#gif hunt by andy

[unquietspiritao3]

james and ed at the taskmaster house: part 1

[sebegifs]

*     𝐩𝐮𝐛𝐥𝐢𝐜.      (    💌    )      ·      340  gifs  of  andy  samberg  in  brooklyn  nine  nine  (s07, s08)  can  be  found  in  the  source  link  below.  all  of  these  gifs  were  made  by  me  from  scratch,  so  i  ask  that  you  don’t  redistribute,  add  to  hunts  or  claim  as  your  own.  please  like  &  reblog  if  you  find  these  useful.

interested  in  your  own  commission?  checked  my  pinned  post.

[ttenvely]

ANDY SAMBERG GIF PACK

In the source link below, you will find 70 gifs in 245x150 of ANDY SAMBERG (1978) in Self Reliance (2023). He is Ashkenazi Jewish (and white), so please cast accordingly. All gifs were made from scratch by me and are for roleplay purposes only. Please consider giving this a reblog if using or if you found this to be useful. Do not repost or claim as your own. If you have any questions, feel free to ask!

[earthgif]

by  clicking  the  SOURCE  LINK  you  will  find  TWO  HUNDRED  gifs  of  ANDY  BIERSACK  in  AVERAGE  JOE.  all  gifs  were  made  by  me  from  scratch. please  DON’T edit,  repost  in  other  hunts  or  claim  as  your  own.  you could  also  donated  to  my  ko-fi for  a  update.  hope  you  find  this  useful.  ♡

[cinemaseeker]

Let's Review: Saturday Night

Biopics, not unlike live TV, are a tricky tightrope walk.

The line that actors and directors have to toe is razor thin and always shifting beneath their feet. The sweat starts to bead at the very beginning of conception, when an actor is chosen to mimic, and more often than not resurrect, any given celebrity/historical figure/actual real person of note for any particular project. And the very act of mimicking the appearance and mannerisms of these people strikes at the very heart of acting itself, which can be described as the uncanny ability to completely transform oneself, both physically and mentally, into a different person.

In short, to convincingly create a character.

Biopics pose a particularly unique challenge, wherein the actor has to both create a fictionalized character that can work within a fabricated narrative structure while still recreating a non-fictitious person who is then expected to reenact events important to both the person and the world at large.

Scrutiny and criticisms (from both the general public and the people who lived it) are hardwired to the very DNA of this genre in a way that no other genres are. Not to mention all of the fans that come out of the woodwork when these projects premiere, who are always more than ready to shoot down and fact-check every fictitious addition/omission/discrepancy, beating every bush into oblivion.

It is very easy to screw up spectacularly (and very many have) but these projects can also be absolutely magical when you get it right.

It can be tricky enough doing justice representing one key figure in the world of entertainment. Now add half a dozen more. And we have an ensemble biopic, a creature that just adds more balls for us to juggle.

So now, really, a biopic chronicling the chaotic countdown towards the very first SNL live show is nothing short of catching lightning in a bottle. At the very last minute. Almost on accident. After every other conceivable thing goes very, very wrong. Only to become, somehow, very, very right in the end.

Like lightning, this film has a zappy, kinetic energy to it (helped in very large parts by the editing, camerawork, and Jon Batiste's exciting frenetic score) as it zips and weaves it's way around every square inch of 30 Rockefeller Plaza on the night of October 11th 1975, playing out in roughly real time from 10pm to 11:30pm (aka showtime). It doesn't hold your hand so much as roughly drag you up and down the studio, huffing and puffing as the unsinkable Lorne Michaels (anchored by an earnestly steadfast Gabriel Labelle) rushes to put out little fires that keep popping up all over the place (mostly figurative, one very literal).

You've got a ragtag group of untested comics with large personalities that occasionally bump against each other like bowling balls against pins; some of whom wonder what they, as real actors, are even doing there. There's an anarchic writer with SNL's first head writer Michael O'Donoghue (played by a magnetic Tommy Dewey) pushing back for artistic freedom against the prudish NBC censor (the hilariously sour-pussed Catherine Curtin) in a heated interaction that marks a particularly bright spot in both the film and the fast-paced, wise-cracking script. Then there's countless technical problems with both the sound and lights, not helped by bitterly rebellious crew who won't even help a pour guy lay down some bricks. And all of this in service towards a sketch comedy show that, having run for 3 hours in dress rehearsal (a dress rehearsal that wasn't even taped) that has to be severely trimmed down for primetime.

And of course, there are the NBC executives that are breathing down their necks, waiting for Lorne and the show to fail. A show that, even Lorne admits, nobody has really figured out yet. As he states in one of the film's best lines, he has the ingredients in mind, just not the amounts.

Not to mention the Alpaca.

Oh, and Andy Kaufman's there. As well as Jim Henson and his Muppets. Both of whom are brought to impressive, gangly life by Nicholas Braun (aka Cousin Greg from Succession) pulling double-duty as the unconventional comic and innovative puppeteer with an equally commendable, underperforming monotony that provides the perfect sounding board for everyone else to bounce their insanities against.

The entire ensemble and supporting cast collide and compliment each like a finely tuned jazz band, creating great conflict in the cacophony and allowing great soloists to shine through all the noise.

Perhaps the most obvious standout is Cory Michael Smith as Chevy Chase (I'm sure he wouldn't have it any other way).

The natural physical resemblance always helps but Smith manages to effortlessly portray the egotistical smarminess of Chase in a way that's served him well in his other past roles.

This is the part of the review where I get to flex and say that I liked Cory Michael Smith before he was cool and btw I'm glad that he's getting bigger and better roles in his career. Good for him.

Shoutout to his kooky turn as Edward Nygma/Riddler on Gotham. Do yourself a favor and check it out. You won't be disappointed.

But if I had to pick a best supporting actor, I would have to give it to Matt Wood for his take on the late great John Belushi.

In any other movie, his part probably would've been much bigger (that's what she said). But all jokes aside he's wisely used rather sparingly, glaring at us from the background until he's brought in to punch up the tension with his explosive temper and mercurial demeanor. Your eye can't help but wander over to this strange little man who's obvious talent tips both the show and film's scales towards greatness, even as everyone can already see the deep shadow starting to darken the doorway.

One underappreciated aspect of the biopic is the opportunity it gets to lend voices to people who wouldn't otherwise get a chance to tell their side of the story. With all the big egos swinging their dicks around Saturday Night, the spotlight smartly tends to swing more towards Garrett Morris, the token black member of the cast.

You probably wouldn't have thought much about Garrett Morris before going to see this movie. But my hope is that after seeing this you'll go Google him and then hopefully Hollywood will finally give him his flowers. Played with indignant dignity by newly minted Emmy winner Lamorne Morris (no relation), Garrett rightfully chafes against having to play into limited black stereotypes, especially given that he graduated from Juilliard and performed on Broadway.

And finally, I would be remiss not the mention the incredible women of Saturday Night.

Like very much of SNL's history, the female cast members and writers, especially Lorne's wife Rosie Shuster (played with tender grit by the incomparable Rachel Sennott), have had to fight tooth and nail to make their voices heard. The film takes great strides to spotlight Rosie as the great unsung hero of Saturday Night, giving meat to a supporting wife role that far too often comes delivered bareboned. One of the very favorite lines in the film has Rosie desiring to be a writer rather than a wife and eventually choosing to go by her maiden name in the show's credits, her supportive husband by her side.

Although not the focal point of the film, their efforts do manage to shine brightly through the cracks, giving us glimpses into sketchwork that would lay the groundwork for future SNL superstars like Tina Fey and Maya Rudolph.

The fact that they get to do it while harassing former teen star Dylan O'Brien (aka Stiles from Teen Wolf) is just an added bonus.

But in all seriousness, O'Brien makes for a fun, buoyant Dan Aykroyd.

Without trying very hard, Saturday Night would've been able to give older viewers a shot of nostalgia for the early days of SNL while also giving younger generations a great first step back into learning about the early history of SNL, a show which is currently airing its 50th season and still going strong. The fact that it's also a great movie is truly an added bonus and a gift to the state of current cinema.

At the end of it all, Saturday Night is able to prove that while a biopic doesn't have to get all the facts right, it certainly has to capture the vibe. And it certainly does so, making us feel what it was like to be there in Studio 8H during a chaotic October night in 1975, where the Not Ready for Primetime Players were just trying to put on a show.

[esterpacks]

𝒑𝒖𝒃𝒍𝒊𝒄 𝒄𝒐𝒎𝒎𝒊𝒔𝒔𝒊𝒐𝒏 !: by clicking on the source link, you’ll find #50 gifs of andie macdowell in cedar cove. all gifs were made by me from scratch, so please, do not claim as your own, repost or edit. like or reblog if you find this helpful. if you enjoy my work, consider supporting me on ko-fi!

[courseyoulovemeyoudontknowme]

Ghostbusters (2016, Paul Feig)

20/12/2023

[homebreweds]

* in the source link, you will find 50 225×127 gifs of actor and model LIZETH SELENE in their role as andrea 'andi' agosti in rebelde. selene identifies as genderfluid and queer and uses they/she pronouns. they are of mexican descent, and were born in 1999. you are free to use as long as you tag #usercapella or #useramys as credit. i’d love to see what you do!

support me by tipping!

[phantomcommissions]

COMMISSION- 70 medium sized gifs of musician Andy Biersack in the Black Veil Brides music video 'BLEEDERS'. Payment is for the time and effort put into making these gifs, not the source material.

Download on Payhip or Ko-fi

[aneurins]

GIF PACK REMAKE.

by clicking on the SOURCE LINK below you will be redirected to a gif pack server where you can access  #489 gifs ( 268px x 150px ) of the actor ANDY BEAN in his role as HENRY in HERE AND NOW. he’s THIRTY EIGHT but was THIRTY THREE when filming if that helps at all. please LIKE OR REBLOG this post if you find it at all useful. you can make into gif icons or crackships but if you decide to post publically please credit me in them. don’t use to play the actor themselves. 

tw: food, nudity, alcohol, nsfw scenes, smoking

[unquietspiritao3]

[blueberrypancakesworld]

An acidic gentle embrace

Xenomorph x fem!reader

warning : mention of dead, fluff/comfort (as far as this goes with the xenomorph and the film in general), wounds, no use of y/n, the xenomorph is very ooc probably but for a little cute monster you have to sacrifice something

Summary : A short trip it would have been, or so they had thought when they boarded the spaceship just a few minutes ago…and now it was apparently just the four of them on the run from a monster that was out to kill them, or caring?

info : Omg it has stuck with me since i watched the film with a friend anyway have fun with this little something and i was Inspired from THIS post check it out and the blog from @spicybunni :)

ps : The gif is really everything from @crybabyryo

~~~~~~~~~~~~~~~

Death nothing but death would await them if they stayed here even a few moments longer. She knew that, Rain knew that and Andy knew that, they knew it from the moment they heard the hissing, the scratching of the black claws and the watery slime that spread across the floor as the mouths reached for them and the acid threatened to dissolve them.

It wasn't a hunt, it was a death sentence when both sides knew that only the lift that stood between them would mean freedom, the ship would turn on and all they had to do was get back to the hangar…while they had to deal with gravity and non-gravity.

Every time the sirens sounded they heard Rain's calls and the weight that came over them seemed to pull them off the ladder, the pull they needed to get closer and faster threatened to pull them straight back into the arms of this being, this acid-bearing being or Xenomorph as Bishop had told them before all hell broke loose.

,,Just a few more metres! Kay's got the ship ready, we can do this!" Rain shouted from above her as she flung her friend a few metres above her to Andy with a sweep of her arm as gravity was switched off, but now this creature was on her tail and maybe it was space, maybe it was her rapid heartbeat or the pain coursing through her body as she felt herself becoming more and more resigned to the fact that she might not get out of here.

It might be okay if she could carve out time for her friends for her family that she never really had except for the last few hours when they all got closer somehow, ,,Just keep going up, don't worry!" she heard her voice reply back almost automatically, the look she cast upwards telling her that Andy's silent backward glance understood, a no need for understanding when they both knew she wasn't going to make it.

Climbing further feeling the weight of the gun on her back she knew it was the last chance and it was okay so it was the right thing to do, ,,Andy! My weapon….now!" she shouted as she hauled it off her back, caught on the ladder and with another shrill sound the gravity switched off again and with a reasonably well-timed throw the android took her weapon out of the air moments later.

She heard Rain's scream and heard Andy's thanks, but her friend's screams soon joined the creature's hiss and she looked down to see the waves coming closer, ,,Come on! You beasts, here I am!" she screamed at the black creature that slithered towards her and she grabbed the small handgun and fired, knowing that she only had this moment, that her last look up showed her that it had worked, that she could at least buy her friends some time.

But the shots all missed, whether it was her trembling hands or her giving up she didn't know, what she did know was that she aimed her last shot at the ladder as gravity threatened to kick in again, ,,Come on make it quick" she hissed and for a moment she flew around the shaft until with another shrill sound gravity kicked in again and she fell with a scream.

She heard the metallic clang as the ladder scraped to the floor and walls, shattering and soon they would land, probably with a broken neck or worse alive for these creatures.

Closing her eyes just waiting for the moment she heard the hissing screeches of the aliens that seemed to be around her, she braced herself for pain for the end...as the air was forced out of her lungs and she felt the weight of gravity bearing down on her…but pain she did not feel.

Yelping as her hands touched something hard, something that had wrapped itself around her waist and had no intention of letting go, she looked directly into the face of the creature.

It just looked at her with its sharp teeth, a superior smile if you could call it that as she felt the firm tail continue to wrap around her, wrapping around her hips, supporting her legs and resting the spike on her shoulders, she was exactly where it wanted her to be.

The dangerously spiky tail was hard chitin-like and yet it handled its spike with care as the black creature slowly pulled her towards it, she heard her whimper the fear go through her as she just let this simple movement happen, ,,Stay-Stay away" escaped her lips as her hands clawed at its tail which the Xenomorph didn't even seem to notice.

The power in the tail, the power this creature had to kill her, it had used to lift her up with almost a demonstration of what it could do. Showed what it could do to her and still decided to gently hold her as if it owned her and she had no choice.

Instead, she tried to push away as it ran one of its claws over her arm as if it were trying to feel her, ,,Not-please…can-can you understand me?" she dared to ask, wincing as the sharp claws ran over the cut on her arm and the creature let out an almost silent hiss as it looked at the red blood that didn't resemble its own.

As two worlds clashed unequally, a human woman fragile fleshy helplessly wrapped by the perfect creature without feelings seemed not to care about her emotions.

This tongue other than its tail other was so grotesque that it did not match the long enveloping almost protective something, it did not give itself to her words and yet she continued to hold the movements of the muscles or whatever it was that pressed tensely against her body in the pointed tail.

It wouldn't let her go and she realised as if they both knew she could do nothing against the alien and despite the fact that she was inferior to this thing, it still chose to be gentle.

She held her bloodied hand out to the creature, trembling slightly, and saw that it seemed to be sniffing as if it was trying to gather information, ,,This is-is blood in me, you see-see," she said seemed to choke on her stammering voice, aware of the overall irony of the situation and yet seemingly more certain that it would not kill her immediately, not knowing if it understood, instead whimpering in fear as she saw the tongue-like thing.

She couldn't tell if it wanted her blood as she was still waiting for her death to come, if not through the creature then through the wounds and if they weren't fast enough then through the universe which would swallow them all up it was all a big joke from the start and an escape from here would have been too good.

Swore to herself that it would rip her hand to shreds, throwing her to the ground dead…but no instead it seemed to taste her blood the mix of overly watery saliva covering her hand unpleasant but not harmful as the xenomorph used its claw to gently pat her on the head trying to soothe her.

But it was more like someone was almost hitting her on the head it was so strong, ,,Thanks" she just said, and gasped at it as another rumble and beep went through the spaceship in all this she had almost forgotten what was happening around her and the creature seemed to have forgotten too as it hissed and pulled her closer but still not killing her.

She didn't know what it wanted and screamed in fear again as the alien moved quickly on all fours and began to crawl around, pulling her with it but not once did she hit the floor or the walls in the opposite direction, the Xenomorph was careful not to hurt her.

She was sure that she might be fed to the others or would be used as a tool as a cocoon imaginations that threatened to bring tears to her eyes as she disappeared into the shafts with the Xenomorph.

But even though it was a little narrow she found herself metres deep in like a shrouded room in which to her great shock she saw these crawling little creatures she had seen what these monsters could do to her, to her body and insides.

She scratched and clawed at the tail trying to get away wishing she had her weapon back as she saw one of the little creatures jump towards her but a scream from her ‘saviour’ and a knock away the xenomorph protected her and slowly plopped her down in the middle of this nest on something soft that looked like an old blanket or something.

Before she could even move away, however, the tail wrapped itself around her again and the Xenomorph placed itself next to her, seeming to lie down, ,,Thank you…thank you for saving me," she said, carefully placing her hand on the creature's head, which hissed quietly and tried to relax.

As the other creatures snuggled up to her body, probably enjoying her warmth, perhaps these complex, deadly creatures could feel something after all, the incidental thought occurred to her.

Even though she was surrounded by death everywhere, the Xenomorph that was with her seemed to be looking for something like maybe comfort in the face of impending death and maybe it wasn't so bad, maybe it was just that in the end as she cuddled up to the creature lightly she realised that it was all right after all instead of dying alone.

So it was that by the end the creatures were almost cuddling up to the two of them as the spaceship came closer and closer to the metreoites and in the end they were all peacefully together for the first time in a common death.

~~~~~~~~~~~~~~~

@an-absolute-waste-of-space , @bonkbunn , @uscss-prometheus

[whateverisbeautiful]

♥️Reveling in Richonne - TOWL

#49: The Final Deal (1.05)

gif cred: @nerd4music

Over the years, Jadis has made several deals with Rick and pretty much every single time she screwed him over. 😪 And unsurprisingly, Jadis tries to screw Rick and Michonne over again as she and Richonne attempt to make more deals in the following TOWL scene. However, this time around will be the final deal. Finally. 🙌🏽...

Richonne enter a Yellowstone National Park museum and it’s fitting for Jadis' final moments to take place in this sorta artsy location.

gif cred: @nerd4music

As Rick and Michonne quietly hunt Jadis down they come across that bumbling trio from earlier and once again they easily disarm them. And then walkers come and take the trio out which…how those three survived this long I’ll never know lol.

So then a shootout ensues with Jadis. And it’s sweet seeing Rick and Michonne hold onto each other as they run away. 

gif cred: @coolpartytimefan

As Rick and Michonne stoop behind some fabric, I adore the quick little moment of Michonne checking on Rick with one hand on his face and one on his thigh. Her baby for real. 🥲

cred: @ririchonne

Jadis is again yapping about living and dying for the cause and calling Rick a traitor and then when Rick pokes his head out she straight up aims for the head and grazes him with her shot. 😑Knowing how fatal that shot could have been to Rick, Jadis’ needed to be sent to the afterlife immediately. Like...

Michonne says Rick’s name with concern as they switch places and he assures that he’s alright. And proving yet again that Jadis oddly might belong in the Top 5 Richonne Believers, she says, “You two together, you are unstoppable.”

Then she gets way too personal when she says, “But that won’t save your kids. You kill me, they’re dead. I die by my wounds, they’re dead.” And she’s feeling extra bold as she steps out of hiding and says, “I get killed by walkers, they’re dead.”

What Jadis fails to see is that having the audacity to threaten Michonne and Rick’s kids in front of them like this guarantees she’s dead. Like Jadis, hon...

You can tell Michonne is seeing red as she steps out with her gun aimed at Jadis. Understandably, because now Jadis is triggering Michonne as a mother.

Rick calls Michonne's name but Michonne is ready to end this lady once and for all as she debates pulling the trigger. Jadis almost looks like she’s beckoning her to do it, but knowing they actually do need some info out of Jadis first, Michonne instead kills the walkers coming from behind Jadis.

When Michonne runs out of bullets, Jadis starts shooting and they both flee for cover. Jadis tries to dish out more of that CRM culty propaganda when she says, “It didn’t have to be this way. You were on the path, Rick. After all these years, you were finally feeling the responsibility to fight for something bigger than yourself.”

Wth, Jadis? 😑 Hearing that I was like - truly girl, shut up because what do you mean he finally felt a responsibility to fight for something bigger than himself?? As if Jadis didn’t meet Rick in the process of him fighting a whole war to free oppressed communities. 🙃 She's an absolute clown. 🤡

Rick makes his way over to Michonne as Jadis tells Rick that “Beale saw it too. He was gonna give you the Echelon briefing the moment you returned.” Yeah well, Consignee Bethune had other plans lol. 😋🚁🌊

And then I always really like this wordless exchange between Rick and Michonne. Because as Jadis claims that Rick’s eyes would have been opened by the briefing, Michonne looks at him and then he looks up at her and the ways it’s filmed you can just tell that there is nothing the CRM could say or open his eyes too that would make him not choose Michonne every single time. 

gif cred: @andy-clutterbuck

Jadis says Rick could have secured Alexandria’s security but he didn’t. Then she tries to make Michonne an issue by saying, “You let Michonne pull you away from that.” If only Jadis knew how true that was considering Michonne literally pulled them out of a helicopter to get away from this army. 🤭

Then Jadis wants to start coming at Michonne directly saying all she had to do was leave when Rick arranged for her escape and since she didn’t Jadis declares that now the fates of their friends and their children are sealed. Ok, Little Miss Villain...

Rick tries to again appeal to Jadis’ heart, if she has one, by saying she doesn’t really want to kill everyone back home. He calls her Anne again and he’s onto something regarding the name Anne getting Jadis riled up cuz she sounds particularly irritated as she doubles down on the CRM perspective that, “It’s not about want. It’s about keeping your humanity or saving humanity. And it is a choice.”

In a way, that is the very thing TOWL explored with Rick’s journey. He thought he had to just die and save humanity but through Michonne he regained his humanity and the belief that they can both keep their humanity and save humanity, it doesn’t have to be either/or.

Jadis says she’s chosen her community and her life and then questions if it’ll be them that dies today or her and everyone back home. And the way Michonne got a good swing at Jadis with RJ’s ax, it’s looking like Jadis is going to be the one meeting her demise. Her time is clearly almost up.

So playing pretend one more time, Michonne says, “She’s right, Rick.”  And then Rick and Michonne demonstrate yet again that verbal communication is just a thing they do for fun because they are entirely capable of conversing and making entire plans just by looking at each other.

As they look in each others eyes they immediately know to try and pull a con on the original scammer herself. Also I just realized this is Michonne once again choosing to just not even address Jadis and speak only to Rick.

Michonne says, “I didn’t want to see it. I wanted her dead so I didn’t have to see it. But Rick, there has to be a sacrifice. Since I found you, all that I’ve done has been for us. But now I see, this can’t end with us going home.”

Jadis asks what’s it gonna be and then Rick says, “Okay,” pretending to agree that he’ll stay with the CRM if Jadis doesn’t threaten Michonne or their home. 

Michonne says, “There’s still a deal to me made, one where we all can live and Alexandria.” And hearing yet another deal even be attempted to be made with Judas was just...

Fortunately, it’s a fake deal and the final deal with this snake.

Rick says Michonne will get supplies that’ll help Jadis stay alive long enough to get to the jump point and then Rick will go back with Jadis. The shot of Michonne looking at Rick as he says this. 🥲 It just truly feels like she’s looking at the love of her life. 🥹

Rick looks in Michonne’s eyes as he tells Jadis that they can say he was the lone survivor of the helicopter crash and he’ll go back to the CRM to work for a future like none of this ever happened.

He says they’ll do this on one condition and Jadis already knows when she says, “Michonne gets away and I never tell them about Alexandria.” Rick says, “It’s the only way this works” and then I love his subtle wink at Michonne when he asks, “We got a deal?” 

Jadis wonders why she should trust Rick after all the stuff he’s pulled but that had me like why should you trust him???? Pretty ironic coming from literally the longest-running scammer in the franchise. 😑

gif cred: @nerd4music

Rick understandably isn’t interested in convincing Jadis why he can be trusted so he just asks, “We got a deal or not?” Jadis isn’t doing so hot from the blood loss so she agrees and says, “Yeah. We got a deal.”

Then, y’all I adore seeing the small detail of Rick and Michonne holding hands. 😭 I love that they were holding hands during this deal, wanting each other to know that regardless of what they’re saying to Jadis right now they’re still entirely in this together.

And I also love that Rick doesn't let go of Michonne’s hand until the very last second as she stands up to come out of hiding and “go get supplies.” 🧲 TOWL said every Richonne scene is gonna have a dash of romance and I’m beyond here for it. 🥰

So Michonne tosses her weapon and exits and I love that she puts a little feisty emphasis on the weapon toss when she looks at Jadis. And then Rick disarms and shows himself as Jadis tells him to come closer.

Jadis lays down her weapons and Rick of course takes one more opportunity to let Petty Rick shine as he looks at Jadis on death's door and says, “You’ve looked better.” When I tell you I love this extra man lol. 😋 I know he’s appreciating the number his wife did on this garbage woman. And whenever Rick’s eyebrows go up like that, just know some shade is bound to follow. 🤭

gif cred: @nerd4music

Jadis again expresses acknowledgement of the power of Richonne when she says, “I was a fool to think I could take you down, with you two together.” Jadis never got much right in life, but she did have a solid grasp on the fact that Rick and Michonne really do make each other stronger and they're hard to beat together. She explains that’s why she agreed to the deal so she could keep Rick and Michonne separate.

And then to the *utter shock* of everyone, Jadis whips out Red’s red gun and attempts to double cross them for the fifty-'leventh time. 🙄But I love how Rick responds unfazed to her ploy like he thinks it’s the most predictable thing ever. 🥱 A serpent gon’ do what a serpent gon’ do, so I'm sure seeing her aim the gun just had Rick like...

Jadis says she doesn’t trust Rick but she respects him. And then Michonne shows up with a weapon pointed at Jadis and tells her to drop the gun or she’ll kill her.

Then, those noodle-less walkers come and bite a chunk out of Jadis' neck. And getting fatally bit instantly spurs Jadis' come-to-Jesus.

gif cred: @perryabbott

Jadis goes into a monologue about the many lives she tried to balance with her back and forth between Jadis and Anne and the CRM and the Alexandrians. And Richonne is nice enough to listen to her last words.

As she realizes Father Gabriel already showed her the answers she needed (realized too late imo 🙃), Jadis reveals where her dossier is hidden and tells them to just destroy it and go home.

She still believes in the CRM and that they’ll bring the world back, so she looks at Michonne and Rick and says, “Tell me you won’t come after them.” And then y’all, Michonne says request denied because she doesn’t give a damn if this is Jadis' dying wish, they’re gonna do what needs to be done. 👌🏽

Michonne replies, “No. Because we are coming for them.” And the way Rick looks, it appears like this development is news to him lol. But I love that Michonne wants Jadis to know this just before she goes.

Michonne continues, “We’re gonna get the dossier. And then the CRM - we’re gonna stop them.” She looks over at Rick as she continues to inform both Rick and Jadis of what comes next when she says, “He’s gonna get the Echelon briefing and find out everything that they do that the city doesn’t know about. The city I saw won’t stand for what they are. And we’re gonna help the city stop them.”

And y’all, the way Jadis is staring at Michonne...I know she’s thinking ‘and this is why I wrote a whole chapter on Rick's wife in my dossier.’ #DirectQuoteFromJadis'Mind. 🤭 Had her like...

Then knowing how much Jadis loves being called Anne, Michonne calmly says, “Because, Anne, the CRM is not the answer and they must end.” And, with the way Bowlcut believes in Richonne, you know Jadis knows they’re going to be successful at stopping the CRM.

Jadis really had to die knowing she and the very mission she dedicated her life to are about to take some serious Ls. 😬

Michonne then turns to Rick and says, “We’re gonna do that.” See, Michonne has been through a whole lot of life and so she’s standing here now knowing the CRM can be taken down just like all the rest.

And always a great and supportive husband, Rick is on board with this plan as he looks from Michonne over to Jadis and says, “You kept us alive for a reason.” And I love the way Rick subtly smiles at her, knowing Jadis is getting yet another front-row seat to the power of Richonne. 

So Jadis,...

Hearing this seems to have Jadis realizing she made some bad life choices and should have just stuck to her artsy lane when she says, “I wish I died an artist.” I always really like that line. Something about it is poetic and pretty in a tragic way.

But also, whenever I hear it I’m like girl, don’t worry you did die an artist...

Jadis reflects on how her life as an artist wasn’t about survival but about truth. She says this is the end of her story and her peace and then it becomes crystal clear a Richonne proposal moment is coming when Jadis removes the wedding ring and holds it out.

As she holds the ring, she tells Rick, “On the bridge, you told Gabriel you wanted to marry her.” And I love that this gets brought up again and that Michonne gets to learn that Rick was planning to marry her officially before he was taken.

The way Jadis looks over to Michonne when she says this always makes me smile because she looks quite happy to let Michonne know, 'yes girl, your man was trying to...

Jadis puts the ring in Rick’s hand and says, “He found this, and he wanted to give it to you.” Rick is shook by this and asks, “How did you...?” And I feel like with the way Rick so clearly had proposing on his mind during this road trip home I’m sure that has him even more bewildered of how Jadis knew this.

Jadis just smiles and shakes her head which had me like - hold up up up cuz no we’re nawt just shrugging off this detail of how she got the ring and was in contact with Father Gabriel. I needed her to tell them about her tea times with Gabriel because Richonne needs to interrogate that man when they get home lol. 🙃

Jadis tells Rick he wasn’t dreaming about killing her and then says, “Go ahead. Do what you said you would do. Please.” Michonne and Rick stand up and the time arrives for Rick to finally take Jadis out for good.

Jadis dies and it’s a somber vibe as Rick just quietly walks away and Michonne follows. After playing in Richonne’s face from season 7 forward, stealing years from them, and putting their children in danger, I felt it was only right for her to go. Even overdue. And while that monologue didn’t at all redeem her in my eyes, it was well-performed by McIntosh and had some heart.

gif cred: @nerd4music

I’m most glad that she gave Rick that ring tho because it leads to the best scene of the episode. 🤩

One of the earliest ways that trifling Jadis tried Richonne was in the season 7 finale when she said she was gonna lay with Rick and asked Michonne if she cared. 🙃 Y’all remember when she looked Rick up and down, turned to Michonne, and asked, “Yours?”

Well...about that.😊

I always find it to be poetically fitting that here in Jadis’ final episode, it’s also the very episode where Rick and Michonne affirm that Jadis' "Yours?" question actually isn’t that crazy because Rick and Michonne really do happily belong to each other.

He’s hers. She’s his. 🥲

So you know I gotta break down the absolutely beautiful scene that makes that sentiment crystal clear. 😌👌🏽💍

[jolenes-doppelganger]

Hi, I really enjoyed the way you write about Rose, so I was wondering if you could write a one shot about Rose The Hat/fem!reader where the reader is a member of the True Knot and can predict the future. As per the story of the book, part of the True Knot left Rose because they were afraid of Abra and the reader went away with them, however she saw a vision of Rose's death and came back just in time to save her :) sorry if my request is not clear, because I write with the help of a translator :)

[Hello lovelies! Super cute ideas! :) I definitely had fun with this one. I hope you don’t mind that I combined both of your asks to write this, I figured they were similar enough to do so.]

Doomsday

Rose the Hat x Fem! True Knot Reader

Summary: The tension between Rose the Hat and Reader leading up to the accident of the Overlook is both productive, and almost damning. Between the love triangle provoked by Rose’s dual pursuit of both Crow Daddy and R, Reader’s visions that produce a future Rose is too stubborn to acknowledge, and the fracturing of the True Knot following the failed capture of Abra, the world comes crashing down both metaphorically and literally as Rose is pulled back from the brink of death by Reader.

Warnings: Alludes to violence, description of gunshot wounds, dying via car crash, implied murder, more death. A metaphysical slap?Hurt/Comfort, hella angsty. Allusions to sex, but you don't get any. (Womp womp).

A/N: This is a re-imagining of the events of Doctor Sleep, what I would consider a healthy split between the book and the movie. It may be tempting to romanticize Rose as the victim here, (she’s evil and really, really, really deserves it), just don’t. The adapted 'Lodsam Hanti, Sabbatha Hanti' chant was translated with the help of this Reddit thread.

Word Count: 5.6k

Waking up in Snakebite Andi’s and Silent Sarey’s trailer felt… Wrong. Mostly because you’d been sleeping in Rose’s trailer for six months. Rose had been on the hunt for ‘the whale’ ever since she felt Abra looking in on her at the supermarket. She’d enlisted you to help. Sure, you could predict when it would rain, accidents, hell you’d predicted the 2017 Eagle Creek fire. The steam from that accident had been weak. Very few deaths. Not a proper ‘Big One’, as Rose called it, but there was something odd Rose had noticed. After taking a particularly good meal, as you’d had once or twice given how new you were to the Knot, you’d get these visions. Real proper visions. Rose had hunches, mostly. They were pretty accurate for hunches, but you, you got images. One trip into a casino, and the True Knot had walked out four hundred thousand richer, not like they needed the money. No, the Knot never needed anything, except steam.

“You gonna go back to the watchtower with Rose?” Andi yawned, in a bra and underwear.

As welcoming as Andi and Sarey were, they weren’t quiet hosts. Noise canceling headphones made little difference. You’d spent your night in interrupted sleep cycles, covering your head with a pillow as Sarey and Andi fucked like rabbits. 

“I don’t think Rose wants me there today.” you answered.

“How come?” Andi asked.

Silent Sarey came up behind Andi, pressing her face into her lover’s neck. The two of them were adorable, the token queer couple in the troop of mostly straight men and women that made up the Knot. The twins were the next closest thing to queer. They didn’t really have gender identities, and they weren’t their own people. They kind of existed as facets of each other. Neither one had a gender or identity separate from the other, you supposed that might’ve made them nonbinary. The twins didn’t do labels aside from being ‘the twins’.  That was their thing. 

“Well…” you stammered, shaking your head to rid yourself of the extensive internal monologue, “She just doesn’t need me. You guys are going up to Frasier to get Abra today, and there’s nothing for me to do except stay with Rose. 

Sarey gave a nod. She struggled to communicate with most people in the Knot, except Andi. She’d whisper away in the lisped speech pattern she had, snuggling closer to her younger lover. But the nod was nice. It was her way of saying, ‘I’m listening’.

“Alright, well, I should be getting ready, we’re heading out early.” Andi smiled.

You nodded, pulling on your shoes and exiting your trailer. You didn’t need to be a witness to the farewell sex the couple would inevitably have. Besides, the morning was too fresh to spend in a stuffy trailer.

“Hiya Dreamie.” Barry the Chunk hooted.

Dreamie. That was your name. It’s what everyone called you, and you didn’t mind it. Better than ‘loonie’ or ‘make-believer’. There were worse words, but it was early. No sense in ruminating on the bad.

“Hi Barry.” you smiled back.

The camp was waking up. And you needed some time away from the masses. There was a tingling in the back of your head, an incessant itch. It was the telltale sign of a vision, and a big one. You debated going up to the watchtower. Rose would get the cue, but you and Rose weren’t exactly on good terms right now. Crow wasn’t on good terms with you.

“Dreamie. Rose wants you.” Crow said, scruffy voice jarring you from your thoughts.

“Speak of the devil.” you mumbled to yourself. “Got it, thanks Crow.”

“It’s Crow Daddy to you, Dreamie.” he gave a smile, too white teeth throwing off the otherwise cleverly hidden sneer.

“Got it.” you gave a curt nod.

Then it was back into the lion’s den. You gave a knock on her trailer door before you came in. A noncommittal hum was the permission granted. One step into the trailer and it was clear Rose and Crow had been fucking. The trailer reeked. 

“It’s nice outside, you should open a window.” 

Rose stretched her arms, in a set of mens pajama pants and a sheer bra. Always with the bras, was she allergic to shirts or something?

“Got any dreams, Dreamie?” Rose smirked, not unkindly.

Like it or not, Rose was always in a good mood after a night of fucking. Always. 

“I have an aura, actually.” you sighed.

“Of course you do.” Rose smirked. “I can feel it, the second you walked in. You get this smell to you.”

She stretched again, rotating and twisting her back until her entire spine cracked. It was a bit eerie, watching how far she could bend.

“Someone’s thoughts are loud this morning.” Rose teased.

You shrugged. She was unusually receptive this morning. Or just allergic to minding her own business. You said that one in your head a bit louder.

“Childish, really.” Rose rolled her eyes, stepping out of her bed and coming forward.

You shrugged, giving her an innocent look. Rose raised an eyebrow, and then she pounced. All six feet of her moved with the agility of a cat, snatching you for a deep hug.

“Hmm… You really do have that aura coming on… You always smell like sandalwood. It’s really strong.” Rose hummed.

“And you stink of sex.”

Rose gave a sharp laugh, pressing you tighter against her.

“You don’t like it? It’s my signature perfume.” Rose joked.

The thought was gag worthy. Mostly because the stench of sex was ninety percent Crow’s BO. God that man stunk sometimes.

“I’ll take a shower if you make me some coffee, hmm?” Rose smirked. 

“Deal.”

Rose smiled, turning and walking towards the shower cubicle in her trailer. She was connected to a water pump currently, she could enjoy a long, extensive shower at the cost of virtually nothing. This campsite was Knot property, after all. With her behind the closed door, you had an opportunity to fumigate the room with fresh air. Every single window in the trailer was open. You stripped her bed, mostly because a night with Crow out meant a night with you in. And sleeping in sheets someone had fucked in? Not ideal, to say the least.

“Honeybunch, I forgot a towel, do you mind?” Rose called.

You paused what you were doing, going to grab her a towel. You made it about halfway to the door before the aura in your head got deafeningly loud. It was always awful, getting a particularly intense vision. First your ears would ring, really fucking loud. And then you’d get nauseous. All the saliva would dry up on your tongue, your hands would shake, and the world would go fuzzy. If you could compare it to something, you’d compare it to how a diabetic felt when their blood sugar dropped. This wasn’t a crisis of the body, though the body exhibited symptoms, it was a crisis of the psyche.

“Honeybunch? Hey, Dreamie, hello?”

You couldn’t focus on Rose. You were hunched in her kitchen, head in between your knees, breathing in and out really slow.

“Dreamie? Helloooo?”

The water turned off. Rose opened the bathroom door sticking her head out. She looked up, at where your eye level would be, and then right back down. Rose swore softly, grabbing a robe hanging outside of the bathroom door, pulling it on.

“It’s a bad one, huh?”

You nodded, it was all the response you could give.

“Well let me know when the symptoms…”

Her voice dulled. High pitched ringing, deafening. Your vision swam and all you could do was focus on your breath before images slammed into your skull.

Gunshots. That was what you heard. A forest clearing with railroad tracks. Teeny town? Yes. Teeny Town. Your hands were shaking, a gun in them. A gunshot through your head took you out. Immediately your perspective shifted, slamming into another person only to be killed milliseconds later. In between the pain of shifting perspectives and violently intense sensations of being shot over and over, there were shapes. People contorting, half-translucent, bodies disappearing into clouds of smoke. All of this was awful, but what was worse was the scene change.

Darkness, a calm drive on a quiet road, music playing over the quiet buzz of radio static.

 The switch was so quick it gave you metaphysical whiplash, almost like your brain was rattling in its skull. A child’s voice with a man’s tamber. That’s what you would describe it as. Looking into the rearview, you made out the shape of a small girl with dark curls and deeply old-looking eyes. Too old for a child, like they were borrowed from a man’s broken stare. Your eyes were dark. A bearded face. Crow. It shook you to see through his eyes. The perspective of the world matched, almost like you were Crow. You couldn’t make out what the girl was saying, but you could make out the threat in them. That was before the car swerved, steering wheel slipping in your hands. This death, was drawn out. You could feel every bone in your neck and upper spine shatter as your head went right through the windshield. The realization that you were going to die, the horrible sense of anguish. And then you cycled. Once, twice, dust. 

“.... okay….. How long… Seizures.. Gone…”

So many voices spoke. Your head ached, so did your body. It felt like someone had shoved you into a dryer on the highest tumble setting, you were so sore.

“...There she is! Dreamie, wake up.”

Colors blurred together, someone shoved something into your lips. A straw. You sipped, juice hitting your tongue, bleeding into the metallic taste there. It stung; somewhere on your tongue there was a cut.

“Jesus, Dreamie, you scared the living shit out of us.” Barry said.

Your body lurched. An image flashed, what you thought would be another lurch from a shotgun was entirely different. Barry burning up with fever. Red welts all over him, like that childhood illness your Mom had vaccinated you for. Pox?

“Hey, hey, easy.” someone whispered.

Rose looked down at you, her face contorted into an expression that would surely accelerate the aging of her smile lines.

“She’s never had one this bad… She was seizing for five minutes before she stopped. Then the last one you saw for yourself.” Rose told Walnut, the doctor of the Knot.

He nodded, taking off the blood pressure cuff and stethoscope he’d been using.

“Well, she’s stable now, it should be okay for the group to leave, we’re already delayed by-”

“NO!”

Rose jolted, gaze snapping downwards. She gave you a confused, angry look.

“What do you mean no? Jesus, send them off already. I can handle little Ms. Visions here.”

Your mouth was so dry, tongue bleeding and swollen. Grabbing for her wrist, you tried to get Rose to understand, to listen, at the very least.

“Shh, tell me in a minute.” Rose replied.

You squeezed more insistently. Rose pursed her lips, looking down at you with a warning look. You stayed silent. Even if the Knot left without you being able to warn Rose, she could always call them back. You stayed with Apron Annie while Rose dressed, slapping her topper on her head before slipping out of her trailer door.

“You sure gave her a scare, you know?” Annie smiled sweetly. 

“I… I saw something bad.”

“I figured. You tell Rose first though. I wouldn’t know what to do with your visions.” Annie shook her head.

You curled into the older woman’s grasp. She’d been a runaway slave before the Knot. Crafty, quick, an avid reader. Nobody read more than Annie, simply because no one refused to be fooled like Annie. 

“And your hair is a rat’s nest, lord have mercy.” Annie sighed.

She got up, getting some of your hair tools before setting down to the task of combing out and braiding your hair. It was comforting, the massaging of rosemary oil into your scalp relieved some of the ache in your head.

“Walnut said to keep drinking that juice. Your blood sugar dropped during the seizure. You’d best listen.”

You nodded weakly, sipping the juice without complaint. Annie’s accent was creeping back in, it always did when she was being stern with somebody. 

“You jus’ rest here awhile.”

←→

It was safe to say Rose didn’t believe you. You’d sat down with her and explained the vision front to back, the men who’d done the shooting and Crow’s death via car crash.

“Rose, I know what I saw-”

“I. Don’t. Care.” Rose snapped. “We need this Abra girl, and the bitch child isn’t going to kill the team.”

Denial. Always with the fucking denial.

“Rose, please.” you tried to coax her.

“No, don’t ‘Rose’ me. Your blood sugar dropped, you had a seizure, and…”

Even Rose was having a hard time believing her own lie. She didn’t want to be wrong. Abra could fix all of the True Knot’s problems. Steam on demand? God, what a novelty. After Grandpa Flick had died, Rose had gone frantic. They’d lost three True in twenty years. Three. That was like losing three family members in two weeks and Crow was getting old. Last night had been an anomaly for them. A whole night of love making three weeks after they’d taken steam? God, that never happened. Rose was still aching from it, still sore from the intensity of it. How often could that be if they were taking steam every three months? Could Abra withstand every two? Every two months for ten, twenty years? They’d consistently age backwards. A secluded ranch, a house? Somewhere permanent? Rose needed that more than she cared to admit.

“Please call them back.” you pleaded.

Rose shook her head immediately. 

“No. No, no, NO!” Rose snarled. ‘They’ll snatch the girl in Frazier, kill the family if necessary. It’ll take three hours tops. I can’t lose this chance just because you had a bad dream.” she snapped.

She watched your mouth bob. There was real fear in your eyes, real anger. It reminded her of a child fighting a tantrum. God, you really were young. Seven years in the Knot, snatched at seventeen, eighteen? A baby. You were a total baby to her, and so fragile. You were young enough and new enough to your gifts that Rose could take a chance on your dreams being wrong. It was plausible that your gifts had far more variability than just visions of the future. She wasn’t going to waste the best catch of her life because someone had anxiety.

“When they all die, it’s your fault.” you mumbled, getting off the floor of her trailer and practically running out of the door.

“Come off your soap box, Dreamie!” Rose growled.

You were gone. But someone else was waiting at her doorstep.

“Rose, Walnut called. The sickness that took Flick? Barry has it.” Annie anxiously whispered.

Rose’s breath caught in her chest. The sickness? Flick had died of old age, exasperated by heart conditions, not a sickness. But that was a lie too. For a week now, members of the Knot had been waking up with red spots on their bodies. Walnut had brushed it off as a skin condition from the bad showers, but privately he had told Rose a different story. The Knot was sick, they needed steam. Steam from a young, healthy, vaccinated child like Abra. Chicken pox was his diagnosis. And the True Knot weren’t healthy enough to withstand it.

←→

A night later, Walnut called. Barry was getting worse. He was starting to cycle. The group was scared and facing the possible passing of one of their own. There’d be no time to delay, they needed to work fast, leading Crow to split up and take a more direct approach to the girl’s residence. For the first time since the invention of the interstate, Rose told her people to speed.

“Rose, Dreamie is asking for you.” Annie interrupted her thoughts.

Rose turned, smiling up at her longtime friend. The smile fell off of her face, landing on the floor like a glass dish. Her stomach lurched. Annie had a spot on her neck, a big one too. Giving a tighter, less genuine smile, Rose slipped out of her trailer. Dreamie was curled up in a camp chair. She looked cozy, in blankets. Rose’s mind was elsewhere, she had every reason to prepare for a fight.

“If you’re here to tell me-”

“I’m not.” you cut her off, looking up at her gently.

Rose let out a breath and then nodded. She motioned you up, sat in the chair and opened her arms. You were a comforting weight in her grasp, and you smelled faintly of sandalwood. You’d have another vision soon, not that Rose cared. What was more pressing was the weight of your body on hers leaving her feeling soft, a bit vulnerable.

“Spend the night with me.” Rose whispered. “No strings attached.”

Rose needed it. She needed the intimacy of a night with someone young, inexperienced.

“What about Crow?” you whispered back, face twisted into an anxious look.

Rose sniffed, letting out an annoyed breath. She’d had enough of your anxiety for three decades. But they were so close to getting it all, and Rose wanted it all. 

“Crow isn’t going to find out. One night, one.” she whispered, eyes glimmering with an unfamiliar softness.

God, what you wouldn’t give for one night. The teasing, the pet names, the sleep overs… And it wouldn’t be rough, judging from the look in her eyes.

“Okay.” you breathed out.

Rose smiled, kissing your temple. You both stood, her hand in yours, bare feet padding across the dirt of the campground. Her trailer smelled of incense which meant she’d been meditating extensively, probably astral projecting to ensure the troop headed to Abra was okay. There were a few candles lit, adding to the ambience.

“Come here.” Rose whispered, shutting her camper door. 

Her arms found your waist, her mouth on your neck. She was so damn tall, and soft. Soft everywhere now that she was aging. You liked her soft, it was comforting.

“Lay down on the bed for me.” Rose whispered.

You complied, walking backwards, meeting her blue eyes. Your thighs hit the bed, and you scooted, backward, laying flat over her comforter. Her mouth was on yours, lips soft, tempting, and tongue flicking out to taste you throughout the kiss. After every kiss she’d give a soft hum, her fingers lazily slipping under your shirt to caress the skin underneath. Her fingers were soft, and she gave a sly grin, shifting her hips to straddle you further. Your arms tangled in her hair, enough to tempt her into removing the topper. She did, leaning further into the kiss. You would’ve thought someone like Rose wouldn’t like soft, wouldn’t find the moments of drawn out foreplay and intimacy worthwhile. You were wrong, so so wrong. Her mouth on your neck, her hands grasping you tight, bodies tangled like pretzels. This was right, this was the moment.

←→

An early morning call awoke Rose. It was from Walnut. She was on the phone for thirty seconds, and then her hands were wrapped around your waist. “Wake up, wake up!” Rose said, distressed. “Wha..”

Her hands were everywhere, lifting you up, throwing open the curtains to illuminate your body. She ran her hands over every inch, skimming every mark, every mole, every soft stretch mark. Rose didn’t relax until she was sure you didn’t have a single mark. 

“Oh, thank god.” Rose almost wept with relief, clutching you tight.

“Rose, what’s happened?” you asked, now wide awake and worried.

“The Knot has chickenpox. It killed Barry.”

Your body tensed. You’d never told Rose about the vision you’d had of Barry. “Chickenpox? Chickenpox can’t kill-”

“It doesn’t kill rubes. We aren’t rubes, Dreamie.” Rose growled out. “And if we don’t find a cure it’ll kill all of us.”

All of us? 

“Rose, I was vaccinated as a kid.”

Her expression tensed, and then relaxed. But then she frowned, a furious expression on her face.

“That’s because you’re young. Spoiled by modern medicine.” she spit.

You reached up, cupping her face. Rose was lashing out because she was scared, and upset. One of the Knot had died. Her family had died. You leaned forward, kissing her forehead. Rose didn’t cry, but she reached forward, cradling you tight.

“Thank god you’re vaccinated.” she whimpered.

←→

The Knot didn’t take Barry’s death well. There was a bit of hysteria, hysteria Rose struggled to calm. She leaned on you more and more, spending her nights tangled up with you in her sheets, an escape from her stress, from the hunger that was starting to claw at everyone’s throats. She had gray hairs again. Her crow’s feet were pronounced, skin starting to go scaly from sun damage. You didn’t love her any less, taking time to appreciate every bit of her changing body in between the bursts of passion. You aged too, turning from 17 to 21, almost 22. It wasn’t much of a difference, you were already quite young for a Knot member. But the hunger was awful.

“My joints ache, I’m going to take a shower.” Rose sighed, rolling out of bed.

She leaned down, pressing a soft kiss to your sleepy face. You smiled, watching her pull on sweats and a shirt before grabbing some things. She meant the camp showers. They had a bit more space than her RV stall, you couldn’t blame her. The heat was more consistent too. You went back into a blissful sleep. It was broken fifteen minutes later when you heard a scream.

Half dressed in a pair of panties and an oversized shirt, you were running out of Rose’s trailer, bolting through the campsite in the direction of the scream. It was Rose, crumpled in Annie’s arms in front of the shower, sobbing in confusion and anger. Her towel was sagging.

“Rose, Rose.” you whispered, kneeling down and helping to cover her.

Her hands landed on your shoulders. An image burning forward. Gunshots, cycling, a smoke filled campsite.

“They’re dead. Everyone is fucking dead.” she sobbed.

You’d made it to the steps of her trailer before she collapsed against the steps, wailing like the dying.

“Crow!”

An image flashed through your mind, fear and pain as the vertebrae of your neck compressed, body flying through the windshield. Everyone had died, just as you’d predicted. Rose hadn’t listened.

←→

“That the last of it?” Annie asked, out of breath.

“Yeah, just two boxes.”

You were busy packing your things into Annie’s and Diesel Doug’s truck. In the days following the death of eight of the most prominent True Knot members, chaos had erupted. People packing their bags, convinced death was on their doorstep. The chickenpox was taking someone every other day now. Everyone was running, everyone was fleeing. You were leaving for a different reason, more personal. Rose had lashed out at you, blaming the entire loss of the crew on you. Rose insisted that if she had known that the visions were serious she would’ve called back the team. Your visions were serious, she just hadn’t listened. More fighting, more name calling, more discord. 

“I’m sorry Rose treated you that way.” Doug sighed, shifting the car in gear. “We’re all grieving, but treating you that way was a shitty thing to do.”

You nodded once, sneaking a glance in the rearview. Rose stood in front of her trailer, arms crossed, top hat balanced on her head. You could feel her thousand yard stare from here.

“You’re gonna die out there, Dreamie.” you heard a voice crawl through your ear, invasive and almost wet feeling.

“Well at least I won’t die alone.”

A phantom sensation cracked through the bones of your face, like you’d been slapped. You let out a choked cough, catching Annie’s attention. 

“I’m fine, choked on my own spit.” you mumbled.

“Bitch.”

You didn’t get a response. You figured she was saving the last laugh for later.

The drive into the Montana mountains was rough. Snow was starting to fall.

“You had to take the Denver route?” Annie groaned. 

“Who the fuck goes through the rockies at this time of year? It would take days!” Doug growled.

They were both irritable, both covered in red spots. You were in denial this time. If they died you really would be alone. Maybe that was Rose’s last laugh. The three of you settled into the hotel, Doug and Annie in a king bed, you in a twin pullout. Everything was quiet. Too quiet. You couldn’t shake the feeling that something bad was going to happen, and you sure as hell couldn’t sleep. An overcoat on, boots crunching through the gravel, you set out to explore the area around the hotel. 

You felt a bit dizzy, probably from the altitude. Sitting on a boulder for a bit didn’t help, deep breaths of cool mountain air just made you feel sicker. Your ears began to ring, and that’s when it all added up. You were ready to brace yourself when-

“My, my. What a temper you have.”

You were speaking through Rose, a man’s flushed, pained face underneath her as Rose batted away his arms like he was nothing but an overgrown toddler.

“So much fire. Such a waste.”

You could feel Rose’s anger, her hatred for this man. You recognized him, he’d shot a few of the True Knot at the Teeny Town campsite. And his stare was so familiar.

“Or maybe not.”

It was horrific, this vision. You could feel everything Rose was doing, her sighs of delight as she ate the man’s steam, her thumb in his thigh. Rose was cruel, but this cruelty made your stomach churn in knots. 

“Oh, you’re not alone in there.” Rose breathlessly gasped. “What are you hiding? What’s in those?! Something special, huh?!”

That disgusting, inescapable feeling of dread clawed through you. It was impossible to speak in visions, but you wanted to. You wanted to scream. You could see the boxes as she saw them, alive and vibrating. They were full of darkness, and in Rose’s haste she wasn’t inspecting the aura, she was ravenous for food, for blood.

“They’re not special. They’re starving.”

The vision was a blur from there. Horror, fear, pain as Rose was eaten alive. You awoke on the ground of the hotel reception room, gasping for air and shaking.

“She has these seizures, poor dear.” Annie was tiredly explaining to the frightened hotel receptionist.

You didn’t let them give you juice. You didn’t let them feed you. There wasn’t time.

“I need the car.” you gasped to Diesel Doug. “Stay here.”

←→

The drive up into the mountains of Colorado was awful. You’d been taught to drive in the snow three years earlier by Jimmy Numbers, but this was something else. You’d loaded up Diesel’s trusty all wheel drive truck up with gas at the final station, filling up both tanks with diesel. You were driving up the mountains at night, hands glued to the wheel. Rose would be proud of you, pinpointing the location of the vision through memory alone. But this wasn’t about being proud.

The lights of the Overlook were on. You didn’t have time. Rose’s trailer was parked outside, you didn’t have time! You turned off the car, leaving the keys in the ignition, doors unlocked. It was so cold up here, one of the doors was frozen shut. You didn’t have time to break through the door, so you made the next best decision, breaking through a window with an axe. It was boarded up but the wood had rotted, giving you enough bend to punch through the wood with the butt of the axe. There were voices, not from people. The same darkness of the man’s boxes lingered here, and the whispers added more adrenaline to your movements. The hallways were mazes. It felt like this stupid hotel was trying to confuse you, to trap you here. It wanted blood, it knew you were hindering its meal.

“... I seem to have nicked your femoral artery. Gonna bleed to death, huh?”

You knew that voice. Well. A kid darted by you. Jet black hair, dark skin. Abra.

“You’re…” she stammered, backing away.

“I’m not here for you. Go.” you snapped at the little girl.

You turned, following the direction she’d come from. A large hall came into view, stairs descending downwards. Rose was crouched over the man, voice echoing. You attempted to step down the stairs, but there was some kind of force keeping you there, confusing you. Why did you even want to go down there in the first place? No, you were here for the little girl, weren’t you? Because you’re hungry. The woman at the bottom of the stairs is hungry too. You can’t let her catch the girl before you do, you’ll go hungry.

There was something you were forgetting. You looked down at the woman below you, confused. She was gasping in pleasure, feasting. You were so hungry too. You saw where the little girl had gone too. You knew where she was. No. No, the woman was important. You could feel it, an unmistakable, annoying little scratch in your brain. You were close to remembering something, almost like you were trying to remember a dream.

Dream! No. No. Dreaming? Day dreaming? Dream… Dreammmmmm……. 

Dreamie. Rose, the vision, the hotel. The tricks of the hallways, the bad aura. It all connected in your brain.

“.... Not special. They’re starvi-”

“NO!”

In your haste to get to Rose, you have walked, half slid down the stairs. There were about ten figures between you and Rose. All reaching all starving, all grabbing, all-

“The girl is in the maze.” you gasped. “She has more steam than all of us combined.”

The figures jerked, each turning to look at you with a peculiar, inhuman hunger. If the Knot were vampires, these were phantoms. Demons of the night, more deadly, more encompassing. The kind of dead that don’t stay dead.

“The maze. A girl named Abra.” I gasped.

They pushed forward at once, nearly stampeding you in their haste to eat. The man was heaving, reaching for the ax. You kicked him in the ribs, hard. Rose lay on the ground, crumpling in on herself, red dots crawling up her arms in accelerated fashion. The dead had taken much of her steam.

“Rose, Rosie.” you gasped, reaching for her.

She looked skeletal. It was the kind of skeletal that a True Knot took on before they started cycling.

“Steam.” she  weakly pointed to the man.

And you both were starving.

←→

Rose sat in a camp chair outside, feet propped up. She was soft looking, back to the usual look she got in between feedings.

“Mmm…” she hummed, twitching slightly.

“Crook in your neck?” you asked.

“More like an itch.”

She looked up, holding her arms out. 

“Let me see my beautiful girl, hmm?”

You smiled, curling in her lap. Tilting her head back, she exposed her jaw. You took the bait, nibbling softly as she sighed in contentment.

“I’m itching to open a canister.” Rose smirked. “Get nice and full, spend the night in the sand…”

She was getting old again. And the spots were coming back.

“Rose, can we try the siphoning method?”

She rolled her eyes.

“The pox spots only show up when I haven’t eaten. They go away once I’m full.”

You leaned in, nuzzling your nose against hers.

“It can’t hurt to try.”

Rose sighed, and then nodded. You both arose, walking into her trailer. She took out one of the canisters. You’d filled it with the spirit of the Overlook twins after they’d fed from Abra. It was easy enough, coaxing out the spirits. They’d gorged themselves on the little girl, ripped her to shreds, practically. Open up a canister that had a tiny bit of steam, and they’d pounce, only to be sucked inside with the vapors of steam. That’s all these spirits were, after all. Steam with a bit of bite. They tasted good, too.

“Alright, do you want to do the ritual?” Rose asked.

“You’re Irish is better than mine.” you smiled softly.

She nodded, holding your hands in hers.

“Meabhair, suaite, gortú” We are the chosen ones.

“Wounder rúnda, gortú” We are the fortunate ones

“I ngach slí gortaithe” We are the True Knot and we endure. What is tied can never be untied.

You took deep breaths of the steam in, filling your lungs with the haunted essence of the twin girls. Once the entire can was bubbling in your body, you reached forward, breathing the steam that had now become your essence into Rose’s awaiting mouth. In theory, you were breathing your own essence down her throat. Your vaccinated essence.

Her lips found yours once you were done, her hands tangled in your hair as she kissed you hard. She tasted like the blackberry mojitos you’d made an hour ago, tongue rolling over yours.

“I love being alive with you.” Rose moaned, half pulling, half dragging you out of the trailer. She was young again, twenty seven, shimmering and panting with desire.

“Rose!” you giggled.

Her hands ran under your skirt, grabbing your thighs mischievously.

“It is broad daylight.” you snickered.

“And I don’t see anyone around, do you?”

She took an inhale of your hair, catching a whiff of an aura hanging over your head.

“Dreamie, no seizures.” Rose playfully warned.

“Shh. It could be a Big One.” you winked.

It was a new year’s celebration, anyway. A new year, a new decade. Twenty-twenty. Something about those numbers screamed food, or more so, misery. But for the True Knot, misery was food, death and destruction was food.

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[scoobydoodean]

Made a similar post before but... I think people in their minds actually revise 2.03 Bloodlust to be this episode where Sam is on this "Monsters can be good" train before he ever gets kidnapped by Lenore and he then is burdened with the task of convincing poor stupid idiot Dean who isn't as open-minded and rational as he is to think for just one second and then at the end of the episode, pats him on the head and tells him not to feel guilty about it when he finally becomes enlightened like Sam has always been but that is not how that episode goes.

Sam's immediate reaction to the alleged existence of good vampires is not any different from Dean's. He immediately rejects the idea that the vampires aren't hurting anyone, and throughout his entire conversation with Lenore, refuses to believe her until she goes, "Fine. I'll let you go to prove it to you" which rocks his whole ass world.

Face of man having his whole worldview toppled sideways and having to figure out how to adapt:

So yeah after this Sam and Dean get into a 2 minute fight about it which turns into a completely different conversation because Sam decides for the third time in three episodes to try and pretend he's Dean's therapist then (badly) psychoanalyze him about how Gordon is a substitute for their dad and it (shocker) doesn't go well. But then Gordon steals the car and the moment Sam and Dean walk into the room where Gordon is torturing Lenore, Dean's feelings about the entire thing happening in front of him are "This is bad. This is very bad."

The SECOND he enters the room Dean picks a side, and it isn't Gordon's.

Just like Lenore "proved" her goodness to Sam by letting him go, she "proves" her goodness to Dean by resisting the temptation to consume Sam's blood... but Dean started defending Lenore and trying to get Gordon to back off the moment he entered the room.

Dean is also much more thoughtful about where this leaves him and Sam in terms of their past hunts while Sam doesn't consider the past at all?

Istg people rewrite this scene in their minds to be Sam approaching the whole thing from the perspective of someone who was already "enlightened"... but he wasn't. He was equally shocked by the revelation of good vampires possibly existing in this episode. He just doesn't bother to also consider the implications as far as any previous case they've ever been on. He doesn't feel any guilt about it he just lets it go with a shrug and Dean doesn't.

Add to this that in 1.12, Sam was the one with the hardline stance that they couldn't kill humans—ones who would get away with their crimes because they committed them by supernatural means—and that doing so would make them "just as bad" as the things they hunt. The only difference between a human using a reaper to murder people for clout, and a monster murdering people, is the physical characteristics of the monster versus the human. Dean sees a human using a reaper to murder people for clout and says, "they're a monster in my book". He argues they should take care of it because of the human's actions—otherwise there will be no repercussions for the human involved, while Sam draws a hard line that they can't kill a human simply because they're human and for no other reason. This is also crunchy in terms of how it might relate to Sam's eventual feelings about his inner nature making him evil, versus Dean's actions-based analysis.

Sam has a lot of compassion for Max in 1.14, but it's gone by 2.05 when his reaction to Andy is to immediately assume he's a murderer while Dean rightfully thinks there's something else possibly going on... and that's two episodes after 2.03 Bloodlust.

[esterpacks]

𝒑𝒖𝒃𝒍𝒊𝒄 𝒄𝒐𝒎𝒎𝒊𝒔𝒔𝒊𝒐𝒏 !: by clicking on the source link, you’ll find #53 gif icons of andie macdowell in cedar cove. all gifs were made by me from scratch, so please, do not claim as your own, repost or edit. like or reblog if you find this helpful. if you enjoy my work, consider supporting me on ko-fi!