#glasereal

[cosmonautroger]

Milton Glaser, Therapy With A Tomato, 1978

[mournfulroses]

Elton Glaser, from a poem titled "And In The Afternoons I Botanized," featured in Parnassus

[hotcelebeauties]

Lisa Glaser

[fuckyeahcostumedramas]

Nicola Coughlan as Penelope Featherington in Bridgerton (TV Series, 2020- ). 

[romancegifs]

THE CUTTING EDGE (1992)  dir. Paul Michael Glaser

[tswiftupdatess]

Nikki Glaser praises Taylor and reveals that she has spent more than 60 hours at The Eras Tour shows in recent interview:

“I was on break from tour and I was seeing Taylor Swift. That’s what I do with my free time, Europe just happened to be there while she was there, I’m like a divorced dad doing his best to see daughter… she has no idea who I am but I’m just the biggest fan. I know, I know! I’m addicted, For me it’s either that or cocaine and luckily I can afford both. I just feel like this is a time where I just have to see someone who is one of the best performers who’s ever lived, I want to just see it as much as possible, it’s the thing that makes me happiest in the world.” (July 12, 2024)

[sosexycelebs]

[rrrick]

[postmodern-blues]

It’s so interesting to me just how ahead of their time Paul Michael Glaser and David Soul were in regards to the vision they had for Starsky and Hutch. Like, in the 1970s realm of mainstream television chock-full of strictly episodic, cookie-cutter concept shows (like Love Boat my beloved) that exploited their concepts to their very limit and prized action/violence/comedy/etc over character development, they envisioned a show with relationships at the forefront in a long-term sense. They fought for a Starsky and Hutch where the cops weren’t just embroiled in violence and seediness, but one where what happened to the two of them and what they did mattered and carried through, building their relationship into the main focal point of the show. And like… that’s what TV is now. Almost all the mainstream scripted shows you see nowadays are serialized and character-driven. The Starsky and Hutch they wanted and fought for would fit right in among the shows we stream today, in my opinion. And I’m not saying that the way we make television now is necessarily better or even good (there are some pretty glaring problems with the current model both on the production end and the consumer end); I’m just saying it’s crazy how those two basically predicted the future of television just because they wanted their cop characters to be gayer.

Also, in my dream Starsky and Hutch where PMG and David Soul got all their demands met and had free reign over the show, they could do things like:

* Explore the fallout of the various hurt/comfort episodes (like how Hutch recovers from being addicted to heroin or how Starsky recovers from Terry’s death)

* Go in-depth exploring Captain Dobey’s relationships with police work and blackness (“Manchild on the Streets” dips its toe in, but we really don’t get much)

* Get more Huggy Bear focused episodes where we can actually learn about him

* More commentary on the morality of police work in the 70s, and of course:

* Copious amounts of Starsky/Hutch affection

[cosmonautroger]

Milton Glaser, 1968

[theoriginofcarrots]

Paul and David, Starsky and Hutch

Forever

feeling nostalgic and sad

[hitku]

by Milton Glaser

[fuckyeahcostumedramas]

Masali Baduza as Michaela Stirling in Bridgerton (TV Series, 2020- ).

[orangepeelshortbreadcookies]

I'll accept the small win that John Glaser having learned his lesson (for now) and gave Sophie real, proper gloves. Penelope's soggy dust paper wrist laceration bandages remain my sleep paralysis demons.

[starskytohutch]

I was blown away by how beautiful the S&H cinematography seems to be when PMG directs? So I compiled some of my favorite shots together :)

[thierry1970]