencie?” I evade, staring up at the constellations that form before me, as he shuffles, and his silence echoes back to me. “Can you see the stars?”

“Y/N-” His voice trembles, but I cut him off.

“I’m not winning, anymore, Spence.” I say, a mere whisper upon the silent street around us. “I’m not losing.” I continue. “But I’m- I’m not winning, either.”

“What?” He mumbles, voice thick with tears, and I envision them tumbling down his face. Another shuffle breaks forth, and I assume that he has wiped his cheeks. My chest begins to ache, again, as I picture the subtle furrow of his eyebrows, and the way his tongue will run over the pout of his trembling lower lip, as he exhales through his cheeks, and he sniffles with his pretty nose, and I smile, softly, into the night, and, despite the dense knowledge that I will not, I hope that I will make it. That this isn’t it. But, deep down, I know that it is, and thus, I continue.

“I want you to-” I swallow back the uprising hiss, as I move my jaw somewhat to animatedly, and a flare of heat erupts in my throat, and I speak quieter, as I try again, and I know that Spencer’s expression is pinched. “I want you to take care of Lissy, alright?” I say. 

Silence. 

“Spencer, promise me.” I whisper. “I need you to do that for me.” 

“Why would-” He delves a shaky inhale, “Why would I have to do it?” He says. “You’re gonna be fine, Y/N.” He continues, a tremble to his tone, “You’re gonna be Okay. You’re gonna walk away from this, just fine, and Alyssa’s gonna have access to as much help as she needs, and we- and we’re gonna be just fine, Okay?” I want to shake my head, I want to interrupt his self indulged, dishonest, ramble, and I want to stop him - want to reach out, and hold him, and to assure him that he will recover - but this is it, and time is simply not on my side. 

“Spencer.” I call, softly, and he falls to immediate silence; his breathing inconsistent, and shaken. “I’m not winning, anymore.” I repeat, and I know that he has gathered together the missing pieces. “I’m not.” I say. “And- and it hurts.” I whisper. “It hurts, and I’m tired-”

“I know, baby,” He says, gently, as he gulps in a trembled lungful of air, and he swallows down the lump in his throat, and he tries to speak again. “I know you’re tired, and I know that you’re in pain, but you can hold on. I know you can, Y/N, come on.” He says. “Fight.” And a quiet, almost silent, whimper leaves my lips, until the stars are all a blanket of ill-lit darkness, and I can hardly comprehend his grief as he speaks again. “Please.” He whispers. “You’ve gotten through the worst of it, and if you- if you don’t move, and you stop talking, and you preserve your energy, you’ll be fine. You can survive another three minutes, and twenty four seconds, can’t you?”

A breathless, teary, laugh falls from me, then, and I ignore the blistering fire that erupts throughout my body. “Calculated to the second.” I tease, softly, “How ingenious of you, Doctor.” 

He reciprocates my watery laugh, though riddled with far less enthusiasm than I, and he mutters his quiet response: “I do have an IQ of 187, and an-”

“And an eidetic memory.” I finish, smiling toothily to myself, despite the chorus of flames that attempts to swallow me whole. “I know, Spencer.” I say. “And I know that you don’t think intelligence can be quantitatively measured.”

“No.” He says, “I don’t.” 

“And I know that you-” I gulp back the concoction of bile, and I try it again, a certain hoarseness about my tone. “I know that you can read twenty-thousand words per minute, and that you don’t much like the taste of coffee, so you- you pour the whole bag of sugar in there-”

“I do not-”

“You do, Pretty Boy.” I smile, and, beneath the soft crackle of the reception, I hear a low rumble of agreement. 

“She’s right.” They say, a grin to their tone, and I know that voice. Oh, I know it well.

“Is that Morgan?” I rasp, softly, and I smile up at the sky, as the man in question offers his greeting. 

“Hey, Babygirl.” He says, with that same kind of warmth that Derek seems to consistently radiate. My chest aches, again, and I realise that I do not want this to be it. It aches, and the charred flavour of my burning sternum crawls back upon my tongue, and it nestles there, as he offers a question of less-than-casual-conversation. “How you holdin’ up?” He asks. 

“Great, actually.” I joke, as I offer a kind smile to Alyssa, and she runs her nimble, small, fingers through my hair, and she reciprocates the gesture, ascending her gaze back to the stars, as she goes. “If you consider two-” I let out a low cough, as the concoction of bile seeps beneath my tongue, and it- I heave, abruptly, and I force myself to twist to the side, unloading whatever the fuck was left, rejected, amongst my stomach. The wet splatter of blood, and of bile, of mucus, and salivation, coaxes the pavement, a mere few inches away, as I retreat, slowly, back to the receiver of the phone, and I dismiss the neverending roar of flames, engulfing my body, still, as I sink back into my vertical position, and I return to the conversation.

“Y/N?” Spencer calls, a thickened tone of worry conveying about his voice. 

“I’m fine.” I lie. “Just a little, uh-” I swallow back the coppery aftertaste, and I offer Alyssa another gentle smile. “Nauseous.” I murmur. 

“Nauseous?” Spencer repeats. “Do you have a fever?” 

“I don’t have the flu, Spence,” I dare to jest, “It’s probably just something to do with my two dislocated, and relocated, shoulders. Or, maybe my- maybe my (probably broken) ankle, and the-” Another strained groan falls from me, as Alyssa slumps herself down upon the pathway, and she (accidentally) knocks the jolt of my displaced shoulder, a great POP echoing out from such a sudden movement. Fire. Heat. Hot, hot, hot; it licks away at the joint, and I let out a great, stifled cry, as she attempts to place her palm upon it, and I- “Fuck!” I cry, “Don’t touch it, Lissy, don’t-” I swallow down another yell, as the fire runs up, and down, up, and down, the length of my arm; pins and needles carouselling their way about the wounded flesh. “Don’t touch it. Please.” I implore, quietly, as I attempt to return to the phone, and I retrain my gaze upon the stars, slurry, and unfocused, for all its worth, as I find myself woozy beneath the beckon of exhaustion, once more. 

“What was that?” Spencer pleads, as he holds the speaker somewhat too close to his mouth, and my head naturally jerks away from the volume of his cry. Another rip of gravely flames engulf my figure, as I strain myself to lower the extent of my groan, but it- Fuck, does it hurt. It aches, and it burns, and it licks up the fruit of my torture. “Y/N?” He calls, again, “What was that popping? Was that a joint?” 

I grit my teeth, and I exhale through them roughly. In, I breathe, and out. “My shoulder, Spence.” I murmur, “Fuck- Please-” I do not want this to be it. I do not want this to be it. I do not want this to be it. The thump of my heart begins to pick up, and I withhold the uprising sob that threatens to break through. I do not want this to be it. “Please tell me you’re bringing an ambulance.” I murmur, and I hope that my insinuation is correct.

“They’re on the way.” He says. “We all are.”

“All?” I mutter, quietly.

“All of us, Babycakes.” Morgan says. “Don’t tell me you thought we’d be able to sleep, with your face on the news, like that.” 

“I was on the news?”

“Headlining.”

“Great.” I scoff, “My big media break, and it’s the one thing that’ll have me fired.”

“It was a preposterous idea!” Spencer cuts in. “Going in alone, like that. You know that above ninety-seven percent of women are sexually assaulted? In their day-to-day lives? Why would you purposely search for a rapist? Why would you do that without back-up? I- I bet, I bet with every fibre of my being, that you didn’t check your blind spot.” He says, and I feel a certified something stir within the depth of my stomach, and pool deep within, for, oh, he knows me so well, and, and I- “You never check your blindspot. I do it for you, because I know that you’ll forget, but Y/N- fuck.” He says, and his breath shakes as he releases it. “And you know, you know that you are required, by law, to wait for back-up, when you do not have your vest, or any other form of protection. Y/N, we didn’t even know that you had worked on this case, never mind that you had gone to visit the UnSub by yourself-”

“He was out of his depth, Spencer.” I defend, quietly. I say it quietly, because it aches, and it burns, and it hurts. It hurts. It hurts. It hurts, and he listens to me, anyway, and he lets out a shaky inhale, as I speak. “It wasn’t in the Profile for him to do something that ballsy-”

“Well, clearly your profile was inaccurate.” He snaps, a certain edge to his tone that I find myself unfamiliar with, as I recoil, slightly, and I ignore the flare of heat that congregates about my body. “If you hadn’t-” He pauses, and another trembled breath is to follow: In, and out. “Y/N, I just- I’m- I’m scared, alright? I’m worried. I don’t know your physiological, or psychological, condition, right now, and I’m- it’s just-” Another stuttered inhale. “This isn’t easy, Okay?”

“I know, Spence.” 

“I don’t hear from you for four days, twenty-two hours, and thirty-nine minutes, roughly fourteen seconds, and you’re the headline for the news. MISSING: Federal Agent, Y/N Y/L/N, Last Seen in Quantico Virginia, at the Behavioural Analysis Unit Headquarters.” He recites, and I know that it has plagued the back of his eyelids like a lingering, bad, smell, ever since. “You know where you were last seen, Y/N? You were last seen with me, that’s where. And I can’t forget what that headline says, it is biologically impossible, and I can’t stop seeing it every time I close my eyes, and I- and I can’t stop thinking about how, should I have stayed with you for another four hours, or so, you wouldn’t have chased this UnSub, and you would be here, right now, and I wouldn’t be turning down the street, to find you sprawled out on the floor - because I know that’s what you’re doing - in agony, and feeling as though death is knocking at your door, and-”

“Breathe, Pretty Boy,” Morgan cuts in, “Breathe.”

But he doesn’t pause long enough to listen. “And I can’t-” His voice cracks, slightly, and my chest burns, it aches, as the subtlety of silent tears stream down the sides of my face, and they pool within the roots of my hair. “And I can’t listen to you, here, talking to me like you’ll-” He grapples a broken inhale, and he stutters amongst his breathing, and I hear the tears on his tongue. I hear them. I hear them. “-like you’ll never see me again. Like this call is some sort of goodbye.” 

“I don’t want this to be it.” I say, gentler than I feel I have ever spoken, before, and Spencer offers his words of protest. 

“It isn’t!” He exclaims, with a thick bitterness to his tone. Not quite directed at me, though the agony to his own constricting chest is evident. I find myself accustomed to the flavour of my burned sternum, as it rests upon my tongue, and I do not attempt to protest amongst his continuation, as he cries, and he parries on. “Fuck,” He whispers, and I envision him wiping away the fresh moisture of his expression, once again, as a quiet shuffling invokes upon the line. “This isn’t it. We’re-” He lets out a breath. “Can you hear us?” He asks. “We’re almost there.” 

The distant wail of crying sirens engulfs my senses, paired with the static white noise of Spencer's anticipation, and I find my mouth up-tilting, ever so slightly. “Yeah.” I say. “I can hear you.” And maybe, just maybe, this isn’t it. Maybe Spencer - maybe my Pretty Boy Spence - is right. He is rarely wrong, that much may I agree, but he is not always accurate in his future depictions. For once, I find myself thinking, I hope that he is right. 

“Good.” He says, perhaps more so to himself, than to me, as he repeats the notion, and he steadies his erratic breathing. “Good, Okay. We’re turning onto your street, now.” He says. “Can you see us?”  The wailing sirens approach, they engulf the silence of the night, as they blare, and they scream, and they fall louder, and closer, and louder, and closer, and the stars all morph together, into one illuminated band of darkness, and the sirens blare on, growing louder, and closer, and louder, and closer, and- “Y/N?” Spencer calls.

“The sirens.” I murmur, distractedly, as they ricochet around my mind, and they bounce from one fragment of my inner skull, to the other, and they roll impotently about the curve of the bone. “They’re-” Louder, and closer, and louder, and closer. “They’re noisy.” I say, and I doubt that he can comprehend the gentle tone to which I depict, as the wail of the siren cry calls out, and a sudden screech falls present upon their hellish song.

Spencer does not reply, and I listen to the white noise - the white noise that grows distant, as the wailing aubade of the ambulance approaches - and, then, a chorus of footsteps consume my auditory senses.

I know my lover not by his footfall, but by the way in which he collapses, immediately, at my side, and his large, warm, hand, cusps at my broken cheek, and he observes me closely. And it aches, and it burns, but, oh, there he is. There he is, with a furrow to his straightened eyebrows, and a glassy film aloft his beautiful, warm, orbs - reduced to circles of worry, of anguish, as he observes my… my state of being - and I measure the map of his features, I blister them among the roof of my mind, as though I have not looked upon them fondly a thousand times before, and I offer my lover a soft, closed-mouth, smile. I offer him a smile, and I ache to run my fingers across his parted lips, to recall the feel of his skin, his perfect, perfect, complexion, and the symmetrical span of his face. In this moment, I want nothing more than to feel the weight of his body, sprawled out upon me, as my arms wind around his neck, and I embrace my Spencer, and we pretend that all the trauma of the world does not exist, and we love, and we love, and we love. 

I watch the rapid descent of his features, and I gather that he wishes he knew nothing of my physiological well-being, if the subtlety of my pained cries aloft the phone were quite enough to reduce him to tears, and my fingers itch. They itch, they itch, and they itch, to run through the smooth flow of his hair, to brush it away from his pretty little features, and to assure him that: Hey, Pretty Boy, it’s alright. I’m alright. It’s going to be fine. Just fine, Okay? This isn’t it, I was wrong. I was wrong, Okay? This isn’t it, Pretty Boy. Come on. Come on, Pretty Boy, wipe those cheeks. It’s going to be just fine. It’s alright. It’s going to be fine, Pretty Boy. Okay? Okay. 

But eyes, red raw, and leaking, stare down at me, and I know that to speak such words would be nought but a cruel spell of dishonesty. I’m not winning, anymore. 

Trembling fingers work their way through the matted knots of my hair, brushing back the locks from my face, as they flail out upon the pathway beneath me, and Spencer shudders a quiet sigh. “Hey,” He greets, simply, as though he is not attempting to swallow his raging heart, that threatens to break through the lump in his throat. As though he is not on fire, with burning self-hatred (just like I know that he is), and gritting his teeth to prevent any upcoming sobs. As though I am not destroying him, as we speak. As though I am Okay, as though I am still winning. “Can-” Another shaken, stuttered, inhale, “Can you move?” He asks, and I gulp back the remainder of the bile concoction that has yet to bid me farewell. Can you move? No. No. I cannot. I can hardly breathe, and I-

I shake my head, gently, and I attempt to ignore the corrupting fire that, still, nibbles away at the aching flesh of my body, and I- “It hurts.” I repeat, no less than a whimper upon the business of the night. Blue light carousels around the darkness, illuminating the scene in an azure of flashing cerulean, but I see nothing other than the glassy brown of his wide, fearful, eyes. “It hurts, Spencer.” I say, and I am not quite sure just what it is that hurts, anymore, as my vision blurs, and the warmth of something hot, something wet, trails upon my broken cheeks. 

“Shh,” He whispers, tone thickened by the tally of his own violent tear-shed, as he strokes the pad of his calloused thumb aloft my moistened complexion. “Shh,” He says, “I know.” But it aches, and it burns, and I can hardly breathe, once again. “I know, baby, it’s alright.” He says. “I’m here. I’m right here, Okay? Ri- right here.”

 But that- it doesn’t- it doesn’t seem to matter, as he trails the dampness of my sopping cheeks, and his salty tears trickle down his throat. It doesn’t matter. Doesn’t matter. Doesn’t matter. It doesn’t matter, because this is it. And, as a certain warmth begins to sprinkle upon the curve of my toes, and the quiet patter of uniformed feet scurry upon the pathway, and the roll of a- of the- stretcher? Of the stretcher. Oh, the stretcher. It aches, and it burns, and Spencer seems awfully beautiful, beneath the gaze of the moon, and my eyes- they ache, and they burn. 

The angel that hangs above me, my very own offering from heaven (an offering, a fraction, like the stars, from the sun) and I think he has never looked more bittersweet in his beauty, than he does tonight, displayed beneath the moonlight. Displayed beneath the moonlight, as though he is carved, sculpted, so effortlessly, by the most callous, talented, hands that the Gods ever did have to offer. I swallow back my prosperity, as the shein upon my eyes begins to dwindle, and I consider whatever religion I have left, inside of me. I consider it, and I come to realise, as my adoration for this angel, for this sweet, sweet, lover of mine, paints itself in poetry upon my tongue, that all of my religion is made up of him. That he tastes like the body of Christ, or whomever my heart has decided is unworthy of worship in the presence of my Spencer, and he has stained my lungs with the scent of his forgiveness.

He is the religion that I have left, and I fall to my knees before him. As he furrows his eyebrows, and everything seems to dim, and the stars lose their spark, and I am wrapped- wrapped up, up, up, in a tingling sensation, that crawls around, and around, my entirety, and dissolves the fire, relishes the flames; that runs its hand through my hair, and threatens to succumb me to exhaustion.

This is it, I think, and I bore my stare into the warmth of Spencer’s darkening expression. His mouth, that hangs open, and shapes the body of words I cannot hear, but look a lot like my name, and the sirens of the world around, they all fall to nothing. 

This is it, and I am consumed entirely in something that feels a lot like him. A lot like my Pretty Boy. A lot like Spencer. For it is warm, and it runs a steady hand through my hair, and it caresses my cheek, and I am- I am Okay. Just for this moment, I decide, I am Okay. The dull shadow of my gaze seems to darken, and the world around collapses, and I hear nothing. But I am Okay. I hear nothing; no buzz, no fuzz of the white noise, but I am Okay, and, in a strangely comforting anonymity, I allow myself to sway along with it’s somber aubade. For what, in life, is more beautiful than the transition? Than the end? 

This is it, and I am Okay, and it does not hurt, as I indulge a final glance upon my lover, before me, and I strain my arm - my somewhat re-located joint, that doesn’t ache, and doesn’t burn, beneath the symphony that is my love - and I raise it up, up, up, and I cup at the curve of his trembled, tear-stricken, cheek. I hear him not, as he whispers to me, softly, and I do not dispel the announcement of my adoration, as I draw him closer to me, and he follows without question. Without question, because my Pretty Boy is not naive. Because my Pretty Boy knows, all to well, the prologue of agony, and, as he leans in to the heart of my hand, and his sopping wet features pinch with the repression of bitten back sobs, and he approaches, and he nears, and his warm, trembled, breath fans my lips, as it all takes place, and the world falls away, my Pretty Boy knows that this is it. That I am not winning, anymore. 

He knows, he knows, he knows. 

He knows, and his mouth is warm, is familiar, as it peppers its soft affection upon the wounded pout of my lips, and he cries his salted tears, that melt upon my damaged complexion with anger, and with poorly consumed rage, and he damns the cruel taste of fate, as it settles within his lungs. He knows, as he withdraws his fragile expression, and a gust of cold, frigid, air, wraps upon the flesh of my parted mouth, and his tongue darts upon his lower lip, and catches a bout full of tears. He knows. He knows. Oh, how he knows. And, as those very same lips bless the blood of my forehead with a ginger, angelic, kiss, and they press upon the skin with shaken certainty, our notion of adoration feels more like a goodbye, than an ‘I Love You’. But there doesn’t seem to be much of a difference, anymore, as I watch, through hooded eyes, and a numb, drifting, body, and I observe the violent tremble of his frame, his hunched shoulders, as he looms above me, and he cradles my face within his large hands. 

There isn’t any difference, because this is it. 

This is it, and I stutter through my final breath, and my half-lidded eyes absorb the dark nothingness before them for one final time. 

This is it.

This is it, and I’m not winning, anymore. 

[soloh]

January Music Favourites!

I’m a soldier who’s returning half her weight. And did the twin flame bruise paint you blue? Just between us did the love affair maim you too?- All Too Well (10 minute version), Taylor Swift

But when you told me the whole story, I felt like throwing up. I could see it in your face it was rough.- Daddy Issues (remix), The Neighbourhood ft. Syd

We keep quiet ‘cause we’re dead if they knew, so close your eyes, escape this town for a little while.- Love Story, Sarah Cothran

If there’s a good part then I hope it’s not far, ‘cause I thought it’d be today.- The Good Part, AJR

If I’m being frank, I want a sorry but I’ll settle for a handshake, ‘cause I’m the baby but I’m gonna the bigger man, babe. So many blank slates I could build a whole fuckin’ house.- I’m Trying (Not Friends), Maisie Peters

I bet you think about me when you say, “oh my god, she’s insane, she wrote a song about me”- I Bet You Think About Me, Taylor Swift ft. Chris Stapleton

All this time I didn’t know you were breaking down. I’d fall to pieces on the floor if you weren’t around. Too young to know it gets better. I’ll be summer sun for you forever. Forever winter if you go.- Forever Winter, Taylor Swift

Stood on the cliffside screaming, “give me a reason”. Your faithless love’s the only hoax I believe in. Don’t want no other shade of blue but you. No other sadness in the world would do.- hoax, Taylor Swift

Stirs of whispers trail and linger, you still haunt the corners of my heart.- The Killing Kind, Marianas Trench

Took scissors to your chastity belt, then you fucked me over. You lied, you lied just a little.- ur just horny, GAYLE

Hits me at full speed, feels like I can’t breathe. And nobody knows this pain inside me. My world is crumbling. I should never have let you go.- Lost Without You, Freya Ridings

That July ninth, the beat of your heart, it jumps through your shirt, I can still feel your arms. But now I’ll go sit on the floor wearing your clothes. All that I know is I don’t know how to be something you miss.- Last Kiss, Taylor Swift

Only love can hurt like this. Must have been a deadly kiss.- Only Love Can Hurt Like This, Paloma Faith

I know I’m probably better off all alone than needing a man who could change his mind at any given minute.- Better Man, Taylor Swift

Pleased to make your acquaintance, stranger. I’ve spent many years processing my anger. Wouldn’t know what to say to the person I knew, but, it’s nice to meet you.- Hello, It’s Nice to Meet You, Rachel Bloom and Skylar Astin

Spotify playlist here!

[ugh-againwiththenames]

A Musical Social Experiment...Destiel.

Alright, so I thought to myself, while playing along with @thenightwemetnatural​‘s Destiel song picks, that despite my musical tastes, and them tending typically (although not exclusively) towards the Metal genres, that EVERY song can in some way, be paralleled to Destiel. This is such a ridiculous experiment, and I apologize, but I’m at the cottage, and it’s fucking pouring with rain, so let’s play…

Here are the rules: take your Music library and throw it on Shuffle – every song that comes on for an hour(ish), connect it to Destiel...(below the cut for my results).

You can access the playlist here (if you have any interest in listening along!). I am not going to necessarily describe every possible connection - I think that a lot of them are SUPER obvious...like *eyes rolling out of my head* obvious...

In the End – Black Veil Brides – Well we’re off to a hell of a start, as this song from start to finish screams Destiel and sacrifice. In the end As my soul's laid to rest What is left of my body Or am I just a shell? And I have fought And with flesh and blood I commanded an army Through it all I have given my heart for a moment of glory Who will remember this last goodbye 'Cause it's the end and I'm not afraid I'm not afraid to die A Modern Way - The Exies – only on song 2, and it’s once again, really hard to cut out any of this song, as the repeating “I’m bound by my insecurities” SCREAMS Dean at me.

I’m Bound by my insecurities

Open your eyes and Throw your arms around me I need the right not to fight To breathe

Swallow the lies I'm the one to blame Having no voice left to choose Am i so blind, feeling justified When i'm alone and confused

Brother – NEEDTOBREATHE – I have to laugh…as I added this after watching Jensen sing this at a Con (for J*red), and no lie, I’m in LOVE with it, but it’s somehow now determinably connected to the brothers for me but I can/WILL draw the lines here…EASY.

Everybody needs someone beside em’ shining like a lighthouse from the sea Face down in the desert now there’s a cage locked around my heart I found a way to drop the keys where my failures were Now my hands can’t reach that far I ain’t made for a rivalry I could never take the world alone I know that in my weakness I am strong, but It’s your love that brings me home Summoners Rift – Dangerkids – Um. Well. The first line of this song just made me laugh out loud.

There's no room for martyrs in a dying scene Well I'm not quite dead I'm something in between

And if I had another chance I would tell you

I guess I'm not afraid of what comes after We are the only ones We stand alone in the dark

Question everything you blindly follow Truth's a bitter pill, it's hard to swallow You think you're winning but your time is borrowed We are the only ones We stand alone in the dark

Royal Beggars - Architects - I mean…the repetition of my sentiments is going to get a bit silly…so i will not. read on...

All hope is dead, but we're coping

Somebody save our souls

Like a bird in a cage, trying to fly away Is this the price that we have to pay? Overflowing with rage, yet we still obey 'Cause we're asleep in a hurricane

We sit on a throne, waiting for God to bend the knee But we're nothing more than royal beggars

Edge of your Bed - Thousand Below - “why’d you have to go and keep calling out my name” Calling out my name” pure purgatory “where’s the ANGEL” “I prayed to you Cas, Every night” The rest of the next verse is also poignant, very Dean again “where I can only feel peace when the wave hits”, “and I’ve become what I thought was wrong, I love the feeling when it feels too strong”.  

Why'd you have to go and keep calling out my name? Calling out my name

I found sorrow at the edge of your bed

Is it now a bad habit? Where I can only feel peace when the wave hits And I've become what I thought was wrong I love the feeling when it feels too strong

Animals – Siamese - “It takes a killer that thinks he’s a saint, it takes believing to be this insane” – well. yes. ok. 

Shattered not broken We stand our feet Houses rebuild on These bloody streets I fill my lungs into this beat With closed eyes we're hoping for remedy

It takes a killer That thinks he's a saint It takes believing To be this insane

Spineless Crow - Hands Like Houses

We were young together but I've grown ancient Cracked and weathered and filled with regret Waiting to sink, rushing to sink in my sleep

The realization sinks in through the skin Like a disease, a blight inside of me Missing your touch, your weight on my fingers

My Underworld - Tonight Alive

Now we sail into deep blue storm clouds Overhead now, strangely I feel at peace as I dive into My underworld, world I dive into my underworld, world Down in these depths I'm adding up the numbers Of all I've suffered in past lives, tied down in the darkness Finally I begin to learn what I've returned tonight Time has come to begin again, leave something else behind

Ever After - Marianas Trench - All this talk of being someone’s disaster – Welp! Hello!

Don't you move Can't you stay where you are, just for now I could be your perfect disaster You could be my ever after

Apologies, I'm not myself but I can guarantee That when I get back, you won't believe That you knew me well Don't want to think about it

I'm fuckin' tired of getting sick about it Now stand back up and be a man about it And fight for something, fight for something, fight for something Nobody told ya this is gonna fold ya We go marching in like toy soldiers To have and hold ya over sold ya They’re marching like toy soldiers I'll be your disaster, ever after So fire away Goodbye

Room 138 - Asking Alexandria - While this song is clearly actually about an overdose of some kind, it’s parallels shockingly well to the post confession scene.   So these are the walls that have to hold this moment Somebody hear me, someone open up the door Get me up off of this floor and stop the shaking, the shaking Through the haze I saw a face A second chance, another life to live How did you forgive me? Held my head against your chest Told me everything's alright, don't be afraid Close your eyes and rest

Witness – Daughtry

Does it feel like you're just wasting time Here without a reason or a rhyme The answer you've been looking for Is standing right before your weary eyes And if the weight of the world is on you now But you know you can turn it all around again How Many Walls - Rise Against  - Guys, seriously, I’m not even going there...How many years have we wasted….how many walls can you put up? How many guns til you feel safe? This is a song about war – this is Rise Against, this is purely political and somehow can STILL be pulled together with Destiel.

 How many walls can you put up?

How many guns 'til you feel safe? How many times can we watch this story Over and over and over again? And how many years have we wasted Counting the lies that we've been fed? For something to change we have waited Over and over and over again Pray – Picturesque - Nope. Don’t even need a description here. Once again this is FAR TOO OBVIOUS!

I should pray a little more and think a little less The devils in my head and he won't let me rest Everyday just like the last since you up and left I should pray a little more, I shouldn't pray for death I Knew You Were Trouble – We Came as Romans (Swift Cover) - SwiftNatural is a thing for a reason… 

It's like a kaleidoscope of memories. It just all comes back. But he never does. I knew his world moved too fast and burned too bright. But I just thought, how can the devil be pulling you toward someone who looks so much like an angel

I think that the worst part of it all wasn't losing him. It was losing me. Once upon a time, a few mistakes ago I was in your sights, you got me alone You found me

I knew you were trouble when you walked in (you were right there, you were right there) So shame on me now Flew me to places I'd never been Now I'm lying on the cold hard ground Texas Is Forever - Pierce the Veil – lack of communication anyone? I don’t know, do we know anyone like that? If anything should happen to me I want you to know, I’ve loved you since ever…

Here we are If anything should happen to me I want you to know I've loved you since ever since then Don't dance around me I know what it means No communication, cannot be received But I'm such a sucker for the rain, yeah Oh, here we are Butterfly - Wearing Scars – the Butterfly/Angel parallel alone…go with it.

Seems we're alone We're fixated Just waiting for something As time goes by And when we're way up high We'll look back down with different eyes Let's take our time Awake this life So spread your wings And take my hand Tonight will be the end

With Grace - The Weight of Atlas

This place looks like hell to me I cast myself into the sea Picked up my conscience and left my disease I don't know, I don't know if I can make it through this storm Keep your eyes shut it will be okay. Will we make it out alive? Will we make it out alive. When all you have is hope I will be your anchor I know that I can let you down But I swear I'll pick up the pieces. And be reborn again I Always Wanted to Leave - The Plot In You

I guess it's a shame I'm so damn destructive And you're so reluctant to mean what you say The way you act so abused The things you confuse You know I always wanted to leave "Hello... You can sing, I'm here And I love you more than anyone or anything With all my heart."

Unsteady - X Ambassadors – just a stay parallel. Don’t leave, don’t let go. If you love me. Don’t let go. #I haz the sads.

Hold on to me 'Cause I'm a little unsteady If you love me Don't let go Bury Me Alive - Normandie – pick a line – ANY LINE!!! 

I guess I'm not going to heaven now I got caught in the chase Now I'm falling from grace But I never stood a chance Could've given me a sign I'd be giving you blind obedience Mantra – Bring Me The Horizon Before the truth will set you free, it will piss you off Before you find a place to be, you're gonna lose the plot Too late to tell you now, one ear and right out the other one 'Cause all you ever do is chant the same old mantra Could I have your attention, please? It's time to tap into your tragedy Think you could use a new abuser Close your eyes and listen carefully Imagine you're stood on a beach Water gently lapping at your feet And now you're sinking, what were you thinking? That's all the time we have this week

Oh Lord - In This Moment – cutting any of this out was actually hard. Cas, my love, are you there?

Oh Lord won't you save me Save me from my soul Oh Lord won't you forgive me For I have lost control Oh Lord won't you tell me Am I the righteous or the damned? Oh Lord won't you please hear me Do I obey or do I command? Oh Lord please forgive me For what I'm about to do Oh Lord won't you believe me I'll burn in hell for you Oh Lord won't you teach me Teach me how to see Oh Lord tell me you love me Am I Lillith or am I Eve?

Bleeding is a Luxury - Atreyu

I’ve talked the talk, I've walked the walk, It's taken ten fucking years, For them to see I don't need their approval. I've paid the piper, I've stayed my course, Lived chomping at the bit. With only blood, sweat, and tears to adhere to- Take it for granted, Forsake the costs, Wear a big, shit-eating grin (with only blood, sweat, and tears to adhere to) Now bear the burden to chase your fate Grind your teeth 'til it fucking hurts So they can see I don't need their approval. Seize the day, Take your beatings, Lead the way, Or decay as you fall down... You fall down.

Would you Still be There - Of Mice & Men – wow, this song in full. All of it. I can’t.

If I could find the words, if I could shake the world, If I could turn back time would you still be there? I can't stop thinking about the way I left you sinking with no escape. Now there's no lifeline, no way to save. But maybe next time I won't throw it all away. Dislocated, I lie awake Suffocating in my mistakes. I lost my halo when I fell from grace, But maybe next time I won't throw it all away. I ask myself everyday... If I could find the words, if I could shake the world, If I could turn back time would you still be there? If I could find the words to say, If I could shake the world to break you down, Then would you still be there?

The Broken - 3 Doors Down 

This is the call to the broken, the broken Take it from me. They don't care if you're lonely. As you can see, They don't care if you're scared. Your heart Is the only friend you have in this whole world. Don't start, Think you can do this yourself. I know what you're thinking. You say you're tired of keeping score, keeping score. Trust me, You're not the only one going through this. You see, I've been through this before, this before.

Wow, I Hate This Song - The Used – this one took a little imagination – hardest one so far – because it really is just about hating a song! So we’re HC’ing the Zepp track that reminds Dean most of Cas, post Empty.

Every time I hear the key I see you in the melody It never was a part of me Heart feels like it's being stabbed Kills me emotionally Dirty Little Secret - Bullet For My Valentine – let’s take this back to – take your pick…Leviathan!Cas, Godstiel, Casifer, any of the times that Cas did the wrong thing for the right reasons…and did not tell his boy. 

There once was a time Where everything was just so perfect Now everything has changed And you've become a total stranger I've seen another side to you I never even knew existed Dirty little secrets, dirty little secrets Giving in to your primal instincts There once was a time When anything I do is for you But everything has changed And I've become a lonely prisoner I'd kill, even die for you You never even tried resisting

Kill Plan - Parabelle

I'm sitting stunned just like a lesson I never learned Made of emotions and mistakes And what you say Leaves me lost and in the way And that's the place you stay Remember silence Now we're painted into corners So we can watch the world get sold out Hold me closer don't let the sun in Hold me closer don't let the sun in Cuz the setting sun feels like a cage Don't let me defend the kill plan

Roman Sky – Avenged Sevenfold – This song only has a few lyrics, but we can definitely make them work.

As the embers rose through the Roman Sky Tell me, were you calm when they took your life? Just before you go, tell us how the heavens flow Weightless evermore, as you walk beyond that door Shine forever true To Those Left Behind – blessthefall – these boys might be my favourite band ever, but these are ANGRY lyrics – these are about betrayal.  This is a relationship gone wrong. I feel these best work with the divorce arc, the Angry Dean that we see, or Dean’s mood after any of the “Cas fucked up again” moments. You found me at my worst When I was far too weak to grow In spite of all my fears And how I may have lost my way Only now I know the truth

Awake and coming clean

If you can't sleep It's your conscience That's eating away At the mess you made So let's end this Sew this last stitch Lift this weight off my chest I'll put you to rest The past should stay dead

How did we find ourselves here? Haunted by our own design With everything that's come to pass Makes it harder to confine

[kurtanaaa]

Top 5 favourite songs of all time?

oh see now THIS is a question thank u sm sm jas i love u 💞💕💗💕💖💕💞 i LOVE it when people send me music asks my heart is full !!!!

okay lets get into this:

5. where did you sleep last night - nirvana: i love this cover. its gorgeous and it sounds like hes singing me a lullaby right up until he starts FUCKIN YELLING. yes king. give us everything. god i love nirvana. another contender for this spot would be all apologies

4. astoria - marianas trench: if you like ever after by marianas trench, you should give this song a listen. it follows a similar, disjointed, bohemian rhapsody-style vein. ridiculously good, feels like a sunrise and a goodbye all at once and its a religious experience

3. backstage romance - moulin rouge obc: the fucking PRODUCTION of this. the way the songs blend, the way theyve been changed, its INSANE. i love this song i have a million dance routines in my head to it

2. work song - hozier: in my personal opinion this is the most beautiful love song of all time and it gives me shivers to this day. i love the lyrics, the message, his voice, the production, the everything

1. everlong - foo fighters: will i ever shut up about this song? probably not. i am devoted to this song. the DRUMS the WHISPERS the LYRICS the HOOK the VOCALS, everything about it makes me batshit crazy. i love this song so goddamn much. it still gives me shivers and i still cry to it no matter how many times i sap the serotonin from it. also (BRAGS ABOUT MY GF) my gf gave me a bracelet with the spotify code to this song on it for our two years and i am so goddamn in love with her. like so fucking in love

ANYWAY!!!! THANK YOU FOR ASKING ME THIS JAS!!!!!!! THIS MADE MY EVENING!!!! have a lovely day mwah mwah

[arty-e]

Deck Wars Playlist

Never Grow Up - Taylor Swift Goodbye England (Covered in Snow) - Laura Marling Little Wonders - Rob Thomas Heart Attack _ Demi Lovato Journey to the Past - Liz Callaway Cool Kids - Echosmith Toy Soldiers - Marianas Trench I’ll Make a Man Out of You - Mulan Right Hand Man - Hamilton Almost There - Princess and The frog GUY.exe - Superfruit No Hay Igul - Nelly Furtado Worried About Ray - The Hoosiers Just One Last Time - David Guetta Big Girls Don’t Cry - Fergie Celebration - Kool & the Gang Bloodstream - Ed Sheeran Build God, Then We’ll Talk - Panic! At the Disco This Kiss - Carly Rae Jepsen Denial - Sugababes So What - P!nk So This Is Love - Cinderella Fuckin’ Perfect - P!nk Boyfriend - Alphabeat Marry You - Bruno Mars Take Me To Church - Hozier Love Will Find a Way - Lion King 2 That Would be Enough - Hamilton The Phoenix - Fall Out Boy Wine Red - The Hush Sound Please Don’t Leave Me - P!nk Love Like you - Rebecca Sugar I could Never Be (Ready) - Steven Universe Dear Theodosia - Hamilton

[rchngeli]

𝐑𝐄𝐂𝐑𝐔𝐈𝐓 𝐏𝐑𝐎𝐅𝐈𝐋𝐄.

NAME / ALIAS + INTRO : hi bbs! i’m kim, i have no clue how to introduce myself, so let’s get right to it ZODIAC SIGN : virgo sun, pisces moon, capricorn rising, aka a walking disaster HOGWARTS HOUSE : gryffindor baybeee FAVORITES / WRITING

✧     ARCHETYPE / TROPE : *chanting* slow burn! slow burn! sloW BURN! especially when it’s friends/lovers and they take forever to realize their feelings, and even longer to actually act on it. mm. and soulmates, but i really love the soulmate au’s with the countdowns or with like..the first word they’ll say to each other tattooed somewhere. ✧     EVENTS / TASKS : aesthetic related ones are really fun. i’ve been super into making playlists lately (you can peep gabe’s here). but i’m so so so in love with tasks that make you dig deeper into the character and what really makes them tick. as for events i really dig any order related ones, like missions and shit. those are dope. anything 2 make my baby cry ✧     FACES : ooo bOY i’ve been out of the rp game for a hot minute idk who’s used anymore!! natalie dyer, chance perdomo, harry styles (not as a fc, i just like his face), some other dude from sabrina i forgot his name, tyler posey, kat mcnamara, EZRA. FUCKIN. MILLER. um. tom holland too, i thought of using him for gabey poo after i sent in the app but i love ryan potter. 

DESCRIBE YOUR ��� CHARACTER TYPE ’ IN A SINGLE PHOTO / GIF / MEME : 

FAVORITES / PERSONAL

✧     BOOK / FILM : this is terrible but the only books i really read anymore are scripts, so my favorite script is 1984. i know that was a book. but i mean the stage adaptation. i didn’t even READ IT YET. wow. i’m gonna shut up now.  ✧     SONG / ARTIST : this is like choosing my favorite CHILD wtf. marianas trench is my #1, but hozier and the regrettes tie in a close second. my fave song atm is heavy metal drummer by wilco  ✧     SNACK : myself ;) & dutch mints, those lil chocolate ones with the candy shell that u get from diners ✧     FANDOM(S) : harry potter for sure for sure. and hozier. i’m not really in his fando but his fans are so chill. 

DESCRIBE YOURSELF IN A SINGLE PHOTO / GIF / MEME :

FAVORITES / IN - UNIVERSE

✧     MARAUDERS - ERA CHARACTER : lily evans lily evans liLY JANE EVANS ✧     TRIO - ERA CHARACTER : no one asked but neville and luna should’ve ended up together. i had to get that off my chest. anyway luna or ginny. ✧     SUBJECT : history of magic!!! it makes me so sad that it’s so underappreciated, yea binns sucks but read the fucking book harry oh my GOD  ✧     SPELL : MY LIFE WOULD BE SO MUCH EASIER IF I COULD USE ACCIO. i say it at least once a day, it’s rly bad

[letstalksymphogear]

Symphogear, EP. 5

LAST TIME ON SINGY WINGY

ANGRY GREMLIN BEAT UP GOOD BY SUICIDE MOVE SURVIVE BLUE BIRD YES. BLUE BIRD GO TO HOSPITAL FOR WATER METAPHOR WITH AFTERLIFE GIRLFRIEND. TINY BIRD SAD, BUT THEN NOT GET SAD! JACKIE CHAN TIME AFTER MUCH THINKING. WIFE WORRIED ABOUT THINGS. SOMETHING SOMETHING PUNCH GOOD NOW.

Let us continue.

Miku wakes up to see her wife has run off yet again. This is the part of the Sam Reimi’s Spiderman franchise phase where the Mary Jane (not weed) begins having a rockier relationship with Peter Parker (not slang for penis) due to lack of availability.

It’s contrived.

It’s almost impressive that she left a note and had time to draw a tiny Hibiki saying something in a bubble. Glad to see you have your priorities straight, Hibiki.

“you know she might have had a better time in the local art school that doodle aint half bad”

Hibiki is motherfucking Rocky all up in this.

She’s going to kick some ass and nobody’s getting in the way.

“YOU’RE GONNA EAT LIGHTING AND YOU’RE GONNA CRRRRRAP THUNDER TACHIBANAAAAA”

“THAT’S A DIET I CAN GET BEHIND”

I wasn’t joking when I said she’s not fucking around anymore. Did you think I was joking? I can see how you can get the impression given the first few episodes, but I really can’t emphasize the thoroughness of the ass kicking she is going to be capable of.

“MY FATHERLY ENERGIES ARE WORKING! ADOPTERS ANONYMOUS WAS WRONG AFTER ALL!”

That’s totally not ominous in the slightest.

Meanwhile, in the middle of an unnamed McMansion in the middle of who knows where...

Gratuitously spoken English is heard. To be fair, it’s actually really impressive pronunciation coming from people whose native language are systemically different to ours. Most shows would just settle for “this dude is actually speaking english but everything is said in japanese for better interpretation” but not Symphogear! No siree!

Relic business is afoot.

We have a random blonde lady shooting random Noise from the thing The Gremlin had in her hands.

She’s really trying her best with her accent. She’s also casually shooting Noise because let’s face it, would we not do the same if it were in our hands?

“i do whatever i want with my big stiff rod pal”

Also, she’s a nudist. To also be fair, if you lived in a fuckoff rich McMansion with weapons beyond your comprehension, you likely couldn’t help but walk around naked doing whatever the fuck you want.

The people she’s talking to are the Americans, which we explained before are portrayed strictly in an antagonistic light. They want some relics, and this lady clearly deals them like like some sort of glorified drug dealer.

Suffice it to say, she’s not a very nice person.

Also, the subs don’t match what they’re saying in English in the slightest.

The name of this woman... is Fine (pronounced fi-neh). And she is the main antagonist of this series.

Fucking identical.

And here is the most unpleasant scene in the entire season.

The person we’ve repeatedly alluded to as The Gremlin is called Yukine Chris. She serves Fine in whatever the hell they’re up to right now. In this case, it’s using the Nehushtan armor to run around with Solomon’s Cane to throw Noise around the city.

“shits gonna get real abusive, pal”

Fine is a narcissistic sociopath. She’s manipulated Chris into servitude by believing she is the only one that can pave humanity into salvation.

“i dont like that smile”

Chris thinks Fine can secure her deepest wish. Ironically? It’s world peace.

“yeah! yeah yeah, world peace, yeah, totally. just treat me like jesus and we’re gucci”

Anyway, she proceeds to thoroughly shock Chris.

The lore behind this is that this is helping her resistance with dealing with the physical demands of the Nehushtan armor, as well as deal with the pieces of Nehushtan that may be still inside. Let’s be real, though. Fine’s a sadist, and just likes hurting people willy nilly.

“fuck... that hurt like shit... hey wait... wouldnt some of the electrical arcs hit you and shock you too, given you’re so naked and close to all this...?”

“ya nevermind that food looks real nice and i want a piece of that fuckin turkey”

It’s a real creepy scene, and it cements Fine’s horribleness really well. One of the most pivotal things to take note is that Fine says that people can only communicate with each other universally through pain. Strong, terrible BDSM overtones notwithstanding, this will be a common (though varying in quality) motif of the entire series.

“BITCH YOU THOUGHT WE WAS GUNNA EAT AFTER THAT FUCKIN’ WISECRACK ABOUT GETTING SHOCKED LIKE YOU’RE EVEN FUCKIN’ NIKOLAI TESLA ALL UP IN HERE WE’RE GONNA ELECTRIC SLIDE YOUR ASS TO NEXT WEEK”

“FUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUCK”

“WHERE THE FUUUUUUUCK IS HIBIKI?!”

“i was gonna invite her to the circus with the rest of the class ‘cause i felt bad about how i treated her but i guess she’s not here”

“the only clown im interested in is hibiki, in the carnival tent of my own bedroom”

��isn’t being a part of /fit/ great, hibiki? can you just feel the gains?”

“yeah who needs doting wife based significant others when you have your gym bros, right newly acquired father figure?”

Hibiki, having acquired a new brain cell during her training, asks the million dollar question:

“Why the fuck are we relying on schoolgirls to deal with all this stuff?”

“anime just be that way, hibiki. i’m just the wrong protagonist in the wrong show.”

Japan is super big on keeping the Symphogear a secret because they are strong and the world really, really wants a slice of the Symphogear pie. These people are basically walking super-weapons. Tsubasa literally dropped a sword the size of a skyscraper. It’s like the premise of the series of Iron Man films.

“do i get like a superhero name too or”

Something to wrap your head around. This was released around 2012, and while the setting seems to be slightly more futuristic, the world it was made in at the time had not been through the era of social media/smartphones we have right now. It was on the cusp of doing so, which means the idea of decent (yet vertical) amateur footage of things happening wasn’t something in the mainstream yet. Why do I say this?

Because in Symphogear, the fact that Symphogear exist is the biggest open secret in this unidentified city ever. NDAs are passed like hotcakes to keep people’s mouths shut on seeing monster-fighting singing superheroes. And they sing, too! Symphogears as an entity are the most high-profile fighting agents out there. Bright colors, no masks, constant singing, fighting in broad daylight in populated areas. Everybody knows, but no one says a word.

Which means every politician on the face of Japan hates these idiots, but they’re stuck with them out of sheer necessity.

“i swear to god if you bring up sam reimi’s spiderman one more goddamned time”

“look it’s the truth, all anime comes back to sam reimi’s spiderman. fate zero did it. uhhh, fucking...baccano, probably? now us. face it. its pretty much the bible.”

It’s also pointed out that the very concept of a Symphogear is born from a science that didn’t exist, and it probably contributes to political frustration as well.

“im going to microwave all your sam reimi spiderman dvds. im gonna do it. you try me, motherfucker. i didnt go into acting and get into this position to hear lectures about a decades old film franchise nobody cares about anymore.”

“can we stop fighting about the validity of sam reimi’s spiderman for five seconds and get back to helping me thing of a dope as hell superhero name? now, lemme lay one on you: Mister Fister”

Hibiki asks where Code Ryoko is.

“any answer besides Not Here works”

“oh, she left to talk to the americans, why?”

“huh, shes sorta late, actually”

“WHY A BAD BITCH LIKE ME GOTTA GET STUCK IN TRAFFIC LIKE THIS”

In the mother of all Mom Vans, no less.

MEANWHILE... IN METAPHOR LIMBO...

Tsubasa has reached the sea floor of the water metaphor dimension surrounded by water, which is her feelings, which are very gay. Imagine the Mariana Trench but like, deeper. Way deeper. That’s where Tsubasa is.

Leave it to Kazanari “I am literally a sword” Tsubasa to successfully spin the very act of surviving a suicidal move during combat as a failure. That’s a special kind of self loathing right there.

“the sheer force of my love for big ladies is keeping me alive”

Tsubasa asks about the point of Kanade’s sacrifice. Why’d she do it? Why was she so hungry at the end?

She personally shows up to answer that question, because that’s Kanade for you.

“being badass is cool, but you know whats cooler? caring.”

“sharing the sauce... you... you shared the sauce...”

“thats right, tsubasa. i wanted to protect the sauce, but... ultimately... sharing it was better. it wasn’t my sauce, tsubasa. it was everyone’s...”

“im gonna suck on a ketchup packet in your memory, tsubasa”

Kanade’s spirit pulls her out of the dimension of water metaphors as she is slowly undrowning from her emotions.

Tsubasa, like Kanade, was lost in the sauce. But now, after Kanade’s touching peptalk, Tsubasa is lost no longer.

“will i ever see you again in my dreams, kanade...?”

“where there’s a sauce. i’ll be there.”

“ill eat taco bell every day just to see you again kanade”

“and i dont even like taco bell... im more of a chipotle girl...”

After accepting Taco Bell as her lord and savior, she is immediately pulled out of the metaphor zone.

And wakes the fuck up.

“b..... b..... b............”

“Baja Blast....”

[splendidlyimperfect]

playlist ~ crash & burn

This fic has been finished for a long time, but I finally got around to putting the playlist together, so enjoy~

crash & burn

When Gray’s therapist insists that he attend the ‘Creative Expressions’ program, Gray hates the idea. Talking about his emotions isn’t going to help - he already knows how he feels. He’s angry, betrayed, bitter and in constant pain, and no amount of painting or poetry is going to change that.

Then he meets Natsu - a charismatic boy with pink hair and piercings who’s larger than life - and Gray can’t help but fall for him. Natsu is like the sun, blindingly bright and warm in all the cold parts of Gray’s life. But Natsu has his own reasons for being in the program, and when the dark parts of his past start to catch up with him, it’s up to Gray to try and pick up the pieces.

Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Relationships: Natsu Dragneel/Gray Fullbuster, Rogue Cheney/Sting Eucliffe, Laxus Dreyar/Freed Justine, Levy McGarden/Gajeel Redfox Characters: Natsu Dragneel, Gray Fullbuster, Lucy Heartfilia, Erza Scarlet, Gajeel Redfox, Ultear Milkovich, Cana Alberona, Laxus Dreyar, Freed Justine, Lyon Vastia, Bickslow (Fairy Tail), Rogue Cheney, Levy McGarden, Evergreen (Fairy Tail), Makarov Dreyar, Mirajane Strauss Additional Tags: Alternate Universe - High School, Hurt/Comfort, Mental Health Issues, Bipolar Disorder, Self-Harm, Childhood Trauma, Foster Care, Alternate Universe - Modern Setting, Grief/Mourning, Emotional Hurt/Comfort, Implied/Referenced Self-Harm, Child Abuse, Friends to Lovers, Families of Choice, Post-Traumatic Stress Disorder - PTSD, Tumblr: FTLGBTales, Angst with a Happy Ending, Depression, Abuse Series: Part 1 of the only hope for me is you, Part 1 of if you jump i'll break your fall

crash & burn playlist

1. half of my heart - john mayer i was born in the arms of imaginary friends free to roam, made a home out of everywhere i’ve been then you come crashing in, like the realest thing

2.  shimmer - fuel she says that love is for fools that fall behind and i’m somewhere between i never really know a killer from a savior

3. zero - imagine dragons let me show you what it’s like to never feel like i'm good enough for anything that’s real

4. fuckin’ perfect - pink you’re so mean when you talk about yourself, you were wrong change the voices in your head make them like you instead

5. beloved freak - garbage you’re not certain when you feel hurt yet violent when you deal with how the world drags you along but you’re not alone

6. manic - coleman hell oh no, here we go again, the bad thoughts are creeping in when i feel crazy, i hide it, then fall apart in private where my mirror’s the only one who sees my tears

7. who do you love - marianas trench god it’s been so long (wide awake) that i feel like someone else i miss the way that you saw me or maybe the way i saw myself

8. unwell - matchbox twenty i’m not crazy, i’m just a little unwell i know right now you can’t tell but stay a while and maybe then you’ll see a different side of me

9. there is - boxcar racer do you care if i don’t know what to say? will you sleep tonight, will you think of me? will i shake this off, pretend it’s all okay that there’s someone out there who feels just like me? there is

10. skin & bones - marianas trench it only hurt a bit, but i still feel like shit i think you won’t be able to recognize me now it’s easier to quit, it’s harder to admit and you’re pushing me, you’re fucking pushing me

11. innocent - our lady peace i remember feeling low and i remember losing hope and i remember all the feelings and the day they stopped

12. savior - rise against i don’t hate you, boy, i just want to save you while there’s still something left to save

13. crash & burn - savage garden if you need to fall apart, i can mend a broken heart if you need to crash, then crash and burn, you’re not alone

14. swing life away - rise against i’ll show you mine if you show me yours first let’s compare scars, i’ll tell you whose is worse

15. secrets - one republic i’m gonna give all my secrets away this time i don’t need another perfect lie

16. not enough - our lady peace there’s nothing left to prove, there’s nothing i won’t do there’s nothing like the pain i feel for you

17. iris - goo goo dolls i don’t want the world to see me ‘cause i don’t think that they’d understand when everything’s made to be broken i just want you to know who i am

18. the only hope for me is you - my chemical romance if we can’t find where we belong we’ll have to make it on our own face all the pain and take it on because the only hope for me is you alone

19. warrior - paradise fears i let you in but i’m so scared of what you’ll see just skin and bones hiding this monster inside of me

20. battle scars - paradise fears i’ll carry you home, no you’re not alone keep marching on, this is worth fighting for you know we’ve all got battle scars

21. ho hey - the lumineers i belong with you, you belong with me you’re my sweetheart

22. keep me crazy - sheppard you grab my hand without any warning i’m on the edge, you pull me away

23. gone gone gone - philip phillips when life leaves you high and dry i’ll be at your door tonight if you need help

24. you’re my best friend - queen you’re the best friend that i’ve ever had i’ve been with you such a long time, you’re my sunshine and i want you to know that my feelings are true i really love you

25. like i’m gonna lose you - meghan trainor & john legend i’m gonna love you like i’m gonna lose you and i’m gonna hold you like i’m saying goodbye

26. we are unbreakable - hedley shipwrecked by a sea so stormy i’m lost but i’m never lonely i can see it now, that you were my way out

27. life - our lady peace How many days have you just slept away? Is everybody high? Is everyone afraid? And how many times have you wished you were strong? Have they ever seen your heart? Have they ever seen your pain?

28. i won’t give up - jason mraz we didn’t break, we didn’t burn we had to learn how to bend without the world caving in i had to learn what i got, and what i’m not, and who i am

29. all of me - john legend my head’s underwater but i’m breathing fine you’re crazy and i’m out of my mind

30. count on me - bruno mars if you ever find yourself stuck in the middle of the see i’ll sail the world to find you if you ever find yourself lost in the dark and you can’t see i’ll be the light to guide you

31. closing time - semisonic every new beginning comes from some other beginning’s end

[ybcpatrick]

song tag

I got tagged by @lastsblues!! thank u sofia!! :D

rules: list ten songs you're into and why (I'm just gonna do songs I'm into rn bc if I did the Big Songs I Love we'd be here all night)

1. idontwannabeyouanymore by Billie Eilish -- this is so smooth and morose, yet it's also damn catchy. mad props to her, I love it!

2. Get Away With Murder by Jeffree Star -- AUGUST 1ST SHANE DAWSON SECRET WORLD OF JEFFREE STAR FIVE PART SERIES STARTS MARK YOUR CALENDAR PUT ON SOME GUCCI AND LICK A FUCKIN CHAINSAW WE S T A N (...she slaps)

3. Here Without You by 3 Doors Down -- this song is so nostalgic for me, it reminds me of being very young and driving in the van in the rain. it's somber and soothing. I love 2000s soft rock.

4. Trade Mistakes by Panic! At The Disco -- "if I could trade mistakes for sheep / count me away before you sleep" GOD it's just a mood. as a person with a serious guilt problem, I feel this one.

5. Boy Division by My Chemical Romance -- I'M EMO. FUCK YEAH.

6. The Unforgiven by Metallica -- again, another song that reminds me of being younger. Metallica is one of my mom and dad's favourite bands. all three of The Unforgivens are beautiful and make me think of watching the pipes moving on the computer screensaver while Dad slept.

7. Dearly Departed by Marianas Trench -- I want to write a fic around this song. God, the bridge where they call back to all their past hits gets me in my feelings. if you're an MTrench fan and you haven't heard this, do yourself a favour and look it up. then, die with me.

8. The Last Of The Real Ones by Fall Out Boy -- OW. I miss my concert. it was already surreal, being in the same room as FOB, but when everyone in the crowd sang to this it was powerful, and I felt it in my fuckin' core. TLOTRO is just a banger, and it goes HAM live. 11/10 recommend, she's my girlfriend.

9. Jumpsuit by Twenty Øne Piløts -- TØP ARE BACK!! I've missed them so much lmao. being away from the clique for this new album helps too, that community has a lot wrong with it, and it's got nothing to do with the boys. I love Tyler and Josh, and this song goes hard.

10. In The End by Black Veil Brides -- I never talk about BVB on here, but goddammit I love them. I actually discovered them through this song, it's on my dad's one NHL game for the Xbox. highkey banger, makes me wanna douse myself in black paint and go murder someone. fuck yeah.

i tag @ybcpetewentz and @data-dork, and anybody else who wants to do this!! no pressure tho!! 😊

[oldmyths]

Pick song for every letter of your username!

i was tagged by @transilnyckyj - thanks danny! (also like, i’m pretty certain someone else tagged me to do this? i think??? maybe??? if you did i’m really sorry but i couldn’t find the post in my activity page and basically i’m just a huge failure all around, so, again i’m super sorry!)

no one’s surprised that this post got pretty long, but if u were wondering i’m not tagging anybody cos idk who to tag fjgsdkf if you wanna do this just say i tagged you! c:

f - fire by pvris // this band is really, really good. like, the lyrics are exactly word-for-word my aesthetic. Especially “white noise” god what a perfect album. i’m seeing them in april with my cousin, and the vocalist is a lesbian!!! (afaik she has a girlfriend and they’re super cute) [alt-rock] “and when you ask us why we couldn’t look you in your eyes / it’s hard to find life in something that’s already died”

o - operation: mindcrime by queensrÿche // like...i hate geoff tate and the rest of queensryche cos theyre all assholes but this song (And this album) is like. super choice. as much as i hate to say it, tate. can really wail. and i love it :/ OM is a concept album, so the songs tell one huge ass story and it’s really 80s and really great [heavy/prog-metal] “you’re a one man death machine / make this city bleed”

u - up 2 u by walk the moon // “talking is hard” is kind of a hard album to listen to, actually this band is veering into that territory, but i can’t help but love their self-titled and this album. major high school feelings. [dance/pop rock] “it’s not the monster under your bed / it’s the one with you in the sheets”

n - no shows by gerard way // hesitant alien is like. in my top ten favorite albums of all time. like, ok, i switch albums like every other hour but hesitant alien is always, always a part of the list. it’s such a solid album and i’m so thankful for it [britpop] “she’s sweet as battery, man, i got nothing / you kiss an enemy’s hands, i got nothing / we got an animal band, and that’s something / it’s not love if it’s just fucking”

d - dust n’ bones by guns n’ roses // it was only a matter of time before i put gnr on this list. trust me, i could’ve a while ago but i want to at least Look like i listen to other music. anyway izzy stradlin does vocals on this song and it makes melt. plus i love live performances of this song. good song, good solos, good, good, good. [hard rock] “time’s short, your life’s your own / and in the end we are just dust n’ bones”

g - glory and gore by lorde // i jumped on the “pure heroine” train way too late, and now i would die for lorde if she asked me to, but she wouldn’t because she’s wonderful and perfect. holy shit. this song reminds me of my best friend and guilty cigarette smoke and sitting on bus stop benches, close together because i’m freezing in my thin jacket and the sun is falling faster than the bus can get here. [electropop] “delicate in every way but one (the swordplay) / god knows we like archaic kinds of fun (the old way)”

h - halo on fire by metallica // “hardwired” is a solid album all around. i feel like when you see “metallica” your first thought usually like. Isn’t a song that starts slow and ballad-esque but, yknow. plus i’m a sucker for angel imagery [heavy/thrash metal] “too dark to sleep, can’t slip away / open or close, my eyes betray / beyond the black, come, won’t you stay?”

o - oh my heart by night riots // their EP “howl” is entirely my aesthetic. like, everyone i show the music video for “contagious” has told me that the video is very Me and i Love it. night riots is probably one of my favorite indie bands out there. i wanna see ‘em live eventually [alt/pop rock] “so close, i feel you breathe in (my kingdom come, i am undone) / your eyes speak candid passions (my kingdom come, i am undone)”

s - stitches by frank iero // this song is extremely personal to me. i connect with it more than i’ve ever connected with anything before. the bassline fuckin kicks. stomachaches gives me memories i’d rather forget but i think i need them. i don’t listen to stomachaches much. [alt/punk rock] “i am the setting sun i am the setting sun i am the setting sun / i am a loaded gun”

t - topeka by ludo // this band is GROSSLY underrated which isn’t their fault, it looks like there’s some legal shit going on with them and their previos record label, meaning they haven’t said anything about it or released anything since 2012, but “you’re awful, i love you” will always have a huge part in my heart. [pop rock] “you’ve been known to obsess over the future / do you think you’ll get away from the past?” ... “every saint has a past / every sinner has a future”

s - september by marianas trench // my emo past...ok, but i play this song every september and i can’t remember how long i’ve been doing it, but i can’t break tradition. marianas trench is so important to me, and i’ll be forever grateful for the work they continue to put out [pop punk] “i think that somebody knows / so they can watch me explode / another piece of me is gone again”

[akiyama-san]

I've noticed your comments about Love Live Sunshine and don't get me wrong, we all have our own opinions and I'm not telling you stop posting your negative thoughts about it, but why do you hate Love Live Sunshine so much? And if you hate it that much, why are you even watching it?

I suppose it comes off as hate doesn’t it? Well despite how it appears, it’s not entirely hate, it’s mostly disappointment, and while that might not sound much better i’ll try to explain what I mean, hopefully to a degree that it can be understood. 

Spose I should start at the top shouldn’t I? 

I think it goes without saying that this point that I didn’t like the original show at all, it had its moments, and 2 or 3 good characters, which isn’t saying much I realize but these casts are fucking bloated of course only a handful will be likeable. The concept seemed really fucking stupid from the outset, and it is, but I’ve seen worst, and as a first attempt by SunRise for an Idol show, to my knowledge, the idea to give it an actual plot to follow was in theory a noble one. It failed completely, but the thought was there. More to the point, almost everyone was completely flat, incredibly stupid, and beyond insufferable. 

I’ll be honest, I can put up with a lot, and if I had chosen to watch it of my own volition I’d probably have been more forgiving of the writers dancing on active fault lines, but at the time some years back, I had several people breathing down my neck to watch the fucking show so I went in pissed off. Don’t get me wrong, that doesn’t change the fact that these characters say and do things that would make me want to hurt a small child, but I would still have been more kind to it in the long run. 

Then the movie happened, and well.... Lets just say the series needed the fucking soft reboot that was Sunshine after that abysmal travesty of a movie that completely deficated on a third of the casts character development. I’m still trying to work out the quantum fucking mechanics of how Honoka could receive her microphone from her future fucking self BTW. 

I openly admitted this at the time, and this is important because this is often overlooked by the crowd. I said that after the failure of the movie, and knowing that a new series was coming, if SunRise could learn from their mistakes, then I would gladly and open-mindedly go into Sunshine with a positive attitude and be kinder to it if the series was able to escape its charred charcoal burned roots. 

Needless to say I was absolutely blown away by how incredibly Sunshine could be at times, and how baffling disgusting and incompetent it could be as well. I stress that Sunshine is wholly the better property I was able to enjoy more than whole episodes and character arcs completely this time around, as opposed to the original where I enjoyed maybe 10 minutes of its total 700 minute run from episode 1 to movie credits. 

The series had incredible characters to start, those already good characters ACTUALLY GREW INTO EVEN BETTER CHARACTERS, THESE CHARACTERS ACTUALLY GROW AND MATURE AND THAT’S INCREDIBLE. I’ll say openly that the second years are some of the best characters I’ve seen in any anime in the past several years, and I would never hope to take away from that. Better was that we actually had rivals that we could see and understand, that weren’t placed on a pedestal for no discernable reason, one that stood on relatively even ground that could be combatted in real time, force growth and change upon both groups. 

At the same time, while the series had heights and feats that rivaled Everest, it also had lows that would put the Mariana Trench to shame. No, I don’t care what anyone says, I will never get over all the bullshit that happened between Mari and Kanan, and how absolutely disgusting Kanan is, even now, refusing to grow up or stop being a cunt or do anything of value to the group you so claim to love. I’ll be generous and say I was fucking disgusted by SunRise repeating what happened with Honoka and Kotori in the first season here with Mari and Kanan, almost beat for beat. It was terrible the first time, and suicidally bad the second time. 

To regain the focus, by then end of it while my opinions were of the mixed nuts variety with plenty of roasted salt, I still gave it a hearty recommendation because I thought it was genuinely pretty good, blue cuntveats notwithstanding. 

NOW

Where my problem overall with Season 2 lies. If it disappointment and wasted potential were a physical force this series could level mountains. 

From the beginning we’re told that we’re on an incredibly strict time crunch and that we need to focus all our efforts hardcore in the second round. 

Only for almost literally all of the first 6 or 7 episodes to be nothing but filler and padding to waste time, where no growth or progression of any kind took place at all, and such wonderful gems as 

Dia: Please call me Dia-Chan.

Chka: No!

and the omnipresent 

Chika: Teach how to do a backflip

Kanan: Not on your fucking life!

Kanan: Oh shit she learned how to do the backflip... 

Where it all came to a head however was with the reveal of just how many students the school actually had, because that was something that was never brought up. The total number of students is 68 when all are accounted for. And the is beyond miserable. 100 fucking students isn’t enough, to maintain the school you need at least 200, but closer to 300. With 68 students the school should’ve closed fucking years ago. The revelation of that number killed the entire fucking show, it made moot the efforts and development of every single fucking character, because no matter what, even if they had gotten 100 students, this same predicament would still inevitably rear its head once again next year or the year fuckin after. 

I want to make clear, more than anyone else on this site, I have authority to speak on this matter, and no one can refute this, hell I’d barely even listen to them if they did because I severely fucking doubt they ever dealt with this sort of thing, if they did they would totally agree with me.

I have come face to face with a school closure myself. 15 years ago the district announced that my Elementary school would be closing, this school with 700 students that churned out some of the best results in the city might I add. It was a hard and long fought battle, it lasted 3 years, but eventually the parents won that war, and it’s still open now. How did they do that? By actually getting involved, going to meetings, talking directly to superintendents and comptrollers, explaining things like how some of them go to work really early or work late, they can’t send their kids anywhere else because they’d never be able to make it to other schools in the morning on time or pick up on time because of how far away they are, how different schools offer different programs, and not all schools offer the same accommodations for special needs children as this one did, ETC. The point is, the parents got active in the fight, the people that might have been able to affect the outcome did, and while it was no easy task, they did it, they actually fucking one that battle. 

I don’t expect even a fraction of that to occur, but to at the same time tell me that the parents don’t know or care at all, much less any of the other fucking 59 students are powerless to help in any meaningful capacity is an absolute load of horse shit. 

Where it started to bring my blood to a boil, nay to a bursting point, was what happened in the last to episodes with Saint Snow. The best song the franchise ever gave us was Self Control, followed by Shocking Party. This is a fact. From a single interaction some of the most intriguing and likeable characters we got were also Saint Snow. For them to be all but ignored in season 2 until 8 fucking episodes in is ludicrous, but for their first appearance in over 10 episodes to be them failing a concert and us not even getting to hear any of the fucking song, is insulting, it’s infuriating, it’s domestic abuse. This isn’t a slap in the face, this is Studio SunRise forcefully shoving their cock in your mouth against your will and punching you in the eyes with brass knuckles for crying about the cock in your mouth. 

Honest to God, if I wasn’t committed to seeing this through, these last two episodes would be my first set my merchandise on fire moment, and that is saying a lot. It might sound like i’m being overdramatic, but honestly there are a lot of people that agree with me on this matter. 

I did a lot of thinking in writing this post and it took me the better part of an hour to write it. I still hold fast on my thoughts about the original, 2/10 garbage. 

I still hold to my opinions of season 1 Sunshine, 7/10 very good. 

But this season? Well let me put it this way, I score every episode and tally the scores at the end, if season one got a 70 percent

Season 2 probably wouldn’t even reach a combined 20/130 

I will still recommend newcomers to Sunshine season 1 absolutely, but I will also absolutely tell them to pretend season 2 never happened, do not watch it because it will make you commit homicide in the aftermath. 

Why do I hate Sunshine Season 2? 

Because SunRise finds new and exciting ways to fail at absolutely everything on every single level every week. I infamously gave the movie a 1/10, in the long run, I think I would sooner rewatch that movie on loop than ever rewatch this season of Sunshine ever again. 

[thestarmaker]

I was tagged in a thing!!

i got tagged in a 30-questions thing by the ever-lovely @dopdit-drk, thanks meg!!

1. nicknames: i don’t really have any, but the nickname Angle A comes up occasionally

2. gender: lol

3. star sign: cancer

4. height: 5′ 4″

5. time: 7:41 PM

6. birthday: June 23rd

7. favourite bands: oh god. Make Out Monday, Marianas Trench, A Great Big World, CHVRCHES

8. favourite solo artists: Owl City/Adam Young, Ed Sheeran, Andrew McMahon, LIGHTS, Taylor Swift

9. song stuck in my head: i’m listening to the pokemon BW OST so i don’t really have anything in my head lmao

10. last movie i watched: hm. This movie called “The Circle” that came out in 2014 or 2015 and it’s abt 50 people that grt abducted by aliens and have to decide who to kill off so one can carry on humanity and it’s fuckin’ wild

11. last show i watched: steven universe

12. when did i create my blog: like september 2014 i think

13. what do i post: jesus what don’t i post, but witch stuff, voltron, shit posts, bitch idek and it’s my blog

14. last thing i googled: uncle fester

15. do i have any other blogs: yeah, an old aesthetic blog that i really need to update oops, and a blog for stuff for my OC’s

16. do i get asks: not much on this blog

17. why i chose my url: i was panicking and needed something, and my fav number is 259

18. following: jesus christ i have no self control, is it really over 2,000? goddamn

19. followers: 454

21. average hours of sleep: anywhere from 4 to 7 haha i am dying

22. lucky number: 2, 5, and 9

23. instruments: i play cello!

24. what am i wearing: jeans, t-shirt-hoodie... my usual

26. dream job: idk!

27. dream trip: ICELAND

28. favourite food: hm, i love this shrimp lo mein from this tiny take-out place a couple minutes from my house...

29. nationality: american

30. fave song: "Perfect” by Ed Sheeran, full-stop

so in tagging the people i want to see do this, i tag: @jimboakimbo @starstruck-trencher @silverfrostbyte @zotropolis @galacticstar117 and anyone else bc i know i’m leaving off people!

[dykecassidy]

1, 2 and 14 for ian!

1. What’s their full name? If they’re an alien and their name is in their native planet’s language, have you thought about what it means?

Florian Foresterbecause i love alliteration

2. Say your OC made a playlist on Spotify. What bands would be on that playlist? Any specific genres?

shut the fuck one time i actually went to the trouble of making a playlist that they would feasibly make. god i did it on my phone tooFIRST THING IS FALL OUT BOY ILL GO FUCK MYSELF.also wildfire by marianas trench bc uhhhhh reasons to do with Her so its less of an ian song. also surprise theres brand new on it.

14. If your OC owned a Tumblr blog, what kind of content would they post?

it would be a fuckin witch blog. they’d post their circles, what they learned in Enchanting Class with mackenzie that day and the best app to keep track of all your eye stones withthey’d like a lot of pictures of dogs but never reblog em