#glues

[woodelf68]

Does anyone know of a glue that would be food safe for repairing a cracked plastic microwave dish? Silicone has been mentioned but that just forms a bead of glue that can be pulled off, more for repairing a seal in a coffee maker, not something like the inside surface of a dish that's going to have to be washed after every use. I haven't found anything yet that everyone agrees is definitely safe for both heating food in, use as a serving dish, and storage. (And we haven't been able to find anything similar to buy to replace the old plates with.)

[under-sleeping]

My friends get to hear about what kinds of glue I like. They have no choice, I have opinions about glue

[bargainshouse]

#UKDEALS LFCFBH 2PCS Waterproof Fabric Glue for Clothes, Craft Glue, Machine Washable Dry Clean (30Ml) https://www.bargainshouse.co.uk/?p=127354 https://www.bargainshouse.co.uk/?p=127354

[vzel]

"Which adhesive should I use"

[pukicho]

Oi oi oi... My original release, Spirited Away Away Away Away Away Away is now REMASTERED. Six years, and lotsa newfound knowledge on mastering later, and here we are. Now you may listen to it as though your ears have been UNMASKED, cleaned of mud and sludge.

And for those asking, BANDCAMP will start getting new things often,

Check out the song on BANDCAMP IN LOSSLESS + Hear the difference between the old version :)

And on Soundcloud too!

[sourdough-seal]

“omg I love that show!” yeah me too it makes up 34% of my core personality. unfortunately i can’t discuss it in public without having a meltdown

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[infinityinakiss]

okay, so you know that theory that series 14 is a tv show, that's why there are so many fourth wall breaks, etc, etc. well, what if we had a weeping angels episode this season? it's the climax of the episode, ruby and the doctor are surrounded by angels when...nothing happens. they forcibly close their eyes just to check, but the angels aren't moving. the doctor does his signature rambling as he tries to figure out what happened, and then it dawns on him. he turns slowly, stares directly into the camera and says "oh. it's you. all of you. you're why they can't move." the doctor starts jumping around, shakes ruby for a bit (and ruby's just like wut the hell is going on), does a thing with the sonic screwdriver before starting to run when he suddenly stops and turns back. looking directly into the camera, he says "don't blink." and then he runs off to save the day.

couple minutes later, he tells ruby to stare at some angels that were out of frame by saying "babes, the camera angle's changed."

[rmechmachines]

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[livetogether--diealone]

6'2'' weighted blanket with attachement issues

[greenglowinspooks]

To be honest. DCxDP where the reason Danny meets the bats is Ace the Bat-hound

Like, just think about it for a second. Danny is in Gotham for college, or maybe he just moved out to find a city where having mad scientist parents isn’t actually that unusual.

He can see ghosts.

The ghosts know this.

Now he’s getting harassed left and right by spirits trying to get closure. Fine, whatever, most of them are a one-and-done type deal, and the amount of ghosts trying to get his help steadily decreases.

Except for this one very stubborn dog.

It just keeps showing up and leading him to crime scenes! He doesn’t know how many “anonymous tips” he can call in to the cops before they trace his phone! And this dog, this incredibly good boy, will not stop trying to help the city. He’s never met anyone with such a strong sense of justice, let alone a dog. Can dogs even have a moral compass?

And so Danny just accepts the fact that Ace isn’t going anywhere and becomes his reluctant sidekick/dedicated medium. He leans into the whole thing, dressing up in a mix of traditional magic-user attire and accessories that pay homage to the ghost dog.

He becomes somewhat well known. The psychopomp detective following around the shadowy figure of a German Shepard? That’s unusual! That’s weird! I mean, it’s not the weirdest thing in Gotham, sure, but he’s a new vigilante and he’s got a ghost dog that people can only see when it’s around him. Someone’s gonna notice.

Damian, as Robin, is the first to reach out to him.

Ace doesn’t know Damian but he does know a Robin, and while this isn’t his Robin, he’s still friendlier than usual. Danny’s panicking because oh god the bats are here and also is this kid gonna steal my ghost dog, Damian is absolutely delighted by Ace, and Ace is just happy to see a Robin again.

Damian decides that the psychopomp isn’t a danger to anyone, and there’s no reason to put this encounter into his reports, really, and perhaps Danny can help with some of his cases in the future.

Danny is sweating bullets because Damian basically tells him that he’ll keep him secret as long as he gets to play with Ace. Ace is happy that he’s finally getting some bat affiliated crime-fighting assistance.

And so, Danny is now both Ace AND Damian’s reluctant assistant. At least whenever he’s in trouble, he can always call a middle schooler to help him.

(Is Robin even in school? He’s out patrolling damn near every night, and he stays out late as hell. Does he have a bedtime? He should.)

Eventually it gets to the point where Damian is going over to Danny’s house. When he first sees it, he has a damn bitch you live like this moment, to which Danny responds that not everyone has the money to afford a nice place. Damian counters that he could at least take the time to clean up, and Danny replies that he’s working, going to school, and being a vigilante assistant to a ghost dog, something’s got to give.

Danny nearly has a heart attack when he checks his bank account the next day and sees that someone transferred him 10,000 dollars.

And so they get into a routine. Danny and Damian fight crime with Ace at night, and occasionally Damian stops by during the day to play with Ace and have Danny help with his homework.

(Damian is smart enough to do it on his own, but some of the instructions are written incredibly confusingly, and he would never admit to needing help to his family. Danny is just glad that the kid is in school and cares about his education, blissfully unaware that he’s basically emotionally adopted him.)

Damian is used to being in Danny’s company.

Eventually, when going over a case with the family, Damian absentmindedly remarks that he’ll have to ask Danny about some of the clues that they might be missing. Nightwing asks who he means and Damian makes a face like he just swallowed a lemon.

Cue shitstorm.

Who is “Danny?” Why is Damian willing to ask for help from anyone, much less someone outside of the family? Does he know who Damian is? Has Damian been compromised? What the hell is going on?

Damian now has to explain that Danny is the psychopomp with the ghost dog who he might have met hunted down while on patrol and conveniently not mentioned, but he’s not a bad person, really, and he lets him play with Ace, and he’s been quite helpful on certain cases due to his ability to talk to ghosts.

Bruce insists that the family meet Danny. Damian, hoping that he won’t just skip town the second he hears the news, relents.

Danny is surprisingly eager to meet the bats, considering his earlier fears.

Damian, blissfully unaware of what’s coming, sets a time and place to meet.

Once everyone is there, he gives Bruce the earful of a lifetime.

Robin is in middle school! Danny knows that there’s no way to stop the boy from going on patrol, but you could at least shift his schedule so he gets enough sleep on school nights! Does the Bat even know where he is half the time?! (No) And why isn’t he comfortable asking his family for help with both cases and homework? Did they ever even notice how much time he was spending at Danny’s house? If Danny was a bad person, he could have seriously hurt the poor boy! Shame on you!

Nightwing is mortified that Damian didn’t trust him enough to tell him about any of this. Red Hood is laughing his ass off, because yeah Danny is making good points but he’s also chewing out the literal Batman. Tim is recording the whole thing. Steph is delighted by the absolute gall of this Danger Twink™️, and already planning to add him to several groupchats. Damian is more embarrassed than he’s ever been in his entire life.

You, he points to Nightwing, did your academic life feel supported when you were a Robin? Nightwing is too stunned to speak. Red Hood, eternal shit-stirrer, says that oh, we all prioritized patrol over our education, that’s just how it is. Red Robin actually dropped out of high school to avoid distractions, did you know that?

Danny honest-to-god shrieks at this.

He finishes his angry rant and leaves, everyone too stunned to stop him.

And as it turns out, Tim wasn’t the only person recording the whole thing.

The entire internet is blowing up with Psychopomp The Danger Twink™️’s rant. People are taking sides. Things are getting messy. Red Hood literally admitting on-camera to previously being a Robin is somehow not the main focus here.

Eventually someone connects some dots from the video, as well as stories circling the internet about the psychopomp. A ghost dog named Ace, who is the literal only reason that the psychopomp is fighting crime at all, which seems incredibly fond of Nightwing and Robin.

A crime-fighting dog who wants constant attention from both the current and original Robin.

Oh my god, Ace the Bat-hound died and became a crime-fighting ghost.

And, somehow, that’s still not the strangest thing going on in Gotham.

[opbackgrounds]

The restraint on Oda's part to wait nearly 500 chapters to drop this line is incredible.

[elodie-starlord]

the feminine urge to have a girlfriend

[jimmyhoffathecat]

Glue has found his forever home! 🥳❤️

[crimsonconstl]

Celebrating the tickets I won’t be buying for the tour *sobs

Also this other version cuz I just like giving extras to y’all