#god he needs a last name

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[ash-and-starlight]

one day, in a thousand years

[eggwishing]

PAGE VOMIT

[ashpkat]

i can’t believe octavian died like… that. of all things in a middle grade kids books series. and everyone was chill about it. literally no one gaf octavian died so horrifically even if it was ‘just’ —and as the readers… we were chill with it too

[1doesnotsimplyhavejust1fandam]

We as a fandom do not talk about Buck’s whole “agonizing over not telling Eddie he’s bisexual” crisis enough. He felt like he was lying to Eddie because he didn’t tell him something new he’d discovered about himself! Tommy dismissing him for not being able to tell Eddie he’s bi yet certainly contributed to Buck’s panic about it, but the whole “lying to my best friend” part came entirely from Buck himself. And he goes to Maddie about his crisis because his big sister has always had good advice for him, and he trusts her with his relationship with Eddie. This tells us two things:

1. For some reason, Buck was worked up about not yet having told Eddie, specifically, that he is bisexual. He goes to Maddie and omits half the truth from her, even though it could help him figure out why he’s so anxious about hiding the truth from Eddie. But he doesn’t panic about his sister either finding out he’s bisexual, or attempting to hide it from her until the pronoun slip. His panic is clearly and explicitly devoted to the thought of lying to his best friend. Not even his sister, who has known and loved him his whole life, was like his mother for much of their childhoods, and was his greatest and sole champion for most of his life, elicits such panic from Buck. He’s nervous about telling Eddie, but everyone else in his life, he comes out to essentially with ease at the Madney wedding.

Now, for some people, this might make it seem like Buck is aware, even subconsciously of his feelings for Eddie, but I’m not sure I agree. And that is because of the second thing:

2. Buck is 100% incapable of not telling Eddie everything about himself and/or his life. Time and again, we have seen Buck using Eddie as a confidant, a safe space, and a comfort for himself when he’s in crisis or feeling particularly reflective. We see this in the og kitchen scene, when Buck, with a rather shaky segue, apologizes again to Eddie for abandoning the Diazes during the lawsuit, in a scene that feels like Buck’s been holding his words in and they’ve suddenly forced their way out to be heard by Eddie. We see it when Buck tells Eddie all about the first dinner with the Buckley parents, notably, the only on-screen conversation Buck has about the dinner and Buck’s feelings about it before the dinner is immediately overshadowed by the Daniel of it all. It’s all directed towards Eddie. And then we got Buck coming over to Eddie’s house after the lightning strike, asking for space from questions and concerns, and then later opening up about how conflicted and confused he feels after dying for three minutes (and seventeen seconds). And yes, even Buck eventually coming out to Eddie, the only scene where Buck is shown to be 100% intentionally coming out (yes, this is me admitting that I’m still iffy on the soot being on purpose or just an accident that Buck was fine with using to come out to everyone else he loves).

All of this to say, Buck cannot be aware or even subconsciously suspicious that he is in love with Eddie. Yet. This is a guy that thought taking his time to come out to his best friend comfortably constitutes as lying. He is honest with Eddie, and he clearly hates hiding things from his best friend because he gets all weird and uncomfortable about it. If Buck knew that he is in love in with Eddie, we, the audience, would know too. And that’s including the general audience. This isn’t a case where Buck could admit it to someone else and feel a little better that it’s out there, even though Eddie still doesn’t know. This is a man who is incapable of lying to his best friend, or keeping a secret from him. Not only is he incapable of it, he hates it! He doesn’t care about over sharing, he is just desperate for Eddie Diaz to know every part of him and love him anyway.

All I can say to that is, if we see a Buck love realization first, we’d better hope Eddie gets knocked into shape very soon after, or we’re in for a very angsty arc where Buck is “rejected” until Eddie realizes his own feelings. It won’t be a sweet and goofy sequence of Buck avoiding Eddie for a few days once he’s realized, and then telling Eddie magically makes Eddie realize that he feels the same in that very moment. It’ll be Buck accidentally running into Eddie the moment he walks into work the morning after he figures out his feelings, and immediately spilling his love out on the operations floor in front of Eddie and the entire team if he has to. Some sort of gentle rejection on Eddie’s part, and then the boys both shutting down instantly. Then multiple scenes of Buck believing he’s destroyed everything, while Eddie speed runs his gay crisis straight (heh) into a love realization regarding his best friend that he just rejected not three days ago.

So. Do we want the angsty “rejection” route? Or do we want an Eddie realization first, which would contain no less screaming, crying, and throwing up by Eddie, but would spare us the secondhand embarrassment of a Buck so in love that he simply can’t lie to the man he loves’ face for more than a second. Since it would be incredibly cheesy and adorable for their love realizations to happen at the same time, and for them to be ready to admit their feelings in the same scene/episode, I don’t think that’s what’s going to happen. It’s 9-1-1. If there is angst and pain to be had, before leading to a beautiful, fulfilling love, then they’ll be going that route over the simultaneous love confessions.

[cynicallyneutral]

demon children

[jockbots]

I love the concept of the wolfpack so much

like, do they howl to hyoe the whole squad up for battle?

do you think they can howl convincingly enough to like let their squad know roughly where they / if they're in position

do they call the shines pups? do they say after their first battle that they got their teeth? and then let them paint them on their armour

definitely not crying over the wolfpack being reborn as loath wolves

about wolffe feeling a strange sense of familiarity in their eyes

remembering the racket they would make on leave in bars barking like a bunch of frat boys to get him to down his drink

canonically they changed their armour paints colours to grieve all those they lost when their fleet was attacked

the details of plo koon painting the few pieces of armour he wears

and wolffe is protective to a fault as seen in rebels, he wants to protect whats left of his pack

i love wolffe and plo and the wolfpack so fucking much!!!

[ancha-aus]

RealAgeAU Drabble - Starcrossed

Here we go! the next Drabble :D @spotaus

As the poll ended it gave me two options and I wanted to write a Cross POV. So. Starcrossed :D

First: here Prev: here Next: here

Timewise?

We are about... a Month and like three weeks in. So a month of Nightmare being alone. Three weeks of him being with the gang. about a small week after Killer soul-adopting Nightmare (with Dust adopting Nightmare in the first week as the madlad he is).

Okay? We good timeline wise? okay.

As always, unedited and unbeta'ed. This is not ever going to change unless i one day decide to make a full story of these drabbles and add extra stuff and change the chapters up.

Anyway!

*------------------------*

Cross rubs his face as he continues to walk "Dust."

Dust just hums to let him know he heard.

Cross shoots him a look "He has legs. he can walk." with he, Cross obviously means Nightmare.

Dust doesn't even look at Cross or look in anyway surprised by that sentence. Instead he just keeps walking as he holds Nightmare in his arms "I know."

Cross stares at him but Dust doesn't continue to speak.

He groans "So why isn't he walking?!"

Dust shrugs and instead bounces Nightmare up a bit to enable Dust to have a more secure and stable hold on Nightmare.

Nightmare for his part does not look bothered as he just relaxes against Dust as he looks back over Dust's shoulder and watches other people go about their day.

Cross rubs his face "honestly what is the deal with you and carrying him?"

Dust shoots him an amused look "I want to."

Cross throws his arms and hands out "That can't be the only reason!"

Dust shrugs "Don't need more reasons."

Cross glares at the ground as they continue walking. He looks up and points at a store "This one?"

Dust looks at it and shakes his skull.

Cross groans loudly "What is wrong wit this one?!"

Dust raises a brow "Wrong style."

Cross crosses, heh, his arms as he glances at Dust "You know. this whole clothes shopping thing would be a lot easier if you actually picked a store to enter."

Dust shrugs again "Not good enough." and he gently bonks his skull against Nightmare's.

Cross can't believe this is the same Dust that got his own clothes by walking into the frist store he saw and grabbing the first set of clothes he saw. before calling it a day. Dust's wardrobe was hardly ever actually his size.

Now? The first store was too low quality; then not the right colours; then wrong materials; then too bland; then too sexy, with this one Cross had agreed and questioned why they would need a shirt for a six year old with the words 'lady killer' on them; then to tight and restrictive; and now just 'not good enough'.

When Cross agreed to help Dust get Nightmare new clothes instead of breaking and entering a place wiht Killer he had hoped it would be the less stressful option.

Cross rubs his face "Wiht you being this picky he is never going to get clothes that fit him."

Dust shrugs again and seems fully unbothered. Which may just be because Nightmare primarily still wears his stuff.

Cross doesn't get it. well he kinda does. Babybones are cute nad he also notices the need to take care of him but. It is Nightmare! It is a matter of time before he is an adult again and then none of this will have mattered! Or maybe they will have and then what? How would he recover from this?!

It is best to remind himself that this may be Nightmare and he may be six but Nightmare will one day become that powerful and formidable monster again and so to keep treating him with the respect he deserves!

They walk silently through the twon for a moment and Cross can see that Nightmare is dozing in Dust's hold. completely content and trusting.

Cross shoots a look at Dust. "I just don't get it...."

Dust blinks nad looks over "What?"

Cross feels himself grow warm with embarrassment. He hadn't meant to say it out loud and he says as much.

Dust rolls his eye lights and waits with a raised brow.

Cross grumbles but tries to explain "How can you... treat him like a babybones that easily?"

Dust tilts his skull and glances down at Nightmare before looking back at Cross "Because he is one." the way Dust says it implies it is the obvious answer.

Cross groans as he tries to explain more "But he used to be big and an adult. Or at least look like one? How can you jsut... switch to seeing him as a babybones?"

Dust tilts his skull adn snorts "easy. people change. people you watched grow up or grow older, do you still treat them like kids even though they are adults. because you knew them as kids?"

Cross blinks nad speaks "This is different?"

Dust shakes his skull "I don't agree. it is the same concept. just slightly different. he used to be a child. magic gave him the body and brain of an adult. but his soul was sitll a child and once the magic was gone he is a child again. So you treat him as a child."

Cross frowns as looks to the side "What if he becomes on adult again?"

Dust starts to grin "I mean. that is usually how growing up works."

Cross knows he is blushing again and glares "You know what i meant."

Dust chuckles and shrugs "The same still implies. We will just be lucky we managed to skip the teenage years with him."

Cross wasn't sure what he expected as answer but maybe he should have seen something like this coming. Dust was after all all for this parentship thing they have going on right now... and Dust is a very smart and logical person. Of course he managed to find comparisons to normal day life and managed to accept it more easily. Hell Dust probably has even more examples ready to use if Cross asks for it.

It is still just... difficult to accept for him. Cross will need more time. Luckily none of them seem to mind him lagging behind in this case. Killer had also taken longer than Dust to accept the situation fully, but Killer managed to work it out.

Horror is much chiller about what is going on. He didn't seem surprised at Dust's reaction and even less at Killer joining the 'parent-camp' with Dust.

Maybe there is just something wrong with him... it wouldn't be the first time...

Cross sighs as they stop by the plaza and manage to just see the house that Horror and Killer should be robbing. "well, either way we are soon out of time and will have been unsuccessful" great. the one thing they had to do was get Nightmare a spare outfit. They didn't even need to try shoes and-

Dust freezes "fuck."

Cross turns "what is wrong?" as he says it he sees Dust eye the plaza around them, all while he ducks further and further behind the fountain as Nightmare shakes.

Dust looks around the plaza "Stars. All three." he glares "empty... can't make a break for it using the crowd as cover..."

and a teleport would be too loud and will clue them in on them being here. Fuck indeed.

Cross sneaks a look and sees the three skeletons talk and converse casually. the rattling from Nightmare is a sign of pure fear and Cross feels himself grow worried even as he texts Horror and Killer about their emergency.

How... how would they react to Nightmare being a child? Dream had already made it clear that he thought Nightmare was corrupted and none of his brother had remained. What would he do if he saw Nightmare?

Best case scenerio would be him kidnaping Nightmare and locking him away... Worst case just... dusting him. Make sure Nightmare never becomes the powerful being he can be.

Cross notices that they have been seen as Dream looks shocked while Blue waves and starts to shout "Hey! DUst and Cross!" Cross acts as if he didn't hear or noticed them.

Cross stares at Dust "What do we do-"

and Dust just, undoes his own hoody. he pulls it over his head and even ignores the red scarf that falls to the ground next to Nightmare- wait when did Dust put Nightmare down.

Dust puts the hoody on Nightmare with one smooth motion and pulls the hoody up, he next uses the strings to make it tight and tests to make sure it doesn't come off easily.

Dust stares at Nightmare as he quickly puts on the scarf again "You just keep your face and skull against my shoulder and neck okay? Don't glance, don't react. Just act shy or asleep. Nothing will get you." and Dust picks him up again. Nightmare, without a single word, pushes his face into the soft scarf and together with the large hoody there is nothing visible that could be used to indentify him.

Holy shit that is so smart-

"Hey you two! We didn't expect to see you just hanging- what... is that?!" Blue looks beyond excited as he stares at the tiny bundle that is Nightmare. Cross feels his anxiety and panic turn hotter into a raging fire. Dont. get. near. him.

Dust just shoots Blue a look and speaks in a quiet voice "sh. quiet."

Blue gives a sheepish look and speaks much softer "oh. I am sorry. The kiddo is tired?" Dust just nods.

Cross sees his change and nods as well "We were taking a quick break but were going to leave again." he can see Killer and Horror look through the window of the house they are robbing and sees them see their situation.

Blue looks sad but nods "Yeah. I get that-"

Ink interrupts him "How did you two get a child?!"

Dream looks suspicious but doesn't say anything.

Fuck, he can probably feel Nightmare's fear doesn't he? and he wouldn't know it is fear directed at the Stars... Oh no.

Dust raises a brow and doesn't even bother to answer as he starts to take a few steps back, away from the Stars. Cross cna see that Horror is climbing down the side of the house as Killer glares at the Stars.

Ink gasps "I knew it! You two kidnaped a child!" he holds out his hands "Hand the child back and we will find their parents!"

Dust growls as he steps further back.

Cross panics and answers without thinking "We didn't steal him! He is Dust's you idiots!"

dead. silence.

The three Stars look shocked at Cross and Cross can actually see both Horror and Killer also stare at him in shock.

Ink snorts "Really? and who is the other parent?"

Cross huffs "First off, you don't nessesarily need two parents to make a child, learn basic monster biology first before making claims. second, obviously it is" think think think think think just say something! "me." NO NOT THAT!

The silence of before is NOTHING compared to the silence now. Cross is actually sure he can hear a pin drop in one of the stores around them at the moment.

No one moves and it doesn't help that Cross can see both Dust and Nightmare shoot him incredulously glances.

Oh please someone shoot him because Horror even pauses his own climb to shoot him a raised eye brow while Killer is ACTUALLY wiggling his eye brows at him.

Just end him. Please his mind did not work with him. He had just been thinking so much about how everyone had been treating Ngihtmare and how he saw the situation.

Dream is the one who coughs and looks to the side awkwardly "oh. wow. euh... congrats? I didn't realise you two were... you know... an item." please please please please shut up. "and a babybones as well! Wow! That is... unbelieveable!"

Blue nods "Yeah! No one knew!"

Cross still can't find the words and is actually afraid of what he will say next. Dust however shrugs and has managed to pull his face back in his normal bored look "prefer privacy. it is no ones business." and he raises a brow at them.

Blue smiles brightly "of course! We won't tell others. stars knows everyone wants a quiet moment nowadays..."

Dream nods before quickly changing the subject "right! We were just curious what you two were doing out and-" he looks horrifed "Oh stars... you two are on a date! A fmaily date! and we crushed it and interrupted it and we are so sorry!"

Cross suddenly understands why Chara and Gaster would use the reset and overwrite power. please just let him change this moment to have been anything else. please.

Dust hums and shrugs. Not really answering any question.

Dream still looks embarrassed "anyway! we... euh... well... were wondering what you were doing. Now we know that that is great! euh... So... my brother just... doesn't mind this?"

Any embarrassement disappears. Hot rage in his body. Cross glares as his crosses his arms.

Dream sputters but continues "you know... be is so against positivity... and this... this is a beautiful and wonderful thing! Doesn't he...isn't he..." he smiles sheepish.

Cross glares "no. He doesn't. In matter of fact. He is very fine with the situation at hand. very willing to help in a way he can." Cross isn't even lying. While Nightmare doesn't like having been changed back he isn't diffficult anymore and more than happy to stick with Dust, and them all, now. Nightmare is also not fussy when out and about on missions and aside from being grumpy he is a perfect good babybones.

Dust nods "you should stop talking about people you know nothing about." he looks at Cross "lets go. he is tired."

Cross nods and sees Horror sign at Killer to get down as well. Killer shrugs and just lets himself fall from the third floor right into Horror's arms. The two disappear into some side street.

Cross nods and looks at Dust "you first." Cross will just walk behind Dust and make sure the Stars don't get any glimbs near the end.

Dust nods and turns easily as he walks away, Cross can see how Dust changes the hand mid turn and Nightmare sinks a little lower. Making it that his skull doesn't even peak over Dust's shoulder.

They walk away in silence and take many turns to get some distance. As soon as Cross is sure the Stars can't hear or see them he says so. Which causes Dust to nod before sprinting, Cross is quick to follow.

They reach the edge of town in record time and Cross glances back "okay. we are good. we are fine... we got out."

Dsut nods before looking at him very amused "we made a babybones?"

Cross feels himself grow warm for so many reasons as he sputters "I panicked! I am sorry I implied we were- that we did!" he hides his face.

Dust chuckles and pats his shoulder "It is fine."

Cross relaxes and smiles in thanks.

Dust raises a brow "Killer will never let you live this down."

Cross groans "just end me."

Dust hums "I don't know. I don't think killing the other parent of my child works in my favour." he grins so goddamnit amused.

Cross is never going to hear the end of this.

*-----------------*

First: here Prev: here Next: here

Cross was so close to soul-adopting Nightmare but then the Stars interrupted and Cross panicked.

Also, important. Noticed how Cross only apologised for implying he and Dust made the babybones together? But not that he is a parent? Cross is getting there. It will just take him a while.

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[daughterofsarenrae]

I dont post many pics of myself but robin is being cute so

[unsat-and-strange]

hi I'm here with doodles I made of that fic I wrote (and in that same au) :)

this au is stuck in my head like a pebble in my shoe except in a good way not an annoying way

ids in alt :)

[crocodilenjoyer]

one piece is good because the god of hope and joy and freedom is real and his protection feels like the first rays of sunshine after a storm and his anger blazes and burns and he is also nineteen and wears old flip flops and an older hat and his reindoctor (reindeer doctor) is currently giving him the heimlich because someone said that it’s impossible to eat that much without chewing and he said nuh uh watch this

[shannonsketches]

Every time I talk to a DB fan who doesn't know or doesn't agree that the whole franchise is an adventure comedy first and an action series second I feel insane but then I find an old Toriyama interview,

You made some comedic scenes where you have minor villains Pilaf & co. appear; how did you come up with a balance between laughs and fierce battles? Do you pay attention to the difference between comedy and battle in making a work “entertaining”?

I believe that, when you combine comedy and serious battles, both of them might come alive even more. As for me personally, though, I much prefer drawing dumb jokes to battle scenes.

as a bonus, every time I'm like 'idk I didn't really like most of the DBZ movies prior to Yo Son Goku and Friends Return and BotG,' and get the 'whAAaaT they're so gOOD' (from my brother, tbh askdjs) but they all seemed really Action-Drama and About the Fight Scenes and I'm like 'meh kinda boring tbh' I get to gaze upon,

In the latest movie, Toriyama-san, you participated in the production from the scriptwriting stage for the first time. What is the reason for that? Was there anything you noticed in coming face-to-face with the work after so long?

I was told about a project for Dragon Ball in its first animated film in a long while, and I read the story outline; while the beings “Beerus, God of Destruction” and “Super Saiyan God” (which goes above Super Saiyan) were interesting, the themes were heavy, and I felt that the world was a bit different from Dragon Ball. Rather than telling them about this or that problematic spot, I thought it would be faster if I just wrote it out concretely, and while I had intended just to give them a model―”for example”―my hand wouldn’t stop, and ultimately, I ended up writing almost everything, including the dialogue. I am reflecting on the fact that I did something terribly rude to the scriptwriter.

Akira "It was bad so I fixed it, oops" Toriyama, Absolute Legend

[seaweedstarshine]

Thinking about the convolution of Eleventh Doctor's expressions of love for River Song in Season 7B. He does not trust Clara. He is utterly (wrongly) convinced that he and Clara are playing a grand manipulative game together. “What are you, eh?! A trick? A trap?!!”

So naturally, the last thing he should do in this game is to clue his opponent in on something that could be used to hurt him. Something like River, so painfully near the end of their time together, whose data ghost he can always see, who “it would hurt too much” to acknowledge. He can't let Clara know of the loss which constantly floods his senses; (“You are always here to me. And I always listen, and I can always see you,” he professes, once Clara has vanished into his timestream).

And yet. River fills his every moment (irregardless of any sneaking out for dates with increasingly-young Rivers while Clara is asleep like he did while the Ponds slept, which would explain his absence when the TARDIS is hiding Clara's bedroom). Even though it's not strategic, he can’t help but tell Clara about her. The best defense he can manage is to phrase it as if River isn’t as important to him as she is. Not only is avoiding her first name in his grief; he's also completely avoiding pronouns; which seems extreme given that he's still mentioning her as often as: “Oh yeah, of course he has! Professor Song! Sorry, it's just I never realized you were a woman.”

Leave out the emotion — leave out the details — don't show the cracks in the armor — play the part — win the game.

“Well, there's no point now. We're about to die. JUST TELL ME WHO YOU ARE.”

[piebutt]

every other dragon age: noooo guys archdemons arent actually dragons they just LOOK like high dragons! they're so special and different!

veilguard: so they were just high dragons :3c

[specific-dreamer]

i know ace is most tactile with soda and two-but, from what i’ve noticed, those two are the ones that initiate it the most (obvi soda has his crush and wtv the fuck her and two have)

and i could be seeing things wrong, but im pretty sure she initiates contact with darry the most. like when darry’s dancing (not often, im actually p sure he only dances dances in hth but i hv to watch it again to be sure anyways) she’s always got some type of physical contact with him.

like there’s this one part of hth where slightly like ever so slightly like there was no point in even doing it, lifts her off the ground. and she’s constantly hanging off his shoulder

not to mention during ggah, when nearly everyone’s talking about how darry nearly went soc and he wasn’t the same anymore/he’s not real greaser, ace chimes in with “i love you superman” right b4 he leaves. i’m pretty sure he doesn’t acknowledge it, at least brent!darry didn’t, but there’s something special about her being the only one to say something that’s not pushing him away.

and yeah soda said his lil “darrel never went soc” but that’s it. and that’s less not pushing him away and more stating a fact, or what he wants to be fact.

omg not to mention, that’s the only nickname darry has in the show. he’s called darrel the entire time except for when ace calls him superman and he calls himself darry. which could be nothing, or it could further imply that he essentially has nobody to lean on