#god bless this old concept

[pannacottababy]

Copying my description from the Greed Island server:

"The concept is something I wanted to use for Inktober but scrapped it, it was originally a girl crying stars for the "Celestial" prompt. I recently found the scrapped drawing and decided to reuse it just for this. I was deciding agaisnt red stars or red eyes but just used red eyes ultimately."

This is my first entry for the Greed Island server, how exciting!

The concept is under the cut :)

~~~

I think this was supposed to be me? I liked using myself as a reference for my Inktober works.

Such a shame I never used this for Inktober, but I'm glad I can use it now!

[dollarstoreartsupplies]

you know how after black friday came out we all collectively named the hot chocolate boy oliver and wrote him as ethan's younger cousin?

well.... ethan is joey richter.... and he can still be the hot chocolate boy's older cousin because he's four years older then pete..... ted ethan pete power cousin trio

[northemoonduringthenight]

"She kept him safe from his enemies, and she defended him from seducers, and gave him a strong conflict, that he might overcome, and know that wisdom is mightier than all"

1King 2:4-5 Douay-Rheims Bible

Artwork: George Hitchcock, The Annunciation.

[widevibratobitch]

my toxic trait is getting into a show that's honestly mid at best and creating a version of it in my head that is so so good and nuanced and compelling and then seeing a take by an average fan with wet cement for a brain and just deflating like a months old helium balloon

[codename-adler]

i hate you vague-posting. i hate you hypocrisy. i hate you black-and-white mentality. i hate you morality high ground. i hate you mockery. i hate you egoism. i hate you idolization. i hate you snobbery. i hate you shit-stirrers. i hate you ignoring-the-tools-at-your-disposition-to-curate-your-best-experience. i hate you whimsy-killers. i hate you lack of critical skills. i hate you lack of literary analysis. i hate you lack of awareness. i hate you overlooked context. i hate you lane changers. i hate you anon shit-grenades. i hate you irresponsibility. i hate you inability to scroll away. i hate you confrontational era. i hate you people refusing to use the block button that is right fucking there.

now logging off. good fucking night.

[dirtbra1n]

hanzawa masato doesn’t like sundays.

the shrine won’t be performing any exorcisms today. to be more specific, the miko that greets him feels his forehead with a warm hand and decides that he’s in good health.

he doesn’t want her to know how little he values her judgment, so he bows to offer a prayer instead.

—

he’d woken up this morning without having had any dreams. he went out of his way, on a morning that was over-bright and unsettlingly still, to make a trip to the shrine. because he hadn’t had any dreams. for all intents and purposes, a full night’s rest.

a monument to the places his mind has been lately, that this was cause for alarm.

barring that, lack of dreams notwithstanding, masato woke up just before the sun rose. the statements made about darkness before dawn are wrong, but his house is old and construction in the neighborhood leaves it eclipsed by increasingly taller buildings that are increasingly growing occupied by increasingly unneighborly neighbors.

the statements made about darkness before dawn are wrong, but when masato wakes up his room is dark and somewhere between too cold and not cold enough.

he doesn’t think it’s particularly scientific—knows this, truthfully—but he’s become familiar with the following pattern:

open your eyes first thing in the morning; you don’t want to be alive. throw the sheets from your legs and feel as the warmth is leached from your body. roll onto one side and feel as your ribs resist the desire to cave in. check the time and feel as the numbers rattle hollowly, meaninglessly, in your brain.

your name is hanzawa masato. you don’t feel tethered to any of the unkind physicality happening to “you”.

you want to die more than anything.

and then he stands, finally, and moves to go about his routine, and if he wasn’t put through an especially brutal wringer overnight, he’ll forget his ideation and go about things the way he always does.

if he was put through that wringer, he can forget. he’ll make himself forget. he’ll learn how to make himself forget.

—

he doesn’t intend to die, is the problem. that simplicity would be a blessing.

the shadows cast before him were inky, stretched long. the trains rattle near-silently on the tracks, low rumbling swallowing the impact of his own footsteps. the footsteps of other people, though sparse, jab like sharpened stones into his ears.

days like these feel fake. days like these make his dreams feel real. days like these make masato feel a little less than alive.

he would feel stupid saying so out loud, but he’s starting to believe that no one’s as haunted by ghosts as ghosts themselves.

he doesn’t know what brought him to this conclusion.

(a lie, mostly. if he had to hazard a guess: an answer lying somewhere between his exhaustion and reluctance to fall asleep, his wishing to die but fear of death, the restless shifting—currently absent—river.)

the thing about all of this is that masato doesn’t actually believe in ghosts.

not real ones, anyway. if anything—anyone—is going to drift aimlessly through the halls, holding a lantern or candlestick or knife, reflection held in its edge tortured and gaunt, it’s going to be him. an offhanded, deeply involved joke at which to have a sadistic laugh.

he has his obligations, though. of course, the knife would be fake—the edge of it dull and without character, not reflecting much of anything, harmless.

he thinks tashiro would think it’s funny. after the shock and fear and flustered anger wore off, at least.

—

real or not, the house he grew up in—the house he lives in now, the house currently, on only this day once a week, occupied by only him—is haunted.

—

he hasn’t forgotten. if it matters. he’s never been very good at lying to himself, and this one was an awfully slow sort of deal. the sort of deal that is just as much a pain to forget as it is to remember.

there was very little tenderness. he couldn’t quite stretch his legs all the way out, couldn’t reach his arms out over his head. his fingers were cold and useless, deadened, slow. the air pushing in and flowing out of his lungs seemed to whistle through the puncture wound in his chest.

he wishes that he could learn; there was no tenderness, in truth. time moved slowly, if at all, abandoning him to sit stiff in the water, soaked to the bone. abandoning him to finish dying in isolation.

he woke up, a few hours ago now, sweaty and splayed out, drowning only in his sheets, and it was an awfully slow sort of deal, but it couldn’t make him forget.

masato’s never been very good at forgetting things, either.

try as he might to toss them out, two facts cling like hooks to his skin:

1.    hanzawa masato is a still-living human being, and

2.    he doesn’t want to die.

(if he had to hazard a second guess, like he was on some sick introspective game show, masato would say that all anyone ever wants is to live, but living’s hard, and it hurts. it never stops hurting.

he figures—reluctantly, he doesn’t want to spend as much time as he does mired in unwinnable existential debates—that if it’s going to hurt living and hurt dying, he might as well live.)

—

masato doesn’t know where that puncture wound in his chest even came from.

—

I’m at the shrine

Like… for fun?

spiritual enrichment

Of course. Silly question.

Mom says to buy yourself a charm.

which one

…Health?

she said love. I’m buying YOU a love charm

I DON’T NEED IT.

—

poorer, he walks home as evening settles. the clouds that had been crowding the edges of the sky have hung themselves low over the city; no moon.

masato navigates mostly by bleeding sunlight and does not grieve. though his eyes insist otherwise, there is no river.

he carries three charms. good health for his mother, love for his older brother, evil warding for himself. he doesn’t know what compelled him to buy the third.

worn through by the prickly feeling at his skin, he turns his head stiffly to check—there is still no river.

at present, there isn’t anything worth his grief. one pocket lighter, the other heavier, but as insistent as his older brother was that he not buy the damned love charm, it’s not like masato doesn’t know that he’ll just as stubbornly insist on paying him back.

tomorrow, though. they’re not back until tomorrow.

abandonment, maybe. if he was grieving. he both had a dream worse than usual this morning and he didn’t. he was alone in that house and he wasn’t. it’s haunted when he’s there and not when he isn’t, but his mom insists that he house-sit every fucking sunday like the house would be the one pleading “how could you leave me here alone?” and not him.

but it’s not grief, and he’s not pleading. because he won’t let weird dreams count, no one even died.

it’s a pedestrian street, glossy shimmering concrete. everyone but him is walking right where the water would be.

there is no river. his chest aches. he knows better than to entertain the idea.

[everytimewetouch-dot-mp3]

cang qiong dragon god shen yuan is probably like so old that time doesn’t have meaning? like he transmigrated into pidw as a dragon and and the system gave him a few missions that functionally amounted to ‘claim this mountain range as your territory and defend it from demons’

sy didn’t realize that he was actually laying the foundation for cang qiong mountain sect before its creation. some terrifying demon demigod (one of the first heavenly demons, maybe?) pursues a band of cultivators to his mountain range, and he protects them. they settle his mountains and start cultivating, and because they’re protected by a literal god (who they call lord canglong, and they name the mountains after him) people want to study there.

so cqms is born, and sy takes a nap. when he wakes up, those cultivators he saved bring another group of cultivators, all named 'wen' to his mountain, and they ask his permission to lead the peaks next. another nap, and he wakes up to the wen generation asking his blessing for the ming generation, so on and so forth up until the qing generation. this time he recognizes names: qingge, qingfang, qingqi. this generation's leader, qingyuan. and the one whose bow is shallow and perfunctory, qingqiu. ofc sy isn't super pressed about standing on ceremony or whatever—he's only experienced like six years in this world, and most of them were spent either establishing the mountain as his territory or helping his little cultivators fight off some world-ending cataclysm or other. but he remembers the scum villain’s name, and he’s not a huge fan of the way sqq’s already proving himself to be an arrogant old shit

just like every other time, after he’s met and blessed this generation of peak lords, shen yuan falls asleep. shit!!! he meant to stay awake this time, but the system putting him to sleep is just too powerful! he’s probably missed luo binghe, damnit!!! what’s the point of transmigrating into this shitty novel if he doesn’t even get to meet the only character worth the pixels it took to type him into existence??

but as soon as he sees that fluffy-haired boy curled up in one of his caves, bruised and weeping and wondering what he’s done to be so universally hated, shen yuan knows. that’s his protagonist, and he’s really too pathetic like this. he’s really just a child. and shen yuan might have been easily annoyed by the concept of kids in his first life, but this isn’t just some whiny kid. this is the protagonist. so he does his best to calm tiny lord luo down.

and at first when lbh realizes it’s the fucking dragon god canglong speaking to him, the poor kid falls on his face kowtowing and apologizing for the intrusion, but lord canglong just…asks him what’s wrong. and then listens. and then he allows binghe to…to touch his hand???? not only that, he pats binghe’s head?? and tells him it isn’t his fault??? that one little head-pat is filled with so much spiritual power that binghe almost passes out, and soon after he recovers, lord canglong sends him back down the mountain with a renewed sense of purpose. lord canglong said binghe wasn’t stupid, wasn’t incompetent, wasn’t a failure, and binghe was determined to prove himself worthy of the sect’s guardian deity’s kindness.

and when luo binghe turns to walk down the mountain back to qing jing peak, that google translate voice pipes up in shen yuan’s ear with an update he hadn’t realized he was waiting for.

[Congratulations! Congratulations! Congratulations! Important things must be said three times! USER_002 has completed the quest {From the Ground Up}! B-points +500 USER_002 has initiated the quest {Master of Masters}! New skill [Shapeshifter] has been unlocked! Would USER_002 like to activate [Shapeshifter] now?]

shen yuan slammed the bright glowing [YES] faster than any quest the system had ever given him. that’s how he learned that he was, in fact, just naked in front of luo binghe, and the [Shapeshifter] skill didn’t come with an auto-clothed setting. thank fuck he’d already sent the protagonist away!

[aliusfrater]

i was really excited to read this but it sucked i stopped ¾ of the way through lol i was hoping it'd get better or culminate to something interesting

fic so good it's triggering

[crystalflygeo]

Mark of an Archon ft. Venti / Zhongli / Ei / Focalors / Nahida / Neuvillette + gn!reader

cw/tags: Mostly suggestive but nsfw in some parts (mostly Zhongli, Neuvillette) marking, kissing.

notes: Alright so... this is different from anything I've written before but I got inspired by the concept of the elemental symbols used as marks by the Archons to denote those important to them. Just short fluffy little dabbles I guess, first time writing everyone except the dragon men heh. I tried REALLY HARD to keep this gender neutral and be inclusive in descriptions but regardless, reader bottoms lmao. Hope y'all like it. (Y'all will NEVER guess where did I get the inspiration for all the marks' placements hehe) Edit: Y'all I have never played obey me WHEEZE the marks placement actually comes from a very old magical girl anime I loved as a kid XDDDD (except geo, it was on the belly button but-//hit)

It is said that the Archons place a mark on the body of their loved ones. A symbol of protection, perhaps of “ownership”, imbued with their elemental energy. Legends has it that they remain mostly invisible to the naked eye, glowing brightly only when the Archon in question touches it, but leaving behind a distinctive trace able to be identified with elemental sight.

However, none of this has been proven at all, and remains mostly as a fantastic tale, just a rumor…

Or is it?

-Barbatos

Venti’s mark rests between your shoulder blades, the small Anemo sigil emulating tiny wings in the most appropriate of places. It makes him fond of calling you his “angel”, though, you know it cannot compare to his own real wings... it makes your heart flutter nonetheless.

It remains mostly covered, and yet without fail, Venti’s hand would always gently rest on it before his hand slides over to your shoulder or waist. At this point the touch soothes you and you’ve come to expect it every time you enter Angel’s share and bright Aqua eyes land on you.

In the dark of night, those precious moments of closeness and passion among the bedsheets, Venti’s nimble fingers, calloused by the Lyre and the bow alike, trail along your spine and stop at the mark, before he leans in and places a kiss on it.

For the God of Freedom to brand someone like this… it would seem as a contradiction, but you know it to be his blessing, his vow to you and your love. As his lips go up to your shoulder and his hands slide down to your waist, sneaking between your legs, he closes his eyes and hums a soft tune.

-Morax

The Geo mark is found on a rather unusual place, and to tell the truth, it even embarrassed you a little at first. The golden diamond placed just below your navel, partially hidden by the line of your underwear. When asked about it, Zhongli simply murmured something about dragon mating, fertility or virility… his cheeks dusted red.

You admit though, that once you get used to it, you do find yourself idly tracing it from time to time. Sometimes it seems to glow softly, or feel warm, perhaps responding to the Archon when he thumbs gently at it, contrasting and comparing with his own blackened arms, etched with veins of gold. Amber eyes staring up at you with love and desire as he places a kiss on it making you shiver.

Zhongli constantly wants to mark you more, in all sorts of ways. Drape you in silks and cover you in gemstones and gold. Leave bite marks along your skin. Douse you in his scent. It appeases his draconic instincts. But nothing compares to that little geo sigil, a personal indisputable claim, tattooed on your skin.

In a way, the mark could be taken as the God of Contracts’ signature and an unbreakable oath to you, his mate. It makes the dragon purr as he rolls his hips into yours, sinking deep inside you and making you whine as his palm presses against it.

-Beelzebul

Right at the center of your collarbone, like a pendant held by an invisible necklace, that is where the Electro mark was placed by Ei. Sometimes it’s a real shame it can’t be seen normally by humans, it would make for a pretty nice tattoo…

It’s not like the Electro sigil is rare to see anyway, quite the contrary, a rather popular choice and common sight all over Inazuma with deep cultural and religious meanings alike honoring Her Excellency. But one look from a youkai or one of the mikos at Narukami shrine and you know this is different.

Ei could act aloof and have a hard time expressing or understanding feelings, but the way she looks at you as she straddles you… dark violet hair cascading down her back and sides, hands roaming your chest and settling at your shoulders. She pins you there under her intense purple gaze and then bends forward to kiss at the sigil before moving to your lips.

The Goddess of Eternity considers her choices deeply and rarely ever goes back on her word or breaks a promise, and that is what she bestows upon you with her mark, a promise. Of love, of respect, of loyalty. Who would’ve thought the Electro Archon could be so… passionate?

-Focalors

You couldn’t believe just where Lady Furina had placed a pretty, blue, Hydro symbol on your skin. When asked about it she’d just giggled and said everything had a reason when it came to divine marks such as these… then proceeded to not explain at all. But seriously, your inner thigh?!

You could only sigh but smile softly at her antics as she laid across the couch, head rested in your lap, taking a nap by using your thighs as pillow, or demanding to be fed more sweets and sputtering indignantly when you poke at her nose or cheek instead, blushing.

She often drives you insane, paying special attention to the hydro marking with kisses and nibbles when you need her lips to go just a little more to the side… but oh, how she enjoyed teasing and riling you up. Mismatched blue eyes blinking coyly under thick eyelashes.

This is Lady Furina’s pledge to you, her word of honor as the Goddess of Justice, to love and cherish you no matter what. For despite her innocent act, she is guilty of having fallen for you.

-Bonus: Buer (Platonic)

Many people underestimate and doubt Nahida. A grave sin, in your opinion. When she places her mark of Dendro softly in your forehead, you feel nothing but pride, willing to follow and defend her and her teachings, for it is an honor to be her acolyte.

You see her wisdom in her actions, in the contemplating looks at her beloved city and people, in the way she always tries to solve problems and learn from difficulties, in her kindness, gentleness and little smiles. You see her love in the way she helps the elderly and soothes the children, in the candied ajilenakh nuts she shares with everyone, in the sparkle of her unique green eyes.

Like any other Archon, her nation and all its inhabitants are like her children. Despite her preferred appearance, the way she holds your hand as she guides you along and brushes at your hair gently with comforting words and praise feel more akin to a mother.  

Just as you trust her, she trusts you, that is the covenant her sigil represents. And in the eyes of the Goddess of Wisdom, one day you’ll reach the sky and stars above.

-Bonus II: Hydro Dragon Sovereign

You stare at the sigil in the palm of your hand. An ancient symbol of power, no doubt, but with a meaning long since lost to time and shrouded in mystery. Yet, its significance is crystal clear to you: “I am yours as you are mine.”

The way the Iudex would always, without fail, hold your hand gently and kiss your palm instead of the back of it as it was traditional would no doubt confuse some people, but it makes your heart skip a beat. This special connection, the knowing look from those gorgeous lavender eyes and the hidden smile pressed against your skin…

Your back arches with a moan as Neuvillette ruts softly into you, slow and reverent, peppering kisses and nuzzling at your neck. His hand takes a hold of yours, fingers intertwining and you shiver as the marking in your palm seems to react. Your grip his hand tighter, canting your hips as well and surrounding him with your legs, asking for more, more, more-

It’s unknown if one day his kind will return to power, just as it’s impossible to predict the flow of the elements and the energy in leylines or just what the future will bring. But for Neuvillette, having you by his side feels like the most refreshing spring water and makes life that much sweeter.

[peachesofteal]

MELOS

main masterlist / Azriel's masterlist

Azriel/female reader Part one of three - 8.5k words - AO3

Tags: 18+ mdni. Torture scene, asphyxiation (not the sexy kind), angst. Azriel hates himself. Feelings of despair, fear, panic, longing. Amren uses "boy/girl" so I can too. Mention of spanking. Trauma. Post ACOSF, HOFAS, canon-compliant. Cassian is a meddler. Azriel doesn't like surprises.

In the woods just inside the confines of the Middle, Azriel finds a puzzle.

More aptly, Azriel finds you, bathed in the glow of the sunset, iridescent snowflakes from the first snow delicately falling to your shoulders, your hair, the tip of your nose.

There’s magic on the wind carrying your scent, something different he cannot place, tang of petrichor sitting on the tip of his tongue.

Strange, beautiful creature, the shadows whisper. He’s inclined to agree.

Strange indeed.

For a moment, he thinks of Bryce. He remembers her entrance into this world, her stories of her home, things both he and Nesta have no concept of. The star on her chest.

She is of no threat to us. 

That’s not for you to decide.

He slips into the caliginous wisp curling around his shoulders, a shroud of darkness allowing him a closer look, just as a persistent huff at the edge of his mind pulls his attention.

Where are you? 

Working.

Working where? 

South. There’s a snort.

One-word answers, how sufficient. You’re not a pariah. Come home. 

Once I’m finished. 

The conversation eclipses his focus until you slip on the frozen riverbank and he tenses, gaze swinging to where you’ve caught yourself with a squeak, one hand behind your back, palm slicked with mud. 

His wall falls entirely, distracted, and Rhys' curiosity piques. 

Who is that? 

No one. I’ll report to you later. With that, the conversation ceases, Azriel’s walls of tenebrific smoke rising to block out the irritated hiss of his brother.

The edge of the Middle is considered somewhat safe, though not without risk, a perplexing fact that spurs him closer for a better look as you rise from the river, frozen blades of glass crunching under the sole of your boot. Your ears are pointed, limbs elongated, both markers of High Fae, but something unknown still lingers, a natural, earth rich sillage left in your wake. Your hips swing from the effort of pushing up the bank, backpack in hand, and the sway distracts him. It’s hard to ignore the shape of you, the weight of your breasts, the pert bow of your top lip. Gods, at full height, you barely reach his shoulders, and his body reacts in a way that’s out of his control.

Rhys’ warning is ice between his ears, a wound still fresh even though it's old. If you need to fuck someone, go to a pleasure hall and pay for it, but stay away from her.  

He’s long let her go, but the command from his brother still sits bitterly in his stomach, along with untended desire. That's all this is, misplaced salacity.

Still, even your calves draw his eye.

Lovely little female, the shadows croon. He grits his teeth and falls into step behind you, cautiously allowing inky tendrils to sprawl across bramble laced ground. One licks too close, just barely caressing the edge of your heel, and you freeze.

So does he. An unnatural stillness falls over the wood, culminating into a quiet so loud it shatters as you fix wary eyes on the space where he stands. He holds his breath, ice crystal laden cirrus clouds parting overhead, drawing back the curtain on a star filled night sky, silver light shimmering across fallen leaves. 

The night's splendor shines on you like a blessing from the Mother herself. 

You blink, lips parted, quizzical, anxious expression bringing your brows together. “Hello?”

You can’t… you can’t see him, can you?

Your reaction puzzles him. How is it you are out here, in the Middle, so brazenly, so recklessly, calling out to a place filled with such sinister, monstrous magic and monsters?

You tilt your face to the break in the clouds, downy white snowflakes sticking to your eyelashes and dotting your cheeks in such a way it’s seraphic. The shadows, his shadows, vibrate with frenetic, enchanted energy.

Beautiful, they coo as they reach for you, nearly finding the bend of your neck before he snaps them away.

You shift the backpack hung from your shoulders and take one last look around, confused, until you shake your head, spinning on your heel to head into the forest. The urge to follow you is too great, your presence here is now a riddle requiring answers, if not for his own curiosity, then for the safety of the Night Court, his family. Who knows who you are, what you are, what your business is in this place-

Shadowsinger. Nuala’s whisper halts his pursuit. The fox is here with news of Koschei.

With one more long look at your retreating back, he reluctantly steps into a pocket of a shadow, leaving the Middle and its new mystery for another time. Soon.  

Azriel does not like surprises.

In fact, he prides himself on rarely ever being surprised, at least in Velaris.

So to stumble upon you at the Palace of Bone and Salt, to see you in the midday sun, boots and muddied cloak replaced by a plum stained linen dress, hair pinned up in various places off your neck and holding a large canvas bag at your side, stops him in his tracks. He falls behind Cassian and Nesta without a single word, slowing his steps to mimic how you drift through the stalls and storefronts, nodding and smiling to others as if you belong here. As if this is your home. The wary look in your eyes from the other day has been replaced by a radiant, celestial glimmer, one drawing those around you closer, and something squeezes around his heart at the sight.

Our sweet girl. 

Stop it. 

“Az?” Nesta turns, noticing his absence, Cassian following suit almost immediately.

“Sorry,” he replies smoothly, running a hand down the buttons of his shirt. Even from paces away, the scent of your skin fills his nostrils, dampened wood from rain and freshly fallen fruit. Foolishly, his gaze lingers too long, long enough his brother notices, and breaks out a broad grin.

“See something you like?”

Cassian plants himself directly in your path, pretending to look on absentmindedly, perusing a stall piled with fresh cuts of meats. You try to move around him, but the flow of bodies stalls your momentum, and you nearly trip over your feet, giving Cassian an opportunity to reach out and steady you.

“I’m sorry!” You grip the straps of your bag, righting yourself after recovering from the stumble, and Azriel closes his eyes, resisting the urge to pinch his brow.

“That’s alright. I’m Cassian,” he grins, extending his hand. There isn't a male, female, or child in this place that does not know them, but the introduction is polite, at the bare minimum. At its depth, it's a way for his some time insufferable brother to stick his nose in a place it doesn't belong, and when you don’t reciprocate, he breezes right past, ignoring the awkwardness of your refusal. “This is Nesta, and Azriel.” Azriel inclines his head, and you look from Cassian to him, before settling on Nesta.

Most in Velaris look away from Nesta, like they’re staring at a star so bright it hurts their eyes, but not you. You meet her head on, studying curiously, and her lips quirk to the side in a barely-there smile.

“Ignore him. He’s an oaf sometimes.” She playfully nudges Cassian with an elbow, and you relax slightly. His brother doesn’t know when to leave well enough alone however, and clears his throat.

“This is the part where you tell us your name. It’s customary.” You’re taken aback for a second, a micro-expression of unease no one else tracks save for himself before recovering with a tepid smile.

Your name rings like a bell, a chime of music, strings and key perfectly played in harmony. The shadows sigh.

“Do you live around here?” Cassian pushes, and teeth sink into your bottom lip.

“Yes, I- I work at Moonflower.”

“The apothecary?”  

“That’s the one.”

“Maybe we’ll see you there sometime. Nesta’s always in need of a new elixir.” She raises a brow at her mate, who flashes Azriel a mischievous smirk.

“Oh, I work in the back.”

“You’re the apothecary.”  They're the first words he's said to you, and they're wrong. They slip off his tongue too cold, too calculated, and he doesn't miss the way you frown in confusion.

“I’m an alchemist, but… yes.” Your voice is a shade above a whisper, quiet beneath the bustle of the market, and his eyes meet yours, circling in your inescapable gaze like a spider in a web. Cassian coughs, breaking his reverie. “I uh… I should get going, I’ve got a lot of work to do. It was nice to meet you all.” He wants to disappear into the crowd of the market after you, but he dreads the weight it would carry with his brother, the unrelenting questioning and pestering it would produce. 

“You too!” Cassian hollers, and then faces him with a wide grin. “Well, she’s-“ Nesta smacks the middle of his chest, and Azriel glowers.

“Don’t.”

He finds you again in the Middle, same backpack and boots, diligently picking through a patch of chartreuse moss. He swallows his scowl. Why are you out here alone, again? It frustrates him. Why put yourself in such danger?

He's struck by a fantasy, one of you with your pants pulled down your ankles and bent over his knees, sweet cries filling the room as you take your punishment for such recklessness, his open palm raining smack after smack down onto your ass.

Madness. He shakes the vision away, coming to stand at your side.

“Hello.” You whirl, startled like a rabbit.

Nice, the shadows groan, and his wings flex.

“H-hi.” Music again, a melody on the breeze, and shadows flutter around his shoulders, scrawling across the ground to where you kneel. He orders them back, wielding a sharp-edged command that cuts, but they stray farther, stretching for you, carefully floating across your forearms.  

He’s stunned, briefly, and then gathers his wits, yanking them away. They’ve never, never behaved this way. Born for him from desolation, tamed from darkness incarnate, he’s shaped them into obedient spies, tools spread across Prythian, ethereal wisps capable of things others cannot comprehend. Always in service, always compliant.

You look up with a little bit of wonder in your eyes, pretty little smile tugging at your mouth. He should say something reassuring, something kind or friendly to ease you, but such sentiment fails him, and he scowls, snapping at you instead. “Why are you out here by yourself?” Your face falls, effectively chastised like a child who’s been caught in a cookie jar.

“I’m… I need things. Ingredients.”

“And you need to come out here to get them?”

“The plant life is more vibrant here, more uh, c-concentrated? The magic is stronger. It’s hard to explain…” 

“The Middle is a dangerous place.” He replies flatly.

“Oh, I don’t have problems here. I never travel too far from the boundary.” You glance at your bag at the edge of the clearing, eager for an escape he imagines, though he’s not willing to let you go.

“You’re quite far from Velaris.” You nod, but offer no explanation, and he raises an eyebrow.

“I winnowed.” You rock back on your heels and stand, shuffling closer to your backpack. He doesn’t move to stop you, just stands in the center of the moss patch, studying your every move. “I've got to get back,” you explain, offering him a nervous smile, one he doesn’t deserve, or return. You wilt. 

It strikes a chord in the pit of his stomach, and in a last-minute moment of weakness, he sends a shadow to ride the coattails of your winnow, issuing a stark warning to reaffirm the mission.

Observe and report to me. Do not make yourself known. 

Always.

Our sweet looks beautiful tonight, the shadows report in a whirlwind of excitement, and he pauses mid cut as the male in front of him whimpers, twisting, trying break free from the chains.

That is not worthy of a report. He blatantly ignores the possessiveness, the pet name. For now.

She’s going to Rita’s with a friend. He bites down on the inside of his cheek. Her dress is blue. Cobalt.  

Why are you reporting this? 

We’re acting as instructed. 

This is a futile information, he chastises, and the answer is resounding silence as he shakes his shoulders and turns back to his prey, the crying, bloody Fae strung up by his wrists.

“Where were we?”

Outside of Rita’s, Azriel lurks in darkness.  

His family is inside, unaware he’s in the alley, tucked away from prying eyes. He’s freshly showered, blood scrubbed out from beneath his fingernails, blackened door in his mind firmly shut and locked away, just like its twin in the dungeon.

It’s been too long since he’s gone out, always choosing to slink away just before the conversations turn to plans, separating himself from Mor, and Elain, distancing himself from scrutiny or worse, pity.

Tonight, he couldn’t help himself. Couldn’t shake the idea of you here, so close, so tangible.

He slides from the shadowed pocket, and Fae step around him, eyes going wide and inclining their heads as a sign of respect. 

Respect. A joke. The city cannot fathom what he has done in his lifetime, and if they did, respect would be the furthest thing from their mind. 

He dons his mask, cold indifference, severe gaze, and slips inside.

Cassian knows he’s here before he’s in view. A brother’s intuition, an instinct that has served them well in battle and elsewhere, since they were young.

Tonight, he greets Azriel with a wide, knowing grin, dragging his gaze to the other side of the room and Azriel has no choice but to follow, spotting the obvious immediately.

You. 

You’re perched at a table, legs crossed, smiling, laughing, holding a too full glass of wine. The dress is cobalt blue silk, delicate lace stitched on the hem, thin straps exposing your neck, your clavicle, your back. For a moment, he imagines his mouth on those places, he dreams about what you might taste like, how smooth you’d be against him, the contrast of his ruined hands and your satin skin.

His cock throbs, sense and composure momentarily slipping away before he regains control.

The shadows sigh. Our beautiful girl. 

Stop calling her that. 

Why? She is beautiful. And she is ours. 

“Az!” Feyre is delighted, trying to wave him over. He’s always had a soft spot for his High Lady, endlessly impressed by her resilience, her love and commitment to both his brother and the Night Court, her kindness. “It’s been so long,” she teases as he slides into the seat at her left, pointedly ignoring Cassian’s smug expression.

“I’m sorry, I’ve been busy with work.”

“We miss you. You haven’t been at dinner in weeks.”

“It’s true,” Mor says softly at the other side of the table, brows creased in concern. He gives her a small, reassuring smile, one he hopes conveys the truth. It’s not your fault. She visibly relaxes.

“So, Az,” Cassian stretches, too big for the booth, arm coming around Nesta and tugging her close. “What brings you out this evening?” Fucking. Hel.

“I’ve missed you all.” It’s not a lie, not exactly, even if he’s been keeping his distance, it doesn’t change how he feels about his family, how he loves them in his own way. How it’s easier sometimes, to love others from afar, how envy has infected his lungs and every time he takes a breath, he wonders why the Cauldron chose not to give him what his brothers have. A bond. Love. 

At night, when he’s alone in his bed, he accepts the truth, the reality of being unworthy, of being a bastard, of being malevolent and repulsive. It was so easy with Mor, to long for someone so beautiful, so close to his heart but still unattainable, to dream of himself as a male one could love, could be proud of, a love who would choose him, again and again, even if it wasn’t true. Even if he knew for a long time, it would never be true. A fantasy like Mor is an easy escape from the nightmare in his head.

And Elain. Elain. A vision with big doe eyes and caramel hair, a beautiful girl whose life was lost, and a new, confusing one was born in its place.

A perfect obsession.

She too, was a dream. Something to cling in the longest hours of the night when sleep wouldn’t come.

But he was a monster, and he was undeserving.

Not true. 

Feyre catches his eye and gives him a warm, knowing look. “I’m happy to see you.”

“As I am you.”

You’re drunk.

He doesn’t need the shadows to confirm it, it’s clear from across the room. You teeter on the edge of the stool, giggling, radiant in the wash of dim lighting.

He’s not the only one who notices. Around you, other males watch from the corner of their eye, letting their gazes sweep from head to toe, lingering too long on your breasts, the curve of your waist. A male brushes his hand across your shoulder, another offers to buy you a drink. Rage curls in his stomach, jealously flooding his veins with vigor.

They’re touching her. The shadows are frustrated, hissing and snapping angrily, rattling around him like a black cloud.

I know.

His teeth might shatter from the amount of pressure coming from his clenched jaw.

The male following you out the side door at the end of your evening is the straw that snaps him in half. He abandons the table, his family, slipping away into the crowd as Feyre calls his name.

“Let him go.” Cassian rumbles on the last wind of a chuckle, and he loses the parting words as he pushes the door wide, cool Velaris air stinging his cheeks.

“No need to run off.” The male’s arm is slung around your waist, your face twisted into a sour swirl of intoxication and discomfort. Incendiary anger licks up his spine, flames violent and desperate to lash out. "Let's go back inside, have another drink." 

“No,” you straighten, but both Azriel and offending male catch the liquored wobble in your voice as you hold your jacket to your chest. “No, thank you.” He tugs you closer.

“Come on, I can-“ It’s all Azriel can stand. He’s gone in one moment and by your side the next, fingers digging into the male’s arm.

“She said no.” You look up into his face, eyes wide and unfocused, but he doesn’t miss the way you relax with relief, like you’re happy he’s here. Happy, an emotion rarely felt by those who encounter the Spymaster, happy like you’re soothed by his presence. It’s unfamiliar to him, just another suprise dealt by your hand. The male’s eyes go comically wide, blood draining from his face, sputtering something Azriel is deaf to. He's too focused on the pulse rapidly fluttering beneath your jaw. “Are you alright?”

“I’m… yes.” You lurch, half stepping back, half stumbling, and he steadies you. When you don't pull away, the shadows chirp. 

“You’re drunk.”

“Yup.” You punctuate the single syllable with a hiccup, inky tendrils curling around your wrist, petting, soothing. He braces for your fear, the uptick in your heartbeat, shallow respirations, but they don’t come.

You giggle instead.

The shadows preen and purr with glee. Our girl.

His shreds of control are slowly slipping away, deteriorating in your presence, and he lets the mask fall away to reveal a small smile. You suck in a sharp breath. “Are you sure you’re okay?” You nod rapidly, but your balance is still askew. “You’re too drunk to winnow.”

“I wasn’t going to. I live a few blocks that way.” You nod to the east and then pivot to the west, unsure. “Or that way. I’ll know once I get to the street.” He frowns.

“You’ll walk?”

“Well, yes. That’s what those of us do if we don’t have those.” You point at his wings, gaze lingering before you look away sheepishly.

“I’ll walk you.” You blink, surprised, confused, just as he is. The words were not planned, they appeared, conjured from the cold air, pushed from his mouth by some unknown force.

There’s a twist beneath his ribs, a small piece of him rapidly stretching and spreading, pulling him apart to make more room.

“What? I- I can walk fine, I’m fine.”

“It’s cold.” His voice is soft, softer than he’s ever heard, and it must be enough to quiet your protests, because you purse your lips and relent with a sigh.

“Alright then.”

It’s odd, to want to know another, to want to understand another outside his family. This throbbing ache, freshly blooming in your presence, is different compared to the festering desiderium he’s held for Mor, for Elain, the pining turned fetid, foul in its taste across his tongue, infatuation, obsession, anything to avoid focusing on the darkness constantly closing in around him, the black tar filling his lungs, drowning him. He was born, molded, embraced by the bleakest parts of this realm, and there’s not enough water in it to douse the rage and disgust burning in his soul. His people are monsters, and so shall he be. 

The shame of it all, punctuated by his infatuation with Elain, the necklace debacle, is fire in his veins, but the iridescent halo shining onto your shoulders from your porch light quells it somehow, gentles the heat. “How often do you visit the Middle?”

You give him a sheepish look. “Often, lately. I’ve lost my main supplier.” 

“Why is that?” The Sidra saturates the breeze, briny and sweet, teasing your dress into a flutter at your knees, his shadows hovering over your skin, craving to cloak you in their darkness, shield you from wandering eyes.

“Most of my plants and powders come from the Spring Court, and I can’t really afford the… inflation.” Inflation is a polite way to put it. Tensions between Spring and Night have resulted in rising costs of goods, and total derailment of trade in some cases.

She’s worried her words offend you. 

“That’s understandable.” He tames his voice, and your shoulders relax by a fraction. “Still, it is a long way from home, if anything were to happen.” An understatement. The Middle holds horrors most cannot comprehend, wicked creatures that would love nothing more than to prey on and devour something as lovely as you. He still cannot wrap his head around the fact that you frequent it in the first place. Even the bravest, strongest of Prythian do not. 

“I can handle myself.”  He wants to protest, wants to ask if you truly know what lurks in there. “Mostly.” You add as an afterthought, little hiccup, little giggle, fingers fumbling for the door handle. The hair on the back of his neck stands stiff.

“Mostly?”

“It’s not like I haven’t run into trouble,” you’re vague, shrugging it off, and his gut clenches.

“What kind of trouble?” The breeze turns to wind that whips, cold with the sting of frost. 

And then you roll your eyes.

It’s so… bratty. His wings twitch, lightning rolling through membrane like a storm on the sea.

Wild one, the shadows chirp.

Too wild, maybe. “How old are you?” You lift your chin with a sniff.

“One hundred and two.” So young. 

The High Lady just turned twenty-three, the shadows remind him drily.

Fair.

“So… did you walk me all the way home to hold me hostage on my front step in the cold?” His laugh is a surprise. It comes deep from his chest, a genuine rumble in his ribs, more authentic than the half smiles and nods he’s been giving others for years.

“If I was holding you hostage, you’d know.” He murmurs, stepping into your space, tracking the dilation of your pupils, the quiver in your bottom lip. Normally, these reactions would insinuate fear, but you don’t smell of it. You smell like desire, like you’d succumb to him, bend for him, arch for him. “Are you cold?” Goosebumps erupt across your shoulders and down your arms, and he dips close, closer than he has any right to. He has no right to you. No right to such a strange, beautiful creature, a mystery by all standards. He who deals in death, who poisons all he touches, would stain you. He'd drag his scarred, marbled fingers under your silk dress and taint you. 

“Y-yes.” He catches the scent then, the damp foliage from fresh rain crushed under heel, soaked moss at the roots of an ancient tree. It jolts him back to reality, mask settling into its rightful place across his face.

“What are you?”

“What?”

“You’re High Fae… but there’s something else.” Hesitance flickers in your eyes, and you pull away, creating distance. Good. He needs it. You confuse him, cloud his judgement, sowing uncertainty he’s not used to.

And every time he looks at you, his chest aches.

“Nothing important.” He cocks his head.

“Is that so?” You shrug.

“I’m a half-breed.” He hides his disgust at the term, but it doesn’t change the rage it ignites, the disdain.

“Half what?”

She barely knows you; she has no reason to trust you, the shadows sulk, unhappy with the turn of events as you take the last stair and open your door, turning to for one last look at him. 

“I’m not a threat, Azriel.”

Truth. 

“Any news?”

“No.” The silence is long suffering, and after he offers nothing further, Rhys sighs.

“Azriel-“

“I have work in Dawn this coming week, leaving tomorrow. I expect to be gone for a full seven, even eight days. I’ll report back once I’m home.”

“Okay.” Azriel’s shield is wall of shadow impenetrable by most, and even though the relationship between them is strained, his brother would never force his way into his mind.

If you need to fuck someone, go to a pleasure hall and pay for it, but stay away from her.  Or maybe be would. 

He was given an order; orders are meant to be followed, something Rhys’ own father instilled in him early on, and though it's been months, it's still too bitter in the back of his throat. Rhys’ father ordered him. Often. Treated him as one would treat an object to be used, a weapon to wield. Azriel was defined by the shadows, for his usefulness, not for who he truly was. 

He had never been on the receiving end of this manner of treatment from Rhys, and he could not deny that he had trouble stomaching it. 

“Where have you been staying? Your townhouse?” He schools his features, smothering the annoyance at what he knows must be common conversation between his brothers.

They’re worried about you. Cassian misses you at the House of Wind. 

We’ve cohabited for over five hundred years; some distance is not going kill him. 

“Yes, wanted to give Cass and Nesta some space.” The lie is as flimsy as they come, because he doesn’t care. He needs space. “They’re quite loud.” That isn’t a lie, at least. Rhys studies him.

“Where are you, Az?” It's not a literal question. He and his brother share many things, but the strongest strings are knotted tight around each other’s darkness, bonds forged in agony, in rage, in revenge. There are parts, pieces of each other that match, heinous, wrathful pieces hidden away but never healed. When Rhys asks where he is, it’s to know how deep he is in the gloom that never leaves.

“I’m here.” It’s short, be he cannot give anything more. Cannot give more to the High Lord, Rhys, his brother, the one he has given everything to. The one he has been most loyal to above all. The one who would treat him now, as his father did. 

He pities Rhys, in a way, something he’s never held for him in the past, but now… now is different. Rhys is different, his stakes have never been higher. A mate, a son, a realm on his shoulders, he's struggling, in his own way, and the collected High Lord is few and far between these days, in his place a reactive, high-strung male he doesn’t always recognize. He’s not sure Rhys recognizes himself either. 

“You won’t get too far?” At the root of it, no matter how turbulent this time between them may be, the bond of brotherhood is the strongest of them all, holds them fast to one another, keeps them close, even if one strays.

And so, Azriel assures him, the words gritted through his teeth. His rage is a tangible thing, a living breathing thing but no matter how angry he may be, Rhys is still his brother, even in these iterations. The realm changes, scales tipping back and forth, but the brothers remain steadfast through times of peace and battle.  “I won’t.”

He’s to leave for Dawn this afternoon, but for some reason, he finds himself at Moonflower’s front door.

It’s early, half of Velaris still waking up, and the shop is clearly closed, though it doesn’t matter to him. He knows you’re here, sodden gorse and peeled bark drifting on the morning breeze from a large back window. For some unknown reason, it soothes him to know it, to be able to account for your whereabouts.

He pulled his shadows back from surveillance, convinced he would leave you alone, let this rest-

but he still flew here this morning.

It bothers him, this magnetism, the draw towards your presence.

You’re a mystery needing to be solved, that’s all.

“Shadowsinger,” your head cocks. “What brings you here so early?”

“I wanted to ensure you won’t be visiting the Middle this week.” Your brows knit together.

“I uh… no. I won’t need to go for another two weeks, I think.”

“I’ll accompany you next time.” His patience with this situation is wearing thin, but his agitation with himself spills out onto you. 

“That’s not-“

“It’s not a request. You’re endangering the Night Court.” You smother a flinch.

“I’m not, I swear, I’d never do anything to hurt anyone.”

“That remains to be seen.” He’s the Spymaster now, cold and unfeeling, but you’re still not scared. “Your refusal to disclose what makes up the other part of the half-breed in you is reason enough.” He uses the term as a weapon, and it hits his target, as always. Azriel never misses. You wince, glancing down at the floor, shoulders slumping a tad before you right yourself. The barb stings because like Rhys, like Mor’s mother and countless others, you’ve faced the abuse, the vitriol, the torment from those who would crush you beneath their feet if they could.

It hurts, a whip lashing across his cheek, bleeding him for the pain he’s causing you. A consequence, another mark on his soul. You lift your face again, the emotion gone, and you nod.

“Okay then.” An overwhelming urge to reach for you comes over him, to tug you into his chest and shield you with his wings, hide you away from all the ugly, terrifying things in this world-

Including himself.

He shoves it to the side, buries it where it belongs, where the light doesn't touch, and nods. “I’ll be away this week but when I return, I’ll come by.”

He doesn’t say goodbye, and smothers the urge to get one last glimpse of you, even though he wants to. 

There’s dirt beneath your fingernails.

You’ve been digging around in the same riverbed for almost an hour now, rifling through rocks and silt, bottom half of your body soaked and muddy, again. “There we are,” you murmur plucking an iridescent onyx stone from the marl and placing it in your bag. 

He has… so many questions.

And he’s afraid to admit to himself he finds you… enchanting. Clever, beautiful, kind. He wants more, wants to soak you up, dance to the harmony of your voice.

Ask, the shadows encourage. Talk to her.

He’s been standing on the bank a few paces away for some time now, leaving you to your foraging, but never letting you get too far away. You haven’t said more than ten words to him, and he hasn’t pushed you. The disgrace of the last time the two of you spoke still weighs heavily on his shoulders, another tally in a long list of transgressions. 

Try. 

“How does it work?” Your head snaps up.

“What do you mean?”

“Your work. Moonflower sells elixirs and potions, but they’re an apothecary, and you’re an alchemist.”

“Well, I am an apothecary too. Contraceptive tea doesn’t make itself,” you give him a mischievous smile before turning serious. “Magic binds better to precious metals. I transmute and mix them together, then pair them with salts or chemical compounds found in herbs and plants. One complements or enhances the other.”

“You’re putting metal in them?” You shake your head.

“No, I extract the minerals from the metal after transmutation and infuse the elixirs. I can make everything from contraceptive tea to…” You trail off, lips pressing into a thin line.

“To?”

“Poison. Faebane.” He hears your heart flutter, pulse ratcheting upward as you give him a cautious look, and every muscle in his body tenses.

“Who do you make it for?”

“I’m not sure, I received an ongoing order request signed and sealed by the High Lord years ago, and I’ve been producing it ever since.” You stand, brushing your hands off on your thighs, mud caked in the lines of your palms, head tipped back to peer at him. “It’s picked up by one of the Wraith sisters each month.”

Does she know? The shadows don’t answer.

“I like them,” you continue, making your way up the bank, “Cerridwen even gifted me a hooded shawl last Solstice. It’s beautiful. I wear it often.”

“I see.”

“I think the Faebane is for the Spymaster,” you peek at him coyly, mouth quirked to the side in a small smile. “Who is also the Shadowsinger, right?” He fights to his expression neutral. 

“You know.”

Of course she does. Our sweet is very clever. 

“I thought… maybe. I wasn’t sure.” He’s beginning to worry about your instincts. First, he discovers you’re spending time out here in the Middle, alone, and now, he learns you’ve suspected he’s the Spymaster, Rhys’ torturer, this whole time.

“It doesn’t concern you?” He blurts, incredulous. You should fear him. You should be terrified and disgusted. You should be smart enough to recognize his rotten, tainted soul.

“No. I make poison, after all.” You shrug. “I don’t make judgements of others.” Guilt twists like a knife.

“What I said the other day, about being a half-breed…” You wave your hand, trying to brush him off.

“It’s fine.”

It’s not, the shadows hiss. You hurt her.

He pulls up short, turning to face you. “It was cruel, and I am sorry for it.” He’s locked in your gaze, the rest of the woods, this place, Prythian disappearing as he loses himself in you. He hears it again, the mellifluous harmony of a grand orchestra, notes and chords playing together in an intoxicating paragon, richer, more potent than any wine, each one building upon the other, creating a song that draws him in, urges him to reach for you, cup your face and hold you there so he can memorize every refraction of light in the kaleidoscope of your eyes. “I-“

“It’s okay,” your hand brushes his, and he tenses, preparing for the recoil, the disgust, but it never comes. Your touch is gentle, fingers slipping between his, silk on scars sliding together seamlessly. He wants to push you away, wants to tell you not to touch him because you’ll dirty yourself. He’s a monster and you’re something else, something winsome and full of wonder, something not for him. “I forgive you.” You forgive him. He almost laughs at the absurdity. Forgiveness, as if that’s something he could ever earn, as if there was a way to seek and find it. As if he even wants it.

From many it would mean nothing but from you… it’s different. It's a balm, cool water over a burn, sunlight shining down on him in a dungeon. 

You don’t look away, and you don’t let go. You hold him there, in front of you, gentle and patient, but unyielding. The throbbing ache that’s become ever present beneath his ribs grows, and it drags him close, a magnetic pull he can’t fly away from leading him straight to you. It’s a power strong enough it could bring him to his knees at your feet, his entire existence whittling down to the sound of your breathing as he carefully cradles your face.

“Azriel,” your whisper is music, heartbreakingly beautiful, a hauntingly familiar melody he may have been hearing all his life and had been none the wiser to. A siren's song on the sea. Captivating. Intoxicating. He strokes his thumb across your cheek and falls away into it, pressing his mouth to yours, drinking you in. The kiss is careful at first, a delicate question posed between two with one waiting for an answer, and when it comes, it comes with a symphony, ambrosian and endless, unleashing a warmth unlike he’s ever felt through his chest.  He shouldn’t be doing this, shouldn’t be marring you like this, staining you, but he cannot stop, and when you tug him close, lips parting to allow his tongue past your teeth and find yours, you cling to him, the purr of a whimper building in your throat. 

What is he doing? He's snapped out of the spell. Your throat bobs with a swallow, and you turn your attention to your bag, mindlessly fidgeting with the collection of flora and rock in the bottom, avoiding his eyes. Embarrassed. Shamed by him, rejected by him. 

No! the shadows lament. “We should keep going, if you have more things to find?” You nod, looking past him towards the woods.

“Right, yeah.”

“Your dagger is loud, by the way.” It's the first thing you've said in thirty minutes, and it's strange, like you. 

“What?”

“The dagger,” you motion to where Truth-Teller is strapped to his thigh, “it’s magic is loud. I can’t imagine what I’d find if I-“ Something cracks in the woods to the north, far enough away to echo, close enough to raise his hackles, spread his wings, and he grabs your wrist, pulling you into his side. The forest groans, turning malicious, wicked power crawling through the brush towards the river.

Leave. He curls a wing around you as a shield.

“What-“

“We’re leaving.” There have been lesson learned here, too many times, and he’s not about to risk you. He conjures a pocket, a corner of star flecked shadow, and tugs you into it, leaving the Middle behind.

He decides to sleep at the House of Wind.

It’s a shield, a technique to combat his desire to be close you. If he’s close to Cassian, to Nesta, if he’s here, he’s not there, with you, where he dropped you off at your doorstep, where the two of you lingered before you disappeared into the house. He’s not battling his instincts, his need to sit on the roof and keep watch.

He’s here instead. Where he should be.

Cassian grins from his spot on the couch at the sight of him, Nesta casually looking up from her book. “Out with your witch again?” He pulls up short, blood turning frigid, freezing through the veins in his wings all the way to his heart. “You didn’t know?” Cassian’s head swings towards her.

“I thought we discussed waiting for proof, Nes.” Azriel shoots him a murderous glare.

“Having discussions about my life, then?” It’s a small rock in an ocean at this moment, but it adds fuel to the roaring fire of rage curdling his stomach. Nesta raises an eyebrow. 

“No,” his brother protests, “I thought- Nesta suspected something, but I didn’t want to tell you until we knew without a doubt.” He emphasizes the last few words, and she shrugs.

“She’s a witch, or at least, partially. The power is unmistakable. She has that smell, too. Old trees.” She's lost for a second, in a memory, silver fire crackling and then gone, and he knows she knows, where you've been, where he's followed. You don't just smell of old trees, you smell like the Middle.

The shadows coil around his shoulders, peeking out at Nesta like she’s personally offended them.

It’s not what you think. 

You knew? And kept this from me? 

He’s rarely, if ever, is so irascible, but this information ignites an anger so fierce his siphons hiss and glow cobalt blue, power straining against his control, desperate to be unleashed.

“What are you going to do?” Cassian shouts at his retreating back, and he caresses Truth-Teller’s hilt.

“Find out for myself.”

Your words pound in his head like a drum.

“The magic is stronger. It’s hard to explain…”

“Oh, I don’t have problems here. I never travel too far from the boundary.”

His mind spins as he flies through the night, shooting across the sky fast enough for the wind to prickle at his cheeks. A witch. 

Witches are dangerous creatures. They’re power hungry, desperate to collect as much magic as this realm will allow, and then use it as they see fit, whether it be for good deeds, or evil ones. This unpredictability combined with their thirst for young blood, a compulsion fueled by the corrupted core of their stolen magic, makes them a threat.

Makes you a threat.

Your house is small, but comfortable. A narrow townhome nestled in a row of others with wide plank wooden floors and variations of dark colored paint on the walls, cozy and calm. Bookshelves overflowing, large worn velvet couch, bundles of herbs on your living room table, in your kitchen. You have an assortment of mugs, mismatched wine glasses and china, clothes haphazardly draped over chairs. To someone who doesn’t know you, it would seem messy, but to him, it’s fitting. It makes sense.

It's the only thing that makes sense in this moment. The rest of it, his ignorance, the disobedience of the shadows, his blindness, all bear down upon him. He failed to recognize a threat to this Court, his family, he allowed himself to be distracted, again, by a female, he succumbed to an enchantment, a bewitching. The strange pull he felt towards you, the music in his head, the throbbing behind his ribs, all a spell set upon him, by you.

You’re stunning in your sleep. Wrapped in sweet dreams, lashes feathered against your skin, rolled onto your side. You’re only wearing a nightshirt and underwear, the curve of your hip visible from where your sheets are half kicked off. Lovely.

He lets you linger in a last moment of peace. If you wake before he’s ready, he doesn’t know what magic he’ll face, what creature he’ll truly encounter, and he wants to hold onto to this, to you, before it all changes.

He brushes your cheek with the backs of his fingers and that thing inside him weeps, something agonizing trying to claw its way forward, but he buries it deep.

By the time you’re awake, it’s too late.

“Azriel?” Your voice is weak, confused, and you blink blearily at your surroundings, stone wall, stone floor, small light at the roof of the chamber that’s too far away. He keeps the space lit by fae lights instead, flickering and low, illuminating the space just enough to see him, and a table in the corner.

You're trapped in Faebane cuffs and chained to the floor. Fragile, weakened by your own creation. 

When you become fully aware of your surroundings, you thrash, fear thundering in your heart. “What is this?”

“Thought you might like to see how the product of your hard work is used.” You tug at the cuffs to no avail, and then look up at him with eyes so sad, so frightened, it stops him in his tracks.

Why does this feel so wrong? 

Think, Shadowsinger. The shadows beg but he banishes them, still enraged by their betrayal.

“I don’t know what’s happening.” He shrugs. Casual indifference, cold regard. The Spymaster, the torturer.

“No?”

“I haven’t done anything, I haven’t, I swear.” He bends shadow over your eyes, marring your sight, plunging you into darkness and you gasp, twisting and turning, looking for the light you won’t find. “S-stop.”

“You’ve been keeping something from me, haven’t you, little half-breed?” He mocks you with it, drenches it in disdain, and you shake your head weakly.

“I haven’t… I swear, I ju-just wasn’t ready-“

“To tell me you’re a witch?”

“I’m not!” You cry, and he covers your mouth with insidious tendrils, cutting off your airway. You can’t see, you can’t breathe, and your panic is ripe, flooding the room, its acrid scent making him nauseous.

The gag holds for a minute or two, and when he releases, you slump over, gasping. Truth-Teller burns in his hold.

“Tell the truth, and it’s over.” Please.

“There’s n-nothing to tell.” Frustrations mounts and he cuts you off, this time for longer, long enough he registers the slowing of your heart, the lack of tone in your muscles. Shadows wrap around your throat, pressing on your windpipe so hard you’re whistling, slow leak of air turned tea kettle as you try to breathe.

He allows you a moment, and then resumes, pushing you to the edge, walking a slow, measured circle around you like a wolf stalking prey. There’s a pull deep inside him, something tugging at him, a desperate plea he does not understand.

Please. Stop this. 

He releases, you relent. Finally. “It’s my mother,” you rasp, tongue darting out to lick your lips, “she- it was her. She was a witch, and my father is Hi-gh Fae. He had an affair, and then banished her to the Middle. It’s wh-where I was born. Everyone would b-be so afraid of me if they knew, but I’m not- I’m not a witch. I’m ju-ust a half-breed." You’re sobbing now, each heave increasing the agony inside him, broken, raw sound echoing throughout the chamber. His mother’s face flashes in his mind and his stomach flips as he breaks out in a cold sweat. “I use that side of my to make things. Th-the alchemy, that’s all it’s good for. It’s not even that strong, I swear.”

Truth. 

It’s all truth. Every word. Every broken, desperate, frightened word.

He is a fool. 

He pulls the shadows from your face and you stare at the floor, small against the stone until you finally look up at him, cheeks soaked, eyes-

Something snaps.

Threads of brilliant cobalt blue spin from him, each string plucked in celestial succession to create perfect harmony, and the shadows sing. They sing for you, they sing to you, they sing the song he should have known all along. They sing of the path laid before him, the bridge that would carry him to you, the chords and notes coming together in a crescendo of souls, a blazing bond sealed by fate.

Mates. 

The threads stretch and strain, the music rising, but your side, your part, is missing. It’s dark, thickened by bramble and bracken, sharps and flats, lost to him in this moment.

This moment, where he has broken you. Tortured you.

He feels it all. Your terror, the agony. The sense of hopelessness overflowing and soaking the threads. 

“I-“ He falls to his knees, shadows twisting around the cuffs to unlock them, “I’m sorry.” You’re trembling, curling in on yourself and he wants so badly to pull you into his arms, to hold you close, wrap himself around you and beg for forgiveness. He wants to promise he’ll protect you; he’ll care for you; he’ll keep you safe. He’ll be worthy of you. He’ll fix this.

But how can he after what has been done. After what he has done. 

“I w-want to go ho-ome.” The words are covered by sobs, and his hands shake as he gently takes hold of your shoulders, pulling you out of the dungeon and back into your bedroom.

He stands there, helpless and lost as you crawl away from him into your bathroom, the handle locking with a resounding click. The bond is alive and open on his side, your distress and fear and despair radiating down into Azriel, the strength of your emotions ripping him apart.

You don’t want him here, that much is clear.

Cassian is still awake when he returns, and his brother ripples with shock at the sight of him.

He knows how he looks.

Crazed. Devastated. Possessed.

“What happened?” He lurches forward, still dressed from evening training, siphons gleaming, scanning for a threat, a fight, a reason for Azriel’s agony.

He’ll find none. Only Azriel is responsible for this horror.

As always. 

“She…” He can’t say it, can’t force the words. Can’t accept the truth, the terrible, painful truth. “She’s mine.” The blood drains from Cassian’s face. “She’s mine.”

“No. You didn’t.”

“I- I didn’t… I didn’t get very far but I still… I still-“ He chokes on it. “She was so scared, Cass. She never… she was never afraid of me; from the day we met. She always, she looked at me differently. She trusted me. She… held my hand.” Cassian’s eyes slipped close. When they reopen, they’re determined. Strong.

“You’ll fix it. I know you will.” Azriel doesn’t hear him.

“I don’t deserve her, or this bond. When she realizes, she will sever it, and she’ll be right to. I have never been worthy, and the Mother knows. That’s why this happened.”

“That is not true. You made a mistake, and you were trying to protect your family, your court. She will understand… in time.”

“How?! How could anyone understand this? Excuse it?” He yells, and a door down the hall opens, Nesta appearing in the room, sharp and assessing.

“What’s going on?”

“Go back to bed,” Cassian growls, and though she glares, she listens. “Az, listen to me. It will be alright. You can fix this, you can.”

“I don’t know how.”

“You will figure it out, and we will support you, we’ll help in any way we can. It will be okay.”

“She will never forgive me.”

“And you’ll never know that until you try.” He sighs, running a hand through his hair and then fisting it at his side. “This is Nesta’s fault.”

“Cassian,” Azriel snaps, patience shredded. “Not everything is your mate’s fault, for fucks sake. Stop projecting your guilt over your own transgressions onto Nesta. I’m sick of it.” Silence falls between the brothers, and after a long moment, Cassian nods.

“I deserved that,” he eyes him cautiously, “what do you want to do?” He needs silence. Solitude. Cassian knows, but he’ll still say it out loud, if only to make it clear. Don’t follow me. Don’t send others to check on me. 

“I need to be alone."

[writingwithcolor]

How can non-Jewish writers include Jewish characters in supernatural stories without erasing their religion in the process?

Anonymous asked:

I have a short story planned revolving around the supernatural with a Jewish character named Danielle (who uses they/them pronouns). Danielle will be one of a trio who will be solving the mystery of two brides' deaths on the day of their wedding. My concern with this is the possibility of accidentally invalidating Danielle's religion by focusing on a secular view of the afterlife. At the same time, I don't want to assume that Jewish people can't exist in paranormal stories, nor do I want to use cultural elements that don't belong to me. So, how do I make sure that Danielle is included in the plot without erasing their Jewishness?

Okay so to start with I think we need to ask a question about the premise: what is a secular afterlife? I’m not asking this to nitpick or be petty, but to offer you expanded ways of thinking through this issue and maybe others as well.

A Secular Afterlife

What is a secular afterlife? To begin with, I get what you mean. The idea of an afterlife we see in pop culture entities like ghost media owes more to a mixture of 19th-century spiritualist tropes drawn from titillating gothic novels than to anything preached from the pulpit of an organized house of worship. Yet those tropes--the ominous knocking noises from beyond, the spectral presences on daguerrotype prints, the sudden chill and the eerie glow, all of those rely on the idea of there being something beyond this life, some continuation of the spirit when the body has ceased to breathe. For that, you need to discount the ideas that the consciousness has moved on to another physical body and is currently living elsewhere, and that it was never separate from the body and has now ceased to exist. Can we say that this is secular?

More so: Gothic literature, as the name suggests, draws heavily on Catholic imagery, even when it avoids explicit references to Catholicism. Aside from the architectural imagery, Catholic religious symbols permeate the genre, as well as the larger horror and supernatural media genres that grew from it: Dracula flinches from a crucifix, priests expel demons from human bodies, Marley’s Ghost haunts Ebenezer Scrooge in chains. The concepts of heaven and hell, and nonhuman beings who dwell in those places, are critical to making the narratives work. 

The basis also draws from a biblical story, that of the Witch of Endor. The main tropes of Victorian spiritualism are present: Saul never sees the ghost of Samuel, only the Witch of Endor is able to see “A divine being rising” from wherever he rises from, and her vague description, “I see an old man rising, wearing a robe,” evokes the cold readings of charlatan mediums into the present (Indeed, some rabbinic sources commenting on this assert that this is exactly what was going on).

While neither of these views of its origin define the genre as the sole property of Catholicism--or of Judaism for that matter--it would be hard exactly to categorize them as secular.

A Jewish Perspective on ghosts

However, it’s not the case that ghost media is incompatible with Jewishness, assuming that it doesn’t commit to a view of heaven and hell duality that specifically embraces a Christian spiritual framework. 

Jewish theology is noncommittal on the subject of the afterlife. The idea of a division between body and soul in the first place is found in ancient Egypt, for instance, earlier than the earliest Jewish texts. In Jewish text it’s present in narratives like the creation story, in which God crafts a human body out of earth and then breathes life into it once it’s complete. It also appears in our liturgy: the blessings prescribed to be recited at the beginning of the day juxtapose Elohai Neshama, a blessing for the soul, with Asher Yatzar, expressing gratitude for the body, recited by many after successfully using the bathroom. 

Yet it’s not clear that this life-force is something separate than the body that lives beyond it, until the apparition of the Witch of Endor. The words we use to describe it, whatever it is, evoke the process of breathing rather than that of eternal life: either ruach (spirit, or wind) or neshama (soul, or breath): neither is a commitment to the idea that it does--or that it doesn’t--go somewhere else when the body returns to the earth. 

Jewish folklore, however, leans into the idea of ghosts and other spiritual beings inhabiting the earthly plane (and others). Perhaps most famous is the 1937 movie The Dybbuk, in which a young scholar engaging in kabbalistic practices calls upon dark forces to unite him and his fated love, only to find himself possessing her body as a dybbuk. It appears that he is about to be successfully exorcized, but ultimately when his soul leaves her body, hers does as well. 

More relevantly to your story, a Jewish folktale inspired the movie The Corpse Bride. In the folktale version, a newly-engaged man jokingly recites the legal formula he will soon recite at his wedding, and places his ring on the finger of a nearby corpse--a reference to a time when antisemitic violence is said to have gotten worse not only at Jewish and Christian holidays as it does still to this day, but around Jewish weddings as well. The murdered bride stands up, a corpse reanimated complete with consciousness, and demands that the bridegroom honor his legal obligation. 

In the movie, the bride gives up her demand willingly: her claim on him is emotional rather than legal, and she finally accepts that he has an emotional connection with another person, that he doesn’t love her. In the folk tale, the dead woman takes him to court to decide whether their marriage is legal, since he spoke the legal words to her in front of witnesses as is required, and the court rules that the dead do not have the right to make legal demands on the living. In this version, the moral of the story is that a legal formula is an obligation; that when he jokingly bound himself to the corpse, he not only disrespected the dead but also the legal framework that structures society, and by so doing risked being obligated to keep his side of a contract he never intended to enact. 

This speaks to the ways that a Jewish outlook can differ from a Christian-influenced “secular” one. Christian-influenced cultural ideas can often focus around feeling the right thing, while Jewish stories will often center on doing the right thing. Does the Corpse Bride leave because she realizes she is not the one he loves? Because she--or he--learned a valuable lesson? Or because she loses her court case? It’s not that the boy’s emotions are irrelevant to the story--the tension, the suspense, the horror of the story takes place primarily within the boy’s emotional landscape--but emotions on their own are not a solution. The question “should he marry her” can be answered emotionally, but “has he married her” can only be answered by a legal expert, and once it has been the deceased bride may not have changed her emotional attachment to him, but she no longer has legal standing to pursue her claim. 

Centering legal rectitude over emotional catharsis isn’t a requirement for having Jewish characters in your story, but it’s worth thinking about what is and isn’t universal, what is and isn’t actually all that secular. 

Meanwhile, back at the topic:

Where does any of this place Danielle?

Well, unless you’re positing a universe in which Christian or other deities or cosmologies are confirmed to exist (See Jewish characters in a universe with author-created fictional pantheons for more on that topic), there’s no reason why they shouldn’t be perfectly fine interacting with whatever the setting you’re building throws at them. 

My wishlist for this character and setting runs more to the general things to consider when writing fantasy settings with Jewish characters: 

Don’t confirm or imply that Jesus is a divine being. That means no supernatural items like splinters of the cross, grails, nails, veils, etc. There’s nothing particularly powerful or empowering about this one guy who lived and died like so many others.

Don’t show God’s body and especially not God’s face, or confirm that any other gods or deities exist, whether that’s Jesus, Aphrodite, or Anubis, or someone you made up for the context. 

Don’t put Danielle in a position where they’re going to play into an antisemitic trope like child murder, blood drinking, world domination, or financial greed. If you have to, name it and let Danielle express discomfort with or distaste for those actions both because Jewish values explicitly oppose all of those things but also because Danielle as a Jewish character would be painfully aware of these stereotypes as present and historical excuses for antisemitic violence. 

Do consider what Danielle’s personal practice might look like. What does Danielle do on Shabbat? What do they eat or refrain from eating? What are their memories of Jewish holidays and how is their current holiday observance different than their childhood? I know I say “Jewishness is diverse” on every ask, but it is, and these questions--which also underscore how very much Judaism is rooted in one’s actions during this life--will help you develop how Judaism actually functions to inform Danielle’s character, even if you don’t spell out the answers to each of these questions in text. 

Do let Danielle find joy, comfort, and identity in their Jewishness not just in contrast with Christianity but simply because it’s part of the wholeness of their character. I know the primary representation of Jewishness is a snappy one-liner in a Christmas episode followed by the Jewish character joining in the Christmas spirit, blue edition, but make room for Jewishness to inform how Danielle approaches the events of your story, or why they decide to get or stay involved.  

-Meir

Hi it’s Shira with some Jewish ghost story recs written from inside–

When The Angels Left the Old Country by Sacha Lamb (deliriously good queer YA Jewish paranormal, mainstream enough that it’s got a good chance of being at your local library and won all kinds of awards)

The Dyke and the Dybbuk by Ellen Galford (sorry for the slur, warning for a paragraph of biphobia in the book but it’s an older book. I read this right before my divorce so my memories are super fuzzy but it’s about this modern day lesbian who gets possessed by the ghost of a different lesbian from hundreds of years earlier in Jewish history.) Nine of Swords Reversed by Xan West z’L of blessed memory - another queer Jewish paranormal.

The general plot is that two partners are struggling with how to be honest with each other about the effect disability is having on them. It’s got a very warm and fuzzy cozy vibe but kink culture is central to the worldbuilding so if that isn’t your vibe I didn’t want you to go in unaware.

The Dybbuk in Love by Sonya Taaffe. I don’t remember the details but I remember loving it, it’s m/f and romance between possessor and possessed.

I wrote a really short one called A Man of Taste where a gentile vampire woman and a Jewish ghost/dybbuk get together.

~S

[sirenmoontarot]

Your next step 🌟

𝓟𝓲𝓬𝓴 𝓪 𝓬𝓪𝓻𝓭 𝓻𝓮𝓪𝓭𝓲𝓷𝓰

Group 1

For the people who chose this group, your most important task to embark on right now, is to follow your inner guidance, your inner emotions, the steps your inner persona is telling you to take. There is a sense of movement, a path you have to allow in your life. It is shown in the energies that some of you have lost your way, you have been confused, or even in someone else’s way, your view of truth has been clouded. You might be hiding from your own self and your own inner ‘’flow’’ —your flow of life— and you shy away from facing some situations of your life or reality overall. Because you are not living your life for yourself! I am sorry guys for the message, but it is okay. The cards indicate that you need to distance yourself from something or someone that is contributing to this situation in which you are so distant and detached from yourself, a career, a place, a friend, an ex... The journey involves having to say farewell to this situation, aspect or person. However, you are favoured by fortunate energies, and luck as well, ruled by Jupiter influences shown in this reading. The universe, God is aiding you, you are supported in your journey to find the necessary clarity and success you claim and deserve. It is a journey that requires your commitment but this task is part of your fated path here on earth to do this right now. To find the tools within yourself for your independence, to find your inner light, strength, compass and your own path. Some of you are in a self improvement, self growth journey and you are being given these tasks in order to move forward. You have to know that you are doing well, Spirit is saying and that is just part of the learning process for your ‘’independence’’ which also and very importantly doesn't mean loneliness, ❗️ we need nurturing, reciprocated connections with people. it means to be able to choose your own path and not stray from it, your path has the unique gifts and blessings you are given on this lifetime.

𓆸

Thank you so much for reading this post, wishing you many blessings and good fortune 🌟🪽

Support me on Ko-fi 𓇬 Psychic Readings

Group 2

For the second group, the next step you are being led to take is to acknowledge the destructive aspects of yourself, your darkness, the things you are least proud of, the aspects of yourself that seem to hunt you down, these aspects need to be faced, acknowledged and integrated and they will become important parts of your psique, in a developed and integrated way making you wiser, giving you more tools and mental sharpness to go on in life. Right now in your life you are basing yourself in outdated, old ideas and patterns that need, and are doomed to die, these are antiquated, belonging to your past self, a past conception of life, something you acquired that is no longer of good use for your current and future energy. This group is very much focused on love, the energies indicate, that the way ahead involves finding the courage to be sensual again, learning to connect again with others, attaining real intimacy with others, physically, emotionally… and learning to understand your own inhibitions (or excesses) and discovering that Love has its own way to uniting the pieces and kind of making the brew taste wonderfully. This will allow in your life the growth of flourishing, nurturing and fulfilling relationships; if you have fertility problems, this indicates your situation will heal and improve and you will be able to get pregnant; and also, if you couldn't build something stable within a relationship before, in the sense of something material or some sort of goal, vision, or general growth, like owning a home; reaching common goals and plans, bettering your life situations, this reading indicates that you will be led to such accomplishments and completion of mutual goals within a relationship, or even birthing a new life, once you work on the matters described.

𓆸

Thank you so much for reading this post, wishing you many blessings and good fortune 🌟🪽

Support me on Ko-fi 𓇬 Psychic Readings

Group 3

Hello guys, for this group, Spirit is highlighting the self-imposed bars you find yourself behind. You have an unbalanced connection and use of your own ego, thinking you are below others, or you give your power a lot to others, almost if you were always submitted to other’s emotions, opinions, wisdom. Your sense of self-esteem and self-worth lacks foundation, you are not in touch with your inner queen or king. The way to go through this is to be okay with being the traits you are so afraid of embodying, or being the ‘’bad’’ person—And I don't mean go out there and be a bad person, it is just giving yourself permission to be free. And also for some of you, to not feel guilty for who you are or what you do. Some of you need to vent, even confess, giving a voice of that persona inside of you who feels guilty. Something might have happened in the past that caused you guilt, well it is time to let it go. Letting it out, speaking your inner emotions will help you to release pressure, which is also an issue being shown in this pile. Accept that sometimes you might not be able to be perfect. Some of you might be performing for others for most time or you could be putting everyone above you, or trusting too much on others for your life choices. This has to stop and all that you have to do is to give voice and express and release all the pent-up emotions and stuff you have inside that keeps you behaving this way. Because you are in jail . As a result, relief and finally a sense of peace will come to you, opening up new and better doors for you, more calmness and inner peace in your life.

𓆸

Thank you so much for reading this post, wishing you many blessings and good fortune 🌟🪽

Support me on Ko-fi 𓇬 Psychic Readings

[melyndadwest-blog]

Guardian Deity Spirit Danny

"In the spiritual realm, there are specific steps a being can take to ascend to the status of a god, with certain restrictions defining what a god truly is. Typically, a deity emerges as a result of being worshipped by a group of people, their worship infusing them with divine energy and granting them godhood.

They can be born from an unconscious belief or concept, such as the worship of the moon or nature. Over time, this belief gains sentience and power through the devotion of their followers.

They possess spiritual powers and establish a cult, amassing considerable influence and strength.

They are born from another god.

They achieve godhood by defeating and absorbing the essence of a pre-existing god, embodying their concept.

This means that even if a being is incredibly powerful, like Clockwork, they must be worshipped by someone to attain godhood. So...

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

In the Infinite Realms, time operates differently than in the outside world. I believe that since the Realms exist beyond space and existence, serving as the cosmic glue holding the multiverse together, they remain separate from the flow of time.

So, my idea is this: Danny is already immensely powerful, as he embodies the balance between life and death. Because of his connection to Clockwork, this being occasionally sends him on time-traveling missions, perhaps for preparations related to kingship. As a result, he appears in various places throughout history, safeguarding people and cultures. Over the centuries and millennia, people begin to worship him, seeking blessings and offering sacrifices.

Usually, this would lead the Justice League to believe that he's simply a very old being. However, what if he truly is ancient?

As I mentioned earlier, a god's powers are derived from belief, and this belief gradually transforms the deity. Here's my take:

Batman might insist, "I know you're Danny Fenton," until a summons or a crisis causes Danny's godly side to surface. This aspect of him is truly ancient, as time doesn't flow conventionally in the Infinite Realms. Consequently, Danny could be three years old in terms of his death, yet also an ancient entity. Nonetheless, he remains physically too young to fully comprehend his true power and existence, resulting in considerable confusion.

Ultimately, there are two interpretations:

The Justice League ends up believing that Danny is either a) a vessel for a god, b) a sort of priest, or c) the physical incarnation of a bored god curious about experiencing humanity.

Ghosts do not treat him like a typical ghost child because, due to the nonlinear nature of time in the Zone, his core possesses the essence of an ancient being. The ghosts perceive him as the rebirth of balance, incarnated as a human to restore equilibrium.

Feel free to use this concept for any story or interpretation you find compelling."

[northemoonduringthenight]

"… and my delights were to be with the children of men.

Hear instruction and be wise, and refuse it not.

Now therefore, ye children, hear me: Blessed are they that keep my ways.

Blessed is the man that heareth me, and that watcheth daily at my gates, and waiteth at the posts of my doors.

He that shall find me, shall find life, and shall have salvation from the Lord:

But he that shall sin against me, shall hurt his own soul. All that hate me love death."

Book of Proverbs 8:31-36

Artwork: Peter Paul Rubens, Immaculate Conception (1628-1629)

[katakaluptastrophy]

You know when you're at a dinner party with God and things start to get...weird...? It's Maundy Thursday, and it's time for more Bible study for fans of weird queer necromancers!

It's currently Holy Week, the week where liturgical Christians reenact the events of Jesus' death and resurrection in real time. And today, it's Maundy Thursday, which commemorates the Last Supper, where Jesus ate with his friends before he was crucified.

Before we get to the Locked Tomb, what's so special about the Last Supper?

There are actually a few significant things that happen during the Last Supper, but this is where Jesus introduces the concept of communion:

Now as they were eating, Jesus took bread, and after blessing it broke it and gave it to the disciples, and said, “Take, eat; this is my body.” And he took a cup, and when he had given thanks he gave it to them, saying, “Drink of it, all of you, for this is my blood. - Matthew 26:26-28

This isn't actually the first time Jesus has told his followers they will need to literally eat him:

So Jesus said to them, “Truly, truly, I say to you, unless you eat the flesh of the Son of Man and drink his blood, you have no life in you. Whoever feeds on my flesh and drinks my blood has eternal life, and I will raise him up on the last day. For my flesh is true food, and my blood is true drink. Whoever feeds on my flesh and drinks my blood abides in me, and I in him. - John 6:53-56

If you're thinking that sounds a bit intense, you're not alone - the Bible says that "many" of his disciples left after being told that they were apparently going to have to eat Jesus to be saved and resurrected.

While many Protestant denominations take this symbolically, Catholicism teaches transubstantiation: that when the priest prays over the bread and wine at mass, they really do become Jesus' body and blood.

With this in mind, let's circle back to necromancers:

"Overseas to Corpus. (She likes the word corpus; it sounds nice and fat.)"

This is probably Corpus Christi College, Oxford (named after the Solemnity of the Most Holy Body and Blood of Christ, where the church celebrates the real presence of Jesus in the eucharist). The symbol of the college is a pelican - there's even a fabulously gilded pelican atop the sundial in their main quad.

What do pelicans have to do with the eucharist? Quite a lot, actually... The pelican is a really old symbol for Jesus, because it was believed to feed its young on its own flesh and blood in times of famine. The pelican on the Corpus Christi sundial is pecking at its own chest.

The pelican, like Jesus, was believed to give its own body to save those it loved.

Okay, so we've talked about Jesus, and weird cannibal birds, but why is this relevant to necromancers?

Specifically, the necromancer, the Necrolord Prime. John Gaius styles himself as "the god who became man", echoing Jesus as "the word became flesh". His entire pastiche of divinity is a sort of bootleg Catholicism. But while Catholicism posits Jesus' offering of his own body as foundational to the salvation and resurrection of humanity to eternal life, John's godhood relies the exploitation of other's bodies as the foundation of an empire of eternal death.

I've mentioned before in discussing Lyctorhood, how vampires have been understood to represent a sort of inversion of the eucharist because instead of consuming Christ's blood to receive eternal life in heaven, they consume other people's blood for an cursed eternal life on earth. John, and the Lyctors who followed him, gained power and eternal life from the consumption, body and soul, of another person.

In Catholic theology, Jesus offered his own body to degradation and death for the eternal salvation of humankind, but John forcibly consumes someone else's in service of his own apotheosis and immortality, dooming humanity in the process. He wants to be a Catholic flavoured god, but without the suffering that entails. But he's perfectly willing to outsource that suffering to others.

There's something just achingly awful about Alecto liking the feel of the word "corpus" - "body" - when she so hates the body that John constructed for her. John describing Alecto as "in a very real way" the mother of humanity and the mother pelican on the Corpus sundial rending her own flesh for her children. John forcing the earth into a personification of femininity and playing Jesus on another's sacrifice. His daughter, unwillingly trapped in her own corpse walking around with the wounds of her significant self-sacrifice like the resurrected Christ but yet again another body exploited by John in support of his performance of godhood. It brings to mind a very different fantastical engagement with Catholicism, where in the Lord of the Rings Tolkien - riffing on St Augustine - suggested that evil cannot create, it can only mock and corrupt. The ethics of The Locked Tomb may be messier than that, but there's something indicative in how John shies away from his creative powers - his abilities to grow plants, and manipulate earth and water - in favour of his dominion over death.

The metaphysical world of The Locked Tomb is clearly not intended to be the same as that of Catholicism. But with hindsight, perhaps John was onto something when he was surprised that he didn't "get the Antichrist bit" from the nun too.

John isn't the Antichrist. But he is, thematically, anti-Christ.

If we're talking about John and Jesus, there's also, of course, the question of Resurrection. But we've got to go through Hell and back before we get there on Sunday...

[drenched-in-sunlight]

No one:

Me: my crazy theory of the day is Gloam-Eyed Queen is the daughter of Placidusax and their God, that’s how she was chosen as Empyrean and her temple is at the same place where Placidusax is.

After the God abandoned Placidusax (Placidusax Remembrance description) and their daughter + Placidusax was wounded by Bayle, GEQ was supposed to inherit the throne and ushered in a new Age, but Marika beat her to it, with Maliketh challenging her himself and Godfrey facing the Storm Lord (Placidusax) alone, presumably with Messmer tagging along on the campaign.

This explains why the Dragons later on attacked Leyndell in retaliation (for felling their heir and rendering their Lord to whatever state they are now in-game) + why there are Godskin Apostles in:

1/ Volcano Manor (trying to hunt down Messmer for revenge, but the Serpent trail they follow lead them to Rykard instead since Messmer is already off to LoS)

2/ Divine Tower of Caelid which is located right at Dragonbarrow (checking on their kins + pursuing Maliketh’s trail)

3/ Windmill Village - a place similar to how Marika’s old village used to be (as implied by Festive Greave description) - another trail for revenge, this time to Marika’s people, but it’s another false lead.

With the DLC introducing Florissax, who is said to offer her Lord Placidusax sleep in return for his favour (Ancient Dragon Blessing description), we can theorize that Sleep as a power exists before Trina even appeared, and GEQ probably embodied it which explains her name (power of Sleep is light purple). However, when the New Age came, Sleep lost its vessel as GEQ was killed and later on it manifested again in Trina (the same way Malenia wields Rot, but Romina also wields her own kind of Rot).

And yes that means I believe the Night colour in Melina’s eye has nothing to do with GEQ, they merely share the same power concept of Destined Death, like how the Numens in Nokron is guided by the Moon, but it’s not the same Moon as Ranni’s, or how Messmer’s flame, despite possibly being a curse from the Fell God, is different from Fire Giant’s flame as his flame is corrupted by the Abyssal Serpent, and again the Rot comparison from above.

To me, Melina’s eye is supposed to invoke the colour of the Night in Nokron, and her Destined Death mirrors the Fingerslayer Blade (that is literally Destined Death for the Greater Will and its vassals aka the Fingers): Death for entities higher than Gods (Greater Will - The One Great aka Lord of Frenzied Flame)

But that’s for the ~2k words document I’m writing sorting out these symbolism of Light/Life - Dark/Death (-Night/Flame).